carla diana sketching11

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1 July 29, 2011 1 Proprietary & Confidential February 22, 2011 Making objects expressive: MAD Residency Sketching ‘11, The Franklin Institute, Philadelphia, PA July 29, 2011

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Page 1: Carla diana sketching11

1 July 29, 2011 1 Proprietary & Confidential February 22, 2011

Making objects expressive: MAD Residency Sketching ‘11, The Franklin Institute, Philadelphia, PA

July 29, 2011

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Intro

Hi! I’m Carla. Education: Cooper Union, Cranbrook Academy of Art, Pratt Client work: Associate Director, Interaction Design at Smart Design + Smart Interaction Lab Studio practice: Understanding form in an increasingly digital society Teaching: SVA, Georgia Tech, SCAD, Parsons Writing: Interactions, Core77.com, Good Housekeeping

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Intro

Some previous related projects

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The value of open-ended exploration

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About MAD Formerly the American Crafts Museum, it is now has a new building and a revised vision.

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About the residency program 6 people each quarter are invited to use the museum’s studio as their own personal work space.

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About the residency program 6 people each quarter are invited to use the museum’s studio as their own personal work space.

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My proposal The craft of interactive objects.

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Physical experience

Why interactive objects? Going from this… We are at a moment in time when the designer’s palette has exploded with options for interaction.

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To this. We are at a moment in time when the designer’s palette has exploded with options for interaction.

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Making time to tinker Thinking with one’s hands can lead to new discoveries.

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The open studio audience

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The actual experience: intense The Open Studio was really a wide open studio.

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The actual experience: intense The Open Studio was really a wide open studio.

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The actual experience: intense The Open Studio was really a wide open studio.

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The actual experience: intense The Open Studio was really a wide open studio.

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The actual experience: intense The Open Studio was really a wide open studio.

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Physical experience

The actual experience: intense The Open Studio was really a wide open studio.

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The work

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A starting place Repercussion.org is a translation of musical forms into objects.

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Tilting, bending, squeezing, and so on…

Some initial ideas

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Volume box

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Volume box Refers to repercussion. Would need to build a whole bunch to get it to be exciting.

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Tilt lamp

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Tilt lamp: sketch Elicited an “AHA” response. The interface as object was really clear. People could imagine using it and envisioned it at their bedsides or hallway entrances.

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Tilt lamp: variation Elicited an “AHA” response. The interface as object was really clear. People could imagine using it and envisioned it at their bedsides or hallway entrances.

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Tilt lamp: variation Elicited an “AHA” response. The interface as object was really clear. People could imagine using it and envisioned it at their bedsides or hallway entrances.

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Tilt lamp: sketch Elicited an “AHA” response. The interface as object was really clear. People could imagine using it and envisioned it at their bedsides or hallway entrances.

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Tilt lamp: refinement Curved bottom, tapered front to the fit a hand grip.

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Tilt lamp: refinement Curved bottom, tapered front to the fit a hand grip.

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Squeeze shape

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Squeeze shape

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Squeeze shape

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Squeeze shape

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Rhythm Bowl

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Rhythm Bowl take 1 Using a circular form to represent circular rhythm.

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Rhythm Bowl take 1 Using a circular form to represent circular rhythm.

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Rhythm Bowl take 1 Using a circular form to represent circular rhythm.

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Rhythm Bowl take 1 Using a circular form to represent circular rhythm.

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Rhythm Bowl take 1 Using a circular form to represent circular rhythm.

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Physical experience

Rhythm Bowl take 2 Exploring the grid

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Rhythm Bowl take 2 Exploring the grid

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Rhythm Bowl take 3 Exploring the grid

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Physical experience

Robots Minimal robot character forms illuminated from within

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Rhythm Bowl characters Exploring the grid

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Matrix Mask

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Matrix Mask Something fun for a busy Thursday night.

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Matrix Mask Something fun for a busy Thursday night.

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Matrix Mask Something fun for a busy Thursday night.

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Robots

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Physical experience

Robots Minimal robot character forms illuminated from within

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Robots Minimal robot character forms illuminated from within

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Robots Minimal robot character forms illuminated from within

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Robots Minimal robot character forms illuminated from within

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Robots

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Robots Minimal robot character forms illuminated from within

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Robots Minimal robot character forms illuminated from within

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Robots Minimal robot character forms illuminated from within

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Robots Minimal robot character forms illuminated from within

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Robots Minimal robot character forms illuminated from within

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Robots Minimal robot character forms illuminated from within

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Robots Minimal robot character forms illuminated from within

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Robots Minimal robot character forms illuminated from within

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Robots Minimal robot character forms illuminated from within

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Robots Minimal robot character forms illuminated from within

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Robots Minimal robot character forms illuminated from within

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Melody Man Continued refinement

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Melody Man Continued refinement

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Upcoming FastCo design online piece Sketching-y article about technology and gender

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smartinteractionlab.com Smart Interaction Lab debuting right here at Sketching 2011!

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Thank You

New York 601 West 26th Street Suite 1820 New York, NY 10001 212 807 8150

San Francisco 640 Bryant Street San Francisco, CA 94107 415 255 7490

Barcelona Passatge Sert 8 Bis 08003 Barcelona Spain +34 935 846 615

smartdesignworldwide.com

www.carladiana.com @carladiana_ www.smartdesignworldwide.com