paradigmas

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Essence of the ensemble of those meta-theoretical, theoretical and methodical constructs of the research directions.The behaviourism is our paradigma. Added to a bit of psychoanalysis.Ideas as absolute terms of comparison. Templates with which it's possible to decideif something is up to a conformation or not.By knowing who we are it is likely to define whether an action or a person is commonUNcommon.CommonUNcommon as lifestyle and wayto express yourself.As thoughts and actions. Creatures and creation.Pure poetic metaphor?Let's investigate among these brand new charachters, victims and murderers, to findout that only ideas can make time alive. COMMONUNCOMMON Team

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UNCOMMONCOMMON

SEP 2009

05no.PA R A D I G M A S

www.lali.it - fw 2009 - 2010

http://www.lali.it

www.lali.it - fw 2009 - 2010

http://www.lali.it

Essence of the ensemble of those meta-theoretical, theoretical and methodical constructs of the research directions.

The behaviourism is our paradigma. Added to a bit of psychoanalysis.

Ideas as absolute terms of comparison. Templates with which it's possible to decideif something is up to a conformation or not.

By knowing who we are it is likely to define whether an action or a person is commonUN-common.

CommonUNcommon as lifestyle and wayto express yourself.As thoughts and actions. Creatures and creation.

Pure poetic metaphor?

Let's investigate among these brand new charachters, victims and murderers, to findout that only ideas can make time alive.

PA R A D I G M A S

commonuncommon team

coming next onCOMMONUNCOMMON

a film-noir for readers

Investigation:

Art House

a film-noir for readers

00

Mr. Time gets shot dead!

French sartorial dress, 70's at Art House

01

In here, don't knowwho I am.

Sartorial dress, 30's at Art House

In here, don't knowwho I am.

Sacred and profane,amidst his house,I shan't move.

02

He made you move, he knewwhat the movement is.Stay still. I'm your mind.

Sacred and profane,amidst his house,I shan't move.

French sartorial floral dress, 60's at Art House

I've been told to keep away fromhim. He swept everything away.Someone must've stopped him.

03

Time is a murderer. Meanwhile, he's been attacked.

French sartorial dress, 60's at Art House

Let's toast.He will never find us again.

Cheers!

Dress: Moschino, 80's at Art House

04

Let's toast.He will never find us again.

Cheers!

05

05 we get to know timebetter when he's beenstolen

I cannot stay. Can feel his presence, can recognize his other,he might be still alive.

09

07

We shouldn't have forced hisnature. I feel something weirdcoming up.

French sartorial dress, 70's at Art House

08

He was a liar. He wanted to beabsolute, well, poor thing, he wasonly scheduled to be a rule.

Dress: T. Mugler, 80's at Art House

09

10

10He was running faster.He was the meanest entityI had to face.He took all he could to stay alive.

11

Sartorial dress, 70's at Art House

12

As fast as a turbine, you become me and I becomeyou and her and him.

13

14

Yves Saint-Laurent Dress, 70's

15

French sartorial overalls, 70's

Refined mask, refined tricks,I must endeavor to flattenthe ages, the moments,the memories.

16

French sartorial Suit, 70's

May you master teach me howto travel without moving?

17

Jacket: Christian Dior (80's) Hat: Chanel (60's)

I 'm terrified. Someone saw him.Ghostly nightmares of today.

18

Re-vintage dress by A. Franco

What's going on? What...

Hat: Chanel, 70's

Scary landing. Scary as thesecounters... I'm trapped.

19

Scary landing. Scary as thesecounters... I'm trapped.

20

past presentfuturerepresent prejudice and'fataldisorders

21

Hats: Chanel (60's)

He's escaping... We've got tocatch him... Run...

No... Stop. He's dangerous.Unpredictably dangerous.

He's escaping... We've got tocatch him... Run...

22

Swimsuit: Versace (80's)

You haven't yet met me.Run, Sir. Run and go fast.I will catch you.

Don't ever think you're thevictim or the murderer.That is my job.

23

You're done for. You'd better start counting down.

24French sartorial overalls, 70's

I have to hide now.No one must look for me.

24

I have to hide now.No one must look for me.

As his representative,I have the gift to mash it all up,the story, the mistery andthe hours.

So now shuffle your thoughtsand abstract yourselves.

25

Overalls: Walter Albini, late 70's

26

Should be safe in here.If they come, I must turn into you.

27

28

Dress: Amen

29

Pic-nic bag: L'alì

29

Italian sartorial dress, Ungaro textile, 60's

What's this noise?

Storms, thunders, nature can be governed. I can shoutand everything gets its place.

30

Yves Saint-Laurent Dress, 70's

Radio bag: L'alì

31

32

Dress: De Valiè, 60's

if he hadneverexisted, fashionwould'velostits voice.

Sartorial dress: Galaxy Milano, 70's

There's something

33Sartorial dress: Galaxy Milano, 70's

There's something

34

clouds, figures,sparkle,burst into someone else's flowingtime.

35

Dress: Valentino Boutique, 60's

I'm tired of waiting for thisstrange phenomenon.I'm quitting.

Wait...

36

Wait...

37

Shoes: L''alì

38

39

Who knows if he knows.

Dress: Ritz Adler, 70's,

Who knows if he knows.

Dress: Marc Bohan, 70's

Ripped, consumed, transformed,he did the worst he could everimagine. Even after all, I survived him.

40

41

42

Sartorial dress, 30's at Art House

Can be "whenever"I want.

43

Ceremony Hat, 50's

Past, present and future live together.

44

Past, present and future live together.

45

45

Photographers at COMMONUNCOMMON:

Special thanks to:

L'Alìhttp://www.lali.it

Maria Luisa FrisaIUAV, director of the Fashion Design Course, Treviso

Giuseppe Vaccaro

Vanessa García Sacristán

http://www.flickr.com/photos/juseppe/

http://www.vanessagarciasacristan.es

via S.Tomaso, 57/A24121 Bergamo, Italy

T./F. +39.035.233338

vintage by

Art House

The quotes are taken from:

Alice's Adventures in Wonderland (1865),Lewis Carroll

1984 (1948), George Orwell

Lady Chatterley's Lover (1928),

Dr. Jekyll and Mr. Hyde (1886),

Madame Bovary (1857),

D.H. Lawrence

Robert Louis Stevenson

Gustave Flaubert

into thefuturecollecting : : collecting 3 treviso 2nd of july 2009

into thefuturecollecting : : collecting 3 treviso 2nd of july 2009

Accessories and "poor" materials have been the biggest highlight at the third collecting::collecting, both the public and the fashion experts were projected into those marvelsof collections with which students of IUAV Fashion ofTreviso presented warm and neutral tones, materials suchas woods, paper, yuta, creating a new design vision.Sustainable, innovative and interesting studies on hybridization of garments that become versatile andrenewable.

Check it out.

COMMONUNCOMMON

for more info:http://www.iuav.it/Facolta/facolt--di1/design/COLLECTING1/index.htm

Thursday, 10pm 17th of SeptemberAtomic Bar, Via F. Casati Milan, Italy

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