bordermemories project
DESCRIPTION
Border Memories: Re-enacting Difficult Heritage by Elisa Mansutti (POLIMI April 2014) The project aims to re-discover the past of the transnational territory called Venezia Giulia, shared by Italy, Slovenia and Croatia, where the ethnic fights along the years have left numerous traces fixed in the soil and geography of the place. Traces that need to be somehow re-activated since the memory of all dark periods have been, sometimes consciously, sometime involutarily, removed and never re-elaborated.TRANSCRIPT
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Border | Memories
- elisa mansutti -
the project
-
rombon
spring
bovecso a
trenta
kobarid
-
rombon
spring
bovecso a
trenta
kobarid
fortress
monastery
museum
war cemetery
skiing
kayaking
climbing
cycle-biking
hiking
camping
birdwatching
fishing
telferage
isonzo river
itinerary
-
kobarid
tolmin
concentration camp
mt kolovrat plain-air museum
-
kobarid
tolmin
concentration camp
mt kolovrat plain-air museum
-
deskle
solkan
nova gorica
gorizia
trnovo
lokve
crni vrh
mali golak
foibe
trnovski godz
topografie della memoria
trail intersection
mt sabotino peace park
-
deskle
solkan
nova gorica
gorizia
trnovo
lokve
crni vrh
mali golak
foibe
trnovski godz
topografie della memoria
trail intersection
mt sabotino peace park
-
san micheledel carso
doberd
redipuglia
castellazzo
concentration camp
gradiscadisonzo
carso 2014+
trail intersection
mt san michele
-
san micheledel carso
doberd
redipuglia
castellazzo
concentration camp
gradiscadisonzo
carso 2014+
trail intersection
mt san michele
-
concentrationcamp
bonifica della vittoria
cona island
punta sdobbafishersvillage
grado
lagoon of grado
-
concentrationcamp
bonifica della vittoria
cona island
punta sdobbafishersvillage
grado
lagoon of grado
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291 the program
the programAfter having:
. mapped the difficult heritage
sites (concentration camps and
foibe) of the macro-region Vene-
zia Giulia;
. found a connecting element (the
Isonzo/Soca river)and determined
the area of action;
. selected the difficult heritage
sites to develop;
. selected the other sites of inte-
rest after the context analysis;
. compiled a file for every site
with historic introduction, pic-
tures, and description;
. picked out the intermediate pla-
ces (the bridges) that physically
permit to cross the river and to
pass from one site to the other;
now it is the turn to develop a
strategy for the re-narration and
re-activation of the territorys
shared memories.
The river is the connecting ele-
ment, the metaphor of the border
and the bridges are the physical
entities that systematize the me-
mories and the shared sites of the
territory bathed by the Isonzo.
Therefore the project is consti-
tuted by the crossings that intro-
duce the specific sites.
The strategy is to define a topic
for each spot that will be develo-
ped in architectonic means.
Every site treats a theme rela-
ted to its specific past while the
bridge connected with it develops
a topic that introduces in a gene-
ral way the specific topic of the
site. Both spots (the bridge and
the site) give only sinthetic in-
formation about the topic, they
rather employ architectonic means
to induce sensations, optical and
spacial effects that remind the
topic.
The aim is to lead the individues
think during a dynamic fruition
of the space. The spots become in-
frastructures useful to the re-
activation of the memory, but in
a subjective way: it is up to the
individue whether to examine in
depth the topic or just to use the
infrastructure.
With regard to the bridges, the
planning strategy is to flank each
existent bridge with a pedestrian
bridge serving as useful infra-
structure (as it separates the pe-
destrians flux to the cars one)
together with the transmission of
information.
----------------------------
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292 PART 7|the project
specific themegeneral themebridge site history
km 38
km 50
km 85
km 100
km 120
kobarid mt kolovrat
mt kolovrat open-air museumthe isonzo battles
propagandathe influence of governments on civils opinion with the use of censorship and propaganda
km 38
fossalon fossalon
concentration camp of fossalonforced/spontaneous migrationsthe relocation of populations due to external causes
the forced-labour camp of slavic people in the reclaimed territory of fossalon
bonifica della vittoria
km 120
poggio terzarmata
concentration camp of poggio t.segregationthe confinement the populations are forced to withstand because of war events or racial discrimination
carso battlesthe forced reclusion of slavic people in the silk factory due to ethnic reasons
poggio terzarmatakm 100
solkan
foibeelimination of the diversethe result of the intimate fear of the elements of a group towards who do not share the same ideals
the murder of the yugoslavian regimes oppositors
trnovokm 85
tolmin
concentration camp of ciginjvictims/perpetratorsthe contradictory role of every population being them victims and perpetrators during the history
the ignored brief duration of the concentration camp in ciginj
ciginjkm 50
-
293 the program
specific themegeneral themebridge site history
km 38
km 50
km 85
km 100
km 120
kobarid mt kolovrat
mt kolovrat open-air museumthe isonzo battles
propagandathe influence of governments on civils opinion with the use of censorship and propaganda
km 38
fossalon fossalon
concentration camp of fossalonforced/spontaneous migrationsthe relocation of populations due to external causes
the forced-labour camp of slavic people in the reclaimed territory of fossalon
bonifica della vittoria
km 120
poggio terzarmata
concentration camp of poggio t.segregationthe confinement the populations are forced to withstand because of war events or racial discrimination
carso battlesthe forced reclusion of slavic people in the silk factory due to ethnic reasons
poggio terzarmatakm 100
solkan
foibeelimination of the diversethe result of the intimate fear of the elements of a group towards who do not share the same ideals
the murder of the yugoslavian regimes oppositors
trnovokm 85
tolmin
concentration camp of ciginjvictims/perpetratorsthe contradictory role of every population being them victims and perpetrators during the history
the ignored brief duration of the concentration camp in ciginj
ciginjkm 50
-
KM 37mt kolovrat
kobarid
-
KM 37mt kolovrat
kobarid
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296 PART 7| the project
(bovec)
(tolmin)
general itinerary
kobarid
bridge
mt kolovratopen air museum
italiaslovenija
-
297 KM 38
1000
1100
500
0
0
200
141
mt kolovrat open-air museum
kobarid ww1 museum
kobarid bridge
(m)
(km)
kobarid bridge
propaganda|misleading reality
200 m (asl)
kobarid; mt kolovrat plain-air museum of ww1
the isonzo battles
bovec; trenta valley; springs
tolmin bridge; ciginj
14 km
1000 m
1100 m (asl)
bridge.............................
general theme (bridge).............
altitude...........................
deviation to.......................
specific theme (site)...............
next stop of the itinerary (north)...
next stop of the itinerary (south)...
distance...........................
altitude gap.......................
max altitude.......................
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298 PART 7|the project
PROPAGANDA
manipulated information
distorted truth
MISLEADING REALITY
-
299 KM 38
kobarid bridge
[metaproject]
PROPAGANDA
The bridge of Kobarid is connected
to the First World War open-air
museum situated at Mount Kolo-
vrat.
The general theme handled at the
bridge is the use of propaganda
in the field of war.
The war forces populations to
fight against each other for eco-
nomical, political, religious re-
asons and not all the individues
agree with the entrance into the
war. The governments, to obtain
the support of all the people, use
the propaganda and the censorship
to influence their opinion, often
distorting the reality, giving
false information and using stra-
tegic mottos to deceive the indi-
vidue.
Propaganda is neutrally defined
as a systematic form of purposeful
persuasion that attempts to in-
fluence the emotions, attitudes,
opinions, and actions of speci-
fied target audiences for ideo-
logical, political or commercial
purposes through the controlled
transmission of one-sided messa-
ges (which may or may not be fac-
tual) via mass and direct media
channels.
(Richard Alan Nelson)
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300 PART 7|the project
CONCEPT
WARPING/DISTORTING SPACE
when walls, ceiling, pavement do not follow a perpendicular system, the effect on the visitors is that of diso-rientationWhat is straight, vertical?
A certain way of arranging the elements can determine an alteration of the feeling of the space around, challeng-ing the viewers perception of their bodies
reference:
Richard SerraSnake and the Matter of TimeGuggenheim Museum in Bilbao, Spain
PROPAGANDA || MISLEADING REALITY
how to give the impression of the theme
x y
z
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301 KM 38
CONCEPT
WARPING/DISTORTING SPACE
when walls, ceiling, pavement do not follow a perpendicular system, the effect on the visitors is that of diso-rientationWhat is straight, vertical?
A certain way of arranging the elements can determine an alteration of the feeling of the space around, challeng-ing the viewers perception of their bodies
reference:
Richard SerraSnake and the Matter of TimeGuggenheim Museum in Bilbao, Spain
PROPAGANDA || MISLEADING REALITY
how to give the impression of the theme
x y
z
-
plan 1:1500
-
section 1:1000
-
n
-
nplan 1:100
-
view 1:100
-
section 1:100
-
312 PART 7|the project
view AA 1:100
section BB 1:100
aa
bb
-
313 KM 38
-
318 PART 7|the project
1
2
3
4
5
scheme of the elements detail
steel i-beam (hea 1000), h 1000mm .1steel plate welded to i-beam, th 15mm .2
steel unequal angle, 100x60x8mm .3wood panel, 700x150x30mm .4
steel grating, 26x76mm .5
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319 KM 38
1
2
3
4
5
scheme of the elements detail
steel i-beam (hea 1000), h 1000mm .1steel plate welded to i-beam, th 15mm .2
steel unequal angle, 100x60x8mm .3wood panel, 700x150x30mm .4
steel grating, 26x76mm .5
-
aab
b
detail bb 1:10 detail aa 1:10
1. steel grating, 26x76mm2. wood panel, 700x150x30mm3. steel i-beam (hea 1000), h 1000mm 4. steel unequal angle, 100x60x8mm 5. steel plate welded to i-beam, th 15mm
2
4
3
5
1
2
-
aab
b
detail bb 1:10 detail aa 1:10
1. steel grating, 26x76mm2. wood panel, 700x150x30mm3. steel i-beam (hea 1000), h 1000mm 4. steel unequal angle, 100x60x8mm 5. steel plate welded to i-beam, th 15mm
2
4
3
5
1
2
-
KM 50ciginj
-
KM 50ciginj
-
(solkan)
(kobarid)
ciginjex concentration camp
bridge
324 PART 7| the project
-
325 KM 50
50
0
0 2,4
ciginj
tolmin bridge
(m)
(km)
bridge.............................
general theme (bridge).............
altitude...........................
deviation to.......................
specific theme (site)...............
next stop of the itinerary (north)...
next stop of the itinerary (south)...
distance...........................
altitude gap.......................
max altitude.......................
tolmin bridge
victims/perpetrators|opposing paths
150m (asl)
ciginj
ex-concentration camp
kobarid
solkan bridge - foibe of trnovo
2,4 km
50 m
200 m (asl)
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326 PART 7|the project
VICTIMS/PERPETRATORS
interchange of roles
rival positions
OPPOSING PATHS
-
327
tolmin bridge
KM 50
VICTIMS/PERPETRATORS
The bridge of Tolmin is connected
to the ex concentration camp pla-
ced in the nearby village of Ci-
ginj.
The general theme handled at the
bridge is the contradictory
role of victim and perpetrator
that every community plays in the
course of history.
As well as the case of Italian and
Slavic populations, the role of
every community in the course of
history is not easy to determine:
during a certain period of time
they might have been victims, in
other perpetrators.
It depends on the events that
acted during that precise time.
If we look at the History from a
general point of view (calling it
super-history) we could see the
cycling change of roles that era-
ses every label. Who is victim
now might have been perpetrator
yesterday, and so on; so, talking
about super-history, it has no
significance calling it just vic-
tim or just perpetrator (like -1+1
is equal to 0).
[metaproject]
-
328 PART 7|the project
assume two periodic functions one oppo-site the other (opposite in the sense that their curvature is contrary each other).two points moving along the curves will cyclically change their position being one the opposite the other: sometimes point A will be above point B, other times it will be below point Bthis idea represents the changing role of populations being them victims and perpetrators during the passing of time
CONCEPT
PERIODIC OPPOSING PATHS
VICTIMS/PERPETRATORS || OPPOSING PATHS
how to give the impression of the theme
-
329 KM 50
assume two periodic functions one oppo-site the other (opposite in the sense that their curvature is contrary each other).two points moving along the curves will cyclically change their position being one the opposite the other: sometimes point A will be above point B, other times it will be below point Bthis idea represents the changing role of populations being them victims and perpetrators during the passing of time
CONCEPT
PERIODIC OPPOSING PATHS
VICTIMS/PERPETRATORS || OPPOSING PATHS
how to give the impression of the theme
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old bridge
new bridge
-
old bridge
new bridge
plan 1:1500
-
section 1:1000
-
n
-
nplan 1:100
-
n
-
nplan 1:100
-
view 1:100
-
section 1:100
-
view AA 1:100
section BB 1:100
346 PART 7|the project
aa
bb
-
347 KM 50
-
prefabricated concrete block .1steel frame .2metal grid .3scheme of the elements detail
1
2
3
352 PART 7|the project
-
prefabricated concrete block .1steel frame .2metal grid .3scheme of the elements detail
1
2
3
353 KM 50
-
1. steel grating, 54x80mm 2. reinforced concrete retaining wall 3. steel upn profile, 80mm
detail aa 1:10detail bb 1:10
1
2
1
3
1
3
3
a
ab
b
-
1. steel grating, 54x80mm 2. reinforced concrete retaining wall 3. steel upn profile, 80mm
detail aa 1:10detail bb 1:10
1
2
1
3
1
3
3
a
ab
b
-
356 PART 7|the project
A TEN-DAYS PAST
stratification of memories one of which is forgotten
FRAGMENTS
-
ciginj concentration camp
A TEN-DAYS PAST
In 1942 the little village of Ci-
ginj, situated in the proximity of
Tolmin, hosted a Fascist concen-
tration camp.
The specific theme handled at the
site is the ignored brief dura-
tion of the camp.
The Fascist authorities transfor-
med the military barracks alre-
ady present in the village into a
concentration camp that, because
of the closeness with the Partisan
movement and the tensions with the
local population, worked only for
two-three weeks.
Later, the camp has been turned
into a factory that is still in
use.
For many decades in ex Yugosla-
via the recalling of the Fascist
period was silently forbidden to
discuss and probably for this rea-
son the difficult past of the site
in Ciginj is little aknowledged by
the population.
With the Yugoslavian dissolution
the argument started to be discus-
sed more openly.
[metaproject]
357 KM 50
The site is situated in a val-
ley surrounded by mountains and
oriented along the north-south
axe. The ex concentration camp,
now a factory, is placed in the
northern extremity of the valley.
The main road runs along the valley
passing in Ciginjs center and in
front of the factory and, despite
its narrow dimension, it is highly
used by cars and trucks. For this
reason, cyclists and pedestrians
have difficulties in using that
street, instead the secondary
road that connects the village of
Kozarsce (situated on the other
side of the valley in front of Ci-
ginj) to the factory, is safer and
more used for hikes.
The intent of the project is to
provide the area with a cycle-
pedestrian lane that gives the
opportunity to learn the history
of the factory with a fragmented
wall that gives information, se-
parates the lane to the street and
hosts a spot where the visitors can
stop to watch the landscape and
the building mirroring their own
image on the fragments.
The project is the result of the
superimposition of two needs: the
need of a footpath and resting area
for hikers and cyclists, and the
need to remember the past of the
site.
-
358 PART 7|the project
assume a fragmented reflecting surface:the reflected objects appear in pieces, the result is not a right specular image.the aim is to represent the lack of parts of memory of the site stimulating a emotional response through a frag-mented reflection
CONCEPT
FRAGMENTED (REFLECTING) WALL
A TEN-DAYS PAST || FRAGMENTS
how to give the impression of the theme
reference:
Rodan Kane HartReflection:(strips)Cape Town, South Africa
-
359 KM 50
assume a fragmented reflecting surface:the reflected objects appear in pieces, the result is not a right specular image.the aim is to represent the lack of parts of memory of the site stimulating a emotional response through a frag-mented reflection
CONCEPT
FRAGMENTED (REFLECTING) WALL
A TEN-DAYS PAST || FRAGMENTS
how to give the impression of the theme
reference:
Rodan Kane HartReflection:(strips)Cape Town, South Africa
-
ciginj
(next bridge solkan)
modrej
most na soci
modrejcekozarsce
ex concentration camp
isonzo/soca
(next bridge tolmin)
-
ciginj
(next bridge solkan)
modrej
most na soci
modrejcekozarsce
ex concentration camp
isonzo/soca
(next bridge tolmin)
-
ciginj
volceisonzo
ex concentration camp
kozarsce
kuk
mengore
main street(traffic, no space
for bikes-pedestrians)
deviation from the main street
fragmented wall
-
ciginj
volceisonzo
ex concentration camp
kozarsce
kuk
mengore
main street(traffic, no space
for bikes-pedestrians)
deviation from the main street
fragmented wall
the itinerary 1:7000
-
368 PART 7|the project
fragmented view + self-reflection
-
369 KM 50
fragmented view + self-reflection
-
site plan 1:1000
-
section 1:1000
-
n
-
nplan 1:200
-
view 1:200
-
386 PART 7|the project
5m
2m
street limit
filter
footpath
filter limit
5m1.
3/ 5m4.
-
387 KM 50
-
KM 75trnovski gozd
mt sabotin
foibe
-
KM 75trnovski gozd
mt sabotin
foibe
-
396 PART 7| the project
solkan
kromberk
ozeljan
smihel
ajsevica
nova gorica
rozna dolina
ravnica
grgar
voglarji
trnovo
foiba
(ciginj)
(poggio terzarmata)
-
397 KM 50
solkan bridge
elimination of the diverse|scrap
90 m (asl)
trnovo
foibe
tolmin
gorizia-nova gorica
14 km
720 m
810 m (asl)
bridge.............................
general theme (bridge).............
altitude...........................
deviation to.......................
specific theme (site)...............
next stop of the itinerary (north)...
next stop of the itinerary (south)...
distance...........................
altitude gap.......................
max altitude.......................
110
400
800
0 1472,5
solkan bridge
prevala
ravnica
trnovo
foiba
(m)
(km)
-
398 PART 7| the project
ELIMINATION OF THE DIVERSE
diverse paths/destinies
interrupted lifes
SCRAPS
-
399
solkan bridge
KM 85
ELIMINATION OF THE
DIVERSE
The bridge of Solkan is connected
to the foiba situated in the Tr-
novski Gozd forest.
The general theme handled at the
bridge is the elimination of the
diverse.
Crowds or certain communities can
involve herding behaviour that
turns violent, particularly when
confronted by an opposing ethnic
or racial group.
This behaviour is due to xenopho-
bia, the irrational fear of the
diverse.
It can manifest itself involving
the relations and perceptions of
an ingroup, including a fear of
losing identity, suspicion of its
activities, aggression, and de-
sire to eliminate its presence to
secure a presumed purity (Wikipe-
dia).
In typical crowd situations,
factors such as anonymity, group
unity, and arousal weaken perso-
nal control by distancing people
from their personal identities
and reducing their concerns for
social evaluation (Wikipedia), le-
ading them, in certain cases, to
commit crimes.
Xenophobia can elicit or faci-
litate hostile and violent reac-
tions, such as mass expulsion of
immigrants, pogroms or, in other
cases, genocide.
[metaproject]
-
400 PART 7| the project
assume a filteronly the elements with certain charac-teristic can pass beyond the filter, the others are scrapsinstead if the elements are willing to change their conformation they can pass anyway but they have adapt themselves to a nature different from their origin
CONCEPT
filtering elements
ELIMINATION OF THE DIVERSE || SCRAPS
how to give the impression of the theme
scrap
scrap
scrap
scrap
-
401 KM 85
assume a filteronly the elements with certain charac-teristic can pass beyond the filter, the others are scrapsinstead if the elements are willing to change their conformation they can pass anyway but they have adapt themselves to a nature different from their origin
CONCEPT
filtering elements
ELIMINATION OF THE DIVERSE || SCRAPS
how to give the impression of the theme
scrap
scrap
scrap
scrap
-
new bridge
old bridge
-
new bridge
old bridge
plan 1:1500
-
section 1:1000
-
n
-
nplan 1:100
-
n
-
nplan 1:100
-
view 1:100
-
section 1:100
-
418 PART 7| the project
aa
bb
view AA 1:100
section BB 1:100
-
419 KM 85
-
424 PART 7| the project
1
2
3
4
5
scheme of the elements detail
primary steel beam .1steel c-profile, 100mm .2steel i-profile, 100mm .3steel grating, 54x80mm .4
steel sheet (welded to the primary beam), 15mm .5
-
425 KM 85
1
2
3
4
5
scheme of the elements detail
primary steel beam .1steel c-profile, 100mm .2steel i-profile, 100mm .3steel grating, 54x80mm .4
steel sheet (welded to the primary beam), 15mm .5
-
detail aa 1:10detail bb 1:10
a
ab
b
4
2
5
1
3
2
1. steel i-beam, h 2700mm2. steel grating, 54x80mm 3. steel upn profile, 100mm4. steel sheet (welded to the primary beam), h 2500mm, th 15mm5. elastomeric bridge bearing
-
detail aa 1:10detail bb 1:10
a
ab
b
4
2
5
1
3
2
1. steel i-beam, h 2700mm2. steel grating, 54x80mm 3. steel upn profile, 100mm4. steel sheet (welded to the primary beam), h 2500mm, th 15mm5. elastomeric bridge bearing
-
428 PART 7| the project
SITE OF DEATH
open-air grave in the forest
need to overcome the trauma
LOOKING FROM ABOVE
-
429
foiba of trnovo
A SITE OF DEATH
In the proximity of the village of
Trnovo, in the Trnovski Gozd fo-
rest, there is a deep carsic cavi-
ty, the foiba.
The specific theme handled at the
site is the murder of the Yugosla-
vian regimes oppositors.
The foiba of Trnovo was used to
hide several dead bodies of sol-
diers and it is particularly fa-
mous because it was also used to
kill and then hide the bodies of
the oppositors of the regime. Most
of them where Italians.
In the past, the foiba, 138 meters
deep, had been surveyed but it was
not possible to count the exact
number of victims.
The foiba is situated in a forest
interesting for its carsic rocks
and richness of trees.
The aim of the project is to di-
stance the individues from the
painful emotions of the difficult
heritage and to look to the past
with a general point of view. For
this reason a curved path moves
among the trees reaching a high
position above the foiba, ending
with a cantilever towards the
outlook.
[metaproject]
KM 85
-
assume a difficult heritage sitethe attention is focused on it, the feelings imply pain because of the sad memorythe concept for overcoming the trauma and for going beyond the memorial is to involve the environment, its explora-tionre-activating the site with diverse layers: the memory and the fruition of the space in other waysone is free to choose whether to remem-ber the past or only to live the place
CONCEPT
EXPLORING THE ENVIRONMENT
SITE OF DEATH || LOOKING FROM ABOVE
how to give the impression of the theme
430 PART 7| the project
-
assume a difficult heritage sitethe attention is focused on it, the feelings imply pain because of the sad memorythe concept for overcoming the trauma and for going beyond the memorial is to involve the environment, its explora-tionre-activating the site with diverse layers: the memory and the fruition of the space in other waysone is free to choose whether to remem-ber the past or only to live the place
CONCEPT
EXPLORING THE ENVIRONMENT
SITE OF DEATH || LOOKING FROM ABOVE
how to give the impression of the theme
431 KM 85
-
ravnica
trnovo
foiba
voglarji
solkan
grgar
isonzo/soca
-
ravnica
trnovo
foiba
voglarji
solkan
grgar
isonzo/soca
-
panoramicpoint of view
elevated point of viewto the foiba
access path to the foiba inclination 8%
foiba
438 PART 7| the project
-
panoramicpoint of view
elevated point of viewto the foiba
access path to the foiba inclination 8%
foiba
439 KM 85
-
to t
rnov
o vi
llag
e
foiba
-
to t
rnov
o vi
llag
e
foiba
site plan 1:1000
-
section 1:1000
-
+5.3
8.8
5.8
foiba
n
-
+5.3
8.8
5.8
foiba
n
plan 1:100
-
4.5
3.5
n
-
4.5
3.5
n
plan 1:100
-
view 1:100
-
section 1:100
-
456 PART 7| the project
aa
section AA
-
457 KM 85
-
KM 100carso
poggio terzarmata
-
KM 100carso
poggio terzarmata
-
464 PART 7| the project
bridge
poggio terzarmataex concentration camp
-
465 KM 100
poggio terzarmata bridge
segregation|caging
150 m (asl)
poggio terzarmata
poggio terzarmata ex concentration camp; carso 2014
solkan
fossalon
747 m
0 m
32 m (asl)
bridge.............................
general theme (bridge).............
altitude...........................
deviation to.......................
specific theme (site)...............
next stop of the itinerary (north)...
next stop of the itinerary (south)...
distance...........................
altitude gap.......................
max altitude.......................
0
0 747
poggio concentration camp
poggio bridge(m)
(m)
-
466 PART 7| the project
SEGREGATION
ISOLATION
discrimination
separation from the other individues
-
467 KM 100
SEGREGATION
The bridge of Poggio Terzarmata is
connected to the ex concentration
camp and to the First World War
open-air museum situated in the
Gorizian Carso.
The general theme handled at the
bridge is the discrimination of
certain groups.
Segregation is the practice of re-
stricting people to certain cir-
cumscribed areas of residence or
to separate institutions and fa-
cilities on the basis of race or
alleged race. Ratial segregation
provides a means of maintaining
the economic advantages and supe-
rior social status of the politi-
cally dominant group (Encyclope-
dia britannica).
There are different reasons that
lead to segregation.
In this case two are the situa-
tions: the first is related to the
imprisonment of Slavic people in
the concentration camp of Poggio
Terzarmata, the second is the life
in a hosting camp situated in Au-
stria of the inhabitants during
the WW1.
Both segregations, even though
are different are similar for some
aspects: the depriving of perso-
nal freedom, life compelled in a
certain boundary, change in the
daily habits.
poggio terzarmata bridge
[metaproject]
-
468 PART 7| the project
CONCEPT
SPLITTER
SEGREGATION || ISOLATION
how to give the impression of the theme
first grade of segregation: pedestri-ans and cyclists are forced to use the new bridge whether they want to cross the river.
second grade of segregation: a splitter divides the passage into two narrow paths so that the indivi-dues walk alone, one in each side, separated
reference: Segregation Wall (by Noel Jabbour)picture of the Abu Dis wall between Israel and Palestine
Segregation includes the racial segregation or hypersegregation of facilities, services, and opportuni-ties such as housing, medical care, education, employment, and transpor-tation along racial lines (Wikipedia)
Segregation/ to segregate: to keep one group of people apart from another and treat them differently especially because of race and sex; to keep one thing separate from another (Cambridge Dictionary)
-
469 KM 100
CONCEPT
SPLITTER
SEGREGATION || ISOLATION
how to give the impression of the theme
first grade of segregation: pedestri-ans and cyclists are forced to use the new bridge whether they want to cross the river.
second grade of segregation: a splitter divides the passage into two narrow paths so that the indivi-dues walk alone, one in each side, separated
reference: Segregation Wall (by Noel Jabbour)picture of the Abu Dis wall between Israel and Palestine
Segregation includes the racial segregation or hypersegregation of facilities, services, and opportuni-ties such as housing, medical care, education, employment, and transpor-tation along racial lines (Wikipedia)
Segregation/ to segregate: to keep one group of people apart from another and treat them differently especially because of race and sex; to keep one thing separate from another (Cambridge Dictionary)
-
old bridgenew bridge
-
old bridgenew bridge
section 1:1500
-
section 1:1000
-
n
-
nplan 1:100
-
n
-
nplan 1:100
-
view 1:100
-
section 1:100
-
492 PART 7| the project
bb
aa
view AA 1:100
section BB 1:100
-
493 KM 100
-
498 PART 7| the project
scheme of the elements detailprestressed concrete beam .1
steel frame .2metal grid .3
1
2
2
3
-
499 KM 100
scheme of the elements detailprestressed concrete beam .1
steel frame .2metal grid .3
1
2
2
3
-
aab
b
detail aadetail bb
1. reinforced concrete 2. steel unequal angle, l profile, 150x160x10mm 3. steel grating, 54x80mm 4. steel unequal angle, l profile, 350x160x15mm 5. elastomeric bridge bearing6. expansion joint
1
1
6
5
1
1
6
3
5
4
2
1
-
aab
b
detail aadetail bb
1. reinforced concrete 2. steel unequal angle, l profile, 150x160x10mm 3. steel grating, 54x80mm 4. steel unequal angle, l profile, 350x160x15mm 5. elastomeric bridge bearing6. expansion joint
1
1
6
5
1
1
6
3
5
4
2
1
-
502 PART 7|the project
TWO LEVELS OF MEMORY
the past as silk factory
the past as imprisonment camp
INTERLACE
-
503 KM 100
poggio terzarmataex concentration camp
INTERLACE
Between the 1941 and 1942 the silk
factory based in Sdraussina (today
Poggio Terzarmata) was used as a
Fascist imprisonment camp.
The specific theme handled at the
site is the double level of me-
mory: the building known as silk
factory and the building known as
concentration camp.
At the end of the IXth
century the
silk factory was built in Sdraus-
sina and it was used till the First
World War when it was severely da-
maged.
Later on, during the Fascist pe-
riod, the parts of the building
still standing were used to host
the Slavic people against the re-
gime.
When all the conflicts finished,
the factory was restored and reu-
sed till 2007 when it was definiti-
vely closed.
Nowadays all the buildings of the
site are abandoned.
The aim of the project is to link
the two memories of the site with
the use of ordered rows of poles
representing the Slavic indi-
vidues imprisoned, and the use
of interwoven strings represen-
ting the product of the factory.
The interwoven poles are ordered
along a stripe of land situated
aside the factory that will serve
the pedestrians willing to move
from the bridge to the Carso park.
[metaproject]
-
504 PART 7|the project
the interlacing of strings and poles generates screensthe playing with the transparency and overlapping of these screens hides and reveals significant parts of the back-ground
CONCEPT #2
HIDING/REVEALING
assume a group of vertical elements spread on a ground and disposed regu-larly following a gridthese elements represent the people who were imprisoned in the concentration camp
CONCEPT #1
ENVISIONING MULTITUDES + TANGLING UP STRINGS
assume a tangle of stringsthe string is the product that was produced in the factory
TWO LEVELS OF MEMORY || INTERLACE
how to give the impression of the theme
-
505 KM 100
the interlacing of strings and poles generates screensthe playing with the transparency and overlapping of these screens hides and reveals significant parts of the back-ground
CONCEPT #2
HIDING/REVEALING
assume a group of vertical elements spread on a ground and disposed regu-larly following a gridthese elements represent the people who were imprisoned in the concentration camp
CONCEPT #1
ENVISIONING MULTITUDES + TANGLING UP STRINGS
assume a tangle of stringsthe string is the product that was produced in the factory
TWO LEVELS OF MEMORY || INTERLACE
how to give the impression of the theme
-
poggio terzarmata
san martino del carso
san michele del carso
doberdo lake
doberdodel lago
ronchi dei legionari
turriaco
san pier disonzo
villesse
ex concentration camp
sacrario di redipuglia
gradisca disonzo
romans disonzo
sagrado
italia
slovenia
isonzo/soca
-
poggio terzarmata
san martino del carso
san michele del carso
doberdo lake
doberdodel lago
ronchi dei legionari
turriaco
san pier disonzo
villesse
ex concentration camp
sacrario di redipuglia
gradisca disonzo
romans disonzo
sagrado
italia
slovenia
isonzo/soca
-
512 PART 7| the project
strings (the product of the factory)
ordered rows of poles (the multitude of prisoners)
original buildings that hosted the fascist camp
-
513 KM 100
strings (the product of the factory)
ordered rows of poles (the multitude of prisoners)
original buildings that hosted the fascist camp
-
n
-
nplan 1:2000
-
section 1:1000
-
n
-
nplan 1:200
-
n
-
nplan 1:200
-
section 1:200
-
section 1:200
-
530 PART 7| the project
aa
section 1:500
-
531 KM 100
-
KM 120fossalon
-
KM 120fossalon
-
540 PART 7| the project
bridgefossalonex concentration camp
bridge
-
541 KM 120
fossalon bridge
forced/spontaneous migrations|adaptation
3 m (asl)
fossalon
fossalon ex concentration camp
poggio terzarmata
fossalon
4,3 km
0 m
3 m (asl)
bridge.............................
general theme (bridge).............
altitude...........................
deviation to.......................
specific theme (site)...............
next stop of the itinerary (north)...
next stop of the itinerary (south)...
distance...........................
altitude gap.......................
max altitude.......................
0
0 4,3
fossalon concentration camp
fossalon bridge(m)
(km)
-
542 PART 7|the project
FORCED/SPONTANEOUS MIGRATIONS
new life in a new place
leaving home
ADAPTATION
-
543
fossalon bridge
KM 120
FORCED/SPONTANEOUS
MIGRATIONS
The bridge of Fossalon is connected
to the ex concentration camp si-
tuated in the reclaimed territory
nearby the city of Grado.
The general theme handled at the
bridge is the forced and sponta-
neous migrations.
The theme was choosen because in
Fossalon, three different commu-
nities coming from Veneto, Istria
and Slovenia, cohabited the land.
The migrations can be forced (when
a certain group is compelled to le-
ave by another group) or sponta-
neous (when the individues freely
choose to leave in search of bet-
ter conditions), anyway both cases
imply the move of residence from
one place to another, the change
of habit, the adaptment to diffe-
rent location.
Often the migrants arrange new
communities, adapting their li-
ves to the new environment assimi-
lating the habit of the new place
but also trying to continue their
own ones.
[metaproject]
-
544 PART 7|the project
the idea around the theme of migration is to communicate the ability of the individues to adapt themselves to different locations, even when these are strongly different from their place of origin
Vegetalizing the bridge means to grow plants, trees, grass on a platform letting them survive/adapt themselves to the new unusual environment
CONCEPT
VEGETALIZING THE BRIDGE
FORCED/SPONTANEOUS MIGRATIONS || ADAPTATION
how to give the impression of the theme
-
545 KM 120
the idea around the theme of migration is to communicate the ability of the individues to adapt themselves to different locations, even when these are strongly different from their place of origin
Vegetalizing the bridge means to grow plants, trees, grass on a platform letting them survive/adapt themselves to the new unusual environment
CONCEPT
VEGETALIZING THE BRIDGE
FORCED/SPONTANEOUS MIGRATIONS || ADAPTATION
how to give the impression of the theme
-
old bridge
new bridge
-
site plan 1:1500
old bridge
new bridge
-
section 1:1000
-
n
-
nplan 1:100
-
n
-
nplan 1:100
-
view 1:100
-
section 1:100
-
568 PART 7| the project
aa
bb
view AA 1:100
section BB 1:100
-
569 KM 120
-
scheme of the elements detail
reinforced concrete columns .1reinforced concrete slab .2
precast concrete block .3waterproof coating .4
soil .5plants .6
1
2
3
4
5
6
574 PART 7| the project
-
scheme of the elements detail
reinforced concrete columns .1reinforced concrete slab .2
precast concrete block .3waterproof coating .4
soil .5plants .6
1
2
3
4
5
6
575 KM 120
-
aab
b1. bituminous waterproofing, 3mm2. precast concrete3. reinforced concrete slab, 200mm4. reinforced concrete (column)5. drainage6. soil
detail aa 1:10detail bb 1:10
22
3
1
6
1
5
6
3
4
-
aab
b1. bituminous waterproofing, 3mm2. precast concrete3. reinforced concrete slab, 200mm4. reinforced concrete (column)5. drainage6. soil
detail aa 1:10detail bb 1:10
22
3
1
6
1
5
6
3
4
-
578 PART 7|the project
IGNORED PRESENCE
neglection and isolation of the slavic community
TOTAL REMOVAL
-
579 KM 120
[metaproject]
fossalon ex concentration camp
The agricultural complex is pla-
ced on the street flaked by the
Isonzato river. Along the street
there are other buildings with the
same characteristics, the only
thing that is different is the
past as concentration camp of one
of them.
Given that its past was ignored
in the past and it is still igno-
red in the present, the aim of the
project is to hide it completely
to the outside with a dense vege-
tation. Only when the people are
in front of the building they can
see it.
TOTAL REMOVAL
Fossalon is situated in the proxi-
mity of the city of Grado that, at
the beginning of the XXth
century,
was part of the lagoon.
The territory was reclaimed and
transformed in a vast agricultu-
ral land for the sustenance of the
nearby population.
Several groups of people coming
from different places went to in-
habit the district and to work the
land; at the beginning there were
families coming from the Veneto
region to work for the reclaim,
later the exiled population from
Istria came to inhabit the sou-
thern part of the district and to
cultivate the land.
From 1941 to 1943 one of the farms
was used as internment camp for
a group of Slovenian oppositors
who worked in the agricultural
fields. While the Slavic communi-
ty inhabited the land the rest of
the people almost ignored them.
The specific theme handled at the
site is the ignored presence of
the forced-labour camp of Slavic
people at the reclaimed territory
of Fossalon.
-
580 PART 7|the project
assume an object placed among other objectsassume an entity that covers itthe object is still present but you cannot define it because you do not see its charactersyou may say that there is no object under the entity and only the entity exists
CONCEPT
HIDING TO THE OUTSIDE
IGNORED PRESENCE || TOTAL REMOVAL
how to give the impression of the theme
-
581 KM 120
assume an object placed among other objectsassume an entity that covers itthe object is still present but you cannot define it because you do not see its charactersyou may say that there is no object under the entity and only the entity exists
CONCEPT
HIDING TO THE OUTSIDE
IGNORED PRESENCE || TOTAL REMOVAL
how to give the impression of the theme
-
city of grado
fossalon
ex concentration camp
isonzato river
isonzo river
-
city of grado
fossalon
ex concentration camp
isonzato river
isonzo river
-
hiding boundary for the total removal of the compound from the neighbourhood
the agricultural compounds along the street are very similar to each otherthe only difference is that one of them was temporarily used as concentration camp
588 PART 7| the project
-
hiding boundary for the total removal of the compound from the neighbourhood
the agricultural compounds along the street are very similar to each otherthe only difference is that one of them was temporarily used as concentration camp
589 KM 120
-
ex concentration camp
fossalons centre
fishers village
cona island
isonzo river
isonzo river
isonzato
-
ex concentration camp
fossalons centre
fishers village
cona island
isonzo river
isonzo river
isonzato
the itinerary 1:20000
-
site plan 1:1500
-
section 1:1000section 1:1000
-
view 1:250
-
section 1:250
-
604 PART 7| the project
section 1:1500
-
605 KM 120
-
conclusions
conclusionsThe 1985 the Schengen agreement
signed for the dissolution of the
borders between Eastern and We-
stern Europe. In less than 50 years
we have experienced a shift from
an impenetrable iron curtain to a
more free air curtain as anyone
can move from one Country to the
other. Furthermore, the entrance
of Slovenia and Hungary in the Eu-
ropean Union in 2007 has brought
down many ideological and politi-
cal bias that were pretty strong
during the previous decades.
Nonetheless, tensions, recipro-
cal resentments and incomprehen-
sions are still present when de-
aling with the topic of foibe and
Fascist concentration camps.
The dialogue between Italy, Slo-
venia and Croatia began later than
other European countries such as
Germany, and even inside the sin-
gle Countries the topics were not
spoken loud.
As the topics are (unfortunately)
strictly considered political is-
sues, a open dialogue often invol-
ve controversy.
The research done at the beginning
of the thesis were not easy to ful-
fill. The sources were sometimes
contradictory and it was diffi-
cult to obtain specific informa-
tion from the municipalities.
For this reason, the hope of this
project is to stimulate a positi-
ve debate, (without ideological/
political implications) with the
simple re-activation of the sites.
Europe, as a Community, needs to
heal the wounds of the past if it
wants to protract to the future
its ideology.
605
-
workyourfingers
[...] traces linked to unpleasant memories represent a patrimony that is difficult to manage, they have the potential to resonate beyond their local context and work toward the construction of a collective identity on a European scale.Schofield, Johnson
[...] should sites that will serve to remind people of past troubles be retained or removed? Is it better to confront this materiality, or forget it?
The possible action could be the reuse and reappropriation of the heritage as a therapy to overcome the never-healed trauma of diffi-cult heritage.Postiglione Gennaro