WALKING SCULPTURE

TOUR

MUSEUM HOURSTuesday: 10 a.m. – 7 p.m.

Wednesday – Friday: 10 a.m. – 4 p.m.Saturday/Sunday: Noon – 5 p.m.

CLOSEDMondays, major holidays, and during installations

FREE ADMISSION

Courtesy of PNC Financial Services Group

PARKINGLimited parking adjacent to the museum

Free SunTrust Plaza parking with validation at the Museum

MUSEUM AUDIO GUIDEVisit https://cfam.oncell.com/en/index.html

Visit rollins.edu/CFAM for more information.

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Jun Kaneko (Japanese, b. 1942), Untitled, Glazed ceramic, 2003, Gift of Alan Ginsburg. 2017.17

This 2003 sculpture, from Jun Kaneko’s Head series, is exemplary of the large ceramic works for which the artist is perhaps best known. Kaneko is one of the only artists in the world to produce and glaze by hand ceramics at this scale.

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Olaf Breuning (Swiss, b. 1970), Tired, Powder coated steel, 2013, The Alfond Collection of Contemporary Art at Rollins College, Gift of Barbara ’68 and Theodore ’68 Alfond. 2013.34.169

In Olaf Breuning’s work, the artist’s sense of humor often takes center stage. This sculpture comically questions the duration of the figure’s tiresome upright position through its inclusion of language.

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Jane Manus (American, b. 1951), Girl’s Night Out, Painted aluminum, Museum purchase from the Wally Findlay Acquisitions Fund. 1991.18

Jane Manus’ work is characterized by an extensive collection of welded and painted aluminum forms. Although her body of work is almost entirely abstract, each sculpture maintains a unique identity and personality.

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Michael Steiner (American, b. 1945), Barbaric, Weathered steel, 1990, Gift of Emmett McTigue. 1998.18

Michael Steiner has referred to his creations as “primary structures,” referencing the sharp and often rusted geometric edges that compose his sculptural artifacts. This sculpture predicts later developments in the artist’s career, such as a general movement away from planar surfaces and towards curved forms.

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James Rosburg (American, b. 1957), Navigator, Weathered steel, 1994, Gift of Helen A. DeGray. 1998.1

James Rosburg intends for his artwork to confound human perspective. This sculpture is meant to be viewed from multiple angles, and generates unique profiles from each side.

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STOP 7Jaume Plensa (Spanish, b. 1955), The Hermit XI, Stainless steel and stone, 2012, The Alfond Collection of Contemporary Art at Rollins College, Gift of Barbara ’68 and Theodore ’68 Alfond. 2013.34.34

Many of Jaume Plensa’s large public sculptures allow for the viewer to step inside a shell of letters and characters molded into the outline of a human form. Here, the artist combines the alphabets of eight separate languages in the shape of a meditating figure.

Joseph Kosuth (American, b. 1945), ‘No Number 3’ [warm white, large version], Neon, 1991, The Alfond Collection of Contemporary Art at Rollins College, Gift of Barbara ’68 and Theodore ’68 Alfond. 2013.34.100

A landmark artwork in The Alfond Collection of Contemporary Art, Joseph Kosuth’s No Number 3 [warm white, large version] can be witnessed twice, once on the edifice of CFAM and again over the front desk of The Alfond Inn. These multiple installations of the same work are characteristic of Kosuth’s approach to conceptual art.

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