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V O C A L E N S E M B L E

A L E X A N D E R L I N G A S, M U S I C D I R E C T O R

B E M O V E D

B E I N S P I R E D

B E W I T H U S

T C H A I K O V S K Y : D I V I N E L I T U R G Y

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Dear friends of Cappella Romana worldwide,

Thank you for being with us “virtually” for this performance, now presented without an in-person audience, but with you at home watching online. I am grateful to my colleague Abigail McKee from Portland Baroque Orchestra who loaned us their video streaming equipment free of charge and assisted us in making the virtual concert possible.

And thank you for supporting this important music that, in my view, has the greatest potential to soothe and calm us in times of distress.

This project has been in the making for nearly two years, after I heard PYC’s amazing skills at their annual summer retreat. I am also grateful to Mia Hall Miller and Brandon Brack as well as Ruth Finn and Maria Karlin at PYC for their tireless efforts to make this project a success.

It is tragic and regrettable that all the months of hard work that Pacific Youth Choir did to prepare for this project went without a performance, however we are looking at the future to make something happen on that front!

Our rehearsals this past week have shown us —adults who are active as professional singers—that the new generation holds out great hope for excellence in choral music in the future.

Thanks also to my dear friend and colleague Benedict Sheehan who crafted and led a beautiful program for PYC and Cappella Romana to sing together.

The program will now be performed only by our professional singers, whose contracts have been honored even in the midst of the coronavirus crisis.

Finally, I want to say something very important: Please make a gift to the performing arts today. Don’t wait, and it doesn’t have to be to Cappella Romana or to Pacific Youth Choir. Just support an organization you truly love, because they will need your support to carry on their work that serves you and the world, in the short and long term. Thank you.

Yours always,

Mark Powell, Executive Director Cappella Romana

UPDATE FOR FACEBOOK LIVE BROADCAST

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Cappella Romana’s 24th release, Lost Voices of Hagia Sophia, is the first vocal album in the world to be recorded entirely in live virtual acoustics. For a thousand years, Hagia Sophia was the largest enclosed space in the world. With a stunning reverberation time of over 11 seconds, the acoustics of Hagia Sophia were measured and analyzed, and auralized in real time on Cappella Romana’s performance by the Icons of Sound team at Stanford University.

Let Lost Voices of Hagia Sophia transport you back in time to medieval sound and ritual in this monumental sixth-century cathedral.

TWO DISCS: CD plus Blu-ray disc in 5.1 and Dolby Atmos surround sound, with documentary film. At all major online retailers and at cappellaromana.org

#1 ON BILLBOARD

CLASSICAL CHART

TWO WEEKS IN A ROW!

“A STELLAR RELEASE!” —Blu-ray.com

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Peter Tchaikovsky: Divine Liturgy

Cappella Romana and the Pacific Youth Choir

Saturday, 14 March 2020 at 7:30 pm Trinity Episcopal Cathedral, Portland, Oregon

Please kindly hold your applause until the end of each half.

Litany of Peace Peter Tchaikovsky / Пётр Чайкoвский (1840-1893)

First Antiphon “Bless the Lord, O my soul” Victor Kallinikov (1870–1927)

Second Antiphon “Praise the Lord, O my soul” in English Benedict Sheehan (b. 1980)

“Only-begotten Son” Tchaikovsky

Third Antiphon (The Beatitudes) Sergei Rachmaninoff (1873–1943)

“Come let us worship” Tchaikovsky

Trisagion Tchaikovsky

Alleluiarion Sheehan

Intermission

The Cherubic Hymn Tchaikovsky

Litany of Supplication Tchaikovsky

The Creed Tchaikovsky

The Anaphora, with “We praise You” Tchaikovsky

“It is truly right” (“Dostoyno yest”) Tchaikovsky

The Lord’s Prayer and “One is Holy,” sung in English Tchaikovsky, adapt. Sheehan

Communion Verse Tchaikovsky

Concerto for Choir “My soul magnifies the Lord” Pavel Chesnokov (1877-1944) Feat. Fotina Naumenko, soprano

Concluding hymns and dismissal Tchaikovsky

Polychronion, sung in English Peter Turchaninov (1779–1856)

Please ensure all electronic devices are switched off (if you were here in person!) Kindly return any extra concert programs for recycling (if we had printed them!)

CAPPELLA ROMANA

Alexander LingasFounder and Music Director

Benedict SheehanGuest Conductor

sopranoPhotini Downie Robinson

Fotina NaumenkoVakare Petroliunaite

Miriam Sheehan

altoKristen Buhler

Kerry McCarthyTalia Maria Sheehan

tenorRev. Daniel Burnett

John CoxChris Engbretson

Rev. Dn. Nicholas Kotar *

bassDavid KruegerMark PowellDavid Stutz

basso profundoGlenn Miller †

* Priest’s role; † Deacon’s role

originally to be performed with THE PACIFIC YOUTH CHOIR

LOST VOICES OF HAGIA SOPHIA

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The Legacy of Tchaikovsky’s Setting of the Divine Liturgy

Russian choral artistry, and especially its sacred choral singing, has long enjoyed the admiration of the Western musical world. After hearing the Choir of the Imperial Chapel of St. Petersburg in 1844, Robert Schumann wrote in his diary that “the Chapel is the most wonderful choir we have ever had the occasion of hearing.” Hector Berlioz was even more effusive about this same ensemble, writing in 1847 that it “surpasses everything we have in Europe… To compare the choral performance in the Sistine Chapel in Rome with these wondrous singers is the same as comparing a miserable little troupe of fiddlers in a third-rate Italian theater with the orchestra of the Paris Conservatoire.” Already in 1824 the Choir of the Imperial Chapel was renowned enough across Europe to be asked to give the world premiere of Beethoven’s Missa Solemnis, one of the most demanding choral pieces of its time, and one that still challenges any choir that attempts it today.

Yet, at the same time, when sacred choral singing in Russia was undergoing a remarkable flowering in

terms of technical execution, Russia had produced a surprisingly modest number of sacred choral compositions that anyone today particularly admires or even remembers. Before 1880 it would have seemed to an outsider that Russia was destined to be a nation that performed sacred choral music, but that had little interest in producing it themselves. Even the few dozen works from the 18th and early 19th centuries that are acknowledged today as masterworks are, with few exceptions, little more than studies in Italian or German music.

Here a careful student of music history might justly ask, what of Glinka, or Mussorgsky, or Borodin, or Dargomyzhsky? Weren’t they acknowledged Russian masters in the first half of the 19th century? Certainly they were. But—and here’s the material point—while they wrote superb instrumental and vocal music with a uniquely Russian voice, they and their contemporaries were effectively prohibited by law from publishing liturgical music.

A little backstory is perhaps in order. Over the course of the 18th century, Russian church music had experienced a massive influx of new compositions by composers trained in the Italian style or simply

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imported from Italy (the so-called “Italianate Period” of Russian music), to the point that church services in many places had, quite literally, become concerts, showcases for music that often eclipsed—or even ran counter to—deeper religious goals. In 1816, in an effort to bring order to what had become a rather chaotic (and often tawdry) picture, Dmitri Bortniansky, then director of the Imperial Chapel, was given legal powers to censor the publication and dissemination of liturgical music. Bortniansky was a highly cultured musician, devout churchman, and masterful composer, and he doubtless meant well. However, in the hands of Bortniansky’s successors, this Decree of 1816 became a blunt legal instrument that served to stifle Russian church music for two generations. By 1871 there were only six names on the official list of approved church composers—Bortniansky himself, Alexei L’vov (Bortniansky’s immediate successor), Maksim Berezovsky (with only one composition listed),

and three others that are all but forgotten today (Makarov, Gribovich, and Vorotnikov). Vladimir Morosan writes: “the censorship process was so intimidating that individuals not connected directly with the Chapel did not even bother to submit works for consideration” (Choral Performance in Pre-Revolutionary Russia, 81 [1986]).

Enter Tchaikovsky. In early 1879, in collaboration with visionary music publisher Peter Jurgenson, Tchaikovsky published his new Liturgy of St. John Chrysostom without the approval of the then Imperial Chapel director, Nikolai Bakhmetev. Bakhmetev promptly banned publication of the Liturgy and ordered the printing plates to be confiscated. Jurgenson, however, turned around and counter-sued the Chapel, claiming that Tchaikovsky’s score was simply a concert work based on sacred texts and that the Chapel had no authority over music intended for concert performance. After a



T H A N K Y O U F O R R E M E M B E R I N G C A P P E L L A R O M A N A I N Y O U R C H A R I T A B L E G I V I N G .

E V E R Y G I F T C O U N T S .E S P E C I A L L Y N O W .T H A N K Y O U .C A P P E L L A R O M A N A . O R G

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highly publicized legal battle, the court ruled in favor of Jurgenson in June of 1879, and in late 1880, Tchaikovsky’s Liturgy became available to the public. For the first time since 1816, new church music had been published in defiance of the Imperial Chapel’s regime. The floodgates stood open. After hearing the work performed in concert at the Moscow Conservatory in November of 1880, Tchaikovksy wrote in a letter to Nadezhda von Meck that this was “altogether one of the happiest moments of my musical career” (M. Tchaikovsky, The Life and Letters Peter Illich Tchaikovsky, 392 [1904]).

In spite of a few half-hearted attempts to reassert dominance on the part of the Imperial Chapel, along with several attempts by the Synod of Moscow to institute its own system of censorship, Russian liturgical composition veritably exploded in the decades after the publication of Tchaikovsky’s Liturgy. Perhaps Russia was trying to make up for lost time. Morosan records that from the 1880s to 1917 “the output of this ‘new Russian school’ of sacred choral composition numbered over forty large-scale works and between nine hundred and one thousand shorter works by twenty-eight major composers” (ibid., 91). What the world now thinks of as “Russian choral music” almost entirely comes from this incredibly fertile thirty-year period leading up to the October Revolution, and all from the seed of Tchaikovsky’s unassuming yet masterful Liturgy.

Tonight’s concert therefore, more than being simply a performance of Tchaikovsky’s score, is a celebration of the Liturgy’s role in bringing about a flowering of creative expression in Russian sacred music. Without this piece—and the bold vision of its

publisher—there would be no Rachmaninoff Vespers, no Grechaninov Passion Week, no Chesnokov, no Kastalsky. Hence, we have taken the liberty of adding in pieces by other composers—including two movements from my own newly published Liturgy of St. John Chrysostom (2020)—in order to show how the work begun by Tchaikovsky continued in the decades after the publication of the Liturgy, and has continued even down to the present day in faraway English-speaking North America. We have also chosen to combine English and Church Slavonic in various parts of tonight’s performance, not simply for the sake of intelligibility, but because this is one very significant factor spurring the evolution of Russian sacred music today. One has only to look to one of this year’s Grammy-nominated recordings, the Liturgy of St. John Chrysostom by American composer Kurt Sander (PaTRAM Institute Singers, Jermihov, 2018), to see that Tchaikovsky’s efforts are still bearing artistic fruit. So, perhaps more than anything else, tonight’s concert is an attempt to say thank you to a composer who opened the door for the rest of us. Peter Illich Tchaikovsky, we owe you a debt of gratitude.

—Benedict Sheehan

Our sincerest thanks to Portland Baroque Orchestra—especially my good friend PBO executive director Abigail McKee—for loaning us their video streaming equipment for this online concert. Special thanks also to videographer Adam Lansky who agreed at the last minute to film the performance. —Mark Powell, Cappella Romana

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Б9eственнаz літургjа во с™hхь nтцA нaшегw їwaнна златоyстагw.

Літургjа њглашeнныхъ.Діaконъ: Бlгослови2, вLко.Їерeй: Бlгословeно цrтво, nц7A и3 сн7а и3 с™aгw д¦а, нhнэ и3 при1снw и3 во вёки вэкHвъ.

Х0ръ: Ґми1нь.

Blazhéstvеnnaya liturgía vo Svyatïh Ottsá náshеgo Ioánna Zlatústago.

Liturgía oglashénñih.Diákon: Blagosloví, vladïko.Iyerey: Blagoslovéno Tsártsvo,

Ottsá i Sïna i Svyatágo Dúha, nïñe i prísno i vo véki vekóv.

Hór: Amíñ.

The Divine Liturgy of our Father among the Saints John Chryso-stom

Liturgy of the CatechumensDeacon: Master, give the blessing.Priest: Blessed is the Kingdom of

the Father, and of the Son, and of the Holy Spirit, now and for ever, and to the ages of ages.

Choir: Amen.

* His Eminence +GERASIMOS of the Greek Orthodox Metropolis of San Francisco, Honorary Chairman of the Board of Cappella Romana

The Great LitanyDeacon: In peace, let us pray to

the Lord.

Х0ръ: ГDи, поми1луй. Ghóspodi pomíluy. Choir: Lord, have mercy. And so after each petition.

For the peace from on high and for the salvation of our souls, let us pray to the Lord.

For the peace of the whole world, for the welfare of the holy Churches of God, and for the union of all, let us pray to the Lord.

For this holy house, and for those who enter it with faith, reverence and the fear of God, let us pray to the Lord.

For our Lord and Eminence, and our Metropolitan Gerasimos,* for the honored order of presbyters, for the diaconate in Christ, for all the clergy and the people, let us pray to the Lord.

For our God-protected country, for its civil authorities and armed forces, let us pray to the Lord.

For this city, for every city, town and village, and for the faithful who dwell in them, let us pray to the Lord.

For favorable weather, an abundance of the fruits of the earth, and temperate seasons, let us pray to the Lord.

For those who travel by land, air or water, for the sick,

the suffering, for those in captivity, and for their safety and salvation, let us pray to the Lord.

For our deliverance from all affliction, wrath, danger and constraint, let us pray to the Lord.

Help us, save us, have mercy on us, and keep us, O God, by your grace.

Commemorating our all-holy, pure, most blessed and glorious Lady, Mother of God and Ever-Virgin Mary, with all the Saints, let us entrust ourselves and one another and our whole life to Christ our God.

Choir: To you, O Lord.

Їерeй: Ћкw подобaетъ тебЁ всsкаz слaва, чeсть и3 поклонeніе, nц7Y и3 сн7у и3 с™0му д¦у, нhнэ и3 при1снw и3 во вёки вэкHвъ.


Iyerey: Yáko podobáyet tebé fsyákaya sláva, chést, i pokloñeñiye, Ottsú i Sïnu i Svyatómu Dúhu, nïñe i prísno, i vo véki vekóv.

Hór: Amíñ.

Priest: For to you belong all glory, honor and worship, to the Father, the Son and the Holy Spirit, now and for ever, and to the ages of ages.

Choir: Amen.

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ҐнтіфHны и3з8wбрази1тельные. Пeрвый ґнтіфHнъ, pал0мъ Rв.Бlгослови2 душE моS гDа.

Бlгословeнъ є3си2 гDи. Бlгослови2 душE моS гDа.

и3 не забывaй всёхъ воздаsній є3гw2.

Њчищaющаго вс‰ беззакHніz тво‰,

и3сцэлsющаго вс‰ недyги тво‰

И#сполнsющаго во бlги1хъ желaніе твоE,

њбнови1тсz ћкw џрлz ю4ность твоS.

Творsй млcтыню гDь, и3 судьбY всBмъ њби6димымъ.

СказA пути6 сво‰ мwmсeови,сыновHмъ ї}лєвымъ хотBніz сво‰.

Щeдръ и3 млcтивъ гDь,

долготерпэли1въ и3 многомлcтивъ.Не до концA прогнёваетсz,нижE во вёкъ враждyетъ. Бlгослови2 душE моS гDа.

и3 вс‰ внyтрєннzz мо‰ и4мz с™0е є3гw2.

Бlгословeнъ є3си2 гDи.

Antifóñi izobrazítеlñiе. Pérvïy antifón, psalóm 102.Blagosloví dushé moyá

Ghóspoda.Blagosloví yesi, Ghóspodi.Blagosloví dushé moyá

Ghóspoda. i ñe zabïváy fséh vozdayáñïy

Yegó.Ochishcháyushchago fsya

bеssakóñiya tvoyá,ischelyáyushchago fsya ñedúgi

tvoyáIspolnyáyushchago vo blagíh

zhеláñiе tvoyé,obnovítsya yáko órlya yúnost

tvoyá.Тvoryáy mílostïñiyu Ghospód, i

sudbú fsem obídimïm.Skazá putí Svoyá Moiséovi,Sïnovom Isráilevïm hotéñiya

SvoyáSchedr i mílostgiv

Ghospod,dolgoterpelív i mnogomílostiv,ñe do kontá progñévayetsia,ñishé v vek vrazhdúyet.Blagosloví dushé moyá

Ghóspoda.i fsya vnútrennyaya moyá ímya

svyatóye Yegó.Blagosloví yesi, Ghóspodi.

The AntiphonsFirst Antiphon (Ps. 102)Bless the Lord,

O my soul, Blessed are you, O Lord.Bless the Lord,

O my soul, and forget not all his

benefits.Who forgives all your

sin,and heals all your

infirmitiesWho satisfies your desire with

good things; your youth shall be renewed like

an eagle’s.The Lord works mercies, and

justice for all who are oppressed.He made known his ways to Moses, His wishes to the children of

Israel. The Lord is compassionate and

merciful, long-suffering and full of mercy.He will not always be wrathful, nor will he be enraged for ever.Bless the Lord,

O my soul, and all that is within me, bless his

holy name Blessed are you, O Lord.

Second AntiphonPsalm 145 (Translated by Donald

Sheehan)

Glory to the Father and to the Son and to the Holy Spirit.

Praise the Lord, O my soul.I shall praise the Lord in my life, I

shall sing to my God my whole life.

Put not your trust in princes in whom there is no salvation.

His breath shall depart, he shall

return to the earth; on that day all his thoughts shall crumble.

Blessed is the one whose help is in the God of Jacob, whose hope is in the Lord his God,

In him who made heaven and earth, the sea and everything in them, who preserves forever the truth,

Who provides justice for the wronged, who provides food for the starving. The Lord sets every prisoner free,

The Lord uplifts the afflicted, the Lord gives wisdom to the blind, the Lord loves greatly the righteous.

The Lord keeps watch over strangers, he shall adopt the orphan and widow, but he shall unmake every sinner’s way.

The Lord shall forever be King, thy God, O Zion, to all generations.

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Steinberg: Passion Week Maximilian Steinberg’s profoundly moving work extends the musical language of Rachmaninoff’s All-Night Vigil. With Holy Week motets by Steinberg’s teacher and father-in-law Rimsky-Korsakov. Also available on 180g vinyl.

“simply beautiful”

The New York Times

Recordings you can enjoy at home

The Fall of Constantinople Cappella Romana’s critically acclaimed program of Byzantine chant and polyphony c. 1453 and motets by Guillaume Dufay explores the musical legacy of New Rome—caught between Latin West and Islamic East.

“a captivating

recital” Gramophone

The Divine Liturgy in English in Byzantine Chant The complete service on two CDs, featuring music drawn from the most authoritative traditions of Byzantine chanting. 40-page booklet with extensive essays on liturgy and Byzantine chant.

“a gift to the

Orthodox world” Again

Cyprus: Between Greek East & Latin West 15th-century sa-cred music in Greek and Latin from Cyprus: hymns praising St. Hilarion of Gaza, prayers for French royalty (from MS Torino J.II.9), and virtuosic Byzantine chants by Constantinopolitan and Cypriot composers.

“artistry of the highest

order” Fanfare

Good Friday in Jerusalem Medieval Byzantine chant for commemorations of Great and Holy Friday in the Church of the Holy Sepulchre, invoking an elaborate stational liturgy that encompassed the sacred Christian topography of the city of Jerusalem.

“simply, irresistible” —Audiophile

Audition

Voices of Byzantium: Medieval Byzantine Chant from Mt. Sinai Byzantine musical treasures from cathedrals and monasteries preserved from destruction in the Egyptian desert at the Greek Orthodox Monastery of St. Catherine at Mt. Sinai.

“robust and intriguing music” Wash-ington Post

Byzantium in Rome: Medieval Byzantine Chant Led by Ioannis Arvanitis, this 2-CD set bears witness to Constantinopolitan music from before the Latin conquest of 1204, as recorded in manuscripts at the Abbey of Grottaferrata near Rome (founded 1004).

American Record Guide

Critics’ Choice

Venice in the East: Renais-sance Crete & Cyprus This profoundly beautiful music bears witness to how ancient Greek and Latin liturgical tradi-tions were richly embellished during the Renaissance on the islands of Crete and Cyprus, within the shared cultural space of Venetian rule.

Billboard Classical Top 10

Début!

LOST VOICES OF HAGIA SOPHIA For a 1000 years, Hagia Sophia was the largest domed interior in the world. Its stunning reverberation—of over 11 seconds— is re-created on this recording. Lost Voices of Hagia Sophia will transport you back in time to medieval sound and ritual in Constantinople as an aural virtual reality.

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Classical 2 weeks in a row!

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Слaва nц7Y и3 сн7у и3 с™0му д¦у.

И# нhнэ и3 при1снw и3 во вёки вэкHвъ, ґми1нь.

Х0ръ: Е#динор0дный сн7е и3 сл0ве б9ій, безсмeртенъ сhй, / и3 и3зв0ливый сп7сeніz нaшегw рaди / воплоти1тисz t с™hz бцdы, и3 приснодв7ы мRjи, / непрел0жнw вочlвёчивыйсz: / распнhйсz же, хrтE б9е, смeртію смeрть попрaвый, / є3ди1нъ сhй с™hz трbцы, / спрославлsемый nц7Y, и3 с™0му д¦у, сп7си2 нaсъ.

Трeтій ґнтіфHнъ, бlжє1нны.Во цrтвіи твоeмъ помzни2 нaсъ гDи, егдa прии1деши во Цaрствии Твоeм.

Бlжeни ни1щіи д¦омъ, ћкw тёхъ є4сть цrтво нбcное.

Бlжeни плaчущіи ћкw тjи ўтёшатсz.

Бlжeни кр0тцыи, ћкw тjи наслёдzтъ зeмлю.

Бlжeни ѓлчущіи и3 жaждущіи прaвды, ћкw тjи насhтzтсz.

Бlжeни млcтивіи, ћкw тjи поми1ловани бyдутъ.

Бlжeни чи1стіи сeрдцемъ, ћкw тjи бGа ќзрzтъ.

Бlжeни миротв0рцы, ћкw тjи сhнове б9іи нарекyтсz.

Бlжeни и3згнaни прaвды прaвди, ћкw тёхъ є4сть цrтво нбcное.

Бlжeни є3стE, є3гдA пон0сzтъ вaмъ, и3 и3жденyтъ, и3 рекyтъ всsкъ ѕ0лъ глаг0лъ, на вы2 лжyще менє2 рaди.

Рaдуйтесz и3 весели1тесz, ћкw мздA вaша мн0га на нб7сёхъ.

Sláva Ottsú i Sïnu i Svyatómu Dúhu.

I nïñe i prísno i vo véki vekóv, Amíñ.

Hór: Yédinoródñïy Sïñe i slóvе Bózhïy, bеssmértеn sïy, / i izvólivïy spaséñiya nashеgo radi / voplotítisya ot Svyatïya Bogoróditsï, i prisnodévï Maríi, / ñeprelózhno vochelovéchivïysya: / raspnïysya zhе, Hristé Bózhe, smértiyu smért poprávïy, / yedín sïy Svyatïya Tróitsï, / sproslavlyáyemïy Ottsú, i Svyatómu Dúhu, spasí nas.

Тrétïy antifón, blazhénñi.Vo tsárstvii tvoyém pomyañí nas

Ghóspodi, yеgdá priídеshï vo Tsárstvii Тvoyém.

Blazhéñi ñíshchii dúhom, yáko téh yést Tsártsvo ñebesnoye.

Blazhéñi plachushchii yáko tíi utéshatsya.

Blazhéñi króttsïi, yáko tíi naslédyat zémlyu.

Blazhéñi álchushchii i zházhdushchii pravdï, yáko tíi nasïtyatsya.

Blazhéñi mílostivii, yáko tíi pomílovañi búdut.

Blazhéñi chístii sérdtsеm, yáko tíi Bóga úzryat.

Blazhéñi mirotvórtsï, yáko tíi sínovе Bózhïi narekútsya.

Blazhéñi izgnáñi právdi rádi, yáko téh yést Tsártsvo ñebesnoye.

Blazhéñi yesté, yegdá ponósyat vám, i izhdеnút, i rekút fsyák ѕól glagól, na vï lzhúshchе mеñé rádi.

Ráduytеsya i vеselítеsya, yáko mzdá vásha mnóga na ñebeséh.

Glory to the Father, and to the Son, and to the Holy Spirit.

Both now and for ever, and to the ages of ages. Amen.

Choir: Only-begotten Son and Word of God, who, being im-mortal, accepted for our salva-tion to take flesh from the holy Mother of God and Ever-Virgin Mary, and without change be-came man; you were crucified, Christ God, by death trampling on death, being one of the Holy Trinity, glorified with the Father and the Holy Spirit: save us!

Third Antiphon (The Beatitudes)In your kingdom remember us, O

Lord, when you come in your kingdom.

Blessed are the poor in spirit, for theirs is the kingdom of heaven.

Blessed are those who mourn, for they shall be comforted.

Blessed are the meek, for they shall inherit the earth.

Blessed are they who hunger and thirst after justice, for they shall be filled.

Blessed are the merciful, for they shall obtain mercy.

Blessed are the pure in heart, for they shall see God.

Blessed are the peacemakers, for they shall be called the children of God.

Blessed are those who are per-secuted for justice’s sake, for theirs is the kingdom of heaven.

Blessed are you when men shall revile you and persecute you and say all manner of evil against you falsely for my sake.

Rejoice and be glad, for great is your reward in heaven.

13

Слaва nц7Y и3 сн7у и3 с™0му д¦у.

И# нhнэ и3 при1снw и3 во вёки вэкHвъ, ґми1нь.

Мaлый вх0дъ со є3ђліемъ.Діaконъ: Премyдрость, пр0сти.Х0ръ: Пріиди1те, поклони1мсz и3 припадeмъ ко хrтY. / спаси1 нaсъ, сн7е б9ій, / воскресhй и3з8 мeртвыхъ, пою1щыz ти2, / ґллилyіа, ґллилyіа, ґллилyіа.

Діaконъ: ГDи, спаси2 бlгочести6выz, И# ўслhши ны2.

Х0ръ: ГDи, спаси2 бlгочести6выz, И# ўслhши ны2.

Діaконъ: . . . И# во вёки вэкHвъ.Х0ръ: Ґми1нь.

Џба ли6ка, три1жды: С™hй б9е, / с™hй крёпкій, / с™hй безсмeртный, / поми1луй нaсъ.

Слaва nц7Y и3 сн7у и3 с™0му д¦у, и3 нhнэ и3 при1снw и3 во вёки вэкHвъ, ґми1нь.

С™hй безсмeртный поми1луй нaсъ.

С™hй б9е, / с™hй крёпкій, / с™hй безсмeртный, / поми1луй нaсъ.

Ґллилyіа, Ґллилyіа, Ґллилyіа.

Sláva Ottsú i Sïnu i Svyatómu Dúhu.

I nïñe i prísno i vo véki vekóv, Amín.

Мálïy vhód so Evangéliеm.Diákon: Premúdrost, prósti.Hór: Priidítе, pokloñímsya i

pripadém ko Hristú. / spasí ñas, Sïñe Bózhïy, / voskresïy iz mértvih, poyúshchiya tí, / allilúiya, allilúiya, allilúiya.

Diákon: Ghóspodi, spasí blagochеstíviya, I uslïshï nï.

Hór: Ghóspodi, spasí blagochеstíviya, I uslïshï nï.

Diákon: . . . I vo véki vekóv.Hór: Amíñ.

Óba líka, trízhdi: Svyatïy Bózhe, Svyatïy Krépkiy, Svyatïy Bessmértnïy, pomíluy nás.

Sláva Ottsú i Sïnu i Svyatómu Dúhu, i nïñe i prísno i vo véki vekóv, amíñ.

Svyatïy Bessmértnïy, pomíluy nás.

Svyatïy Bózhe, Svyatïy Krépkiy, Svyatïy Bessmértnïy, pomíluy nás.

Allilúiya, Allilúiya, Allilúiya.

Glory be to the Father, and to the Son, and to the Holy Spirit.

Both now and ever and to ages of ages. Amen.

Small Entrance with the Gospel.Deacon: Wisdom. Stand upright.Choir: Come, let us worship and

fall down before Christ. Son of God, risen from the dead, save us who sing to you: Alleluia, Alleluia, Alleluia!

Deacon: O Lord, save the pious, And hear us.

Choir: O Lord, save the pious, And hear us.

Deacon: ...and to the ages of ages. Choir: Amen.

The TrisagionChoir, thrice: Holy God, Holy

Strong, Holy Immortal, have mercy on us.

Glory to the Father, and to the Son, and to the Holy Spirit. Both now and for ever, and to the ages of ages. Amen.

Holy Immortal, have mercy on us.

Holy God, Holy Strong, Holy Im-mortal, have mercy on us.

Prokeimenon & Epistle (omiitted)

AlleluiarionSingers: Alleluia, alleluia, alleluia.

SHORT INTERMISSION

14

Херувjмскаz пёснь.Х0ръ: И%же херувjмы тaйнw њбразyюще, и3 животворsщей трbцэ трис™yю пёснь припэвaюще, всsкое нhнэ житeйское tложи1мъ попечeніе.

Сщ7eнникъ: Вaсъ и3 всёхъ правослaвныхъ хrтіaнъ да помzнeтъ гDь бGъ во цrтвіи своeмъ всегдA, нhнэ и3 при1снw и3 во вёки вэкHвъ.


И# конeцъ херувjмстэй пёсни: Ћкw да цRS всёхъ под8и1мемъ, ѓгGльскими неви1димw дорmноси1ма чи1нми. ґллилyіа, ґллилyіа, ґллилyіа.

Hеruvímskaya pésñ.Hór: Ízhе hеruvími táyno

obrazúyushchе, i zhïvotvoryáshchеy troítse trisvatúyu pésñ pripevayushchе, fsyákoye nïñe zhïtéyskoye otlozhím popеchéñiе.

Svyashchénñik: Vas i fséh Pravoslavñih Hristian da pomyañet Ghospód Bog vo tsárstvii svoyém fsegdá, nïñe i prísno i vo véki vekóv.

Hór: Amíñ.

I koñets hеruvímstеy pésñi: Yáko da tsaryá fséh podímеm, ángelskimi ñevídimo dorinosíma chínmi. Allilúiya, allilúiya, allilúiya.

Cherubic HymnWe, who in a mystery represent

the Cherubim and sing the thrice holy hymn to the life-giving Trinity, let us now lay aside every care of this life.

Priest: You and all faithful Ortho-dox Christians, may the Lord God remember in his King-dom, both now and ever and to the ages of ages.

Choir: Amen.

And the completion of the Cherubic Hymn: For we are about to receive the King of all, invisibly escorted by the angelic hosts. Alleluia. Alleluia. Alle-luia.

Litany of the Precious Gifts

Deacon: Let us complete our prayer to the Lord.

Choir: ГDи, поми1луй. Ghóspodi, pomíluy. Lord, have mercy. And so after each of the follow-ing petitions.

Deacon: For the precious gifts here set forth, let us pray to the Lord.

For this holy house and those who enter it with faith, rever-ence and the fear of God, let us pray to the Lord.

For our deliverance from all affliction, wrath, danger and con-straint, let us pray to the Lord.

Help us, save us, have mercy on us and keep us, O God, by your grace.

That the whole day may be per-fect, holy, peaceful and sinless, let us ask of the Lord.

Choir: Подaй гDи. Podáy Ghóspodi. Grant this, O Lord. And so after each of the follow-ing petitions.

Deacon: An angel of peace, a faithful guide, a guardian of our souls and bodies, let us ask of the Lord.

Pardon and forgiveness of our sins and offences, let us ask of the Lord.

Those things which are good and profitable for our souls, and peace for the world, let us ask of the Lord.

That we may live out the rest of

our days in peace and repen-tance, let us ask of the Lord.

A Christian end to our life, pain-less, unashamed and peaceful, and a good defence before the dread judgement seat of Christ, let us ask.

Commemorating our all-holy, pure, most blessed and glorious Lady, Mother of God and Ever-Virgin Mary, with all the Saints, let us entrust ourselves and one another and our whole life to Christ our God.

Choir: ТебЁ, гDи. Теbé, Ghóspodi. To you, O Lord.

15

Priest: Through the compassion of your only-begotten Son, with whom you are blessed, together with your all-holy, good and life-giving Spirit, now and for ever, and to the ages of ages.

Choir: Amen.

Priest: Peace to all.Choir: And to your spirit.Deacon: Let us love one another, that

with one mind we may confess:Choir: Father, Son and

Holy Spirit, Trinity consubstantial and undivided.

Iyerey: Shchеdrótami yedinoródnago Sïna tvoyegó, s ñímzhе blagoslovén yesí, so presvyatïm i blagím i zhïvotvoryáshchim tvoím dúhom, nïñe i prísno i vo véki vekóv.

Hór: Amíñ.

Iyerey: Мír fsem.Hór: I duhovi tvoyemú.Diákon: Вozlyúbim drug drúga,

da yedinomisliеm ispovémi.Hór: Ottsá i Sïna i

Svyatágo Dúha, / tróitsu yedinosúshchnuyu, / i ñerayadélnuyu.

Їерeй: Щедр0тами є3динор0днагw сн7а твоегw2, съ ни1мже бlгословeнъ є3си2, со прес™hмъ и3 бlги1мъ и3 животворsщимъ твои1мъ д¦омъ, нhнэ и3 при1снw и3 во вёки вэкHвъ.


Їерeй: Ми1ръ всBмъ.Х0ръ: И# д¦ови твоемY.Діaконъ: Возлю1бимъ другъ дрyга, да є3диномhсліемъ и3сповёмы.

Х0ръ: Nц7A и3 сн7а и3 с™aго д¦а, / трbцу є3диносyщную, / и3 нераздёльную.

971-227-8740 BROWNPAPERTICKETS.COM CANTORESINECCLESIA.ORG

performed by the adult and youth choirs of

CANTORES IN ECCLESIAwith str ing orchestra

with guest conductor

DAVID HILL, Yale Schola Cantorum & London Bach Choir

Saturday, March 21, 2020, 3 PM

Mount Angel Abbey

1 Abbey Drive, Saint Benedict, OR

Sir James MacMillanSeven Last Words

from the Cross

NB THIS EVENT HAS BEEN POSTPONED

16

И#сповёданіе вёры:Діaконъ возглашaетъ: Двє1ри, двє1ри, премyдростію в0нмемъ.

Вёрую во є3ди1наго бGа nц7A вседержи1телz, творцA нб7у и3 земли2, ви6димымъ же всBмъ и3 неви6димымъ.

и3 во є3ди1наго гDа ї}са хrтA, сн7а б9іz, є3динор0днаго, и4же t nц7A рождeннаго прeжде всёхъ вBкъ: свёта t свёта, бGа и4стинна t бGа и4стинна, рождeнна, не сотворeнна, є3диносyщна nц7Y, и4мже вс‰ бhша. нaсъ рaди человBкъ, и3 нaшегw рaди спасeніz, сшeдшаго съ нб7съ, и3 воплоти1вшагосz t д¦а с™а и3 мRjи дв7ы, и3 вочеловёчшасz. распsтаго же за ны2 при понтjйстэмъ пілaтэ, и3 страдaвша, и3 погребeнна, и3 воскrшаго въ трeтій дeнь по писaніємъ. и3 возшeдшаго на нб7сA, и3 сэдsща њдеснyю nц7A. и3 пaки грzдyщаго со слaвою, суди1ти живы6мъ и3 мє1ртвымъ, є3гHже цrтвію не бyдетъ концA.

и3 въ д¦а с™aго, гDа, животворsщаго, и4же t nц7A и3сходsщаго, и4же со nц7eмъ и3 сн7омъ спокланsема и3 сслaвима, глаг0лавшаго прbр0ки. во є3ди1ну с™yю соб0рную и3 ґпcльскую цRковь. и3сповёдую є3ди1но кRщeніе, во њставлeніе грэхHвъ. чaю воскrніz мeртвыхъ: и3 жи1зни бyдущагw вёка. ґми1нь.

Ispovédañiе véri:Diákon vozglashaеt: Dvéri, dvéri,

premúdrostiyu vónmеm.

Véruyu vo yedínago Bóga Ottsá fsedеrzhítеlya, tvortsá ñébu i zеmlí, vídimïm zhе fsém i ñevídimïm.

i vo yedínago Ghóspoda Iisúsa Hristá, Sïna Bózhïya, yedinoródnago, ízhе ot Ottsá rozhdénnago prézhdе fséh vék: svéta ot svéta, Bóga ístinna ot Bóga ístinna, rozhdénna, ñe sotvorénna, yedinosyshchna Ottsú, ímzhе fsya bïsha, nas rádi chеlovék, i náshеgo rádi spaséñiya, sshédshago s ñebés, i voplotívshagosya ot Dúha Svyáta i Maríi dévï, i vochеlovéchshasya. raspyátago zhе za nï pri pontíystеm pilatе, i stradávsha, i pogrebénna, i voskrésshago f trétïy déñ po pisáñiyem. i vosshédshago na ñebesá, i sedyashcha odesnúyu Ottsá. i páki gryadúshchago so slávoyu, sudíti zhïvïm i mértvïm, yegózhе tsárstviyu ñe búdеt konchá.

i v Dúha Svyatago, Ghóspoda, zhïvotvoryáshchago, ízhе ot Ottsá ishodyáshchago, ízhе so Otsém i Sïnom spoklañyáyema i sslávima, glagólavshago proróki. vo yedínu svyatúyu sobórnuyu i apóstolskuyu tsérkov. ispovéduyu yedíno kreshchéñiyе, vo ostavléñiyе grehóv. cháyu voskreséñiya mértvih: i zhïzñi búdushchago véka. Amíñ.

The CreedDeacon: The doors, the doors.

With wisdom let us attend.

I believe in one God, Father almighty, Maker of heaven and earth, and of all things visible and invisible.

And in one Lord, Jesus Christ, the only-begotten Son of God, begotten from the Father before all ages, Light from Light, true God from true God, begot-ten not made, consubstantial with the Father, through him all things were made. For our sake and for our salvation he came down from heaven, and was incarnate from the Holy Spirit and the Virgin Mary and became man. He was crucified also for us under Pontius Pilate, and suffered and was buried; he rose again on the third day, in accordance with the Scriptures, and ascended into heaven and is seated at the right hand of the Father. He is coming again in glory to judge the living and the dead, and his kingdom will have no end.

And in the Holy Spirit, the Lord, the Giver of life, who proceeds from the Father, who together with Father and Son is wor-shipped and together glorified; who spoke through the Proph-ets. In one Holy, Catholic and Apostolic Church. I confess one Baptism for the forgiveness of sins. I await the resurrection of the dead and the life of the age to come. Amen.

17

Діaконъ: Стaнемъ д0брэ, стaнемъ со стрaхомъ, в0нмемъ, с™0е возношeніе въ ми1рэ приноси1ти.

Х0ръ: Ми1лость ми1ра, / жeртву хвалeніz.

Сщ7eнникъ: Бlгодaть гDа нaшегw ї}са хrтA, и3 любы2 бGа и3 nц7A, и3 причaстіе с™aгw д¦а, бyди со всёми вaми.

Х0ръ: И# со д¦омъ твои1мъ.Сщ7eнникъ: ГорЁ и3мёимъ сердцA.

Х0ръ: И$мамы ко гDу.

Сщ7eнникъ: Бlгодари1мъ гDа.

Х0ръ: Дост0йно и3 прaведно є4сть / покланsтисz nц7Y и3 сн7у и3 с™0му д¦у, / трbцэ є3диносyщнэй и3 нераздёльнэй.

Сщ7eнникъ: Побёдную пёснь пою1ще, вопію1ще, взывaюще и3 глаг0люще.

Х0ръ: Свsтъ, свsтъ, свsтъ гDь саваHfъ, / и3сп0лнь нб7о и3 землS слaвы твоеS: / њсaнна въ вhшнихъ, / бlгословeнъ грzдhй во и4мz гDне, / њсaнна въ вhшнихъ.

Сщ7eнникъ: [Пріими1те, kди1те, сіE є4сть тёло моE, є4же за вы2 ломи1мое во њставлeніе грэхHвъ.]

Х0ръ: Ґми1нь.Сщ7eнникъ: [Пjйте t неS вси2, сіS є4сть кр0вь моS н0вагw завёта, ћже за вы2 и3 за мнHги и3зливaемаz, во њставлeніе грэхHвъ.]


Diákon: Stáñem dóbre, stáñem so stráhom, vónmеm, svyatóye voznoshéñiyе v míre prinosíti.

Hór: Мílost míra, / zhértvu hvaléñiya.

Svyashchénñik: Blagodat Ghóspoda nashеgo Iisúsa Hristá, i lyubí Bóga i Ottsá, i prichastiе Svyatágo Dúha, búdi so fsémi vami.

Hór: I so dúhom tvoím.Svyashchénñik: Goré iméyim

serdtsá.Hór: Ímamï ko

Ghóspodu.Svyashchénñik: Blagodarím

Ghóspoda.Hór: Dostóyno i právеdno

yést / poklanstisya Ottsú i Sïnu i Svyatómu Dúhu, / trbche yedinosyshchñey i ñerayadélñey.

Svyashchénñik: Pobédnuyu pésñ poyúshchе, vopiyúshchе, vyaivayushchе i glagólyushchе.

Hór: Svyát, svyát, svyát Ghospód savaóf, / ispólñ ñébo i zemlyá slavï tvoyeyá: / osánna v vïshñih, / blagoslovén gryadïy vo ímya Ghospódñe, / osánna v vïshñih.

Svyashchénñik: [Priimítе, yadítе, siyé yést télo moyé, yézhе za ví lomímoye vo ostavléñiе grehóv.]

Hór: Amíñ.Svyashchénñik: [Píitе ot ñeyá

fsí, siyá yést króv moyá nóvago zavéta, yázhе za ví i za mnógi iyalivaеmaya, vo ostavléñiе grehóv.]

Hór: Amíñ.

The Holy Oblation (Anaphora)Deacon: Let us stand with awe;

let us stand with fear; let us at-tend, that we may offer the holy oblation in peace.

Choir: Mercy and peace: a sacri-fice of praise.

Priest: The grace of our Lord Je-sus Christ, and the love of God the Father, and the communion of the Holy Spirit be with you all.

Choir: And with your spirit.Priest: Let our hearts be on

high.Choir: We have them

with the Lord.Priest: Let us give thanks to the

Lord.Choir: It is right and fitting, to

bow down to the Father, and the Son and the Holy Spirit, the Trinity, consubstantial and undivided.

Priest: ... singing, crying, shout-ing the triumphal hymn, and saying:

Choir: Holy, holy, holy, Lord of hosts; heaven and earth are full of your glory. Hosanna in the highest. Blessed is he who comes in the name of the Lord. Hosanna in the highest.

Priest: [... Take, eat; this is my body, which is broken for you, for the forgiveness of sins.]

Choir: Amen.Priest: [... Drink from this, all of

you; this is my blood of the New Testament, which is shed for you and for many for the forgiveness of sins.]

Choir: Amen.

18

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Сщ7eнникъ: [Тво‰ t твои1хъ тебЁ приносsще њ всёхъ и3 за вс‰ —]

Х0ръ: — ТебE поeмъ, / тебE бlгослови1мъ, / тебЁ бlгодари1мъ гDи, / и3 м0лимъ ти сz, б9е нaшъ.

Сщ7eнникъ: И#зрsднw њ прес™ёй, пречcтэй, пребlгословeннэй, слaвнэй вLчцэ нaшей бцdэ и3 приснодв7э мRjи.

Х0ръ: Дост0йно є4сть ћкw вои1стинну / блажи1ти тS бцdу, / приснобlжeнную, и3 пренепор0чную, / и3 м™рь бGа нaшегw. / честнёйшую херув‡мъ, / и3 слaвнэйшую без8 сравнeніz сераф‡мъ, / без8 и3стлёніz бGа сл0ва р0ждшую, / сyщую бцdу тS величaемъ.

Діaконъ: . . . И# всёхъ и3 вс‰.Пэвцы2 пою1тъ: И# всёхъ и3 вс‰.

Сщ7eнникъ: И# дaждь нaмъ є3ди1нэми ўсты2 и3 є3ди1нэмъ сeрдцемъ слaвити и3 воспэвaти пречcтн0е и3 великолёпое и4мz твоE, nц7A и3 сн7а и3 с™aгw д¦а, нhнэ и3 при1снw и3 во вёки вэкHвъ.


Svyashchénñik: [Тvoyá ot tvoíh tеbé prinossyáshchе o fséh i za fsya —]

Hór: — Теbé poyém, / tеbé blagoslovím, / tеbé blagodarím Ghóspodi, / i mólim ti sya, Bózhe nash.

Svyashchénñik: Izryádno o presviatéy, prechístеy, preblagoslovénñey, slávñey vladïchitse náshеy Bogoróditse i prisnodévе Maríi.

Hór: Dostóyno yést yáko voístinnu / blazhïti tyá Bogoróditsu, / prisnoblazhénnuyu, i preñeporóchnuyu, / i Máter Bóga náshеgo. / chеstñeyshuyu hеruvím, / i slávñeyshuyu bez sravñéñiya serafím, / bez istléñiya Bóga slóva rózhdshuyu, / súshchuyu Bogoróditsu tyá vеlicháyеm.

Diákon: ... I fséh i fsya.Pevchí poyút: I fséh i fsya.

Svyashchénñik: I dazhd nam yedíñemi ustï i yedíñem sérdtsеm slaviti i vospevati prechestnóyе i vеlikolépoye ímya tvoyé, Ottsá i Sïna i Svyatágo Dúha, nïñe i prísno i vo véki vekóv.

Hór: Amíñ.

Priest: [.... Offering you your own of your own—in all things and for all things—]

Choir: — We praise you, we bless you, we give thanks to you, O Lord, and we pray to you, our God.

Priest: ... Above all for our most holy, pure, most blessed and glorious Lady, the Mother of God and Ever-Vir-gin, Mary.

Choir: It is truly right to call you blessed, who gave birth to God, ever-blessed and most pure, and Mother of our God. Great-er in honor than the Cherubim and beyond compare more glorious than the Seraphim, without corruption you gave birth to God the Word; truly the Mother of God, we magnify you.

Deacon: ... And each and all.Choir: And each and all.

Priest: ... And grant that with one voice and one heart we may glorify and praise your all-hon-ored and majestic name, of the Father, the Son and the Holy Spirit, now and for ever, and to the ages of ages.

Choir: Amen.

19

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Сщ7eнникъ: И# спод0би нaсъ, вLко, со дерзновeніемъ, неwсуждeннw смёти призывaти тебE нбcнаго бGа nц7A, и3 глаг0лати.

Хвали1те гDа съ нб7съ, хвали1те є3го2 въ вhшнихъ. Ґллилyіа, три1жды.

Діaконъ: Со стрaхомъ б9іимъ и3 вёрою приступи1те.

Х0ръ: Бlгословeнъ грzдhй во и4мz гDне, / бGъ гDь, и3 kви1сz нaмъ.

Svyashchénñik: I spodóbi nas, vladïko, so dеrznovéñiyеm, ñeosuzhdénno sméti prizïvati tеbé ñebesnago Bóga Ottsá, i glagólati.

Hvalítе Ghóspoda s ñebés, hvalítе yegó v vïshñih. Allilúiya.

Diákon: So strahom Bózhïim i véroyu pristupítе.

Hór: Blagoslovén gryádïy vo ímya Ghospódñe, / Bog Ghospód, i yavísya nám.

Priest: ... And count us worthy, Master, with boldness and without condemnation to dare to call upon you, the God of heaven, as Father, and to say:

The Communion Verse (Ps. 148).Praise the Lord from the heavens,

praise him in the highest. Al-leluia.

Distribution of Holy Communion

Deacon: With fear of God, with faith, draw near.

Choir: Blessed is he who comes in the name of the Lord. The Lord is God and has appeared to us.

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Вели1читъ душA моS Г0спода, и3 возрaдовасz дyхъ м0й њ Б0зэ Спaсэ моeмъ.

Честнёйшую херувjмъ, и3 слaвнэйшую без8 сравнeніz серафjмъ, без и3стлёніz Б0га сл0ва р0ждшую, сyщую Богор0дицу, тS величaемъ.

Ћкw призрЁ на смирeніе рабы2 своеS, сe бо t нhнэ ўблажaтъ мS вси2 р0ди.

Честнёйшую херувjмъ . . . .

Ћкw сотвори2 мнЁ вели1чіе си1льный, и3 свsто и4мz є3гw2, и3 ми1лость є3гw2 въ р0ды родHвъ боsщымсz є3гw2.

Честнёйшую херувjмъ . . . .

Сщ7eнникъ: Спаси2, б9е, лю1ди тво‰, и3 благослови2 достоsніе твоE.

Х0ръ: Ви1дэхомъ свётъ и4стинный, / пріsхомъ д¦а нбcнаго, / њбрэт0хомъ вёру и4стинную, / нераздёльнэй трbцэ покланsемсz: / тa бо нaсъ спаслA є4сть.

Сщ7eнникъ: . . . ВсегдA, нhнэ и3 при1снw и3 во вёки вэкHвъ.

Х0ръ: Ґми1нь.Да и3сп0лнzтсz ўстA н†ша / хвалeніz твоегw2, гDи, / ћкw да поeмъ слaву твою2, / ћкw спод0билъ є3си2 нaсъ причасти1тисz / с™ы6мъ твои6мъ, б9eствєннымъ, безсмє1ртнымъ и3

Velíchit dushá moyá Ghóspoda, i vozrádovasya dúh mói o Bóze Spáse moyém.

Chestñéyshuyu heruvím, i slávñeyshuyu béz sravñeñiya serafím, béz istléñiya Bóga slóva rózhdshuyu, súshchuyu Bogoróditsu, tyá vélicháyem.

Yáko prizré na smiréñie rabı svoyeyá, sé bo t nıñe ublazhát myá fsí ródi.

Chestñéyshuyu heruvím…

Yáko sotvorí mñe velíchiye sílnïi, i svyáto ímya yegó, i mílost yegó v ródï rodóv boyáshchïmsya yegó.

Chestñéyshuyu heruvím…

Svyashchénñik: Spasí, Bózhe, lyúdi tvoyá, i blagosloví dostoyáñiyе tvoyé.

Hór: Vídеhom svét ístinnïy, / priyáhom Dúha ñebésnago, / obretóhom véru ístinnuyu, / ñerazdélñey Tróitse poklanyáyemsya: / ta bo nas spaslá yést.

Svyashchénñik: ... Fsegdá, nïñe i prísno i vo véki vekóv.

Hór: Amíñ.Da ispólnyatsya ustá násha /

hvaléñiya tvoyegó, Ghóspodi, / yáko da poyém slavu tvoyú, / yáko spodóbil yesí nas prichastítisya / svyatïm tvoím, Bózhéstvennïm, bessmértnïm i

“Concerto” for Choir

My soul magnifies the Lord, and my spirit has rejoiced in God my Savior.

Greater in honor than the Cheru-bim, and beyond compare more glorious than the Seraphim, without corruption you gave birth to God the Word; truly the Mother of God, we magnify you.

For he has regarded the lowliness of his handmaiden, for behold from henceforth all generations will call me blessed.

Greater in honor…

For he that is mighty has done great things for me, and holy is his name, and his mercy is on them that fear him from gen-eration to generation.

Greater in honor…

Priest: O God, save your people, and bless your inheritance.

Choir: We have seen the true light; we have received the heavenly Spirit; we have found the true faith, as we worship the undivided Trinity; for the Trin-ity has saved us.

Priest: ... Always, now and for ever, and to the ages of ages.

Choir: Amen. Let our mouth be filled with your

praise, O Lord, that we may sing of your glory, for you have counted us worthy to partake of your holy, divine, immortal and life-giving Mysteries; keep us in your holiness, that we may

21

животворsщымъ тaйнамъ: / соблюди2 нaсъ во твоeй с™hни, / вeсь дeнь поучaтисz прaвдэ твоeй. / ґллилyіа, ґллилyіа, ґллилyіа.

Діaконъ: Пр0сти пріи1мше б9eственныхъ, с™hхъ, пречcтыхъ, безсмeртныхъ, небeсныхъ и3 животворsщихъ, стрaшныхъ хrт0выхъ т†инъ, дост0йнw благодари1мъ гDа.

Х0ръ: ГDи, поми1луй.Заступи2, спаси2, поми1луй и3 сохрани2 нaсъ, б9е, твоeю бlгодaтію.

Х0ръ: ГDи, поми1луй.Дeнь вeсь совершeнъ, свsтъ, ми1ренъ и3 безгрёшенъ и3спроси1вше, сaми себE и3 другъ дрyга, и3 вeсь жив0тъ нaшъ хrтY бGу предади1мъ.

Х0ръ: ТебЁ, гDи.

Їерeй: Ћкw ты2 є3си2 њсвzщeніе нaше, и3 тебЁ слaву возсылaемъ, nц7Y и3 сн7у и3 с™0му д¦у, нhнэ и3 при1снw и3 во вёки вэкHвъ.


Їерeй: Съ ми1ромъ и3зhдемъ.Х0ръ: Њ и4мени гDни.

Діaконъ: ГDу пом0лимсz.Х0ръ: ГDи, поми1луй.

Їерeй: . . . ћкw всsкое даsніе блaго, и3 всsкъ дaръ совершeнъ свhше є4сть, сходsй t тебE nц7A свётwвъ: и3 тебЁ слaву, и3 бlгодарeніе, и3 поклонeніе возсылaемъ, nц7Y и3 сн7у и3 с™0му д¦у, нhнэ и3 при1снw и3 во вёки вэкHвъ.


zhïvotvoryáshchim táynam: / soblyudí nás vo tvoyéy Svyatïñi, / vés déñ pouchátisya právdе tvoyéy. / allilúiya, allilúiya, allilúiya.

Diákon: Prósti priímshе Bozhéstvеnnïh, Svyatïh, prechístïh, bеssmértnïh, ñebésñih i zhïvotvoryáshchih, stráshnïh Hristóvïh táin, dostóyno blagodarím Ghóspoda.

Hór: Ghóspodi, pomíluy.Zastupí, spasí, pomíluy i sohrañí

nas, Bózhe, tvoyéyu blagodatiyu.

Hór: Ghóspodi, pomíluy.Déñ vés sovеrshén, svyát,

míren i bezgréshеn isprosífshе, sami sebé i drug drúga, i vés zhïvót nash Hristú Bógu predadím.

Hór: Теbé, Ghóspodi.

Iyerey: Yáko tï yesí osvyashchéñiyе náshе, i tеbé slavu vossïláyеm, Ottsú i Sïnu i Svyatómu Dúhu, nïñe i prísno i vo véki vekóv.

Hór: Amíñ.

Iyerey: S mírom izídem.Hór: O ímеñi Ghospódñi.

Diákon: Ghóspodu pomólimsya.Hór: Ghóspodi, pomíluy.

Iyerey: . . . yáko fsyákoye dayáñiyе blago, i fsyák dár sovеrshén svïshе yést, shodyáy ot tеbé Ottsá svétov: i tеbé slavu, i blagodaréñiе, i pokloñéñiyе vossiláyеm, Ottsú i Sïnu i Svyatómu Dúhu, nïñe i prísno i vo véki vekóv.

Hór: Amíñ.

meditate on your righteous-ness all the day long. Alleluia, alleluia, alleluia.

(Constantinopolitan) DismissalDeacon: Stand upright. Having

received the divine, holy, pure, immortal, heavenly, life-giving and dread Mysteries of Christ, let us give worthy thanks to the Lord.

Choir: Lord, have mercy.Deacon: Help us, save us, have

mercy on us, and keep us, O God, by your grace.

Choir: Lord, have mercy.Deacon: Having asked that the

whole day may be perfect, holy, peaceful and sinless, let us entrust ourselves and one another and our whole life to Christ our God.

Choir: To you, O Lord.

Priest: ... For you are our sanctifi-cation, and to you we give glory, to the Father, the Son and the Holy Spirit, now and for ever, and to the ages of ages.

Choir: Amen.

Priest: Let us go forth in peace.Choir: In the name of the Lord.

Deacon: Let us pray to the Lord.Choir: Lord, have mercy.

Priest: ... For every good gift and every perfect gift is from above, coming down from you, the Father of lights; and to you we give glory, thanksgiving and worship, to the Father, the Son and the Holy Spirit, now and for ever, and to the ages of ages.

Choir: Amen.

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Тaже: Бyди и4мz гDне бlгословeнно t нhнэ и3 до вёка. Три1жды.

Сщ7eнникъ: Благословeніе гDне на вaсъ, тогw2 бlгодaтію и3 чlвэколю1біемъ, всегдA, нhнэ и3 при1снw и3 во вёки вэкHвъ.


Сщ7eнникъ: Слaва тебЁ хrтE б9е, ўповaніе нaше, слaва тебЁ.

Х0ръ: Слaва, и3 нhнэ: ГDи поми1луй, три1жды. Благослови2.

Свzщeнник: Воскресhй и3зъ мeртвыхъ, Христ0съ, и4стинный Б0гъ нaшъ, моли1твами пречи1стыz своеS Мaтере, свzтhхъ слaвныхъ и3 всехвaльныхъ ґп0столъ, свzтaгw слaвнагw прор0ка, предтeчи, и3 крести1телz госп0днz Їwaнна, свzтыhхъ прaведныхъ богоoтeцъ Їwаки1ма и3 Ѓнны, и3 всёхъ свzтhхъ, поми1луетъ и3 спасе1тъ нaсъ, ћкw блaгъ и3 человэколю1бецъ.


Многолётіе.Х0ръ: С™ёйшиz патріaрхи, правослaвныz преwсвzщeнныz митрополjты, ґрхіепcкпы, и3 є3пcкпы, странY сію1, влaсти, в0инство и3 нар0дъ є3S, и3 вс‰ правослaвныz хrтіaны ГDи, сохрани2 и5хъ на мн0гаz лBта.

Тazhе: Búdi ímya Ghospódñe blagoslovénno ot nïñe i do véka. Тrízhdi.

Svyashchénñik: Blagoslovéñiyе Ghospódñe na vas, togó blagodatiyu i chelovekolyúbiyеm, fsegdá, nïñe i prísno i vo véki vekóv.

Hór: Amíñ.

Svyashchénñik: Sláva tеbé Hristé Bózhe, upováñiyе náshе, sláva tеbé.

Hór: Sláva, i nïñe: Ghóspodi pomíluy, trízhdi. Blagosloví.

Svyashchénñik: Voskresïi iz mértvïh, Hristós, ístinnïi Bóg násh, molítvami prechístïya svoyeyá Mátere, svyatïh slávnïh i fsehválnïh apóstol, svyatágo slávnago proróka, pretéchi, i krestítelya ghospódya Ioánna, svyatïh právednïh bogootéts Ioakíma i Ánnï i fséh svyatïh pomíluyet i spasét nás, yáko Blág i chelovekolyúbets.

Hór: Amíñ.

Мnogolétiе.Hór: Svyatéyshïya patriárhi,

pravoslávñïya preosvyashchénnïya mitropolíti, arhiyеpískopï, i yepískopï, stranú siyú, vlasti, vóinstvo i naród yeyá, i fsya pravoslávnïya hristiánï: Ghóspodi, sohrañí íh na mnógaya léta.

Final (Monastic) DismissalChoir: Blessed be the name of

Lord, from this time forth and for evermore (three times).

Priest: The blessing of the Lord be upon you, by his grace and love for man-kind, always, now and for ever, and to the ages of ages.

Choir: Amen.

Priest: Glory to you, Christ God, our hope, glory to you.

Choir: Glory to the Father, and to the Son, and to the Holy Spirit; both now and for ever, and to the ages of ages. Amen. Lord, have mercy. Lord, have mercy. Lord, have mercy. Bless.

Priest: May he who rose from the dead, Christ our true God, at the prayers of his all-pure and holy Mother; of the holy, glorious and all-praised Apostles; of the holy, glorious Prophet, Forerunner and Baptist John, of the holy ancestors of God, Joachim and Anna, and of all the Saints, have mercy on us and save us, for he is good and loves hu-mankind.

Choir: Amen.

Polychronion (Many Years).The most holy

Orthodox Patriarchs, the most reverend metro-politans, archbishops, and bishops, this country, its civil authorities, armed forces, and its people, and all Orthodox Christians: O Lord, grant them for many years! GOD GRANT YOU MANY YEARS!

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CAPPELLA ROMANAIts performances “like jeweled light flooding the space” (Los Angeles Times), Cappella Romana is a professional vocal ensemble dedicated to combining passion with scholarship in its exploration of the musical traditions of the Christian East and West, with emphasis on early and contemporary music. The ensemble is known especially for its presentations and recordings of medieval Byzantine chant, Greek and Russian Orthodox choral works, and other sacred music that expresses the historic traditions of a unified Christian inheritance. Founded in 1991, Cappella Romana has a special commitment to mastering the Slavic and Byzantine musical repertories in their original languages, thereby making accessible to the general public two great musical traditions that are little known in the West. The ensemble presents annual concert series in Portland, Oregon, Seattle, Washington, and San Francisco, California, in addition to touring nationally and internationally, most recently to Hungary, Serbia, and the UK. Critics have consistently praised Cappella

Romana for their unusual and innovative programming, including numerous world and American premieres. Cappella Romana has released more than 20 recordings.

cappellaromana.org

GUEST DIRECTOR

Composer and conductor Benedict Sheehan has been called “a rising star in Orthodox liturgical music” (Orthodox Arts Journal). He is Director of Music at St. Tikhon’s Seminary and Monastery in Pennsylvania, Artistic Director of The Saint Tikhon Choir, a professional vocal ensemble, and CEO and Founder of the Artefact Institute, a collective of “culture creators.” Working closely with his wife Talia Maria Sheehan, a professional vocalist and visionary music educator, Benedict has become one of the most sought-after clinicians in Orthodox sacred music in America. He appears frequently as a guest conductor with noted Portland-based ensemble Cappella Romana, where a recent performance had one reviewer so “emotionally overwhelmed” that she was “attempting to hold back tears” (Oregon ArtsWatch). His 2020 work with Cappella Romana will include performances of Tchaikovsky’s Liturgy and of his own Liturgy of St. John Chrysostom (2018). Benedict is in high demand as a composer. His works have been performed by the Grammy-nominated Skylark Vocal Ensemble, the Grammy-nominated PaTRAM Institute Singers, Cappella Romana, the William Jewell Choral Scholars, Te Deum, and many others. His new work Gabriel’s Message will be recorded in 2020 by John Rutter and The Oxford Choir. Skylark’s recent recording Once Upon A Time (2020) features a “story score” by Benedict which has been called “brilliant”

24

(MetroWest Daily News), “compelling” (Rafael Music Notes) and “otherworldly” (Boston Musical Intelligencer). His music is published by Oxford University Press, Artefact Publications, Musica Russica, MusicSpoke, and St. Tikhon’s Monastery Press. His recording of his own Liturgy of St. John Chrysostom (2018), commissioned by the PaTRAM Institute and performed by the Saint Tikhon Choir under Sheehan’s direction, is slated to be released in June on the Cappella Romana label. Benedict lives in Pennsylvania with his wife and seven daughters.

Alexander Lingas, Music Director and Founder of Cappella Romana, is a Professor of Music at City, University of London, and a Fellow of the University of Oxford’s European Humanities Research Centre. He completed his doctorate on Sunday matins in the rite of Hagia Sophia at the University of British Columbia and then, with the support of a SSHRC postdoctoral fellowship, moved to Oxfordshire to study theology with

Metropolitan Kallistos Ware. His present work embraces not only historical study but also ethnography and performance. His awards include Fulbright and Onassis grants for musical studies in Greece with cantor Lycourgos Angelopoulos, the British Academy’s Thank-Offering to Britain Fellowship, research leave supported by the Stavros Niarchos Foundation, and the St. Romanos the Melodist medallion of the National Forum for Greek Orthodox Church Musicians (USA). In 2018 His All-Holiness, Bartholomew I, Archbishop of Constantinople-New Rome and Ecumenical Patriarch, bestowed on him the title of Archon Mousikodidaskalos.

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The Pacific Youth Choir

Mia Hall Miller, founder and artistic director

Brandon Brack, associate music director and Chorusmaster for this

joint production

Siyanne AbrahamDefne Alpay

Owen AtlanskyIvy Baril

Gehrig BaurSpencer Beste

Lilia BiehlSkyler Bolster

Elena BreedloveMargaret Burden

Julia BurdettChristina CaiMaggie CarrRachel Chan

Soren Cowell-ShahEdith Creaver

Stephen Croskrey

Domenico Di PiazzaUma Divekar

Addison DomenigoniGabrielle Donaldson

Fiona DubayNathaniel Eddleman-Hunley

Clara Eddleman-HunleyElla FaheyGrace Fall

Matthew FriarSophia GilbertLydia Gonzales

Maia GregorAnika GuptaJackson Hanf

Benjamin HanfSean HarrisPaul HarrisClara Harris

Catherine Hartrim-LoweLauren HaugerBraxton HerdAnna Hermes

Nathan HlebechuckJohn Hynds

William IboshiKyle James

Peter JinSunjeev Johnson

Asha KaielAlan Kappler

Lucien KennellyDanielle KhouryBella Klucevek

Rainer KolarHannah Lo

Vetiver LongOlivia Lufkin

Bruna LuoCarrina Macaluso

Helena Martin-WeberAlex MarvinLuke Mesquit

Nick MollEve O’Hanlon

Lizzie O’MahonyAudrey Opsahl

Alesandra PardiniTristan PengYena Perice

Eliott PetersonElliot Peterson

Priya PremvardhanJackie Ruff

Abbie SchipperAndrew SchroederAshley Schroeder

Maya ShahAbby Snyder

Ryan StephensKara Taylor

Ethan TempleSarah Temple

Kyra TovarSolveig Van OastSophia WagnerMaggie Wallace

Lida White

This project was originally meant to feature the Pacific Youth Choir.

We at Cappella Romana honor your amazing artistry, dedication, and discipline in preparing the music for this concert.

We sincerely hope for a future event in which we at Cappella Romana can again collaborate with you.

Mark Powell, Executive Director

26

Cappella Romana THANKS YOU for your support!The Constantinople Society

Cherubikon ($10,000+)John Van Buren The Carlisle Family TrustRonni LacrouteM.J. Murdock TrustJames F. and Marion L. Miller

FoundationMaybelle Clark Macdonald

FundThe National Endowment for

the ArtsThe Regional Arts & Culture

Council, including support from the City of Portland, Multnomah County, and the Arts Education & Access Fund

Alleluiarion ($5,000+)Carole AlexanderElios Charitable FoundationDoug and Marnie FrankWendy Beth OliverOregon Arts Commission, a

state agencyDusan RadosavljevicE. John and Cleo RumpakisDavid StutzHerbert A. Templeton

FoundationE. Margaret Warton & Steve

Benting

Prokeimenon ($1,000+)AnonymousPhil & Susan AndersonThe Autzen FoundationMelvin Belding & Kate

BrostoffLinda Besant &

Martha F. GoetschThe Frank and Margaret Bitar

FoundationGene & Theresa BlahatoMaria BoyerJeff and Allison BrooksRobert & Victoria ClarkShu-Ju Wang & Mike ColemanThe Aaron Copland Fund for

Music Diane Cherry & Sean CrandallJuanita Doerksen and Harold

Peters

Kathryn Falkenstern & Joseph Ediger

Laura GraserThe Jackson Foundation Constantine Kokenes, MDDr. John & Catherine LingasThe National Forum of Greek

Orthodox Church MusiciansStephanie Nonas, in memory

of Leigh Ann Christina Hieronymus, Memory Eternal

Beverly and Richard NorthMark Orton III, in honor of

Mark Orton IIPancretan Association

of AmericaMark PowellCecilia Paul and

Harry F. ReinertPatricia Reser & Bill WestphalNancy & Jim RetsinasRoger & Photini Downie

RobinsonDr. Jerry Schlesser &

Christine Thum SchlesserFr. Stephen and Presvytera

Irene SupicaEdward TennyKeith Walters &

Jonathan TamezThe Wellworth Foundation -

Nancy and David Thacher, Trustees

Juan Young Trust

Trisagion ($500+)AnonymousClifford & Theodora ArgueSusan ArmentroutRichard & Megan BarrettRoger Wm. Bennett, in honor

of Constantine KokenesMarilyn BruyaMarva & Myron

Dawn-SandbergMari Lou Diamond, in

memory of Michael Diamond, Memory Eternal

Kenneth & Angie FrangadakisLee Anne FurlongPeter GadinasRobyn and John GastineauDrs. Grace Grant & Dennis

Tierney

Julia and Seymour Hanfling, in memory of Kendrick Perala & Nestor Perala

Mary Chomenko Hinckley & Greg Hinkley

John & Emilie JohnLawrence JordanRev. Fr. Stephen & Presbytera

Aliki KyriacouEvangeline Laliotis, in

memory of Ted LaliotisHelen L. LambrosMiller Nash Graham & DunnKaren MarburgerFrederick & Anne MatsenLisa and Michael MitchellJane & Tom OliverElaine & David OsowskiChris & Krista PanoffStephen PhoutridesRoss and Irene RittermanKate Thompson & Bill ScottStuart Faulk and Vickie

SkellcerfThe Wyatt-Stone Family

Antiphon ($100+)Anonymous (2)Katharine Babad, in memory of

Shirley BabadBennett BattaileRichard BerkeyJohn Michael BoyerShanti Michael &

Glenn BradfordPaula and Bucky BuckwalterDrs. Stephen &

Cheryl CampbellDeborah & James CoonanAnne DraperRobin & Andrew FirthSue FischerDavid FrackeltonPatrick and Daleana GilbrideHagen & Emily AmenTimothy & Karyn HalloranCorey HaysY Shimizu & M HirschCynthia Caraballo-Hunt & Steve HuntCecily JohnsNicholas KyrusJohn & Elaine LamprosJeffrey MandulaCharles MartinAnne McClananKathy McDonaldJames & Jeanette MunyonJames (Demetrios) OrphanosTamar PearsallCharles and Ruth PoindexterMeenakshi RaoNeal Stephenson & Ellen LackermannDr. & Mrs. Matti TotonchyMatthias Vogel & John Jantzi

Cliff WilsonDr. and Mrs. Tikey ZesElizabeth AgostiMichael AlyasCathleen and Michael AmenMaria & Aaron ArmstrongTom BalmerSteve & Jeanie BarnettWillene and Marq BautistaPeter BegoDavid BerkeyAva and Henry BrandisJoyce & David BrewsterKarin Brookes &

Simon WoodsKristen BuhlerDianne CalkinsDarla CapetilloDunbar & Janice CarpenterJoseph CirouJudy CochranMichael and Liana CreechLinda DeppeDebra & Vincent DimoneJohn DobsonTom and Nancy DoulisPeter EvansJuanita EwingWW & EM FullerChristina GeistKatherine Asbury GiachettiLynn GibnerAdrienne GillespieTaffy GouldKatherine O’Neil & Toby GraffDan GravesJim GryteJoseph and Suzy HadeedPaul Klemme & Sue HaleGeoffrey & Edith GowanKristin HaydonNorman HollenbeckMargaret HudsonSusan Hughes & John BurnsRev. Carol and Tom HullAnn Glusker & Peter HunsbergerCecelia & Robert HuntingtonPeter JefferyLinda & Richard JenkinsPatricia JohnsonRobert Knapp &

Christine KnodtHeidi KohneMyrna KostashFrank La RoccaBill & Jodie LeveyJoan LiapesCarolyn and Mike LindbergMerrilyn & Wesely LingrenCarol Ann LinkHenry LouderboughJudy LucasJohn & Joyce MacDonaldRichard MahonKristi & Chris MaletisErik HundtoftJennifer and David WattKathryn McLaughlinJohn French and Lauren McNaughtonRichard MeadeSteven MempaRod & Meg MerrickMichael Mikowski

27

Mia Hall Miller, in honor of Pacific Youth Choir

Stephen MillerRobert MorrisonCarl K. and Ellen E. NielsenWilliam NorthMark Orton IISt. Catherine PhiloptochosGeorge & Lisa PsihogiosLinda RickertDaniel B RitterDr. John and Mrs. Susan SchilkeLeslie SchocknerSue & Dick SchubertAnn Richel SchuhGary ShawMichael SherleyFr. Daniel and Tamara SkvirMonica Hayes & William SlaterDrs. George & Thalia

StamatoyannopoulosFrances StearnsBarbara SteegeRae StephensonLynda StrandRev. Tyler StrandAntony and Anna StratisFather Stephen and Presbytera Irene

SupicaDr. Olympia TachopoulouJerome TaggerKent & Sylvia TaylorFred & Jean ThompsonLinda TwichellPaul van der SalmKaye Van Valkenburg & David MaierPieter & Tjitske Van der MeulenCatherine and Ruud van der SalmLisa VolleRita WartonMarjorie WazekaMichael WeidemannJohn & Joan Whittler WhiteJeff WinslowKathleen WorleyMona Yurk

Introit ($35+)Anonymous (2)Jessica AndersonPeter & Genevieve AngelidesSusan ArmitageNan ArtmanJohn Scott Carley & Michael G AuchRoy BergstromAnn & Jeffry BernerAthanasius and Nektaria BlalockLaurie Munro BlochFr. Jon B BuffingtonEva and Chris CanellosTom & Irene ChristyChristine ColasurdoDeacon David & Barbara ColeJill ColeDennis and Noelle CoxMary EganCharles R. Finley Jr.Angela Fyri

Lydia GrimmSue Ellen HaysPaul HoppGayle HughesCharles IsaacsonJessica IsraelsWendy JacksonCarol & Barry KastMs. Jeanne KojisJulia KovalevRev. Dr. Andrew LouthBarbara A ManildiChrisanthie MehasStephen & Sandra NorcrossJohn O’FarrellFrances K OusleyJennifer Rauch & Michael FanuzziDeborah RedmanTeri RowanRobby RudineDouglas SchneiderStephanie ScrippsGwen and Alan ShustermanKyle SimsDrs. Justin Smith & Christine LiuMelissa Meacham StewartB James StimacDavid Streatfield & Madeline E WildeValerie Ann TaylorElena TolstovaChrysanthe VoreasJ Michael WattElaine WeeksRob Weltzien JrArisha WennesonFred & Judy Williams

Gifts noted up to December 31, 2019. Your gifts help us continue our mission, giving you the opportunity to hear exquisite vocal programming.

Volunteers and ushersCaroline AlexanderMary Ellen AndreSteve BilowJohn Michael BoyerMaria BoyerGracie CampbellDiane CherryRobert ClarkRebecca ClodfelterPam CogswellTrilby CoolidgeMarilee DaviesBeth DavisJuanita DoerksenPhotini Downie Robinson & Roger RobinsonAnne DraperJohn EismannRenée Favand-SeeLaura FayPaul FischbachSue FischerMary ForstAnn GaffkeAnn Glusker

Laura GraserJulia & Seymour HanflingTarky HartFran HeadGregor HenriksonCarol HerzbergAndrea HessMichael HooningTom & Carol HullDon & Lila IsaacsonWendy JacksonDorothy JonesThomas LaBargeBrian LewSidne LewisMichelle & Haynes LundCynthia MarkumKerry McCarthyLinda MendezShanti MichaelCoral NattaKevin O’ConnorWendy Beth OliverAnn OsterbergAnna Quinn-SmithKathy RauschNancy RetsinasLinda RickertMichelle Ritchie

Judy RobertsonCatherine SchiedlerAndy SchreerArt SegalEllen SeibertRandy ShapiroCharles ShawPam SilimperiDirk SingletaryCliff SloaneAimee TuckerCatherine van der SalmKeith Walters & Jonathan TamezMolly WeaverAnn WetherellKiyomi Yoshida

Thank you! Please call the office at 503-236-8202 if you are interested in volunteering opportunities in both Portland and Seattle, including housing musicians, ushering, and help in the office.

NEW MUSIC

2019–2020SEASON

MAR 5+6

CAROLINE IN

T HE CI T Y

SEP 12

IN WILDNE S S OCT 17+18

HOMECOMINGS

NOV 5+6

BACK IN

THE GROOVE

FEB 6+7

GENGHIS

B ARBIE

APR 23–25

SANCTUARIE S

thirdangle.org

NEW MUSIC

2019–2020SEASON

MAR 5+6

CAROLINE IN

T HE CI T Y

SEP 12


HOMECOMINGS

NOV 5+6

BACK IN

THE GROOVE

FEB 6+7

GENGHIS

B ARBIE

APR 23–25

SANCTUARIE S

thirdangle.org

thirdangle.org

2019-2020SEASON

NEW MUSIC

2019–2020SEASON

MAR 5+6

CAROLINE IN

T HE CI T Y

SEP 12


HOMECOMINGS

NOV 5+6

BACK IN

THE GROOVE

FEB 6+7

GENGHIS

B ARBIE

APR 23–25

SANCTUARIE S

thirdangle.org

NEW MUSIC

2019–2020SEASON

MAR 5+6

CAROLINE IN

T HE CI T Y

SEP 12


HOMECOMINGS

NOV 5+6

BACK IN

THE GROOVE

FEB 6+7

GENGHIS

B ARBIE

APR 23–25

SANCTUARIE S

thirdangle.org

NEW MUSIC

2019–2020SEASON

MAR 5+6

CAROLINE IN

T HE CI T Y

SEP 12


HOMECOMINGS

NOV 5+6

BACK IN

THE GROOVE

FEB 6+7

GENGHIS

B ARBIE

APR 23–25

SANCTUARIE S

thirdangle.org

NEW MUSIC

2019–2020SEASON

MAR 5+6

CAROLINE IN

T HE CI T Y

SEP 12


HOMECOMINGS

NOV 5+6

BACK IN

THE GROOVE

FEB 6+7

GENGHIS

B ARBIE

APR 23–25

SANCTUARIE S

thirdangle.org

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