charles mcneal compilation of licks and patterns 2014
DESCRIPTION
Compilation of Licks and Patterns 2014, compiled by Charles McnealTRANSCRIPT
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Patterns and Licks
Compiled by Charles McNeal
2014
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5 Bob Berg Lines over a "D" minor groove5 Bob Berg Lines over a "D" minor groove
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AAEE
DD
DD
DD
AA
AA
AA
EE
EE
EE
CC
DDAAEE
AAEEDDAAEEDD
AAEEDDDD
AADDAA
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50 Phrases For Jazz50 Phrases For Jazz
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CC
CC
DD
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GG
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CCGG
DDCC
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DDCC
DD
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CC
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DDCC
DD
GG
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GGDD
DDCCGG
GGDD
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2020
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GGCC
CCGGGG
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CCGGCC
GGGG
GGCC
GG
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& 44 Óœb
⁄- .œ⁄
- œ≈
œ œ+ œ œ+ œ+ œ œ œ œ+ œ œ+ œ œ+ œ œ
3
œb œb œb œb œb œn œn œ œ œn œn œb œb œ œ œb œn œ œ# œ œn œ œb œ œ œ œb œ œ œ œ œ
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œ# œ# œ œ œ# œ œ# œ œn œ œ œ# œ œ œn œ œ œ œ# œ# œ œ œ œ œ œ œœ œ# œ œ œ œ œ# œ#
11111111
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œ œ œ# œ œœ# œ œn œ œ# œ œ œ œ œ# œ œ œ œ œ# œ œ œ
œ# œ œ# œ œ œœn œ œ œ œ œ œ œ œ œb
Jœn‰ Œ
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Œ ‰œ œ# œ œn œ# œ œ œ œ œn œ# œn œ# œ# œ œ œn œ œb œ œb œn œn œb œ œb
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œ œ œ# œ œb œ œ œ œn œ œ œ .œ# œ œ œb œ œb œ œ œ œ œ œ œ œn œb œn œ œ
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œ œ œb œb œ œb œb œn œ œ œn œ œb œ œbœ# œ œ# œ œ œ œ œ
œ œ œb œb œn œ œb œ
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œ# œ# œ œ œ œ+ œ œÓ
Brecker Lick from Live in GermanyBrecker Lick from Live in GermanyBrecker Lick from Live in GermanyBrecker Lick from Live in Germany transcribed bytranscribed bytranscribed bytranscribed byCharles McNealCharles McNealCharles McNealCharles McNeal
"aaaarrrrgggghhhh......"
delayed
ritard.......... tempo...
slower.......................................
tempo.......
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DDDD
EE
FF
EE
FF
GG
AAAA
BB
CC
BB
DD
AA
EE
FF
BB
CC
AAEE
BB
CC
FF
GG
3333
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Another Sonny Stitt Lick....Another Sonny Stitt Lick....
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EE
AA
BB
FF
CC
Continue to transpose around the "circle of 5ths" on your own. Go slow!!Continue to transpose around the "circle of 5ths" on your own. Go slow!!
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Bebop Cliche Lick ala "Sonny Stitt"Bebop Cliche Lick ala "Sonny Stitt"
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BBFFEEBBGGDDBB
AA
CC
FF
EE
EE
AA
CC
CC
FF
BB
BBGG
BBFFDD
GG
CC
FF
EE
AA
DD
DDBB
BB
EE
AA
AA
CC
FF
FFEE
AAFFDDBB
FFCCAA
CCGGEE
EECCAAFF
BBAAEECC
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M. Brecker Pattern over Coltrane MatrixM. Brecker Pattern over Coltrane Matrix
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GGDDBBFFEEBBGG
DD
AA
AAFF
EECC
EEBBAA
CCBB
AAFF
FFDD
CC
EECC
AA
GGEE
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Target Tempo: Target Tempo: = 240 = 240
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Diminished Pattern Exercise: ChromaticDiminished Pattern Exercise: Chromatic
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EECCAAFF
EECCBBGG
FFDDBBAA
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Diminished Pattern 3/14/13Diminished Pattern 3/14/13
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Diminished Pattern 12/6/14Diminished Pattern 12/6/14
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GGDDBBFFEEBBGG
EE
FF
FF
EE
BB
CC
CC
AA
AA
BB
BBGG
DDAAFF
EE
EE
FFDD
CC
CC
DDBB
GG
GG
AA
EE
FF
FF
FFEE
CCBBFFDD
CCGGFF
CCGGEE
CCAAEECC
BBAAEECC
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Eric Alexander Pattern over Coltrane MatrixEric Alexander Pattern over Coltrane Matrix
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BBFFEEBBGGDDBB
BB
AA
FFDD
EECC
AAEECC
AAFF
AAFF
CCBB
CCAA
GGEEBBAA
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FFCCGGDDFFCCGGBB
EE
GG
CC
BB
DD
GG
BBFF
DD
FF
AA
CC
EE
AA
CCGG
FFCCGGDD
EE
GG
CC
BB
DD
GG
BBFF
FF
AA
DD
AA
CC
FF
CCEE
FFCCGGBB
CCGGDDAA
GGDDAAEE
CCGGDDFF
GGDDAACC44
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Hank Mobley "Rhythm Changes" LickHank Mobley "Rhythm Changes" Lick
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DDAAEEBBDDAAEEGG
AAEE
EEBB
BBFF
FFCC
BBFFCCGG
AAEE
EEBB
BBDD
FFAA
BBFFCCEE
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BBFFCCGGDD
GG
CC
FF
DD
DD
GG
CC
AA
AAEE
AA
DD
GG
EE
AA
DD
EEBB
BB
EE
AA
FF
BBFFCC
EEBB
BBFF
FFCCGG
CCAAEE
333333
333333
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inspired by Keith Oxmaninspired by Keith Oxmaniii-VI7-ii-V7 Lickiii-VI7-ii-V7 Lick
Target Tempo Target Tempo =250=250
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FFCCGGEEBB
CC
AA
GG
EE
EEBB
DDBB
BBFF
FF
CC
FFCCGG
333333
333333
3333
333333
3333
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333333
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GG
FF
BB
DD
EE
AA
FF
DDAACC
BB
EE
FF
CC
BB
FF
BB
CC
DD
FF
GG
DD
CC
GGAAAA
CCBBFFCCCC
DDAAEEGGDDEEEEGG
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A really nice Michael Brecker line over theA really nice Michael Brecker line over the last "A" Section of Rhythm Changes last "A" Section of Rhythm Changes
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BB
DD
DD
FF
A#bmiA#bmi
CCGG
AA
AA
CC
DD
EE
DD
GG
FF
AA
AA
FF
EE
AA
GGDDAAAA
EEBBFFCCEEBBCCCC
EEDDAAEEEE
BBFFCCGGBBFFGGGG
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EE
EE
BB
CC
FF
AA
DD
CC
AA
GG
GGBB
EE
EE
DD
EE
BB
FFGG
BB
CC
AA
FF
CC
AA
GG
BBAAEEBBBBCCFF
GGDDFFCCDDDD
FFEEBBFFFFCCGG
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GGFFCCGGGGDDAA
EEBBDDAABBBB
DDCCGGDDDD
EEAABBFFEE AAFFFF
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Target BPM = 290Target BPM = 290
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Michael Brecker Chromatic PatternMichael Brecker Chromatic Pattern
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EE
BB
FF
FF
BB
FF
CC
CCGG
GG
CC
DD
Transpose into remaining 8 keys on your own Transpose into remaining 8 keys on your own (you didn't expect me to do all the work for you)(you didn't expect me to do all the work for you)
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Michael Brecker ii-V7-I Lick #1Michael Brecker ii-V7-I Lick #1
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CCGGDminDmin
CCGG
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for Treble Clef Instrumentsfor Treble Clef InstrumentsMike Stern LicksMike Stern Licks
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CCGGDminDmin
CCGGDminDmin
CCGG
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CCGG
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& 44œ œ+ œb œ œ œ+ œ œnC7alt œ# œ+ œn œ+ œ œ+ œ# œ œb œ+ œ œ œn œ œ+ œ œ œ œb œ œ œ œ œ
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œ œb œ œ œb œb œb œ œ# œ œ# œ œn œ# œn œ œ œ œb œ œ œ œ œ œ œ œ œ ˙
Mike Brecker line over the 2nd "A" Section of Rhythm ChangesMike Brecker line over the 2nd "A" Section of Rhythm ChangesMike Brecker line over the 2nd "A" Section of Rhythm ChangesMike Brecker line over the 2nd "A" Section of Rhythm Changes
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GGDDAA
AA
BB
DD
EEBB
FF
AA
CC
EE
DDAAEE
EE
FF
AA
BBFF
CC
EE
GG
BB
EEBBFF
FFCCGG
BBFFCC
CCGGDD
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...by way of Cannonball Adderley...by way of Cannonball AdderleyOne of my favorite short ii-V7-I licksOne of my favorite short ii-V7-I licks
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GG
AA
AA
BB
EE
AA
FF
BB
AA
GGAAEE
GG
FFGGDD
*Phil plays this bar as a Dominant 7th chord resolving to "G"*Phil plays this bar as a Dominant 7th chord resolving to "G"
))*(D7*(D7
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Phil Woods lick from "The Theme For Star Trek"Phil Woods lick from "The Theme For Star Trek"
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CC
CC
DD
DD
AA
DD
AA
CC
BBCCGG
BB
AABBFF
*Phil plays this bar as a Dominant 7th chord resolving to "G"*Phil plays this bar as a Dominant 7th chord resolving to "G"
))
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Phil Woods lick from "The Theme For Star Trek"Phil Woods lick from "The Theme For Star Trek"
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EE
FF
FF
FF
EEEE
EE
FF
CC
CC
BB
EE
DDEEBB
DD
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FF
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GGDD
BB
AA
AA
BB
FF
EE
EE
FF
CCGG
CCGG
DDAA implies an Ebmi (tri tone sub)implies an Ebmi (tri tone sub)
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Tri-tone sub for a VI7-ii resolution (John Coltrane)Tri-tone sub for a VI7-ii resolution (John Coltrane)
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EEBB
EE
FF
BB
CC
FFCC
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ETC...ETC...
ETC...ETC...
ETC...ETC...
ETC..ETC..
ETC...ETC...
Diminished (expanded into a chord) descending in minor thirds (Diminished Scale)Diminished (expanded into a chord) descending in minor thirds (Diminished Scale)
Diminished (expanded into a chord) ascending in minor thirds (Diminished Scale)Diminished (expanded into a chord) ascending in minor thirds (Diminished Scale)
Augmented Triad descending in whole steps (Whole Tone Scale)Augmented Triad descending in whole steps (Whole Tone Scale)
Augmented Triad ascending in whole steps (Whole Tone Scale)Augmented Triad ascending in whole steps (Whole Tone Scale)
ETC...ETC...
Major Triad descending in half stepsMajor Triad descending in half steps
Major Triad ascending in half stepsMajor Triad ascending in half steps
Basic Triad MotifBasic Triad Motif44
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Basic Triad Motif realized 6 waysBasic Triad Motif realized 6 ways