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fromA BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.htmlby José Ángel GARCÍA LANDA
(University of Zaragoza, Spain)
ON SAMUEL BECKETT
Biography
Bair, Deirdre. Samuel Beckett: A Biography. New York: Harcourt, 1978.*
Cronin, Anthony. Samuel Beckett: The Last Modernist. London: HarperCollins-Flamingo, 1996.*
Gussow, Mel. "An Intimate Look at Beckett the Man." New York Times (31 Dec. 1989): 3H, 28H. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 414-16.*
Knowlson, James. Damned to Fame: The Life of Samuel Beckett. London: Bloomsbury, 1996.*
_____. Beckett. Biography. Trans. Oristelle Bonis. Actes Sud, 1999.
Criticism
Abbott, H. Porter. "Farewell to Incompetence: Beckett's How It Is and Imagination Dead Imagine." Contemporary Literature 11.1 (Winter 1970): 36-47. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 166-76.*
_____. The Fiction of Samuel Beckett: Form and Effect. Berkeley: U of California P, 1973.*
_____. "The Harpooned Notebook: Malone Dies and the Conventions of Intercalated Narrative." In Beja, Gontarski and Astier 71-79.*
_____. "Late Modernism: Samuel Beckett and the Art of the Oeuvre." In Around the Absurd. Ed. Enoch Brater and Ruby Cohn. Ann Arbor: U of Michigan P, 1990. 73-96.*
_____. "Beckett and Autobiography." In Beckett Translating / Translating Beckett. Ed. Alan Warren Friedman, Charles
Rossman and Dina Sherzer. University Park: Pennsylvania State UP, 1987.*
_____. Beckett Writing Beckett: The Author in the Autograph. Ithaca: Cornell UP, 1996.*
_____. "Immersions in the Cognitive Sublime: The Textual Experience of the Extratextual Unknown in García Márquez and Beckett." Narrative 17.2 (May 2009): 131-42.*
Abirached, R. "La voix tragique de Samuel Beckett." Etudes 109 (1964).
Acheson, James. "Murphy' s Metaphysics." Journal of Beckett Studies 5 (1979). Rpt. inThe Beckett Studies Reader. Ed. S. E. Gontarski. Gainesville: UP of Florida, 1992. 78-93.
_____. "The Art of Failure: Samuel Beckett's Molloy." Southern Humanities Review 17.1 (1983): 1-18.
_____. "Chess with the Audience: Samuel Beckett's Endgame." In Critical Essays on Samuel Beckett. Ed. Patrick A. McCarthy. Boston: G. K. Hall, 1986.
_____. Samuel Beckett's Artistic Theory and Practice: Criticism, Drama, and Early Fiction. Basingstoke: Macmillan, 1995.
Acheson, James, and Katherina Arthur, eds. Beckett's later Fiction and Drama. Hong Kong: Macmillan, 1987.
Adorno, Theodor W. "Versuch das Endspiel zu verstehen." In Adorno, Noten zur Literatur. Frankfurt: Suhrkamp, 1958. 4th ed., 1974.
_____. "Pour comprendre Fin de partie." In Adorno, Notes sur la littérature. Paris: Flammarion, 1984. 201-38.*
Alber, Jan. "The 'Moreness' or 'Lessness' of 'Natural' Narratology: Samuel Beckett's 'Lessness' Reconsidered." Style 36 (2002): 54-75.
Albérès, René Marie. Métamorphoses du roman. Paris: Albin Michel, 1966.
_____. Metamorfosis de la novela. Madrid: Taurus, 1971.* Albert-Astre, G. "L'humanisme de la poussière." Action (7-13 May
1951). Rpt. in Samuel Beckett, Molloy. Paris: UGE, 1963. 279-81
Albright, Daniel. Representation and the Imagination: Beckett, Kafka, Nabokov, and Schoenberg. Chicago: U of Chicago P, 1981.
Alter, Robert. "Playing Host to the Doppelgänger." TLS (24 sept. 1986): 1190.
Alvarez, A. Samuel Beckett. New York: Viking, 1973._____. Beckett. 1973. Glasgow: Fontana, 1981. Amiran, Eyal. Wandering and Home: Beckett's Metaphysical
Narrative. Pennsylvania State UP.Anders, Günther. "Being without Time: On Beckett's Play Waiting for
Godot." In Samuel Beckett: A Collection of Critical Essays. Ed.
Martin Esslin. Englewood Cliffs (NJ): Prentice-Hall, 1965. 140-51.* Trans. of "Sein ohne Zeit. Zu Becketts Stück En attendant Godot." Neue Schweizer Rundschau (January 1954).
Andonian, Cathleen Culotta. "Conceptions of Inner Landscapes: The Beckettian Narrator of the Sixties and Seventies." Symposium 36.1 (Spring 1982): 3-13. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 357-66.*
_____, ed. The Critical Response to Samuel Beckett. (Critical Responses in Arts and Letters, 30). Greenwood P, 1998.*
Anzieu, Didier. "Le théâtre d'Echo dans les récits de Beckett." In Chabert 39-43.
_____. Beckett et le psychanalyste. Paris: Mentha / Archimbauld, 1992.
Armstrong, Gordon S. Samuel Beckett, W. B. Yeats and Jack B. Yeats: Images and Words. Lewisburg (PA): Bucknell UP/Associated UPs, 1990.
Arrabal, Fernando. "Samuel Beckett." In Arrabal, Genios y figuras. Madrid: Espasa-Calpe, 1993. 23-27.
As No Other Dare Fail: For Samuel Beckett on his Eightieth Birthday. London: Calder; New York: Riverrun, 1989.
Astro, Alan. "Le nom de Beckett." Critique 46 (1990): 737-54.Atkinson, Brooks. Review of Engame. New York Times (29 January
1958): 32. Rpt. in Samuel Beckett: The Critical Heritage. Ed. Lawrence Graver and Raymond Federman. London: Routledge, 1979. 171-172.
Aubarède, Gabriel de. "En attendant Beckett." Entrevista con Beckett. Nouvelles littéraires (16 February 1961); 1, 7. English trans. in Samuel Beckett: The Critical Heritage. Ed. Lawrence Graver and Raymond Federman. London: Routledge, 1979. 216-217.
Axelrod, Max. The Poetics of Novels: Fiction and Its Execution. Houndmills: Macmillan, 1999.
Alain Badiou, Beckett, l'increvable désir. Paris : Hachette, 1995Bair, Deirdre. "No-Man's Land, Hellespont or Vacuum: Samuel
Beckett's Irishness." The Crane Bag 1.2 (1977): 14-20. Baker, Philip. "The Stamp of the Father in Molloy." Journal of Beckett
Studies 5.1 (1996)._____. Beckett and the Mythology of Psychoanalysis. Basingstoke:
Macmillan, 1997.Baril, Germaine. "From Characters to Discrete Events: The Evolving
Concept of Dramatis Personae in Beckett's Radio Plays." Review of Contemporary Fiction 7.2 (Summer 1987): 112-19.*
_____. "From Characters to Discrete Events: The Evolving Concept of Dramatis Personae in Beckett's Radio Plays." In The Critical
Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 211-19.*
Barone, Rosangela. "On the Route of a Walking Shadow: Samuel Beckett's Come and Go." Etudes Irlandaises 10 (Dec. 1985): 117-28. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 262-73.*
Barrault, Jean-Louis. "Artaud, Blin, Beckett: ou le plus grand auteur dramatique des temps modernes." In Chabert 175-178.
Barth, John. "The Literature of Exhaustion." The Atlantic Monthly (August 1967): 29-34.
Bataille, Georges. "Le silence de Molloy." Review of Molloy. Critique 48 (Paris: Minuit, 15 May 1951): 387-96. English trans. in Samuel Beckett: The Critical Heritage. Ed. Samuel Beckett: The Critical Heritage. Ed. Lawrence Graver and Raymond Federman. London: Routledge, 1979.. 55-64.
_____. "Le Silence de Molloy." Critique 48 (Paris: Minuit, 1951); select. "La Vérité dont nous sommes malades" in Les Critiques de notre temps et Beckett. Ed. Dominique Nores. Paris: Garnier, 1971. 42-51.*
Beausang, M. "L'exil de Samuel Beckett: la Terre et le texte." Critique 38 (1982).
Beckerman, Bernard. "Beckett and the Act of Listening." In Brater, Beckett at 80 146-167.
Beckett: WAITING FOR GODOT. (Brodie's Notes). Houndmills: Macmillan.
Beckett: WAITING FOR GODOT. (Macmillan Master Guides). Houndmills: Macmillan.
Begam, Richard. "Splitting the Différance: Beckett, Derrida and the Unnnamable." MFS 38.4 (1992).*
_____. Samuel Beckett and the End of Modernity. Stanford: Stanford UP, dist. Cambridge UP, c. 1998.
Bersani, Leo. Balzac to Beckett. New York: Oxford UP, 1970.Beja, Morris, S. E. Gontarski and Pierre Astier, eds. Samuel Beckett:
Humanistic Perspectives. Columbus (Ohio): Ohio State UP, 1983.*
Ben-Zvi, Linda. "Phonetic Structure in Beckett: From Mag to Gnaw." In Beckett Translating / Translating Beckett. Ed. Alan Warren Friedman, Charles Rossman, and Dina Sherzer.University Park: Pennsylvania State UP, 1987. 155-64.*
_____, ed. Women in Beckett: Performance and Critical Perspectives Urbana: University of Illinois P, 1990.
Bentley, Eric. Review of Waiting for Godot. New Republic (14 May 1956): 20-21. Reimp. con un comentario in Samuel Beckett: The
Critical Heritage. Ed. Lawrence Graver and Raymond Federman. London: Routledge, 1979. 104-111.
Berelis, Guntis. "Beckett is Alive: Texts to Myself." Review of Contemporary Fiction 18.1(1998): 17-45.*
Bernal, Olga. Langage et fiction dans les romans de Beckett. (Le Chemin). Paris: Gallimard, 1969.
_____. Lenguaje y ficción en las novelas de Beckett. Barcelona: Lumen, 1969.*
_____. ["Rien au-dehors, pénurie en dedans"] and ["La tentation des mots."] From Langage et fiction dans les romans de Beckett. In Les Critiques de notre temps et Beckett. Ed. Dominique Nores. Paris: Garnier, 1971. 85-87, 174-79.*
_____. "Le glissement hors du langage." In Samuel Beckett. (Cahier de L'Herne). Ed. Tom Bishop and Raymond Federman. 213-225.*
Berne, Jacques. "Murphy en attendant." Critique 46 (1990): 701-7.*Bersani, Leo, and Ulysse Dutoit. "Beckett's Sociability." The Raritan
12.1 (Summer 1992): 1-19. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 176-89.*
Bigot, Michel. "Adamov, Beckett, Ionesco: Les incertitudes de la communication." Magazine Littéraire 290 (1991): 47-50.*
Billington, Michael. "Rockaby / Ohio Impromptu." The Guardian 23 March 2006.
Birkenhauer, Klaus. Samuel Beckett in Selbstzeugnisse und Bilddokumente. Reinbeck bei Hamburg: Rowohlt, 1971.
_____. Samuel Beckett. Madrid: Alianza, 1976. (Trans. of Samuel Beckett in Selbstzeugnisse und Bilddokumente).
Bishop, Lloyd. "The Fullness of Chaos: Beckett's Trilogy." In Bishop, Romantic Irony in French Literature. Nashville: Vanderbilt UP, 1991. 185-204.*
Bishop, Tom. "Le Penultième monologue." In Bishop and Federman 249-55.
_____. "Beckett Transposing, Beckett Transposed: Plays on Television." In Beckett Translating / Translating Beckett. Ed. Alan Warren Friedman, Charles Rossman, and Dina Sherzer.University Park: Pennsylvania State UP, 1987. 167-73.*
Bishop, Tom, and Raymond Federman, eds. Samuel Beckett. (Cahiers de L'Herne 31). Paris: Editions de L'Herne, 1976. (rpt. Cahier de L'Herne: Samuel Beckett. Paris: Le Livre de Poche).*
Bisschops, Ralf. "Entropie et élan vital chez Beckett." In Beckett & la psychanalyse & Psychoanalysis. Ed Sjef Houppermans. (Samuel Beckett Today / Aujourd'hui 4). Amsterdam: Rodopi, 1996.
Bjornerud, Andreas. "Beckett's Subject." TLS (14 June 1991): 23-24.
Blackman, Maurice. "Mise en forme d'une pièce de Beckett: Play." Cahiers Renaud-Barrault 110. Paris: Gallimard, 1985.
Blanchot, Maurice. "Où maintenant? Qui maintenant?" Review of L'Innommable. Nouvelle Revue Française (1 Oct. 1953): 678-686. English trans. in Samuel Beckett: The Critical Heritage. Ed. Laurence Graver and Raymond Federman. 116-121.*
_____. "Où maintenant? Qui maintenant?" In Blanchot, Le Livre à venir. Paris: Gallimard, 1959.
_____. ["Le vide et l'appel de l'œuvre."] From "Où maintenant?..." In Les Critiques de notre temps et Beckett. Ed. Dominique Nores. Paris: Garnier, 1971. 118-25.*
_____. "Oh tout finir." Critique 46 (1990): 635-7.Blau, Herbert. "The Bloody Show and the Eye of Prey: Beckett and
Deconstruction." Theatre Journal 39 (1987): 5-19._____."The Oversight of Ceaseless Eyes." In Around the Absurd. Ed.
Enoch Brater and Ruby Cohn. Ann Arbor: U of Michigan P, 1990. 279-92.* (Beckett, spectacle).
Blin, Roger. "Conversation avec Linda Peskine." In Samuel Beckett. Special issue of Revue d'Esthétique, ed. Chabert 159-69.
Bloom, Harold. "Beckett . . . Joyce . . . Proust . . .Shakespeare." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 493-514.*
Bode, Christoph. "'Dies zeigt sich': A Wittgensteinian Reading of Samuel Beckett's Dramatic Art." In Twentieth-Century Theatre and Drama in English: Festschrift for Heinz Kosok on the Occasion of His 65th Birthday. Ed. Jürgen Kamm. Trier: Wissenschaftlicher Verlag.
Bonnefoi, Geneviève. "Textes pour Rien?" Les Lettres nouvelles 36 (March 1956): 424-30. Select.: "Le tombeau-refuge." In Les Critiques de notre temps et Beckett. Ed. Dominique Nores. Paris: Garnier, 1971. 132-36.*
_____. Review of Nouvelles et textes pour rien. English trans. in Samuel Beckett: The Critical Heritage. Ed. Laurence Graver and Raymond Federman 139-145.
Bordewijk, Cobi. "The Integrity of the Playtext: Disputed Performances of Waiting for Godot." In Samuel Beckett: 1970-1989. (Samuel Beckett Today / Aujourd'hui 1). Ed. Marius Buning et al. Amsterdam: Rodopi, 1992.
Bosquet, Alain. Review of Le Dépeupleur. Combat (29 March 1971): 10. English trans. in Samuel Beckett: The Critical Heritage. Ed. Lawrence Graver and Raymond Federman. London: Routledge, 1979. 316-321.
Bové, Paul A. "Beckett's Dreadful Postmodern: The Deconstruction of Form in Molloy." In De-Structing the Novel: Essays in Applied
Postmodern Hermeneutics. Troy (NY): Whitston, 1982. 185-222.*
Bowles, Patrick. "How to Fail: Notes on Talks with Samuel Beckett." PN Review 96, 20.4 (March-April 1994).
Boyd, Michael. "Joyce into Beckett: Prolegomena to Any Future Fictions." In Boyd, The Reflexive Novel. London: Associated UPs, 1983. 118-45.
Brak, Dorothée. "Krapp à la lueur manichéenne." In Chabert 316-28.Brater, Enoch. "Not Going Places." Rev. of Mercier and Camier. By
Samuel Beckett. New Republic 172.10 (8 March 1975): 25-26. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 51-54.*
_____. "Fragments and Beckett's Form from That Time and Footfalls." Journal of Beckett Studies 2 (London: John Calder, 1977).
_____. "The Company Beckett Keeps: The Shape of Memory and One Fablist's Decay of Lying." In Samuel Beckett: Humanistic Perspectives. Ed. Morris Beja, S. E. Gontarski and Pierre Astier. Columbus (Ohio): Ohio State UP, 1983. 156-171.*
_____. "Introduction: The Origins of a Dramatic Style." In Brater, Beckett at 80 3-10.
_____. "Voyelles, Cromlechs and the Special (W)rites of Worstward Ho." In Acheson and Arthur.
_____. The Drama in the Text: Beckett's Late Fiction. Oxford: Oxford UP, 1994.*
_____, ed. Beckett at 80 / Beckett in Context. New York: Oxford UP, 1986.
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the Stereotypes." Massachusetts Review (Fall 1959): 40-55.Brienza, Susan. (UCLA) "Sam No. 2: Shepard Plays Beckett with an
American Accent." In Beckett Translating / Translating Beckett. Ed. Alan Warren Friedman, Charles Rossman, and Dina Sherzer.University Park: Pennsylvania State UP, 1987. 181-96.*
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_____. "Balzac to Beckett via God(eau/ot)." In Intertexts in Beckett's Work / Intertextes de l'œuvre de Beckett. (Samuel Beckett Today / aujourd'hui 3). Ed. Marius Buning and Sjef Houppermans. Amsterdam: Rodopi, 1994.
_____. "Quad: Dancing Genders." In The Savage Eye / L'Œil fauve: A Collection of Critical Essays on Samuel Beckett's Film and Television Plays. Ed. Catharina Wulf. (Samuel Beckett Today / Aujourd'hui 4). Amsterdam: Rodopi, 1995.
_____. "The Schizoid Space: Beckett, Deleuze, and L'épuisé." In Beckett & la psychanalyse & Psychoanalysis. Ed Sjef Houppermans. (Samuel Beckett Today / Aujourd'hui 4). Amsterdam: Rodopi, 1996.
_____. Samuel Beckett and the Idea of God. Basingstoke: Macmillan, 1997.
Buning, Marius. "Allegory's Double Bookkeeping: The Case of Samuel Beckett." In Samuel Beckett: 1970-1989. (Samuel Beckett Today / Aujourd'hui 1). Ed. Marius Buning et al. Amsterdam: Rodopi, 1992.
Buning, Marius, Sjef Houppermans and Danièle de Ruyter, eds. Samuel Beckett: 1970-1989. (Samuel Beckett Today / Aujourd'hui 1). Amsterdam: Rodopi, 1992.
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Beckett. Rutherford: Farleigh Dickinson UP, 1987.Burroughs, William. "Beckett and Proust." Review of Contemporary
Fiction 7.2 (1987): 28-32.*Butler, Christopher. After the Wake: Essays on the Contemporary
Avant-Garde. Oxford : Oxford UP, 1980.Butler, Lance St. John. "Two Darks: A Solution to the Problem of
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_____, ed. Critical Essays on Samuel Beckett. Aldershot: Scolar, 1993.Butler, Lance St. John, and Robin J. Davis, eds. Rethinking Beckett: A
Collection of Critical Essays. London: Macmillan, 1990.Calder, John, ed. Beckett at 60: A Festschrift. London: Calder and
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by Samuel Beckett. The Spectator 152 (1 June 1934): 863. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 14-15.*
Cano Vara, Cristina. "Samuel Beckett's Stage Text in Translation: A Revision of Two Spanish Translations of Not I." In Fifty Years of English Studies in Spain […] Actas del XXVI Congreso de AEDEAN, ed. Ignacio Palacios et al. Santiago de Compostela: U de Santiago de Compostela, 2003. 717-23.*
Carr, Jay. "Bare Bones: As a Lady Slips her Moorings, Beckett Sounds a Hopeful Note." Rev. of Rockaby. The Detroit News 19 April 1985. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 273-75.*
Carrera de la Red, María José. "Las novellas de Samuel Beckett: 'the dark he had struggled to keep under'." In Estudios de literatura en lengua inglesa del siglo XX, 3. Ed. P. Abad, J. M. Barrio and J. M. Ruiz. 1996.
_____. "'Thought words Words inane Thought inane': Samuel Beckett's Critique of Language in his Four Novellas." In Proceedings from the 31st AEDEAN Conference. Ed. M. J. Lorenzo Modia et al. CD-ROM: A Coruña: Universidade da Coruña, 2008. 723-32.*
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_____. "Beckett, homme des situations limites." Cahiers Renaud-Barrault 44 (Oct. 1963). Select.: ["Destruction des catégories du temps."] In Les Critiques de notre temps et Beckett. Ed. Dominique Nores. Paris: Garnier, 1971. 91-106.*
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_____. Review of Happy Days. The Nation 193 (7 Oct. 1961). In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 233-35.*
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_____. "Twice Translated Texts: Beckett into English and Chaikin into Theatre." Modern Drama 41.1 (Spring 1998): 7-18
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Weber-Caflish, Antoinette. Chacun son dépeupleur: Sur Samuel Beckett. (Paradoxe). Paris: Minuit.
Wellershoff, Dieter. "Failure of an Attempt at De-Mythologization: Samuel Beckett's Novels." In Samuel Beckett: A Collection of Critical Essays. Ed. Martin Esslin. Englewood Cliffs (NJ): Prentice-Hall, 1965. 92-107.* Trans. of "Gescheiterte Entmythologisierung. Zu den Romanen Samuel Becketts." In Wellershoff, Der Gleichgültige. Versuche über Hemingway, Camus, Benn, und Beckett. Köln: Kiepenheuer and Witsch, 1963.
_____. "Toujours moins, presque rien: Essai sur Beckett." Trans. R. Denturck. In Bishop and Federman 123-47. Trans. of "Gescheiterte Entmythologisierung."
West, Paul. The Modern Novel London: Methuen, 1963.Westendorp, Tjebbe. "Catharsis in Beckett's Late Drama: A New
Model of Transaction?" In Samuel Beckett: 1970-1989. (Samuel Beckett Today / Aujourd'hui 1). Ed. Marius Buning et al. Amsterdam: Rodopi, 1992.
Wicker, Brian. "Samuel Beckett and the Death of the God-Narrator." The Journal of Narrative Technique 4.1 (1974): 62-74.
_____. "Samuel Beckett and the Death of the God-Narrator." In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 39-51.*
Williams, Raymond. Drama from Ibsen to Brecht. 1968. Harmondsworth: Penguin, 1973.*
Wilmer, S. E. Beckett in Dublin. Lilliput Press, 1993.Woodward, Kathleen. "Transitional Objects and the Isolate: Samuel
Beckett's Malone Dies." Contemporary Literature 26.2 (1985): 140-54.*
Worth, Katharine. "Beckett's Auditors: Not I to Ohio Impromptu." In Brater, Beckett at 80 168-192.*
_____. Review of Beckett on and on... By Lois Oppenheim and Marius Buning. Modern Drama 39.4 (Winter 1996): 721-722.*
_____, ed. Beckett the Shape Changer: A Symposium. Boston, 1975._____, ed. Beckett the Shape Changer. London: Routledge, 1975.Wulf, Catharina. "At the Crossroads of Desire and Creativity: A
Critical approach of Samuel Beckett's Television Plays Ghost Trio, ... but the Clouds... and Nacht und Träume.." In Intertexts in Beckett's Work / Intertextes de l'œuvre de Beckett. (Samuel Beckett Today / aujourd'hui 3). Ed. Marius Buning and Sjef Houppermans. Amsterdam: Rodopi, 1994.
_____. "Desire in Beckett's Television Plays: A Psychoanalytical Approach to Film, Quad, Eh Joe and Ghost Trio." In The Savage Eye / L'Œil fauve: A Collection of Critical Essays on Samuel Beckett's Film and Television Plays. Ed. Catharina Wulf. (Samuel Beckett Today / Aujourd'hui 4). Amsterdam: Rodopi, 1995.
_____, ed. The Savage Eye / L'Œil fauve: A Collection of Critical Essays on Samuel Beckett's Film and Television Plays. (Samuel Beckett Today / Aujourd'hui 4). Amsterdam: Rodopi, 1995.
Zaccaria, Paola. "L'Infinito racconto di Samuel Beckett." In Annali della Facoltà di Lingue e Letterature Straniere. Terza Serie (1984): 5, 1-2. Pubblicazione dell' Università di Bari. Fasano di Puglia: Schena Editore. 133-147.*
Zeifman, Hersh. "'The Core of the Eddy': Rockaby and Dramatic Genre." In Beckett Translating / Translating Beckett. Ed. Alan Warren Friedman, Charles Rossman, and Dina Sherzer.University Park: Pennsylvania State UP, 1987. 140-48.*
Zeraffa, Michel. Fictions: The Novel and Social Reality. Trans. Catherine Burns and Tom Burns. Harmondsworth: Penguin, 1976. Trans. of Roman et société. Paris: P.U.F., 1971.
Zilliacus, Clas. "Samuel Beckett and His Whoroscope." Moderna Språk 67.1 (1973): 4-6. In The Critical Response to Samuel
Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 15-17.*
Zinman, Toby Silverman. "Lucky's Dance in Waiting for Godot." Modern Drama 38.3 (1995).*
_____. "Eh Joe and the Peephole Aesthetic." In The Savage Eye / L'Œil fauve: A Collection of Critical Essays on Samuel Beckett's Film and Television Plays. Ed. Catharina Wulf. (Samuel Beckett Today / Aujourd'hui 4). Amsterdam: Rodopi, 1995.
Zozaya Ariztia, Pilar. "External Appearance and Internal Meaning in Waiting for Godot." In Actas del VII Congreso de la Asociación Española de Estudios Anglo-Norteamericanos. Madrid: Ediciones de la UNED, 1986. 253-59.*
_____. "A Semiotic Approach to Beckett's Ohio Impromptu." In Voices of Ireland / Veus d'Irlanda. Ed. Nela Bureu et al. Lleida: Pagès, 1992. 99-106.*
Zschirnt, Christiane. "10. Modernos: Virginia Woolf: La señora Dalloway. T. S. Eliot: Tierra baldía. Thomas Mann: La montaña mágica. Franz Kafka: El proceso. Alfred Döblin: Berlin Alexanderplatz. Robert Musil: El hombre sin atributos. Samuel Beckett: Esperando a Godot." In Zschirnt, Libros: Todo lo que hay que leer. Madrid: Santillana-Taurus, 2004. 215-36.*
Zurbrugg, Nicholas. Beckett and Proust. Gerrards Cross (Inglaterra): Colin Smythe. Totowa (NJ): Barnes and Noble, 1988.*
Anthologies
Johnson, David, ed. The Popular and the Canonical: Debating Twentieth-Century Literature, 1940-2000. (Twentieth-Century Literature: Texts and Debates). London: Routledge, 2004.* (Du Maurier, Rebecca; the poetry of Ginsberg and O'Hara; Dick's Do Androids Dream of Electric Sheep?; Puig's Kiss of the Spider Woman; Beckett's Waiting for Godot; .S. Heaney; Gurna's Paradise; Barker's The Ghost Road).
Bibliography
Federman, Raymond, and John Fletcher. Samuel Beckett: His Works and His Critics. Berkeley: U of California P, 1970.
García Landa, José Ángel. "Bibliografía de las obras de Samuel Beckett (1906-1989)." Revista Alicantina de Estudios Ingleses 5 (1992): 213-39.*http://www.ua.es/dfing/publicaciones/raei/5/abstracts5.htm#Garc2004-11-21
Jacquart, Emmanuel. "Beckett: Bibliographie." In Samuel Beckett. Ed. Pierre Chabert. Special issue of Revue d'Esthétique, 1986. 423-33.*
Mays, J. C. C. "Bibliographie du jeune Beckett." In Beckett avant Beckett: Essais sur le jeune Beckett (1930-45). Ed. Jean-Michel Rabaté. Paris: Presses de l'Ecole Normale Supérieure, 1984. 187-194.*
Films
Film. Dir. Alan Schneider. Screenplay by Samuel Beckett.
Internet resources
Apmonia: A Site for Samuel Becketthttp://www.themodernword.com/beckett/index.html2005-05-26
"Samuel Beckett." In Wikipedia: The Free Encyclopediahttp://en.wikipedia.org/wiki/Samuel_Beckett2009
Samuel Beckett Resources and Linkshttp://www.Samuel-Beckett.net/#x12007-05-21
Journals
Journal of Beckett Studies 2 (London: John Calder, 1977).
Samuel Beckett: Today / Aujourd'hui: An Annual Bilingual Review / Revue Annuelle Bilingue. Ed. Marius Buning and Sjef Houppernmans. Amsterdam: Rodopi; Vol. 1 (1992).
Music
Feldman, Morton. Neither. Opera. Words by Samuel Beckett. Petra Hoffmann. Symphonieorchester des Bayerischen Rundfunks / Kwamé Ryan. Prod. Bayerischen Rundfunk, 1998. (Musica Viva). CD. Col Legno, 2000.*
_____. For Samuel Beckett. 1987. _____. For Samuel Beckett. Klangforum Wien. Sylvain Cambreling.
CD. Kairos Production, 1999.*Feldman, Morton, and Samuel Beckett. Words and Music. CD. Omar
Ebrahim, Stephen Lind. Ensemble Recherche. Prod. 1996. France: Audivis/Naïve-Montaigne, 2001.*
Related works
McGowran, Jack. Beginning to End. One-man TV show, BBC, 1965.Los Hermanos Marx Esperando a Godot. Teatro del Temple. Dir.
Carlos Martín. Zaragoza: Teatro del Mercado, 2003.
Societies and institutions
The Beckett Archive, U of Reading.
The Beckett Society. President: Lois Oppenheim.
Theatrical productions
Los Hermanos Marx Esperando a Godot. Teatro del Temple. Dir. Carlos Martín. Zaragoza: Teatro del Mercado, 2003.
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