by Christopher Durangdirected by Mark Waldrop

VANYA and SONIA and MASHA and SPIKE is presented byspecial arrangement with Dramatists Play Service, Inc., New York.

The Main Stage Season underwritten with generous support from the Jean T. and Heyward G. Pelham Foundation and the Harriet Wyche Endowment for Professional Artistic Excellence at The Warehouse Theatre.

sponsored byJackie & John Warner

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Vanya and Sonia and Masha and Spike is presented by specialarrangement with Dramatists Play Service, Inc., New York.

Originally produced on Broadway by:Joey Parnes, Larry Hirschhorn, Joan Raffe/Jhett Tolentino, Martin Platt & David Elliot,

Pat Flicker Addiss, Catherine Adler, John O’Boyle, Joshua Goodman,Jamie deRoy/Richard Winkler, Cricket Hooper, Jiranek/Michael Palitz,

Mark S. Golub & David S. Golub, Radio Mouse Entertainment,Shadowcatcher Entertainment, Mary Cossette/Barbara Manocherian,Megan Savage/Meredith Lynsey Schade, Hugh Hysell/Richard Jordan,

Cheryl Wiesenfeld/Ron Simons, S.D. Wagner, John Johnsonin association with McCarter Theater Center and Lincoln Center Theater

Originally commissioned and produced by McCarter Center Theater, Princeton, N.J.Emily Mann, Artistic Director; Timothy J. Shields, Managing Director;

Mara Isaccs, Producing Director;and produced by Lincoln Center Theater, New York City

under the direction of Andre Bishop and Bernard Gersten in 2012.

“Here Comes the Sun”Written by George Harrison

Published by Harrisongs, Ltd. (ASCAP)Used by Permission. All Rights Reserved.

There will be one 15 minute intermission.

BYCHRISTOPHER DURANG

DIRECTED BY MARK WALDROP

CastSonia ...............................................................................................Kelly WallaceVanya .................................................................................................. Tim Ewing*Cassandra ........................................................................ Katherine Nora LeRoyMasha ....................................................................................... Miranda Barnett*Spike ..............................................................................Christopher Joel OnkenNina .............................................................................................Alexandra May

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Production CrewStage Manager ......................................................................Louise M. Ochart*Scenic Designer .................................................................................. Andy FitchLighting Designer ...............................................................................Paul CollinsCostume Designer .......................................................................Elizabeth GraySound Designer ................................................................................Marc GwinnComposers ...................................................................Marc Gwinn, David SimsTechnical Director ........................................................................Mat PellegrinoProduction Manager .........................................................................David SimsProps Master ..................................................................................Edie WeichertAssistant Stage Managers ....................Ryan Barry, Robert Fuson, Chris SmithCharge Artist .....................................................................................Abby BrownDramaturg ..................................................................................Elisa M. GoldenMaster Electrician ...................................................................... Wylder CooperSet Crew .......................................... Ryan Barry, Tal Swanson, Chris Calandra,

Tyren Clement, Matthew “Rev” Stucker, Chris Smith,Robert Fuson

The Warehouse Theatre StaffExecutive & Artistic Director .............................................................. Paul SavasDirector of Development ....................................................Katie LeckenbuschDirector of Education ............................................................Mallory PellegrinoTechnical Director ........................................................................Mat PellegrinoOperations & Front of House Manager ...................................... Andy CrostonDirector of Marketing ..............................................................Jason D. Johnson

VANYA AND SONIA AND MASHA AND SPIKE

SPECIAL THANKSFlatrock

Playhouse

Mimi Wyche

Street Team:Annette Garver

Robert Fuson

Actors’ Equity Association (AEA) was founded in 1913 as the first of the American actor unions. Equity’s mission is to advance, promote and foster the art of live theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards.

Equity negotiates wages and working conditions and provides a wide range of benefits including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed in this production.

AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.

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• When coming to the theatre, at The Warehouse or anywhere else, you are taking part in a 2,500+ year old tradition that engages you with the community in which you live. With this in mind, please be courteous to the other audience members. You are part of their experience and they are part of yours.

• Watching a play requires you to think. Enjoy yourself with your brain ON. You can’t go back if you miss something—this is live and in the flesh.

• There are many different types and styles of plays. We offer you the opportunity to attend a pre-show talk before our Sunday matinees which will put the play you are about to watch into context, and we also have information about our production available to you in our lower lobby, but do your own homework. You will enjoy the experience more if you do a little bit of research into the play and the playwright. The Internet is your friend!

• Don’t be afraid to laugh...there are laughs even in tragedies. It’s ok!

Latecomers: Latecomers will be seated at the discretion of management and in seats that avoid disrupting other patrons and the performance. Refunds are not available except in the case of performance cancellation. If you cannot attend, we can accept your unused ticket as a donation. Please return your ticket to the box office to obtain a tax receipt.

Smoking: Smoking is NOT PERMITTED anywhere in the building. Those who must smoke should do so on the public sidewalk away from the building, so as not to bother other patrons. Please do not smoke just outside the doors as the smoke drifts back inside; instead, go to the end of the ramp to the “patio” area.

Cameras and recording devices: It is ILLEGAL to record a performance, with any media, in whole or in part. If you record a performance in whole or in part we will ask you to stop recording during the live performance. You will be embarrassed. The videotaping or other video or audio recording of this production is strictly prohibited.

Cell Phones, Beepers & Alarm Watches: Please turn them off BEFORE the performance begins. Please do not use the vibrate option but, instead, turn them completely off.

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ATTENDING THE THEATRE

Miranda Barnett* (Masha) is thrilled to return for her ninth production with The Warehouse Theatre. Previous Warehouse appearances include: The Rocky Horror Show (Magenta), Boeing Boeing (Gabriella), Richard III (Catesby), Cabaret (Fräulein Kost/Helga), Metamorphoses (multiple roles). Other regional credits include My Fair Lady, A Christmas Carol (Triad Stage), God of Carnage (THTR 232/Triad Stage), Steel Magnolias (Clinton Area Showboat Theatre), A Flea In Her Ear, Sweeney Todd (Centre Stage). BA, Music - FSU; MFA, Acting - UNC Greensboro. Upcoming at The Warehouse: Les Liaisons Dangereuses (La Marquise de Merteuil). Miranda is a proud member of Actors’ Equity Association! www.mirandabarnett.com

Tim Ewing* (Vanya) is thrilled to join this company of Vanya and Sonia and Masha and Spike and work with director Mark Waldrop. BROADWAY & NAT’L TOUR: Mamma Mia (Harry), TELEVISION & FILM: Difficult People (New on HULU), The Good Wife ( w/Julianna Margolis), Elementary (w/ Lucy Liu & Jonny Lee Miller), The Unusuals (w/ Jeremy Renner), Law & Order (w/ Sam Waterston), SVU (w/ Mariska Hargitay), Falling for Grace, Sarbane’s Oxley, Pretty Bird, All My Children, The Guiding Light. NY THEATRE: Pacific Overtures (Sondheim), Falsettoland (Finn/Lapine), Colette Collage (Jones/Schmidt), The Burnt Part Boys (Miller/Tysen), Love in Two Countries (Sheldon Harnick), Any Day Now (Nat Cassidy). REGIONAL THTR: St. Louis Rep, Bay Street Thtr, Riverside Thtr, Mason St. Warehouse, Barrington Stg. etc. Cabaret/Schultz, Baby/Alan, Full Monty/Harold, A Little Night Music/Frederick, Sylvia/Greg, Falsettos/Marvin, Dracula/Van Helsing, Little Me, Jacques Bell, Lend Me a Tenor to name a few. The Lion King/ Scar (Tokyo Philharmonic). This performance is dedicated to Mom.

Katherine Nora LeRoy (Cassandra) hails from Pensacola, Florida and currently lives in Axson, Georgia. Thank you to The Warehouse Theatre for another opportunity onstage. Some theatre credits: In the Next Room, the 13th of Paris, Amazing Grace (Horizon Theatre/Atlanta), The Ladies Man, Speech & Debate (Theatre in the Square/Marietta), For Colored Girls, A Raisin in the Sun, The Colored Museum, Omnium Gatherum, Leading Ladies, Pretty Fire, Unnecessary Farce and Vanya and Sonia and Masha and Spike. She earned her BA from FAMU and MFA from the University of Nebraska-Lincoln. For Gregory J. Lawson...my beautiful fiance and special thanks to my friends and family. www.katherinenora.com

Alexandra May (Nina) happily makes her Warehouse Theatre debut in Vanya and Sonia and Masha and Spike. Most recent roles include Carrie Pipperidge in Carousel (Theatre Raleigh), Amy in Company (Palm Beach Dramaworks), and A Grand Night for Singing (Florida Repertory Theatre). Also seen on the opera stage, she recently appeared as Clorinda in the Bar Harbor Music Festival’s La Cenerentola and Barbarina in Le Nozze di Figaro with the Orlando Philharmonic. Alex thanks her best friend and husband, Taylor, for his unfailing love, support, and energy.

Christopher Joel Onken (Spike) was last seen at The Warehouse in The Merchant of Venice, Eurydice, Romeo and Juliet, and The Elephant Man. Regional credits include The Arabian Nights and Little Women (Aurora Fox), The Explorer’s Club (Lone Tree Arts Center), Into the Woods, The 39 Steps, Greater Tuna, and My Fair Lady (Thin Air Theatre Company), Red, 4000 Miles, Deathtrap, and Other Desert Cities (Playhouse on the Square), Les Miserábles, To Kill a Mockingbird, and The Merry Wives of Windsor (Orlando Shakespeare Theatre). A Clemson graduate, he is proud to call this theatre home.www.christopher.joel.onken.com

Kelly Wallace (Sonia) is delighted to return to the Warehouse Theatre stage. She most recently appeared here in last season’s Boeing Boeing. Kelly also has trod The Warehouse boards in Elvis People, Lost in Yonkers, August: Osage County, and Romeo and Juliet. Locally, Kelly has worked with Centre Stage South Carolina, The Distracted Globe, Studio 444, South Carolina Children’s Theatre, and Greenville Little Theatre.

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

WHOIS WHO

Mark Waldrop (Director) was the Production Supervisor for Bette Midler’s Divine Miss Millennium tour. BROADWAY: Bea Arthur, Just Between Friends (Tony Award nomination, Special Theatrical Event). OFF-BROADWAY: Howard Crabtree’s When Pigs Fly (Drama Desk and Outer Critic’s Circle Awards, OBIE), Pete ‘n’ Keely, Inventing Avi, Cut Throat, My Deah, Till Divorce Do Us Part, Game Show; Listen to My Heart; and Whatnot (Richard Rodgers Production Award). NYC: Ziegfeld Follies of 1936 (City Center Encores), Hey, Love! The Songs of Mary Rodgers starring Faith Prince (Rainbow & Stars), REGIONAL: Gypsy (once with Betty Buckley, once with Judy Kaye), The Producers, Into the Woods, Little Shop, The King & I, The Sound of Music, Cinderella, and in Greenville, Souvenir starring Mimi Wyche. Concert and club appearances for Sutton Foster, Brooke Shields, Edward Hibbert, and many others. Most recently, developmental productions of a new musical, The Countess of Storyville.

Louise M. Ochart* (Stage Manager) graduated from Rutgers University with her MFA in Stage Management in 2007. Since then she has had the pleasure of working on several regional shows including Seven Brides for Seven Brothers, Footloose, and White Christmas on Tour, as well as the off Broadway Production of What To Do When You Hate All Your Friends. Some of her favorite shows have been right here at The Warehouse Theatre including: Amadeus, Sada, Boeing Boeing, Elvis People, The Rocky Horror Show, and Christmas on the Rocks. She is very excited to be at The Warehouse Theatre working with such wonderful artists.

Andy Fitch (Scenic Designer) has been a scenic designer since 1991 and has designed scenery for about 75 equity productions, and over a hundred university productions. Since 1996, Andy has led the MFA program in Scenic Design at The University of Alabama. Some favorite designs include: The Whipping Man, The Drawer Boy, & Betrayal for The Warehouse Theatre, Hairspray and The Drowsy Chaperone for Red Mountain Theatre in Birmingham, The Producers and Damn Yankees for The Arts Center, The Three Sisters, The Grapes of Wrath, and Forever Plaid for Alabama Shakespeare Festival. Andy is the founding designer of Kitchen Dog Theatre in Dallas. Andy’s training includes an MFA from Southern Methodist University in Dallas where he studied with noted stage designer William Eckart. Andy is a member of United Scenic Artists.

Paul Collins (Lighting Designer) is happy to be rejoining The Warehouse Theatre for a second production (Lighting Design for August: Osage County in 2014). Recent design work includes The Realistic Joneses at Pure Theatre, Secret Garden and Blithe Spirit at College of Charleston and as resident lighting designer for the Michigan Barn Theatre in 2014. Upcoming projects include Enchanted April at Charleston Southern University and By The Way, Meet Vera Stark at College of Charleston. Paul is the faculty lighting designer at College of Charleston.

Elizabeth Gray (Costume Designer) is proud to be back at The Warehouse Theatre for this great show! Some of her past work here includes Angels in America Parts: I & II, Cabaret, The 39 Steps, and the second installment of The Rocky Horror Show. She is also on Costume Design staff for South Carolina Governor’s School for the Arts and Humanities Dance Department, and is Costume Shop Supervisor for the Converse Theater and Dance Department. For more information please visit: https://www.facebook.com/ElizabethGrayDesign/.

David Sims (Production Manager / Sound Designer) is thrilled to be working on another show at The Warehouse Theatre, where he learned the ropes from Jack Young as part of the first Journeyman class. Since then Mr. Sims received a BFA in Directing from the North Carolina School of the Arts and has directed many shows for The Warehouse, including Evil Dead : The Musical, Frozen, Amadeus, and The Book of Liz. David is no

WHOIS WHO

stranger to composing for the occasional show here, most recently Uncle Vanya, Angels in America: Parts I & II, November, August: Osage County, and Who’s Afraid of Virginia Woolf?. Mr. Sims currently serves as Director of the Arts at Christ Church Episcopal School. A huge thanks to his lovely wife, Christian, and daughters Dylan and Ellison.

Marc Gwinn (Sound Design/Composition) Previous Warehouse productions include Hamlet and Uncle Vanya. Marc taught Sound Design at NYU’s Tisch School of the Arts and designed extensively in NYC and regionally. Notable credits include sound design for Intimate Apparel (Roundabout Theatre/Mark Taper Forum), co-composition for Hamlet (Public Theatre), and a 2000 Drama Desk Award nomination for Coyote on a Fence. He has also spent time as an actor including a year in The King and I on Broadway. Currently Marc is the lead singer for a local band called The Sound Committee who appear on the first Friday of each month at Smiley’s Acoustic Cafe. He also teaches voice, theory, and sound engineering at his own school and rehearsal studio, The Practice Pad.

Mat Pellegrino (Technical Director) graduated from the Southern Connecticut State University with a BA in Theatre with concentrations in Set Design and Construction. Mat has worked at The Shubert Theatre, The Toyota Oakdale Theatre, The Whitney Players, Elm Shakespeare Company, and ESPN while studying at Circle in the Square Theatre in NYC. After opening his own theatre company, becoming part-marketing for Long Wharf Theatre, he became a United States Marine. While working at Long Wharf, he met his beautiful and talented wife Mallory Pellegrino before he was deployed to Afghanistan. His claim to fame is he is believed to know more Disney trivia than anyone.

Ryan Barry (Assistant Stage Manager) This is Ryan’s second work with a professional theatre. He is a member of the inaugural class of The Warehouse Theatre Conservatory for Actors. He is a graduate of USC Upstate with a BA in Theatre. He has performed with the USC Upstate Shoestring Players, The Spartanburg Little Theatre and the Spartanburg Repertory Company. Ryan has also performed at the Rose Theatre in London and earned a commendation from Kennedy Center American College Theatre Festival for his performance in Memigery. His favorite roles include Hysterium in Forum, Richard Roma in Glengarry Glen Ross, and Major Robbie Ross in Our Country’s Good.

Robert Fuson (Assistant Stage Manager) is a recent graduate of Furman University’s theatre program and a member of the inaugural class of The Warehouse Theatre’s conservatory program. He is very excited to be working on his second professional show and is honored to work with such a talented cast and crew. He thanks The Warehouse Theatre for giving him such a wonderful opportunity and his friends and family for supporting him in his journey through the theatre world. Robert will also be working on Les Liaisons Dangereuses to finish out the season.

Chris Smith (Assistant Stage Manager) is from Goose Creek, SC and recently graduated from USC Upstate with a BA in Theatre (Performance) where he performed in such plays as The Cripple of Inishmaan, Othello, Our Country’s Good, and A Midsummer Nights Dream. He is now taking part in the Conservatory Program here at The Warehouse Theatre. This marks his second show working with the company. He is very excited and eager to continue working with The Warehouse Theatre. He would like to thank all his friends and family that have supported him thus far.

Elisa M. Golden (Dramaturg in Residence) is a native New Jerseyan. Elisa attended Kean University, graduating with a BA in Visual Arts. She moved to Greenville in 1990 and received an MS in Education from Furman University. Elisa continues to pursue her art (mostly watercolor and drawing), and has had her paintings on display at a number of Artisphere Juried Exhibits. Her love of literature and theater brought her to The Warehouse

WHOIS WHO

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Your gift to our annual fund is an altruistic act which supports our annual operations. The Medici Family of 15th century Florence was largely responsible for the flowering of arts during the height of Florentine and European Renaissance. The Medicis gave ample patronage to the arts and literature in order to encourage a prosperous city. When you give to The Medici Society, you join a rich history of giving to the arts. List updated bi-annually. Reflects gifts given by 3.1.2016.

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Playwright’s CircleHarry Wilkinson and

Cecily MangoVidiStar, LLC

Grand BenefactorJuanita and Steve AcresJan and Ken BruningRonn Carroll and Anne CalhounSusan and Randy ClarkAnne and Mark FernandezBev and Bob HowardCrissy and George F. Maynard, IIIProductions Unlimited, Inc.Sharon and Adrian SteinmannLorraine and Robert WootenWallace Foundation

BenefactorsDavid RyderShirley SarlinAlexandra WhitleyChristopher EvansWilliam Fuller

PatronsMarilyn and Paul JonesAlice and Jerry LenzHelen B. Maish

PartnersPat and David BorensteinAlice and John ClaggettHarry and Judy CurtisValerie and Timothy EstesSusan Cyr and Mark JohnstonRebecca and Thomas FaulknerPamela FjeldLucy FoxworthAnne GarrettJackie HighleyCarol and Walter HintonJohn and Elinor MioduskiKathy and Greg NielsenPaul SavasDiane Perlmutter

The purpose of the endowment fund is to provide financial support, in perpetuity, to WHT in its ongoing mission to provide Greenville, The Upstate and South Carolina the highest quality professionally produced theatre art possible. This fund helps finance efforts to maintain and continually augment the level of professional artistry on The WHT’s main stage.

The Harriet Wyche Endowment was established in August 2013 with a generous gift from Mimi Wyche in honor of her mother. The endowment is managed by The Community Foundation of Greenville.

In December 2013 The Graham Foundation awarded the theatre a $50,000 challenge grant to support the endowment. The foundation matched, dollar for dollar, gifts given to the endowment. The campaign was completed in November and we cannot say thank you enough to all who have supported the endowment, enabling WHT to excite, amaze, and challenge generations to come!

Cheri and Dennis TesolowskiBarbara and Don WilloughbyDonna Reiss and Arthur YoungDebora FaulknerLewis Walker III

DangereusesLes Liaisons

april 29-may 28Christopher Hampton

directed by Matthew EarnestSponsored by Elliott davis decosimo

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from the novel by choderlos de laclosby

3rd highestSAT and ACTscores in the

state for publicschools

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nationwide

11JuilliardDrama

acceptancessince 2003

1 of 5National

Student Poetsin 2015

6National Merit

Finalistsin 2015

8 U.S. Presidential

Scholars in the Arts

since 2008

Meet theNEW

[ PRESIDENT ]

Dr. Cedr ic Adder ley

GOVERNOR’S SCHOOL FOR THE ARTS FOUNDATION, INC.15 Un ivers i t y St reet | P.O. Box 8458 | Greenv i l le , SC 29604 | 864.282.1570

www.GSAFoundat ion.net

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The UltimateDriving Machine®

BMW Manufacturing Co.

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Proud to support the arts.As one of the largest employers in South Carolina, BMW Manufacturing is helping push the state forward — not only by contributing billions of dollars to the economy, but by playing a positive role in the community. That’s why we are engaged in many cultural partnerships throughout South Carolina. Our platform of commitment ranges from support of the performing arts to architecture and design. Together, we are helping to make South Carolina a better place to work and live. To learn more about our cultural commitments, please visit bmwusfactory.com.

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whispering words of wisdomonline for seven years

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PLAYWRIGHT BIOGRAPHYChristopher Durang’s plays include A HISTORY OF THE AMERICAN FILM (Tony nomi-nation, Best Book of a Musical), THE ACTOR’S NIGHTMARE, SISTER MARY IGNATIUS EXPLAINS IT ALL FOR YOU (Obie Award, Off-Broadway run, 1981-83), BEYOND THER-APY (on Broadway in 1982, with Dianne Wiest and John Lithgow), BABY WITH THE BATHWATER (Playwrights Horizons, 1983), THE MARRIAGE OF BETTE AND BOO (Pub-lic Theater, 1985; Obie Award, Dramatists Guild Hull Warriner Award), LAUGHING WILD (Playwrights Horizons, 1987), and DURANG DURANG (an evening of six plays at Manhattan Theatre Club, 1994, including the Tennessee Williams parody FOR WHOM THE SOUTHERN BELLE TOLLS). In 1996, he was commissioned by the Rodgers and Hammerstein Foundation to write a new book for the popular musical BABES IN ARMS. SEX AND LONGING was commissioned by Lincoln Center Theater and was presented on Broadway in fall 1996 starring Sigourney Weaver. THE IDIOTS KARAM-AZOV, a full-length play with music written with Albert Innaurato, was revived at the American Repertory Theatre. His play BETTY’S SUMMER VACATION (Drama Desk Award nomination) had its world premiere at Playwrights Horizons in February 1999 to great critical acclaim and sold-out houses and was extended three times. It was the recipient of four Obie Awards, for distinguished playwriting, directing, acting, and set design. His new musical (with music by Peter Melnick), ADRIFT IN MACAO premiered at New York Stage and Film in the summer of 2002. MRS. BOB CRATCHIT’S WILD CHRISTMAS BINGE was commissioned by Pittsburgh’s City Theater and had its world premiere in November 2002. In the early '80s, he and Sigourney Weaver co-wrote and performed in their acclaimed Brecht-Weill parody DAS LUSITANIA SONGSPIEL and were both nominated for Drama Desk Awards for Best Performer in a Musical. In 1993, he sang and tried to dance in the five-person Off-Broadway Sondheim revue PUTTING IT TOGETHER, with Julie Andrews at Manhattan Theatre Club. And he played a singing Congressman in CALL ME MADAM with Tyne Daly as part of “Encores.” He can be heard on cast recordings of both productions. In mov-ies, he has appeared in "The Secret of my Success," "Mr. North," "The Butcher's Wife," "Housesitter," "The Cowboy Way," "The Object of my Affection," "Simply Irresistible," and 'The Out of Towners," among others. For television, he wrote for a Carol Burnett special called "Carol and Robin and Whoopi and Carl;" and for PBS’ series “Trying Times,” he wrote a teleplay called "The Visit" starring Swoosie Kurtz as Wanda, the upsetting houseguest. He’s written several screenplays, including "The House of Hus-bands" (co-authored with Wendy Wasserstein), "The Adventures of Lola" for Tri-Star and director Herbert Ross, "The Nun who Shot Liberty Valance," and his own adap-tation of SISTER MARY… which aired on Showtime with Diane Keaton in the title role; and two sitcom pilots, "Billy and Meg" (for Fox Television) and "Dysfunction! - the TV Show" for Warner Brothers. He hopes one day they will be produced, perhaps in heaven. He has an MFA from the Yale School of Drama. Early in his career, he won a Guggenheim, a Rockefeller, the CBS Playwriting Fellowship, the Lecompte du Nouy Foundation grant, and the Kenyon Festival Theatre Playwriting Prize. In 1995 he won the prestigious three-year Lila Wallace Readers Digest Award; as part of his grant, he ran a writing workshop for adult children of alcoholics. Since 1994 he has been co-chair with Marsha Norman of the Playwriting Program at the Juilliard School in Manhattan. He is a member of the Dramatists Guild Council.

www.christopherdurang.com

MARK HIS WORDSOur resident dramaturg, Elisa M. Golden, recently conducted an interview with Vanya and Sonia and Masha and Spike director, Mark Waldrop. The following is their exchange:

EMG: If you could choose one character from the play, who would you say you identify with most and why? MW: Vanya, hands down. He and I are around the same age, and the first time I heard his rant contrasting the world of his childhood with the world of today, I thought, “Wow, I could have written that myself!”

EMG: In many ways, SEINFELD and Chekhov plays have something in common --- they make something out of the ordinary day to day existence. As a director, how do you imagine Christopher Durang hoped to perpetuate this Chekhovian element when he penned Vanya and Sonia and Masha and Spike? MW: Durang opens the play with a VERY Chekhovian exchange between Vanya and Sonia in which they bemoan the pointless dull routine of their lives. As the play proceeds, many of Chekhov’s themes are woven in: the wish for/fear of change, the threatened loss of one’s home, the hunger for meaningful connection. But along the way Durang spikes the recipe (pun intended) with some very un-Chekhovian elements, including exhibitionism, dwarf costumes, and voodoo. Durang is an absurdist. It’s the mix of high and low comedy that gives the play its juice and makes it so much fun to direct.

EMG: As it is Irina’s “name day” in Chekhov’s The Three Sisters, so is it Nina’s “name day” in this play. What is your “name day”? MW: For those who don’t know, a “name day” is a celebration, similar to a birthday, based on the date on the Christian Calendar of Saints honoring the saint with whom you share a name. According to the Internet, the name day for “Mark” is October 24th, or May 5th, or April 25th. This is why I hate the Internet (note my first answer). Based on the number of citations, I guess April 25th wins. It is also International Malaria Awareness Day, which I find auspicious.

EMG: Christopher Durang has said that Chekhov’s The Three Sisters is his favorite of the playwright’s dramas. What is your favorite Chekhov play and why? MW: I guess I’d have to say The Seagull, because of Arkadina. I seem to find neurotic aging actresses irresistible as characters. All About Eve is my favorite movie for the same reason. In this play, Masha is a very contemporary and amus-ing take on that archetype.

EMG: Mark, both you and playwright Christopher Durang have New Jersey ties. Can you explain how this Garden State dynamic influenced your career? MW: Durang grew up in New Jersey, about an hour from New York City. I now own a home in New Jersey, also about an hour from the city. As far as influence on our careers, the proximity to NYC is everything. Also, Durang did a lot of his early theater-going at The Paper Mill Playhouse in Millburn, NJ. I have directed several shows there, and my husband, Patrick Parker, is Paper Mill’s Associate Artistic Director.

EMG: In Act I, Cassandra recites a fictitious speech that foretells a myriad of bi-zarre prophecies. What would she say about the upcoming presidential election? MW: I think even the exalted language of Greek Tragedy would fail her on this subject.

EMG: Finally, if Anton Chekhov were to miraculously appear in The Warehouse Theatre audience, what do you think his reaction would be to this hilarious homage? MW: Being a sly humorist himself, I think he’d laugh loudly and often -- and take this production as the loving valentine it’s intended to be.

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October 16thDecember 26thFebruary 26th

   

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Licensed Auctioneer — 4512Specializing in Benefit & Art Auctions2015 SC Rookie Bid Calling Champion

“ Daniel brings a heightened sense of fun and excitement to the stage. He was engaging with the audience and achieved great results. I highly recommend Daniel Lyles for your next fundraising event.” Carol Browning — Executive Director Greenville Literacy Association

2015 SC Rookie Bid Calling Champion

engaging with the audience and achieved great results. I highly recommend Daniel

danlylesauctions.com | dan@danlylesauctions.com | 864.915.5096

Licensed Auctioneer — 4512Specializing in Benefit & Art Auctions2015 SC Rookie Bid Calling Champion

“ Daniel brings a heightened sense of fun and excitement to the stage. He was engaging with the audience and achieved great results. I highly recommend Daniel Lyles for your next fundraising event.” Carol Browning — Executive Director Greenville Literacy Association

2015 SC Rookie Bid Calling Champion

engaging with the audience and achieved great results. I highly recommend Daniel

danlylesauctions.com | dan@danlylesauctions.com | 864.915.5096

President Linda ArcherController, BMW ManufacturingCompany

Vice President Norman Glickman Attorney and Counselor at Law

Treasurer Susan Bichel Health Care Consultant

1974-75 J. Lake Williams, Jr.1975-76 Jourdan Jones Newton1976-77 Aubrey Bowie1977-78 Tom Brodnax1978-79 Keller Freeman1979-80 Bill Wheless1980-81 Jane Mattson1981-82 Don Koonce1982-83 Brad Wyche1983-84 John Huebner1984-85 George Corell1985-86 Rita McKinney1986-87 George Fletcher1987-88 Nancy Muller1988-89 Bob Cooper1989-90 Tom Bruce1990-91 Rob Wagner1991-92 Jackie Warner

1992-93 Karen Lawton, Bond Isaacson, Warren Mowry

1993-94 Warren Mowry1994-95 Jan Bruning1995-96 Susan Reynolds1996-98 Brad Parham1998-99 BJ Koonce1999-00 Brad Parham2000-01 Kelle Corvin2001-02 Bill Pelham2002-03 Sherm Rounsville2003-04 Tami McKnew2004-05 John Rose2005-07 Wade Cleveland2007-09 Travis Seward2009-11 Nicole Pascoe-Ream2011-13 Bianca Walker2013-15 Tom Strange

Secretary Ingrid Erwin Attorney

Member-at-Large Claire BlakeCommunity Volunteer

Immediate Past PresidentTom Strange Senior Director Research &Development, St. Jude Medical

BOARD OF DIRECTORS

PAST PRESIDENTS

BOARD MEMBERSKen Betsch ..................... Managing Principal, Betsch Associates, Inc.Laura Blume ................... Creative Director, Blume Shine Studio Richard Bradshaw ......... President, Specialized Lending, United Community

BankCharles Brewer .............. Operations Manager, The Poinsett ClubRonn Carroll ................... Actor / WriterDonnell Drummond ...... Mortgage Consultant, Upstate Mortgage, Inc.Stinson Ferguson ............ Attorney Sky Foster ........................ Department Manager, Corporate Communications

BMW Manufacturing CompanyChip Lee ......................... Trustee, The Elbert W. Rogers Foundation Ruth Mansure ................. Owner, Mansure & CompanyGeorge Maynard .......... Vice President, Greenville Health System Scott McMillan ............... Owner, F. Scott McMillan Design, LLC Heidie Miller.................... Community Volunteer Eric O’Toole .................... Market Commercial Credit Manager, Upstate-

Midlands, TD Bank Diane Perlmutter ........... Non-Profit Organization Management Professional Meghan Riordan ........... Associate, Haynsworth Sinkler Boyd, P.A. Ken Rogers ..................... Chairman, Department of Psychiatry, Greenville

Health System Glenn Sawicki ................ Owner, Saffron’s Catering and DeliveryEric Schmid..................... Shareholder, Elliott Davis LLC Jennifer Z. Snow ............. Director of Accountable Communities, Greenville

Health SystemGreta Somerville ............ Community VolunteerTrish Springfield ............... Executive Vice President Retail Banking, Southern

FirstRussell Stall ...................... Organizer, TEDx Greenville Nancy B. Stanton .......... Arts Advocate and VolunteerRobin Stilwell .................. President, Chippendale Properties, LLCFabian Unterzaucher .... General Manager and Partner, The Westin Poinsett

Hotel Alan Weinberg ............... Community Volunteer Marsha White ................. Community VolunteerRobert (Bob) White ....... Vice President, Relationship Banker, Bank of

Travelers Rest Susie White ..................... Managing Member, Susie White Consulting, LLC

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The Warehouse Theatre constructs its costumes

with fabric from

Mansure & Company

864.282.1900 fine fabrics and trims

Thank you for bringing the arts to allBank of America honors The Warehouse Theatre for its success in bringing the arts to performers and audiences throughout our community.

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THE BEST OF TOWNWHILE ON THE GO(& with guided shortcuts)

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O U R M O S T C U R R E N T I S S U E

OCT 7 - OCT 25 • 2015

NOV 4 - NOV 29 • 2015

4000 MILESby Amy Herzog

SOMEONE ELSE by Charlotte Cohn and Jason Odell Williams

ALL IS CALMThe Christmas Truce of 1914by Peter RothsteinMusical Arrangements: Erick Lichte and Timothy C. Takach

Featuring an Ensemble from Cantaria; The Gay Men's Chorus of Asheville

DEC 9 - DEC 27 • 2015

with

Charlie Flynn-McIver

and Scott Treadwayadapted by Margaret Raether

from the stories of P. G. Wodehouse

JAN 27 - FEB 21 • 2016

WHO'S AFRAID OF VIRGINIA WOOLF?by EDWARD albee

Bad Datesby Theresa Rebeck

APRIL 6 - MAY 1 • 2016

MAY 11- JUNE 5 • 2016

“A funny, moving, altogether wonderful drama. . . a heartening reminder that a keen focus on life’s small moments can pay off in a big way onstage.”– The New York Times

An award-winning comedy about marriage, responsibility and Ukrainian escorts.

A World Premiere Production.

“Vivid wordplay and snappy, sugar-coated insults... Margaret Raether’s droll adaptation is as dry as a well-made martini and equally potent.” – Daily Herald

“These miracles are what make All Is Calm such a pure example of what was meant when angels first declared, “Peace on Earth.” – Star Tribune

“…though the play presents a picture of a desperate marriage, and is fueled by prodigious quantities of alcohol, it is also wonderfully funny.” – Telegraph

“ Is Hayley the staid matron of the below-the knee black sheath or the hot tootsie of the shiny bustiered minidress? And what, by the way, is that shoebox crammed full of cash all about?” – New York Times

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INTERVENES

2015/2016 SEASON

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