hall & oates - beauty on a back street (piano).pdf
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Management and Direction:Tommy Mottota
ContentsDon't Change 6Why Do Lovers Break Each Other's Heart? 13Winged Bull 17The Girl Who Used To Be 23Emptyness 28Love Hurts, Love Heals 35You Must Be Good For Something 40Bigger Than Both Of Us 47Bad Habits And Infections 53For all works contained herein:
International Copyright Secured, ALL RIGHTS RESERVED, Made in U.SAUnauthorized copying, arranging, adapting, recording or publicperformance is an infringement of copyright. Infringers are liable under the law.
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Daryl Hall and John (Dateparalleled the growth of r-^scfrom the emerging early ace :rock and roll, to the point, w~er=now, they are amonginnovators and leaders in a ge~rthat continually strives for changeand growth. To lead such a TOD;is at the same time frantic arcexciting, not to mentionprecarious.
Their informative musical yearsparalleled each other. Locabands, solo acts, session playerPhiladelphia natives, all of theseare in their background.
History. Today they are asstep with one and other as c".two individuals can be; musical.The rest of their lives are therown, so it's not unusual to hearthem asking each other; "W-'Crdid you do last night?"
But really, Daryl Hall and JOTGates are today's people. In tflast two years, they have earnedtwo gold singles for "Rich Giland "Sara Smile," and four go-:albums. Their three RCA Recorcs."Daryl Hall & John Gates," "BiggerThan Both Of Us," and "Beauty cra Back Street" are R.I.A.A. go>dPlatinum, and gold respective^The breadth of their success haseven reached back into therpast and made one of their ear,albums, "Abandoned Lunchec"-ette" a gold record too.
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They have won two NATRAawards as well. "Sara Smile" wasnamed Best Song of the Year,and they were named Best Duoof the Year.
As for a little irony, Daryl & Johnwere also named Best NewGroup on last year's Rock AwardsShow. Best new group? Well 8years in the making isn't so long,is it?
With the release of "Beauty ona Back Street" late in 1977, DarylHall and John Gates embarkedon an extensive North Americantour, followed closely by a Europ-ean concert schedule.
The performance, as always, isanother extension of these twodiverse yet syncromeshed per-sonalities, and if the seventieshave given birth to two new stars,they are Daryl Hall and JohnGates.
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Words byJohn GatesSara AllenDaryl Hall
Don't ChangeMusic byDaryl Hall
Moderate rock tempo
more than a l i t - tie high._ more than a lit - tie era- zy._ So beau - t i -ful I
had to stare. And 1 . . . _ . : the pow - er to change _ me.
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Scar-let worn - an, you've come for me Your tim -ing's great _ 'cause
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I've been wait - ing so long. The on-ly thing I want to say.
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now that you' ve got me please. don't change. Don't
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I've been wait - ing so long On - ly thing that I want to say,.
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Don't change._ (don't change) don't change don't change.
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?don't change. Don't change my life..
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Your tim - ing's great 'cause I've been wait - ing so. long..
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please,_ please don't change Don't change,. no, don't change, _
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please, don't change my life.. Oh. don't change it, don't
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Why Do LoversEach Other's Heart?WordsDaryl HSaraAl byallen
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Copyright 1977 by Unichappell Music, Inc. & Hot-Cha Music Co.Unichappell Music, Inc. administrator
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Winged BullWords and Music by
Daryl Hall
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Copyright 1977 by Unichappell Music, Inc. & Hot-Cha Music Co.Unichappell Music, Inc. administrator
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18
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The Girl You Can't Remember(Recorded as "The Girl Who Used To Be")
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Words and Music byJohn Gates
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Copyright 1977 by Unichappell Music, Inc. & Hot-Cha Music Co.Unichappell Music, Inc. administrator
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noth-ing_ noth-ing for me to say. And I feel the emp - ti-ness in - side me.
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Dmo
> i f r II've got noth-ing, but the emp -ti - ness in- side me. I've got
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r r LJ-IInoth-ing to show,_ I've got noth - ing to show_ for the emp - ti - ness in- side me. And I'm
-y-r-fo 9 1ft/
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emp - ti - ness in - side me.
"(i t> K x ^ ^ "/ i F '* r r r r-/ - I$ 1 t^-J '
noth-ing.) But the emp-ti -ness in-sideme.
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-
Love Hurts (Love Heals)Moderately
Words and Music byJohn Gates
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ft fi ^-You can
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say that I lied a lot,_ you can
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ow up your
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hands par - don
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Ebm7 Dm7o
^f~-A 0- 1* F * 0 * -m
j_^ L ^ =f 1 ^me. If the man you got was - n't
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^if I'm wrong or not so you'll know where you stand. Love's a test
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Copyright 1977 by Unichappell Music, Inc. & Hot-Cha Music Co.Unichappell Music, Inc. administrator
-
Em70 0 0
F GbassX
mand you've got to find out_ if you're strong-er than I am. (Love
!r^Am9 F/Gbass
x
hurts.) Love hurts bad (Love feels bad.)Feels bad.. (Love heals.) But it's the on-ly thing,_ it's the
,Am9
fi=on - ly
ft* _
(r\ 1
thing
i^ -s
(Love
= f-1 i
m
^
5
m " * u ff sfy r phurts.) Love hurts ba
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m
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d.
-
D SELove feels bad, feels bad. (Love
, ^ ^
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Am?
1^ ^^heals.) But it's the on - ly thing that will keep us to - geth - er First we
i
-
37
Dm7o
Etm7
q *
B 3tfight, then we fall a - sleep then we wake up as friends with
fj J Ji J>= =f ^F^PEm7
0 0 0Am? Em7 Am7 Dm7
O O P 0 0
kiss and a prom-ise we_ won't do it a-gain Can't_you see when the fight - ing ends _ that
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x
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hurts.') Love hurts baH.
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-
F Gbassx
heals.) But it's the on - ly thing, it's the on - ly thing (Love
(Love feels bad.)
But it's the on - ly thing
Dm7o
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fm V.A/
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(Improvise freely)
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tm Aj
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1Repeat and fade
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^-j * fl^ w rr i . ' P ffH Pr IT i . rhurts.) . . - : Love hurts bad. - : _ It feels bad, feels ba
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You must be good for some -
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thing You're much too good for me.. Porn.
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im-ag - i - na - tion, boobs _ on ev -'ry sta - tion, you think it's free 'cause they show
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r^ r g E ib=-J' m 0 0 h *^~J r l t r f r r m *\r$*r* it on the ca - ble T. \ ' .
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Your
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iw - 'rite kind of read - ing is a lyr - ic sheet. The rec - ord that you play, you
J-C Am7
read be - cause it's num - ber one.. Oh, my
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Am?o
Dm?o
B^You must be good for some - thing. You must be good for some - thing
- - - -
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You're much too good for me..
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1 jthere's noth - ing wrong with be
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ing the ma - jor
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You act the on - ly way
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that's e - ven log - i - cal.
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I'm out of time, I know_
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that I could nev - er be like you.
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must
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be good for some
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some-thina.
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re good,
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know that yc
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u're good,
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too good for me.. Hot cha!
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-
45
Coda Co oGOOP
iI know you're good for some thins.
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know that you're good, know that you're good, I know that you're good
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You're tr>" pond for me
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Oh, my.
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You must be good for some - thing.
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jYou must be good for some.
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thing
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-
Bigger Than Both of UsWords by
John OatesDaryl Hall
Music byDaryl Hall
Dm7/Gbassxo
G13
Moderately (h 5
There's a mil - lion like us so we re not a - lone.
tho' 1 can't _ think of one.A mil - lion like us
Dm7/Gbassxo
?There must be a mil - lion peo - pie who are pull - ing a - part_ And they don't_
o 1- j* rn -i t- ?f ff^^
Copyright 1977 by Unichappell Music, Inc. & Hot-Cha Music Co.Unichappell Music, Inc. administrator
-
Em" Abass0 0000
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/ i-/ _ / J
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Dm7/Gbass
We can be - gin _ with a lit - tie bit of hon - es - ty.
Dm7/Gbass
"^ ^S " JYou can tell the truth, girl, when you're talk - ing to me..
1f fJ J J J
GOOP
Em70 0 0
A7
*-And whatcomes_ to my mind_ when I think of you is what am I here_ for? There
glT^ T
-
Fmaj?
must be some - thing more. It's big-ger than both of us. no
noth-ing real - ly lasts for - ev - er. Big-ger than both of us no
mat - ter how I try I can't e - ven work up a sigh for you
J>J 2^ 4 d d J M * J 4 J J
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t " f 1 1 1 1
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-
FmTto Coda
um ooassxo
noth-ing ev - er lasts, noth-ing real - ly lasts for - ev - er.
jMr^^ . J J J-J J JT- , p-q n ' ;< -i fe- J J*"
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Just think of me as an - oth - er
ah1 gl ' f f ^
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G13 Dm7/Gbass
A cu - ri - ous way
G1300
Dm7/Gbass
the time._ Just an - oth - er mem - o - ry when you're
f=f r
Em7/Abass0 0000
A7 Em7/Abass0 00 00
A7
A^
mid - die
A ^~y m$ rH ^?_ ^
aged
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51
Dm7/Gbassxo
Well, there's some - one for the girl with ev - 'ry
se - cure in know - ing that ^hp
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ain't gon - na hreak
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You're too much for me. I'm too much for you
Em7/Abass0 Q Q Q Q
So
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1 1 i^ i^ 1 1 i
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a m m m
what are you here_ for when you know there's some - thing more. It's big - ger than both.
['- t r r i) - ? r r [ p r^^^0 r-r--^f j^ . fz:
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Dm" GbassCoda xo
er. There's a mil - lion like us. It's big - ger than both.
T
iPof us Mil - lion like us.
**fHP^f^
Dm7/Gbassxo
Repeat 5 times
$ m*-* *r-.-S
1. rCi0
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And it's big - ger than both.
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-
Dad Habits and InfectionsModerate rock tempo
Do
Words and Music byDaryl Hall
i*>Say you need some-one to talk ta',_
^IJCome to me like I'm the doc - tor..
P00*f
4 ^ 4 J J J j j ' ,umjjj' J j j ^ j j j ^co o
ITyou want ad - vice go ask your moth - er..
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^ J F F F" 1 1 1 1 1 1 1 1
C/Dbass0
J1' ^One bad turn de-serves an-oth- er._ 'Cause I've been cursed with your in - fee - tion,.
, , ,x T , _ _r 1 1 f 1 1 j
K f f f 1 -. ; - : T - - - ' . - - -*- -^ 1 1 ^ C 1 1 4.
Copyright 1977 by Unichappell Music, Inc. & Hot-Cha Music Co.Unichappell Music, Inc. administrator
-
G Dbass
you're mak - in' my head_ hurt, mak - in' my eyes_ burn. You've
5 F FJJJJJJJJ ^= =3= =r^ ==?= =3= =3=3= J J J J J V J J
c
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tak -
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ta^e in
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1 1
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1
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1
^=on
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1 1
x ^ i j LJ^_ z^j 'and then vou
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-
55
* 3 Sbut if you want this fix I'm the mas - ter..
^r=r
if^think I'm the man for all of your trou - bles.. Let me
" i ^ ^ ^ v v .^ * * * - * - *
bJ
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take your love and give back
C/Dbassoo o
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I've been cursed with your af - fee - tion._ Oo, you're
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J U771 I Jmak - in' my head _ hurt, mak - in' my eyes burn. You've
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tak - en me in the wrong di - rec - tion,
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i fr)l|u-**- ff ^ ^ ^ f 1 \
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A7(sus4)
left me there with no pro - tec no pro - tec - tion
A7 A7(sus4) A7 A7n(sus4) A7 D
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*hab - its can be cured by
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C/Dbass
cut-ting them out, cut - ting them out_ cut-ting them out, cut - ting them out
D
And your in - fee - tions can be cured by
*C/Dbassoo o
cut-ting them out, cut - ting them out cut- ting them out, cut- ting them out
Oh,
-
D(sus4)
may- be your mind_ is so so good, you re a nas - ty hab - it that I ve got - ta let go
c0 0
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#*5 *' p F / j-^ 4 r i i i i H
J IT"] J=h-J. * * * *hurts me deep down hoi - lo
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Do
fe-=; =-4- M r ]~i* * * * t|-J V V *hard on the heart and it does - n't win a prize,
(n J J J~i ,y'f tt 1 1 i i
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C/Dbass00 0
know I m hurt with your af - fee - tion.
-
G/Dbass
M q
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J J j V^^iak - ing my head hurt, ma
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^ ^^ i ? siJ J J J ^ ' * 7 J^k - ing my eyes burn. - . You've
i 1 , ,,,| 1 . | -1
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cut-ting them out, cut - ting them out,_ cut - ting them out, cut - ting them out._
Do
1 0 L 2 r
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i i i < ii f1 1 1 T
^ " jTI1And your in -
1 1 i i i i r ' - T .
fee - tions can b
13 f f i
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; cured
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0
by
- -4 ^ .-
C/Dbass00 0
cut - ting them out, cut - ting them out_ cut - ting them out, cut - ting them out
-
61
E/Dbass0 00
A7(sus4)o
far^-G 1V -^ *U]
v5 ^ a ^ - -3-^ffu'"''* * ^ # r . r . . . . . , - . _
3 in the
0 0 1 1
~~5s ^ *^rain - bow room,
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Ti
M^5> . . .F w m m 0 m
Do C D0 0 0 C D0 0 C D0 0 0
PIPIf you can dodge the drinks that they've been throw - ing at you
i
D C ' D0 0 C D0 0 Do C Do C D_o
F' J J J J JAn - y - way, your boy - friend should be com - ing home soon. _ Then you can hide.
A A'fa *# [
1 i j M - ^jrn:fl,L '* '^ r i 1 1 i 1 1
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C/Dbasso
your life,
E/Dbasso oo A7
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iB IJ
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^' 1 1 1 1
f"'Ti
d
1
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1 1 ' in nand you can hide your life a - way. Ba-by, you can
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E/DbassQ_ 00
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hide your life,
Q fld j r'""i j"a* ^ ^^
Tf^ ^P 1 -Jill - -. -. -. ~
f 1 1A > J ^=4=then vou can
1 1 1 1 1& 4 J J =f=^
44
hi HP. your life a -
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Coda Co o
*jt-fhf sUway. Bad
P
Why don't you come to me like I'm. the doc - tor..
?ir^ fl i =? ;fri j-rWon't yr.il
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icome tc
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i r"i iT_* ^j -i) me like 1'
- W
1 1
;~3 j jj~n the doc - tor.
: J^_J J
1 1 E
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Won't you
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C/Dbass
rg-h.
come to me like T'
^ V ^ , ,
= :
m the doc - tor.
i ^ * J^2
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;J 'f f ^ J J
i i i i - - i - E i r E
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4? J * >! - /-^ *-^ yi r. *]-^ x ^ ^ i!1 J f |come to me_ like I'm the doc - tor. (I'm the doc - tor, I'm the doc-tor.) Won't you
^ 4 V j J- J ' J J ^^ ^ jG/Dbassooc
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Front CoverContents Don't ChangeWhy Do Lovers Break Each Other's Heart?Winged BullThe Girl You Can't Remember (The Girl Who Used To Be)The Emptiness Inside Me (Emptyness)Love Hurts (Love Heals)You Must Be Good For SomethingBigger Than Both Of UsBad Habits And Infections
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