voice area handbook - fredonia
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Voice Area Handbook School of Music
2020-2022
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Voice Area Handbook
TABLEOFCONTENTSPartIPoliciesAndProcedures
VoiceLessonPolicy 3 Barriers/Auditions 3 BarrierExaminations 3 Auditions 3 MasterofMusicDegreePrograms 4 DoubleMajors 4 EnsembleRequirements 4 OperaProductionPracticum 4 MUS120ConcertAttendance 5 Accompanists 5 AccompanimentOption/MUS418 6 ForeignLanguageRequirement 6
PartIIJuriesandRecitals
VoiceJuryExaminations 7 JuryRequirements+ 7 RecitalHearings,Lengths/Timings 10 RecitalRepertoire 11 HonorsRecital/Performer’sCertificate/ ConcertoCompetition 13 EligibilityandTiming 13 Procedure 13 PartIIICurriculumandAddenda
MasterofMusicinVoicePerformance 15 CurriculumCodes 16 VoiceFaculty(Studio/Phone#’s) 16 ProcedureforRecitalPrograms 17 Addenda JuniorandSeniorRecitalProgramNotes 18 VoicePerformanceSeniorPaperandOralDefense 19 GuidelinesforRecitalHearingForms 21 GuidelinesforStudentRecitalPrograms 22 MUSVoiceRequirementsperSemester 24 JuryRequirementsperSemester+ 25
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PartIPoliciesandProceduresVoiceLessonPolicyStudentsacceptedandenrolledinPerformance(366),BFAMusicalTheatre(303),andMusicEducation(152),BachelorofArts(336)andComposition-PerformanceTrackwillreceiveone-hourlessonsbeginningintheFreshmenyear.VoicemajorsinMusicTherapyandSoundRecordingTechnologyandallothercurriculartrackswillreceivehalf-hourlessons.Attendanceatallscheduledlessonsismandatory; PLEASENOTE:MAKE-UPLESSONSWILLBEGIVENONLYINTHECASEOFCANCELLATIONBYTHEVOICETEACHER.Itisexpectedthatallvoicestudentswillpurchasemusicforuseinweeklylessons-justasyouwouldbeexpectedtopurchasetextbooksforuseinotherclasses.Repeateduseofcopiesishighlydiscouraged. REQUIREDVOICEAREAEVENTSStudentsmustparticipateandenrollinMUS120eachsemestertheyareregisteredinstudiolessons,(seeConcertAttendancepage3)wherethestudentisrequiredtoattendaminimumofeightapprovedconcerts(includingfacultysoloandensemblerecitals,WesternNewYorkChamberOrchestra,visitingartists,andmajorstudentensembles)eachsemester.Additionally,voicestudentsarerequiredtoattendSOTAVocalWeekeventsandtheHillmanOpera.BFAMTStudentsshouldconsultwiththeirindividualvoiceteachers.Requiredeventswillbemonitoredthroughyourindividualstudio.Barriers/AuditionsBarrierExaminationsThejuryexaminationattheconclusionofthefourthsemesterofstudyforallappliedvoicemajorsisconsideredaBARRIERexamination.(SeeJuryRequirements,Page5)Thisjurywillserveasanauditionforcontinuationintheprogrambeyondthesecondyear.Also,attheconclusionofthesecondsemesterofstudy,freshmenmajoringinPerformance(366)mustauditionforcontinuationintheprogrambeyondthefirstyear.(SeeJuryRequirements,Page5).SoundRecordingmajorsarethesoleexception,astheyenrollinonlytwosemestersofstudiolessons. AuditionsAllstudents(incomingfreshmen,transferstudentsandstudentscurrentlyenrolledatFredonia)wishingtoauditionforacurricularprogramwithanappliedvoicemajorinvoicemustdosoonascheduledSchoolofMusicauditiondayorduringVoiceJuriesatsemester’send.ThisincludescurrentvoicemajorswishingtochangecurriculawithintheSchoolofMusic.Studentsplanningtochangemajorswithinthevoiceareashouldunderstandthatdoingsomayrequireadditionalsemestersofstudyandthereforewillprolongthestudent’sresidencyatFredonia.SpecialNote:AuditionsfortheBFAinMusicalTheatredegreeprogrammustbeadjudicatedbyrepresentativefacultyfromthedisciplinesofMusic,Theatre,andDance.Studentswho,uponcompletingasuccessfulaudition,areadmittedtotheBFAMusicalTheatredegreeprogramwill,becauseofthecomplexityofthecourseofferingsinthedegreeprogram,berequiredtocompletetwofullyearsofstudyinallthreeareas(Music,Theatre,andDance)beforeundertakingtheSophomoreBarrier.ThisincludesallinternalorexternaltransfersintotheBFAprogram.Currentauditioninformationincludingdatescanbefoundontheschoolofmusicwebsite.
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MasterofMusicDegreeProgramsAnystudentwishingtoauditionforacurriculargraduateprogram(seepage10forM.MinVoicecurriculumrequirement)withanappliedmajorinvoicemusthavecompletedtheirbaccalaureatedegreebeforestartingthenewcourseofstudy.AuditionsforMasterofMusicinPerformanceorMasterofMusicEducation(recitaltrack)degreesmustbeadjudicatedbytheappliedvoicefacultyandacceptedattheappropriatelevel.Theauditionrequirementsareasfollows:MasterofMusicinVoicePerformance• 5selections,oneofwhichisanoperaororatorioaria• Minimumoffour(4)languagesRepertoirerepresentativeofhistoricalstyleperiodsfromtheseventeenthcenturythroughthethetwenty-firstcentury MasterinMusicEducation(recitaltrack)• 4selections• Minimumofthree(3)languagesRepertoirerepresentativeofhistoricalstyleperiodsfromtheseventeenthcenturythroughthetwenty-firstcenturyMasterinMusicEducationin5(recitaltrack)AllstudentswishingtocompletetherecitaltrackoptionforMasterinMUEDin5mustdosoonascheduledSchoolofMusicauditiondayorduringVoiceJuriesatsemester’send.• 4selections• Minimumofthree(3)languagesRepertoirerepresentativeofhistoricalstyleperiodsfromtheseventeenthcenturythroughthetwenty-firstcentury
DoubleMajorsStudentswhochoosetopursueadoublemajormustplantocompletethefullrequirementsforbothprograms.Forexample,astudentearningbothMusicEducationandPerformancemajorswillneedtoplanonnine(9)semestersofcollegeworktoensuresufficienttimetocompleteeight(8)semestersofstudiovoicelessonsaswellasasemesterforpracticeteaching.Ifthebaccalaureaterecitalisnotperformedduringtheeight(8)semesters,thestudentmustmakeprivatefinancialarrangementswiththestudioteacherforlessons.
EnsembleRequirementsAllundergraduatevoicestudents,withtheexceptionofBFAMusicalTheatre(303),arerequiredtoparticipateinamajorchoralensemble(UniversityChorus,CollegeChoir,ChamberSingersorFredoniaCamerata)duringeachsemesterinwhichtheyreceiveprivatevoiceinstruction.Inotherwords,ensembleparticipationmustoccurconcurrentlywithvoicestudyregardlessofdegreeprogramrequirements.Inadditiontothemajorchoralensembles,astudentmayreceiveensemblecreditforparticipationinOperaProductionPracticumand/orOperaSeminar.Performance(366)majorsmust
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haveatleasttwo(2)butnomorethanfour(4)semestersofparticipationinOperaSeminar;allothermajorsmayparticipateinOperaSeminarforamaximumoftwo(2)semesters.
Mus033OperaProductionPracticum*AllfreshmenenrolledinstudiovoicelessonsareREQUIREDtoenrollinone(1)semesterofOperaProductionPracticumduringthefreshmanyear.Allvoiceperformancemajors(366)arerequiredtohaveearnedaminimumoffour(4)semestersofOperaProductionPracticumcreditsbeforethecompletionofthedegreeprogram.(Thefreshmanrequirementnotedabovemaycountasoneofthefourrequiredsemesters.)OperaProductionPracticumcreditmaybeearnedinoneoffourways:1.Workingonaset,costume,lighting,orproductioncrewforoneUniversitystageproductionduringthesemesterofenrollment;atypicalcrewassignmentincludesworkingtwotothreeeveningseachweekforaperiodofapproximatelyfiveweeks.2.Workingonaset,costume,lighting,orproductioncrewforalluniversitystageproductionsduringthesemesterofenrollment;attendanceinthisinstanceisreducedtooneeveningperweekfortheentiresemester.3.WorkingontherunningcrewfortheHillmanOperaintheFallSemesterorOperaScenesintheSpringSemester;Inadditiontoworkingallperformancedates,involvementincludesloading-inandstrikingoftheset,eveninghours(usuallyafter6:00pm)anddaytimehours(takingintoaccountindividualclassschedules)fornomorethantwo(2)weekspriortoopeningnight.ThescheduleisdeterminedbytheTheatreArtsfacultyfortheHillmanOperaandbytheOperaTheatreAdvisors/TechnicalStafffortheOperaScenes.Oftenstudentsarenotrequiredforalloftheabove,butshouldplanonthemaximumtimecommitmentwhenconsideringschedulingoptions.4.PerformingaleadingorsecondaryroleorsinginginthechorusofaUniversityOperaorMainStageMusicalproductionduringthesemesterofenrollment;approvalofsuchrolecreditisgivenbytheVoiceFaculty.*NOTE:ThemaximumnumberofcrewparticipationsforwhichanystudentmayreceiveOperaProductionPracticumcreditisThree(3).AstudentmayreceiveanynumberofOperaProductionPracticumcreditsforapprovedperformances(leading,secondary,andchorusroles). MUS120ConcertAttendanceStudentsmustparticipateandenrollinMUS120eachsemestertheyareregisteredinstudiolessons,attendingeight(8)concertseachsemesterofenrollmentfromagivenlist.Thevoiceareasuggeststhatatleastthreeoftheseconcertsbeoutsidethevoicearea.Itissuggestedthattheremainingfivebefromthe"VoiceareaRecommended"list(VAR).Theseeventsinclude,butarenotlimitedtoallperformancesbymembersoftheVoiceFaculty,majorchoralensembles,guestartists,SOTA(StudentOperaTheatreAssociation)sponsoredevents,andmainstageoperaandmusicaltheatreproductions.AtthebeginningofeachsemestertheVARlistwillbedistributedbytheVoiceFaculty.Upondistribution,theresponsibilityforcompliancewiththeabovepolicyrestssolelywiththeindividualstudent.(Outsideconcertattendancewillbegivencreditatthediscretionofthestudioteacheruponpresentationofproofofattendance;outsideeventsmustbeatorabovethelevelofperformancesfromtheprescribedlist.)Failuretocompletetheabovewillresultinthewithholdingofastudent’sdiploma.
Accompanists
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Itisthestudent’sresponsibilitytofindanaccompanistwhocanbeavailableforlessons,recitalseminar,juries,andperformances.Accompanistswilltypicallybeneededforthesecondhalf-houroflessonseachweek,beginningafterthefirstfewweeksofinitialstudy.Youraccompanistshouldalsobepreparedtorehearsewithyoueachweek.(Singersmustrememberthataccompanistsareequalpartnersinmusicmaking.Ensemblepreparationisnottobeneglected;thisincludesbeingprompttorehearsalsandlessons,andprovidingmusictoaccompanistsinatimelymanner.) Themajorityofvoicemajorswillsecureapianistthroughpayingaprivatefee.Studentsatadvancedlevelsofstudymayrequest,throughtheVoiceAreaHead,astaffaccompanistwhenpossible,andmustmakethisrequestinthesemesterprecedingtheirneed.Somestudentswillbeabletosecureapeer,studentaccompanistforsomeoralloftheiryearsofvocalstudy.
AccompanimentOptionforPerformanceMajorsVoicePerformance(366)majorswillbegiventheoptionoffulfillingtheirMUS418pianorequirementsbyservingasanaccompanistforonevoicestudent,underthesupervisionofbothastudioteacherandtheMUS418classpianoteacher.Requirementswouldincluderegularattendancetoaccompanythevoicestudent’slessons,rehearsingonehourperweekwiththestudent,andpracticingtherepertoirealonetoinsurecompetencyonthepianopart(s).Accompanyingthevoicestudent’sjurywouldserveasthefinalexaminationfortheaccompanist’sMUS418requirements,inadditiontoanydemonstrationthattheMUS418teacherwouldrequest.Iftheperformancemajordoesnotelectthisoption,MUS418mustbecompletedaccordingtothestandardcourserequirements.
ForeignLanguageRequirementforPerformanceMajorsInadditiontothedictioncoursesofferedwithintheSchoolofMusic,VoicePerformance(366)majorsarestronglyadvisedtocompleteaminimumoffour(4)semestersofcollege-levelstudyinforeignlanguageaspartofthedegreeprogram; aminimumoffoursemestersofGerman,French,ItalianorSpanishbyadvisement. StudentsintheAppliedMusic(336)degreeprogramarehighlyencouragedtocompletethislanguagerequirement,thusutilizingforeignlanguagestudytopartiallycompletetheneeded66credithoursoutsidethemajorarea.
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PartIIJuriesandRecitalsVoiceJuryExaminationsVOICEJURIESAREREQUIRED.(SeeexceptionsonPage10)Voicejuriesareonewaythestudenthastodemonstratehis/herprogressinvoice.Atthesametime,voicejuriesoffertheVoiceFacultyanopportunitytoevaluatethestudent’saccomplishmentsinvocalperformanceinrelationshiptothelevelofstudy(MUS126,MUS345,etc.)aswellasinrelationshiptothestudent’scurriculum.Inaddition,thejuriesaffordanopportunityforthefacultytoofferwrittencommentsinorderthatthestudentmaycontinuetogrowasayoungmusician/performer.Numerousfactorsmayenterintoafacultymember’sevaluationofthejury.Someveryimportant(notnecessarilyinpriorityorder)facultyconsiderationsare:1.QualityofPreparation.Including,butnotlimitedtothefollowing:*Accuracy,intermsofcorrectpitchesandrhythms,withgooddiction*Well-preparedaccompanimentsandagoodsenseofensemble*Phrasing,tempo,andsuitabilityofrangeandtessitura*Understandingofthetext~Thereisnosubstituteforthoroughandaccuratepreparation!2.QualityoftheVocalInstrument.Thesizeofthevoiceisonlyonecriterionforjudginginthiscategory.Factorsofimportancearebeautyandclarityoftone,range,vibrato,flexibility,intonation,andtheabilitytosingalegatoline.Thefacultypreferstohearavocaltonewhichisappropriatetotheageofthestudentandhis/herapparentvocalmaturity.3.QualityofthePerformance.Inadditiontoallofthepreviouslymentioneditemsweareconcernedwithfactorssuchas:*Genuineunderstandingofthewords*Expressivevaluesthatarehonest,thoughtful,andinterestingtothelistener*Genuineemotionalinvolvementwiththetext*Desiretocommunicatethemeaningofthewordsandmusic*Anapparentenjoymentof,andcommitmentto,theactofsingingWeasmusiciansareprivilegedtorecreateinourperformancesthemusicofgreatcomposers.TheVoiceFacultyviewsthisindeedasaprivilegeandasaresponsibility.Ourloveoftheartformcanhelpustomeetthechallengeofvocalperformance.Approachthevoicejuriesinthisspirit.ItwasyourloveofmusicwhichbroughtyoutoFredoniainthefirstplace--continuetogrowthroughitandwithit.JuryRequirementsFreshmen-SemesterI,allmajorsThree(3)selectionspreparedandpresentedatthejury.Selectionspresentedatthejurymustincludeatleasttwo(2)languagesandpiecesofcontrastingstyles.Freshmen-SemesterIIPerformance(366)*,MusicalTheatre(303)andMusicEducation(152)Four(4)selectionspreparedandpresentedatthejury.Selectionspresentedatthejurymustincludeatleasttwo(2)languagesandpiecesofcontrastingstyles.*Performance(366)Note:TheSemesterIIjurywillalsofunctionasanauditionforcontinuationintheperformancemajorbeyondthefreshmanyear.
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AllothermajorsThree(3)selectionspreparedandpresentedatthejury.Selectionspresentedatthejurymustincludeatleasttwo(2)languagesandpiecesofcontrastingstyles.Sophomores-SemesterIPerformance(366)Five(5)selectionsprepared/presentedatthejury;mustincludethreelanguagesandcontrastingstyles.MusicalTheatre(303),MusicEducation(152)Four(4)selectionsprepared/presentedatthejury;mustincludeatleasttwolanguagesandcontrastingstyles.AllothermajorsFour(4)selectionsprepared/presentedatthejury.Presentedselectionsmustincludeatleasttwolanguagesandcontrastingstyles.Sophomores-SemesterII(BarrierSemester)Performance(366)Six(6)Selectionsprepared/presentedatthejury;mustincludethreelanguagesandcontrastingstyles;one(1)ofthesixselectionsistobepreparedindependently.MusicalTheatre(303)Five(5)selectionsprepared/presentedatthejury;selectionsmustincludetwo languagesandacontrastofstylesincluding2classicalselections,whichcanincluderepertoirefromthe“GoldenAgeofMusicalTheatre”. NOTE:BFAMusicalTheatrestudentsmustprepareandpresentadanceiftheyarenotadancedoublemajor. MusicEducation(152)Four(4)selectionsprepared/presentedatthejury;selectionsmustincludethreelanguagesandcontrastingstyles.AllothermajorsFour(4)selectionsprepared/presentedatthejury;selectionsmustincludethreelanguagesandcontrastingstyles.JuniorsandSeniors-SemestersI&IIPerformance(366)-JuniorPerformanceRecitalTheJuniorPerformanceRecital,tobegiveninthe345semesterwhenpossible,andmaybejuriedbythreemembersoftheVoiceFaculty.Successfulcompletionofallrecitalrequirements,includingappropriatelanguages,historicalstyles,andtechnicalproficiencieswillbenecessaryforcontinuationintheperformancecurriculum.Ajuryisrequiredonlyifteacherisconcernedthatthestudentmaynotbereadyforaperformancerecitalthefollowingsemester.Ifajuryisrequestedtherequirementswillbeasfollows:Six(6)Selectionsprepared/presentedatthejury;one(1)ofthesixselectionsistobepreparedindependently.Threelanguagesandcontrastingstyles.WrittenRequirements:(1)ProgramNotes-Aspartoftherequirementsforthejunior&seniorrecitalsthestudentwillwriteprogramnotesfortheirrecitalprograms.Theprogramnoteswilladdressmusicalandtextualconsiderationsineachsetorgroupofsongs,aswellasthecomposer’shistoricalandmusicalcontributionsasexpressedbythegivenselection.
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Inadditiontocontent,theprogram’sgradewillbebasedoncorrectgrammarandconstruction,organization,andclarityofcommunication.Afterasuccessfulhearing,theprogramnoteswithpropercitationofresearch,includingfootnotesandbibliography,willbesubmittedbythestudenttoher/hisvoiceteachertwoweekspriortotheperformancedate.(Thefootnotesandandbibliographywillbedeletedfromthefinalprintedprogram).Thenotesshouldbeone-halfpageinlengthandsingle-spaced,foreachsetorsongcycleontheprogram.Theyshouldbedescriptiveofthemusicandseektoillustratetheunifyingthreadorthemearoundwhichtheprogramorsetofsongsisorganized.(Seeaddendumforadditionalinformation).Performance(366)-SeniorPerformanceRecital--WrittenRequirement:(2)SeniorPaperandOralDefensea)Thestudentwillberequiredtowriteapaperdiscussingmusicalandtextualconsiderations,historicalcontext,andthecomposer’shistorical/musicalcontributionsasexpressedbythegivenselection.Thecontentofthepaperwillbebasedononesongcycle,setofsongs,orlargepiecebyonecomposerfromtheseniorrecital(e.g.,DerHirtaufdemFelsen,aBachcantata,SongsofTravel,KnoxvilleSummerof1915).Inadditiontocontent,thepaper’sgradewillbebasedoncorrectgrammarandconstruction,organization,andclarityofcommunication.Thepapershouldbe10pagesminimuminlength,doublespaced,andmustcontainpropercitationofresearch,includingfootnotesandbibliography.b)Inaddition,thestudentwillbepreparedforatwentytothirtyminuteoraldefenseofthepaperwhichwilltakeplaceinlieuofasungjuryinthesemesterprecedingtherecital.(Seeaddendumforadditionalinformation).Note:Three(3)copiesofthepapermustbesubmittedbythestudenttoher/hisvoiceteacherbytheappropriateduedate:
SpringRecital:November1FallRecital:April1
JuniorsandSeniors-SemestersI&IIcon’tMusicalTheatre(303)Six (6) Selections prepared/presented at the jury; Four (4) of these six selections should be prepared as 16 or 32 bar audition style cuts. Two (2) of the six selections should be prepared in their entirety. One (1) of these two un-cut selections prepared independently. AllothermajorsFive(5)selectionsprepared/presentedatthejury;selectionsmustincludethreelanguagesandcontrastingstyles.Graduates-SemestersI&II,Performance(366),MusicEducation(152)Inthosecaseswhereajuryisrequired(Forexample,astudentwhohasnotpresentedarecitalinthepresentsemesterandhasnotpreparedarecitalhearingwouldberequiredtopresentajuryduringfinalsweek),therequirementswillbeasfollows:Six(6)Selectionsprepared/presentedatthejury;one(1)ofthesixselectionsistobepreparedindependently.Threelanguagesandcontrastingstyles.MMChoralConductingstudentswillpresentavarietyofrepertoirewhich,basedonthestudioprofessor’sdiscretion,bestrepresentstheirvocalskillsets. IntheCaseofIllnessattheTimeofaScheduledJuryInthecaseofillnessatthetimeofascheduledjury,anincompletegradewillbeawarded,andamake-upjurywillbescheduledduringthefirsttwo(2)weeksofthesubsequentsemester.Uponcompletionof
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themake-upjuryaChangeofGradeFormwillbeprocessedbythestudioteacher.Ifasecondsemesterseniorisunabletocompletethejuryexamduetoillness,itwillbetheresponsibilityofthestudioteachertoassignagrade.Thefollowingwillbeacceptedinlieuofajuryexaminthesemesterduringwhichtheyarepresented:*JuniorPerformanceRecital*Honors/Concerto/Performer’sCertificateAudition*GraduationRecital*HonorsRecital*SeniorPerformanceRecital*Performer’sCertificateRecital*ConcertoPerformance*SeniorPerformanceofaMajorRole(BFAmajorsandPerformer’sCertificatecandidatesonly.)*SpecialRecitals,LectureRecitals(AtthediscretionoftheVoiceFaculty)TheJuryrequirementswillbereducedbyhalfforthosestudentswhosingmajorroles(asdeterminedbytheVoiceFaculty)intheHillmanOperaorMajor(Mainstage)MusicalTheatreproductions.
RecitalHearings&RecitalLengthsEveryvoicestudentmustpassaRecitalHearingadjudicatedbytheVoiceFacultybeforetheymaypresentanycurricularrecital.Ahearingwillbescheduledaminimumoftwoweeksbeforetherecitaldate.Allpersonsparticipatingintherecitalmustattendthehearing.Atthattimetherecitalistwillpreparecopiesoftheproposedrecital,withaccuratetimingslistedbyeachset,fortheVoiceFaculty.Therecitalistwillbepreparedtosingtheentireprogramfrommemory.Whiletimelimitationsmayrestrictlisteningtothecompleterecital,thefacultywillpickatrandomfromtheprogramandatleastoneselectionfromeachgroupofsongswillbeheard.TheVoiceFacultywillconsiderqualityofpreparation(e.g.,accuracyofpitchesandrhythms,diction,phrasingandtempo,ensemble,understandingoftext)andqualityofperformance(e.g.,expressiveness,genuineunderstandingofthewords,communicationofemotion)todeterminetheoutcomeofthehearing.StudentsshouldalsorefertotheSchoolofMusicRecitalHandbookforfurtherinformation.
RecitalEncorePolicy:NoEncoresAllowed
RecitalLengths GraduationRecital 25-35minutesofpuremusic HonorsGraduationRecital 35-45minutesofpuremusic JuniorPerformanceRecital 35-45minutesofpuremusic SeniorPerformanceRecital 45-55minutesofpuremusic* Performer’sCertificateRecital 45-55minutesofpuremusic* MMPerformance/MUEDRecital 45-55minutesofpuremusic BFAMusicalTheatre:Recitalpoliciesforthisdegreehaveevolved–pleaseconsultwithvoiceandTADAfacultyregardingspecificrequirements.Careshouldbetakentoensurestrictadherencewithtimingslistedabove. *TimingforSeniorPerformance,Performer’sCertificate,andGraduaterecitalsmustincludeintermission.Itisessentialforbothstudioprofessorandstudenttotakefullresponsibilityforaccuratetimingofbothperformanceselectionsaswellasintermissionlength(keepthembrief!)inordertomaintainthebusyscheduleofbothDiersandRoschRecitalHalls.
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• JuniorPerformanceRecitalswillbeheldinDiersRecitalHall. • AllSeniorRecitalswillbeheldinRoschRecitalHall. • BFAMusicalTheatreRecitalsgenerallyoccurinBartlettTheatre,RockefellerArtsCenter,andare
scheduledundertheauspicesofthefacultyoftheDepartmentofTheatreandDance. • BFAMusicalTheatre“Thesis”Recitalsareprogrammedbythestudioprofessorandpresentedin
MasonHall.TheserecitalsfollowtheguidelinesoftheGraduationRecital.
RecitalRepertoireGraduationandJuniorPerformanceRecitalsWorkingwithinthetimingrequirementslistedabove,GraduationandJuniorPerformanceRecitalsshouldcontainaminimumofthree(3)languagesandrepertoirerepresentativeofhistoricalstyleperiodsfromtheseventeenthcenturythroughthetwentiethcentury.Honors,SeniorPerformance,Performer’sCertificate,andGraduate+RecitalsWorkingwithinthetimingrequirementslistedabove,Honors,SeniorPerformance,Performer’sCertificateandGraduateRecitalsshouldcontainaminimumoffour(4)languagesandrepertoirerepresentativeofhistoricalstyleperiodsfromtheseventeenthcenturythroughthetwentiethcentury.+(ForadditionalinformationseerequirementsforMasterofMusicinVoicePerformancePage13).BFAMusicalTheatreRecitalpoliciesforthisdegreehaveevolved–pleaseconsultwithvoiceandTADAfacultyregardingspecificrequirements.
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HonorsRecitals,Performer’sCertificate&ConcertoAwardsEligibilityandTiming●StudentsinMusicEducation(152),MusicalTheatre(303),orAppliedMusic(336)mayauditionforanHonorsRecital,aPerformer’sCertificate,and/oraConcertoperformance.Aminimumgradepointof2.0isrequiredtoqualify.●StudentsinPerformance(366)mayauditionforaPerformer’sCertificateand/oraConcertoperformance,butnotanHonorsRecital.Aminimumgradepointaverageof2.0isrequiredtoqualify.Note:Studentsshouldhaveearned“A”or“A-”gradesinVoiceforthetwoprecedingsemestersinordertoauditionforanaward.●VoiceStudentsarenoteligibletoauditionforanyoftheabovewithoutthesupportandapprovaloftheirstudioteacher.●AuditionsforanyoftheabovearetobetakenintheSpringSemesterduringtheMUS346/336/326/306levels.Studentswhoareoutofsequenceandaretakingodd-numberedlessoncoursenumbers(forexample,MUS325)duringtheSpringSemestermaychoosetotaketheirauditionsineithertheMUS3*5orMUS4*5semesters.Ifthestudentoptstoauditionduringthe445/435/425/405semester,thatstudentmustbeenrolledthefollowingFallSemesterasanundergraduatemusicstudent,pursuingcompletionofthebachelor’sdegree.●AstudentiseligibletoauditionforHonors,Performer’sCertificate,andConcertoonlyonce.Afailureatanylevelofthecompetitionand/orperformancedisqualifiesthestudentfromfurtherconsideration.●GraduatestudentsarenoteligibleforanHonor’sRecitalorPerformer’sCertificateaward.●GraduatestudentswhohavepreviouslywontheConcertoCompetitionasanundergraduatearenoteligible.Astudentmayauditionfor:
§ HonorsRecitalonly(366noteligible)§ HonorsRecitalandConcertoAward(366noteligible)§ HonorsRecital,Performer’sCertificateandConcertoAward(366noteligible)§ Performer’sCertificateandConcertoAward§ Performer’sCertificateonly§ ConcertoAwardonly
Procedure●PreliminaryVoiceAreaConcertoAuditionsareheld3-4weeksprecedingtheConcertoFinalsCompetitiondateannouncedbytheSchoolofMusicPerformanceArea.Selectionsmustbeapprovedbyoneoftheinstrumentalensembleconductors.Selectionsmustbeperformedintheirentiretyfrommemoryatthattime.Studentswillbeselectedbyanonymousfacultyvoteandrequireatotalof80%approvalfromthefacultyjudgesparticipating.VocalstudentsselectedtoparticipateintheConcertoFinalswillproceedtothisfinalleveltobeadjudicatedbyacombinedpanelofSchoolofMusicfacultyfromabreadthofspecialties. ●AuditionsforPerformer’sCertificateandHonorsRecitalswillbeheldduringthejuryweekatadatespecified,inadvance,bytheVoiceFaculty. ●StudentsauditioningforanHonorsRecitalshouldpreparecopiesoftheproposedrecitalfortheVoiceFaculty.Lengthoftherecitalshouldbe35-45minutesofpuremusic(notincludingintermission).Studentsshouldmarkthoseselectionstheyarepreparedtoperformfrommemory;atleastoneselectionfromeachgroupshouldbeprepared.IfConcertoselectionsareapartoftheproposedHonorsRecitalprogram,theywillbeheardintheirentiretyfrommemory.
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●StudentsauditioningforaPerformer’sCertificateshouldpreparecopiesoftheproposedrecitalfortheVoiceFaculty.Lengthoftherecitalshouldbe60minutestotal(includingintermission).Studentsshouldmarkthoseselectionstheyarepreparedtoperformfrommemory;atleastoneselectionfromeachgroupshouldbeprepared.IftheproposedrecitalincludesConcertoauditionselections,theymustbeheardintheirentiretyfrommemory.(StudentsshouldbeawareoffurtherPerformer’sCertificateeligibilityStandardsandRequirementspriortotheiraudition.) ●MembersoftheVoiceFacultyserveastheselectioncommitteeforPerformer’sCertificate,Concerto (firstround)andHonorsRecitalauditions.90%ofthefacultypresentmustvoteinsupportofaPerformer’sCertificatecandidateinordertobeawardedtheopportunitytomoveforward.80%ofthefacultypresentmustvoteinsupportforConcertoinorderforcandidatetomoveforward,and70%ofthefacultypresentmustvoteinsupportforHonorstobeawarded.
PartIIICurriculumandAddenda
MasterofMusicinVoicePerformanceRequirementsforAdmissiontomusicprogramswithoutdeficiencies:•ThecompletionofabaccalaureatedegreeinMusicatanaccreditedfour-yearinstitution.•ApplicantsseekingtheMasterofMusicinPerformancedegreemustauditionforandbeacceptedbytheappropriateappliedmusicfaculty.Generalrequirements:•EachgraduatestudentwillcompletetheCoreCurriculumofrequiredstudiescommontoeveryMasterofMusicdegreeprogram.Thetwocoursesinthecoreare:
MUS521MusicBibliography3credithoursMUS624AnalyticTechniques3credithours
A.•FinalComprehensiveOralExamination-Uponcompletionofallbutsixcredits,or8weeksbeforetheendofthelastsemesterinresidence,thecandidateshallrequest,inwriting,thattheAssociateDirectorforAcademicAffairsoftheSchoolofMusicscheduletheoralexamination.Theexaminationwillcovermainlycourseworktakenduringthedegreeandthecandidate’sfinalprojectorrecital.Studentswillalsobeexpectedtospeakknowledgeablyabouttheoretical,stylisticandhistoricalaspectsofWesternmusicofallhistoricalperiods.Performancemajors,inaddition,willbeexpectedtobefamiliarwiththeirperformancemedium,itspedagogy,anditsliterature.MasterofMusicinVoicePerformanceProgramrequirementsHours1.Aminimumof34credithoursofgraduatelevelcourses,withatleast15credithoursatthe600level,including:a.CoreCurriculum9crAppliedMusic:GraduatePerformanceMajorMUS592and5936crMUS692and6936crMUS615GraduateDiction3crb.Electives:Tocompletethedegreeprogram,studentswillelectPlanAorPlanBwithapprovalofgraduateadvisorfromtheSchoolofMusic.PlanA:Aminimumof10credithoursofmajorelectivecourseswithintheSchool 10cr
ofMusic.ElectivecoursesinTheory,HistoryandLiterature,operaworkshopandsupportingareasofartsandsciencesrelatedtoperformance.___
PlanB:AMinimumof4credithoursofmajorelectivecourseswithintheSchoolof 10crMusicandaminimumof6credithoursoutsidethemajororoutsidethedepartment.Electivesmayincludecoursesofspecialinterestsuchas,butnotlimitedto,operacraft,stagedirection,language,literature,speechpathologywithapprovalofgraduatemusicadvisor.
2.Twosemestersofensembleparticipation(byadvisement)03.Twopublicperformances0 a.Recitalofvocalliteratureinaminimumoffourlanguagesandrepresentativeofhistoricalstyleperiods fromtheseventeenththroughthetwenty-firstcenturies. b.Publicpresentationorperformancebestsuitedtothestudent’scareergoals,i.e.aperformanceofa completeoperaticororatoriorole,lecturerecital,orrecitalconcentratingonstudent’sareaofinterestor Fach.4.FinalComprehensiveOralExamination0 Total34credit
15
CurriculumCodes
CurriculumCode
Major RequiredSemestersofAppliedStudy
RequiredEnsembleCredits
152 MusicEducation(BM,ME*) 6-8,(4*) 12,(0-2*)336 AppliedMusic&Jazztrack
(BA)8 8
Entrepreneurship,MusicTechnology,History&Literature(BA)
4 4
303 MusicalTheatre(BFA) 8 0366 Performance(BM,MM*) 8,(4*) 14,(0-2*)195 Composition-standardtrack
(BM)6(at½hourlevel) 8
Composition–ElectronicMusictrack(BM)
4 4
Composition–Performancetrack(BM)
8(atfullhourlevel) 8
145 SoundRecordingTechnology(BS)
2 2
178 MusicTherapy(BS) 4 4*AppliesonlytoMasterdegreestudents.Ensemble0–2creditsbyadvisement.
VoiceFaculty Faculty Studio Email Studio Phone Dr. Patricia J. Corron 1147 Mason Hall patricia.corron@fredonia.edu 673-4627 Dr. Aurora DePaul 2009 Mason Hall Aurora.Depaul@fredonia.edu 673-3151 Dr. Angela Haas 3146 Mason Hall angela.haas@fredonia.edu 673-4819 Mr. Joe Dan Harper Voice Area Head 3147 Mason Hall joe.harper@fredonia.edu 673-4823
Mr. Daniel Ihasz 3171 Mason Hall ihasz@fredonia.edu 673-4632 Ms Lisa Layman 2025 Mason Hall lisa.layman@fredonia.edu 673-3151 Dr. Adam Luebke 3155 Mason Hall Adam.Luebke@fredonia.edu 673-4822 Ms. Sarah Luebke 2035 Mason Hall Sarah.Luebke@fredonia.edu 673-3151 Ms. Lynne McMurtry 2153 Mason Hall mcmurtry@fredonia.edu 673-4836 Ms. Julie Newell, 2150 Mason Hall julie.newell@fredonia.edu 673-4638 Dr. Robert Strauss 2151 Mason Hall strauss@fredonia.edu 673-3676 Ms. Shinobu Takagi 3152 Mason Hall shinobu.takagi@fredonia.edu 673-4678 Ms. Laurie Tramuta 2154 Mason Hall Laurie.Tramuta@fredonia.edu 673-3297
Dr. Kim Upcraft 2035 Mason Hall kimberly.upcraft-russ@fredonia.edu 673-3151
Mr. Brent Weber 3166 Mason Hall Brent.Weber@fredonia.edu 673-3486
16
StudentProcedureforRecitalProgramsTheMusicOfficeisnotinvolvedintheduplicationofstudentprograms.AcamerareadycopyofyouprogrammustbeapprovedbyyoustudioteacherBEFOREyouhaveitduplicated.Theguidelinesforpreparationandprintingofprogrammaterialsareonthefollowingpage.YouMUSTprovidetheSchoolofMusicofficewith2copiesofyourprogramwithinoneweekofyourrecital.TheOfficewilldistributethemasfollows:1copyASCAP1copyBMI1copyReedLibraryArchives1copyrecitalist’sfile.
Addendum–JuniorandSeniorRecitalProgramNotes
17
AspartoftherequirementsforaBachelorofMusicdegreeinVoicePerformancethestudentwillwriteprogramnotesfortheirjuniorandseniorrecitalprograms.Theprogramnoteswilladdressmusicalandtextualconsiderationsineachsetorgroupofsongs,aswellascomposer’shistoricalandmusicalcontributionsasexpressedbythegivenselection.Inadditiontocontent,theprogramsgradewillbebasedoncorrectgrammarandconstruction,organization,andclarityofcommunication.Afterasuccessfulhearing,theprogramnoteswithpropercitationofresearch,includingfootnotesandbibliography,willbesubmittedbythestudenttohis/hervoiceteachertwoweekspriortotheperformancedate.(Thefootnotesandbibliographywillbedeletedfromfinalprintedprogram).Thenotesshouldbeone-halfpageinlength,singlespaced,foreachsetorsongcycleontheprogram.Theyshouldbedescriptiveofthemusicandseektoillustratetheunifyingthreadorthemearoundwhichtheprogramorsetofsongsisorganized.Inpreparationforwritingtheprogramnotesthestudentshouldexplorethefollowingquestions/ideas:BiographicalandHistoricalperspective:
1. Whenwasthesongwritten?Whatisitsplaceinthehistoryofthegenre?2. Whatkindofcompositionisit?Whatistheplotortext?3. Forwhomorforwhatfunctionorreasonwasitcomposed?4. Whatare the composer’s andpoet’sbirthanddeathdates,nationality?Whatbiographicalor
historicaldataareneededtounderstandeachsongandcompositionalstyle?DescriptionofStyle:
1. Who is singing? What is the relative importance of tone color and dynamics?What are the
noteworthysoundevents?2. Isthestylemodal,tonalatonal?Isthetexturehomophonicorcontrapuntalormixed?Whatis
the nature of the chordal vocabulary, of harmonic rhythms, of dissonance treatment, and ofcadences?Arethereaffectivechordsandtonepainting?
3. Whatisthescaleormode,therange,tessituraandthenatureofmotion?Whatistherangeofdynamics?Aretherecontinuous(spun-out)orclearlyarticulatedphrases?Isthetempoconstantorchanging?Isthemeterregularorirregular?
4. Howdoeslanguageaffectcontourofmelody?Isthemelodydiatonic,skipping,chromatic?Arethereanyrepetitiveorsequentialpatterns?Isthereornamentationandwhere?
5. How does the composer treat the text? Is the music or text more important? How do theyinteract?Isthereuseoftextpainting?Howdoesthetextaffectthemoodandspecificstyleofthepiece?
AnalysisofStructure:
1. What is the overall form of the piece, ABA, through-composed, strophic, modified strophic,rondo?
2. Ifa songcyclewhatare thenumberof songsandthenatureof inter-relationships? Is thereapoetic,thematic,motivic,orharmonicinterconnection?
3. Doesthegrowthprocessofthepieceworkbyspinningoutamelody,motive,contrastandrecurrence?Doesthemelodyandaccompanimentsharematerial?Whatistherelationshipbetweenthemelodyandaccompaniment.
Addendum–VoicePerformancePaperandOralDefense
18
Due: SpringRecital: November1 FallRecital: April1A20-30minuteoraldefensewilltakeplaceinlieuofasungjuryinthesemesterprecedingtherecital.Theappliedteacherwilldeterminetherevisionscheduleforeachstudent.Length: 10pagesminimum,doublespacedContent: Chosefromyourrecitalonesongcycle,setofsongs,orlargeworkbyonecomposer(e.g.,ShepherdontheRock,aBachcantata,SongsofTravel.)Explorethefollowingquestions/ideasindepth.Inyourpaper,includetheinformationthatispertinenttoabetterunderstandingofthiswork.Illustrateusingmeasurenumbersfromyouchosencomposition.
A. BiographicalandHistoricalInformationComposerandPoet Birthanddeathdates Nativeland Biographical/historicaldata Significanthistoricaleventsortrendsofthetimeperiod Musical–styletrendsinartsonginthespecifictimeperiod&country Literary/poetictrendsofthespecifictimeperiod&country World/countrycurrentevents Biographical/historicaldatapertinenttotheunderstandingofthesong Biographical/historicaldatathataffectcompositionalstyle.
B. AnalysisofMusicalSetting1. Form-ABA(tonic-dominant-tonic,major-minor-major,major-relativeminoretc.)through
composed,strophic,modifiedstrophic,etc.
2. Sound-MelodyandAccompaniment:range,tessitura,dynamics
3. Harmony-Harmonicanalysis:includeanalysisofdissonance,modulations,bi-tonality,affectivechords,andtonepainting.
4. Rhythm-Tempo&Meter:Rhythmiceffectofvowel-consonantpatterns;alliteration.
5. Melody-Howdoeslanguageaffectcontourofmelody?Ismelodydiatonic?Skipping?
Chromatic?Anyrepetitiveorsequentialpatterns?Isthereornamentation?
6. Text-Howdoescomposertreatthetext?Inmusicortextmoreimportant?Howdotheyinteract?Isthereuseoftextpainting?Howdoestextaffectthemoodandspecificmusicalstyleofthepiece?
7. Orchestration(ifapplicable)-whatistheoriginalorchestrationofthispiece?Howdoesthisreflectthetimeperiod?Isthevoicetreatedasanequalinstrumentorasasoloist?Giveevidencetosupportyouranswer.Howdothevocalpartandinstrumentationinteract?
Addendum–VoicePerformancePaperandOralDefense
19
Thebodyofyourpapershouldanswerthefollowingquestions:
• Whatarethebasicstylecharacteristicsofthiscomposer?
• Whatarehis/hermainstylisticperiodsand/orfeatures?Whichofthesefeaturesoccurinthe
workyouaresinging?
• Isthispiecedifferentfromhis/hertypicalstyle?Inwhatway?
• Whatcompositionaltechniqueshelptocreatedramaticimpactinthiswork?Bespecific.Use
examplesfromthecompositiontoillustrateyourpoints.
• Enjoyyourresearch.Thisexerciseisintendedtoenrichyourexperienceasanartist.Welook
forwardtoreadingandhearingaboutyourdiscoveries.
Addendum-GuidelinesforRecitalHearingForms
20
• RecitalistsareresponsiblefortheirownHearingForms• Usestandardpagesize81/2”x11”(portrait)printedtwo-sides(fronttoback)ifneeded.• Therecitalcontentmustappearexactlyasintheprogram,usingfont(TimesNewRoman)and
typefaces(bold,caps,italics),andpointsize.• Thepageheadingwillincludethefollowing:specifictypeofrecital,studentname,instrument,
assistingmusicians,day,date,timeandlocation.• Theprogramitselfisideallyononepage.• Thehearingformmusthaveallpiecestobeperformed:titles,movements,composers,
composerdates,andtheaccompanying/assistingperformers.• Formwillincludealeft-handcolumnofspecifictimingforeachpieceinaset(andmayincludea
sub-totalofentireset).Includeafinalsummarytimeoftheentirerecital.• YourHearingFormmustbeapprovedbyyourstudioteacherbeforeyourrecitalhearing.• ExampleHearingForm
Graduation Recital
First Last Name Voice type
With First Last Name, piano
First Last Name, instrument
Day, Date, Time Location
PROGRAM
2:10 min Title Composer 1:50 Title (1935-1999) 3.33 Title Composer 2.14 Title (1935-1999) 4.23 min Recitative & Aria from Oratorio Composer
(1935-1999) First Last Name, instrument INTERMISSIION
Song Cycle Composer 4:39 min Title (1935-1999) 3:28 Title 5:04 Title
4:10 min Title Composer (1935-1999) 2:50 Title Composer (1935-1999) 1.33 Title Composer (1935-1999) 3.14 Title Composer (1935-1999) 35:11 Total
Addendum–GuidelinesforStudentRecitalPrograms
21
GUIDETOPRINTEDRECITALPROGRAMAllprogramsmustconformtothefollowingformat.SeeexampleatStudentRecitalProgram.http://home.fredonia.edu/Student_Recital_Handbook_v2014.pdf
• Recitalistsareresponsiblefortheirownprograms.• Thestandardprogramsizeis11”x81/2”(landscape)one-fold,printedtwo-sides(frontto
back).• Theprogrammustappearexactlyasthesample,usingfont(TimesNewRoman)andtype
faces(bold,caps,italics),andpointsize.• Thecoverwillincludethefollowing:university,school,studentname,instrument,specific
typeofrecital,day,date,time,locationandboilerplatefooters.• Theprogramitselfisideallyononepage,asistheexample.• Theprogrammusthaveallpiecesperformed:titles,movements,composers,composer
dates,andtheaccompanying/assistingperformers.• Thebottomoftheprogrammustincludethestatement“Thisrecitalisinpartialfulfillment
ofthe[nameofdegree]degree”and“Recitalistisastudentof[facultyname].”• Theblankpagesremainingmaybeleftblankorcanincludebiography,acknowledgements,
programnotes,texts,etc.• Holdtheprintedmaterialstooneleafofpaperunlessyourstudioinstructorspecifically
requestsasupplementaryinsert.• Theprogrammustbeprintedon11”x81/2”whiteorivorypaper.• Acamera-readycopyofyourprogrammustbeapprovedbyyourstudioteacheratyour
recitalhearingbeforeyouhaveitcopied.• Theprogrammustbetakenoff-campusforprinting.
LinkstoFormsYouMayNeed:Rehearsal/ReceptionTimeRequestForm
StudentRecitalCancellationForm
PerformanceRecordingRequestForm
Addendum–MUSVoiceRequirementsperSemester
22
DegreeProgram Freshman Sophomore Junior SeniorSRT Mus105 Mus106 Mus100 Mus100 Mus120 Mus120 Mus137 Mus139 Mus138 Mus140 Mus033 Musxxx* Musxxx MUTY Mus105 Mus106 Mus205 Mus206 Mus100 Mus100 Mus200 Mus200 Mus120 Mus120 Mus120 Mus120 Mus137 Mus139 Musxxx Musxxx Mus138 Mus140 Mus033 Musxxx* Musxxx Musxxx Musxxx BofArts Mus125 Mus126 Mus225 Mus226 Mus325 Mus326 Mus425 Mus426Music Mus100 Mus100 Mus200 Mus200 Mus300 Mus300 Mus400 Mus400Appliedtrack Mus120 Mus120 Mus120 Mus120 Mus120 Mus120 Mus120 Mus120& Mus137 Mus139 Musxxx Musxxx Musxxx Musxxx Musxxx MusxxxJazztrack Mus138 Mus140 Mus033 Musxxx* Musxxx Musxxx Musxxx Musxxx Musxxx Musxxx Musxxx BofArtsin Mus125 Mus126 Mus225 Mus226 Entrepreneurship, Mus100 Mus100 Mus200 Mus200 MusicTechnology, Mus120 Mus120 Mus120 Mus120 History&Literature Mus137 Mus139 Musxxx Musxxx Mus138 Mus140 Mus033 Musxxx* Musxxx Musxxx Musxxx BofM-Comp Mus105 Mus106 Mus205 Mus206 Mus305 Mus306 standard Mus100 Mus100 Mus200 Mus200 Mus300 Mus300 track Mus120 Mus120 Mus120 Mus120 Mus120 Mus120 Mus137 Mus139 Musxxx Musxxx Musxxx Musxxx Mus138 Mus140 Mus033 Musxxx* Musxxx
*=ensemble
Addendum–MUSVoiceRequirementsperSemester
23
Freshman Sophomore Junior SeniorBofM-Comp Mus105 Mus106 Mus205 Mus206 Electronic Mus100 Mus100 Mus200 Mus200 Musictrack Mus120 Mus120 Mus120 Mus120 Mus137 Mus139 Musxxx Musxxx Mus138 Mus140 Mus033 Musxxx* Musxxx BofM-Comp Mus125 Mus126 Mus225 Mus226 Mus325 Mus326 Mus425 Mus426ExtendedLessons Mus100 Mus100 Mus200 Mus200 Mus300 Mus300 Mus400 Mus400track Mus120 Mus120 Mus120 Mus120 Mus120 Mus120 Mus120 Mus120 Mus137 Mus139 Musxxx Musxxx Musxxx Musxxx Musxxx Musxxx Mus138 Mus140 Mus033 Musxxx* Musxxx BofM Mus125 Mus126 Mus225 Mus226 Mus325 Mus326 Mus425+ Mus426+Music Mus100 Mus100 Mus200 Mus200 Mus300 Mus300 Mus400+ Mus400+Education Mus120 Mus120 Mus120 Mus120 Mus120 Mus120 Mus120 Mus120 Mus137 Mus139 Musxxx Musxxx Musxxx Musxxx Musxxx+ Musxxx+ Mus138 Mus140 Mus033 Musxxx* Musxxx BofM Mus125 Mus126 Mus245 Mus246 Mus345 Mus346 Mus445 Mus446Performance Mus347 Mus447 Mus100 Mus100 Mus200 Mus200 Mus300 Mus300 Mus400 Mus400 Mus120 Mus120 Mus120 Mus120 Mus120 Mus120 Mus120 Mus120 Mus137 Mus139 Mus213 Mus313 Mus138 Mus140 Mus344 Mus349 Mus033 Mus033 Mus033 Mus033 Musxxx* Musxxx Musxxx Musxxx Musxxx Musxxx Musxxx Musxxx BFA Mus125 Mus126 Mus235 Mus236 Mus335 Mus336 Mus435 Mus435Musical Mus100 Mus100 Mus200 Mus200 Mus300 Mus300 Mus400 Mus400Theater Mus137 Mus138
*=ensemble+=electivesemester
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