bordermemories project

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Border | Memories - elisa mansutti - the project

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Border Memories: Re-enacting Difficult Heritage by Elisa Mansutti (POLIMI April 2014) The project aims to re-discover the past of the transnational territory called Venezia Giulia, shared by Italy, Slovenia and Croatia, where the ethnic fights along the years have left numerous traces fixed in the soil and geography of the place. Traces that need to be somehow re-activated since the memory of all dark periods have been, sometimes consciously, sometime involutarily, removed and never re-elaborated.

TRANSCRIPT

  • Border | Memories

    - elisa mansutti -

    the project

  • rombon

    spring

    bovecso a

    trenta

    kobarid

  • rombon

    spring

    bovecso a

    trenta

    kobarid

    fortress

    monastery

    museum

    war cemetery

    skiing

    kayaking

    climbing

    cycle-biking

    hiking

    camping

    birdwatching

    fishing

    telferage

    isonzo river

    itinerary

  • kobarid

    tolmin

    concentration camp

    mt kolovrat plain-air museum

  • kobarid

    tolmin

    concentration camp

    mt kolovrat plain-air museum

  • deskle

    solkan

    nova gorica

    gorizia

    trnovo

    lokve

    crni vrh

    mali golak

    foibe

    trnovski godz

    topografie della memoria

    trail intersection

    mt sabotino peace park

  • deskle

    solkan

    nova gorica

    gorizia

    trnovo

    lokve

    crni vrh

    mali golak

    foibe

    trnovski godz

    topografie della memoria

    trail intersection

    mt sabotino peace park

  • san micheledel carso

    doberd

    redipuglia

    castellazzo

    concentration camp

    gradiscadisonzo

    carso 2014+

    trail intersection

    mt san michele

  • san micheledel carso

    doberd

    redipuglia

    castellazzo

    concentration camp

    gradiscadisonzo

    carso 2014+

    trail intersection

    mt san michele

  • concentrationcamp

    bonifica della vittoria

    cona island

    punta sdobbafishersvillage

    grado

    lagoon of grado

  • concentrationcamp

    bonifica della vittoria

    cona island

    punta sdobbafishersvillage

    grado

    lagoon of grado

  • 291 the program

    the programAfter having:

    . mapped the difficult heritage

    sites (concentration camps and

    foibe) of the macro-region Vene-

    zia Giulia;

    . found a connecting element (the

    Isonzo/Soca river)and determined

    the area of action;

    . selected the difficult heritage

    sites to develop;

    . selected the other sites of inte-

    rest after the context analysis;

    . compiled a file for every site

    with historic introduction, pic-

    tures, and description;

    . picked out the intermediate pla-

    ces (the bridges) that physically

    permit to cross the river and to

    pass from one site to the other;

    now it is the turn to develop a

    strategy for the re-narration and

    re-activation of the territorys

    shared memories.

    The river is the connecting ele-

    ment, the metaphor of the border

    and the bridges are the physical

    entities that systematize the me-

    mories and the shared sites of the

    territory bathed by the Isonzo.

    Therefore the project is consti-

    tuted by the crossings that intro-

    duce the specific sites.

    The strategy is to define a topic

    for each spot that will be develo-

    ped in architectonic means.

    Every site treats a theme rela-

    ted to its specific past while the

    bridge connected with it develops

    a topic that introduces in a gene-

    ral way the specific topic of the

    site. Both spots (the bridge and

    the site) give only sinthetic in-

    formation about the topic, they

    rather employ architectonic means

    to induce sensations, optical and

    spacial effects that remind the

    topic.

    The aim is to lead the individues

    think during a dynamic fruition

    of the space. The spots become in-

    frastructures useful to the re-

    activation of the memory, but in

    a subjective way: it is up to the

    individue whether to examine in

    depth the topic or just to use the

    infrastructure.

    With regard to the bridges, the

    planning strategy is to flank each

    existent bridge with a pedestrian

    bridge serving as useful infra-

    structure (as it separates the pe-

    destrians flux to the cars one)

    together with the transmission of

    information.

    ----------------------------

    ------------------------------------------------------

  • 292 PART 7|the project

    specific themegeneral themebridge site history

    km 38

    km 50

    km 85

    km 100

    km 120

    kobarid mt kolovrat

    mt kolovrat open-air museumthe isonzo battles

    propagandathe influence of governments on civils opinion with the use of censorship and propaganda

    km 38

    fossalon fossalon

    concentration camp of fossalonforced/spontaneous migrationsthe relocation of populations due to external causes

    the forced-labour camp of slavic people in the reclaimed territory of fossalon

    bonifica della vittoria

    km 120

    poggio terzarmata

    concentration camp of poggio t.segregationthe confinement the populations are forced to withstand because of war events or racial discrimination

    carso battlesthe forced reclusion of slavic people in the silk factory due to ethnic reasons

    poggio terzarmatakm 100

    solkan

    foibeelimination of the diversethe result of the intimate fear of the elements of a group towards who do not share the same ideals

    the murder of the yugoslavian regimes oppositors

    trnovokm 85

    tolmin

    concentration camp of ciginjvictims/perpetratorsthe contradictory role of every population being them victims and perpetrators during the history

    the ignored brief duration of the concentration camp in ciginj

    ciginjkm 50

  • 293 the program

    specific themegeneral themebridge site history

    km 38

    km 50

    km 85

    km 100

    km 120

    kobarid mt kolovrat

    mt kolovrat open-air museumthe isonzo battles

    propagandathe influence of governments on civils opinion with the use of censorship and propaganda

    km 38

    fossalon fossalon

    concentration camp of fossalonforced/spontaneous migrationsthe relocation of populations due to external causes

    the forced-labour camp of slavic people in the reclaimed territory of fossalon

    bonifica della vittoria

    km 120

    poggio terzarmata

    concentration camp of poggio t.segregationthe confinement the populations are forced to withstand because of war events or racial discrimination

    carso battlesthe forced reclusion of slavic people in the silk factory due to ethnic reasons

    poggio terzarmatakm 100

    solkan

    foibeelimination of the diversethe result of the intimate fear of the elements of a group towards who do not share the same ideals

    the murder of the yugoslavian regimes oppositors

    trnovokm 85

    tolmin

    concentration camp of ciginjvictims/perpetratorsthe contradictory role of every population being them victims and perpetrators during the history

    the ignored brief duration of the concentration camp in ciginj

    ciginjkm 50

  • KM 37mt kolovrat

    kobarid

  • KM 37mt kolovrat

    kobarid

  • 296 PART 7| the project

    (bovec)

    (tolmin)

    general itinerary

    kobarid

    bridge

    mt kolovratopen air museum

    italiaslovenija

  • 297 KM 38

    1000

    1100

    500

    0

    0

    200

    141

    mt kolovrat open-air museum

    kobarid ww1 museum

    kobarid bridge

    (m)

    (km)

    kobarid bridge

    propaganda|misleading reality

    200 m (asl)

    kobarid; mt kolovrat plain-air museum of ww1

    the isonzo battles

    bovec; trenta valley; springs

    tolmin bridge; ciginj

    14 km

    1000 m

    1100 m (asl)

    bridge.............................

    general theme (bridge).............

    altitude...........................

    deviation to.......................

    specific theme (site)...............

    next stop of the itinerary (north)...

    next stop of the itinerary (south)...

    distance...........................

    altitude gap.......................

    max altitude.......................

  • 298 PART 7|the project

    PROPAGANDA

    manipulated information

    distorted truth

    MISLEADING REALITY

  • 299 KM 38

    kobarid bridge

    [metaproject]

    PROPAGANDA

    The bridge of Kobarid is connected

    to the First World War open-air

    museum situated at Mount Kolo-

    vrat.

    The general theme handled at the

    bridge is the use of propaganda

    in the field of war.

    The war forces populations to

    fight against each other for eco-

    nomical, political, religious re-

    asons and not all the individues

    agree with the entrance into the

    war. The governments, to obtain

    the support of all the people, use

    the propaganda and the censorship

    to influence their opinion, often

    distorting the reality, giving

    false information and using stra-

    tegic mottos to deceive the indi-

    vidue.

    Propaganda is neutrally defined

    as a systematic form of purposeful

    persuasion that attempts to in-

    fluence the emotions, attitudes,

    opinions, and actions of speci-

    fied target audiences for ideo-

    logical, political or commercial

    purposes through the controlled

    transmission of one-sided messa-

    ges (which may or may not be fac-

    tual) via mass and direct media

    channels.

    (Richard Alan Nelson)

  • 300 PART 7|the project

    CONCEPT

    WARPING/DISTORTING SPACE

    when walls, ceiling, pavement do not follow a perpendicular system, the effect on the visitors is that of diso-rientationWhat is straight, vertical?

    A certain way of arranging the elements can determine an alteration of the feeling of the space around, challeng-ing the viewers perception of their bodies

    reference:

    Richard SerraSnake and the Matter of TimeGuggenheim Museum in Bilbao, Spain

    PROPAGANDA || MISLEADING REALITY

    how to give the impression of the theme

    x y

    z

  • 301 KM 38

    CONCEPT

    WARPING/DISTORTING SPACE

    when walls, ceiling, pavement do not follow a perpendicular system, the effect on the visitors is that of diso-rientationWhat is straight, vertical?

    A certain way of arranging the elements can determine an alteration of the feeling of the space around, challeng-ing the viewers perception of their bodies

    reference:

    Richard SerraSnake and the Matter of TimeGuggenheim Museum in Bilbao, Spain

    PROPAGANDA || MISLEADING REALITY

    how to give the impression of the theme

    x y

    z

  • plan 1:1500

  • section 1:1000

  • n

  • nplan 1:100

  • view 1:100

  • section 1:100

  • 312 PART 7|the project

    view AA 1:100

    section BB 1:100

    aa

    bb

  • 313 KM 38

  • 318 PART 7|the project

    1

    2

    3

    4

    5

    scheme of the elements detail

    steel i-beam (hea 1000), h 1000mm .1steel plate welded to i-beam, th 15mm .2

    steel unequal angle, 100x60x8mm .3wood panel, 700x150x30mm .4

    steel grating, 26x76mm .5

  • 319 KM 38

    1

    2

    3

    4

    5

    scheme of the elements detail

    steel i-beam (hea 1000), h 1000mm .1steel plate welded to i-beam, th 15mm .2

    steel unequal angle, 100x60x8mm .3wood panel, 700x150x30mm .4

    steel grating, 26x76mm .5

  • aab

    b

    detail bb 1:10 detail aa 1:10

    1. steel grating, 26x76mm2. wood panel, 700x150x30mm3. steel i-beam (hea 1000), h 1000mm 4. steel unequal angle, 100x60x8mm 5. steel plate welded to i-beam, th 15mm

    2

    4

    3

    5

    1

    2

  • aab

    b

    detail bb 1:10 detail aa 1:10

    1. steel grating, 26x76mm2. wood panel, 700x150x30mm3. steel i-beam (hea 1000), h 1000mm 4. steel unequal angle, 100x60x8mm 5. steel plate welded to i-beam, th 15mm

    2

    4

    3

    5

    1

    2

  • KM 50ciginj

  • KM 50ciginj

  • (solkan)

    (kobarid)

    ciginjex concentration camp

    bridge

    324 PART 7| the project

  • 325 KM 50

    50

    0

    0 2,4

    ciginj

    tolmin bridge

    (m)

    (km)

    bridge.............................

    general theme (bridge).............

    altitude...........................

    deviation to.......................

    specific theme (site)...............

    next stop of the itinerary (north)...

    next stop of the itinerary (south)...

    distance...........................

    altitude gap.......................

    max altitude.......................

    tolmin bridge

    victims/perpetrators|opposing paths

    150m (asl)

    ciginj

    ex-concentration camp

    kobarid

    solkan bridge - foibe of trnovo

    2,4 km

    50 m

    200 m (asl)

  • 326 PART 7|the project

    VICTIMS/PERPETRATORS

    interchange of roles

    rival positions

    OPPOSING PATHS

  • 327

    tolmin bridge

    KM 50

    VICTIMS/PERPETRATORS

    The bridge of Tolmin is connected

    to the ex concentration camp pla-

    ced in the nearby village of Ci-

    ginj.

    The general theme handled at the

    bridge is the contradictory

    role of victim and perpetrator

    that every community plays in the

    course of history.

    As well as the case of Italian and

    Slavic populations, the role of

    every community in the course of

    history is not easy to determine:

    during a certain period of time

    they might have been victims, in

    other perpetrators.

    It depends on the events that

    acted during that precise time.

    If we look at the History from a

    general point of view (calling it

    super-history) we could see the

    cycling change of roles that era-

    ses every label. Who is victim

    now might have been perpetrator

    yesterday, and so on; so, talking

    about super-history, it has no

    significance calling it just vic-

    tim or just perpetrator (like -1+1

    is equal to 0).

    [metaproject]

  • 328 PART 7|the project

    assume two periodic functions one oppo-site the other (opposite in the sense that their curvature is contrary each other).two points moving along the curves will cyclically change their position being one the opposite the other: sometimes point A will be above point B, other times it will be below point Bthis idea represents the changing role of populations being them victims and perpetrators during the passing of time

    CONCEPT

    PERIODIC OPPOSING PATHS

    VICTIMS/PERPETRATORS || OPPOSING PATHS

    how to give the impression of the theme

  • 329 KM 50

    assume two periodic functions one oppo-site the other (opposite in the sense that their curvature is contrary each other).two points moving along the curves will cyclically change their position being one the opposite the other: sometimes point A will be above point B, other times it will be below point Bthis idea represents the changing role of populations being them victims and perpetrators during the passing of time

    CONCEPT

    PERIODIC OPPOSING PATHS

    VICTIMS/PERPETRATORS || OPPOSING PATHS

    how to give the impression of the theme

  • old bridge

    new bridge

  • old bridge

    new bridge

    plan 1:1500

  • section 1:1000

  • n

  • nplan 1:100

  • n

  • nplan 1:100

  • view 1:100

  • section 1:100

  • view AA 1:100

    section BB 1:100

    346 PART 7|the project

    aa

    bb

  • 347 KM 50

  • prefabricated concrete block .1steel frame .2metal grid .3scheme of the elements detail

    1

    2

    3

    352 PART 7|the project

  • prefabricated concrete block .1steel frame .2metal grid .3scheme of the elements detail

    1

    2

    3

    353 KM 50

  • 1. steel grating, 54x80mm 2. reinforced concrete retaining wall 3. steel upn profile, 80mm

    detail aa 1:10detail bb 1:10

    1

    2

    1

    3

    1

    3

    3

    a

    ab

    b

  • 1. steel grating, 54x80mm 2. reinforced concrete retaining wall 3. steel upn profile, 80mm

    detail aa 1:10detail bb 1:10

    1

    2

    1

    3

    1

    3

    3

    a

    ab

    b

  • 356 PART 7|the project

    A TEN-DAYS PAST

    stratification of memories one of which is forgotten

    FRAGMENTS

  • ciginj concentration camp

    A TEN-DAYS PAST

    In 1942 the little village of Ci-

    ginj, situated in the proximity of

    Tolmin, hosted a Fascist concen-

    tration camp.

    The specific theme handled at the

    site is the ignored brief dura-

    tion of the camp.

    The Fascist authorities transfor-

    med the military barracks alre-

    ady present in the village into a

    concentration camp that, because

    of the closeness with the Partisan

    movement and the tensions with the

    local population, worked only for

    two-three weeks.

    Later, the camp has been turned

    into a factory that is still in

    use.

    For many decades in ex Yugosla-

    via the recalling of the Fascist

    period was silently forbidden to

    discuss and probably for this rea-

    son the difficult past of the site

    in Ciginj is little aknowledged by

    the population.

    With the Yugoslavian dissolution

    the argument started to be discus-

    sed more openly.

    [metaproject]

    357 KM 50

    The site is situated in a val-

    ley surrounded by mountains and

    oriented along the north-south

    axe. The ex concentration camp,

    now a factory, is placed in the

    northern extremity of the valley.

    The main road runs along the valley

    passing in Ciginjs center and in

    front of the factory and, despite

    its narrow dimension, it is highly

    used by cars and trucks. For this

    reason, cyclists and pedestrians

    have difficulties in using that

    street, instead the secondary

    road that connects the village of

    Kozarsce (situated on the other

    side of the valley in front of Ci-

    ginj) to the factory, is safer and

    more used for hikes.

    The intent of the project is to

    provide the area with a cycle-

    pedestrian lane that gives the

    opportunity to learn the history

    of the factory with a fragmented

    wall that gives information, se-

    parates the lane to the street and

    hosts a spot where the visitors can

    stop to watch the landscape and

    the building mirroring their own

    image on the fragments.

    The project is the result of the

    superimposition of two needs: the

    need of a footpath and resting area

    for hikers and cyclists, and the

    need to remember the past of the

    site.

  • 358 PART 7|the project

    assume a fragmented reflecting surface:the reflected objects appear in pieces, the result is not a right specular image.the aim is to represent the lack of parts of memory of the site stimulating a emotional response through a frag-mented reflection

    CONCEPT

    FRAGMENTED (REFLECTING) WALL

    A TEN-DAYS PAST || FRAGMENTS

    how to give the impression of the theme

    reference:

    Rodan Kane HartReflection:(strips)Cape Town, South Africa

  • 359 KM 50

    assume a fragmented reflecting surface:the reflected objects appear in pieces, the result is not a right specular image.the aim is to represent the lack of parts of memory of the site stimulating a emotional response through a frag-mented reflection

    CONCEPT

    FRAGMENTED (REFLECTING) WALL

    A TEN-DAYS PAST || FRAGMENTS

    how to give the impression of the theme

    reference:

    Rodan Kane HartReflection:(strips)Cape Town, South Africa

  • ciginj

    (next bridge solkan)

    modrej

    most na soci

    modrejcekozarsce

    ex concentration camp

    isonzo/soca

    (next bridge tolmin)

  • ciginj

    (next bridge solkan)

    modrej

    most na soci

    modrejcekozarsce

    ex concentration camp

    isonzo/soca

    (next bridge tolmin)

  • ciginj

    volceisonzo

    ex concentration camp

    kozarsce

    kuk

    mengore

    main street(traffic, no space

    for bikes-pedestrians)

    deviation from the main street

    fragmented wall

  • ciginj

    volceisonzo

    ex concentration camp

    kozarsce

    kuk

    mengore

    main street(traffic, no space

    for bikes-pedestrians)

    deviation from the main street

    fragmented wall

    the itinerary 1:7000

  • 368 PART 7|the project

    fragmented view + self-reflection

  • 369 KM 50

    fragmented view + self-reflection

  • site plan 1:1000

  • section 1:1000

  • n

  • nplan 1:200

  • view 1:200

  • 386 PART 7|the project

    5m

    2m

    street limit

    filter

    footpath

    filter limit

    5m1.

    3/ 5m4.

  • 387 KM 50

  • KM 75trnovski gozd

    mt sabotin

    foibe

  • KM 75trnovski gozd

    mt sabotin

    foibe

  • 396 PART 7| the project

    solkan

    kromberk

    ozeljan

    smihel

    ajsevica

    nova gorica

    rozna dolina

    ravnica

    grgar

    voglarji

    trnovo

    foiba

    (ciginj)

    (poggio terzarmata)

  • 397 KM 50

    solkan bridge

    elimination of the diverse|scrap

    90 m (asl)

    trnovo

    foibe

    tolmin

    gorizia-nova gorica

    14 km

    720 m

    810 m (asl)

    bridge.............................

    general theme (bridge).............

    altitude...........................

    deviation to.......................

    specific theme (site)...............

    next stop of the itinerary (north)...

    next stop of the itinerary (south)...

    distance...........................

    altitude gap.......................

    max altitude.......................

    110

    400

    800

    0 1472,5

    solkan bridge

    prevala

    ravnica

    trnovo

    foiba

    (m)

    (km)

  • 398 PART 7| the project

    ELIMINATION OF THE DIVERSE

    diverse paths/destinies

    interrupted lifes

    SCRAPS

  • 399

    solkan bridge

    KM 85

    ELIMINATION OF THE

    DIVERSE

    The bridge of Solkan is connected

    to the foiba situated in the Tr-

    novski Gozd forest.

    The general theme handled at the

    bridge is the elimination of the

    diverse.

    Crowds or certain communities can

    involve herding behaviour that

    turns violent, particularly when

    confronted by an opposing ethnic

    or racial group.

    This behaviour is due to xenopho-

    bia, the irrational fear of the

    diverse.

    It can manifest itself involving

    the relations and perceptions of

    an ingroup, including a fear of

    losing identity, suspicion of its

    activities, aggression, and de-

    sire to eliminate its presence to

    secure a presumed purity (Wikipe-

    dia).

    In typical crowd situations,

    factors such as anonymity, group

    unity, and arousal weaken perso-

    nal control by distancing people

    from their personal identities

    and reducing their concerns for

    social evaluation (Wikipedia), le-

    ading them, in certain cases, to

    commit crimes.

    Xenophobia can elicit or faci-

    litate hostile and violent reac-

    tions, such as mass expulsion of

    immigrants, pogroms or, in other

    cases, genocide.

    [metaproject]

  • 400 PART 7| the project

    assume a filteronly the elements with certain charac-teristic can pass beyond the filter, the others are scrapsinstead if the elements are willing to change their conformation they can pass anyway but they have adapt themselves to a nature different from their origin

    CONCEPT

    filtering elements

    ELIMINATION OF THE DIVERSE || SCRAPS

    how to give the impression of the theme

    scrap

    scrap

    scrap

    scrap

  • 401 KM 85

    assume a filteronly the elements with certain charac-teristic can pass beyond the filter, the others are scrapsinstead if the elements are willing to change their conformation they can pass anyway but they have adapt themselves to a nature different from their origin

    CONCEPT

    filtering elements

    ELIMINATION OF THE DIVERSE || SCRAPS

    how to give the impression of the theme

    scrap

    scrap

    scrap

    scrap

  • new bridge

    old bridge

  • new bridge

    old bridge

    plan 1:1500

  • section 1:1000

  • n

  • nplan 1:100

  • n

  • nplan 1:100

  • view 1:100

  • section 1:100

  • 418 PART 7| the project

    aa

    bb

    view AA 1:100

    section BB 1:100

  • 419 KM 85

  • 424 PART 7| the project

    1

    2

    3

    4

    5

    scheme of the elements detail

    primary steel beam .1steel c-profile, 100mm .2steel i-profile, 100mm .3steel grating, 54x80mm .4

    steel sheet (welded to the primary beam), 15mm .5

  • 425 KM 85

    1

    2

    3

    4

    5

    scheme of the elements detail

    primary steel beam .1steel c-profile, 100mm .2steel i-profile, 100mm .3steel grating, 54x80mm .4

    steel sheet (welded to the primary beam), 15mm .5

  • detail aa 1:10detail bb 1:10

    a

    ab

    b

    4

    2

    5

    1

    3

    2

    1. steel i-beam, h 2700mm2. steel grating, 54x80mm 3. steel upn profile, 100mm4. steel sheet (welded to the primary beam), h 2500mm, th 15mm5. elastomeric bridge bearing

  • detail aa 1:10detail bb 1:10

    a

    ab

    b

    4

    2

    5

    1

    3

    2

    1. steel i-beam, h 2700mm2. steel grating, 54x80mm 3. steel upn profile, 100mm4. steel sheet (welded to the primary beam), h 2500mm, th 15mm5. elastomeric bridge bearing

  • 428 PART 7| the project

    SITE OF DEATH

    open-air grave in the forest

    need to overcome the trauma

    LOOKING FROM ABOVE

  • 429

    foiba of trnovo

    A SITE OF DEATH

    In the proximity of the village of

    Trnovo, in the Trnovski Gozd fo-

    rest, there is a deep carsic cavi-

    ty, the foiba.

    The specific theme handled at the

    site is the murder of the Yugosla-

    vian regimes oppositors.

    The foiba of Trnovo was used to

    hide several dead bodies of sol-

    diers and it is particularly fa-

    mous because it was also used to

    kill and then hide the bodies of

    the oppositors of the regime. Most

    of them where Italians.

    In the past, the foiba, 138 meters

    deep, had been surveyed but it was

    not possible to count the exact

    number of victims.

    The foiba is situated in a forest

    interesting for its carsic rocks

    and richness of trees.

    The aim of the project is to di-

    stance the individues from the

    painful emotions of the difficult

    heritage and to look to the past

    with a general point of view. For

    this reason a curved path moves

    among the trees reaching a high

    position above the foiba, ending

    with a cantilever towards the

    outlook.

    [metaproject]

    KM 85

  • assume a difficult heritage sitethe attention is focused on it, the feelings imply pain because of the sad memorythe concept for overcoming the trauma and for going beyond the memorial is to involve the environment, its explora-tionre-activating the site with diverse layers: the memory and the fruition of the space in other waysone is free to choose whether to remem-ber the past or only to live the place

    CONCEPT

    EXPLORING THE ENVIRONMENT

    SITE OF DEATH || LOOKING FROM ABOVE

    how to give the impression of the theme

    430 PART 7| the project

  • assume a difficult heritage sitethe attention is focused on it, the feelings imply pain because of the sad memorythe concept for overcoming the trauma and for going beyond the memorial is to involve the environment, its explora-tionre-activating the site with diverse layers: the memory and the fruition of the space in other waysone is free to choose whether to remem-ber the past or only to live the place

    CONCEPT

    EXPLORING THE ENVIRONMENT

    SITE OF DEATH || LOOKING FROM ABOVE

    how to give the impression of the theme

    431 KM 85

  • ravnica

    trnovo

    foiba

    voglarji

    solkan

    grgar

    isonzo/soca

  • ravnica

    trnovo

    foiba

    voglarji

    solkan

    grgar

    isonzo/soca

  • panoramicpoint of view

    elevated point of viewto the foiba

    access path to the foiba inclination 8%

    foiba

    438 PART 7| the project

  • panoramicpoint of view

    elevated point of viewto the foiba

    access path to the foiba inclination 8%

    foiba

    439 KM 85

  • to t

    rnov

    o vi

    llag

    e

    foiba

  • to t

    rnov

    o vi

    llag

    e

    foiba

    site plan 1:1000

  • section 1:1000

  • +5.3

    8.8

    5.8

    foiba

    n

  • +5.3

    8.8

    5.8

    foiba

    n

    plan 1:100

  • 4.5

    3.5

    n

  • 4.5

    3.5

    n

    plan 1:100

  • view 1:100

  • section 1:100

  • 456 PART 7| the project

    aa

    section AA

  • 457 KM 85

  • KM 100carso

    poggio terzarmata

  • KM 100carso

    poggio terzarmata

  • 464 PART 7| the project

    bridge

    poggio terzarmataex concentration camp

  • 465 KM 100

    poggio terzarmata bridge

    segregation|caging

    150 m (asl)

    poggio terzarmata

    poggio terzarmata ex concentration camp; carso 2014

    solkan

    fossalon

    747 m

    0 m

    32 m (asl)

    bridge.............................

    general theme (bridge).............

    altitude...........................

    deviation to.......................

    specific theme (site)...............

    next stop of the itinerary (north)...

    next stop of the itinerary (south)...

    distance...........................

    altitude gap.......................

    max altitude.......................

    0

    0 747

    poggio concentration camp

    poggio bridge(m)

    (m)

  • 466 PART 7| the project

    SEGREGATION

    ISOLATION

    discrimination

    separation from the other individues

  • 467 KM 100

    SEGREGATION

    The bridge of Poggio Terzarmata is

    connected to the ex concentration

    camp and to the First World War

    open-air museum situated in the

    Gorizian Carso.

    The general theme handled at the

    bridge is the discrimination of

    certain groups.

    Segregation is the practice of re-

    stricting people to certain cir-

    cumscribed areas of residence or

    to separate institutions and fa-

    cilities on the basis of race or

    alleged race. Ratial segregation

    provides a means of maintaining

    the economic advantages and supe-

    rior social status of the politi-

    cally dominant group (Encyclope-

    dia britannica).

    There are different reasons that

    lead to segregation.

    In this case two are the situa-

    tions: the first is related to the

    imprisonment of Slavic people in

    the concentration camp of Poggio

    Terzarmata, the second is the life

    in a hosting camp situated in Au-

    stria of the inhabitants during

    the WW1.

    Both segregations, even though

    are different are similar for some

    aspects: the depriving of perso-

    nal freedom, life compelled in a

    certain boundary, change in the

    daily habits.

    poggio terzarmata bridge

    [metaproject]

  • 468 PART 7| the project

    CONCEPT

    SPLITTER

    SEGREGATION || ISOLATION

    how to give the impression of the theme

    first grade of segregation: pedestri-ans and cyclists are forced to use the new bridge whether they want to cross the river.

    second grade of segregation: a splitter divides the passage into two narrow paths so that the indivi-dues walk alone, one in each side, separated

    reference: Segregation Wall (by Noel Jabbour)picture of the Abu Dis wall between Israel and Palestine

    Segregation includes the racial segregation or hypersegregation of facilities, services, and opportuni-ties such as housing, medical care, education, employment, and transpor-tation along racial lines (Wikipedia)

    Segregation/ to segregate: to keep one group of people apart from another and treat them differently especially because of race and sex; to keep one thing separate from another (Cambridge Dictionary)

  • 469 KM 100

    CONCEPT

    SPLITTER

    SEGREGATION || ISOLATION

    how to give the impression of the theme

    first grade of segregation: pedestri-ans and cyclists are forced to use the new bridge whether they want to cross the river.

    second grade of segregation: a splitter divides the passage into two narrow paths so that the indivi-dues walk alone, one in each side, separated

    reference: Segregation Wall (by Noel Jabbour)picture of the Abu Dis wall between Israel and Palestine

    Segregation includes the racial segregation or hypersegregation of facilities, services, and opportuni-ties such as housing, medical care, education, employment, and transpor-tation along racial lines (Wikipedia)

    Segregation/ to segregate: to keep one group of people apart from another and treat them differently especially because of race and sex; to keep one thing separate from another (Cambridge Dictionary)

  • old bridgenew bridge

  • old bridgenew bridge

    section 1:1500

  • section 1:1000

  • n

  • nplan 1:100

  • n

  • nplan 1:100

  • view 1:100

  • section 1:100

  • 492 PART 7| the project

    bb

    aa

    view AA 1:100

    section BB 1:100

  • 493 KM 100

  • 498 PART 7| the project

    scheme of the elements detailprestressed concrete beam .1

    steel frame .2metal grid .3

    1

    2

    2

    3

  • 499 KM 100

    scheme of the elements detailprestressed concrete beam .1

    steel frame .2metal grid .3

    1

    2

    2

    3

  • aab

    b

    detail aadetail bb

    1. reinforced concrete 2. steel unequal angle, l profile, 150x160x10mm 3. steel grating, 54x80mm 4. steel unequal angle, l profile, 350x160x15mm 5. elastomeric bridge bearing6. expansion joint

    1

    1

    6

    5

    1

    1

    6

    3

    5

    4

    2

    1

  • aab

    b

    detail aadetail bb

    1. reinforced concrete 2. steel unequal angle, l profile, 150x160x10mm 3. steel grating, 54x80mm 4. steel unequal angle, l profile, 350x160x15mm 5. elastomeric bridge bearing6. expansion joint

    1

    1

    6

    5

    1

    1

    6

    3

    5

    4

    2

    1

  • 502 PART 7|the project

    TWO LEVELS OF MEMORY

    the past as silk factory

    the past as imprisonment camp

    INTERLACE

  • 503 KM 100

    poggio terzarmataex concentration camp

    INTERLACE

    Between the 1941 and 1942 the silk

    factory based in Sdraussina (today

    Poggio Terzarmata) was used as a

    Fascist imprisonment camp.

    The specific theme handled at the

    site is the double level of me-

    mory: the building known as silk

    factory and the building known as

    concentration camp.

    At the end of the IXth

    century the

    silk factory was built in Sdraus-

    sina and it was used till the First

    World War when it was severely da-

    maged.

    Later on, during the Fascist pe-

    riod, the parts of the building

    still standing were used to host

    the Slavic people against the re-

    gime.

    When all the conflicts finished,

    the factory was restored and reu-

    sed till 2007 when it was definiti-

    vely closed.

    Nowadays all the buildings of the

    site are abandoned.

    The aim of the project is to link

    the two memories of the site with

    the use of ordered rows of poles

    representing the Slavic indi-

    vidues imprisoned, and the use

    of interwoven strings represen-

    ting the product of the factory.

    The interwoven poles are ordered

    along a stripe of land situated

    aside the factory that will serve

    the pedestrians willing to move

    from the bridge to the Carso park.

    [metaproject]

  • 504 PART 7|the project

    the interlacing of strings and poles generates screensthe playing with the transparency and overlapping of these screens hides and reveals significant parts of the back-ground

    CONCEPT #2

    HIDING/REVEALING

    assume a group of vertical elements spread on a ground and disposed regu-larly following a gridthese elements represent the people who were imprisoned in the concentration camp

    CONCEPT #1

    ENVISIONING MULTITUDES + TANGLING UP STRINGS

    assume a tangle of stringsthe string is the product that was produced in the factory

    TWO LEVELS OF MEMORY || INTERLACE

    how to give the impression of the theme

  • 505 KM 100

    the interlacing of strings and poles generates screensthe playing with the transparency and overlapping of these screens hides and reveals significant parts of the back-ground

    CONCEPT #2

    HIDING/REVEALING

    assume a group of vertical elements spread on a ground and disposed regu-larly following a gridthese elements represent the people who were imprisoned in the concentration camp

    CONCEPT #1

    ENVISIONING MULTITUDES + TANGLING UP STRINGS

    assume a tangle of stringsthe string is the product that was produced in the factory

    TWO LEVELS OF MEMORY || INTERLACE

    how to give the impression of the theme

  • poggio terzarmata

    san martino del carso

    san michele del carso

    doberdo lake

    doberdodel lago

    ronchi dei legionari

    turriaco

    san pier disonzo

    villesse

    ex concentration camp

    sacrario di redipuglia

    gradisca disonzo

    romans disonzo

    sagrado

    italia

    slovenia

    isonzo/soca

  • poggio terzarmata

    san martino del carso

    san michele del carso

    doberdo lake

    doberdodel lago

    ronchi dei legionari

    turriaco

    san pier disonzo

    villesse

    ex concentration camp

    sacrario di redipuglia

    gradisca disonzo

    romans disonzo

    sagrado

    italia

    slovenia

    isonzo/soca

  • 512 PART 7| the project

    strings (the product of the factory)

    ordered rows of poles (the multitude of prisoners)

    original buildings that hosted the fascist camp

  • 513 KM 100

    strings (the product of the factory)

    ordered rows of poles (the multitude of prisoners)

    original buildings that hosted the fascist camp

  • n

  • nplan 1:2000

  • section 1:1000

  • n

  • nplan 1:200

  • n

  • nplan 1:200

  • section 1:200

  • section 1:200

  • 530 PART 7| the project

    aa

    section 1:500

  • 531 KM 100

  • KM 120fossalon

  • KM 120fossalon

  • 540 PART 7| the project

    bridgefossalonex concentration camp

    bridge

  • 541 KM 120

    fossalon bridge

    forced/spontaneous migrations|adaptation

    3 m (asl)

    fossalon

    fossalon ex concentration camp

    poggio terzarmata

    fossalon

    4,3 km

    0 m

    3 m (asl)

    bridge.............................

    general theme (bridge).............

    altitude...........................

    deviation to.......................

    specific theme (site)...............

    next stop of the itinerary (north)...

    next stop of the itinerary (south)...

    distance...........................

    altitude gap.......................

    max altitude.......................

    0

    0 4,3

    fossalon concentration camp

    fossalon bridge(m)

    (km)

  • 542 PART 7|the project

    FORCED/SPONTANEOUS MIGRATIONS

    new life in a new place

    leaving home

    ADAPTATION

  • 543

    fossalon bridge

    KM 120

    FORCED/SPONTANEOUS

    MIGRATIONS

    The bridge of Fossalon is connected

    to the ex concentration camp si-

    tuated in the reclaimed territory

    nearby the city of Grado.

    The general theme handled at the

    bridge is the forced and sponta-

    neous migrations.

    The theme was choosen because in

    Fossalon, three different commu-

    nities coming from Veneto, Istria

    and Slovenia, cohabited the land.

    The migrations can be forced (when

    a certain group is compelled to le-

    ave by another group) or sponta-

    neous (when the individues freely

    choose to leave in search of bet-

    ter conditions), anyway both cases

    imply the move of residence from

    one place to another, the change

    of habit, the adaptment to diffe-

    rent location.

    Often the migrants arrange new

    communities, adapting their li-

    ves to the new environment assimi-

    lating the habit of the new place

    but also trying to continue their

    own ones.

    [metaproject]

  • 544 PART 7|the project

    the idea around the theme of migration is to communicate the ability of the individues to adapt themselves to different locations, even when these are strongly different from their place of origin

    Vegetalizing the bridge means to grow plants, trees, grass on a platform letting them survive/adapt themselves to the new unusual environment

    CONCEPT

    VEGETALIZING THE BRIDGE

    FORCED/SPONTANEOUS MIGRATIONS || ADAPTATION

    how to give the impression of the theme

  • 545 KM 120

    the idea around the theme of migration is to communicate the ability of the individues to adapt themselves to different locations, even when these are strongly different from their place of origin

    Vegetalizing the bridge means to grow plants, trees, grass on a platform letting them survive/adapt themselves to the new unusual environment

    CONCEPT

    VEGETALIZING THE BRIDGE

    FORCED/SPONTANEOUS MIGRATIONS || ADAPTATION

    how to give the impression of the theme

  • old bridge

    new bridge

  • site plan 1:1500

    old bridge

    new bridge

  • section 1:1000

  • n

  • nplan 1:100

  • n

  • nplan 1:100

  • view 1:100

  • section 1:100

  • 568 PART 7| the project

    aa

    bb

    view AA 1:100

    section BB 1:100

  • 569 KM 120

  • scheme of the elements detail

    reinforced concrete columns .1reinforced concrete slab .2

    precast concrete block .3waterproof coating .4

    soil .5plants .6

    1

    2

    3

    4

    5

    6

    574 PART 7| the project

  • scheme of the elements detail

    reinforced concrete columns .1reinforced concrete slab .2

    precast concrete block .3waterproof coating .4

    soil .5plants .6

    1

    2

    3

    4

    5

    6

    575 KM 120

  • aab

    b1. bituminous waterproofing, 3mm2. precast concrete3. reinforced concrete slab, 200mm4. reinforced concrete (column)5. drainage6. soil

    detail aa 1:10detail bb 1:10

    22

    3

    1

    6

    1

    5

    6

    3

    4

  • aab

    b1. bituminous waterproofing, 3mm2. precast concrete3. reinforced concrete slab, 200mm4. reinforced concrete (column)5. drainage6. soil

    detail aa 1:10detail bb 1:10

    22

    3

    1

    6

    1

    5

    6

    3

    4

  • 578 PART 7|the project

    IGNORED PRESENCE

    neglection and isolation of the slavic community

    TOTAL REMOVAL

  • 579 KM 120

    [metaproject]

    fossalon ex concentration camp

    The agricultural complex is pla-

    ced on the street flaked by the

    Isonzato river. Along the street

    there are other buildings with the

    same characteristics, the only

    thing that is different is the

    past as concentration camp of one

    of them.

    Given that its past was ignored

    in the past and it is still igno-

    red in the present, the aim of the

    project is to hide it completely

    to the outside with a dense vege-

    tation. Only when the people are

    in front of the building they can

    see it.

    TOTAL REMOVAL

    Fossalon is situated in the proxi-

    mity of the city of Grado that, at

    the beginning of the XXth

    century,

    was part of the lagoon.

    The territory was reclaimed and

    transformed in a vast agricultu-

    ral land for the sustenance of the

    nearby population.

    Several groups of people coming

    from different places went to in-

    habit the district and to work the

    land; at the beginning there were

    families coming from the Veneto

    region to work for the reclaim,

    later the exiled population from

    Istria came to inhabit the sou-

    thern part of the district and to

    cultivate the land.

    From 1941 to 1943 one of the farms

    was used as internment camp for

    a group of Slovenian oppositors

    who worked in the agricultural

    fields. While the Slavic communi-

    ty inhabited the land the rest of

    the people almost ignored them.

    The specific theme handled at the

    site is the ignored presence of

    the forced-labour camp of Slavic

    people at the reclaimed territory

    of Fossalon.

  • 580 PART 7|the project

    assume an object placed among other objectsassume an entity that covers itthe object is still present but you cannot define it because you do not see its charactersyou may say that there is no object under the entity and only the entity exists

    CONCEPT

    HIDING TO THE OUTSIDE

    IGNORED PRESENCE || TOTAL REMOVAL

    how to give the impression of the theme

  • 581 KM 120

    assume an object placed among other objectsassume an entity that covers itthe object is still present but you cannot define it because you do not see its charactersyou may say that there is no object under the entity and only the entity exists

    CONCEPT

    HIDING TO THE OUTSIDE

    IGNORED PRESENCE || TOTAL REMOVAL

    how to give the impression of the theme

  • city of grado

    fossalon

    ex concentration camp

    isonzato river

    isonzo river

  • city of grado

    fossalon

    ex concentration camp

    isonzato river

    isonzo river

  • hiding boundary for the total removal of the compound from the neighbourhood

    the agricultural compounds along the street are very similar to each otherthe only difference is that one of them was temporarily used as concentration camp

    588 PART 7| the project

  • hiding boundary for the total removal of the compound from the neighbourhood

    the agricultural compounds along the street are very similar to each otherthe only difference is that one of them was temporarily used as concentration camp

    589 KM 120

  • ex concentration camp

    fossalons centre

    fishers village

    cona island

    isonzo river

    isonzo river

    isonzato

  • ex concentration camp

    fossalons centre

    fishers village

    cona island

    isonzo river

    isonzo river

    isonzato

    the itinerary 1:20000

  • site plan 1:1500

  • section 1:1000section 1:1000

  • view 1:250

  • section 1:250

  • 604 PART 7| the project

    section 1:1500

  • 605 KM 120

  • conclusions

    conclusionsThe 1985 the Schengen agreement

    signed for the dissolution of the

    borders between Eastern and We-

    stern Europe. In less than 50 years

    we have experienced a shift from

    an impenetrable iron curtain to a

    more free air curtain as anyone

    can move from one Country to the

    other. Furthermore, the entrance

    of Slovenia and Hungary in the Eu-

    ropean Union in 2007 has brought

    down many ideological and politi-

    cal bias that were pretty strong

    during the previous decades.

    Nonetheless, tensions, recipro-

    cal resentments and incomprehen-

    sions are still present when de-

    aling with the topic of foibe and

    Fascist concentration camps.

    The dialogue between Italy, Slo-

    venia and Croatia began later than

    other European countries such as

    Germany, and even inside the sin-

    gle Countries the topics were not

    spoken loud.

    As the topics are (unfortunately)

    strictly considered political is-

    sues, a open dialogue often invol-

    ve controversy.

    The research done at the beginning

    of the thesis were not easy to ful-

    fill. The sources were sometimes

    contradictory and it was diffi-

    cult to obtain specific informa-

    tion from the municipalities.

    For this reason, the hope of this

    project is to stimulate a positi-

    ve debate, (without ideological/

    political implications) with the

    simple re-activation of the sites.

    Europe, as a Community, needs to

    heal the wounds of the past if it

    wants to protract to the future

    its ideology.

    605

  • workyourfingers

    [...] traces linked to unpleasant memories represent a patrimony that is difficult to manage, they have the potential to resonate beyond their local context and work toward the construction of a collective identity on a European scale.Schofield, Johnson

    [...] should sites that will serve to remind people of past troubles be retained or removed? Is it better to confront this materiality, or forget it?

    The possible action could be the reuse and reappropriation of the heritage as a therapy to overcome the never-healed trauma of diffi-cult heritage.Postiglione Gennaro