buzz magazine: february 21, 2014

Champaign-Urbana’s community magazine FREE

FEBRUARY !"#!$, !%"&

more on READBUZZ.COMAUSTIN MCCANN 04 SETH FEIN 05 LAURA WENNSTROM 08

Interviewing sources is one of the founda-tional aspects of jour-nalism. In seemingly every introductory-level journalism class, the first assignment is to interview the per-son next to you. You ask your neighbor his

name, where he’s from, his major. You bond over whatever you can from that basic informa-tion, and that interview starts to sound more and more like a natural conversation between friends. If you pry hard enough, you can get some good responses. You start to learn what types of questions lead to good answers, and this makes the whole interview process go more smoothly. You may soon forget you’re doing an assignment and start to follow your instincts, rather than a pre-planned list of questions.

Interviewing interesting people was my fa-vorite aspect of being a buzz music writer and editor. But as I gained more responsibilities at buzz outside of the music section, I’ve spent less time interviewing sources and more time interviewing prospective employees. I miss the feeling I got when talking to artists, like John Is-berg of Evil Tents or Caleb Means of New Ruins, about their approach to their craft. Typically, I’d be interviewing these artists right as they were gearing up to release an album or a new song. They had just finished putting their heart and soul into something that they felt was ready for the world to hear. Each new source taught me something about music or creativity, or even something completely unrelated.

Some deride the Q&A as an easy way out in lieu of writing an article. Interviews in the simple Q&A format allow for certain unique opportunities that a standard news story or a feature does not. First of all, they’re a great tool for young reporters to see what types of questions to ask. They’re completely transpar-ent in the sense that the reporter can not take quotes out of context. The question is right there, above the answer, for everyone to see. Most importantly, the answers come straight from the mouth of the sources. The reporter can get out of the way and let the sources just call it exactly as they see it. And when the sources have a unique voice and perspective, nothing puts that on display as openly.

Inside this issue and on readbuzz.com this week, you’ll find interviews with some of the most influential residents of Champaign-Ur-bana in the fields of Arts, Community, Food & Drink, Music and Movies & TV. This is the second edition of the Interview Issue.

2 buzz February 21-27, 2014

FEBRUARY 21, 2014VOL12!NO6

IN THIS ISSUE E D I TO R ’S N OT EEVAN LYMAN

MEET!UP

CALENDAR

Feeling literary? Check out this local writer's group!

Your guide to this week's events in CU

06

09COMMUNITY

ARTS & ENTERTAINMENT

FOOD & DRINK

MOVIES & TV

ON

REA

DBU

ZZ.C

OM

Comedy Showcase

04

07SETH FEIN SAKANAYA

THE ART OF AUSTIN MCCANN

05

Play review: Chicago Shakespeare Theater’s

production of Sondheim’s GypsyBy Syd Slobodnik

A friendly face at the local FriendShop BookstoreBy Will Hubbs

Album review: Television Fuzz — The 92sBy Elle Youpel

A slice of heavenOne on one with Manolo’s assistant general manager Adrienne WinglerBy Hillary Waldstein

Salad Fingers character analysis

By Ash Valentine

Will talks with volunteer Adam Steinberg about the unique bookstore that also sells movies, CDs and games.

Check out Syd’s review of the famed Sondheim play Gypsy, performed at the Chicago Shakespeare Theater. Syd examines the cast, director and overall appeal.

Check out our interview with Manolo's assistant general manager to see what’s next from the Urbana favorite for pizza and empanadas.

If you’ve ever heard of David Firth’s green, spindly-fi ngered character but haven’t understood the hype, keep reading!

Two EPs and one year of recording later, The 92s are back with their fi rst full-length LP. Check our review of the CU band’s latest release.

» Shnucks Urbana: I am not be-ing paid to write this, but I damn well should be. The only thing I love more than shopping at the Schnucks in Urbana is following the local grocery store’s amaz-

ing adventures via its Facebook page. The posts on the “Schnucks Urbana” page are as varied as its selection of fresh produce, ranging from coupons (Wednesday WOWS!) to helpful in-fographics (last week’s snowfall was catego-rized as a “three-loaf storm” accompanied by a picture of loaves of bread) and even occasional trivia (“How do crickets hear?” “Crickets hear very well. Crickets have eardrums that are lo-cated on their knees.”) Whomever is running the page must be a social media whiz, as every post results in an immediate fl urry of likes and comments. My favorite post so far was an image posted Sunday that simply read “Share these Schnucks apples for no reason!” Why should anyone share this? There was no reason offered, but there was no reason needed: I shared.

» Surprise handwritten mail: To-day upon venturing to my porch to check our mailbox, I expected to fi nd bills and addresses for former inhabitants of our house. This expectation was correct in

there being a Comcast bill, a book for my room-mate, a piece of trash and a bill for a former lessee. However, there was one more piece of mail, and it was for me. It was from one of the people with whom I exchange letters, Alyssa. It was a deco-rated, heavily stamped and beautifully pieced to-gether envelope — not to mention it felt fat with hidden content. Standing at my porch grinning like a giant elephant seal, I took my loot to joyfully unwrap. While I sometimes expect handwritten mail as it’s a hobby of mine to exchange letters with folks, I hadn’t replied to any letters recently. The ball is currently in my court for replies, so why did I get this piece of joyous surprise mail? Carefully opening the envelope so as not to ruin its artful decor, I opened a big card that had a Therafl u thin strip, a quick-dissolve Sudafed and a honey-mint fl avored Ricola. Not only these little tokens of thoughtfulness, but a splendidly scripted message of well-wishing. “I wish I could do more to relieve your body’s current invasions of viruses and bacteria! Hopefully this small gesture can do at least some help.” (I’ve been terribly sick the past week.) Be still, my swelling heart. “Here’s a little note to remind you how inspirational you are to me and to tell you that I am always send-ing good vibes your way.” Nope, call a doctor. My heart is a kid on a playground that just got struck by a love-bee. I am having an anaphylactic reac-tion from a sting of jubilation. Random kindness is magnifi cent, guys.

February 21-27, 2014 buzz 3

HEADS UP!

RICARDO PLAZA

The bazooka goblin has us in its sights!

LIKE KATLIN PENNMovies & TV Editor

LIKES, GRIPES & YIKES

COVER DESIGN Ben MinardEDITOR IN CHIEF Evan Lyman

MANAGING EDITOR Dan DurleyART DIRECTOR Dane Georges

COPY CHIEF Lauren CoxPHOTOGRAPHY EDITOR Allison Macey

IMAGE EDITOR Dan DurleyPHOTOGRAPHERS Alyssa Abay, Corie Baldwin

DESIGNERS Katie Geary, Bella Reinhofer, Ben Minard MUSIC EDITOR Maddie Rehayem

FOOD & DRINK EDITOR Carrie McMenaminMOVIES & TV EDITOR Kaitlin Penn

ARTS & ENTERTAINMENT EDITOR Andrea BaumgartnerCOMMUNITY EDITOR Carly Gubbins

CU CALENDAR Dan DurleyCOPY EDITORS Esther Hwang, Joshua Lopez, Samantha Ziemba

ADVERTISING SALES MANAGER Deb SosnowskiPUBLISHER Lilyan J. Levant

BUZZ STAFF

ON THE WEB www.readbuzz.com EMAIL [email protected]

WRITE 512 E. Green St., Champaign, IL 61820 CALL 217-337-3801

We reserve the right to edit submissions. buzz will not publish a letter without the verbal consent of the writer prior to publication date. buzz

Magazine is a student-run publication of Illini Media Company and does not necessarily represent, in whole or in part, the views of the University of

Illinois administration, faculty or students.

© ILLINI MEDIA COMPANY 2014

TALK TO BUZZ

KRANNERT ART MUSEUMNOTREADYTO MAKENICEFebruary 27, 2014Don’t miss a rare opportunity to meet a foundingmember of the Guerrilla Girls at KAM

2 pm • Informal Gallery Conversation7 pm • Artist Presentation

Sixth and Peabody • kam.illinois.eduGuerrilla Girls, Fist (detail). Courtesy of guerrillagirls.com. © Guerrilla Girls

The Little Free Library #8013 is a new feature at the I.D.E.A. Store, located on the second fl oor of 28 E. Springfi eld Ave. in Champaign. Gail Rost, the general manager of the store, took the time to chat with buzz about the new installment.» buzz: This sounds like such a cool feature! How does it work?» Gail Rost: It is open during normal I.D.E.A. Store hours. When you come to borrow, just look at what is on display in and around the “mailbox” library, decide what you would like to borrow and borrow it! That is all there is to it. We want you to bring it back when you are done. There are thousands of Little Free Libraries around the country (and world), and any book borrowed from any of them can be returned to us, too. Or, donations of books can be made to us. At the I.D.E.A. Store library, we are particularly looking for themes of art, science, craft and architecture.» buzz: Why did you decide to install it?» GR: The store is frequently the recipient of some very fi ne books, which we have available for sale. We thought we would try the borrowing system to see if our customers and the community would like to employ the idea of “reuse” in book borrowing!» buzz: What are your hopes for this little library?» GR: We hope that #8013 on the Little Free Library register will become a vibrant part of the reuse community. It is a fun way to get involved and play a “little” part.

Be on the lookout for this addition to the book community. It is a must for all book lovers in the Champaign-Urbana community.

BY RICARDO PLAZA

LIKE TYLER DURGAN Online Editor


MOVIES & TV

Showtimes:The Square (NR)!Q&A with Dr. Linda Herrera after Monday’s 7:30PM show

Mon & Tue: 7:30 PM

2014 Oscar Nominated Animation Shorts!(NR)!Our last shows before the

Oscars hit March 2Fri: 7:30 PM • Sat: 2:30 PM

Sun: 11:30 AM, 5:00Mon - Wed: 5:00 PM • Thu: 7:30 PM

The Invisible Woman!(R)!Directed by & stars Ralph Fiennes

as Charles DickensFri: 5:00 PM • Sat: 5:00,!7:30

Sun: 2:30,!7:30, • Wed: 2:30,!7:30 Thu: 5:00 PM

Escape From New York!(R)!John Carpenter’s classic dystopian thriller,

from a restored DCP printFri & Sat: 10:00 PM • Thu: 10:00 PM

Pens to Lens 2013 (FREE Encore Show)!(NR)!FREE presentation of

shorts by local K-12 " lmmakersSat: 12:45 PM

Our Robocop Remake!(NR)!FREE! 50 " lmmakers from across the country

remake this 1987 sci-" classicWed: 10:00 PM

BUZZFRIDAY FEBRUARY 21corp note...keep this same size always

1 X 5.4171/8th page

217-355-3456

No passes SHOWTIMES 2/21 - 2/26

S. Neil St. (Rt. 45) at Curtis Rd.

$6.25 BARGAIN TWILIGHT D A I LY 4 : 0 0 - 6 : 0 0 P M * excludes Digital 3D & Fathom events

TITLES AND TIMES SUBJECT TO CHANGE

GQTI.com and on Facebook

MICHIGAN BEER FILM (R) MON. 2/24 - 5:00 & 7:00 PM

Celebrates old core values in a new generation of community-conscious consumers and the proliferation of the Michigan craft

beer industry.

NATIONAL THEATRE’S WAR HORSETH. 2/27 7:00 PM

POMPEII (PG-13) 11:40, 2:15, 7:15 FRI/SAT LS 11:35 3D POMPEII (PG-13) $2.50 PREMIUM PER 3D TICKET4:45, 9:45 FRI/SAT LS 12:10 3 DAYS TO KILL (PG-13)11:25, 2:15, 4:50, 7:25, 10:00 FRI/SAT LS 11:05 ENDLESS LOVE (PG-13)11:55, 2:30, 5:00, 7:25, 9:50 FRI/SAT LS 12:15 WINTER’S TALE (PG-13) 11:00, 1:50, 4:40, 7:30, 10:15 ABOUT LAST NIGHT (R) 12:00, 12:40, 2:20, 3:00, 4:40, 5:20, 7:00, 7:40, 9:20, 10:00FRI/SAT LS 11:40, 12:15 ROBOCOP (PG-13) D-BOX LIMITED SEATING AVAILABLE11:00, 1:40, 4:25, 7:10, 9:55THE LEGO MOVIE (PG) 11:15, 11:30, 11:45, 1:35, 1:50, 2:05, 4:15, 4:30, 6:20, 6:35, 6:50, 9:00, 9:15 FRI/SAT LS 11:203D THE LEGO MOVIE (PG) $2.50 PREMIUM PER 3D TICKET 4:00, 8:45 THE MONUMENTS MEN (PG-13)11:35, 12:05, 2:05, 2:35, 4:35, 5:05, 7:05, 7:35, 9:35, 10:05 FRI/SAT LS 12:05THAT AWKWARD MOMENT (R)FRI-SUN, TUE-WED 12:55, 3:10, 5:25, 7:40, 9:55 FRI/SAT LS 12:05MON 12:55, 9:55RIDE ALONG (PG-13)12:20, 2:40, 5:00, 7:20, 9:40 FRI/SAT LS 12:00THE WOLF OF WALL STREET (R) 9:05FROZEN (PG) 11:20, 1:45, 4:10, 6:40

ROBOCOP IMAX (PG-13)11:25, 2:10, 4:55, 7:40, 10:15

Q&ABY KAITLIN PENN

AUSTIN MCCANN

buzz: What spurred your involvement with the Art from the very beginning?Austin McCann: I’ve always really liked fi lm, and when I moved to town, I started visiting the Art. And I did that semi-regularly, I caught some of the late nights and some of the documentaries — the events that Sanford (Hess) was putting on. And, you know, I’ve been involved with dif-ferent arts projects in town, and when I saw they were hiring for a general manager I thought that would be a good opportunity for me to try and explore. So basically I’ve been involved with dif-ferent art projects in town ... (and) the Art is an institution I’ve really respected. I really believed in the idea of a community-driven cinema that played fi lms for discerning audiences. So we would be playing stuff that we tried, you know, to assess as quality fi lms — you know, fi lms that were for people who saw the value of the arts in the community. So, it was exciting to me to be responsible, in that regard, for trying to create something, trying to grow something, because of this passion that I continually feel. buzz: With your personal involvement with the Art when it changed and was facilitated by your man-agership, how do you think working with the com-munity, or the dynamics changed within the Art?AM: I’ve heard from people that the Art is a community center in a way, and they felt that wasn’t quite there before or it was just bub-bling under the surface. But that was a term that was thrown around that was interesting to me: a community center. I’ve done a lot to try to really diversify the representation within our own screen. Art houses have a correct repu-tation for being a pretty white, upper-middle class, educated affair. And you know, to some degree, that’s some of our audience, but I’ve also worked to bring in, to build partnerships with a lot of other community groups in town and to reach out to people who ... otherwise don’t have a space in cinema. So, I work a lot with the social justice community, so we’ve got a pretty active question-and-answer se-ries where we’ll bring in somebody from the University who can highlight some aspect of a film that we’re showing.... I mean, I am all about

giving the Art personality. And not just giving it arbitrarily and putting it on top, but finding out what that personality is, finding out the interesting intersections of the audience, who our staff are, what this community has to say and really allowing that to come through. I’m not interested, and nobody else is interested in having that theater be some generic, corporate, bland, homogenized kind of space. buzz: Could you tell me more about some of the organizations within the community that don’t al-ways get a voice? Could you tell me about some of the work you’ve been doing with them, and what they have offered to yourself and the Art?AM: So, we’ve done Dangerous Docs Festival a few times — three or four times — and that’s where I knew we would have a slow week. Basi-cally a slow week doesn’t mean we’re not show-ing a good movie, it means we’re not showing something with a very big marketing budget. So I see that we have something coming up like that, and I think that this is a good time — we’re not going to be making a bunch of money any-way — to do some docs that I’ve wanted to play. So we’ve done a few of these series. Last one we showed, for example, a film called Call Me Kuchu, which was about, basically, queer people and legislation in Uganda. So we partnered with The UP Center. We showed Inequality for All, and we brought in people who are labor activ-ists ... (and) a few other folks who have been involved with dynamic social change around wealth and inequality and given them a space to talk. I would say that in a nation where the top-selling movie last year was Iron Man 3, which is entertaining, but you know essentially this piece of technological, pro-war propaganda. It’s interesting to have people who want to think critically about those representations and pro-pose positive representations as an alternative. ... We showed After Tiller, which was I think a really amazing film that is essentially a talking heads documentary. It’s just people talking, but they are the remaining late-term abortion doc-tors in the country. And we had people who’d worked on abortion rights come to talk about their experiences doing that. The thing is, I

don’t want the Art to get a representation as being this theater that gives you your vegetables. Like, I don’t like that image of you going to see an art house movie because it’s good for you. To me, that’s completely be-side the point. The reason why you see a movie is to be entertained, period. That’s the case with me, as much as anybody. It’s just there’s some people that want to think more about what en-tertains them, who wants to be a little bit more conscious about that. So we will have these partnerships; we’ll reach out to labor unions or The UP Center or different groups on campus we’ve worked with. buzz: Based on how the Art and the community surrounding it has been impacted by both your work and involvement and others', what are you hoping to continue pushing for in the future? What do you still want to still see change with the Art and improve with it?AM: I mean, I’d always like to see more people there. A big challenge for me and the Art in the upcoming years is to try to build our audience for non-mainstream films. We’re still a the-ater, like a lot of art houses honestly, that relies on somewhat mainstream films for the sound finances of our organization. We call those “tent-pole films.” Any theater is going to be in that situation. And we’re lucky enough that our tent-pole films happen to be really good. Like if Moonrise Kingdom and Inside Llewyn Davis and Nebraska are films that are propping up your theater, you’re doing really well. buzz: How is this work within the Art and working with the community? How has this work changed you?AM: This job is not what people think it is. The behind-the-stage side of running the Art is re-ally not what people think. And I’m not hiding anything, I’m happy to talk to people about what the reality of running a movie theater is. I’m happy to show that information, but it’s really interesting. I thought, coming into it, I would be able to play whatever movies I thought were great and there’d be an audience for it. Nothing could be further from the truth. My taste — my personal taste — has very little to do with it. So that’s been an interesting thing. ... Personally, I don’t know, it’s been deeply re-warding and challenging. Lately, actually this past month, I’ve taken the time to look back at where I’ve come since I started and where the Art has come and to feel some degree of pride — not in an arrogant way, but to realize I’ve re-ally stuck with this thing and worked hard and tried a lot of stuff. And I think I’ve made a dif-ference I made a difference in the community.

To read the full interview, visit readbuzz.com.

The Art Theater on West Church Street in Champaign. Photo by Alyssa Abay.

Manager at The Art Theater


BY SEAN NEUMANN

T his year is already one of the biggest years in Champaign-Urbana promoter Seth Fein’s

life, and it’s only just gotten started. Celebrating the birth of his newborn son, Ellis, Fein is adjust-ing to his new life as a father while fi nding a way to balance his hectic workload as a publisher and promoter. Fein is the man behind Smile Politely, an online magazine in Champaign-Urbana, and also runs Pygmalion Music Festival, the biggest annual live music event in C-U. We sat down with Fein to talk about Pygmalion’s 10th anniversary, his decision to book Major Lazer as last year’s headliner and how his life has changed since the birth of his son.

» buzz: Are you excited about Pygmalion Music Fes-tival turning 10 years old this year?» Seth Fein: I think there’s something landmark-y about 10 years. I’m definitely excited about it. It seems like a bigger challenge every year because you have to make sure the festival continues to grow and also doesn’t take a step back. Part of the challenge is raising enough money and selling enough sponsorship to make it work. I’m kind of knee-deep in that while si-multaneously putting in offers and negotiating with agents. I’ve got three early confirmations that I feel really good about, so I’m excited.» buzz: Do the majority of funds come from the previ-ous year’s ticket sales, or is it mostly sponsorships?» SF: Well, you’re certainly always reinvesting profi ts into the next year. It’s defi nitely where you pay yourself a salary to live your life, but the better the year goes before, the more money you have to put into the next year and continue to build the infrastructure. I’ve got some really strong part-nerships with the Krannert Center and WPCD — Parkland College’s radio station — and Red Bull. Budweiser and Goose Island are beer sponsors,

Jameson and hopefully Absolut sponsors. Then you build a lot of good local relationships with coffee shops like Cafe Kopi or Espresso (Royale) and different restaurants. What I’ve been able to do over the course of the last 10 years develop-ing Smile Politely is kind of mix and match those relationships. You get your name on the poster and the website, but there’s not that much benefi t (for a sponsor). It’s good, and I think most of my sponsors realize it’s healthy for the community to have a strong music festival like this, but really it’s that they can buy advertisement on the site and lump in a Pygmalion sponsorship. Between my wife’s photography company, my consulting work with Nicodemus Agency, my agency work (and) booking tours with Damien Jurado, it all kind of goes into one pot and from there, I’m kind of able to determine or not to pay Major Lazer way too much money to come and play.» buzz: Was booking them regrettable?» SF: No, it was expensive and because it was Dad’s Day Weekend, we got fucked by the timing of (the University’s schedule). Dad’s Day is always in November, and it’s never been an issue. I fi elded myself, personally, 50-plus emails from people be-ing like, “Hey, great lineup! Where the fuck do we sleep?” and I’m like, “Um, Rantoul?” There wasn’t a lot of options. It’s hard to gauge how many sales we lost to that popping up, but this year, no home football game, and I’m feeling pretty good about it.» buzz: So you’re not worried about scheduling for this year?» SF: No, I always do the last weekend in Sep-tember. One of the reasons I do that is because there’s this music festival in Cincinnati called MidPoint Music Festival and our lineups always look very similar, and it’s not by chance. We put in a lot of offers together, so (a band) will play there on Friday and here on Saturday or what-

ever. It helps us leverage our pool of money. We give a band like The Head and the Heart an offer for one price; it doesn’t look quite as good for two festival plays for a different price. If you’re going to spend $25,000 on a band, maybe you put in an offer for $40,000 for two plays and you get them for $20,000. It’s always the last weekend of September. I mean, that might change as time goes on, and I might end up modifying it when there’s a weekend where there’s not a football game. We’ll have to see how that transpires over the next 10 years, you know, if I’m not dead.» buzz: Major Lazer was a pretty big difference for the festival last year. Are you going that direction again this year?» SF: You know, I just don’t know. I did Major Lazer because it was made available to me. I happen to like Diplo as a producer, and I feel like the Major Lazer project is interesting and fun. It’s not my thing by any stretch of the imagina-tion, but part of the role of being a talent-buyer for a music festival is making sure that you’re not just booking it for yourself. I mean, I’m on the University of Illinois campus, and I may be 34, but I’m not completely oblivious to what kids are listening to these days. I want to do my best to accommodate as many types of people that fit in the structure of the indie rock motif, and Major Lazer does. I felt like there was some crossover there, but there stands to reason that someone who really digs on Kurt Vile would also want to throw down with Major Lazer. Is the crossover between Kurt Vile and The Head and the Heart or The Breeders as significant as Major Lazer? Absolutely not, but that’s why I offer single-show tickets as well as full-festi-val passes, so people can pick or choose what makes sense to them.» buzz: Not only is this year big for Pygmalion, but you’ve got a kid now, right?»SF: Yeah, that just happened. He’s two weeks old and that’s completely changed everything.» buzz: Is it a game changer when it comes to your work?»SF: Of course, but ironically, I’m doing more now than I was last year. I’m a lead consultant to a music festival in Kalamazoo called Audiotree, and me and my mentor — and one of my best friends — Ward (Gollings), who books at The Highdive and Cowboy Monkey, have been working with the Champaign Park District to book some of their events to try to liven them up a little bit and make them stronger. We’re booking that currently and a couple of events in downtown Champaign. I’m also starting a new music festival in downtown Urbana, and I don’t know yet when I’m going to announce it, but soon. It’s coming this May. It’ll be a one-day, first-year event that hopefully has a good,

strong first y e a r a n d people have a good time. It’s not going to have the kind of headliners that Pygmalion does because quite frankly I just don’t have the budget. But I think it could be something that grows, and I think it would be fun to put on a music festival in May when the students are just leaving and put on a music festival in fall when students are just coming back. I’m busier than ever.

Last year at this time, I was totally not con-cerned about my infant son dying, you know? And now it’s like, when he’s not feeding, shit-ting or crying, and he’s just relaxed. Sometimes he’ll fall asleep on my chest, and I’ll hear his little heart beating and his little breaths. I’m like, “How the fuck are you going to stay alive? This is bad!” It’s been fun, but I’ve got an amaz-ing wife. We own our company together, and everything we do is pretty much together. She runs and operates the Made Fest, which is the craft fair we started last year surrounding the music festival. We’re both self-employed and as a result of that, we’re on the same team.» buzz: You’ve got your hands full, but it all seems worth it to you because you’re still going at everything.» SF: It’s totally rewarding, to be honest. I have nothing to complain about. I have no misgivings about what I do or how I got here. I’ve made a ton of mistakes along the way, and I try to learn from them every year. It sounds terrible, but my high school guidance counselor said the same thing to me that she said to everyone else: “Pick something you love and do that for a living.” I was so baked at the time that it was just like, “Alright Ms. Matthews, I’m going to do it!” And what I loved to do was to play music. I loved to play the drums and get together with my best friends and write songs and get high and learn what it means to be young. As time has gone on, I just don’t really get high and I still love music. From that perspective, I feel like I picked something to do that I really loved, and I tried to be somewhat involved in the community while also trying to do something that I wake up in the morning and I’m like, “This is a good day, because I get to book one of my favorite bands and put them on stage in front of a bunch of people who may other-wise have not been able to see them." Because Champaign-Urbana’s not a major market. It’s not something that every time an agent goes to book a tour and goes, “Champaign-Urbana, must play!” I wouldn’t be able to do anything that I do without the historical context of Champaign-Urbana and its music scene. And for that, I’m super grateful. If you’re asking me if it’s reward-ing to do what I do, it’s very rewarding.

To read the full interview, go to readbuzz.com.

SETH FEINQ&A

Pygmalion 10th anniversary logo. Used with permission from Seth Fein.

MUSIC

Pygmalion Music Festival founder, talent buyer, publisher


COMMUNITYCOMMUNITY

C hampaign-Urbana Creative Writers (CUCW) is a group dedicated to, oddly enough, writ-

ing. It’s a group in which writers help one another develop their skills, thereby becoming better writ-ers. The group also allows people with a passion for words to become friends and gain motivation from each other through writing together.

Justin Lenoff, one of the founders of the group, talks about why he got the group started and its overall mission.

» buzz: Why did you want to start the group?» Justin Lenoff: I’m a writer, and I think the best way to get better at writing is though peer-writing by building skills of just getting it out there.» buzz: What do you do together with the group?» JL: We have three types of meet-ups once a week. We have a meet-up for short pieces, long pieces

and one to get together to write as friends.» buzz: What makes CUCW different from other cre-ative writing groups?» JL: It takes a while to give constructive feedback in these kinds of groups, and that’s what we do. The whole point is to empower the writers. We help them based on what they tell us they want to get out of it.

Robert Kutz, a member of CUCW, talks about his writing and personal experience with the group.» buzz: Why did you join the group?» Robert Kutz: I joined the group to get some critical feedback and to fi nd a community of like-minded writers.» buzz: How do you get inspiration for writing?» RK: Everywhere. Everyday life is full of things to write about. Reading other people’s good writing is also inspiring.

» buzz: What’s your favorite kind of writing and why?» RK: My favorite kind of writing is literary writing, but more specifi cally, writing about ideas.

Tum Suppak shares how being in the group helps him get a new perspective on his writing.» buzz: Why did you join the group? What were you looking to gain from it?» Tum Suppak: I joined the group because I want inspiration to write. I want to meet people who would share their work and critique mine. Also, be-ing from a different country, I need a native speak-ers’ eyes to see unnatural grammar and phrases.» buzz: What inspires you to write? What do you write?» TS: I write paranormal fantasy, horror and com-edy. I have learned about gods and spiritual beings across Eastern and Western cultures and enjoy seeing them walk the modern earth alongside with

me. I think that in a way, stories have their magic, and I want to share them. I also think fi ction writing is a great visual exercise for your brain; it induces creativity.» buzz: How do you feel the group has helped you and your writing?» TS: The group has been a great social support. They share the stories in different stages of edit-ing, which are very motivating. They give honest but encouraging criticism for your work, and they are great friends that would listen to you complain about writing!

If this sounds like a group that you would be inter-ested in joining, whether you are looking for new ways to get involved with other community members or just simply love to write, visit its website at http://www.meetup.com/CUWriters.

MEETING THE MEET-UP

Creative writing group shares storiesBY NATALIE CZARNOTA

Q&A

Writers talk at a Champaign-Urbana Creative Writers meet-up. Photo by Corie Baldwin


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C hampaign-Urbana’s new Japanese restau-rant, Sakanaya, has only been open since

November, but there are already people lining up to get in during busy hours. The restaurant, located at 403 E. Green St. in Champaign, serves authentic Japanese ramen, sushi and more in an upscale envi-ronment. buzz interviewed the restaurant’s owner, Jin Park, and learned that Sakanaya definitely wants to stand out from the other restaurants on Green Street. The name Sakanaya was chosen because it means “fish market” in Japanese. That’s what a po-tential customer should expect: fresh fish for sushi, along with a lot of other well-thought-out dishes.

» buzz: Since you guys opened a couple of months ago, how has the CU community been to you guys? » Jin Park: We have been busy since the day we opened up until now.» buzz: What have been the most ordered items? » JP: Japanese ramen and sushi, of course.» buzz: I noticed that from the decor that you guys are

going for an upscale and chic kind of Japanese restau-rant. What was the mind-set behind the decision to go for this kind of style? » JP: I like to have a better environment and interior in a restaurant. I thought on campus there weren’t really any upscale restaurants to eat at. I wanted to bring a better atmosphere and to serve students who didn’t want to eat at just any restaurant.» buzz: Did you come up with this design process your-self? I’m very impressed by how fancy it looks in here. » JP: Yes ... I bought everything, like all the tiles, even the chopsticks to lighting — everything.» buzz: How did you get started with the restaurant? » JP: I didn’t think there were that many places here in Champaign-Urbana that students want-ed to go to. I wanted to make one that students can really enjoy.» buzz: What can you tell me about the late night? » JP: I’m doing late night every day except for Sun-days because there is no place to eat on campus after 10 p.m. and for healthier food. It’s all fast food.

So I wanted students to eat better food between 10 p.m. to 1 a.m. and serve alcohol. There’s like no places to sit down and drink on campus. It’s all bars.» buzz: Are there other ways you get involved?» JP: I’m trying to work with art students. There’s a group called SCUDO (Student Champaign-Urbana Design Organization). I’m planning on having their artwork hang on our walls after their exhibition downtown. I’m going to kind of sponsor them.» buzz: I heard there were waiting lines when the restaurant first opened. Were there lines for late night too?» JP: Not for late night, but dinner is busy.» buzz: When I first heard of Sakanaya, lots of people associated it with sushi and ramen. Why did you de-cide to put Korean food into the mix?» JP: We wanted to put one or two Korean items on the menu for the Asian students. Bulgogi is very popular with the students.» buzz: I noticed that you guys have a Champaign-Urbana roll. What’s in it?

»JP: Deep fried tuna with avocado and cream cheese. » buzz: Why did you guys decide that those should be the ingredients of Champaign-Urbana? » JP: This is actually a very popular roll throughout college towns. For students, this signature roll is only $10 and cheaper compared to the others. I put it into the menu so they can buy it without it feeling too expensive compared to the other ones. » buzz: What’s the fanciest sushi roll on the menu? » JP: Gold Rush 1848 and VIP. » buzz: Any finals words? » JP: We actually use very fresh and good fish. Our sushi and sashimi are really popular. We’re doing lunch also from 11:30 p.m. to 2 p.m., except Sunday. We serve chicken wings during lunch and late night, but not during dinner. They are really popular, too. To read the full interview, go to readbuzz.com.

UPSCALE AND LATE NIGHT

Sakanaya brings quality Japanese to Green StreetBY JONNA NEWBERRY

Q&AFOOD & DRINK



“Reticulation” creator discusses creativity, winning Boneyard Arts Festival's Signature Image

B oneyard Arts Festival is a weekend-long event in which local artists gather, con-

nect and appreciate the beauty of their artis-tic practice. Numerous unique exhibitions and workshops will be available throughout April 10 through April 13 for the enjoyment of the community. This year, Boneyard Arts Festival selected one work of art out of 95 submissions to be its “Signature Image.” A panel of local arts professionals chose Laura Wennstrom’s “Reticu-lation” (felt, thread, nylon string, light) to em-brace the essence and the heart of the festival.

» buzz: Laura, tell us about yourself?» Laura Wennstrom: I am a Master of Fine Arts in the U of I. It is my second year here, although I grew up in Minnesota. I’m actually from Minne-apolis. I am pretty laid back and introverted; I like to be by myself. My favorite color is royal blue, like really bright primary blue, and my favorite food is guacamole. My favorite artist would be Theaster Gates. I think he is doing really inter-esting work, and he is leveraging his success to help other people. You should look him up. The best part of my childhood was when I was growing up, my best friend lived essentially in our backyard behind my house, and so we hung out everyday and we would do craft projects. My parents have a huge craft basement full of craft materials, and we could just make whatever we wanted everyday. It’s pretty fun. I’ve been doing art my whole life, so it’s something that I really like to do. » buzz: What is a skill most people would be shocked to learn that you possess?» LW: Very random, I was on the synchronized swimming team in high school. It’s pretty hard actually; it uses a lot of weird muscles. » buzz: What does “being creative” mean to you?» LW: I think “being creative” means coming up with solutions to problems. » buzz: What’s the best advice you ever had about how to be more creative?» LW: The best advice is to be okay with making mistakes. Don’t be afraid to make mistakes. Don’t be afraid to try new things. » buzz: Can you describe the time when you first realized that creating art was something you ab-solutely had to do?» LW: I can tell you the exact moment: I was a se-nior in high school, and I was pulling an all-nighter on an art project. I was making a giant papier-mache giraffe, and I was sitting in the workspace in the middle of the night and I had glue and papier mache all over — and I was in a huge mess — and I thought this was exactly what I wanted to do with my life. I just had this moment like “This is it!” Yes, it was just a very sudden realization.

» buzz: How long have you known about the Bone-yard Arts Festival, and what made you decide to participate in this festival?» LW: I guess this is the second year I’ve known about it. The reason for my participation is be-cause I think that it is a really cool festival, and it offers an interesting way for the arts society to connect throughout the community. » buzz: What did you see as the benefits and chal-lenges of being involved?» LW: I think the benefit is more exposure. You know, people come out and see what you are up to, and I think that is a really huge benefit. The biggest downfalls are that if you are having an event, you can’t go to the other events. You can’t do it all. I wish it was longer or it happened more. » buzz: What was your reaction when you found out that you were the winner?» LW: Yeah, I was really excited. I was really pleased because a lot of time I submitted to different kinds of shows and exhibitions, and, you know, nothing has ever happened. You never get chosen. So it was really exciting to get chosen. So very honored. » buzz: Can you explain your artwork, “Reticulation”? » LW: So this piece in Boneyard is called “Reticula-tion.” And it is made up of felt that is cut into lace patterns, and when it is installed it enables light to shine through it. It’s about creating a space that is contemplative and meditative, and it’s part of what is interesting to me — an experience when you have a shadow cast on you and you become part of the work, and it forces people to interact with it and walk around it. That is the inspiration.» buzz: What was the inspiration behind it?» LW: I think it was based on some previous drawings that I’ve done. I’m thinking a lot like microbiology, like cellular structures and lace. I’m thinking about environmental landscape, the way that your body exists. » buzz: Why did you name it “Reticulation”?» LW: So I actually just stumbled on this word after I made it, and it is a new vocabulary word for me. So “reticulation” is a word that refers to a network or interrelating systems and lace and kind of all these things. It reminds me of a net, so it is kind of a word that encompasses all these things that I was trying to talk about. » buzz: How big is “Reticulation,” and did anyone help you?» LW: The image displayed is probably 30-by-30 feet, and I did everything myself. It took me a few weeks, a month or two, so six to eight weeks to complete. » buzz: How did you make it? Describe the process of making “Reticulation.”» LW: I started as a sketch, a series of drawings, and then I cut the felts into the drawing that I de-

signed, and then the felt was stiffened with glue. Then it was installed using strings, and finally I sewed it all together.» buzz: Where did you obtain all the materials, and how much does it cost? » LW: I bought them — I bought it online, and I bought it at Jo-Ann (Fabrics) — and it cost a couple hundred dollars, around $300, but it’s actually fairly inexpensive. » buzz: How do you know when your work is com-pleted? » LW: That is a very hard question. I think you know when the work is complete when it’s not keeping you awake at night worrying, and I think you get to the point where you feel satisfied about it. » buzz: What do you see as the strengths of your piece, visually or conceptually?» LW: I think that the use of line and form is really strong — the use of line and space in an interesting way with the combination of light and shadows. » buzz: Was there a time that you almost gave up finishing “Reticulation”? » LW: Like everyday. I think that when you embark on a really big project, it’s just a bit overwhelming because there is so much work that you doubt if it is going to turn out. So I think I wanted to give up because I wasn’t sure that it was going to work, because I would be wasting a lot of time. But it worked out okay, so I’m glad I worked it.» buzz: How many artworks of yours will be dis-played in this year’s festival?

» LW: This is actually kind of a hard question because I’m going to have a show at the University YMCA during Boneyard. I’m not exactly sure of what art is going to be displayed in the show yet, but the event, “Inside Outside,” for the University YMCA closes on May 17, whereas the piece “Reticulation” will be found at Figure One Gallery in Champaign from April 18 to May 17 in downtown Champaign — come check it out! » buzz: How has creative art and your artwork in-fluenced your life?» LW: It makes me happy! It is the thing that I re-ally love to do, so I think it makes my life a better place and me a better person. » buzz: Which type of art would you love to pursue but haven’t yet?» LW: Let me think about this for a second ... I am in-terested in learning about embroidery or weaving. » buzz: How do you challenge yourself in your work?» LW: By being critical of what you are doing and listening to criticism from other people and trying to learn from your mistakes. » buzz: What can we expect from you in the future?» LW: More art!» buzz: Do you have any tips for readers or advice for other artists trying to get published or recognized?» LW: I would say make as much art as you can. Make art all the time, and then just show it to everybody you can.

LAURA WENNSTROMQ&A

BY SHARON KURNIAWAN

Used with permission from Laura Wennstrom.


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COMMUNITY

MOVIES & TVFOOD & DRINK

MUSIC


FEATURED

“ADVENTURES IN CANDYLAND” Virginia Theatre

Friday, February 21, 7 p.m.

and Saturday, February 22,

2 p.m.

HAIFA SYMPHONY ORCHESTRA OF ISRAELKrannert Center for the

Performing Arts

Saturday, February 22, 7:30

p.m.

“WINTER TALES”Spurlock Museum

Saturday, February 22, 2 p.m.

RAW EXHIBITION PRESENTED BY SCUDO indi go Artist Co-op , February 21-25

Join the student chapter of CUDO for an opening reception and gallery event at indi go Art Gallery to experience the work of artists that reveals their “outspoken, powerful and raw selves.” The exhibit demonstrates how artists work without boundaries, highlighting individual styles and themes across numerous mediums.

ALL OUT A CAPPELLAUnity High School

Auditorium

Saturday, February 22, 5 p.m.

and 8 p.m.

PUBLIC SKATESaturday, February 22

and Sunday, February 23,

1:30—4 p.m.

University Ice Arena

3 and under: free, 4 and over:

$5, $2 for rental skates

HEALTH COVERAGE HELP AT PARKLAND COLLEGEWednesday, February 26, 12:30 —4:30 p.m., Parkland College, Room X-150

Bring identifi cation (SSN, passport, driver’s license or state ID), fi nancial information (tax returns, W-2s or bank statements) and any current insurance information (includes employer health plans). Robert Porter, navigator with Champaign for Better Health Care, will answer questions about how to apply for health coverage.

AROUND THE WORLD WEDNESDAYS February 26, 9:30 a.m. — 12

Zahn Learning Center,

Spurlock Museum

$2 donation

HAPPY HOURMonday through Friday,

3—6 p.m.

Big Grove Tavern

Half-priced bar snacks

CLASS: A BUTCHER AND SOME BEERWednesday, February 26,

6—7:30 p.m.

Common Ground Food Co-op

$15 owners, $20 non-owners

SOLOMON DINNERThursday, February 27, 7:30 p.m. - 9:30 p.m., Urbana Butcher Shop, $65

Chef John Boyd will be preparing local meat, paired with Eric Solomon Selections wine for a Spanish feast of food and drink.

OUR ROBOCOP REMAKEWednesday, February 26, 10 p.m., The Art Theater

Our Robocop Remake is exactly what it sounds like: a crowd-sourced remake of the original Robocop movie. Fifty different fi lmmakers split the movie up into different pieces and each fi lmed their parts. If that doesn’t sound interesting to you, go get your brain checked.

TWO KNIGHTS, GRYSCL, THE STARS, THEY BECKON Friday, February 21, 7 p.m.

Error Records

$5, all ages

EARTH WITCH, ROOMRUNNER, MULTICULT, WITHERSHINSSaturday, February 22, 7 p.m., Error Records, $5, all ages

Stoner rock will be alive and well at Error Records Saturday night, from the metal riffs of Earth Witch to the Albini-esque tones of Roomrunner to Withershins’ twinkles. Rumor has it this will be a good place to catch some new Withershins tunes.

CAMERON MCGILL, EDWARD BURCH, RORY BOOKWednesday, February 26,

10 p.m.

Mike ‘N’ Molly’s

19+

MATTERS, THUD, MARATHON, DR. RESPONSIBLE, ORBITAL PLEXUSSaturday, February 22, 9 p.m.

Thee Deathtower

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HANK. AND CAPYS TOUR KICK!OFF PARTYMonday, February 24, 9:30

p.m.

The Canopy Club

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ESCAPE FROM NEW YORKFriday, February 21, Saturday, February 22 and Thursday, February 27, 10 p.m., The Art Theater

Come check out John Carpenter’s 1981 fi lm at the Art for this week's late-night feature!


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“All Together Now” — be part of the group.JONESIN’

Across 1 Ready to go4 Running jokes8 Hemmed in?12 Sat for a portrait14 Foot or furlong15 Certain Fed16 QUERY, PART 119 I-5 or I-9520 Ginormous21 Player who cannot be a DH22 QUERY, PART 227 Swallowed hard28 Make a selection29 Graffi ti ID30 Hot tempers31 Went after33 Go back, like the tide34 QUERY, PART 338 Au ___ (roast beef order)41 Oscar winner Jeremy42 Drunken utterances46 Long ending?47 Rabbit food?48 Affectedly trendy50 QUERY, PART 454 Gin mills55 Just slightly56 Casual dress day, for short

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KR ANNERT CENTER FOR THE PERFORMING ARTSTHIS WEEK

TH FEB 20

5pm Krannert Uncorked with the BR Quartet, jazz // Marquee

7:30pm UI Wind Symphony // School of Music

7:30pm Vijay Iyer Trio // Marquee

FR FEB 21

10am Dance for People with Parkinson’s // Marquee

7:30pm Rochelle Sennet, piano // School of Music


About Global Transfer Afterglow: Joshua Abrams’ 9:30pm Natural Information Society // Marquee

SA FEB 22

7:30pm Haifa Symphony Orchestra of Israel // Marquee


WE FEB 26

7:30pm UI Wind Orchestra // School of Music

TH FEB 27

5pm Krannert Uncorked // Marquee

Corporate Power Train Team Engine

C A L L 3 3 3 . 6 2 8 0 • 1. 8 0 0 . K C P A T I X

Marquee performances are supported in part by the Illinois Arts Council—a state agency which recognizes Krannert Center in its Partners in Excellence Program.

40 North and Krannert Center—working together to put Champaign County’s culture on the map.

These sponsors make good stuff happen:

Vijay Iyer Trio

Anonymous

Haifa Symphony Orchestra of Israel In remembrance of Emily & James Gillespie,

Endowed Sponsorship Anne Mischakoff Heiles & William Heiles Peggy & Christopher Huson Masha & Brent TrenhaileAnonymous

HAVE THE LAST WORD. Learn Yiddish or speak geek. Write like Poe or find inner peace. Share a haiku on your filing cabinet. Dig into a Magnetic Poetry box from Promenade for motivation—or just plain fun.

THE EXCEPTIONA LLY ECLECTIC A N D A RTFU LLY A FFOR DA BLE STOR E

2014_FEB20-27_3QTRBUZZ

buzz magazine: february 21, 2014

Documents

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buzz music writer

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new ruins

new song