becker's ornamental penmanship. a series of analytical and

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USEThe Gift of

SAMUEL L. BIGELOWProfessor of Chemistry

1901 - 1937

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EOMAN PRINT.

Title Page, .....Ornamental Design,....Analytical Koman Alphabet,

Variously Shaded Roman Print,

Analytical and Variously Shaded Small Class Roman

Variously Shaded Italic Print,

Finished Block Letters,

.

Spurred Finished Block Letters,

Lower Case Block Letters, spurred,

Pearl Letter (caps), . . .

Velvet Letter (caps),

Italian Print (caps and lower case), .

Egyptian or Unfinished Block Letters,

Spurred Egyptian and Small Class Roman,

Designs for Ornamental Print, .

GOTHIC PRINT.Old English Print (caps), ....Analyzed and Finished Old English Print (lower case),

German Text (caps from A to M), .

German Text (caps from N to Z),

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

Analyzed and Finished German Text (lower case), .

Ornamental German Text and Old English,

Ornamental German Text and Old English, .

German Print, . .

English Church Text (caps),

Small Class English Church Text,

NUMERAL FIGURES.Plain Arabic Figures, .

Spurred Finished Block Figures,

Pearl or Bone Figures, ....Egyptian or Unfinished Block Figures, .

Gothic Figures, .....WRITING.

Large Text Hand Alphabet, ....Italian Alphabet, .....Italian and Large Text Hand Alphabets (small),

Washington (Large Text Hand),

Italian Print or Stump Writing,....Small Round Hand,

.

German Alphabet in Script, ....German Epistolary Writing, . . .

20

21

22

23

24

25

5

9

10

13

25

26

27

28

29

30

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32

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Entered, according to Act of Congress, in the year 1854,

BY URIAH HUNT,

In the Clerk's Office of the District Court for the Eastern District of Pennsylvania.

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The preparation and completion of a work on Ornamental Penmanship is a task of greater magnitude, and requires moretime and study, than any one who has not made the attempt would imagine. This, together with the fact, that if the best

artists are engaged in its mechanical execution, its great cost may be given as a reason why no one has had the courage to

publish an elaborate work of this description.

The work which m now presented to the public is the result of fifteen years' labor, study, and experience, during all of whichtime the author has been engaged in teaching and designing penmanship, and unceasing in his efforts to improve the art. Hehas in fact endeavored to raise Penmanship from an art to a science ; to demonstrate that, from its rudiments to the highest

style of finish of which it is susceptible, it can be taught and practised correctly with, and only with, mathematical precision.

In 1842, he designed and had published a series of copy books for the use of schools, in which his favorite ideas on the sub-

ject were for the first time explained and exemplified. The approval which that series met with, as evidenced by large sales

and consequent frequent use, and the urgent requests made to him by teachers and others that he would publish a work onOrnamental Penmanship, have induced him to offer to the public the following Chirographical Designs, consisting of a series of

Alphabets, carefully analyzed and finished, together with some other exercises in flourishing, &c, calculated to guide and im-

prove the pupil.

Obnamental Penmanship, literally considered as such, has of late been brought to a higher state of perfection and finish than

ever attained before* The Engraver, Lithographer, Designer, Letter Carver, Sign Writer, Stone Cutter, Punch Cutter, andType Founder have manifested a spirit of emulation to excel in their respective branches of business; and it is in nowise

Unreasonable to* suppose that a work of this kind, which exhibits with mathematical precision the shape and proportion of every

variety of letters, will be an acceptable addition to their previous acquaintance with the subject, and materially assist them in

theif several vocations. Q^

Neither trouble nor expense has been spared in order to secure the services of the best, steel engravers in the Union ; as ah

evidence of this, the work will speak for itself. The names of the artists, who engraved the different plates, will be found at

the bottom of every page. We do not hesitate to say that, so far as our judgment and experience go in these matters, these

gentlemen have no superiors in this branch of the art.

This work comprises in all thirty-three plates of various designs of Ornamental Alphabets, and a few compositions intended

to illustrate the effects of a combination of different styles of lettering.-

The alphabetical plates consist of a series of Analytical and Finished Capitals and Lower Case letters, in plain and ornamental

Roman Print, German Text, Old English Print, English Church Text, German Print, Round or Text Hand, Italian, Italic or

Stump Writing, and German Epistolary Writing. The student will be greatly assisted in the drawing of letters, by a careful

observation and study of the Analytical plates.

Numeral Figures, both plain and ornamental, and of varied styles, to correspond with the different characteristics of the

Roman Print, &c, are also given on the several plates., *f

Flourishes. To attain superiority in flourishing requires good taste, diligent study, and careful practice. Although no plate

has been devoted exclusively to Flourishes, yet there is an almost endless variety in the pages which contain the, German Text,

Old English Capitals, &c, &c. Each of these should be practised separately by the learner before he attempts a combination of

them. The Title-page, and several others given, illustrate how these movements, i.e., Flourishes, may be varied. -

Perhaps the best exercises that can be given for practice in striking, are the Round Hand and Italian Capitals, as all

flourishes considered individually form part of a letter. In the formation of these letters the penman may depend a great deal

upon his own fancy, as they may be made in a great variety of styles, yet their general characteristics must be preserved.

Those persons who practise flourishing and striking of Capitals off-hand will necessarily become more elegant business writers,

as those exercises tend to impart strength and freedom of motion to the arm, hand, and fingers. .

Girard College.

Written by (U. Becker. Kugr-iivi-cl by H.Kurlr.

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