CAH Research Award Application Form

Due Date: December 15,2006 (CAH Research Office)

Grant Proposal Award

Facultj (please supply current vitas) Department (3 CAH Budget units required)

Proposed Grant Funding Source (include a copy of guidelines):

Applied Research and Contract Awards

/4 Facultj (please supply current vitas) Participanfs (3 required*)

PI Ryan Burkhart, Art Department Jeanne Leiby, English Department

*Other (refer to guidelines): John Yau and Thomas Nozkowski, Artists (resumes attached).

Proposed Funding Source (included a copy of guidelines, if applicable):

$10,000 secured funding from the private sector supported by the FHE Board

proposal, includingJina1 budget and expenditures to date, to this completed and signed' form and hand-deliver to CAH Research by 5:00 PM, December 15, 2006.

Flvine Horse Editions and The Florida Review propose a joint publishing project with poet John Yau and visual artist Thomas Nozkowski (resumes attached).

Flying Horse Press will produce an edition of 100 artist's books hand-printed with traditional printmaking, i.e. Silkscreen and letterpress-not digital or offset lithography. Each copy of the book will be hand bound. The Florida Review will publish a selection of these poems in issue 32.1 (Spring 2007). This joint venture draws together UCF's only two creative publication mechanisms in the following ways:

allows for joint advertising and promotion provides professional experience to both undergraduate and graduate students in the Art and English Departments promotes UCF as an institution of art and culture.

Flying Horse Editions, (FHE) is a nonprofit publisher of museum-quality, limited- edition art books and prints by internationally renowned artists and authors. The press was started in 1991 as three pronged approach to research, education, and outreach within the Department of Art and over its fifteen year history has published many projects with leading national and international artists and authors, which are included in many prominent public and private collections.

The Florida Review (FR) is UCF's nationally circulated literary magazine. In its 32-year history, FR has published the best emerging and established literary artist; FR has been sited as one of the highest-quality literary magazines by New Pages and the Best American Series. FR has earned a Citation of Achievement from the Council for Literary Magazines and Presses (CLMP), has been listed in Writer's Digest "Fiction Fifty," and has been a featured publication in The Novel and Short Story Market. Work first printed in FR has been awarded special mention in The Pushcart Prizes, Best American Essays. Best American Travel Writing, and Best American Non-essential Reading.

In the last 5 years, Flying Horse Editions has placed publications into many prestigious collections, including the selected following, and the press is committed to placing this project in as many venues and collections as possible. Since FHE has ongoing relationships with many of these institutions, placement of this NozkowskiNau project in their collections is highly likely: Sun Trust Bank Collection, Tampa Bay, FL, Sun Trust Bank Collection, Jacksonville, FL, The Zimmerli Museum of Art, Rutgers. New Brunswick, NJ, Stanford University Special Collections, Beinecke Rare Book and Manuscript Library, Yale University, University of Delaware, Special Collections, University of Tulsa, Special Collections, The New York City Public Library, The Montgomery Museum of Art, Alabama, The Asheville Museum of Art, Asheville, North Carolina, The Comell Museum of Art, Orlando, Florida, The City Museum of Orlando; Florida, The Texas Tech Museum of Art, Lubbock, Texas among others.

The Florida Review has a stable subscriber base of over 1,000 readers and libraries worldwide. FR is distributed by Ebsco and available for sale on amazon.com.

P

Flying Horse Editions operates out of an AUX budget through the art department. Funding for FHE is raised by the director of FHE and comes exclusively from members of the community to fund the program. Artists and authors apply to FHE by submitting writing samples and artworks samples with are reviewed by the FHE Board of Directors. The Board of Directors includes representatives of the Department of Art and many prominent members of the community, including:

The Honorable Judy Albertson, Board of Trustees, UCF Mrs. Francine Newberg, Council of 101, Orlando Museum ofArt

a Mrs. Susan Rosoff, Director of Education, Orlando Museum of Art Mr. Jim Parham, Chief Curator, Sun Trust Bank of Florida Mr. Steven Alpert, Principle, House of Blues, Comcast. Boston, MA

The FIorida Review receives limited printing and distribution costs from the English Department and maintains an AUX budget supported by subscriptions, donations, and contest fees.

Both John Yau and Thomas Nozkowski are members of the Mason Gross School of Art at Rutger's University. Rutger's has committed to this collaboration between faculty at their university and our own. The project will be displayed at the Zimmerli Museum of Art at Rutgers, in close proximity to NYC and the Zimmerli will arcluve plates and production sketches of the project, documenting the creation of the book and the collaborative project for scholarly study in the future. FHE will donate a copy of the Project to Special Collections, ensuring archiving for our own students and their scholarly study.

FHE's board have already approved the NozkowskiNau collaboration at FHE and have committed $10,000.00 to the publication of the project. $3000.00 this budget has already been spent in the designing process and proofing of the publication to understand feasibility.

Ryan Burkhart is the director of Flying Horse Press. He received his MFA in Visual Arts from the Texas Tech in Lubbock, Texas and his BFA in Fine Arts from Ohio State University. His work has been widely exhibited in national and international exhibitions since he began showing actively in 2000. He has been a visiting artist at the Frans Masereel Cenbum in Printmaking by invitation of the Belgian Government. He also has been a visiting artist in Northem Ireland. He is represented by Ty Stokes Gallery in Atlanta and Albertson Peterson Art Consultants, Orlando.

Jeanne Leiby is an associate professor of EnglishICreative Writing and editor of The Florida Review. Her stories, poems and essays have appeared in Indiana Review. Passages North. Fiction, Seattle Review, New Orleans Review among others. Her +

collection of short stories titled Downriver has recently won the Doris Bakwin Award and is forthcoming fram Carolina Wren Press. She earned her MFA from the University of Alabama, her MA in Literature from the Bread Loaf School of English/Middlebury College, and her BA in English Language and Literature from the University of Michigan.

F This collaborative effort is the first of many projects that FHE and FR can complete in concert. In the future, it will be possible for FHE to produce broadsides of FR authors and perhaps limited edition chapbook projects of Fa's Editors Prize winners. This interdisciplinary project brings together the interests of the Art Department and the English Department, bridges the gap between book arts and literary publication, increases national readership in both venues, and encourages collaborative projects between our undergraduate and graduate students.

Budget - Thomas Nozkowski and John Yau Egyptian Sonnets Project, Flying Horse EditionslThe Florida Review

Edition of 100 artist's books hand printed with traditional printmaking, i.e. Silkscreen and letterpress--not digital or offset lithography. Each copy of the book will be hand bound.

Florida Review, 1750 print run featuring the poetry and art of John Yau and Thomas Nozkowski.

1 ( Inks 20 Quarts at $1 8 per 1 $360.00

Printing Costs Factored on an Edition Of 100 Books, including Proofing

quart Stencil Platemaking Materials

I

I I Letterpress

Silkscreening Labor Materials

Printing Labor Materials Text Laid Book Paper 500

$3000.00

I P a ~ e r 1000 Sheets of Rives

1 / sheets at $1.00 persheet I Inks llb can of Black Van

$1750.00

) Son I Press Maintenance rental 1 $300.00 ( fee I Platemaking 1 $2000.00

/ Materials 1 Davey Archival Book ( $495.00

Binding

I ~ o a r d 1 $4.95 per sheet at 100 1 sheets ( Archival Bookbinders Cloth ( $895.00

I Owosso ~raphics #

Labor 100 Books @ $45 $4500.00

Total Cost of Production,

$8.95p/yrd @I00 yrds. Glues, thread, miscellaneous

1 $125.00

$21,275.00

Printing, and Publication 1 Layout and Design 1 Artisf's Designer Fee

Author's Copy Fee

Total Design and Copy Cost Promotion

Thomas Nozkowski Original Art Design Fee John Yau Original Poetry

Advertisement Institutional Fee 1 % pg. Ad

I

$5000.00

$5000.00 Fee

Art on Paper

Florida Review Poetry and Image +full page spread expose on FHE and the

FR Promotion

1 Total Cost of Promotion TOTAL COST OF

$10,000.00* $1400.00

$2500.00

JOINT PUBLICATION PROJECT

project Poets and Writers AWP Chronicle

$36,875

$1000 $700 $5600

RYAN M. BURKHART

P 2602 Dickson Avenue Orlando, Florida 32806 321-297-9538

, icheru@gmail.com

Current Position Director, Flying Horse Editions Printmaking and Foundations University of Central Florida, Orlando, Florida

Education 2000 Texas Tech University, Lubbock, Texas

Master of Fine Arts in Studio Art 1996 The Ohio State University, Columbus, Ohio

Bachelor of Fine Arts with Distinction

Teaching Experience

2006 Advanced Printmaking, University of Central Florida, Art 4402C, 2 Sections An advanced course dealing with waterbase silkscreen and relief printmaking as a form of creative visual expression. Students worked with the traditional editioned print while developing a personal aesthet~c with sdksneen and relief techniques. Drawing Fundamentals I. Univers~ty of Central Florida, Art 2300C. 2 Secrlons Beginning drawing for majors. Instruction in traditional and contemporary approaches, emphasizing observational drawing, basic design principles, tools, and media necessary for ar t majors. Graphic Design I: Introduct ion t o Photoshop. University of Central Florida, GRA2lOlD. An introduction to Adobe Photoshop CS for Graphic Designers. The course was taught entirely online and focused on using the program to develop images in the design context.

r- 2005 Advanced Printmaking, University of Central Florida, Art 4402C, 2 Sections Drawing Fundamentals I, University of Central Florida, Art 2300C. 2 Sections

2004 Advanced Printmaking. University of Central Florida, Art 4402C, 2 Sections Drawing Fundamentals I. ~niversr ty of Central Flonda, .Art 2300C. Desinn I Fundamentals. Umversirv of Central Florida. An 2201C - Instruction to traditional and contemporary approaches of two dimensional design, emphasizing the elements of h e , shape, value, texture, and color and methods to implement these concepts effectively within the design process.

2003 Advanced Printmaking, Drawings Fundamentals I, and Design I Fundamentals, University of Central Florida (Descriptions similar or same a s above), 2 sections of each

2002 Intermediate Printmaking. University of Central Florida, Ar t 3402C. An lnterme&ate course dealkg wrth Waterbase Screenpnnt~ng as a form of neauve vlsual cx~ress~on. Students worked wlth the rradrt~onal edrtroned onnt while developing a personal aesthetic with screenprinting processes. I initiated this course at UCF, set up the lab, built neceseary exposure equipment. Advanced Printmaking. University of Central Florida. Art 4402C, Design I. University of CentralFlorida, Art 2201C (2 Sections).

2001 Design I. University of Central Florida, Art 2201C (2 sections, Fall 2001) Drawing 11. Texas Tech Univenity, Art 1325 (3 sections) Expansion of Drawing I for majors. Further instruction in traditional and contemporary approaches, emphasizing observational drawing, basic design principles and tools; stresses expressive and conceptual aspects of drawing including the human figure within a spatial environment.

Delineation 11. Texas Tech University, Architecture 1442 (1 section) Intermediate drawing for Architecture majors. Further development of observational and graphic communication skills. Instruction of mlor theory, painting techmques, and prokssional presentation techniques as they apply to architectural subject matter.

2000 Drawing I. Texas Tech University, Art 1324 (1 section) Delineation I. Texas Tech University, Architecture 1441 (1 section) Beginning drawing for Architecture majors. Instruction in basic skills and tecbniques of representational drawing emphasizing the translation of three dimensional perception into graphic representation. Drawing 11. Texas Tech University, Art 1325 (1 section)

1999 Drawing 11. Texas Tech Unlvers~ty, Art 1325 (2 sections)

D r a w ~ n g I. 'Texas Tech Umvers~ty, Art 1324 (1 section)

1998 Drawing 1. Texas Tech University, Art 1324 (1 section) Survey of Drawing. Texas Tech University. Art 1371 (1 section) Beginning drawing course designed to introduce non-art majors to drawing media and tschniquea with on observational skills. A survey of genres and approaches in both art history and contemporary art.

Teaching Assistant

2000 Advanced Life Drawing. Texas Tech University, Art 3320 Responsibilities included setting up props, participating in student critiques, assisting professor in madine of assinned projects and sketchbooks. Independentlv presented and - - - . - . . project basedon using the figure conceptually.

P 1999 Drawing L a b Assistant. Responsibilities included upkeep of all

rooms used for core instruction, ordering supplies.organization of props and drawing easels.

1998 Beginning L i L Drawing. Texas Tech University, Art 2320 Responsibilities included setting up props, participating in . .. . -

student critiques, assisting professor in grading of assigned projects and sketchbooks. Independently presented and graded project based on using the figure conceptually.

1997 Beginning Drawing. Texas Tech University, Art 1324 Responsibilities included setting up props, participating in student critiques, assisting professor in Eradine of assiened projects and sketchbooks. Independently presented and - - - . - . . graded project based on observing and rendering textwe.

Community Instruction

2001 Texas Tech Summer Ar t Institute. Instructor. Taught Drawing for high school students. The Art Institute offers Advanced Placement college crecht to participating students. Director: Ken Dixon, Professor of Art.

1999 Shake Hands wi th Your Future. Instructor. Institute for the Gifted. Texas Tech University. A program introducing high school and grade school students to a college work environment. Director: Martha Hise, Texas Tech University Division of Extended Learning.

S u m m e r Mission: A r t Reaching Texas. Printmaking and Drawing Instructor. Apmgram sponsored by the Lubbock Fine Arts Center through a block grant to the City of Lubbock. The program brings the ar ts into communities which have little or no exposure to a r t and a r t making. Project Coordinator: Eddy Grigsby

1998 S h a k e H a n d s wi th Your Future . Instructor. Institute for the Gifted, Texas Tech University. A program introducing high school and grade school students to a college work environment. Director: Martha Hise, Texas Tech University Division of Extended Learning. Texas Tech S u m m e r A r t Insti tute. Instructor. Taught Life Drawing for high school students. The Art Institute offers Advanced Placement a l lege credit to participating students. Director: Ken Dixon, Pmfessor of Art. Summer Mimion: A r t Reaching Texas. Printmaking Instructor. A program sponsored by the Lubbock Fine Arts Center thmugh a block p a n t to the City of Lubbock. The program brings the arts into communities which have little or no exposure to a r t and ar t making. Pmject Coordinator: Becky Adamietz. Drawing fo r Children. Instructor. The Lubbock Garden and Arts Center, Lubbock, Texas

Selected Gmup and Solo Exhibitions

2006 Miami Art Basel, NY Arts Magazine Booth - one of 35 featured artists, December, Miami, Florida Miami Scope Fair, Solomon Projects Booth - collaboration project with Scott Ingram, December, Miami, FL. Internat ional P r i n t Exhibition 11. Painting and Sculpture Museum. Istanbul, Turkey December. Colorprint USA- All things Big a n d Small. Landmark Arts Gallery, October -November. - - ~ubbock, Texas. Fresh Picks. Cherry Street Studios, Orlando, FL August. Group Exhibition. Jacksonville Community College. August -November, Jacksonville, FL Space 301. Color. Curated by Wanda Allred. July-August, Mobile. AL. Ty Stokes Gallery Works by Flying Home Editions. July-August. Atlanta, GA Ty Stokes Gallery Solo Exhibition. Atlanta, GA Feb AbsoluteArts featured Premier Art is t - Online one ofonly 53 Artists accepted from a worldwide application process. J u i e d by Sue Spade, Independent Curator, Rebecca Ibel, Director Ibel Gallery. Columbus, Ohio and Markus Kruse Founder and Director of World Wide Arts Resource. httpsl/www.absolutearts.c~m~portfoliodr/~anburkharU UCF Faculty Exhibition August - December. University of Central Florida, Orlando.

2005 Three Abstractionists. Works by Ryan Burkhar t , Car la Poindexter, a n d Steve Aimone Duncan Art Gallery, Stetson University. Deland, FL Sept. - Nov. T h e Elements: Creative Energy E a r t h Fine Air Water. The Hunterdon Museum of Art Clinton, New Jersey. August - October. Curated by Maria Pisano, Director of MPG Studiotlrts. Pierogi Gallery Flatfiles. Brooklyn, New York. Ongoing. 20x20~20, April - May, Louisiana State University Art Gallery. Baton Rouge. LA Juried by Dr. Stephanie Hanor, Curator of Contemporary Art, San Diego Museum. 85 works selected from 737 entries. Reader's Ar t 5: On t h e WaU a n d Out of t h e Box. Susan Hensel Gallery, Mineapolis, MN. A national invitational. March - April. American Art Collector: Ju r ied National Exhibi t ion i n Pr int . Publ ished April.

2004 Galeria Universitatii Nationale de Arte: Bucuresti, Romania. October, group exhibition. Steven Williams Contemporary Art., December. Jacksonville, Florida. - Parallel Inclines, The Work of Ryan Burkhart and John O'Connor. Valencia Community College, July -August, Orlando, FL UCF Faculty Exhibition, January - March. University of Central Florida Art Gallery. Orlando. ColorPrint U S A . Landmark Gallery, Lubbock, Texas. October.

2003 Pesquiera Gallery, Group Exhibition. Miami, Florida. New American Paintings, #46, June, Juror: Ron Platt, Exhibitions Director, Witherspoon Art Musuem. Greensboro, NC 20x20~20, April-May, Louisiana State University Art Gallery, Baton Rouge, Louisiana Reflections of t he Llano Estacado ,March, Texas Tech Museum. ~ubbock. Texas Masereel Centrum for Pr in tmaking Jubi lee Invitational. December 2002 - Mareh 2003 Kasterlee, Belgium

2002 12th Space P r in t Internat ional Biennial, November, Sungkok Museum, Seoul, Korea Jumr's Selected Print Prize UCF Faculty Exhihition, October - December, University of Central Florida Art Gallery, Orlando, Florida Otherwise. Whatnot, Works by Ryan Burkhart and Carla Poindexter. Art Space Gallery October, Orlando, Florida ColorPrinr USA- international Edition, The Buddy Holly Center, April. Lubbock, Texas UCF Faculty Exhibition at Ormond Beach. Ormond Beach Gallery, March. Ormond Beach. Florida Introductions: Gallery Artists 2002 - 2003, Debra Owen Gallery, January, San Diego, California.

2001 Art Faculty Exhibition. November 2001 -January 2002. University of Central Florida Art Gallery, orfando, ~ l o r i d a . New American Paintings, Issue #36.Juror: Teme Sultan. Director. Blaffer Gallery, The Art Museum of the University of Texas. The Greater Midwest ~ n t e r n a t i o n a l Exhibition XVI, February - March Central Missouri State University, Warrensburg, Missouri

2000 New Works: The 2000 Texas Tech University Faculty Exhibition, September 1 - 30 Landmark Galleries. Texas Tech University, Lubbock, Texas. Good Luck Excursions or Why the Physically Flat has s o Much Depth. April 24 -May 3,2000, Landmark Galleries, Texas Tech University, Lubbock, Texas. A Solo MFA Exhibition The Masur Museum of Art's 27th Annual Jur ied Competition, March 12 - A p d 29 The Masur Museum of Art, Monroe. Louisiana

1999 Drawing a s Genesis, An exhibition of recent drawings by Ryan Burkhart, Gregory Johnson, Carla Poindexter, and Nola Richards. Two venues: September 15 -October 15, University of Texas, Permian Basin, Odessa, Texas, Elayne Kirickhoff curator March 5 - 22, Lubbock Arts Alliance Gallery, Lubbaek, Texas

1998 Seventeen Most Wanted Artists, October 17 - 24. One Star Gallery, Lubbock, Texas Different Views: 1998 Graduate Exhibition , October 1 - 26, Landmark Galleries Texas Tech University, Lubbock, Texas. Buckinc t he Texan Mvth Ill. S e ~ t e m t e r 5 - 26. Julia C. Butridee Gallerv. Austin. Texas - ~~ . . The sou the rn ~ r a ~ h i c s ~ o u n c i i ' s Annual ~u ; i ed ~nh ib i t i o ; 1999 venues: 1921 Gallery, Emory and Henry College, Emory, Virginia, The Adams State College Art Department. Alamosa, Colorado, Augusta State College, Augusta. Georgia 1998 venues: The Ohio University Department of Art, Athens, Ohio The University of Georgia Lamar Dodd School of Art Main Gallery, University of Georgia, Athens. Georgia. Theatre Arts Gallery, High Point, North Carolina

The Eleventh Annual McNeese National Works on Paper March 12 -April 12, Abercrombie Gallery, McNeese State University, Lake Charles, Louisiana. Directions: The Art of Printmaking, March 9 -April 3, Shot Tower Gallery, Columbus, Ohio The 1998 Clemson National Juried Print and Drawing Exhibition, February 16 - March 16 Rudolph E. Lee Gallery, Clemson University. Cbmson, South Carolina

1997 The Florida Printmakers Society Ninth Annual National Pr in t . February - March Florida Community College a t Jacksonville, Jacksonville, Florida The Greater Midwest International, February - March Central Missouri State University, Warreusburg, Misaoun

1996 When You Think Like A Hunter, Works by Ryan Burkhart November 25 -December 14, Exposures Gallery, The Ohio State Umversity. Columbus, Ohio The Columbus Ar t League's Annual Fall Juried Exhibition, October, Roy G Biv Gallery. Columbus, Ohio

Professional Experience

In 2001, when I joined the staff o f the University of Central Florida, I merged my own press with Flying Horse Editions and began focusing on working with emerging and mid- career artists in a variety of styles and media. The below list includes artists I have published since becoming the Director of Flying Horse Editions. Projects range From fine a r t prints to artists books and a re i n many prestigious private a n d public collections throughout the country. My responsibilities include raising the entire annual operating budget, organizing visiting artists' residency (including lectures to faculty and students and community events), and printing, archiving, curatorial functions.

David Sbapiro (artist), Tanja Softic, Scott l n g r a m Medrie MacPhee Karen Kunc, Al Souza. Yuji Hiratsuka, Barbara Sorensen Melissa Harshman, Bill Fick, John O'Connor, Steven Sorman. Timothy Berry, George Donald, David Humphrey. Sharon Mesmer (author) Lynwood Kreneck, David DuBose Ke Francis, Robert Rivers, David Haxton and David Shapiro (author)

Awards a n d Achievements

2006 Teaching Incentive Program (TIP Award) -The University of Central Florida Teaching Incentive Program (UCF-TIP) rewards faculty for teaching productivity and excellence. Selection criteria include teaching quality and effectiveness, commitment t? instruction, innovation, creativity, and productivity based on a portfolio of assignments and evaluadons collected over the previous 4 academic years. The selection committee is comprised of faculty members and one student within the College. Award recipients receive a $5,000 salary increase. Gould Publications Foundation - Studio Improvement Grant - $195,000

2005 Studio Improvement Grant - $5500 for the purchase of a NuArc Exposure Unitmrintmaking.

2003-05 Beck Family Foundation Grant - $75,000 over 3 years for the development of Flylng Horse Editions

2002 Space Print Biennial, Selected Juror's Award, Sungkok Museum, Seoul, Korea

P 1999 - 2000 Master of Fine Arts Studio Art Scholarship, Texas.Tech University

1998 - 1999

1997 - 1998

1996

1996

1994

1992

Publ icat ions 2006

2005

2004

2003

2002

The E.N. a n d F a n Woodson J o n e s Memorial Scholarship Texas Tech University

Chancellor's Endowed Fellowship Recipient, Texas Tech University Master of F ine Arts S t u d i o Art Scholarship, Texas Tech University

Juror's Award, The Ohio State University Undergraduate Juried Exhibition T h e Clarence a n d Mar ian Gatrel l Memorial Art Scholarship T h e Pressey Honors Schola rsh ip T h e Scar le t a n d G r a y Scholarship T h e Ohio State University Dean's L i s t President, The Ohio State University S tuden t A r t League

T h e s c a r l e t a n d G r a y Schola rsh ip The Ohio S ta te University Dean's Lis t President, The Ohio S t a t e University S tuden t A r t League

T h e Scar le t a n d G r a y Schola rsh ip

T h e Ohio State University Dean's L i s t The Pyne Creative Wri t ing Scholarship

Lewis, Angela. 'Timeless." Pegasus Magazine. MayIJune 2006. Cover Story. Pgs. 26-31. Vol. 12 #6

Hummel, Terry. So Be It. Orlando Sentinel. September 18,2005. Arts Section. (Image printed) Stewart, Laura. "Art Pure and Simple." Daytona Beach News - Journal. Daytona, FL. September, 18,2005. Arte Page 1. American Art Collector. Volume 1, Book 4. Alcove Books, Berkley, CA. Pg. 18

Price, Anne. "Bigger and Better, but Compact", The Baton Rouge Advocate. April 24,2005.

"Friend to Sea and Soil" Artist's Book. Published by HZ0 Graphics, 2004 Panakos, Monica, "Bwks in Flight" , Central Florida Future, Oct. 7, 2004. Pg. 1 Loden, Susan, "Flying Horse and Rutgers" , Orlando Arts Magazine. Pg? Jones 11, Mataon. W u a l Parlav" Catalog to Parallel Inclines. Published by Valencia Community College. Orlando, Florida. MayNune Art o n Paper . Review of Lonely Tylenol. First Impressions. Page 42 Loden, Susan. Flying Horse Editione Joins Print Archives. July, 2004. http://www.cas.ucf.edu/news/2004-Rutger~ Loden, Susan. Abstract Eye Candy. June, 2004. http://www.cas.ucf.edu/news/2004Burkhart- 0Connor.php Loden. Susan. "Major Artists take Flight with Flying Horse Editions", Orlando Arts Marrazme. JadFeb 2004.

Caxhidi, Jim, 'The Think in Ink" Gallery Focus, The Orlando Sentinel. 21 October, 2003: F2 Manno, Marilyn. "Fick Exibits the Dark and Grotesque" Central Florida Future. 13 Nov., 2003 UCF News, P n s . Loden, Susan. http://www.news.ucf.edu/FY2002-03/030725aahtml New American Paint ings , Issue #46, June, Juror: Ron Platt, Exhibitions Director, Witherspoon Art Musuem, Greensboro, NC

ColorPrint USA - International Edition. Exhibition Catalog. 12th Space Print International Biennial. Exhibition Catalog. "Professors on Display." &land0 Arts Mapazine. Volume 6. Issue #2: 42

Image "Candy" reproduced in photo essay.

F 2001 New American Pa in t ings , Issue #36.Juror: T e m e Sultan, Director, Bla&r Gallery. The Art Museum of the University of Texas. Burkhart, Ryan. 'Journey: Where Narrative meets Metaphor." C o n t e m o o r a ~ I_mpreseions. Volume 9, # l .

2000 Burkhart, Ryan. "Thoughts of a Conjurer: The Works of Andrew Martin." Lubbock Maeazine. April 2000. Volume 6, Iasue #4

1999 Burkhart, Ryan. 'Playing with Appearanms: The Works of Carla Poindexter." LubbockMaaazine, September 1999. Volume 5, Issue #8 Burkhart, Ryan. "Plastic Icons: The Marketing of Myth." Lubbock Maeazine, June 1999. Volume 5, Issue #6: 48 Oler, Kathryn. 'Drawing as Genesis: Group show to open a t Alliance Gallery." wMaaaune, March 1999. Volume 5. Issue #3: 18

1998 The 1998 Clemson Notional Juried Print a n d Drawing Exhibition Catalog The Eleuenth Annual McNeese Notional Works on P o p r Exhibition Catalog

1996 Koeninger, Kay. "League's Fall Exhibit Challenges Authority." The Columbus Disoatch 6 October, 1996: 8F

Artist i n Residency 2003 University of Florida, Gainesville, Florida 2001 Frans Masereel Centrum. Kasterlee, Belgium 2000 Seacourt Press. Bangor, Northern Ireland.

Publ ic Lectures 2004 University of Florida

P Indian River Community College Scribes Society, a National Organization of Calligraphy

2001 The Frans Masereel Centrum, Kasterlee, Belgium 2000 Seacourt Press. Bangor, Northern Ireland 1999 University of Texas, Permian Basin.

J u m r 2004 First Annual Indian River Community College National Juried Exhibition

Publ ic Collections containing my works a n d publ ica t ions Paintine and Sculoture Museum. Istanbul. Turkev - ~~~~~ . - ~ u z h o u k u s e u m if Art, Suzbau, c h i n a Sun Trust Bank Collection, Tampa Bay, FL Sun Trust Bank Collection, Jacksonville, FL Kendall and Kendall Salon, Winter Park, FL. The Zimmerli Museum ofArt, Rutgers. New Brunswick, N J Stanford Univeraity Special Collections Beinecke Rare Book and Manuscript Library. Yale University University of Delaware. Special Collections University of Tulsa, Special Collections The New York City Public Library The Montgomery Museum ofArt, Alabama The Aaheville Museum of Art, Aaheville, North Carolina The Cornell Museum of Art , Orlando, Florida The City Museum of Orlando, Florida The Texas Tech Museum ofArt, Lubbock, Texas The University of Wisconsin. Madison.

P The Sungkok Museum of Art , Seoul. Korea

The Frans Masereel Centrum for Printmaking, Kasterlee, Belgium The Royal Academy of Art, Antarerp, Belgium

F Seacourt Press. Bangor, Northern Ireland Southern Graphia Council Archives, University of Mississipp~ Oxford The Poet's House, New York City, New York

Selected Pr iva te Collections Mr. and Mrs. Judy Albertson, Winter Park, FL Dr. and Mrs. Neil and Francine Newberg, Winter Park, FL Mr. and Mrs. Laurence Leopold, Vice President BB&T Bank. Atlanta, GA Mr. Scott lngram, Atlanta, GA Mr. Bii Bounds, Atlanta GA Mr. and Mrs. Brian and Meg Coffee, Los Angeles, CA Mr. Steven Alpert, Boston, MA Mr. Steven MeElveen, Orlando, FL Mr. and Mrs. Joe Lamy, Orlando, FL Mr. Bob Feldman. Winter Park, FL Mr. Jim Parham, SunTrust Bank Collection Curator, Orlando, FL Dr. Isabelle Howe, Lubbock, TX Mr. Don Kirseh, New York Ms. Eva de Hondt, .%xitwerp, Belgium Mr. Laurence Leopold. VP Commercial Banking, BB&T, Atlanta. GA

Jeanne M. Leiby

506 West Par Street Orlando, FL 32804 (407) 649-8059 e-mail: jleiby@pegasus.cc.ucf.edu

University of Central Florida Department of English Orlando, FL 32816-1346 (407) 823-6 166

Education M.F.A Creative Writinfliction. University of Alabama. Tuscaloosa, AL 1995

Thesis ~irectorr Allen weir

M.A. English Literature, Middlebury CollegeBread Loaf School of English, Middlebury, VT 1992

B.A. English Language and Literature, University of Michigan, Ann Arbor, MI 1985

Positions Held University of Central Florida, Associate Professor, 1997-present

Editor, The Florida Review, 2002-present

University of Tennessee, Full-time Instructor, 1995-1997

Community Education Programs, University of Tennessee, Instructor, 1996-1997

Editor, Black Warrior Review, University of Alabama, 1994-1995

University of Alabama, Graduate Instructor, 1991-1995

University of Alabama, Graduate Research Assistant, 1991

Shelton State College. Writing Center Tutor, 1992-1 994

Educational Director, Shoestring Players, Rutgers University 1988-1991

Junior Literary Agent, Triad Artists, Inc., Los Angeles, CA 1986-1987

Assistant Literary Agent, Swanson Agency, Los Angeles, CA 1986

Writing:

Honors and Awards

Downriver (full-length collection of short stories), Winner of the Doris Bakwin Award, Carolina Wren Press, Durham, NC.

"Docks" finalist in the Hunger Mountain Prize for Fiction, 2003

"Docks" Honorable Mention in the Katherine Ann Porter Prize for Fiction, Nimrod: International Journal of Literature, 2003

"Family Meeting" finalist in the New Letters Prize (Fall 2002); New Letter's Magazine (University of Missouri-Kansas City)

"Living With a Gun Runner" nominated for a Pushcart Prize, Spring 2001

"Living With a Gun Runner" winner of Flyway Fiction Prize, Fall 2000: Flyway: A Literary Review (Iowa State University)

Winner, Poets and Writers Writer Exchange for fiction, 2000: Poets And Writers Magazine (Poets and Writers, Inc)

"Decisions at the Edge of the Light" second Place Michael Gearhart Poetry Prize, Fall 1999: SunDog: The Southeast Review (Florida State University)

DSR Grant for Searching For Ingo, Novel-in-Progress, University of Central Florida, Fall 1998

"Why I Read" winner Davis-Kidd Poetry Contest, Knoxville, TN 1996

"On Teaching a Poetry Workshop" honorable mention, Davis-Kidd Poetry Contest, Knoxville, TN 1996

"The Nike Site" Honorable Mention Greensboro Review Literary Awards, 1995: The Greemboro Review (University of North Carolina at Greensboro)

"The Nike Site" Alumni Fiction Award, U of Alabama 1995

"Vinegar Tasting" nominated for AWP Intro Journal Project 1994

"Growing Up Downriver" 2nd Place Alumni Award, U of Alabama 1994

Teaching Awards: Teaching Incentive Award ($5000 base salary increase), Spring 2002: (University of Central

Florida)

Excellence in Undergraduate Teaching, Spring 2002: (College of Arts and Sciences, .. University of Central Florida)

Outstanding Undergraduate Teacher, Fall 2001: (South Atlantic Association of Departments of English).

Academic Affairs Web-Course Development Grant ($5000), Spring 1999: (University of

Central Florida) P

Nominated for the John Hodges Excellence in Teaching Award, 1997: (University of Tennessee)

Graduate School Excellence in Teaching Award, 1994: (University of Alabama)

Arts and Sciences Excellence in Teaching Award, 1994 (University of Alabama)

English Department Excellence in Teaching Award, 1994 (University of Alabama)

Academic Awards: Bread Loaf Writers' Conference Work Scholarship 1994

Teaching Writing Fellowship, U of Alabama 1994

Charlie Orr Memorial Scholarship, Bread Loaf School of English 1992

Pauline Feicht Decker Scholarship, Bread Loaf School of English 1990

Publications f i

Downriver (full-length collection of short stories), forthcoming Fall 2007, Carolina Wren Press, Durham, NC.

"Docks" in Nimrod: International Journal ofprose and Poetry, (University of Tulsa). Spring 2004.

"Family Meeting" in Alaska Quarterly Review (University of Alaska at Anchorage). Spring, 2003

"Pink" in Witness-Special Cultural Studies Issue: Aging in America: Fall, 2002.

"A Place Alone" Fiction (City College New York). Vol. 17.1 (Fall 2001): 134-145.

"Days of the Renovation" Seattle Reviav (University of WashingtonJSeattle). Vol. 23 (Spring 200 1 ): 1 1-24.

"Living with a Gun Runner" Flyway, A Literary Review (Iowa State University). Vol. 6.1 (Fall 2000): 14-20.

"Henrietta and the Headache" Berkeley Fiction Review (University of California/Berkeley). Vol. 20 (Spring 2000): 72-77.

r-

"Growing Up Downriver" Under the Sun (Tennessee Technological University). Vol. 4.1

(Summer 1999): 38-42.

"Vinegar Tasting" Indiana Review (University of IndiandBloomington). Vol. 20.1 (Spring 1997): 26-34.

"Viking Burial" New Orleans Review (Loyola Universitymew Orleans). Vol. 21.314 (Fallminter 1995): 9 1.

"The Bo's'n Chair" Chattahoochee Review. Vol. 16. 1 (Fall 1995): 84-88.

"The Nike Site" Greensboro Review (University of North CarolindGreensboro). No. 57 (Winter 1994-1995): 4-13.

Poetry: "Edge of the Light" Sun Dog: The Southeast Review (Florida State University). Vol. 19.2:

118-1 19.

"Why I Read" (reprint from Buckle &) in Writing Outside the Lines: Stories of Literacy, ed. Martha Marinara and Peggy Ellington. Boston: Allyn and Bacon (2000): 208-209.

"Kjemnga" Passages North (Northern Michigan University). Vol. 16, No. 1 (Summer 1995): 19.

"The Hungry Self' Passages North (Northem Michigan University). Vol. 16, No. 1 (Summer 1995): 18.

"Ghazaling Vinegar" So To Speak (George Mason University). Vol. 3. (SpringISummer 1994): 65.

Reviews and Pedagogy Papers:

(forthcoming) "The First Line Auction," AWP 2007 Creative Writinfleaching Handbook (Spring 2007)

"Re-Visioning, Re-Thinking, Re-Seeing: The Creative Writing Workshop as a Work-in- Progress" South Atlantic Association of D e p m e n t s of English Newsletter. Fall 2002.

My Favorite Apocalypse by Catie Rosemurgy. Florida Review (University of Central Florida). Vol. 27.2 (Spring 2001): 133-135.

"The Refrigerator Door: A Collaborative Writing Project". AWP 2001 Creative Writing/ Teaching Handbook (Spring 2001).

"How She Knows What She Knows About YO-YOS" by Mary AM Taylor-Hall. Florida Review

(University of Central Florida). Vol. 26, No. 1 (Spring 2001): 125-127. F-

"Certain Animals" and "The Harvest" by Judith Hemschemeyer. Black Warrior Review (University of Alabam~uscaloosa). Vol. 25, No. 1 (FallIWinter 1998): 175-1 77

"W' ' ;thin The Lighted City" by Lisa Lenzo. Black Warrior Review (University of Alabama' Tuscaloosa). Vol. 24, No. 2 (Surnmer/Spring 1998): 180- 183.

"Atticur" by Ron Hansen. Black Warrior Review (University of AlabamaKuscaloosa). Vol. 23, No. 1 (Fallminter 1996): 162-163.

"Tenorman" by David Huddle. Black Warrior Review (University of AlabamaTuscaloosa). Vol. 23,No. I (Fallminter 1996): 164-165.

Public Readings and Paper Presentations

"Re-Visioning, Re-Thinking, Re-Seeing: The Creative Writing Workshop as a Work-in- Progress" South Atlantic Association of Departments of English, South Atlantic Modem Language Association Convention, Fall 2002.

Excerpt from Searching For Ingo ("A Place Alone"), Invited Reader sponsored by Poets and Writers Magazine), St. Mark's Poetry Project, New York, NY. October 23,2000.

"Seeing Your Work In Print-Small Press Publications for Emerging Writers," Invited Readatspeaker, Barnes and Noble, Orlando, FL. October 2000.

"Henrietta and the Headache," Invited Reader, Florida College English Association (St. Augustine, FL), Spring 1999.

"Vinegar Tasting," Invited Reader, UCF's Women Studies Program, April 1999.

Collection of Poems, Invited Reader, The Writer's Harvest at Barnes and Noble Bookstore. Fall 1998.

"Growing Up Downriver," Invited Reader, Florida College English Association (St. Augustine, FL), Spring 1998.

Courses Taught

University of Central Florida: Advanced Graduate Writing Workshop Graduate Writing Workshop (also fully online) Advanced Fiction Writing (also fully online and web-enhanced) Advanced Scriptwriting Intermediate Fiction Workshop (also web-enhanced)

Intermediatecreative Nonfiction Intermediate Scriptwriting Advanced Expository Writing Literary Magazines (fully online) Women in Literature (also web-enhanced and Interactive Television) Introduction to Creative Writing (also web-enhanced and LINC with Deviant Behavior) First-year Composition (also LINC Sociology)

University of Tennessee:

Fiction Writing Workshop Dramatic Writing (Stage and Screen) Advanced Poetry Workshop Introduction to Creative Writing (Fiction and Poetry) American Literature Survey Introduction to Fiction (Literature Survey) Freshman Composition Introduction to Literature The Writers' Life

Thesis Committees

MAICreative Writing: Chair:

Rowing (novella) by Bernard O'Grady, Fall 2006

A Little Slice oflhe Moon (stories) by Fatima Rashid Fall 2005

Collected Stories by Tamara Doehring (stories) Spring 2003

Suburban Dreams by Justin Misik (nonfiction and stories) Spring 2002

Being Caughl Outside (nonfiction) by Terry Hess (Spring 2002)

Filling a Void (screenplay) by William Villanti (Summer 2001)

Ptolemy (stories and novella) by Robert Kramer (Summer 2002)

What We Carry wilh Us (stories) by Felix Albuerne (Spring 2001)

In the Garden ofEarthly Delights (stories) by Kathelyn Patria (Spring 2000)

Professional Activities

Board Member, The Florida Literary Arts Coalition. Spring 2003-present

Editorial Board Member, The University Presses of Florida. Spring 2005-2006

Invited Adjudicator, The Florida State Division of Cultural Affairs Individual Artists

Grants, Fall 2006.

Invited Adjudicator, The Florida Best Book Awards, Fall 2006-present

Reader, University of Tennessee Press (novels, short fictions, nonfiction). Fall 1998-2001

Reader, Florida Young Poet Laureate Program. Spring 2000

Adjudicator, Jack Kerouac Writer-In-Residence Project. Spring 2000

Adjudicator, Orlando Magazine Fiction Contest. 1998-2000

Advisor, Sky Lights Student Literary Magazine, Trinity Preparatory School. 1997- 1999

Consulting Editor, The Florida Review, 1997-2001

Writer-in-Residence, Jefferson County Schools, Dandridge, Tennessee 1996

Faculty Consultant, Aurora Literary Magazine, U of Tennessee 1996

Adjudicator of Undergraduate Creative Writing Awards, U of Tennessee 1996

Guest Editor, Sequoyah Elementary School Litemry Journal, Knoxville, TN 1996

UniversitvlDepartmental Service English Department Professional Development Committee, 2006-present

Director of the MFA in Creative Writing, 2006

Chair Hiring Committee, English Department. 2001

Research Incentive Award Committee, CAS. 2002

Honors Committee, CAS. 1998-200 1

Academic Standards and Curriculum Committee. 1997- 1999 and 2001 -present

Director of Honors English. 1998-2001

Honor in the Major Committee (Chair). 1998-2001

Ad-Hoc Committee (Mentoring). 2001

English Department Council. 2000-2002,2006.

CRW Hiring Committee. 2000-2001

Faculty Advisor, Cypress Dome Student Magazine. 1999

First-Year Composition Committee. 1997- 1999

MLA Hiring Committee. 1998-1999

Creative Writing Committee. 1997-present I' Mentor of First Year Composition Graduate Student Instructors. 1997-present

Thomas Nozkowski 265 Cedar Hill Road High Falls NY 12440

(845) 687 7548 or (212) 966 5890 tnozkowski@aol.com

Born March 23, 1944 Teaneck, NJ Educated at The Cooper Union, B.F.A. 1967

Awards and Honors

American Academy of Arts and Letters Award of Merit Medal, for Painting, 2006 American Academy of Arts and Letters Award in Painting, 1999 American Academy of Arts and Letters Purchase Prize, 1999 American Academy of Arts and Letters Purchase Prize, 1998 John Simon Guggenheim Memorial Fellowship, 1993 New York State Foundation for the Arts Fellowship, 1989 New York State Creative Artists Public Service Grant, 1985 National Endowment for the Arts Individual Artist Grant, 1984

Major Public Collections

r' The Addison Gallery of American Art, The Benton Museum of Art, The Boston Museum of Fine Arts, The Brooklyn Museum, Chase Manhattan Bank, The Corcoran Gallery of Art, The Cranbrook Museum of Art, The Dallas Museum of Art, The Edwin A. Ulrich Museum of Art, The Fogg Art Museum, The High Museum of Art, The Hirshhorn Museum and Sculpture Garden, The Hood Museum of Art, The Metropolitan Museum of Art, Moody Gallery of Art, The Museum of Modern Art, The New York Public Library, The Orlando Museum of Art, The Phillips Collection, The San Francisco Museum of Modern Art, The Sheldon Memorial Art Gallery, Smith College Art Museum, The Vassar College Art Museum, The Whitney Museum of American Art, Yale University Art Gallery and the Jane Voorhees Zimmerli Museum of Art.

I One-person Exhibitions

2007 Ludwig Museum, Coblenz, Germany 2006 Max Protetch Gallery, New York; BravinLee Programs, New York; Rubicon Gallery, Dublin. %

2005 Daniel Weinberg Gallery, Los Angeles CA 2004 Haunch of Venison, London, England; Pollock Gallery, Southern Methodist University,

Dallas TX

r' 2003 New York Studio School, New York NY; Revolution Gallery, Ferndale MI; Max Protetch Gallery, New York NY

2002 Clough-Hanson Gallery, Rhodes College, Memphis TN; Williams Art Center, Lafayette College, Easton PA - 2001 Max Protetch Gallery, New York NY; University of Connecticut, Storrs, CT; Ace Gallery, Los Angeles, CA; Dorsky Museum of Art, New Paltz NY 2000 Max Protetch Gallery, New York NY; Galerie Frank, Paris, France; Rosenwald- Wolf Gallery, University of the Arts, Philadelphia PA; Foster Art Gallery, University of Wisconsin - Eau Claire 1999 Revolution Gallery, Ferndale MI 1998 Ulrich Museum of Art, Wichita KS 1997 Stephen Wirtz Gallery, San Francisco; Corcoran Gallery of Art, Washington

DC; Max Protetch Gallery, New York 1996 Baumgartner Galleries, Washington DC; Ace Contemporary Exhibitions, Los Angeles; Revolution Gallery, Ferndale, MI; Cranbrook Institute of Art,

Bloomfield Hills, MI 1995 Max Protetch Gallery, New York 1994 Stephen Wirtz Gallery, San Francisco; Baumgartner Galleries, Washington DC; Revolution Gallery, Ferndale. MI 1993 Max Protetch Gallery, New York; Paul Cava Gallery, Philadelphia 1992 Feigen Gallery, Chicago 1991 Max Protetch Gallery, New York; Beaver College Art Gallery, Glenside, PA

r- 1990 Max Protetch Gallery, New York; Baumgartner Galleries, Washington DC; Paul Cava Gallery, Philadelphia 1989 Baumgartner Galleries, Washington DC; Thomas Segal Gallery, Boston; College Of Creative Studies, University of California, Santa Barbara; Greenville Museum Of Art, Greenville SC 1988 Diane Brown Gallery, New York; Hillman Holland Gallery, Atlanta; Grimaldis Gallery, Baltimore 1987 Diane Brown Gallery, New York; Paul Cava Gallery, Philadelphia; Klein Gallery, Chicago 1986 Rosa Esman Gallery, New York 1985 55 Mercer Gallery, New York; Rosa Esman Gallery, New York 1984 Matthews Hamilton Gallery, Philadelphia; Rosa Esman Gallery, New York 1983 Gallery Nature Morte, New York; 55 Mercer Gallery, New York; Rosa Esman Gallery, New York 1981 Rosa Esman Gallery, New York 1980 55 Mercer Gallery, New York 1979 Nobe Gallery, New York; 55 Mercer Gallery, New York

Selected Group Exhibitions

2006: "Hot Off the Presses," The Grolier Society, New York P "Block Party," Daniel Weinberg Gallery, Los Angeles

'Summarize / Summer Eyes," Jan Weiner Gallery, Kansas City, MO "Getting It Right," OSP Gallery, Boston, MA Works On Paper, Rebecca Ibel Gallery, Columbus, OH "Blame It On Rio," White Box, New York NY Annual Exhibition of New Members and Award Recipients, The

American Academy of Arts and Letters, New York.

2006 Invitational Exhibition of Painting and Sculpture, The American Academy of

Arts and Letters, New York. 181st Annual: An Invitational Exhibition of Contemporary American Art,

The National Academy of Design Museum, New York.

2005: "New World Order," Domo Gallery, Summit NJ "Singular Expressions," Sheldon Memorial Art Gallery and

Sculpture Garden, University of Nebraska, Lincoln, NE

"25th Anniversary Exhibition, " Baumgartner Gallery, New York "Radical Vaudeville," Geoffrey Young Gallery, Great Barrington

MA "In A Series," Adam Baumgold Gallery, New York "Paint It In Black," (curated by Phong Bui) Betty Cunningham

Gallery, New York "Sets, Series and Suites: Contemporary Prints," Museum of Fine

f i Arts, Boston 'On Paper: Drawings from the 1960's to the Present," Daniel

Weinberg Gallery, Los Angeles CA

"Trade," (curated by Matthew Higgs) White Columns Gallery, New York

Plan D, (curated by Sherman Sam) Municipal Gallery, Porto, Portugal ;

also Rubicon Gallery, Dublin; Model Arts and Niland Gallery, Sligo Ireland

2004: Arturo Herrera, Jac Leirner, Thomas Nozkowski, Brent Sikkema Gallery, New York

Art of the Definite, (curated by Helen Miranda Wilson) , D. C. Moore Gallery, New York

Pencil Me In, Geoffrey Young Gallery, Great Barrington MA The Widening Gyre (curated by Patrick Fitzgerald), Rubicon

Gallery, Dublin Something Above The Sofa, Rubicon Gallery, Dublin Pickup Lines, Geoffrey Young Gallery, Great Barrington MA Floored: Selection From the Permanent Collection, Sarah Moody

Gallery of Art, University of Alabama, Tuscaloosa AL

Paint, Kleinert Gallery, Woodstock NY - A Drawing Show, The Schoolhouse Center, Provincetown MA

DeKeyser, Frecon, Kendrick, Kowski, Nozkowski," Gorney, Bravin - and Lee, New York

Colored Pencil, KS Art, New York A Ten Year Anniversary Exhibition, Revolution Gallery,

Ferndale MI Endless Love (curated by Mark Griswold), D.C.Moore Gallery,

New York NY

2003 Newer Genres: Twenty Years of the Rutgers Archives for Printmaking Studios,

Zimmerli Art Museum, New Brunswick, NJ Flix, Rubicon Gallery, Dublin, Ireland Ink From Wood, Connecticut Center for Contemporary

Printmaking, Norwalk CT Good For You, Mason Gross School of the Arts, New Brunswick NJ Thomas Nozkowski and Joyce Robins. The Schoolhouse Center,

Provincetown MA Out of Line, Gallery 128, New York NY Twisting and Turning: Abstract Painting Now (curated by Lili

Wei) , Blue Star Art Space, San Antonio, TX

Ballpoint Pen Inklings (curated by Geoffrey Young), K & S Fine Art, New York

Resonance, (curated by Ken Buhler), The Workspace, New York NY C

2002 Zenroxy, Von Lintel Gallery, New York NY Robert Mangold and Thomas Nozkowski, Michael Berger Gallery,

Pittsburgh PA Jerald Jeans, John Millei, and Thomas Nozkowski: works on paper,

Schmidt Gallery, St. Louis MO

Painting's Edge, Parks Exhibition Center, Idyllwild Arts, Idyllwild CA

Pertaining to Painting, (curated by Paola Morsiani) Contemporary Arts Museum, Houston, TX; also Museum of Fine Art, Austin, TX

Paintings on Paper, Schmidt Fine Arts, St. Louis, MO New American Prints, Senior & Shopmaker, New York Transcendent and Unrepentant (curated by Sid Sachs), Rosenwald-

Wolfe Gallery, University of the Arts, Philadelphia PA

Structures (curated by Marjorie Welish and Linda Francis), Vassar College Art Gallery, Poughkeepsie , NY .

Vivid, Mead Gallery, Coventry UK; also Northern Gallery for Contemporary Art, Sunderland, UK

177th Annual Exhibition, National Academy of Design, New York

2001 Collectors' Gallery XXXIV, Marion Koogler McNay Art Museum, San F Antonio, TX

Vivid, Andrew Salomon Gallery, London, UK Un/Familiar, Mason Gross School of the Arts, New Brunswick, NJ Works on Paper, Tibor deNagy Gallery, New York Structures (curated by Marjorie Welish and Linda Francis),

Workspace Gallery, New York; also Moravian College Art Gallery, Bethlehem, PA

Achromatic, Revolution Gallery, Ferndale, MI Patient Process, Faulconer Gallery, Grinnell College, Grinnell,

IW

2000 Recent Acquisitions, The Orlando Museum of Art, Orlando FL Small Works, Nina Freudenheim Gallery, Buffalo NY Trapeze Artists, Mason Gross School of the Arts, New Brunswick,

NJ Abstract Painting, New York Studio School, New York Superduper New York, Pierogi 2000, Brooklyn NY Millennium: New Gifts and Acquisitions, William Benton Museum of

Art, Storrs CT

1999 Group Show, Galerie Frank, Paris Galore, Birmingham Museum of Art, Birmingham AL Invitational Exhibition of Painting & Sculpture, American Academy

of Arts and Letters, New York Work By Newly Elected Members and Recipients of Honors & Awards,

American Academy of Arts and Letters, F. New York NY

Architecturally Abstract, Revolution Gallery, NY

1998 Luis Gordillo and Thomas Nozkowski, Marta Cervera Gallery, Madrid Thomas Nozkowski and Richard Rezac, T.B.A. Exhibition Space,

Chicago Pierogi 2000 at Vassar (curated by Joe Amrheim), College Center Gallery, Vassar College,

Poughkeepsie NY Susan Frecon, Rachel Harrison and Thomas Nozkowski, curated by

Dee Mitchell), Turner & Runyon Gallery, Dallas TX

From Here To Eternity (curated by Ruth Kaufman), Max Protetch Gallery, New York

Hot, Revolution Gallery, Ferndale MI Exploiting The Abstract, Feigen Gallery, New York Interior Landscapes (curated by Cliff Diver), Delaware Art

Museum, Wilmington DE Painting Objectives (curated by Shirley Kaneda), Evelyn canus

Gallery, La-Cole-Surloup, France

Invitational Exhibition of Painting & Sculpture, American Academy of Arts and Letters,

New York - Utz, Lennon Weinberg Gallery, New York

1997 Recent Acquisitions, Hirshorn Museum, Washington DC Current Undercurrent, Brooklyn Museum, Brooklyn Pierogi 2000 Flatfiles (curated by Joe Amrheim), The Gasworks,

London and Corner House, Manchester, England

After The Fall: Aspects of Abstract Painting, (Curated by Lili Wei) Snug Harbor Cultural

Center, Staten Island NY Intimate Universe Revisited (curated by Michael Walls), Steele

Gallery, New York; also Kean College Art Gallery, Trenton NJ

Music: Kirili, Lewitt and Nozkowski, Gallery 128, New York Purely Painting, Elizabeth Harris Gallery, New York See, Hear (curated by Kazuko Myamoto), Gallery 128, New York Recent Acquisitions, Cranbrook Art Museum, Bloomfield Hills MI New York on Paper, Baumgartner Galleries, Washington DC Tabula Rasa, Gallery 128, New York Square Painting/Plane Painting (curated by Laurie Chambers and

Rhonda Howard), Center on Contemporary Art, Seattle WA

1996 Works on Paper, Max Protetch Gallery, New York Re-Conditioned Abstraction, Schmidt Gallery, St Louis New Narrative Abstraction, Brooklyn College, Brooklyn NY Set Off, View Room, New York Natural Process (curated by Sid Sachs), Williams Center for the

Arts, Lafayette College, Easton PA and Center Gallery, Bucknell University, Lewisburg

PA NEWance, Stephen Wirtz Gallery, San Francisco Scratch, Thread Waxing Space, New York Formal Abstraction (curated by Robert Kingston), Ruth Bachofner

Gallery, Santa Monica CA Balancing Act, Room Gallery, New York On Paper 11, Schmidt Gallery, St Louis

1995 Works On Paper, Baumgartner Galleries, Washington, DC Blue, Stephen Wirtz Gallery, San Francisco On Target, Horodner Romley Gallery, New York Re-Picturing Abstraction, 1708 Gallery, Richmond VA Julia Fish and Thomas Nozkowski Drawings, Revolution Gallery,

Ferndale, MI The Painterly, Mountaintop Gallery, Windham NY Works On Paper (Curated by Chris Martin), S.Cono Pizzeria,

Brooklyn Natures, Gallery 128, New York

1994 New Paintings, Max Protetch Gallery, New York Intimate Observations, Baxter Gallery, Portland ME

A Hundred Hearts, The Contemporary, New York Works On Paper, Schmidt Gallery, St. Louis Drawings, Bravin Post Lee Gallery, New York Possible Things (Curated by Vik Muniz), Bardamu Gallery, New

York Reveillon! (Curated by Alain Kirili), Stux Gallery, New York

1993 Early Works, Max Protetch Gallery, New York Return Of The Cadavre Exquis, The Drawing Center, New York Bomb Magazine Benefit, Fawbush Gallery, New York Eight Painters, Carl Solway Gallery, Cincinnati Inaugural Invitational, The Painting Center, New York New Moderns, Baumgartner Galleries, Washington DC Drawings From 55 Ferris Street, Wynn Kramarsky Gallery, New York

and Jessica Bemind Gallery, Philadelphia

Ferragosto, Gallery 128, New York Italia-America / L'Astazione Ridefinita (Curated by Demetrio

Paparoni), Museo de Stato San Marco, San Marino

Jours Tranquilles a Clichy (Curated by Alain Kirili), 40 Rue Rochechouart, Paris; also

TenniSport Arts, New York Paint and Painted, Fisher Landau Center, New York Intimate Universe (Curated by Michael Walls), Nina Freudenheim

Gallery, Buffalo NY - Works On Paper (Curated by Jeffrey Hoffeld), Max Protetch Gallery, New York

1992 A New American Flag, Max Protetch Gallery, New York On Condition (Curated by Julia Fish), Gallery 400, University Of

Chicago Intimate Universe, Michael Walls Gallery, New York Abstraction, '92, Schmidt Gallery, St. Louis Kinder! Macht Neues! Galerie Rolf Ricke, Cologne Transmodern (Curated by James Mahoney), Baumgartner Galleries,

Washington DC Drawings, Diane Brown Gallery, New York 55 Ferris Street Show (Curated by Fredericke Taylor), Brooklyn NY WFMU Benefit Show, German Van Eck Gallery, New York Group Show, John Berggruen Gallery, San Francisco Haynes, Metz, Nozkowski, Robins, 55 Mercer Gallery, New York Sculpture Center Benefit Show, New York Thomas Nozkowski and David Reed, Baumgartner Galleries, .

Washington DC Shades Of Difference (Curated by Shirley Kaneda), Sandra Gering

Gallery, New York Aesthetic Abstraction, Tibor DeNagy Gallery, New York

1991 Stubborn Painting, Now and Then (Curated by Ruth Kaufman and Mike Metz) ,

Max Protetch Gallery, NY Outside America: Going Into The '90s (Curated by Collins and

Milazzo), Fay Gold Gallery, Atlanta GA

Benefit Group Show, PS 122 Gallery, New York Know ~eace/~o Peace, 128 Rivington Gallery, New York Ho Hum All Ye Faithful, John Post Lee Gallery, New York NY Blossom Festival, Kent State University, Kent OH 10 Abstract Painters, Baumgartner Galleries, Washington DC All Quiet On The Western Front? (Curated by Collins and Milazzo)

Galerie Antoine Candau, Paris

1990 From Earth To Archetype, Ledisflam Gallery, New York Working On Paper: Contemporary American Drawing, High Museum Of

Art, Atlanta Melancholia, DeAndino Fine Arts, Washington DC Inaugural Group Show, Paul Cava Gallery, Philadelphia

1989 About Round, Anders Tornberg Gallery, Lund Sweden Small Formats, Lang and O'Hara Gallery, New York Allusions, George Washington University, Washington DC Post-Modern Painters, John Good Gallery, New York Drawings, Paul Cava Gallery, Philadelphia

P Scene And Seed (Curated by Richard LaPresti), Andrews Gallery, College of William and Mary,

Williamsburg VA. Baris, Bochner, Govedare, Janowich, Nozkowski, Cava Gallery,

Philadelphia PA Beyer, Ewing, Fisher, Groth, Mann, Nozkowski, Wolfe, Diane Brown

Gallery, New York NY.

1988 Diagrams and Surrogates (Curated by Saul Ostrow), Shea & Beker Gallery, New York

Seven American Abstract Artists (Curated by David Carrier), Ruggiero Henis Gallery,

New York Drawing Invitational, Tibor DeNaqy Gallery, New York Works On Paper, Martina Hamilton Gallery, New York The Inscribed Image (Curated by Pat McCoy), Lang & O'Hara

Gallery, New York Four Corners of Abstract Painting (Curated by Bill Arnipg),

International Gallery Invitational, Javits Center, NY Five Painters, PS 122 Gallery, New York Works From A Suitcase, Hofkabinet, Linz, Austria

1987 Inductive Geometries (Curated by Sid Sachs), Diane Brown - Gallery, New York

Grace Is The Better Part Of Valor (Curated by Andrea Rosen), Sharpe Gallery, New York - The Image Comes From Nature, Jack Tilton Gallery, New York

Off The Wall, Kamikaze Club, New York

1986 Inaugural Exhibition, Simard, Halm & Shea, Los Angeles CA Thomas Nozkowski and Ron Janowich, Paul Cava Gallery,

Philadelphia PA

1985 Painting 1985, Pam Adler Gallery, New York Drawing Annual, Weatherspoon Art Gallery, University of North

Carolina, Greensboro NC Chiarascuro (Curated by John 'Duff), Art City, New York

1984 New Acquisitions, Museum of Modern Art, New York Fact And Fiction, Tibor DeNagy Gallery, New York Naturlich, Matthews Hamilton Gallery, Philadelphia Second Nature, Bard College, Annandale-On-Hudson, NY Organic Abstraction, H.F. Manes Gallery, New York Painting Invitational, Oscarsson Hood Gallery, NY New Abstract Painting, Lafayette College, Easton PA and

Muhlenberg College, Allentown PA

1983 Recent Abstraction, Tibor DeNagy Gallery, New York Contemporary Drawings, Matthews Hamilton Gallery, Philadelphia Inaugural Exhibition, Matthews Hamilton Gallery, Philadelphia Small Paintings, Victoria Munro Gallery, New York Five Painters, Getler Pall Gallery, New York Paintings From The Mind's Eye (Curated by Judith Van Wagner),

C.W.Post University, Greenvale NY

55 Mercer: Twelve Years, 55 Mercer Gallery, New York CAPS Painting '82 -'83, Abrons Art Center, Henry Street

Settlement, New York NY; also Pyramid Gallery, Rochester NY; also Rockefeller

Gallery, S.U.N.Y., Freedonia NY

1982 Critical Perspectives (Curated by Joseph Masheck), PS 1, Long Island City, NY

Abstract Painting (Curated by Barbara Flynn and Craig Fisher!, Art Galaxy, New York

Russian Revolution to Post-Modernism, Rosa Esman Gallery, New York

1981 Ten Sculptors (Curated by Lawrence Alloway), State University of New York at Stony Brook

New Work by American and British Artists, 43 Great Jones Street,

.- New York

1980 Painting As Percept, Ericson Gallery, New York

1978 Three Sculptors, Nobe Gallery, New York Map Art (Curated by Peter Frank), Nobe Gallery, New York

1977 This Doesn't Look Like A Work Of Art 11, Truman Gallery, New York

1976 This Doesn't Look Like A Work Of Art, Parsons-Truman Gallery, New York

1973 New Talent, Betty Parsons Gallery, New York

Selected Bibliography

Alloway, Lawrence Art Review, The Nation, June 25, 1973 "55 Mercer: Twelve Years,'' catalog essay,. New York

1981 [American Academy of Arts and Letters] Proceedings, Second Series, Number 50. 1999 Aquiar, Manuel Casal "Plan D," catalog essay, Porto, Portugal, 2005 Argires, Eugenia "Thomas Nozkowski," Art Matters, November 1991 Artner, Alan G. "Abstract Renewal Pays Off For Nozkowski," Chicago Tribune,

January 30, 1987 "Deliberate But Not Simple," Chicago Tribune,

April 10, 1992 Bass, Ruth "Group Show at Getler/ Pall," Art News, October, 1983 Bellamy, Peter The Artist Project New York 1991 Bellantoni, Paul "Two Generations of Modern Artists to Display Work in Summit,"

Plainfield (NJ) Courier-News, December 1, 2005. Berg, Dave 1994

"The Lighter Side of ...," Mad Magazine, June, Bojko, Szymon: Polish-Americans and Polish Artists in Contemporary American Art

Warsaw, 2002 Bourbon, Matthew "Thomas Nozkowski - Examined Abstraction," NYArts, May/June 2004 Bourdon , David Art Review, The Village Voice, May 10, 1976 Boyce, Roger "Thomas Nozkowski At Max Protetch," Art In America, June 2004

Brody, David: "Ernst Haeckel and the Microbial Baroque," Cabinet Magazine, Summer 2002 Burch, Peggy "Art pick Of The Week," The Memphis Commercial Appeal,

November 3, 2002 Burton, Fred Art Review, "Memphis, Tennessee," Artpapers, arch-April 2003 Carrier, David "Thomas Nozkowski's Paintings," Arts ~agazine, October 1983

"The Art In Artwriting,," New Observations #47, April 1987

'Seven American Abstract Artists," catalog essay, New York NY. 1988

"Signification And Subjectification," Arts Magazine, May 1989. Revised

version in The Aesthete In The City, University Park PA 1994 'Extending The Language Of Abstraction," Art

International, Autumn 1990

"Interview With Thomas Nozkowski," Tema Celeste Magazine, Spring

1993. Reprinted in Italia-America L'astrazione ridefinita,

San Marino 1993

P Carswell, Rodney untitled catalog essay. Chicago 1998 Cohen, David " In Minimalism's Wake," The New York Sun, May 25, 2006

"Thank Heaven for Little Pictures," artcritical.com, November 11, 2001.

http://www.artcritical.corn/DCThankHeaven.htm "Thomas Nozkowski in Conversation With David

Artist, "

Cohen, December 2002."

http://www.nyss.org/nozkowski/interview.html. "The Outsider The Art World Loves: A Chat With The

The New York Sun, February 13, 2003 "Gallery Going: Howard Hodgkin and Thomas

Nozkowski," The New York Sun, November 20, 2003. Also at http://www.artcritical.com/~avidCohen/~~~28.h

t m -... - "A Painterly Existentialist Learns To Relax," The

New York Sun. February 23, 2006.

Cohen, Keri Guten "Thomas Nozkowski at the DIA," Detroit Free Press, April 4, 1999 Colby, Joy Hakanson "Colors and Shapes Give Substance to the

P Abstract, " The Detroit News,

February 8, 1996 Art Review, The Detroit News, November 5 , 1993

Conlev. Susan "Back to Basics," Irish Independent, Dublin, - . April 8, 2005 Corn. Alfred "Thomas Nozkowski at Max Protetch,' Art In - - - - . ~~

America, April 1996 Cowart, Jack " Pentimenti, or Remembrance of Things Past, " catalog essay, Washington DC 1997 cyphers , Peggy Art Review, Arts Magazine, January 1989 Danto, Arthur C. "Best of 2000," Artforum Magazine, December 2000 Diver, Cliff "Interior Landscapes," catalog essay, Wilmington DE 1998 Dobbins, Hamlett "Thomas ~ozkowski: Works On Paper," catalog essay, Memphis TN,

2002 Doe, Donald ."Trusting Intuition," catalog essay, Grinnell, Iowa Donohoe, Victoria "An Abstract Artist Builds A Following," The Philadelphia Inquirer,

December 11, 1983 "At the Berman Museum, a Wide Range of Drawings,"

The Philadelphia Inquirer, July 11, 1986

'Abstract Return By Nozkowski," The Philadelphia r- Inquirer,

April 17, 1987 "A Refreshing Format for a Summer Display," The

Philadelphia Inquirer, Au st 26, 1990

Doran, Robert W. (ed . ) 2STAnniversary of the Wellinqton Collect ion, Boston 2004 Driesbach, Janice "Nine Artists," catalog essay in Singular Expressions,

Lincoln. NE. 2005 Dunbar, Jill Art Review, The Villager, March 21, 1978 Dunne, Aidan "Facing Up to Familiar Scenes," Irish Times, Spring 2005 (exact date TK) Edelman, Robert G. 'Aesthetic Abstraction," Tema Celeste Magazine, April-May, 1992 Fallon, Roberta "Philadelphia Story," artnet.com magazine, October 16, 2000

"Abstracting The Piece," Philadelphia Weekly, September 6, 2000 Feldman, Anita "Painting As Percept," catalog essay, ~e; York 1981 Fendrick, Laurie "Why Abstract Painting Still Matters," The Chronicle of Higher

Education, April 30, 1999 F

Ferko, Peter "An Interview With Thomas Nozkowski," Artists Unite,

May 29, 2006. http://artistsunite- ny.org/blog/?p=388

Fleming, Lee Art Review, The Washington Post, March 19, 1994 Frank, Peter Art Review, The Village Voice, March 11, 1979

."Thomas Nozkowski," Los Angeles Weekly, June 21- 27, 1996

"Art Pick of the Week: Thomas Nozkowski," Los Angeles Weekly,

"Art Picks of the Week: Thomas Nozkowski and Choong-Sup Lim, "

Los Angeles Weekly, June 10, 2005 Fyfe, Joe "Thomas Nozkowski Drawings," artcritical.com, Spring 2003.

http://www.artcritical.com/blurbs/JFNozkowski.htm Gartside, Thomas "Market expands in Philadelphia," The New Art Examiner, May, 1986 Gehman, Geoff "Lively Abstracts Inhabit Lafayette Show," The Allentown Morning Call,

October 24, 2002 Gibson, Eric "Two Artists, Two Ways With Abstraction," Washington Times, May 8, 1990 Gilbert, Chris

F "Surveiller et Punir," Washington City Paper,

September 12, 1997 Hackett , Regina "Square Painting/Plane Painting," Seattle Post-Intelligencer,

January 24, 1997 Hagen, Charles Art Review, Artforum Magazine, January 1989

"Thomas Nozkowski," Catalog essay, Glendale PA Halkin, Tanya "Gallery Going," The New York Sun, January 23, 2003 Hall, David "Not Another Retread," The Memphis Flyer, November 28, 2002 Harris, Susan A. "Thomas Nozkowski" Arts Magazine, May 1983 Harrison, Helen A. "Something Beyond Seeing," The New York Times, March 6, 1983 Herbert, Martin "Vivid, " Time Out (London) , January 9, 2002 Hirsch, Faye "Working Proof," Art On Paper, September- October 2002 Hyde, James "A Discussion with Alexander Ross on Thomas

Nozkowski's Drawings," Februarv. 2003 at

http: //WWW. n;$s. org/nozkowski/discussion. html [The Irish Times] "Drawinq on plans, past and present," The - - - - Irish Times, April 2, 2005 James, Merlin "New Abstraction"' The Burlington Magazine, April 2000

Johnson, Ken "Thomas Nozkowski," The New York Times, September 19, 1997

"Thomas ~ozkowski," The New York Times, March 10, 2000

"Zenroxy," The New York Times, December 27, 2002 "Thomas Nozkowski," The New York Times, December

12, 2003 Johnson, Patricia C. "Minisurvey of current trends shows painting's still alive," The Houston

Chronicle, August 5, 2002 Joyce, Julie "Thomas Nozkowski, " Art Issues, ~eptember/October 1996 Karlins, N. F. 'Summer Drawings" artnet.com July 18, 2001 Knight, Chris "Thomas Nozkowski," The Los Angeles Times, April 14, 2001 Kunitz , Daniel Review. The New Criterion, May 2000

'A Gamble Pays Off," New York Sun, May 9, 2002 La Rocco, Ben "Thomas Nozkowski," The Brooklyn Rail, March, 2006 Larson, Kay 'In From the Coast," New York Magazine, November 28, 1988 Lasker, Jonathan "Dialogue with Thomas Nozkowski," catalog essay, Paris 2000 Lauterbach, Ann "Subject To Change, " Conjunctions #6, 1984.

Reprinted in Before Recollection, Princeton 1987

P Levin, Kim "The Joy of Curating," The Village Voice, February 28, 1995 Levine, Carrie 'A Flatland of Forms," Art In America, October, 2004 Linn, Judy "Thomas Nozkowski," by Judy Linn. The W.C., #I, New York, 2005.

[this number serving as catalog for exhibition, "Trade."]

Martin, Chris "Everything Is Finished, Nothing Is Dead," The Brooklyn Rail,

April-May, 2003 'In Conversation: Thomas Nozkowski with Chris Martin," The

Brooklyn Rail, December-January, 2003 "Pressing On: Thomas Nozkowski's Paintings," Masheck, Joseph

Art forum Magazine,

Fall 1985

May 1981. Revised version in Historical Present, Ann Arbor 1984 "Thomas Nozkowski: Drawings of the Seventies," catalog essay, New York

1983 "Painting And Proliferation," L.A.I.C.A. Journal,

"Abstract Harmonics," Art In America, March 1988

"Thomas Nozkowski: Painting and the Struggle of Analogy" (revised

version of Masheck, 1985) in Modernities, University Park PA

1993 McCoy, Mary Art Review, The Washington Post, February 29, 1992 McQuaid, Cate 'On outer Cape, funky portraits tempt and tease," Boston Globe,

August 7, 2005 McWilliams, Martha "Getting Back to Abstracts,' Washington City Paper, August 21, 1992 Miro, Marsha "Painter's Painter Uses Shape, Color in Surprising Ways," Detroit Free

Press, November 12, 1993 "Everyday Subjects Inspire Bold Images," Detroit

Free Press, January 26, 2003

Miles, Christo~her "Thomas Nozkowski." Artforum. June 2001 itche ell, Dee * Dallas TX, 2004

Conversation 2, catalog in interview format,

"Thomas Nozkowski," Art In America, May, 2000 Moos, Dr. David "Sonnet: The Painting of Thomas Nozkowski," catalog essay,

Washington DC 1997 P Morgan, Robert C. "Thomas Nozkowski at Max Protetch," Review,

September 15, 1987 "~homas Nozkowski," Review, March 1, 2000

Moszynski, Andrew "If You Can Paint, I Can Walk' A Conversation With Thomas

Nozkowski," Pierogi Press (No. 21, Fall 1998 Muhr, Isabelle Art Review, Linz Kronen-Zeitung June 18, 1987 Mullarkey, Maureen "Paint It With Black," The New York Sun, July 21, 2005 Naves, Mario "Persevering In Paint: Steve Wheeler & Thomas Nozkowski," The New

Criterion, December 1997 " A Show of Shows: Nozkowski's Masterful

Conundrums, " The New York Observer, March 13, 2000

' A Low-Key Painter With a World-Class Rep," The New York Observer, October 29, 2001

"The Rich Rewards of Engagement, With Dense, Demanding

Work,'' The New York Observer, February 3, 2003 "Currently Hanging," The New York Observer,

"New From Nozkowski," New York Observer, March July, 2005

P 13, 2006

Neher, Ross Blindfolding The Muse, New York NY 1999 (Newhall, Edith) 'On View," New York Magazine, September 15, 1997

"The Fall Season: Thomas Nozkowski," New York Magazine , September 3, 2001 [The New Yorker] "Thomas Nozkowski," The New Yorker, June 19, 2006

"Thomas Nozkowski and R. Buckminster Fuller," The New Yorker,

December 4, 1995 "Thomas Nozkowski," The New Yorker, February 10,

2003 Ostrow, Saul 'Un ensemble fragmente: la peinture abstraite aprss le modernisme",

Art Press, No. 16, 1995 "Thomas Nozkow~ki'~, Bomb Magazine, Spring 1996

Pagel, David "Scratching The Surface", The Los Angeles Times, March 28, 1996

"Invited Into The Abstract," The Los Angeles Times, May 13, 2005 Perrault , John Art Review, The Village Voice, June 21, 1973 Perry, Vicky Abstract Painting: Concepts and Techniques, New York 2005 Pollan, Andrea 'Apologia for Perversity," Washington Eyewash, March, 1992

r' Prose, Francine "An Interview With Thomas Nozkowski", Bomb Magazine, Fall 1998 Protzman, Ferdinand "Reunited At Last", The Washington Post, November 9, 1996 Rabinowitz, Sima "Three Book Reviews," Dragonfire, #13, January 15, 2006

Ratcliff, Carter 1984 Rexer, Lyle York Times,

Richard, Paul September 27, 1997 Ross, Alexander

Nozkowski

http://www.dfire.org/x1825.xml "Fact and Fiction," catalog essay, New York

'The Pen: Mightier Than You Thought," The New

April 13, 2003 "Thomas Nozkowski," The Washington Post,

"A Discussion with James Hyde on Thomas . ' s Drawings, " Februarv. 2003 at

http : //www. nGss. org/nozkowski/discussion. html . Rottner , Nadj a "Thomas Nozkowski," Flash Art, January-February, 2002 Row, David "Just Enough: Thomas Nozkowski," Zing Magazine, Autumn, 2000 Rubinstein, Raphael "Full Circle," Art In America, May 1995 Ryan, David "Thinking in the Abstract," Contemporary

r' (magazine) , February, 2002

"An Interview With Thomas Nozkowski," Talking Paintinq: Dialogues

with Contemporary Abstract Artists, London, 2002

Sachs, Sid "Thomas Nozkowski. Works On Paper 1984-2000," catalog essay, Philadelphia PA, 2000

'Transcendent and Unrepentant," catalog essay, Philadelphia PA, 2002

Saltz, Jerry "The Paper Trail," The Village Voice, January 29 - February 4, 2003 Sam, Sherman "Plan D," catalog essay, Porto, Portugal, 2005

"Thomas Nozkowski," Kulturflash, #84, April 7, 2004.

http://www.kultureflash.net/archive/84/default.htm - event1828 'Thomas Nozkowski: Artworker of the Week #20,"

Kultureflash, Number 67, November 26, 2003. http://www.kultureflash.net/archive/67/privie w . html

"Thomas Nozkowski at Clough-Hanson Gallery," Con temporary, (December, 2002

Sanford, Graham "Thomas Nozkowski and Richard Rezac," The New Art Examiner,

February, 1999 . r' Schjeldahl, Peter "The Next Pitch: Thomas Nozkowski and the Crisis

In Abstract Painting," catalog essay, Washington DC 1996

"Hard Bliss: The Indispensable Thomas Nozkowski," catalog essay, Washington DC 1997 (Schjeldahl, Peter) "Thomas Nozkowski" The New Yorker, November 5, 2002 Schwabsky, Barry "Thomas Nozkowski," Artforum Magazine, November 1993

"Thomas Nozkowski," Artforum Magazine, May 2000 "The Source Of The Nile: The Politics of Thomas

Nozkowski," Januarv. 2003 - .

http://www.nyss.org/nozkowski/essay.html. 'Thomas Nozkowski." catalos essav. London 2004 "Introdu~tion,~ [to Ing ~ r i s h byAjohn Yau and

Thomas Nozkowskil , Philadelphia, 2005.

Seidel, Daniel "Nine Artists : A Curatorial Perspectdve , " catalog essay in

Singular Expressions, Lincoln NE. 2005 Sholis, Brian 'Critics Picks: Raoul deKeyser, Suzanne

Frecon, Thomas Nozkowski, Uwe Kowski, Me1 Kendrick,"Artforum.com, June

r- 8, 2004.

http://www.artforum.com/index.php?pn=picks&pl ace=New York

Shuckburgh, Hannah "The Top Five Shows In London," Artpreview, May 2004 smat, Paul "New Paint," Woodstock Times, June 3, 2004 Smith, Roberta Art Review, The New York Times, February 21, 2003

"Abstraction: A Trend That May Be Coming Back," The New York

Times, January 10, 1992 Art Review, The New York Times, June 8, 1990 "Conceptual Abstraction," The New York Times,

December 27, 1991 sozanski, Edward J. "Wildly Eccentric, Forceful Abstractions," The Philadelphia Inquirer,

September 15, 2000 "Nozkowski: Abstract Art in Basic Form," The

Philadelphia Inquirer, October 3, 1991

"Abstract Oils On Paper by Nozkowski," The Philadelphia Inquirer,

April 18, 1991 "Two Artists At Cava," The Philadelphia Inquirer,

January 16, 1986 Stephan, Gary "Thomas Nozkowski," The New York Art Intelligencer, Fall, 1995

F Sugiura, Kunie "From New York, " Bi jutsu Techo Magazine, January 1992 Taylor, John Russell "Around The Galleries," The Times (London), January 1, 2002 Temin, Christine Art Review, The Boston Globe, July 27, 1989 Thacker, Terry "Long Live the Death of Modernism," Number: An Independent

Journal of the Arts, Summer 2003 "New World Order," catalog essay. Summit, NJ.

2005 Van Ryzin, Jeanne Claire "A Medium Well Done With Contemporary Painters," Austin American

Statesman, December 19, 2002 Van Wagner, Judith "Painting From The Mind's Eye," Catalog essay, Greenvale NY 1983 Verney, Vic "'Patient Process' Art Exhibit to Open at Grimell," Iowa Times- Republican, February 1, 2001 Walentini, Joseph "Thomas Nozkowski," Abstract Art Online, March 1, 2006.

http://www.abartonline.com/html/ny views 10 2 . html

Walker, Joy "New York Gallery Walking," Next Magazine #36, Spring 1996

P

Wallach, Amei "A Pair of '90s shows of Some Serious Survivors," New York Newsday,

January 17, 1992 Wei, Lily "Abstract Painting Now," Voices of Art, Summer 2003

"Twisting and Turning: Abstract Painting Now," catalog essay, 2003,

San Antonio TX Welish, Marjorie "Food For Centaurs," Arts Magazine, December 1991. Revised version in

Siqnifying Art: Essays on Art After 1960, Cambridge, 1999 "Thomas Nozkowski and David Reed," Catalog essay,

Washington DC, 1992

Welzenbach, Michael "Thomas Nozkowski at Baumgartner," Washington Post, February 18,

1989 Westfall, Stephen Art Review, Art In America, April 1984 Wolfe, Theodore F. "12 Artists Go Back to Perceptual Basics," Christian Science Monitor, February 14, 1980 Wilkins , Karen "At The Galleries," Partisan Review, Summer 2000

"Anywhere In Between,'' The New Criterion, June 2003

f l Wolgamott, L. Kent "Singular Expressions and the Sheldon," catalog essay in

Singular Expressions. Lincoln, NE. 2005 Worth, Alexi "Thomas Nozkowski," Artnews, November 1997 Wright, Jeffrey C. 'Shaping Abstract Imagery," Cover Magazine, April 1997 Yau, John 'Wednesday's Pictures," catalog essay, Easton PA, 2002

"Abstraction In The Everyday, " Art On Paper, December, 2002

"The Modest Master, " Modern Painters, February 2006 Zimmer, William "(Neo)classical Gas," The Soho Weekly News, November 24, 1981

Art Review, The Soho News, November 26, 1980 Zinsser, John "Plotting Self Doubt: The Paintings Of Jonathan Lasker And Thomas Nozkowski, " Arts Magazine, May 1988

Writings on Art by Thomae Nozkowski

"Ruth Vollmer" in Thinkinq the Line: Ruth Vollmer . Essay from 1971 with an Author's

Note ( 2 0 0 4 ) . Published in conjunction with the exhibition of the same name, Zentrum ffir Kunst und Medientechnologie, Karlsruhe, Germany. Hatje Cantz Publishers, 2006

"Richard Rezacn Bomb Magazine, Fall 2002 "Jane Freilichern catalog essay, Tibor deNagy Gallery, New York, 2004 . Reprinted in -

Jane Freilicher, edited by Klaus Kertess. Abrams, New York, 2004.

"Letter to a Young Artistn in Letters to a Young Artist. Edited by Peter Nesbitt and -

Shelly Bancroft. Darte Publications, New York, 2006

CURRICULUM VITAE r

John Yau 1200 Broadway (Apt 3-C) New York, New York 10001 Tel & Fax: (646) 424- 1373 Cell (646) 36 1 - 1565 Email: JYAU974406@aol.com

Education Bard College 1969-1972 B.A. (English and American Literature) Brooklyn College 1976-1978 M.F.A. (Poetry)

Teaching Mason Gross School of the Arts (Rutgers University) Art Department Assistant Professor of Critical Studies (Fall 2004-)

Matyland Institute College of Art, Baltimore, MD r- Director of Poetry and Fiction Reading Series (1 997-2000)

Founder and Co-Director of Dolphin Press (1 997-2000) Critic-in-Residence, Mount Royal Graduate School (1 997-2005)

Yale University, New Haven, CT Graduate Art Department Visiting Critic, Graduate Seminar. Fall, 2003

Bard College, Amandale-on-Hudson, NY Milton Avery Graduate School of the Arts Artist in Residence, 1982, 1985-1 987,2000-2002

Hofstra University, Hempstead, NY Dept. of English Adjunct Associate Professor, Spring 1996

P University of California, Berkeley, CA

Dept. of English and American Literature - Visiting Professor, Spring 1995

University of California, Berkeley, CA Dept. of Asian American Studies Visiting Professor, Spring 1994

Brown University, Providence, RI Graduate Dept. of Creative Writing Visiting Poet, Spring 1992

School of Visual Arts, NYC, NY Graduate School of Art Instructor in Art History and Contemporary Criticism, 1988-1990

Pratt Institute, Brooklyn NY Graduate School of Art Instructor in Art History and Contemporary Criticism, 1985-1990

F Emerson College, Boston, Mass Poet-in-Residence, 1980-198 1

Teaching (Short Term) Centrum Writer's Conference Port Townsend, Washington 10 Day Creative Writing Workshop July 14-24,2006 (Contract Received)

Fine Arts Work Center (FA WC), Provincetown, Mass Writing Workshop (Art Criticism) July 2-7,2000, One Week in August 2002 and 2003 (Prose Poem) One Week and One Weekend in August 2004 (Prose Poem and Dramatic Monologue) One week, August 2005 One week, August 2006 (Received Invitation)

r- The Naropa Institute, Boulder, Colorado

June 23-30,2002 (The Scholarly Writer) r- July 24-July 3 1,2005 (Community/Performances/HybridslCollaborations)

Vermont Studio School Johnson, Vermont Poet and Art Critic in Residence, September 6-10,2003

Atlantic Center for the Arts New Smyrna Beach, Florida Master Artist in Residence, Spring 1993, Summer 2003

Beyond Baroque Center for The Arts, Venice, California One Day Writing Workshop, November 2 1,1998

St. Joseph 's College, Hartford, CT Writer's Weekend, Three Day Workshop, June 1998 (Fiction)

Asian American Writer's Workshop, NYC, NY Ten Week Creative Writing Workshop (Poetry and Fiction), Spring 1998

P

Poetry Project at St. Mark's Church, NYC, NY Ten week Creative Writing Workshop (Fiction) Oct-Dec 1997 Ten Week Creative Writing Workshop (Poetry and Fiction) Fall 1996, Spring 1997

Maryland Institute College of Art, Baltimore, MD Graduate Art Department Distinguished Visiting Critic, Fall and Spring 1986

Hofstra University, Hempstead, NY Dept. Of English Summer Writing Program (Poetry Workshop), July 10-21,1995

Institute of American Indian Arts, Santa Fe, NM Depts. of Creative Writing and Studio Arts Two Day Residency (Fiction, Poetry, and Art) Spring 1994, Spring 1995, Fall 1999, Spring 2005 (Contract Received)

University of Texas, Austin, TX

Dept. of Art r- Visiting Critic, Six Two Day Residencies, Spring 1994 (with Laura Cottingham)

Poetry: Paradiso Diaspora Penguin Putnam, NY (Forthcoming, June 2006)

Andalusia (with artwork by Leiko Ikemura) Weidle Verlag, Bonn Germany (Forthcoming January 2006) Editions in German, Spanish, and English

Ing Grish (with artwork by Thomas Nozkowski) Saturnalia Books, Philadelphia (Forthcoming, Winter 2005-2006)

Borrowed Love Poems Penguin Putnam, NY, 2002

r- Forbidden Entries Black Sparrow, Santa Rosa CA, 1996

Berlin Diptychon (Photographs by Bill Barrette) Timken Books, NYC, NY and Weidle Verlag, Bonn, Germany, 1995 (American and German Editions)

Edzycio Sayonara Black Sparrow, Santa Rosa CA, 1992

Big City Primer: Reading New York City at The End of The Twentieth Century (Photographs by Bill Barrette) Timken Books, NYC, NY, 1991

Radiant Silhouette: New & Selected Work 1974-1988 Black Sparrow, Santa Rosa, CA, 1988

,-.

Corpse and Mirror F Holt Rinehart and Winston, NYC, NY, 1983

National Poetry Series: Selected by John Ashbery

Broken O f b y the Music Burning Deck, Providence. R.I., 1981

Sometimes Sheep Meadow Press, NYC, NY, 1979

FictionlProse My Heart Is That Eternal Rose Tattoo Black Sparrow, Santa Rosa, CA, 2001

My Symptoms Black Sparrow, Santa Rosa, CA, 1998

Hawaiian Cowboys Black Sparrow, Santa Rosa, CA, 1995

P

The Sleepless Night of Eugene Delacroix Release Press, Brooklyn, 1980

Curator (Selected Exhibitions) Young, Brash, and Abstract* Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia An Exhibition of eleven abstract artists January 18, to March 30,2002

Original Scale* Apex Art CP, New York, January 8 to February 7,1998

Sedlndustiy Stux Gallery, New York An Exhibition of work by seventy artists, Feb 8 - March 23, 1997

f i Ed Moses: Paintings and Drawings 1951-1 996*

Museum of Contemporary Art, Los Angeles, CA, April 21 to August 1 1, 1996 /-

MURDER * An Exhibition of work by approximately forty artists. Bergarnont Station, Santa Monica, CA Thread Waxing Space, New York Centre Gallery, Miami, FLA (Spring-Summer 1995)

In The Spirit of Invention and Discovery The Paintings of Joe Zucker 1983-1 994' Anderson Gallery, Buffalo NY Bergamont Station, Santa Monica, CA (Spring 1995)

Diverse Representations 1990* An Exhibition of sculptures by twelve sculptors Monis Museum, Monistown, NJ, September 18 - November 1 8, 1990

Bright Lights, Big City* Phyllis Kind Gallery, New York, Spring 1984

P

Luxe, Calme et Volupte * One Penn Plaza, New York, Summer 1984 * Catalog or brochure with essay accompanies exhibition

Freelance Critic Since 1977, I have contributed essays and reviews to magazines, museum publications, and gallery catalogues. The magazines include: Amerasia Journal, American Poetry Review, Aperture, Artforum, Art in America, Art on Paper, Arts, Art News, Art Space, Art Press (Paris), Book Forum, Boston Review, Brooklyn Rail, Contemporanea, Craft Horizons, Drawing, El Pais (Madrid), Flash Art, Galeries Magazine (Paris), Grand Street, Interview, Los Angeles Times, Modern Painters, New England Review, On Paper, Parkett, Portfolio, Provincetown Arts, Tema Celeste, and Vogue.

P Books: Criticism/Monographs/Catalogs (Selected List)

The Passionate Spectator, Essays on Poetry and Art P "Poets on Poetry" Series (Series Editor, David Lehman)

University of Michigan Press (Forthcoming, June 2006) (Book of Essays)

Sean Sally: Paintings LA Louver Gallery, Venice, CA (February-March 2006) (ex. cat.)

Sean Sally: Pastels Steidl Verlag, Dusseldorf, Germany (Forthcoming, 2006) (Monograph)

Richard Pousette-Dart: New York School and Beyond Skira, Geneva (Forthcoming, 2006) (Monograph)

James Siena Pace Wildenstein, New York (Forthcoming, Nov-Dec, 2005) (ex. cat)

Michael Mazur Mary Ryan Gallery, New York (Nov-Dec, 2005) (ex. cat)

P Robert Dente: Italy, Ephemeral and Eternal U.S. State Department of State Embassy of the United States of America Rome, Italy (Sites: Ragusa, Palerrno, Siena) September 2005 - February 2006 (ex. cat.)

41 x 90 degrees Contemporary Landscape at The ZFigge Figge Art Musaeum, Davenport, Iowa September 3,2005 - December 11,2005 (ex. cat.)

Mark di Suvero: Indoors Knoedler & Company, New York, 2005 (ex. cat.)

POP (On Roy Lichtenstein, Konrad Lueg, Claes Oldenburg, Sigrnar Polke, Gerhard, Richter, and Andy Warhol) Zwirner & Wirth, New York, New York, May 3,2005 June 29,2005 (ex.cat)

Carole. A. Feuerman r Queensborough Community College Art Gallery (ex.cat)

May 2005 P

Pierre Soulages: Works on Paper Haim Chanin Fine Arts New York, New York, May 4,2005 -June 25,2005 (ex. cat.)

Kay Walkingstick: Mythic Dances, Paintings from Four Decades University Art Gallery, Department of Art Indiana State University Terre Haute, Indiana March 16,2005 - April 8,2005 (ex. cat.)

Sandro Sanna Italian Cultural Institute, Los Angeles, CA, 2005 (ex. cat.) Pat Steir: Drawings Cook Fine Art, New York, 2005 (ex. cat.)

David Reed Leave YourselfBehind: Paintings and Special Projects 1967-2005 Ulrich Museum of Art, Wichita, 2005 (ex.cat)

P

Philip Taaffe: Carte annuvolate Skira, Milan, 2004 (ex. cat.)

Late Paperworks of Beatrice Riese Taylor Productions, New York, 2004

Fred Tomaselli: Monsters of Paradise The Fruitmarket Gallery, Edinburgh, Scotland, 2004 (ex. cat.)

Deborah Butterfield Abrams, New York, 2003 (Monograph)

Lois Dodd, Windows and Doorways. l l ree Decades of Painting Alexandre Gallery, New York, 2003 (ex. cat)

Brice Marden Edited by Eva Keller and Regula Malin

P Scalo, Zurich, in conjunction with

Daros Foundation, Basel, Switzerland, 2003 (ex. cat, monograph) r-

Sugimoto-Architecture Exhibition curator, Franceso Bonami Museum of Contemporary Artt, Chicago, and D.A.P./Distributed Art Publishers, New York, 2003 (ex. cat, monograph)

Jessica Stockholder K20 Kunstsamrnlung, Nordrhein-Westfalen, Dusseldorf and Stiftung Wilhelm Lehmbruck, Museum Duisburg, Zentrum Internationaler, Skulptur, Duisburg, Germany, 2003 (ex. cat)

Katharine Pavlis Porter, Noon Knives Hard Press, West Stockbridge, MA, 2002 (Monograph)

Wijiredo Lam, Volume 11 1961-1982 Catalogue Raisonne of the Painted Work Edited by Lou Laurin-Lam and Eskil Lam Acatos, Lausanne, Switzerland, 2002 (Monograph)

P

Richard Artschwager: The Hydraulic Door Check Edited by Peter Noever Verlag der Buchhandlung Walter Konig, Koln, Germany, 2002 (ex. cat.)

Mar Gimblett Craig Potton Publishing in Association with Gow Langsford Gallery Auckland, New Zealand, 2002 (Monograph)

Dazzling Water, Dazzling Light: The Paintings of Pat Steir University of Washington Press, 2001 Weidle Verlag, Bonn, Germany, in German 2001 (Monograph)

James Castle: A Common Place Knoedler and Co., New York, NY 2001 (ex. cat.)

Louise Fishman Cheim & Read, New York, 2000 (ex. cat)

Randy Hayes: The World Reveiled f i Ogelthorpe University Museum in Association

with University of Washington Press, Seattle, 1999 (ex.cat.)

In Company: Robert Creeley 's Collaborations Co-Edited by Amy Cappellazzo and Elizabeth Licata Castellani Art Museum of Niagara University in Association with University of North Carolina Press, Greensboro, NC, 1999 (ex.cat.)

Suzan Frecon: Paintings Edited by Christa Hausler Richter Verlag, Dusseldorf, Germany, 1999 Seton Smith, Without Warning Actes SudFondation CCF Pour la Photographie, France, 1998

Andrea Belag, New York-Koln Weidle Verlag, Bonn, 1998

The United States of Jasper Johns P Zoland Books, Cambridge, MA, 1997

Editions Tertium, Stuttgart, Germany, in German, 1997 L'Echoppe, Paris, France, in French, Forthcoming Winter 2004 (Criticism)

Maly Heilmann: Farbe und Lust/Color and Passion Cantz Verlag, Ostfildem-Ruit, Germany, 1997

Ed Moses: A Retrospective of the Paintings and Drawings, 1951-1996 Exhibition curator, John Yau The Museum of Contemporary Art, Los Angeles and The University of California Press, Berkeley, 1996 (ex. cat.)

In The Realm of Appearances: The Art of Andy Warhol Ecco Press, Hopewell, NJ, 1993 (Criticism)

A.R. Penck Abrams, NYC, NY, 1993 (Monograph)

r' Jackie Winsor

Exhibition curator, Dean Sobel r- Milwaukee Art Museum, 199 1 (ex. cat)

Jane Freilicher Edited by Robert Doty Taplinger Publishing company, New York, 1987 (ex. cat.)

Publisher and Editor of Black Square Editions (A Not-For-Profit Press) The Garrett Caples Reader by Garret Caples (Poetry and Prose) 1999 Echo Regime by John Olson (Poetry) 2000 Bayart by Pascalle Monnier Translated from French by Cole Swensen (Poetry) 2001 Simply Separate People by Lynn Crawford (Fiction) 2001 me With Animal Towering by Albert Mobilio (Poetry) 2002 Dark Property by Brian Evenson (Fiction) 2002 Complete Fiction by Serge Fauchereau Translated from French by Ron Padgett and John Ashbery (Fiction) 2002 Giacometti: Three Essays by Jacques Dupin Translated from French by John Ashbery and Brian Evenson (Criticism) 2003

r- Fathom by Andrew Joron, 2003 (Poetry) Free Stream Velocity by John Olson, 2003 (Prose Poems) I Looked Alive by Gary Lutz, 2003 (Short Stories) This Nowhere Where by Valerie-Catherine Richez, 2004 (Fiction) Fortress Resort by Lynn Crawford, 2005 (Short Stories) Tephra by Bany Schwabsky, 2005 (Poetry)

Editor FETISH Four, Walls, Eight Windows, New York, 1998

The Asian Pacific American Journal (Volume 5 Number 2, Fall Winter 1996) Co-Editor: Arthur Sze

Sulfirr 19 (1987): "Tribute to Porfirio DiDonna "

F The Collected Poems of Fairfield Porter

Co-Editor: David Kermani * Tibor de Nagy Press, NYC, NY 1985

Anthology Publications (Poetry, Fiction, Criticism) Blues Poems Edited by Kevin Young Everyman's Library, New York, 2003

Poems for America, 125 Poems that Celebrate the American Experience Edited by Carmela Ciuraru Scribner Poetry, New York, 2002

Best American Poehy 2002 Editor: Robert Creeley (Series Editor: David Lehman) Scribner, New York, 2002

Bold Words: A Century of Asian American Writing Editors: Rajini Srikanth and Esther Y. Iwanaga Rutgers University Press, New Brunswick, New York, and London, 2001

f l

The Best American Poetry 2000 Editor: Rita Dove (Series Editor: David Lehman) Scribner, New York, 2000

The Body Electric: Poems from the American Poetry Review Editors: Stephen Berg, David Bonnano, and Arthur Vogelsang W.W. Norton, New York, 2000 Uncontrollable Beauty: Toward a New Aesthetics Edited by Bill Beckley with David Shapiro Allworth Press, New York, 1998

Premonitions: The Kaya Anthology of New Asian North American Poetry Edited and with an Introduction by Walter Lew Kaya Productions, New York, 1996

F Under Western Eyes: Personal Essays from Asian America

Edited and with an Introduction by Garrett Hongo r- Anchor BooksDoubleday, New York, 1995

BORDER LINES: Contemporary Poems In English General Editor: J.A. Wainwright Copp Clark Ltd., Toronto, Canada, 1995

Walk On The Wild Side: Contemporary Urban American Poetry Edited by Nicholas Christopher Charles Scribner's Sons, New York, 1994

Norton Anthology of Experimental Poetry 1950-1990 Editor: Paul Hoover Norton, New York, 1994

Transforming Vision: Writers on Art Selected and Introduced by Edward Hirsch The Art Institute of Chicago, A Bullfinch Press Book, Boston, 1994

r' Charlie Chan Is Dead: An Anthology of Contemporary Asian-American Fiction Editor: Jessica Hagedorn Viking Penguin, NYC, NY, 1993

The Open Boat: An Anthology ofAsian American Poetty Editor: Garrett Hongo AnchorDoubleday, New York, 1992

Out Of This World: An Anthology of the St.Mark's Poetty Project Edited with an Introduction by Ann Waldman, Foreword by Allen Ginsberg Crown Publishers, Inc., New York, 1991

Chinese American Poetry: An Anthology Editors: L.Ling-chi Wang and Henry Yiheng Zhao. University of Washington Press, Seattle, 199 1

The Statement of Two Rivers Editors: Sau-Ling C. Wong, L.Ling-chi Wang, and Henry Yiheng Zhao Shanghai Literature and Art Press, Shanghai, China, 1990 (in Chinese)

P

OUT THERE: Marginalization and Contemporary Culture F . Editors: Russell Ferguson, Martha Gever, Trinh T. Minh-ha, and Come1 West

MIT Press, Cambridge, Mass, 1990

The Best American Poetry 1988 Editor: John Ashbery (Series Editor: David Lehman) Collier Books, NYC, NY. 1988

UP LATE: American Poetry Since 1970 Edited With An Introduction by Andrei Codrescu Four Walls, Eight Windows Press, NYC, NY, 1987

Ecstatic Occasions, Expedient Forms: 65 Leading Contemporary Poets Select and Comment On Their Poems Editor: David Lehman Collier Books, New York, 1987 Expanded Second Edition: U. of Michigan Press, Ann Arbor, 1997

21 + I Poetes americains d 'aujourd 'hui Edited by Emmanuel Hocquard and Claude Royet-Joumoud

P Delta, Montpellier, France 1986 (in French)

Magazine Publications: Poetry and Fiction Action Poetique (Paris), Agni Review, American Poetry Review, Central Park, Cimarron Review, Conjunctions, Cut Bank, Denver Quarterly, Disturbed Guillotine, Epoch, Fiction, Five Fingers Review, First Intensity, Grand Street, GulfCoast, Hambone, Lettre (Berlin), Lingo, Luna, Midlands Review, Notus, o-blek, Occident, Paris Review, Parkett, Partisan Review, Ploughshares, Plum Review, Provincetown Arts, Rhizome, Seneca Review, Spazio Umano (Milan), Sulfur, Voice Literary Supplement, World, Zyzzyva Poems forthcoming or recently published in Bat City Review, Cannonballs and Lilies, NO: A Journal, and 1913.

Bibliography (Selected List) Ugly Feelings Siane Ngai Harvard University Press, Cambridge, 2005

Transpacific Displacement: Ethnography, Translation, and Intertextual Travel in r- Twentieth-Century American Literature

Yunte Huang University of California Press, Berkeley, 2002

Remarkable Modernisms: Contemporary American Authors on Art Daniel Monis University of Massachusetts Press, Amherst, 2002

"A Different Sense ofpower" Problems of Community In Late Twentieth-Century US. Poetry Thomas Fink Fairleigh Dickinson University Press, 200 1

''Form and Identity in Language Poetry and Asian American Poetry" Timothy Yu Contemporary Literature, Fall 2000, Vol. 41, Number 3 University of Wisconsin Press

r' " 'Chaos Goes Uncourted': John Yau 's Dis(-)Orienting Poetics." Cohesion and Dissent in America, Edited by Carol Colatrella and Joseph Alkana Priscilla Wald State University of New York Press, Albany, 1994

Exhibitions (Selected List) 2004: Volume, New York .

"John Yau + 3" (with Ilse Murdock, Archie Rand, Alison Taylor)

2003: The Philip and Muriel Berman Museum Ursinus College, Collegeville, PA "Live On Paper" (Group Show)

2002 Kevin Bruk Gallery, Miami (Collaborations with Max Gimblett)

2001 : Ethan Cohen Fine Arts, New York (Collaborations with Max Gimblett)

1992: Feigenson-Preston, Birmingham, Michigan (Collaborations with Archie Rand)

r' 1988: University of Northern Iowa, Davenport IA

(Collaborations with Edward Henderson) P 1987: Cone Editions, New York

(Poem-Prints. Norman Bluhm and John Yau) 1987: Phyllis Kind Gallery, New York

(Collaborations with Archie Rand)

Fellowships and Awards 2006-2007 Guggenheim Fellowship in Poetry 2005 ASAP (Arcadia Summer Arts Program) Mount Desert Isle, ME 2003 New York Foundation for The Arts (Poetry Grant) 2002 Foundation for The Performance of Contemporary Art 2002 Peter S. Reed Foundation 2002 ASAP (Arcadia Summer Arts Program) 2002 Chevalier in The Order of Arts and Letters

(French Ministry of Culture) 1998 New York Foundation for the Arts (Fiction Grant) 1996 Richard Hugo Memorial Award

(Cut Bank University of Montana, Missoula, Montana) 1994 Jerome Shestack Prize (American Poetry Review) 1993 Visiting Scholar, Getty Center, Santa Monica, CA

P 1992 Co-Recipient of Brendan Gill Prize for Big City Primer. 1992 Stiflung Starke, Berlin (2 month Residency) 1992 DAAD Grant (Berlin) 1988 GE Foundation Award for Younger Writers 1988 Lavan Award for Younger Poets

(Academy of American Poets) 1988 New York Foundation for the Arts (Poetry Grant) 1985 Ingram Memll Foundation 1983 National Poetry Series (Judge: John Ashbery) 1979 Ingram Memll Foundation 1977 National Endowment for the Arts

Museum and Public Collections (Selected List) Art Institute, Chicago, IL Museum of Modem Art, New York Centre Pompidou, Paris, France Bonn Kunstmuseum, Bonn, Germany Staatliche Kunsthalle Karlsmhe, Karlsmhe, Germany Lafayette College, Easton, PA

r New York Public Library, New York, New York

Grunwald Center for the Graphic Arts, - University of California, Los Angeles Queensland Art Gallery, South Brisbane, Australia Edward Albee Foundation, New York