commitment on the part of native instruments gmbh. the … · 2019-02-22 · the information in...

GETTING STARTED

The information in this document is subject to change without notice and does not represent acommitment on the part of Native Instruments GmbH. The software described by this docu-ment is subject to a License Agreement and may not be copied to other media. No part of thispublication may be copied, reproduced or otherwise transmitted or recorded, for any purpose,without prior written permission by Native Instruments GmbH, hereinafter referred to as NativeInstruments.

“Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru-ments GmbH.

ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media TechnologiesGmbH.

All other product and company names are trademarks™ or registered® trademarks of their re-spective holders. Use of them does not imply any affiliation with or endorsement by them.

Document authored by: David Gover, Nicolas Sidi

Software version: 2.8 (02/2019)

Hardware version: MASCHINE STUDIO

Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, butin making this a better product.

Disclaimer

NATIVE INSTRUMENTS GmbHSchlesische Str. 29-30D-10997 BerlinGermanywww.native-instruments.de

NATIVE INSTRUMENTS North America, Inc.6725 Sunset Boulevard5th FloorLos Angeles, CA 90028USAwww.native-instruments.com

NATIVE INSTRUMENTS K.K.YO Building 3FJingumae 6-7-15, Shibuya-ku,Tokyo 150-0001Japanwww.native-instruments.co.jp

NATIVE INSTRUMENTS UK Limited18 Phipp StreetLondon EC2A 4NUUKwww.native-instruments.co.uk

NATIVE INSTRUMENTS FRANCE SARL113 Rue Saint-Maur75011 ParisFrance

www.native-instruments.com

SHENZHEN NATIVE INSTRUMENTS COMPANY Limited5F, Shenzhen Zimao Center

111 Taizi Road, Nanshan District, Shenzhen,Guangdong

China

www.native-instruments.com

© NATIVE INSTRUMENTS GmbH, 2019. All rights reserved.

Contact

http://www.native-instruments.de

http://www.native-instruments.com

http://www.native-instruments.co.jp

C:\Users\christian.schulz\AppData\Local\Temp\ST4\Word\www.native-instruments.com

Table of Contents1 Welcome to MASCHINE .............................................................................................9

1.1 Documentation Overview ............................................................................................................ 10

1.1.1 In This Document ....................................................................................................... 11

1.1.2 Document Conventions .............................................................................................. 12

2 First Steps ................................................................................................................16

2.1 Loading a Drum Kit from the Factory Library .............................................................................. 17

2.2 Playing with the Pads ................................................................................................................. 21

2.3 Recording Your First Pattern ....................................................................................................... 23

2.4 Playing with Your Pattern ........................................................................................................... 25

2.4.1 Using Solo and Mute .................................................................................................. 25

2.4.2 Using Note Repeat ..................................................................................................... 27

2.5 Saving Your Project .................................................................................................................... 28

2.6 To Sum Up… .............................................................................................................................. 29

3 Building Your Own Drum Kit .......................................................................................30

3.1 Opening Your Project .................................................................................................................. 30

3.2 Customizing Your Drum Kit ......................................................................................................... 34

3.2.1 Selecting Another Snare Sample ................................................................................ 34

3.2.2 Loading a Drumsynth ................................................................................................ 37

3.2.2.2 Loading a Drumsynth into a Plug-in List on the Controller ........................41

3.2.3 Adjusting Volume, Swing and Tempo ......................................................................... 43

3.2.4 Changing the Color of Your Sounds ........................................................................... 46

3.2.5 Moving your Sounds and Groups ................................................................................ 48


3.4 To Sum Up… .............................................................................................................................. 49

Table of Contents

MASCHINE STUDIO - Getting Started - 4

4 Creating Beats ..........................................................................................................51

4.1 Fine-tuning your First Pattern ..................................................................................................... 51

4.1.1 Your Pattern in the Software ...................................................................................... 52

4.1.2 Doubling the Pattern and Adding a Variation ............................................................ 53

4.1.3 Quantizing the Rhythm .............................................................................................. 54

4.2 Adding a Second Pattern ............................................................................................................ 57

4.2.1 Selecting a Pattern Slot ............................................................................................. 57

4.2.2 Adjusting the Pattern Length ..................................................................................... 58

4.2.3 Recording a New Pattern Using the Count-in ............................................................ 60

4.2.4 Switching Patterns .................................................................................................... 61

4.3 Editing Patterns in the Software ................................................................................................. 61


4.5 To Sum Up… .............................................................................................................................. 63

5 Adding a Bass Line ....................................................................................................64

5.1 Selecting Another Group ............................................................................................................. 65

5.2 Renaming and Coloring the Group .............................................................................................. 67

5.3 Using an Instrument Plug-in for the Bass .................................................................................. 68

5.3.1 Browsing the MASSIVE Presets .................................................................................. 69

5.3.2 Switching to Keyboard Mode ...................................................................................... 73

5.3.3 Adjusting the Root Note for the Pads ......................................................................... 75

5.4 Recording a Bass Line ................................................................................................................ 76

5.4.1 Recording a Bass Pattern .......................................................................................... 76

5.4.2 Recording Another Bass Pattern ................................................................................ 77

5.4.3 Loading an Additional Bass Sound ............................................................................ 77

5.5 Accessing the Plug-in Parameters .............................................................................................. 78


Table of Contents


5.7 To Sum Up… .............................................................................................................................. 82

6 Applying Effects ........................................................................................................83

6.1 Loading Effects .......................................................................................................................... 84

6.2 Playing with Effects .................................................................................................................... 88

6.2.1 Adjusting the Effect Parameters ................................................................................ 89

6.2.2 Practice Makes Perfect! ............................................................................................. 90

6.2.3 Bypassing Effects ...................................................................................................... 91

6.3 Modulating Effect Parameters .................................................................................................... 93

6.3.1 Recording Modulation ................................................................................................ 93

6.3.2 Editing Modulation .................................................................................................... 95


6.5 To Sum Up… .............................................................................................................................. 96

7 Creating Beats with the Step Sequencer .....................................................................98

7.1 Building Up a Beat in Step Mode ................................................................................................ 99

7.1.1 Using Step Mode ........................................................................................................ 99

7.1.2 Adjusting the Pattern Length in Step Mode ............................................................... 100

7.1.3 Recording Modulation in Step Mode .......................................................................... 101

7.1.4 A Few Notes on Step Mode ......................................................................................... 103

7.2 Adjusting the Step Grid .............................................................................................................. 104


7.4 To Sum Up… .............................................................................................................................. 107

8 Creating Scenes ........................................................................................................109

8.1 Working with Scenes ................................................................................................................... 109

8.2 Assigning Patterns to Scenes ..................................................................................................... 110

8.3 Managing Scenes ....................................................................................................................... 113

8.3.1 Renaming and Coloring Scene Slots .......................................................................... 114

Table of Contents


8.3.2 Duplicating and Deleting Scenes ............................................................................... 114

8.4 To Sum Up… .............................................................................................................................. 116


9 Creating an Arrangement ...........................................................................................118

9.1 Accessing Song view .................................................................................................................. 118

9.1.1 Creating your First Section ........................................................................................ 120

9.1.2 Assigning a Scene to a Section .................................................................................. 121

9.2 Managing Sections ..................................................................................................................... 122

9.2.1 Adjusting the Length of a Section .............................................................................. 122

9.2.1.1 Adjusting the Length of a Section Using the Software ...............................123

9.2.1.2 Adjusting the Length of a Section Using the Controller .............................124

9.2.2 Duplicating and Removing Sections .......................................................................... 125

9.3 Selecting a Loop Range .............................................................................................................. 127


9.5 To Sum Up… .............................................................................................................................. 129

10 Playing Live ..............................................................................................................130

10.1 Performing with Scenes and Sections using the Pads ................................................................ 130

11 Quick Reference ........................................................................................................134

11.1 Using Your Controller .................................................................................................................. 134

11.1.1 Controller Modes and Mode Pinning .......................................................................... 134

11.1.2 Controlling the Software Views from Your Controller ................................................. 136

11.2 MASCHINE Project Overview ........................................................................................................ 138

11.2.1 Sound Content ........................................................................................................... 138

11.2.2 Arrangement .............................................................................................................. 140

11.3 MASCHINE Hardware Overview ................................................................................................... 143

11.3.1 MASCHINE STUDIO Hardware Overview ...................................................................... 143

Table of Contents


11.3.1.1 CONTROL Section .......................................................................................145

11.3.1.2 I/O and Level Section .................................................................................147

11.3.1.3 PERFORMANCE Section ..............................................................................149

11.3.1.4 GROUPS Section ........................................................................................150

11.3.1.5 TRANSPORT Section ...................................................................................150

11.3.1.6 PADS Section .............................................................................................152

11.3.1.7 EDIT Section ..............................................................................................155

11.4 MASCHINE Software Overview ..................................................................................................... 158

11.4.1 Header ....................................................................................................................... 159

11.4.2 Browser ..................................................................................................................... 161

11.4.3 Arranger .................................................................................................................... 163

11.4.4 Control Area ............................................................................................................... 166

11.4.5 Pattern Editor ............................................................................................................ 167

12 Troubleshooting ........................................................................................................169

12.1 Knowledge Base ......................................................................................................................... 169

12.2 Technical Support ....................................................................................................................... 169

12.3 Registration Support .................................................................................................................. 170

12.4 User Forum ................................................................................................................................. 170

13 Glossary ...................................................................................................................171

Index ........................................................................................................................179

Table of Contents


1 Welcome to MASCHINE

Thank you for buying MASCHINE!MASCHINE is essentially the synergy of the MASCHINE controller hardware and the MA-SCHINE software combining the advantages of both worlds for making music, live as well as inthe studio. The intuitive, hands-on qualities of a dedicated Instrument, the MASCHINE con-troller, with the advanced editing features and the versatility of the MASCHINE software turn itinto the creative center of your musical productions.

You can create tight rhythms, harmonies and melodies — the highly enjoyable instrumentcombines a pattern-based sequencer, professional sampler, multiple studio and creative ef-fects, and VST/AU plug-in host. Everything is intuitively controllable via the fully integratedhardware — once you touch the tactile controller the fun and intuitive workflow takes over, al-lowing you to stay focused on your music.

Since you can integrate it in any DAW that supports VST, Audio Units or the AAX format withmultiple instances, you can profit from its abilities in almost any software setup or use it as astand-alone application. You can sample your own material, slice loops and rearrange themeasily turning your ideas into full productions.

However, MASCHINE is a lot more than an ordinary drum machine or sampler: It comes withan 8-gigabyte Library programmed and created by well-known artists and a sophisticated, yeteasy to use tag-based Browser to give you instant access to the sounds you are looking for. Butit doesn’t stop there! You can create your own sounds and samples or use MASCHINE EXPAN-SION packs, available for purchase from the Native Instruments website to further enhanceyour library of sounds.

You can also control your external MIDI Hardware and Software with the MASCHINE controllerand customize the functions of the pads, knobs and buttons to your needs, utilizing the Con-troller Editor Application.

We hope you enjoy the MASCHINE playground as much as we do. Now let’s get going!

Welcome to MASCHINE


1.1 Documentation Overview

Native Instruments provide many information sources regarding MASCHINE. The main docu-ments should be read in the following sequence:

1. MASCHINE Getting Started (this document): The MASCHINE Getting Started guide providesa practical approach to MASCHINE via a set of tutorials covering simple tasks in order tohelp you familiarize yourself with MASCHINE.

2. MASCHINE Manual: The MASCHINE Manual provides you with a comprehensive descrip-tion of all MASCHINE software and hardware features.

Additional documentation sources provide you with details on more specific topics:

▪ Controller Editor Manual: Besides using your MASCHINE hardware controller together withits dedicated MASCHINE software, you can also use it as a powerful and highly versatileMIDI controller to pilot any other MIDI-capable application or device. This is made possibleby the Controller Editor software, an application that allows you to precisely define all MIDIassignments for your MASCHINE controller. The Controller Editor was installed during theMASCHINE installation procedure. For more information on this, please refer to the Con-troller Editor Manual available as a PDF file via the Help menu of Controller Editor.

▪ Online Support Videos: You can find a number of support videos on The Official Native In-struments Support Channel under the following URL: https://www.youtube.com/NIsupport-EN. We recommend that you follow along with these instructions while the respective ap-plication is running on your computer.

Other Online Resources: If you are experiencing problems related to your Native Instrumentsproduct that the supplied documentation does not cover, there are several ways of getting help:

▪ Knowledge Base

▪ User Forum

▪ Technical Support

▪ Registration Support

You will find more information on these subjects in the chapter ↑12, Troubleshooting.

Welcome to MASCHINE

Documentation Overview


https://www.youtube.com/NIsupportEN

https://www.youtube.com/NIsupportEN

MASCHINE documents are available in PDF. You can also access these documents from the appli-cation’s Help menu or the following location:www.native-instruments.com.

Please check the Native Instruments website regularly for up-to-date and localized versions of thesedocuments.

1.1.1 In This Document

What you are reading now is the MASCHINE Getting Started. This document consists of a setof tutorials that will guide you through common workflows in MASCHINE. Please follow thesetutorials in the described order. You will learn a little something in each of them which will beessential later on. On the way, you will get to know the main objects and concepts of MA-SCHINE. After reading this, you should have the basic know-how allowing you to make musicwith MASCHINE!

Even if you’re already familiar with MASCHINE, all tutorials are worth a read as every chapter mayhave little workflow hints of which you weren’t aware. Should you wish to revise a specific task cov-ered in a later tutorial, be sure to check the prerequisites listed at the beginning of each chapter!

This document is structured as follows:

▪ The first part is this introduction.

▪ The second part holds the tutorials:

◦ Chapter ↑2, First Steps: Load a drum kit from the factory library via the Browser, playthis kit with the pads and use it to record a simple rhythmic pattern — all this usingyour MASCHINE controller only.

◦ Chapter ↑3, Building Your Own Drum Kit: Customize your drum kit by quickly ex-changing some of its sounds via the Browser and by adjusting some of the sounds’ ba-sic settings.

◦ Chapter ↑4, Creating Beats: Record a second pattern and discover how to fine-tuneyour patterns.

Welcome to MASCHINE



◦ Chapter ↑5, Adding a Bass Line: Add a bass line to your song using a VST/AU instru-ment plug-in in MASCHINE.

◦ Chapter ↑6, Applying Effects: Add effects to the various instruments in your song andquickly automate the effect parameters.

◦ Chapter ↑7, Creating Beats with the Step Sequencer: Create a Pattern, this time withthe step sequencer, which is another great way of creating grooves from your control-ler.

◦ Chapter ↑8, Creating Scenes: Arrange your Patterns into Scenes and play them live.

◦ Chapter ↑9, Creating an Arrangement: Assign your Scenes to Sections and Arrangeyour song.

▪ The third and last part consists of useful global information on MASCHINE to be used atany time:

◦ Chapter ↑11, Quick Reference provides you with a quick reference of the MASCHINEhardware controller and the MASCHINE software. It gives you a good overview of themain concepts and features of MASCHINE, along with lists of hardware shortcuts forvarious tasks. You can use it as a quick reminder before you dive into the MASCHINEManual.

◦ Chapter ↑12, Troubleshooting gathers useful information for troubleshooting and get-ting help.

◦ Chapter ↑13, Glossary holds definitions of all the important terms and concepts usedin MASCHINE.

1.1.2 Document Conventions

This section introduces you to the signage and text highlighting used in this document. Thisdocument uses particular formatting to point out special facts and to warn you of potential is-sues. The icons introducing these notes let you see what kind of information is to be expected:

Whenever this exclamation mark icon appears, you should read the corresponding note carefully andfollow the instructions and hints given there if applicable.

Welcome to MASCHINE



This light bulb icon indicates that a note contains useful extra information. This information mayoften help you to solve a task more efficiently, but does not necessarily apply to the setup or operat-ing system you are using; however, it’s always worth a look.

Furthermore, the following formatting is used:

▪ Text appearing in (drop-down) menus (such as Open…, Save as… etc.) and paths to loca-tions on your hard drive or other storage devices is printed in italics.

▪ Text appearing elsewhere in the software (labels of buttons, controls, text next to checkbox-es etc.) is printed in blue. Whenever you see this formatting applied, you will find the sametext appearing somewhere on the screen.

▪ Text appearing on labels of the MASCHINE controller is printed in orange. Whenever yousee this formatting applied, you will find the same text on the controller.

▪ Text appearing on the display(s) of your controller is printed in gray. Whenever you see thisformatting applied, you will find the same text on the controller’s display(s).

▪ Important names and concepts are printed in bold.

▪ References to keys on your computer’s keyboard are in square brackets (e.g., “Press [Shift]+ [Return]”).

► Single instructions are introduced by this play button type arrow.

→ Results of actions are introduced by this smaller arrow.

Naming Convention

Throughout the documentation we will refer to MASCHINE controller (or just controller) as thehardware controller and MASCHINE software as the software installed on your computer.

The term “effect” is sometimes be abbreviated as “FX” when referring to elements in the MA-SCHINE software and hardware. These terms have the same meaning.

Button Combinations and Shortcuts on the Controller

Most instructions will use the “+” sign to indicate buttons (or buttons and pads) that must bepressed simultaneously, starting with the button indicated first. E.g., an instruction such as:

“Press SHIFT + PLAY” means:

Welcome to MASCHINE



1. Press and hold SHIFT.

2. While holding SHIFT, press PLAY and release it.

3. Release SHIFT.

Displayed Products

Some images displayed in this document include products from the KOMPLETE and KOM-PLETE ULTIMATE series. These products are not included with MASCHINE.

For more information on KOMPLETE and KOMPLETE ULTIMATE please visit the Native Instru-ments website.

Unlabeled Buttons and Knobs on the Controller

The buttons and knobs above and below the displays on your MASCHINE STUDIO controller donot have labels (all other elements on the controller do).

The unlabeled buttons and knobs on the MASCHINE STUDIO controller.

Welcome to MASCHINE



For better reference, we applied a special formatting here: throughout the document, the ele-ments are capitalized and numbered, so the buttons are written Button (1–8), while the knobsare written Knob (1–8). For example, whenever you see an instruction such as “Press Button 2to open the EDIT page,” you’ll know it’s the second button from the left above the displays.

Welcome to MASCHINE



2 First Steps

In this first tutorial, you will load a drum kit from the factory library, play it with the pads andrecord a simple rhythmic pattern.

For a complete overview of MASCHINE and its controls, please see section ↑11, Quick Reference.

Prerequisites

Please carefully follow the instructions of the Setup Guide which can be downloaded in PDFformat from the Native Instruments website. Once you have followed the Setup Guide, MA-SCHINE should be installed on your computer, its basic audio settings correctly configured,and the hardware controller connected to your computer. If this is not the case, please returnto the Setup Guide for more information before going any further.

► Please start MASCHINE via one of the usual ways on your operating system — for exam-ple, by double-clicking the alias placed on your desktop during the installation procedure.

A Project in MASCHINE

In MASCHINE, your whole song (or track) is called Project. A Project consists of all sounds,instruments, effects, settings, along with all arrangement information you will create — in oth-er words, a Project holds everything defining your song.

► If you already started testing MASCHINE, please start again with a blank, new Project byclicking the File menu and choosing New or by using the shortcut [Ctrl] + [N] ([command]+ [N] on macOS).

First you will learn how to load a drum kit using the MASCHINE software and then use yourhardware controller to carry out the same procedure.

For a complete overview of a MASCHINE Project, please see section ↑11.2, MASCHINE ProjectOverview.

First Steps


2.1 Loading a Drum Kit from the Factory Library

First you will choose a complete drum kit from the huge factory library included with MA-SCHINE, and load it using the MASCHINE Browser. The Browser is your tool for finding, tag-ging and categorizing all types of objects used in MASCHINE.

A drum kit basically consists of several instruments — called Sounds in MASCHINE terminolo-gy. Those Sounds are put together into a Group, which represents the complete kit. In addition,A MASCHINE Project can have any number of Groups which are organized into Banks. The firstGroup bank is labeled A1 to H1 in the MASCHINE software and the second is labeled A2 toH2, the third A3 to H3, and so on. So let’s look for a nice kit and load it into Bank 1 Group Awhich is selected by default when you start a new Project.

2.1.1 Loading a Drum Kit from the Factory Library in the MASCHINE Software

In the MASCHINE software, the Browser is found in the left part of the window.

If you cannot see the Browser in the MASCHINE software, click the magnifying glass icon inthe Header at the top of the MASCHINE window in order to show the Browser:

Enable the magnifying glass to display the Browser.

To load a drum kit, do the following:

1. Click the Library tab to open the Library pane.

First Steps

Loading a Drum Kit from the Factory Library


2. Click the Group icon to get a list of all available drum kits in the Library:

3. Make sure the Content selector to the right is unlit, so you only see Native Instrumentsfactory content:

4. In the TYPES filter, select the Kits.

⇨ The Browser will then display only kits in the Result list:

First Steps



5. Select the Urban Kit sub-type tag below to further refine your search.

6. Scroll down the Result list and double-click EK-TL A Kit to load this drum kit into GroupA:

2.1.2 Loading a Drum Kit from the Factory Library Using the Controller

On your controller, do the following:

1. Press button A on the left of your controller to select the first Group slot. This is whereyou are going to load our drum kit. Button A should be lit to indicate that it is selected.

2. Press the BROWSE button at the top left of your controller.The BROWSE button lights up. In the left display, you now are presented with a selectionof choices.

First Steps



3. Press Button 1 or Button 2 above the displays to select GROUPS.

By selecting this, a list of Groups will become visible on the right display.

4. Check that Button 4 above the displays is not fully lit and that the USER label underneathis not highlighted — if necessary, press Button 4 to disable it.This will now allow you to select only Native Instruments factory content.

5. Turn Knob 5 until Kits is selected, so that only drum kits are shown on the right display.

6. Turn Knob 6 until Urban Kit is selected, this will further reduce the results list on theright display to the kits of that sub-type.

7. Turn the jog wheel (the bigger knob with a bright LED ring on the right of your controller)or Knob 8 (under the right display) to scroll down the list until EK-TL A KIT is selected.

First Steps



8. Now press SHIFT + Button 4 above the displays so that +PATTERNS is deselected (theButton must be off — this will be explained in more detail later).

9. Press the jog wheel or Button 8 (above the displays) to load the selected entry.

→ The drum kit is loaded into the Group A.

For the last step, let’s leave the Browser and get back to the default Control mode of your con-troller:

► Press the lit BROWSE button to leave the Browser (the button is unlit).

That’s it! You just loaded a drum kit into a Group. It is now ready to be played from the pads,as you will see in the next section.

The process of loading from the Browser is the same for all kinds of objects: In the Browser, afterchoosing the desired object (Project, Group, Sound, etc.), you choose between factory and user con-tent, you optionally select a particular product (or product category), the desired content, type, andsubtype, then you scroll through the result list and select an object for loading.

2.2 Playing with the Pads

As soon as a Group is loaded (here the EK-TL A Kit) and the corresponding Group slot selected(here Group slot A), this Group can be played from the pads on your controller. Each pad trig-gers one of the Sounds included in the Group.

► Play the pads to get the feel of your controller: reactivity, sensitivity to the force you applywhile playing (called velocity), etc.

First Steps

Playing with the Pads


If you don’t hear any sound when playing on your pads, check that none of the buttons in the col-umn to the left of the pads is accidentally lit (if any button is lit, press it to disable it).

While playing, take a look at your pads. You will note the following:

▪ When you press a pad, it flashes and then stays fully lit.

▪ At any time, only one pad is fully lit. This is the pad you pressed last.

▪ All other pads are half lit to indicate that they are loaded with a Sound ready to be played.

▪ An unlit pad would indicate that it has no Sound loaded — hence, pressing it would nothave any effect.

While playing on the pads, focus now on the eight Group buttons on the left of your controller.You will note the following:

▪ All Group buttons except button A and B are off, indicating that they are not loaded withanything.

▪ Button A is fully lit, indicating that Group A is selected. This means that the pads currentlytrigger the Sounds of this Group.

▪ Group button B is dim lit in white, indicating it is the next group to be created when se-lected.

As you can see, MASCHINE communicates in both directions: The commands you give via thepads and buttons control the software, but the software also communicates information backto you via the display and the LEDs.

► Select Group A again by pressing button A and continue playing on the pads to get famili-ar with them.

When you feel ready, move on to the next section, where you can record a little rhythmic pat-tern using this drum kit!

First Steps

Playing with the Pads


2.3 Recording Your First Pattern

Now that you feel comfortable with the pads, let’s use them to live record some rhythm into aPattern. A Pattern is a recorded sequence of notes played on the Sounds of the current Group.In each Group you can have an unlimited number of Patterns which are grouped into Patternbanks containing up to 16 Patterns each.

In addition to recording your own Patterns, you can also add audio loops to your Project. For moreinformation on how to add audio loops to your Project, and to learn about the MASCHINE Audioplug-in, refer to the MASHINE Manual.

You can now use the transport controls, which are located at the bottom left of your controller:

The TRANSPORT section on your controller (here while recording).

1. Press PLAY to start the sequencer.

2. Press METRO to activate the metronome so you get a rhythmical reference.

3. Play along to the metronome to get a feel for the tempo.

First Steps

Recording Your First Pattern


4. If you’d like to increase or decrease the tempo to make your playing feel more comforta-ble, press the TAP button at the left of the controller (the button lights up) and turn thejog wheel (the jog wheel lights up) to set your desired tempo. Alternatively, you can alsoset the tempo by repeatedly pressing the TAP button.

→ The tempo value is indicated in the left display:

You can also adjust the volume of the metronome by pressing SHIFT + GRID and turning Knob 1.

It is recommended that you to start with a simple sequence using a few Sounds only (e.g., the kickand the snare on pads 1 and 2). You will have the possibility to enrich your Pattern later.

To start recording:

1. With the sequencer playing, press REC to enter recording mode.REC lights up red.

2. Play the desired rhythm on the pads. By default, the recorded Pattern is one bar long.Your playing is recorded and directly played in a loop. As long as you don’t press PLAYagain, the new Pattern keeps playing.

3. Press REC again to stop recording.

→ You just created your first Pattern!

You can now deactivate the metronome by pressing METRO again and listen to your newly cre-ated rhythm.

► To stop the sequencer, press PLAY again.

First Steps

Recording Your First Pattern


Quick Edits on Your Pattern

At any time, you can undo your last recording by pressing UNDO, whether you are currently re-cording or not. You can redo it by pressing REDO.

The undo and redo commands are global in MASCHINE: Almost any action in MASCHINE can beundone/redone.

At any time, you can enrich your Pattern by activating PLAY and REC again, and playing thepads. This way, you can progressively build up a complex Pattern step by step.

2.4 Playing with Your Pattern

Now that you have a nice Pattern, let’s introduce a few powerful tools for playing your Patternlive.

2.4.1 Using Solo and Mute

Mute can be used to bypass a Sound or Group, whereas Solo is the opposite: Solo will mute allother Sounds in the Group, or all other Groups in the Project, so a selected Sound, or Groupcan be heard alone. The combination of both is a useful means to play live and to test differ-ent sequences together.

When used on Sounds, the Solo only applies to the current Group: The Sounds in other Groupswill not be affected.

2.4.1.1 Using Solo and Mute in the MASCHINE Software

Soloing a Sound

► To solo a Sound, right-click the number on the left side of the Sound slot in the PatternEditor.

First Steps

Playing with Your Pattern


Soloing the first kick Sound.

► To unsolo a Sound, right-click the number again.

Muting a Sound

► To mute a Sound, click the number on the left side of the Sound slot in the Pattern Edi-tor.

Muting a Sound.

► To unmute the Sound, click the number again.

By default, the Mute on Sounds is an event mute: events for muted Sounds are not triggered, butthe audio coming from previous events might still be audible (reverb tail, etc.). You can also acti-vate audio mute for Sounds to mute both events and audio. See the MASCHINE Manual for moreinformation.

2.4.1.2 Solo and Mute Sounds on Your Controller


2. Hold the MUTE button at the bottom of your controller.

3. While holding MUTE, press pad 1.

First Steps



4. While holding MUTE, press a few other pads to mute their Sound to your liking.

5. While holding MUTE, press pad 1 again.

6. While holding MUTE, press the muted pads to bring their Sounds back.

7. Release MUTE.

8. Now hold the SOLO button (just above MUTE).

9. While holding SOLO, press pad 1.

10. Now release SOLO and hold MUTE again.

11. Press the half-lit pads one by one, progressively bringing each drum back in the mix.

→ The combination of muting and soloing Sounds allows you to create effective breaks onthe fly.

You can also solo and mute whole Groups by holding SOLO or MUTE and pressing the desiredGroup button A–H; since you only have one Group loaded, it would not make much sense yet.

2.4.2 Using Note Repeat

Note Repeat is a really handy way to play and program beats: it plays the selected Sound ornote repeatedly at a given rate. You just need to hold a pad and its Sound/note will be steadilyrepeated until you release the pad.

▪ When using Note Repeat all pads will be both velocity and pressure sensitive, allowing forexpressive drum rolls or dynamic basslines.

▪ Note Repeat is a great way to play percussion and drums live to create build-ups andbreaks.

▪ Note Repeat can also come in handy to quickly record a regular beat when creating Pat-terns.

▪ Note Repeat is also interesting to use with tonal Sounds and you can access it from Key-board mode to create synthesizer-like arpeggios.

Note Repeat can only be enabled using the controller.

First Steps



1. Check that your Pattern is playing — if not, press PLAY to start the sequencer.

2. Hold the NOTE REPEAT button.

3. While holding NOTE REPEAT, hold any pad.The Sound of the pad is repeatedly triggered at the rate shown at the bottom of the con-troller’s display.

4. While holding NOTE REPEAT, press Button 5, 6, 7 or 8 above the right display to selectanother repetition rate.

→ This is a handy way to add live ornaments to your Pattern!

Of course you can also use Note Repeat to program your Pattern (e.g., recording a continuous hi-hat).

2.5 Saving Your Project

A drum groove is an ideal starting point for the creation of a song. All the instruments you re-cord afterwards will be based on the feeling of that rhythm. Before you get to adding new ele-ments and editing your Pattern, you should save your work right away.

Saving your Work for the First Time in the MASCHINE Software

1. Click File.

2. Click Save.

⇨ The Save Project As dialog opens.

3. On your computer keyboard, type a name (e.g., “My First Project”) in the field and press[Enter] to confirm.

→ Your Project with its new Pattern is now saved on your hard disk. If you close MASCHINEor open another Project, you will still be able to open this Project later.

Saving your Work for the First Time on the Controller

1. To save your modifications to the Project, press SHIFT + ALL.

First Steps

Saving Your Project


⇨ A message will appear on your controller that asks you to look at the MASCHINE software.Since our current Project was not saved yet, MASCHINE asks you to name it before sav-ing. For this, you need to get back to your computer. A Save Project As dialog opened andis waiting for your input.

2. On your computer keyboard, type a name (e.g., “My First Project”) in the field and press[Enter] to confirm.

→ Your Project with its new Pattern is now saved on your hard disk. If you close MASCHINEor open another Project, you will still be able to open this Project later.

2.6 To Sum Up…

In this first tutorial, you have learned to:

▪ Load a Group using the Browser.

▪ Use the pads to play the Sounds of that Group.

▪ Record a simple Pattern with that Group.

▪ Use the Mute, Solo and Note Repeat features to create variations on the fly.

▪ Save the current Project for a later use.

Once you feel comfortable with these tasks, please proceed to the next tutorial, where you willcustomize your drum kit, and have a closer look at the MASCHINE software user interface.

First Steps

To Sum Up…


3 Building Your Own Drum Kit

In this tutorial, you will exchange some of the Sounds of your drum kit, and adjust a few set-tings for your Project and your Group. On the way, you will discover some features of the MA-SCHINE software user interface.

Prerequisites

It is assumed here that you have followed the previous tutorial. In particular, you already knowhow to:

▪ Load a Group using the Browser.

▪ Use the pads to play the Sounds of that Group.

▪ Record a simple Pattern with that Group.

▪ Save the current Project for a later use.

If you have any doubts about these tasks, please refer to chapter ↑2, First Steps before pro-ceeding!

3.1 Opening Your Project

If for any reason your tutorial Project is not currently open in MASCHINE (e.g., you opened an-other Project in the meantime), you first need to open it again. You can do this with the con-troller or in the software, for example using the MASCHINE Browser.

If you closed MASCHINE and started it again, your last Project should automatically load by de-fault. If you changed this setting, follow these instructions to load the tutorial Project again!

If the tutorial Project is already open in MASCHINE, you can skip to section ↑3.2, CustomizingYour Drum Kit.

Building Your Own Drum Kit

Opening Your Project


Available both on your controller and in the software, the Browser will be the preferred way toopen a project when working on your controller. Here you will use a nice feature of MASCHINE:Each file you created and saved in MASCHINE is automatically put in “User” content. Hence,you will select the User icon in the Content selector to quickly find your tutorial Project again.

Opening a Project in the Software

In the MASCHINE software, the Browser is found in the left part of the window.

If you cannot see the Browser in the MASCHINE software, click the little magnifying glass inthe Header at the top of the MASCHINE window in order to show the Browser:

Enable the magnifying glass to display the Browser.

To open the tutorial Project, do the following:

1. At the top left, click the button showing the Project icon to get a list of all availableProjects in the Library:




2. On the right, click the Content selector icon (icon on) to select only the user-createdProjects:

In the result list below, you now have one unique Project left — your “My First Project”:

3. Double-click this unique entry to load the Project in MASCHINE.

If you have already created other Projects in MASCHINE, they will also appear in the result listalong with your tutorial Project.

Opening a Project Using the Controller

Now try operating MASCHINE via the controller wherever possible. To open a Project via thecontroller, you will follow the same process as above, filtering MASCHINE objects to narrowyour search until you find your tutorial Project. This is similar to what you did when loading adrum kit in the previous tutorial. Do the following:

1. Press BROWSER to show the Browser.

2. Press Button 1 above the displays repeatedly until PROJECTS is selected.

3. Press Button 4 above the displays to enable it.




4. If you have already created more than one Project, turn the 4-D encoder or Knob 8 untilMy First Project is selected on the right display.

5. Press the 4-D encoder or Button 8 to load the Project.

6. Press BROWSER to leave the Browser.The BROWSER button turns off.

→ You can continue to work on your tutorial Project.

You will note that every action you did on the controller is directly mirrored in the Browser of theMASCHINE software. This is true in both directions.

Opening a Recent Project Using the Controller

Your MASCHINE controller also provides a handy way to open Projects on which you workedrecently:

1. Press FILE to open the File mode.The right display shows a list of your recent Projects.

2. Turn the 4-D encoder or Knob 8 to select the desired Project from the list.

3. Press the 4-D encoder or Button 8 to load the selected Project.

4. Press FILE to leave the File mode.

→ You can continue to work on your Project.

The File mode provides additional options for managing your Project files directly from your control-ler: start a new Project, save a copy of the current Project, or save the Project under a new name.For more information, please refer to the Manual.

Opening a Project Using the Controller

Now try operating MASCHINE via the controller wherever possible. To open a Project via thecontroller, you will follow the same process as above, filtering MASCHINE objects to narrowyour search until you find your tutorial Project. This is similar to what you did when loading adrum kit in the previous tutorial. Do the following:

1. Press BROWSE to show the Browser.




2. Press Button 1 above the displays repeatedly until PROJECTS is selected.

3. Press Button 4 above the displays to enable it.

4. If you have already created more than one Project, turn Knob 8 or the Control encoderuntil My First Project is selected on the right display.

5. Press Button 8 to load the Project.

6. Press BROWSE to leave the Browser.The BROWSE button turns off.

→ You can continue to work on your tutorial Project.

You will note that every action you did on the controller is directly mirrored in the Browser of theMASCHINE software. This is true in both directions.

3.2 Customizing Your Drum Kit

You might want to replace one or more drums from the Group “EK-TL A Kit” with ones thatsound better with your Pattern. To do this, you must make use of the Browser again.

3.2.1 Selecting Another Snare Sample

For the sake of providing an example, replace the Sample “Snare Ektl A 2” used in the Soundon pad 6 to something less intrusive.

Selecting another Snare Sample in the Software

You have already used the Browser to open various objects (e.g., your tutorial Project). Now youwill learn another of its facilities: This time, you will not select Types, but instead use the textsearch. This powerful feature allows you to instantly find items by name.

1. Click the Sound slot containing the “Snare Ektl A 2” that you want to replace:


Customizing Your Drum Kit


2. Click the Browser button in the top row to show the Browser within the MASCHINE win-dow (the button becomes highlighted):

3. In the top row of the Browser, click the Sample icon on the far right to get a list of all theavailable samples in the Library:

4. Since you want to find a side stick, type “side stick” into the empty field above the list ofSamples.

5. Now activate Prehear by clicking the Prehear button (the loudspeaker symbol) at the bot-tom of the Browser:

6. When you have found a suitable side stick Sample, double-click it to load it in the Soundslot. You can also drag and drop it on the Sound slot.

You can also mix both search methods: You can simultaneously select specific Banks (and Types,Subtypes…) and type the desired search query in the Search field.




You can activate the Autoload feature to listen how the selected Sample work with the otherpercussions in your Pattern. To do this:

1. Click the Autoload button at the bottom left corner of the Browser to activate it (you candeactivate the Prehear button next to it):

2. Click any Sample in the result list.

⇨ The Sample will automatically load in the selected Sound slot, replacing the previouslyloaded Sample. If the Pattern is playing, you can directly hear the new Sample in context.

Try to exchange a few Samples to familiarize yourself with the procedure described above, bothon your controller and in the software. This should allow you to build a custom drum kit thatfits your needs.

Note that you can also start from a blank Group and entirely fill it up with the Sounds of yourchoice.

Selecting another Snare Sample on the Controller


1. Press BROWSE to open the Browser.

2. Press pad 6 to select its Sound.

3. Press Button 2 above the displays repeatedly until ONE-SHOTS is selected.

→ By selecting this, a list of one-shot samples will become visible on the right display.

1. Check that Button 4 above the displays is not fully lit and that the USER label under-neath is not highlighted; if necessary, press Button 4 to disable it.This will select only Native Instruments factory content.

2. Turn Knob 5 until the All Types selector is set to Drums.

3. Turn Knob 6 until the Sub-Types selector is set to Snare.




4. Turn Knob 7 until the Sub-Types selector is set to Side Stick.On the right display, you now see that the side stick samples are ready to be browsed.

5. Press and hold SHIFT + Button 8 to activate the PREHEAR feature.

6. Turn Knob 8 or the jog wheel to scroll through all side stick samples. You can hear eachsample that you select thanks to the enabled Prehear feature.

7. Once you have found a suitable side stick sample, press Button 8 or the Control encoderto load it into the Sound slot currently selected (the one triggered by pad 6).

To help you decide which sample would fit best, MASCHINE offers you an additional, conven-ient help: Autoload. This allows you to replace the selected Sound on the fly with the Soundcurrently selected in the Browser’s result list while your Pattern is playing. Meaning, you canlisten to each sample in the context of your Pattern. To do this:


⇨ The Pattern you created starts playing.

2. Press SHIFT + Button 8 to deactivate the Prehear feature. In the display, PREHEARshould not be enabled.

3. Now, instead of using Knob 8 or the jog wheel (you may need to use the FUNCTION leftand right arrows to move the focus to the results list) for scrolling through the Samples,use Buttons 5 and 6 above the right display.

→ The selected Sample will automatically load into the Sound slot triggered by the pad 6.Since your Pattern is playing, you will hear the selected Sample in place of the former“Snare Ektl A 2” Sample in the context of your recorded Pattern.

When you have found a suitable Sample you don’t need to explicitly load it, with Auoload it is al-ready loaded in the Sound slot. Use button 5 PREV and button 6 NEXT to audition other Sounds inthe MASCHINE library.

► Don’t forget to press BROWSE again to leave the Browser once you have found the idealSample.

3.2.2 Loading a Drumsynth

In this section you will learn you how to load Drumsynths in MASCHINE using the Plug-in List.




The Plug-in List

Before you load a Drumsynth, have a quick look at the Control area in the software:

1. Select the Group “EK-TL A Kit” (Group A1).

2. Select the Sound “Kick Ektl A 2.”

Now have a look at the Control area:

The Control area showing some Sampler Plug-in parameters for your kick drum Sound.

In the left part of the Control area, you can load any number of Plug-ins into the Plug-in List.The processing order is from top to bottom (from the first Plug-in to the last).

For example, in each Sound of the Group “EK-TL A Kit,” the first slot in the Plug-in List hostsa Sampler Plug-in (that is, the MASCHINE internal sampler). The Sampler is the sound sourceof each of these Sounds.

Plug-in slots are available in every channel of your Project:

▪ Sound channels: In Sounds, the first Plug-in slot is the only slot that can contain an instru-ment and an effect. The other slots can only contain effects.

▪ Group channels: Each Group also offers slots for effects that will process all Sounds of thatGroup together.

▪ Master channel: The Master channel provides additional slots for effects that will processthe overall audio of your Project before it is sent to the master output.

By loading an effect Plug-in into the first slot of a Sound, you make this Sound available as a bus-sing point for other signals in MASCHINE and for signals from the outside world. You will learn howto set this up in Using Other Sound Sources.




Loading a Drumsynth into a Plug-in List

To further customize your drum kit, you could replace one of the kick drums with another one,for example coming from an internal instrument included with MASCHINE: Drumsynth.

You can load Plug-ins into the Plug-in List via two methods:

▪ Using the Browser: You have already used the Browser to load Projects, Groups, Samples,and Plug-ins. Similarly, you can use it to search for plug-in effects.

▪ Using the Plug-in menu: You can also choose the desired Plug-in directly from the Plug-inslot itself via the Plug-in menu.

Note that these methods work in any channel: Sounds, Groups, or Master. However, sinceDrumsynth is an instrument, you can load it only into the first Plug-in slot of Sounds.

The difference between the two loading methods is that the Browser allows you to load Plug-in pre-sets (from the factory content or user-created), while the Plug-in menu allows you to load Plug-insin their default state.

Since you should already be familiar with the Browser (if not, check for example section ↑2.1,Loading a Drum Kit from the Factory Library or ↑3.2.1, Selecting Another Snare Sample), thistime you will learn the method using the Plug-in menu.

3.2.2.1 Loading a Drumsynth into a Plug-in List in the Software

1. At the left of the Pattern Editor, click the Sound slot’s name (Kick Ektl A 2) to select thatSound slot.




2. In the Control area above, click the SOUND tab to select the Sound level, since this is theonly level at which Drumsynths can be loaded.

3. At the far left of the Control area, click the small Plug-in icon to display the Plug-ins.

This displays the Plug-in List on the left of the Control area:

The Plug-in List in this instance contains Sampler.

4. Click the down-pointing arrow at the right to open the Plug-in menu.

The Plug-in menu opens and displays a list of all available effects.




5. In this menu, click the Drumsynth submenu to display the Drumsynths.

6. Click the Kick entry to load it into the Plug-in List.

→ The Kick Plug-in is now loaded and is ready to be tweaked.

3.2.2.2 Loading a Drumsynth into a Plug-in List on the Controller

1. Press the PLUG-IN button to enter Control mode and display the Plug-in slots.

2. Press SELECT + pad 5 to select the Sound Kick Ektl A 2.

3. Press Button 3 to select the SOUND tab.




4. Press SHIFT + BROWSE to select a Plug-in.If you would have pressed BROWSE alone here, you would have accessed the Browser. Byadditionally holding SHIFT, you access the Plug-in menu instead.

5. Turn Knob 1 until the TYPE field is set to Instr. and then Knob 2 until the VENDOR fieldis set to Internal.

⇨ The right display shows you the available MASCHINE instruments:

6. Turn Knob 8 to select Kick, and press Button 8 to load it.

7. Press SHIFT + BROWSE again to leave the Plug-in menu.

→ The Kick Plug-in is now loaded and is ready to be tweaked.




3.2.3 Adjusting Volume, Swing and Tempo

After selecting the right Samples for your drum kit, you might need to adjust their levels. MA-SCHINE holds a powerful sampler that allows you to fine-tune many settings for each generat-ed sound. Without entering into too many details yet, look at a quick way to adjust the volumelevel and swing for each Sound in your Group.

3.2.3.1 Adjusting Volume, Swing and Tempo in the MASCHINE Software

Adjusting Volume

To adjust the various volume levels in the software, the following controls are at your disposal:

► To adjust the overall output level, click and drag the Master Volume slider located on theright part of the Header, at the top of the window.

Use the Master Volume slider in the Header to adjust the overall volume of MASCHINE.

You can also use Mix view to adjust your Sound and Group levels. Mix view gives you quick accessto the level and routing settings of all your Sounds, Groups, and the Master. In addition, it providesyou with an intuitive interface for adjusting the parameters of all your Plug-ins. More on this in sec-tion The Mix View.

Adjusting Swing

To adjust the overall Swing of your song, you can use the display in the Header, at the top ofthe MASCHINE window:

The SWING control in the Header.

► To adjust the Swing value of your Project, click the SWING value, hold the mouse buttonand drag vertically.




Adjusting Tempo

To adjust the overall Tempo of your song, you can use the display in the Header, at the top ofthe MASCHINE window:

The BPM control in the Header.

► To adjust the Tempo (Beats Per Minute) value of your Project, click the BPM value, holdthe mouse button and drag vertically.

3.2.3.2 Adjusting Volume, Swing, Tempo and Tune on Your Controller

Adjusting Volume

To adjust the overall volume level:

1. Select MST (Master) in the Input/Metering section on the right-hand side of your control-ler.

2. Turn the Level knob

Hold SHIFT and turn the Level knob to adjust the value in finer increments.

To adjust the volume of a particular Group:

1. Press the Group button you want to adjust.

2. Press the GRP button in the Input/Metering section on the right.

3. Turn the Level knob to adjust the volume of the group you selected.

Hold SHIFT additionally to adjust the value in finer increments.

To adjust the volume of an individual Sound:

1. Press the pad you want to adjust.




2. Press the SND button in the Input/Metering section.

3. Turn the Level knob to adjust the volume of the sound you selected.


As you adjust the volume, the left display indicates the current value.

It is recommended you try this while your Pattern is playing, you will immediately hear the effect ofyour changes.

Adjusting Tune

To adjust the tune (pitch) of an individual Group or Sound:

1. Press and hold a Group button or pad then press the FUNCTION buttons (below the jogwheel) to select TUNE.

2. Turn the jog wheel to adjust the tune of the selected Sound.


As you adjust the tune, the left display indicates the current value.

It is recommended you try this while your Pattern is playing, you will immediately hear the effect ofyour changes.

Adjusting Swing

Now adjust the overall swing of your Project, too. The Swing feature shifts some of the playednotes, hereby adding some “groove” to your Pattern.

To adjust the swing of your project:

1. Press the CHANNEL button.

2. Press Button 1 to select MASTER.

3. Press Button 5 or 6 to select GROOVE.




4. Turn Knob 1 to change the global swing amount.


You can also adjust the individual Swing values for Sounds and Groups by holding the desiredGroup button or pad as described above for the volume.

► In the same manner, pressing the TAP button allows you to adjust the overall tempo ofyour song by turning the jog wheel.

3.2.4 Changing the Color of Your Sounds

MASCHINE allows you to change the color of each Group or Sound. It can be very useful to seeat a glance to identify certain Groups or Sounds.

Now assign different colors to the different types of percussions in your drum kit:




► Right-click on the desired Sound slots, select Color in the context menu, and select thedesired color according to the type of percussion in that Sound slot.

Here is an example of how you could color Sounds:

Your drum kit full of colors.

This helps you see much quicker where the kicks, the snares, etc., are.




You can assign colors to your Sounds, Groups, Patterns, Scenes, and Sections. It’s up to you to de-cide which colors to use. You can use colors to distinguish different sound types, purposes, or any-thing else that best fits your needs and workflow.

Changing the color of items can be done in the MASCHINE software only.

3.2.5 Moving your Sounds and Groups

You can exchange the position of your Sounds and Groups at any time. This can be done in theMASCHINE software only. It can be helpful to organize your Sounds or Groups more conven-iently. Notably, this allows you to move your Sounds to other pads, and create a Group that iseasier to play from the pads.

Now exchange the positions of the “Kick Ektl A 2” and the “Snare Ektl A 1” in order to haveboth kicks on pads 1 and 2, and both snares on pads 5 and 6:

1. Click and hold the Sound slot 5 containing the “Kick Ektl A 2.”

2. While holding the mouse button, drag your mouse up.As the mouse cursor moves up, an insertion line appears at the places where you can dropyour Sound.

3. When the insertion line appears under the other kick, release the mouse button.

→ Your second kick takes place under the first kick in the Sound slot 2. It will now be trig-gered by the pad 2 on your controller.

In a similar manner, you will now move the “Snare Ektl A 1” to pad 5:




1. Click and hold the Sound slot 3, which now contains the “Snare Ektl A 1.”

2. While holding the mouse button, drag your mouse down. When the insertion line appearsabove the other snare, release the mouse button.

→ Your first snare takes place above the second snare in the Sound slot 5. It will now betriggered by pad 5 on your controller.

Keep in mind that any change in the Sound slot positions also affects the pads triggering the corre-sponding Sounds! Hence, it is recommended you practice with your new mapping to avoid confu-sion.


Again, it is recommended to regularly save your work. You can then open another Project orclose MASCHINE and take a break. Your tutorial Project will be recalled as it was the next timeyou open it.

To save your Project in the software:

► Press [Ctrl] + [S] ([command] + [S] on macOS) to save your Project.

To save your Project on the controller:

► Press SHIFT + ALL to save your Project.

3.4 To Sum Up…

In this tutorial, you have learned to:

▪ Open a Project using the Browser (both on your controller and in the software).

▪ Replace one of the Sounds from the original Group with another Sample taken from thefactory library using the Browser.

▪ Replace one of the Sounds from the original Group with a Drumsynth.

▪ Adjust the overall volume of MASCHINE along with the individual volume levels of yourGroups and Sounds using your controller.


Saving Your Project


▪ Adjust the overall Swing of your song, both on your controller and in the software.

▪ Change the colors of your Sounds, and possibly of your Groups, Patterns and Scenes (moreon Scenes later).

▪ Move your Sounds across your Group to assign them to other pads on your controller.

Once you feel comfortable with these few tasks, proceed to the next tutorial, where you willlearn more on Patterns!


To Sum Up…


4 Creating Beats

In this tutorial, you will further enhance your tutorial Project and do the following:

▪ Double your Pattern and fine-tune it.

▪ Add a second Pattern for breaks.

Even though you have only dealt with drum kits until now, MASCHINE is much more than a rhythmbox. Indeed, it also does a great job with melodic instruments! For those who can’t wait: Please bepatient, you will add a bass line in the next tutorial.

Prerequisites

It is assumed here that you followed the previous tutorials in chapter ↑2, First Steps and ↑3,Building Your Own Drum Kit. In particular, you already know how to:

▪ Open a Project (↑3.1, Opening Your Project).

▪ Use the pads to play the Sounds of the loaded Group (↑2.2, Playing with the Pads).

▪ Record a simple Pattern with that Group (↑2.3, Recording Your First Pattern).

▪ Save the current Project for a later use (↑2.5, Saving Your Project).

If you have any doubts about these tasks, please refer to the previous tutorials before proceed-ing!

In case your tutorial Project “My First Project” is not open, please open it now:

► Open the tutorial Project “My First Project.”

4.1 Fine-tuning your First Pattern

You will start by improving your first Pattern using some of the powerful editing features ofMASCHINE.

Creating Beats

Fine-tuning your First Pattern


4.1.1 Your Pattern in the Software

First of all, have a quick look at the Pattern Editor in the software:

1 2

34Your first Pattern displayed in the Pattern Editor.

In the Pattern Editor, you will note the following:

▪ At the top left (1), EK-TL A Kit is the name of the selected Group; in this instance, it isyour customized drum kit.

▪ Under the Group name, you see a vertical list of all Sounds included in the Group (4). Ifthe list does not fit into the screen, a vertical scroll bar at the right end of the Pattern Edi-tor allows you to display the missing Sounds. At any time, the selected Sound slot is high-lighted (in the picture above, the Clap Ektl A 1, triggered by the pad 1).

At the right of the Group name, you find a drop-down menu which reveals the Pattern Manag-er. This comprises the Pattern List view and Pattern Pad view (2). These represent the Patternslots for that Group. At any time, the selected Pattern slot is highlighted both in the List viewand in the Pad view (in the picture above, the Pattern slot 1). A Pattern contains the events(the notes) that plays Sounds from the current Group. More typically this is known as a se-quence.

Creating Beats



▪ The biggest area of the Pattern Editor (3), in the lower right part, displays the events (thenotes) of the selected Pattern. In other terms, you see here what you recorded in ↑2.3, Re-cording Your First Pattern. Events mirror the colors of their respective Sounds. Verticallines indicate the beats and their subdivisions. The thin white line at the top of the patternindicates the current play position and the thin white line with a triangle is the pattern endmarker. At the bottom, a horizontal scroll bar allows you to display other parts of the Pat-tern, in case it is too long to fit on your screen.

Now that you have a better overview of your Pattern, you can start fine-tuning it.

4.1.2 Doubling the Pattern and Adding a Variation

Your Pattern is currently one bar long. When played in a loop, it might get a bit monotonous.To solve this, you will exclusively use the controller to double the pattern length and add somevariation.

Double is only available on your controller.

1. Press PATTERN and hold it.

2. While holding PATTERN, press Button 3 above the displays to select DOUBLE.

3. Release the PATTERN button.

4. Press PLAY to listen to your Pattern.

5. Check that the PLUG-IN button at the top left corner of your controller is lit — if not,press it to enter Control mode.

6. Press REC to start recording (the button lights up), and add a few notes with the padswhen the second half of the Pattern is playing.

7. At any time, don’t hesitate to undo/redo your last action(s) by pressing UNDO and REDObuttons, respectively.

8. Once you are satisfied with the ending of your extended Pattern, disable REC to stop re-cording.

→ The Pattern has increased to two bars and now contains some added variation.

Creating Beats



A doubled Pattern with some added side-sticks in bar 2 for variation.

When recording, you don’t necessarily need to be super-accurate in your playing: The next sec-tion will show you how the Quantize functions can correct the timing of your playing to a set ofdiscrete values.

4.1.3 Quantizing the Rhythm

It takes a little practice to be very precise when playing the pads. Sometimes (especially ifyou’re new to MASCHINE) your timing may be slightly off and this will be evident when yourecord your Pattern. MASCHINE has a solution for this! It's called quantization.

A Few Notes on Quantization

Here are a few points worth noting on quantization:

▪ The use of quantization notably depends on the music style of your song: In some cases,the rhythm must be perfectly tight, while in other cases, half-quantization (or even noquantization at all) would fit best.

▪ For now, you haven’t selected any event yet, and quantization (or half-quantization) wasapplied to all events — in other terms, to the whole Pattern. If by chance you selectedsome events in your Pattern, quantization would be applied to these events only! This canbe very useful if you want to build a tight rhythmic basis (e.g., kick and snare) while keep-ing specific events or Sounds “out of rhythm” (e.g., ornaments, slightly shifted hi-hat…).This can help create a powerful groove. For more information on selecting particular eventsin a Pattern, please refer to the Manual.

▪ You can change the resolution of the subdivisions to which events will be quantized.

Creating Beats



▪ You can also quantize events directly when playing on the pads and/or recording! By de-fault, this option is disabled. You can enable it in Preferences > Defaults > Input > Quan-tize. Please refer to the Manual for more information.

4.1.3.1 Quantizing the Rhythm in the MASCHINE Software

Zooming In Your Pattern

To check this, zoom on specific parts of your Pattern in the software. Go to the bottom of thePattern Editor in the software where you find the horizontal scroll bar which can also be usedas a Zoom tool:

The Zoom Tool in the Pattern Editor.

► Click either end of the horizontal scroll bar, hold the mouse button, and then drag yourmouse left or right to zoom in/out.

Alternatively, you can click anywhere on the scroll bar and drag upwards or downwards to zoom inand out of your pattern.

At any time, you can click the middle of the horizontal and vertical scroll bars to display anoth-er part of the Pattern.

If you zoom in, you can see that some of your hits might not be accurate:

A detailed view of your live recorded Pattern: The first two kicks are late, the third one is in advance.

MASCHINE provides you with a powerful quantization feature that allows you to correct this tothe desired extent.

Creating Beats



4.1.3.2 Quantizing the Rhythm using the Controller

Quantizing Your Pattern

The process of quantization (sometimes called “note snap”) consists of forcing events to stickto the beats or to their subdivisions. This ensures that the rhythm is perfectly tight. On yourcontroller, do the following:

To quantize the events of your Pattern, press the QUANTIZE button (above the jog wheel) inthe EDIT section.

► Your Pattern now plays perfectly tight. In the Pattern Editor, you can see that all eventsnow are exactly on the beats or their subdivisions.

Quantizing Your Pattern, but Not Too Much

Sometimes, having beats perfectly tight might sound too “mechanical” and dull. Indeed, thegroove often comes from all these little imperfections in the rhythm. Hence, to avoid losing thePattern’s groove, MASCHINE lets you half-quantize your events: Events are moved half way to-ward the closest beat/subdivision. Thus, you get a tighter rhythm while keeping its humantouch and groove.

► To half-quantize the events of your Pattern, press SHIFT + QUANTIZE.

You can apply half quantization several times in a row: Each time, events will move half of theremaining way to the beats/subdivisions.

Here is the effect of half-quantization and quantization on an event:

Original event, half-quantized event, and quantized event.

At any time, don’t hesitate to undo/redo your last action(s) by pressing UNDO/REDO, respectively.

Creating Beats



4.2 Adding a Second Pattern

Now you can create another Pattern that you can use as a break in your song. This will intro-duce a few more tasks and features of MASCHINE, namely the selection of Patterns, the Pat-tern Length, and the Count-in.

4.2.1 Selecting a Pattern Slot

Until now, you only used the first of the 64 Pattern slots available in your Group. You will nowselect another Pattern slot, in which you will later record your second Pattern.

4.2.1.1 Selecting a Pattern Slot in the MASCHINE Software

► In the Ideas view of the Arranger at the top of the MASCHINE window, double-click theempty slot below Pattern 1 to create a new Pattern.

Double-click the slot below slot 1 to create a new empty Pattern.

▪ Pattern slot 2 is now selected. Selecting an empty Pattern slot automatically creates ablank Pattern in it.

Note that the slots’ lighting behavior in the software mirrors the pads’ lighting behavior on thecontroller:

▪ Pattern slot 1 is half lit: There is a Pattern inside but the slot is not selected.

▪ Pattern slot 2 is fully lit: There is a (blank) Pattern inside and the slot is selected.

▪ All other Pattern slots are dark: They contain no Pattern.

Creating Beats

Adding a Second Pattern


4.2.1.2 Selecting a Pattern Slot on the Controller

1. Press PATTERN and hold it.All pads light off except pad 1, which is fully lit. This indicates that all Pattern slots areempty except the first Pattern slot, which is additionally selected.

2. While holding PATTERN, press pad 2.

→ Pattern slot 2 is now selected. Selecting an empty Pattern slot automatically creates ablank Pattern in it.

Have a look at the pads:

▪ Pad 1 is half lit: There is a Pattern inside but the slot is not selected.

▪ Pad 2 is fully lit: There is a blank Pattern inside and the slot is selected.

▪ All other pads are unlit: They contain no Pattern.

4.2.2 Adjusting the Pattern Length

You have already learned how to change the Pattern Length by doubling the Pattern: the Pat-tern’s length was doubled and its content reproduced in the second half (see ↑4.1.2, Doublingthe Pattern and Adding a Variation). Here you will learn how to adjust the Pattern Length with-out affecting its events, if any.

You can adjust the Pattern Length at any time, even if you already put events in the Pattern. If youreduce the Pattern Length so that some events are not included in the Pattern anymore, theseevents have not been deleted: They stay at their location — if you extend your Pattern again, youcan include them again.

4.2.2.1 Adjusting the Pattern Length in the MASCHINE Software

In the software, you can change the Pattern Length in two ways:

Creating Beats



1. In the timeline of the Pattern Editor, click the right limit of the Pattern (indicated by alittle triangle pointing to the left) and drag your mouse horizontally in the timeline tochange the Pattern Length.

2. At the top right of the Pattern Editor, click the value and drag your mouse vertically tochange the Pattern Length.

4.2.2.2 Adjusting the Pattern Length on the Controller

1. Hold PATTERN.At the bottom of the left display, you see that the Pattern LENGTH parameter is currentlyset to 1:0:0, which means one bar:

2. While holding PATTERN, turn Knob 4 to set a new value for the Pattern Length.The empty Pattern in Pattern slot 2 now has a new length, as you can see in the soft-ware’s Pattern Editor.

Creating Beats



To change the resolution at which the Pattern Length can be resized, refer to the Manual for infor-mation on Arranger Grid.

4.2.3 Recording a New Pattern Using the Count-in

Once your empty Pattern in Pattern slot 2 has the desired length, you are ready for recording.You have already learned how to record a Pattern by starting the sequencer then enabling therecord mode, also using the metronome (see ↑2.3, Recording Your First Pattern). Here you willlearn another useful aid for recording: the Count-in.

The Count-in cannot be enabled from the software. Please use your controller as described below.

1. Press SHIFT + REC to start recording using the Count-in.The metronome is automatically activated and plays a full bar before the sequencer andthe recording actually start.

2. Play on the pads.Once the sequencer has started, your playing is recorded.

3. To stop the metronome, press METRO. To stop the recording, press REC to disable it. Tostop the sequencer, press PLAY to disable it.

The Count-in notably allows you to prepare yourself and e.g. get the downbeat on time!

You can change the Count-in length (i.e. how long you hear the metronome alone before thesequencer and the recording start) directly from your controller by pressing SHIFT + GRID andturning Knob 4 (Count-In LENGTH).

Pressing SHIFT + GRID opens the Recording Settings mode, which allows you to adjust variousmetronome and quantization settings. For all details, please refer to the Manual.

Creating Beats



4.2.4 Switching Patterns

Once you have recorded something in the second Pattern slot, you can check that both Pat-terns fit well together by instantly switching between both:

4.2.4.1 Switching Patterns in the MASCHINE Software

1. Click the Play button in the Header at the very top of the MASCHINE window to start thesequencer (the Play button must be lit).

2. Click Pattern slot 1 and 2 alternatively and listen how both Patterns fit together.

4.2.4.2 Switching Patterns on the Controller


2. Press and hold PATTERN.

3. Press pad 1 and pad 2 alternatively and listen how both Patterns fit together.

4.3 Editing Patterns in the Software

In the MASCHINE software, the Pattern Editor allows you to precisely tailor new or existingPatterns. Only the main mouse actions are mentioned here.

1. To create a new event, double-click into the grid at the desired location.

Creating Beats



Double-click into the Grid to create an event. Right-click it to delete it.

2. To clear an event, right-click it.

3. To move an event, drag it (i.e. click it, hold the mouse button, drag your mouse to thedesired location, and release the mouse button). Dragging horizontally will shift the eventin time for the same Sound, while dragging it vertically will move it to another Soundwhile preserving its timing.

4. To stretch an event, drag its right border (this makes more sense for melodic, sustainedinstruments than for percussive sounds).

When you create, drag or stretch an event, your action is automatically quantized according to thecurrent quantization resolution.

You have the Pencil tool at your disposal for editing events in the Pattern Editor. For more in-formation, please refer to the Manual.






Creating Beats

Saving Your Project



4.5 To Sum Up…


▪ Double a Pattern.

▪ Quantize or half-quantize a Pattern.

▪ Select different Pattern slots.

▪ Adjust the Pattern Length.

▪ Use the Count-in for recording.

▪ Edit Patterns in the software.

Once you feel comfortable with these few tasks, proceed with the next tutorial, where you willadd a bass line to your song!

Creating Beats

To Sum Up…


5 Adding a Bass Line

MASCHINE is not only about rhythm. It is also a full-featured sequencing environment and, assuch, lets you create melodic parts as well. As an example, you will add a bass line to yoursong. More precisely:

▪ You will create a new Group with a nice bass Sound using a VST/AU plug-in synthesizer.

▪ You will record a few bass lines.

▪ You will adjust the Plug-in parameters to fine-tune the bass sound.

In addition to recording your own instruments, you can also add audio loops to your Project. Formore information on how to add audio loops to your Project, and to learn about the MASCHINE Au-dio plug-in, refer to the MASHINE Manual.

Prerequisites

It is assumed here that you have followed the previous tutorials. In particular, you already knowhow to:

▪ Open a Project (↑3.1, Opening Your Project).

▪ Use the pads to play the loaded Sounds (↑2.2, Playing with the Pads).

▪ Select Pattern slots (↑4.2.1, Selecting a Pattern Slot).

▪ Record a Pattern (↑2.3, Recording Your First Pattern), possibly using the Count-in (↑4.2.3,Recording a New Pattern Using the Count-in).

▪ Quantize a Pattern (↑4.1.3, Quantizing the Rhythm), and edit it in the software (↑4.3, Edit-ing Patterns in the Software).

▪ Save the current Project for a later use (↑2.5, Saving Your Project).




Adding a Bass Line


5.1 Selecting Another Group

Until now, you have only used the first Group available in your Project. You will now select an-other Group and load a bass sound. Loading the bass into a different Group slot will later allowus to handle it separately, and easily combine it with the existing drum kit Group and its Pat-terns.

In MASCHINE it is possible to have more than one Group bank. In this tutorial you will only beworking with Group bank 1, which contains the first eight Group slots. Each Group bank can con-tain another eight Groups. The Groups in each bank will be labeled sequentially: The Groups inGroup bank 1 will be labeled A1 to H1 and Group bank 2 A2 to H2. For more information on creat-ing and selecting additional Group banks, please refer to the MASCHINE Manual, available from theHelp menu.

5.1.1 Selecting Another Group in the Software

1. In the top part of the MASCHINE window, click the + sign to add another Group.

2. Click the name of the desired Group B1 to select it.

Adding a Bass Line

Selecting Another Group


Click the Group slot’s name to select that slot.

Upon selection, the Pattern Editor below switches to display the content of the newly selectedGroup slot. For now, this is still empty (no Sounds, no Patterns).

5.1.2 Selecting Another Group on the Controller

The eight buttons labeled A to H on the left of your controller represent the eight availableGroup slots of the current bank:

▪ Button A is fully lit in the Group’s color to indicate that Group A1 in the software is select-ed.

▪ Button B is dim lit in white, indicating that a new Group can be created here.

▪ All other Group buttons are off because their slots are empty.

► Press button B to select the second Group slot (B1).

→ Group B1 now is selected.

Have a look at the Group buttons:

▪ Button A is half lit in the Group’s color: There is a Group but it is not selected.

▪ Button B is fully lit in the Group’s color: Group B1 is selected.

▪ Button C is dim lit in white, indicating that the next Group can be created here.

▪ All other Group buttons are unlit because their slots are empty.

Adding a Bass Line

Selecting Another Group


5.2 Renaming and Coloring the Group

As you loaded the drum kit into the Group A1 (see ↑2.1, Loading a Drum Kit from the FactoryLibrary), the slot automatically took the name of the loaded Group (“EK-TL A Kit”). Here youwill manually rename the Group B1 to help keep your Project well organized.

This feature is only available from the MASCHINE software.

To rename a Group:

1. Double-click the Group name.

The Group name becomes highlighted.

2. Type a new name (e.g., “Bass”), then press [Enter] on your computer keyboard to con-firm.

→ The new name replaces the default name.

Adding a Bass Line

Renaming and Coloring the Group


A new name for the Group B1.

Now quickly give your Groups different colors:

► Right-click each Group, select Color in the context menu, and select the desired color inthe palette.

New color for the Bass Group.

5.3 Using an Instrument Plug-in for the Bass

In addition to using the internal sounds of MASCHINE, you may also use 32-bit and 64-bitVST/AU plug-ins from Native Instruments and third-party manufacturers. This notably allowsyou to make use of your favorite synthesizer and effect plug-ins!

Adding a Bass Line

Using an Instrument Plug-in for the Bass


MASCHINE already includes KOMPLETE 11 SELECT, a premium instrument and effect pack-age for all styles of music. This Native Instruments bundle notably includes MASSIVE (the leg-endary synthesizer), REAKTOR PRISM (a modal synthesizer), SCARBEE MARK 1 (an iconicelectric piano) and SOLID BUS COMP (a superior compressor), just to mention a few. Amongother things, MASSIVE is ideal for fat bass sounds — exactly what you need here.

5.3.1 Browsing the MASSIVE Presets

Not only is MASSIVE included with MASCHINE, but its factory library is fully integrated intothe MASCHINE workflow and its preset sounds are directly available from the MASCHINEBrowser. Hence, you can choose a bass sound with the common workflow you already used forloading a Group (see ↑2.1, Loading a Drum Kit from the Factory Library) or a Sample (see↑3.2.1, Selecting Another Snare Sample): By filtering your choices, you progressively narrowyour search by selecting the MASCHINE object, Product, Type, and Subtype.

5.3.1.1 Browsing Instrument Presets in the Software

In the software, do the following:

1. Make sure that your Bass Group is selected — if not, select it again (see ↑5.1, SelectingAnother Group).

2. Click the name of the first Sound slot to select that slot.

3. Show the Browser if it is currently hidden (reminder: click the magnifying glass in theMASCHINE Header).

Adding a Bass Line



4. At the very top of the Browser, select the keyboard icon from the File Type selector:

The Browser now shows the Instrument presets.

5. Deselect the Content selector icon (icon off):

This displays the Native Instruments factory content.

6. In the Product selector click the drop-down arrow…

Adding a Bass Line



7. …and select Massive:

This will limit the list of presets displayed to the MASSIVE presets.

8. Click All Banks to reveal a list of all MASSIVE banks installed on your computer:

9. From this list, click Massive Factory.This will update the results list with only presets from this bank.

10. In the Tag Filter below, click Bass in the TYPES section.

Adding a Bass Line



11. Click Line in the Sub-Type section to further narrow your search.

→ You can now load a bass preset by double-clicking its entry in the result list below.

5.3.1.2 Browsing Instrument Presets on the Controller


1. Press button B to select the Group slot B1.

2. Press the pad 1 to select the Sound slot 1. Pad 1 should be fully lit.

3. Press BROWSE to show the Browser. The BROWSE button should be lit.

4. Button 4 should not be illuminated. If it is illuminated, press Button 4 to deselect USER.

5. Press Button 1 or 2 to select INSTRUMENTS.The Browser will now show instrument plug-in presets only.

6. Turn Knob 2 until the Product field is set to Massive.The Browser will now show presets for the MASSIVE plug-in only.

7. Turn Knob 3 until the Bank field is set to Massiv..actory (“Massive Factory”).The Browser will now show MASSIVE presets from the MASSIVE Factory library only.

8. Turn Knob 5 until All Types is set to Bass.

Adding a Bass Line



9. Turn Knob 6 until All Sub-Types is set to Line.On the right display, you now see the list of MASSIVE’s bass presets.

You can now select bass presets by turning Knob 8, and load the selected preset into the se-lected Sound slot (Sound slot 1 in this example) by pressing Button 8. But don’t leave Browsemode yet: You will learn about some useful features for choosing a bass in the next two sec-tions.

5.3.2 Switching to Keyboard Mode

In order to choose a suitable bass preset, you can make use of the Autoload feature (see↑3.2.1, Selecting Another Snare Sample for more information): This will directly load a Presetinto your Project as you select them in the Browser, allowing you to play them on the pads to-gether with the drum kit Patterns you have already recorded.

As a reminder (in the software):

► In the software, click the Autoload button at the bottom of the Browser to activate it:

→ Each preset is now automatically loaded into the Sound slot 1 when selected in theBrowser’s result list.

Adding a Bass Line



For now, you can hear the presets only by pressing the pad 1, which triggers a single note (bydefault C3). This is not ideal for choosing a preset — not to mention for recording a bass line.Hence, for melodic instruments like your bass, MASCHINE provides another mode for the padscalled Keyboard mode, in which the pads play different notes of the same Sound.

5.3.2.1 Switching to Keyboard View in the Software

► At the left of the Pattern Editor, click the Keyboard View button (with a keyboard icon) toactivate the Keyboard view.

The Keyboard View button.

The Pattern Editor shows a vertical keyboard at the right of the Sound slots. The rows in thegrid now represent each note for the selected Sound slot, instead of representing each Soundslot.

The Keyboard mode on your controller and the Keyboard view in the software are strictly equivalent:By switching to Keyboard view in the software, you also switch your controller to Keyboard mode; bydisabling the Keyboard mode on your controller, you also disable the Keyboard view in the software.

5.3.2.2 Switching to Keyboard Mode on the Controller

► Press SHIFT + PAD MODE (at the left of the pads).

→ From now on, your 16 pads will not trigger the 16 Sound slots of your Group, but instead16 notes of the selected Sound. This will make both choosing a bass preset and recordinga bass line much easier!

To disable this Keyboard mode, press SHIFT + PAD MODE again.

Adding a Bass Line



As long as the Keyboard mode is active, the PAD MODE button is half lit to remind you it isswitched on.

Other pad modes are also available. For a detailed description of all pad modes, please refer to theManual.

5.3.3 Adjusting the Root Note for the Pads

While trying out various bass presets on the pads, you will note that they are playing quite highnotes. This is because your 16 pads play by default the notes from C3 to D#4 — not the mostappropriate notes for playing bass. Hence, you need to lower the notes played by the pads.

1. Press and hold PAD MODE.

2. Press Button 2 KEYBOARD.You will note that, in Keyboard mode, the right display shows you which note will beplayed by each pad.

3. Press Button 5 OCTAVE- until the ROOT NOTE field on the left display is set to C1.

4. Release PAD MODE.

→ Your pads now play two octaves lower.

This setting is only relevant for your controller: Indeed, in the software the vertical keyboard alreadydisplays all notes (use the vertical scroll bar on the right to display them all).

You now can choose a bass sound:

Adding a Bass Line



1. If you left Browse mode in the meanwhile, press BROWSE to enter it again.

2. Load various bass presets into Sound slot 1 and play them on the pads to choose the basssound you would like to use.

3. Now choose the Sound “Analovue,” because it has nice bass content and some high-fre-quency ornaments. Moreover, it holds interesting rhythmic content synchronized to theProject tempo!

4. Once you have found a bass to your liking, deactivate BROWSE to leave the Browser.

In this example you don’t need to specifically load the selected Sound, since it is already load-ed via the Autoload function.

5.4 Recording a Bass Line

You are now ready to record a bass Pattern. This will allow us to repeat many of the tasks youhave learned until now.

5.4.1 Recording a Bass Pattern


1. Press PLAY.You hear your drum Pattern playing.

2. Practice with the bass to get familiar with your instrument.

3. When you feel ready, press REC (the button lights up) and start recording a bass line.

4. When you have finished recording press REC to deactivate record mode.

Don’t forget to reuse all you have learned in the previous tutorials for recording Patterns: using themetronome, using the Count-in, adjusting the Pattern Length, editing the recorded Pattern, etc. Ifyou have any doubt about these tasks, please refer to the previous tutorials (notably in section ↑4,Creating Beats and chapter ↑2.3, Recording Your First Pattern).

Adding a Bass Line

Recording a Bass Line


5.4.2 Recording Another Bass Pattern

A single bass line is obviously not enough for your whole song. Now record a second one thatyou could use as variation.

1. Switch to the second Pattern slot. As a reminder, you can do this on your controller bypressing PATTERN + pad 2, and in the software by double-clicking the Pattern slot 2 inthe Ideas view.

2. Record a second Pattern. Again, don’t hesitate to reuse the various Pattern recording/edit-ing tasks that you have already learned.

Check that both Patterns fit well together by switching repeatedly between both Pattern slots.

5.4.3 Loading an Additional Bass Sound

To enhance your song further, you will load another bass Sound next to “Analovue.” This sec-ond bass could for example play rhythmic lines with somewhat higher frequencies.

Selecting Sound Slot 2

Before you load another Sound, you first need to select another Sound slot, e.g., Sound slot 2.

In the software, you can select the Sound slot 2 as usual by clicking its name in the PatternEditor.

On your controller, you will notice that pressing pad 2 only is not working for selecting Soundslot 2: Indeed, since your pads are in Keyboard mode, they don’t play/select each Sound slotbut play each note of the same Sound slot 1. To circumvent this, do the following on your con-troller:

1. Press and hold SELECT.

2. While still holding SELECT, press pad 2 to select Sound slot 2.

→ Sound slot 2 is now selected.

Adding a Bass Line

Recording a Bass Line


Holding SELECT while pressing the pad selects the Sound slot regardless of which pad mode is ac-tive; on the contrary, pressing only the pad does not select the Sound slot if Keyboard mode is ac-tive. Moreover, when holding the SELECT button, you don’t hear the Sound when you press the pad.This can be very useful when your song is playing and you don’t want the audience to hear yourselection!

Loading and Recording Another Bass

► Once Sound slot 2 is selected, repeat the steps described above in this tutorial to loadanother bass Sound and to record bass lines with that Sound in the same Patterns 1 and2 as you did for the first bass. For example, try with the Sound “Ad Voca” as a secondbass.

Choosing Colors for Your Bass Sounds

Now choose different colors for the two bass Sounds as you did for the Sounds of the Group“EK-TL A Kit”:

► Right-click each Sound slot, select Color in the context menu, and select the desired col-or.

5.5 Accessing the Plug-in Parameters

Once installed, MASSIVE is fully integrated into MASCHINE. Not only does this mean that itsfactory presets are available in the MASCHINE Browser, but also that the MASSIVE parametersthemselves are available from within MASCHINE. Here, you will discover another area of theMASCHINE software’s user interface: the Control area.

The Control area is located in the middle of the MASCHINE software window.

The Control area showing the MASSIVE plug-in parameters for your bass Sound “Analovue.”

Adding a Bass Line

Accessing the Plug-in Parameters


The Control area allows you, among many other things, to adjust the parameters of your Plug-ins.

Here, you want to display the Plug-in parameters for your first bass Sound “Analovue.”

5.5.1 Accessing the Plug-in Parameters in the Software

1. At the left of the Pattern Editor, click the Sound slot’s name (Analovue) to select thatSound slot.

2. In the top left part of the Control area, click the SOUND tab to select it (it should behighlighted).

3. In the Plug-in List below, click Massive to select it.

→ The Control area now displays the parameters of your bass Sound “Analovue.” You cancheck this by looking in the left part of the Control area:

Adding a Bass Line



The Control area indicating which parameters are displayed.

The large part of the Control area to the right is called the Parameter area. This gives you ac-cess to the desired parameters:

The parameters for the Sound “Analovue.”

These parameters are organized into pages that you can select for displaying by clicking thelittle labels at the top of the Control:

The pages allow you to display further parameters for your plug-in.

On each page, you can click and drag the knobs to adjust the corresponding parameters.

Example

As an example, adjust the amplification level of the second oscillator in your “Analovue” pre-set. Do the following:

Adding a Bass Line



1. Click the Osc2 label at the top of the Control area to select the Osc2 parameter page.The Control area now displays the parameters of that page.

2. Click the fourth knob (Osc2Amp) and drag your mouse vertically to adjust the value.

You can fine-adjust the parameter value by holding down [Shift] on your computer keyboard whileyou drag the mouse.

5.5.2 Accessing the Plug-in Parameters on the Controller

1. Press the PLUG-IN button to view the Plug-in List.

2. Press Button 3 to select SOUND.This displays the parameters of the Plug-ins for the selected Sound slot.

3. If the Sound slot 1 containing your “Analovue” Sound is not currently selected, select itby pressing SELECT + pad 1.The displays should now look like this:

→ You now have access to the parameters of your bass Sound “Analovue.”

To adjust any parameter from your controller, do the following:

1. Turn any Knob 1–8 to adjust the value of the parameter indicated right above in the dis-plays.

2. Press the Page buttons (showing two arrows) at the left of the displays to switch to anoth-er page of parameters.

Adding a Bass Line









5.7 To Sum Up…


▪ Select different Groups and rename them.

▪ Load a VST/AU plug-in instrument into a Sound slot.

▪ Use the Keyboard mode on your controller (and the Keyboard view in the software) to playand record melodic instruments.

▪ Adjust the Root Note when using Keyboard mode.

▪ Adjust the Plug-in parameters both from your controller and in the software (using the Con-trol area).

Once you feel comfortable with these few tasks, proceed with the next tutorial, where you willadd effects to your Sounds and Groups.

Adding a Bass Line

Saving Your Project


6 Applying Effects

Now that you have created a few Patterns, you can spice them up with some effects.

MASCHINE provides a healthy selection of effects (FX) that can be loaded in the form of Plug-ins. Each channel (Sounds, Groups and Master) can have an unlimited number of insert ef-fects loaded in their Plug-ins slots. In each Plug-in slot you can load an internal, Native Instru-ments or external effect Plug-in.

Effects can also be applied to external audio or set up as send effects. These tasks will be coveredin the Manual.

In this tutorial, you will:

▪ Apply effects to various Sounds and Groups of your tutorial Project.

▪ Tweak the loaded effects.

▪ Modulate the effect parameters.

Prerequisites

It is assumed here that you followed the previous tutorials. In particular, you already know howto:

▪ Select Groups (Selecting Another Group).

▪ Select Sounds.

▪ Access the parameters of a Plug-in (Accessing the Plug-in Parameters).




Applying Effects


6.1 Loading Effects

In this section you will learn how to load effects in MASCHINE.

In MASCHINE, effects are just a particular type of Plug-ins; the other type are the instrumentPlug-ins, which you already met in the previous tutorials. Both effect and instrument Plug-insare handled in the same way, with the notable difference that instrument Plug-ins can be load-ed only in the first Plug-in slot of Sounds, whereas effect Plug-ins can be loaded in any Plug-inslot of any channel (Sounds, Groups or Master). For the rest, you can apply to effect Plug-inswhat you have learned about instrument Plug-ins (see ↑3.2.2, Loading a Drumsynth and ↑5.3,Using an Instrument Plug-in for the Bass).

In the following practical example, you will try to further shape your “Analovue” bass line byfattening its low frequency content while enhancing its overall warmth. For this, you will useone of the internal effects included with MASCHINE: the Saturator.

6.1.1 Loading an Effect in the Software

1. In the top part of the MASCHINE window, click the Group Bass to select it.

Applying Effects

Loading Effects


2. In the Control area below, click the SOUND tab to select the Sound level, since you wantto apply the saturation to a Sound.

3. The actual Sound that you assign the effect to is always the one in focus. Hence, at theleft of the Pattern Editor, click the Sound slot’s name (Analovue) to select that Soundslot.

4. At the far left of the Control area, click the small plug icon to display the Plug-ins.

This displays the Plug-in List on the left of the Control area:

The Plug-in List in this instance contains Massive.

Applying Effects

Loading Effects


5. Click the “+” icon below to open the Plug-in menu.

The Plug-in menu opens and displays a list of all available effects.

6. In this menu, click the Saturator entry to load it.

→ The Saturator plug-in is now loaded and is ready to be tweaked.

If you have VST/AU effect plug-ins installed, you may also load them from the menu by selectingthe Native Instruments submenu (for Native Instruments products) or the corresponding vendorsubmenu (for third-party products).

Applying Effects

Loading Effects


If you wish to load a Plug-in at the Group level, just follow the same procedure except at the secondstep click the GROUP tab instead of the SOUND tab! Similarly, if you wish to load a Plug-in at theMaster level (to process the audio of the whole Project), click the MASTER tab at this step.

6.1.2 Loading an Effect on the Controller

1. Press the PLUG-IN button to enter Control mode and display the Plug-in slots.

2. Press button B to select the Group “Bass” containing the bass lines.

3. Press SELECT + pad 1 to select the Sound “Analovue.”

4. Press Button 3 to select the SOUND tab.

5. Press Button 6 to select the next free Plug-in slot.

6. Press SHIFT + BROWSE to select an effect.If you would have pressed BROWSE alone here, you would have accessed the Browser. Byadditionally holding SHIFT, you access the Plug-in menu instead!

7. Turn Knob 1 until the TYPE field is set to Instr..

8. Turn Knob 2 until the VENDOR field is set to INTERNAL.

⇨ The right display shows you the available effects.

Applying Effects

Loading Effects


9. Turn Knob 8 to select Saturator, and press Button 8 to load it.

10. Press SHIFT + BROWSE again to leave the effect selection.

→ The Saturator Plug-in is now loaded and is ready to be tweaked.

To load a Plug-in at the Group level, please follow the same procedure except at the third step pressButton 2 (GROUP) instead of Button 3 (SOUND). Similarly, to load a Plug-in at the Master level (toprocess the audio of the whole Project), press Button 1 (MASTER) at this step.

6.2 Playing with Effects

Once the Saturator Plug-in is loaded into the Plug-in List, you will find its parameters dis-played in the Control area when the Saturator effect is selected:

When Saturator is selected from the Plug-in List, the Control area displays its parameters.

Applying Effects

Playing with Effects


6.2.1 Adjusting the Effect Parameters

To adjust the effect parameters to your needs, the method is basically the same as when youadjusted the parameters for the MASSIVE plug-in in Accessing the Plug-in Parameters.

Press PLAY on your controller or the [Space] bar on your computer keyboard to start the sequencer.This way, you can directly hear how your settings affect the sound!

6.2.1.1 Adjusting the Effect Parameters in the Software

In the Control area, you can quickly adjust each parameter with the mouse:

1. Click in the display of the Mode selector at the left and select the Tube entry in the menuthat opens.

Upon your selection, the other parameters change in the Parameter area, giving you ac-cess to settings specific to this saturation mode.

2. To adjust the various parameters, click and drag the knobs to change their values, andclick the buttons to activate/deactivate them.

Applying Effects



6.2.1.2 Adjusting the Effect Parameters on the Controller

Adjusting the parameters for the Saturator.

1. Check that the PLUG-IN button is lit — if not, press it to enter Control mode.

2. Press Button 5 or 6 to select the Saturator Plug-in.

3. Turn Knob 1 until the MODE field reads Tube.This selects the Tube mode of the Saturator.

Similarly, adjust the other parameter values by turning the corresponding Knobs.

6.2.2 Practice Makes Perfect!

Don’t hesitate to practice with loading effects in different places of the tutorial Project and ad-justing their parameters. For example:

▪ You could load a Chorus on the Sound “Snare Ektl A 1” of the drum kit Group to slightlywiden its sound (use a low value for the Mix parameter of the effect).

▪ In that same drum kit Group, you could apply a slowly evolving Flanger on the Sound“Shaker Ektl A” to make it livelier.

▪ On the way, you will note that the drum kit Group itself (“EK-TL A Kit”) already has a Max-imizer applied that processes the whole drum kit. Why not load a subtle Reverb to makethe kit sound more natural?

Applying Effects



6.2.3 Bypassing Effects

Bypassing effects might come in handy whenever you want to return to a dry, unaltered signal:Such as after applying so much Reverb that you can’t hear the dry signal anymore or to get ridof the feedback while using the Delay for example. Bypassing effects is also a great tool whenplaying live!

6.2.3.1 Bypassing Effects in the MASCHINE Software

1. At the top left of the Control area, click the tab of the level (either SOUND, GROUP orMASTER) where you want to bypass the effect.

2. If you want to bypass an effect at the Sound or Group level, make sure you have the rightSound (click it on the left of the Pattern Editor) and/or Group (click it on the left of theArranger) selected.

3. To bypass the effect, click the FX icon at the left of the effect name in the Plug-in List.

The effect is grayed out to indicate that it is now bypassed.

4. To reactivate the bypassed effect, click its FX icon.

Bypassing effects can be very useful when adjusting effect parameters in order to compare thesound with/without an effect. But more than this, bypassing effects is also a powerful creative toolwhen playing live.

Applying Effects



It's also possible to bypass effects directly from the Mix view. When in Mix view click the smallsquare at the left of the effect name in the Plug-in List. Click again to reactivate the effect.

For detailed information on Mix view and using effects, please refer the Maschine Manual.

6.2.3.2 Bypassing Effects on the Controller

1. Check that the PLUG-IN button is lit — if not, press it to enter Control mode.

2. Depending on the level (Master, Group or Sound) the effect you want to bypass is located,do the following:

▪ Effect on Master: Press Button 1 (MASTER).

▪ Effect on a Group: Press Button 2 (GROUP) to select the Group level, then press the de-sired Group button (A–H) to select the corresponding Group.

▪ Effect on a Sound: Press Button 3 (SOUND) to select the Sound level, press the desiredGroup button (A–H), then press the desired pad (or SELECT + the desired pad if the Key-board mode is active) to select the corresponding Sound.

1. Press Button 5 or 6 to select the effect you want to bypass.

2. Hold SHIFT and press Button 7 above the right display to bypass the selected effect.The effect unit does not affect the sound anymore. For example, here the Saturator is by-passed:

3. To reactivate a bypassed effect, press Button 5 or 6 to select the effect.

4. Hold SHIFT and press Button 7 to reactive the effect.

Applying Effects



6.3 Modulating Effect Parameters

One of the really cool features of MASCHINE is the ability to modulate parameters from theControl area in a very easy way — both from the controller and in the software. Modulating aparameter means recording an offset to its value over time in order for these changes to beplayed back again automatically in your song. The modulation data is saved into the currentPattern. As an example, you could use this to create a filter sweep played in loop with yourPattern.

Modulation is not limited to effects: In MASCHINE, you can modulate just about any parameter atthe Group or Sound level as soon as it has a continuous range of values — in other terms, almostany parameter controlled by a knob in the Parameter area!

6.3.1 Recording Modulation

Now try to record some simple modulation for the effect parameter of your choice.

6.3.1.1 Recording Modulation in the MASCHINE Software

If you take a closer look at the knobs in the Parameter area you will notice they have an outerring. This ring serves for recording modulation:

► To record modulation, check that your song is playing, click the outer ring of the desiredknob and then drag it vertically.

Recording modulation for a parameter.

▪ You will note that the colored ring usually representing the current value of the parameterturned to a colored little dash. This dash follows the movements you just recorded.

To remove modulation, do the following:

Applying Effects

Modulating Effect Parameters


► To remove the modulation for a parameter, right-click its outer ring.

→ The dash in the outer ring turns back to the usual indicator for unmodulated parameters.

6.3.1.2 Recording Modulation using the Controller

Locate the Parameter to Modulate

First, if the parameter you want to modulate is not currently visible on the controller displays,you need to navigate to that parameter:

1. Press CHANNEL or PLUG-IN depending on whether the parameter is located in Channelproperties or in a Plug-in, respectively.

2. Select the channel (Sound, Group or Master) containing the parameter:If the parameter is at the Master level, press Button 1 (MASTER).If the parameter is in a Group, press Button 2 (GROUP) and select that Group by pressingits Group button A–H.If the parameter is in a Sound, press Button 3 (SOUND), select its parent Group by press-ing its Group button A–H, and select that Sound by pressing its pad (with pads in Groupmode, PAD MODE lit) or SELECT + its pad (this works with pads in any mode).

3. Now press Button 5 or 6 to select the particular Plug-in or the particular Channel proper-ties in which the parameter is located.

4. If parameters are spread over several pages, use the Page buttons (the two arrow buttonsleft of the displays) to show the page containing the desired parameter.

→ Now the parameter appears in the displays and you can adjust it via one of the Knobs 1–8underneath.

Applying Effects



Navigating to the desired parameter.

Modulate the Parameter

To modulate one or more parameter(s) visible in the displays:


2. Hold AUTO and turn Knob 1–8 under the displays corresponding to the parameter(s) thatyou want to modulate.

→ Your modulation gets recorded now. On the next loop, the parameter changes will be re-produced.

There is also another way to record modulation from your controller: the step sequencer. More onthis in ↑7, Creating Beats with the Step Sequencer!

Delete the Recorded Modulation

If you want to discard the modulation you just recorded and try again, do the following:

► Press and hold ERASE, and touch the same Knob 1–8 to delete the modulation for thecorresponding parameter.

6.3.2 Editing Modulation

You edit any recorded modulation in the software. For this, the Control Lane is at your disposalat the bottom of the Pattern Editor:

Applying Effects



The Control Lane displays the changes you recorded for each automated parameter.

To edit the modulation:

1. Click the desired parameter in the list of automated parameters (on the left) to select it.

2. Drag the modulation points vertically in the Control Lane.

For more information on editing modulation and automation, please refer to the Manual.







6.5 To Sum Up…

In this tutorial, you have learned the following:

▪ The concept of Plug-in List (and Plug-in slot).

Applying Effects

Saving Your Project


▪ The hierarchic structure of a Project (Sound level, Group level, and Master level).

▪ How to load Plug-ins using the Plug-in menu.

▪ How to adjust Plug-in parameters.

▪ How to bypass Plug-in slots.

▪ How to automate Plug-in parameters.

Once you feel comfortable with these few tasks, proceed with the next tutorial, where you willdiscover another great way for creating beats: the step sequencer.

Applying Effects

To Sum Up…


7 Creating Beats with the Step Sequencer

In this chapter you will learn a different way to create Patterns from your controller: the Stepmode. The Step mode turns your controller into a fully featured step sequencer. If you are fa-miliar with classic drum machines, you should quickly feel at home. Throughout this tutorial,you will also discover more about the Step Grid and quantization settings.

In this tutorial, you will:

▪ Switch the controller to Step mode and create a new Pattern in this mode.

▪ Adjust the Step Grid.

▪ Use Step mode to record modulation.

Prerequisites

It is assumed here that you have followed the previous tutorials. For this tutorial you will espe-cially need to be acquainted with the following topics:

▪ Quantization basics (Quantizing the Rhythm)

▪ Pattern Length (Adjusting the Pattern Length)

▪ Adjusting Plug-in parameters (Accessing the Plug-in Parameters and ↑6.2, Playing with Ef-fects)

▪ Modulation (↑6.3, Modulating Effect Parameters)




Creating Beats with the Step Sequencer


7.1 Building Up a Beat in Step Mode

Until now, you recorded all Patterns “live”: You hit the various pads at the desired momentswhile the sequencer was playing and the sequencer directly recorded your hits. This is the re-cording workflow when the controller is in Control mode. On the contrary, in Step mode you pro-gressively build up the Pattern by programming a sequence for each individual Sound of theselected Group. Notably, the sequencer does not need to be playing.

7.1.1 Using Step Mode


1. Press button A to select Group A (with the drum kit).

2. Press PATTERN + pad 3 to select the Pattern slot 3 (still empty).

3. Hit the pad with the Sound you want to sequence.

4. Press the STEP MODE button at the top left of your controller to enter Step mode.Each pad now represents one step of a 16-step sequence: you can activate each step bypressing a pad once, lighting it up. If you press the pad again, the step is removed. Thisway it’s quick and easy to create a drum pattern.

5. Press PLAY to start the sequencer.Now you will hear the sequence and see a light chasing through the pads, starting frompad 1, going up all four rows from left to right and ending at pad 16. You may continue toactivate or deactivate pads to build your sequence during playback.

6. To switch to another Sound, press SELECT and the pad with the Sound you want to se-quence.

→ Progressively, you build up a new Pattern.

At any time, you can leave Step mode:

► Press the STEP MODE button to exit Step mode.

For now, stay in Step mode, to learn a few more things about this mode, so press STEP MODEagain if needed (STEP MODE must be lit).


Building Up a Beat in Step Mode


7.1.2 Adjusting the Pattern Length in Step Mode

At any time, you can adjust the Pattern Length directly from the Step mode:

1. Press PATTERN and turn Knob 4 to adjust the Pattern Length.Only 16 steps will be represented on your pads, so if you want to program longer Patterns,you will have to switch to the previous/next 16 steps using Knob 6, or alternatively:

2. Press FOLLOW (in the Transport section of your controller) and MASCHINE will automati-cally follow the Pattern and display the next 16 steps of the Pattern on the pads as thesequence plays.

In Step mode, the left display always indicates which part of the Pattern is currently represent-ed on your pads:

The 16 pads representing the full Pattern (the Pattern is one bar long).

The 16 pads representing the second quarter of the Pattern (the Pattern is four bars long).




1. Press PATTERN and turn Knob 4 to adjust the Pattern Length.Only 16 steps will be represented on your pads, so if you want to program longer Patterns,you will have to switch to the previous/next 16 steps using Knob 6, or alternatively:

2. Press Button 5 (FOLLOW) and MASCHINE will automatically follow the Pattern and dis-play the next 16 steps of the Pattern on the pads as the sequence plays.

In Step mode, the left display always indicates which part of the Pattern is currently represent-ed on your pads:

The 16 pads representing the full Pattern (the Pattern is one bar long).

The 16 pads representing the first quarter of the Pattern (the Pattern is four bars long).

7.1.3 Recording Modulation in Step Mode

It is also possible to record modulation in Step mode. This allows you to precisely define valuechanges for parameters at specific moments.




The procedure is straightforward:

1. Hold the pad representing the step you want to modulate.While you are holding the pad, the displays turn back to a mode similar to Control mode:

2. Press Button 1 (MASTER), Button 2 (GROUP) or Button 3 (SOUND) to select the level atwhich you want to modulate a parameter.

3. Press the PLUG-IN button if the desired parameter is located in a Plug-in, or press theCHANNEL button if the parameter is located in Channel properties.

4. Move the 4-D encoder to the left/right to select the desired Plug-in or Channel properties.

5. Use the Page buttons (the two arrow buttons left of the displays) to select the desiredpage of parameters.

6. While holding the pad, turn the Knob(s) under the displays with the parameter(s) youwant to record modulation for.

→ The value changes are stored for that particular step.




1. Hold the pad representing the step you want to modulate.While you are holding the pad, the displays turn back to a mode similar to Control mode:

2. Press Button 1 (MASTER), Button 2 (GROUP) or Button 3 (SOUND) to select the level atwhich you want to modulate a parameter.

3. Press the PLUG-IN button if the desired parameter is located in a Plug-in, or press theCHANNEL button if the parameter is located in Channel properties.

4. Press Button 5 and 6 to select the desired Plug-in or Channel properties.

5. Use the Page buttons (the two arrow buttons left of the displays) to select the desiredpage of parameters.

6. While holding the pad, turn the Knob(s) under the displays with the parameter(s) youwant to record modulation for.

→ The value changes are stored for that particular step.

7.1.4 A Few Notes on Step Mode

Here are a few points worth noting on Step mode:

▪ While you hold SELECT, the lighting behavior of the pads temporarily returns to Controlmode: Each pad represents a particular Sound and lights up when this Sound is played.This can be helpful to quickly check which Sounds are currently playing or find a particularSound for selecting (you then just need to press its pad to select it).

▪ In Step mode all notes are by definition quantized — i.e. they perfectly sit on the beatsand their subdivisions (the steps). See ↑7.2, Adjusting the Step Grid below for more onthis.




▪ You are free to use both Control mode and Step mode on the same Pattern! For example,you could start building a tight, basic beat in Step mode, then switch to Control mode andrecord live-played ornaments to add a human touch to your Pattern. Or you could record anatural Pattern in Control mode and correct the essential hits in Step mode.

7.2 Adjusting the Step Grid

As you have probably noticed, until now your beats were split into four steps each. In otherwords, the steps’ default size is 1/4th beat (or quarter note), that is 1/16th note (i.e. sixteensteps fill a whole note). The set of all available steps is called Step Grid. The Pattern Editor isthe place where you create/edit the events of your Pattern. The Step Grid is the grid that isused for the Pattern Editor.

The Step Grid resolution — in other terms the step size — directly affects the precision of allPattern editing actions, including quantization. As mentioned above, its default value is1/16th. However you may use another Step Grid resolution or disable the Step Grid complete-ly.

Although Step Grid is introduced here in the context of the Step mode, please note that the StepGrid equally affects both the Step mode (size and number of steps) and the Control mode (quanti-zation resolution)!

As an example, you might want to reduce the step size from 1/16th note to 1/32nd note. Thiswill allow you to place notes more precisely in the Pattern.

7.2.1 Adjusting the Step Grid in the MASCHINE Software

In the Pattern Editor the Step Grid is represented by vertical lines on each step and each beat:


Adjusting the Step Grid


The Step Grid with the default resolution (1/16th note).

To change the Step Grid resolution, do the following:

1. Click the Step menu at the bottom left of the Pattern Editor.

2. Select the desired step size in the list that opens.

You can directly see your modification to the Step Grid resolution:

The Step Grid after selecting 1/32nd in the Step menu.

Selecting another step size in the Step menu does not move any event in your Pattern. Instead, anyedit (position, length) that you make to your events will now snap to the new step size, and in Stepmode you have access to other steps on your controller.

If you select Off in the Step menu, the Step Grid is disabled. Nevertheless, the default step size(1/16th note) is still used to define your events in Step mode.




Similarly to changing the Pattern Length, changing the Step Grid resolution can result in agreater amount of steps in your Pattern than what your sixteen pads can represent. In thatcase, as described earlier, you can use the Page buttons to display the previous/next sixteensteps of your Pattern.

7.2.2 Adjusting the Step Grid on Your Controller

On your controller, to change the Step Grid resolution, do the following:

1. Press SHIFT + FOLLOW (Grid).

2. Press Button 4 to select STEP and access the Step Grid’s resolution setting.Now the pads represent the various resolution values available. The available resolutionsare indicated on the right display. The selected resolution is also highlighted on the rightdisplay and the corresponding pad is lit.

3. Press any pad to select another value.

→ The Step Grid uses the new resolution value.

On your controller, to change the Step Grid resolution, do the following:

1. Press and hold the GRID button.




2. Press Button 4 to select STEP and access the Step Grid’s resolution setting.Now the pads represent the various resolution values available. The available resolutionsare indicated on the right display. The selected resolution is also highlighted on the rightdisplay and the corresponding pad is lit.

3. Press any pad to select another value.

→ The Step Grid takes the new resolution value.







7.4 To Sum Up…


▪ Switch the controller to Step mode.


Saving Your Project


▪ Use Step mode to record Patterns.

▪ Record modulation in Step mode.

▪ Adjust the Step Grid resolution.

Once you feel comfortable with these few tasks, proceed with the next tutorial, where you willdiscover how to build a full arrangement for your song.


To Sum Up…


8 Creating Scenes

In the previous tutorials you created a few Patterns for the drum kit Group and bass Group.Using these Patterns you can now start to create your own Scenes. A Scene is made of a varia-ble number of Patterns that each represent a certain part of the song, e.g., intro, verse, chorus,break, another verse… Scenes are a very flexible way to create each part of your song.

In this tutorial, we will:

▪ Create Scenes by combining together the Patterns we created in the previous tutorials.

▪ Become familiar with Scene handling and prepare them for the Arranger.

▪ Discover various MASCHINE tools for performing live.

Prerequisites

It is assumed here that you have followed the previous tutorials. In particular, you already knowhow to manipulate Groups (↑5.1, Selecting Another Group) and Patterns (↑4.2, Adding a Sec-ond Pattern). If you have any doubts about these tasks, please refer to the corresponding tuto-rials before proceeding.

Furthermore, we assume that while following the previous chapters you accumulated a reason-able amount of Patterns for each Group (at least three or four Patterns per Group). If this is notthe case, we invite you to do it now as you will need them to compose your song.

If your tutorial Project “My First Project” is not open, please open it now:


8.1 Working with Scenes

The place where you assign Patterns to Scenes is in the Arranger, located in the top right partof the MASCHINE window.

This is how Scenes work:

▪ Only one Scene is played at a time.

Creating Scenes

Working with Scenes


▪ In each Scene, you can choose to play one particular Pattern from each Group. For exam-ple, in Scene 1 we play the Pattern 1 of the Group “EK-TL A Kit” (our drum kit) togetherwith the Pattern 2 of the Group “Bass” (our bass lines).

▪ In addition, a Pattern can be played in several Scenes: In fact, a Scene only contains areference to your Pattern, and you can place as many references to this Pattern as you wantin different Scenes. When you modify your Pattern in the Pattern Editor, all references to itare updated accordingly. This flexibility allows you to quickly experiment with different Pat-terns to find out how they sound together.

8.2 Assigning Patterns to Scenes

By default a Scene is created when a new Project is started, and as soon as you select a Patternslot an empty Pattern is created in the selected Scene. Since you selected quite a few Patternslots in both Groups while following the previous tutorials, Scene 1 already contains Patternsfor each existing Group in the Arranger.

Scene 1 containing two Patterns: Pattern 1 from the Drum Group and Pattern 2 from the Bass Group.

To select a particular Pattern slot in the selected Scene for playback you must select the Pat-tern slot:

► Press PATTERN + the corresponding pad on your controller or click the desired Patternslot in the Pattern Editor.

By repeating this for each Group you want to use in the selected Scene, you quickly composeyour Scene.

It is recommend that you create Scenes while the sequencer is playing:

Creating Scenes

Assigning Patterns to Scenes


► Press PLAY on your controller or the [Space] bar on your computer keyboard to start thesequencer. This way, you can directly hear if the various Patterns sound good together.

In previous tutorials, when you pressed PLAY the first Scene played because it was selected bydefault. This is a general rule: The selected Scene is played in a loop. As an example, we willnow build the second Scene.

Choose Your Own Workflow!

You can follow various workflows when composing Scenes:

▪ In the procedure described in this chapter, we'll compose Scenes one by one (first select-ing a new Scene, then choosing Patterns to include from the various Groups available, thenselecting the next Scene, etc.). This method allows you to quickly see how well Patternsfrom different Groups fit together.

▪ But you could also compose Scenes “Group by Group,” by first selecting a particular Group(for example, the drum kit), filling a few Scenes with Patterns from that Group, then select-ing the next Group, etc. This method puts the focus on how well Patterns fit together in theseries of Scenes — notably this can be useful to check your transitions are working.

▪ You could also use any combination of the workflows mentioned above to develop a methodthat best fits your own way of making music! For example, you could prepare a series ofrhythmic Patterns for a number of Scenes, and then go on filling Scenes one by one for theother more melodic Groups.

8.2.1 Creating other Scenes in the MASCHINE Software

In the software, do the following:

1. In Ideas view, click the + button to the right of the first Scene.

Creating Scenes



2. Click the desired Patterns for Scene 2.

The selected Patterns will play when Scene 2 is selected.

→ By repeating these two steps for all Groups you want to use in this Scene, you progressive-ly build up a new Scene.

You might also want to remove a Pattern from a Scene:

► To remove a Pattern from a Scene, simply click it.

→ The Pattern is removed from the Scene. You will note that the corresponding Pattern hasonly been dimmed and not deleted. You can click the Pattern again to reselect it for theScene.

8.2.2 Creating other Scenes using the Controller

Let’s select the second Scene:

1. Press NAVIGATE + Button 2 to enter Ideas view.

2. Press and hold the SCENE button.The pads now represent available Scenes. For the moment only pad 1 is lit: This indicatesthat Scene slot 1 is selected and all other slots are empty.

Creating Scenes



3. While holding SCENE, press pad 2 to select Scene 2.Pad 2 lights up brightly to confirm its selection.Pad 1 turns half lit, indicating that Scene 1 is not currently selected.

4. Release the SCENE button.

→ Scene 2 is now selected. If the sequencer is playing, you won’t hear anything becausethis Scene is still empty.

Now we can select one Pattern in each Group to include in this new Scene:

1. Press the desired Group button A–H to select a Group you want to use in Scene 2.

2. Press PATTERN + the desired pad to select the Pattern you want to use in Scene 2.

→ A Pattern has now been selected for Scene 2. By repeating these two steps for all Groupsyou want to use in this Scene, you progressively build up a new Scene.

You might also want to remove a Pattern from the selected Scene:

► To remove a Pattern for the selected Group from the selected Scene, press PATTERN +Button 2 (REMOVE).

→ The Pattern is removed from the Scene. You will note that the corresponding Pattern isstill there.

Don’t forget that you can at any time press UNDO or REDO to undo/redo your actions.

8.3 Managing Scenes

Now that we have created a few Scenes of interest, we want to organize them to make it easierto arrange them into a song when we add them later to the Arranger. For this, the Ideas viewprovides you with many editing facilities. Let’s introduce the most important ones.

Creating Scenes

Managing Scenes


8.3.1 Renaming and Coloring Scene Slots

As with Sound slots and Groups, you can change the name and color of your Scene slots for abetter visual organization, especially useful in a live situation, and for organizing parts of yoursong! Renaming and Coloring can only be done in the software.

1. To rename a Scene slot, double-click its current name, type a new name, and press [En-ter] on your computer keyboard.

Typing a new name for the first Scene slot.

2. To assign another color to a Scene slot, right-click the Scene slot’s label, select Color inthe context menu, and select the desired color in the palette.

You can also choose custom names and colors for your Pattern slots. Please refer to the Manual formore information on this.

8.3.2 Duplicating and Deleting Scenes

MASCHINE offers you various editing tools for your Scenes and Scene slots. Here are some ex-amples using your controller and a few more using the MASCHINE software.

8.3.2.1 Duplicating and Deleting Scenes in the MASCHINE Software

To duplicate a Scene in the Ideas view:

Creating Scenes

Managing Scenes


► Right-click for example the Scene slot 2 and select Duplicate in the context menu.

→ The content of Scene slot 2 is copied to the next Scene column and all other Scenes aremoved one Scene to the right.

To delete a Scene in the Ideas view:

► Right-click for example the Scene slot 2 and select Delete in the context menu.

→ The content of Scene slot 2 is deleted and all other Scenes are moved one Scene to theleft.

8.3.2.2 Duplicating and Deleting Scenes using the Controller

To duplicate or remove a Scene using your controller:

1. Press NAVIGATE + Button 2 to enter Ideas view.

Creating Scenes

Managing Scenes


2. Press and hold SCENE to enter Scene mode (or pin it by pressing SCENE + Button 1).The right display shows the names of your Scene slots. Additionally, the selected Sceneslot is highlighted.

3. Press for example pad 2 to select Scene slot 2.

4. Press Button 4 (DUPLICATE) to duplicate this Scene slot.

⇨ A new Scene slot is inserted right after Scene slot with the same properties and content.The existing Scene slots are shifted one slot to the right to make way for the new entry.Note that the duplicate slot is automatically selected.

5. Press Button 6 (DELETE) to remove this new Scene.

→ The Scene is removed. Scenes to the right of the removed Scene are shifted one slot tothe left to fill the gap.

8.4 To Sum Up…

In this tutorial, we have learned to:

▪ Create a Scene using our Patterns.

▪ Select a Scene for playing.

▪ Pin the various controller modes.

▪ Rename, color, duplicate, and delete Scenes slots.

Once you feel comfortable with these few tasks, proceed with the next chapter, where you canquickly assign your Scenes to Sections to create an arrangement.




Creating Scenes

To Sum Up…





Creating Scenes

Saving Your Project


9 Creating an Arrangement

The chapter explains how to arrange your song using MASCHINE. If you followed the previoustutorials you will have created a few Patterns for the drum kit Group and bass Group and addedthem to Scenes using the Ideas view. To create a structured arrangement it is necessary to addScenes to Sections in the Song view.

In this tutorial, we will:

▪ Learn how to switch from the Ideas view to the Song view.

▪ Learn how to create Sections.

▪ Learn how to assign Scenes to Sections using both the software and hardware.

▪ Get familiar with Section handling and prepare our song for production.

Prerequisites

It is assumed here that you have followed the previous tutorials. In particular, you already knowhow to manipulate Groups (↑5.1, Selecting Another Group), Patterns (↑4.2, Adding a SecondPattern) and that you have created a reasonable amount of Scenes (↑8, Creating Scenes). Ifyou have any doubts about these tasks, please refer to the corresponding tutorials before pro-ceeding.

If your tutorial Project “My First Project” is not open, please open it now:


9.1 Accessing Song view

The tutorials have so far only focused on the Ideas view were you created Patterns and as-signed them to a Scene. Now you have created several Scenes you can start to add them to theTimeline in the Song view.

The Song view is where you can sequence Scenes to create your final arrangement. This proc-ess involves creating a Section on the Timeline and assigning a Scene to it. Any Scene thatexists in the Ideas view can be assigned to a Section in the Song view. You can change the

Creating an Arrangement

Accessing Song view


length of the Section (determining the playback length of the Scene) or re-order the Sectionsas you see fit. You can also re-use the same Scene in multiple Sections in the timeline, or youcan choose to assign no Scene to the Section at all.

One powerful aspect of the relationship between the Ideas view and Song view is that the con-tent in these two areas are actually one-in-the-same. This means that if you make a change toa Scene it will affect all other instances of that Scene automatically. If you place a Scene inthree different Sections of the Timeline and then proceed to change the Patterns assigned tothat Scene, the other two instances of that Scene also play the newly-assigned Patterns. It’stherefore very easy to make changes to individual Patterns and Scenes after the arrangementhas been made and immediately hear the results in the context of the arrangement, and thosechanges can be made in either Ideas or Song view.

To access the Song view:

► Click the Arrangement view toggle button.

The Song view is located in the top right part of the MASCHINE window and is where you or-ganize your Sections in order to build up a song. The Arranger is empty when you open it forthe first time, but it provides you with unlimited Section slots. Each slot can contain oneScene.

The empty Song view.

This is how Sections work:


Accessing Song view


▪ The Song view is a timeline where playback of your Sections progresses from left to right.

▪ Only one Section is played at a time.

▪ Each Section contains one only Scene.

9.1.1 Creating your First Section

To begin arranging you must start to populate the timeline with Scenes from the Ideas View.There will be no Sections when you first enter the Song view.

Song view with no Sections

To create a new Section:

► In the Arranger, click the + button above the first column.

▪ A new empty Section is created.

To create a new Section in the Song view using your controller:

1. Press NAVIGATE + Button 3 SONG to access the Song view.

2. Press SCENE + pad 1.

→ A new empty Scene is created.


Accessing Song view


9.1.2 Assigning a Scene to a Section

Now you have created an empty Section on the timeline of the Arranger, you can now add aScene from the Ideas view to the Song view and start to arrange your song.

To add a Scene to a Section on the timeline of the Arranger:

► Right-click a Section slot and click Select in the context menu, then for example, selectScene 2 from the submenu.

→ The selected Scene is added to the Section.

To assign a Scene to a Section in the Song view using your controller:

1. Press NAVIGATE + Button 3 (SONG) to access the Song view.

2. Press SCENE then turn Knob 2 to select the Scene you want to assign to the Section.

→ The selected Scene is assigned to the Section.

By repeating this for each new Section, you can quickly assign Scenes to the Timeline of theSong view.


Accessing Song view


9.2 Managing Sections

Now that you have added your Scenes to a few Sections, you can start to organize them into asong. For this, the Song view provides you with many editing facilities.

9.2.1 Adjusting the Length of a Section

Before you start to adjust the length of a Section, it’s important to understand a few rules onhow Sections, Scenes and Patterns are displayed within the Song view:

By default the length of a Section is automatically set to the longest Pattern used within theSection (Auto Length), unless the length of the Section is manually set to a specific bar range(Manual Length).

▪ Auto Length: By default, the length of a Section corresponds to the longest Pattern used inthe referenced Scene. Inserting a new Pattern that is longer than the Section automaticallyextends the Section. Removing the longest Pattern from the Section automatically shrinksthe Section. Extending/shrinking the longest Pattern automatically extends/shrinks the Sec-tion accordingly.

▪ Manual Length: A Section can be manually adjusted to a set length. This can be shorter orlonger than the Pattern contained within the referenced Scene. Inserting or removing Pat-terns from the Scene will not alter the length of the Section, however the length of a Sec-tion can be altered by dragging the mouse directly in the timeline or by using your MA-SCHINE controller.

▪ If a Pattern is shorter than the Section it is placed in, it is automatically repeated until theend of the Section (the last repetition might be shortened). These repetitions are automati-cally generated and cannot be edited. They reference the same Pattern placed at the be-ginning of the Section. Repetitions of a Pattern are indicated by darker blocks in the Ar-ranger, and a Truncated Pattern marker will appear on the right-hand side of the Section toindicate that a section of the Pattern is hidden:


Managing Sections


▪ If a Section has been manually shortened, only the visible part of the Pattern within the setlength will be audible.

▪ Scenes always start at the beginning of the Section.

9.2.1.1 Adjusting the Length of a Section Using the Software

Variable Section length allows you to lengthen or shorten a Scene without altering the refer-enced Patterns. This is particularly useful as it avoids the need to create a new version of aScene when you only want to extend or truncate a Scene to make it fit an arrangement.

When the right end marker of a Section is extended beyond the length of a Scene, the refer-enced Patterns are repeated. When the right end marker of a Section is dragged so it is shorterthan the referenced Scene, only the part visible part of the Patterns are audible.

To lengthen a Section:

► Click and drag the end marker of the Section to the right.

→ The Scene will be repeated if the adjustment is longer than the referenced Pattern.

To shorten a Section:

► Click and drag the end marker of the Section to the left.


Managing Sections


→ The Scene will be shortened, and if the adjustment is shorter than the referenced Patterna small Truncated Clip marker will appear on the right-hand side of the Section to indi-cate that a part of the Scene is hidden. Only the visible part of the Scene will be audibleduring playback.

When adjusting the size of a Section the following rules apply:

▪ The value set in the Arrange Grid is used for length increments.

▪ When [Shift] is pressed while changing the length, the value set in the Step Grid is used.

▪ The minimum length a Section marker can be dragged without modifier is one Arrange Gridincrement.

▪ When [Shift] is pressed, the minimum length a Section marker can be dragged is one StepGrid increment.

▪ The minimum length of a Section equals the minimum Scene length. This can only be ach-ieved if Arrange Grid or Step Grid is set to Off.

9.2.1.2 Adjusting the Length of a Section Using the Controller

To adjust the length of a Section using your hardware controller:

1. Press NAVIGATE + Button 3 SONG to access Song view (if you are not already in theSong view).

2. Press the SCENE button to enter the Section page.

3. Press Button 1 to pin the page if required.

4. Select the pad representing the Section you want to adjust.

5. Turn Knob 4 to adjust the length of the Section as required. Turning the Knob left willshorten the Section, turning it right will lengthen the Section.


Managing Sections


6. Press SHIFT and turn Knob 4 to change the Section length in smaller increments.

→ The Section length is adjusted accordingly.

9.2.2 Duplicating and Removing Sections

MASCHINE offers you various editing tools for Section slots. Here are some examples usingyour controller and a few more using the MASCHINE software.

9.2.2.1 Duplicating and Removing Sections in the MASCHINE Software

To duplicate a Section in the Arranger:

► Right-click for example the Section slot 2 and click Duplicate in the context menu.

→ The content of Section slot 2 is copied to the next Section column and all other Sectionsare moved one Section to the right.

To remove a Section in the Arranger:


Managing Sections


► Right-click for example the Section slot 2 and click Remove in the context menu.

→ The content of Section slot 2 is removed and all other Sections are moved one Section tothe left. Note that the Section has only been removed from the arrangement but has notbeen deleted.

9.2.2.2 Duplicating and Removing Sections using the Controller

To duplicate or remove a Section using your controller:


2. Press and hold SCENE to enter Section mode (or pin it by pressing SCENE + Button 1).The right display shows the names of your Section slots. Additionally, the selected Sec-tion slot is highlighted.

3. Press for example pad 2 to select Section slot 2.

4. Press Button 4 (DUPLICATE) to duplicate this Section slot.

⇨ A duplicate of the Section slot is inserted to the right, it contains the same properties andcontent (Scene). The existing Section slots are shifted one slot to the right to make wayfor the new entry.Note that the duplicate slot is automatically selected.

5. Press Button 6 (REMOVE) to remove this new Section slot from your arrangement.


Managing Sections


→ The Section slot is removed. Sections to the right of the removed Section are shifted oneslot to the left to fill the gap.

9.3 Selecting a Loop Range

We already learned how to select a Section by clicking its Section slot in the software’s Arrang-er or by pressing SCENE + the desired pad on your controller (see Adding other Sections). Asingle selected Section is always looping automatically.

But MASCHINE also allows you to select several consecutive Sections and play them one afterthe other in a loop. Here's how to select the desired range of Sections.

9.3.1 Selecting a Loop Range in the MASCHINE Software

The Arranger provides a timeline located above the slot labels that always show the currentloop range:

The Arranger timeline showing that the Section 2 is looped.

To select another loop range:

1. In the Arranger timeline, click the end column of the start Section and hold the mousebutton.

2. Drag horizontally onto the column of the end Section and release the mouse button.

→ The start and end Sections along with all Sections in-between are played one after theother in a loop. The Arranger timeline indicates the new loop range.


Selecting a Loop Range


The loop range now contains three Sections.

You will note that selecting a single Section amounts to selecting a one-Section-long loop range.

9.3.2 Selecting a Loop Range using the Controller

On your controller:


2. Press and hold SCENE to enter Section mode (or pin it by pressing SCENE + Button 1).

3. Press and hold the pad corresponding to the start Section.

4. While holding the first pad, press the pad corresponding to the end Section.

→ The start and end Sections along with all Sections in-between are played one after theother in a loop.








Selecting a Loop Range


9.5 To Sum Up…

In this tutorial, we have learned to:

▪ Create Sections referencing our Scenes.

▪ Select a Section for playing.

▪ Pin the various controller modes.

▪ Rename, color, move, insert, and delete Sections slots.

▪ Select the desired loop range for playing.

▪ Adjust the behavior of the sequencer when jumping between Sections or loop ranges.

Once you feel comfortable with these few tasks, proceed to the MASCHINE Manual, where youcan learn about some of the more powerful features of MASCHINE.


To Sum Up…


10 Playing Live

At last we come to the real point of the Scenes: playing your song!

Creating a Studio Track or Performing Live

If you are composing a studio track that you plan to export as is, you can assign your Scenes toSections in the Song view and arrange your song so that your whole track can be played in onego from the very first Scene to the very last one. For more information on arranging your songand using Sections, refer to: ↑9, Creating an Arrangement.

If you are preparing a track for a live performance, you will probably want to trigger differentScenes using the pads. To help with this MASCHINE provides some useful tools.

10.1 Performing with Scenes and Sections using the Pads

MASCHINE provides you with settings to fine-tune the timing of the jump between the Scenesand Sections:

▪ The Perform Grid lets you quantize the Scene transitions: You can choose the point at whichthe playback will leave the current Scene (Ideas view) or Section (Song view). For example,you might not want a newly selected loop to fire off immediately — you might want it towait until the next bar line. The available quantization values are: one bar, one half note,one quarter note, one eighth note, one sixteenth note, the whole Scene/Section, and Off. Ifyou choose Off, the Scene/Section change will be performed immediately after you selectthe next loop.

▪ The Retrigger setting lets you decide where the next loop will start:

◦ If Retrigger is enabled, the next Section (Ideas view) or Section (Song view) that is se-lected will be forced to play from the start. This is useful if you always want yourScenes or Sections to play from the beginning regardless of what’s happening else-where in the music.

Playing Live

Performing with Scenes and Sections using the Pads


◦ If Retrigger is disabled (default setting), the next Scene or Section that is selectedwill play from the same offset to the beginning: for example, leaving the current Sec-tion on beat 3 will cause the new Section to start playing on its beat 3. This ensuresthat the global groove of your track is not interrupted.

10.1.1 Jumping between Scene or Sections in the Software

In the software, the Perform Grid and the Retrigger setting can be adjusted in the MASCHINEHeader.

In Ideas view the Perform Grid and the Retrigger controls the setting for jump between Scenesand in Song view it sets the grid for the jump between Sections.

To set the Perform Grid and the Retrigger settings:

1. Click the Arranger View button to access Ideas view for Scenes or Song view for Sections.

⇨ When the Arranger View button is illuminated, Song view is active.

2. To adjust the Perform Grid, click the Performance Grid menu in the Header and select thedesired division from the menu:

Playing Live



→ The next time you select a new Scene/Section or group of Scenes/Sections for looping, theswitch will happen on the next division selected here.

► To enable/disable the Retrigger setting, click the Performance Grid menu in the Headerand select Retrigger from the menu.

→ The next time you select a new Scene/Section or group of Scenes/Sections for looping, thenew loop will start from the beginning of the first Scene/Section (Retrigger enabled) orfrom the same position as where it left the current Scene/Section (Retrigger disabled).

10.1.2 Jumping to Other Scenes using the Controller

In Ideas view the Perform Grid and the Retrigger controls the setting for jump between Scenesand in Song view it sets the grid for the jump between Sections.

To set the Perform Grid and the Retrigger settings:

1. Press ARRANGE.

2. Press SHIFT + Button 1 or 2 to select Ideas view or Song View.

3. Press and hold GRID to enter Grid mode (or pin it by pressing GRID + Button 1).

4. Press Button 2 to select PERFORM.

5. Press a pad to select the desired value, for example pad 9 (for 1/4, a quarter note).

Playing Live



→ The next time you select a new Scene/Section or loop range, the switch will happen onthe next quarter note.

Adjusting the Scene Retrigger Setting

To adjust the Scene Retrigger setting:

1. Press and hold SCENE to enter Section mode (or pin it by pressing SCENE + Button 1).

2. At the bottom left corner of the left display you see the current RETRIGGER value (Off bydefault).

3. Turn Knob 1 to select On.

→ The next time you select a new Scene or loop range, it will start from the beginning.

Adjusting the Section Retrigger Setting

To adjust the Section Retrigger setting:

1. Press and hold SHIFT + SCENE to enter Section mode (or pin it by pressing SCENE +Button 1).

2. Press the Right Page button to access page 2.

3. At the bottom left corner of the left display you see the current RETRIGGER value (Off bydefault).

4. Turn Knob 1 to select On.

→ The next time you select a new Section or loop range, it will start from the beginning.

Playing Live



11 Quick Reference

This chapter introduces you to the main areas and concepts of MASCHINE. In the followingsections, you will find:

▪ Information that will help you in your every-day work with your controller (↑11.1, UsingYour Controller).

▪ An overview of a MASCHINE Project and a description of both its structure and content(↑11.2, MASCHINE Project Overview).

▪ A basic reference of your hardware controller, naming and quickly describing each of itscontrol elements (↑11.3, MASCHINE Hardware Overview).

▪ A basic reference of the MASCHINE software (↑11.4, MASCHINE Software Overview).

For a comprehensive description of every feature and setting, please refer to the Manual.

11.1 Using Your Controller

This section provides useful information for your every-day work with the MASCHINE control-ler.

For a complete reference of all shortcuts available on your controller, please refer to the Manual.

11.1.1 Controller Modes and Mode Pinning

The controller has different modes of operation.

In addition to the default Control mode (in which the pads trigger your Sounds), there aremany other modes for accomplishing various tasks. These modes are enabled by specific but-tons on your controller (e.g., SCENE, BROWSE, GRID, etc.).

Quick Reference

Using Your Controller


For some of these modes, you need to hold the button to keep the mode active. For example,when you press the PAD MODE button, the displays will show pad-specific control options;when you release it, the controller switches back to Control mode.

The buttons that are required to be held are in the middle column of your controller (left of thepads) along with the NOTE REPEAT, GRID, EVENTS, AUTO, REC and TAP, buttons:

Each of these buttons needs to be pressed in order to use the corresponding mode.

Quick Reference



Pinning the Controller Modes

You can also pin (i.e. lock) controller modes, so the controller doesn’t switch back when releas-ing a mode button:

1. Press and hold a controller mode button, e.g., GRID.

2. Press Button 1 above the left display.

→ You can release the GRID button: The controller will remain in Grid mode until you pressGRID again.

Once a mode has been pinned your controller will automatically pin the mode next time it is press-ed.

You can unpin any mode by pressing the mode button and Button 1.

11.1.2 Controlling the Software Views from Your Controller

Your controller provides you with numerous shortcuts to modify the display in the MASCHINEsoftware window without having to touch your mouse.

To control the software views using the controller:

► Press and hold the NAVIGATE button to enter Navigate mode. You can also press NAVI-GATE + Button 1 to pin the Navigate mode so that you can release NAVIGATE and stay inNavigate mode (see ↑11.1.1, Controller Modes and Mode Pinning).

→ The Navigate screen appears.

Controlling the Software

Use the buttons above the screens navigate views:

General Navigation View

Action Shortcut

Select Ideas view Button 2

Select Song view Button 3

Quick Reference



Action Shortcut

Select Mixer view Button 4

Select Browser Button 5

Compact/Full Mixer (Mixer view only) Button 6

Select Modulation Lane Button 7

Select Follow Button 8

Use the knobs to navigate the software screen.

Action Shortcut

Zoom Arranger in/out (Song view only) Knob 1

Scroll Arranger left/right (Song viewonly)

Knob 2

Zoom Pattern Editor in/out Knob 5

Scroll Pattern Editor left/right Knob 6

Use the pads to control the software.

Action Shortcut

Scroll Pattern left Press pad 1

Scroll Pattern right Press pad 3

Zoom out Pattern Press pad 2

Zoom in Pattern Press pad 6

Scroll Arranger left (Song view only) Press pad 9

Scroll Arranger right (Song view only) Press pad 11

Zoom in Arranger (Song view only) Press pad 14

Zoom out Arranger (Song view only) Press pad 10

Page Navigation View

Quick Reference



Action Shortcut

Select Page Navigation SHIFT + Button 2

Channel Mode

Select Channel Properties (Input,Output, Groove, or Macro)

Button 5 and 6

Select Page Bank Button 7 and 8

Plug-in Mode

Select Plug-in Button 5 and 6

Select Page Bank Button 7 and 8

11.2 MASCHINE Project Overview

A MASCHINE Project contains all the information stored with a MASCHINE-produced piece ofmusic.

▪ The Project references all the sound content: the instruments, sounds and samples, and allthe effects that you apply to them.

▪ The Project also contains the arrangement of your song: how Patterns are built from eventswhich trigger Sounds, and how they are arranged into a song structure using Scenes andSections.

The following section will explain these two aspects in detail.

11.2.1 Sound Content

The sound content aspect of a MASCHINE Project includes all the instruments and effectscontained in your Project file, and how these are structured.

Quick Reference

MASCHINE Project Overview


2

3

1

The sound content aspect of a MASCHINE Project with Ideas view selected.

▪ Groups (1) are available in Banks. Each Bank contains eight Groups (A-H) and each Groupcontains sixteen Sound slots (1–16) (2). Each Sound slot can be filled with samples orplug-ins.

▪ You can influence the sound on these three channels: the Project (or Master) channel, theGroup channel, and the Sound channel. The relevant controls are situated in the Controlarea (3), which can be used for accessing Plug-in parameters or Channel properties.

▪ The Control area has three tabbed sections corresponding to each channel: MASTER,GROUP, and SOUND.

◦ The controls in the SOUND section affect the sound of the selected Sound (1–16).

◦ The controls in the GROUP section affect the sound of the selected Group (A–H), i.e.the sound of all its Sound slots.

Quick Reference



◦ The controls in the MASTER section affect the sound at the main outputs of MA-SCHINE, i.e. the sound of all Groups and all Sounds.

11.2.2 Arrangement

The MASCHINE Project is about building patterns, and putting those patterns into a loop or asong structure. In MASCHINE, the process of creating ideas is separated from the process ofarrangement to provide a more flexible and creative approach. To reflect this the Arrangementarea is split into two views: Ideas view and Song view which you can easily switch between us-ing your controller. The two views reflect the same content but in different ways.

Ideas View

The Ideas view is best equipped to help you develop your Patterns and Scenes. Here you cre-ate and record your Patterns and then combine them by assigning them to Scenes. Once youhave created a number of Scenes that are ready to be arranged you can add them to the Songview.

Quick Reference



1 2 3

4

5

67The Ideas view of a MASCHINE Project optimized for creating Patterns and building Scenes.

The workflow of creating ideas in MASCHINE is as follows:

▪ You load samples or plug-ins into the Sound slots (7) of the selected Group (2).

▪ You record instances of your Sounds by playing the pads (1-16). A recorded instance of aSound is called an event (6).

▪ Together, the events add up to a Pattern (1) for the selected Group.

▪ All of this takes place in the Pattern Editor (5), where you can create several Patterns foreach of your Groups.

Quick Reference



▪ In the upper half of the software, the Ideas view (4) allows you to combine your Patternsfrom each Group.

▪ Here you combine your Patterns (1) into Scenes (3).

Song view

In the Song view Scenes are assigned to Sections and placed on the Timeline of the Arranger,where you can move them around to develop an arrangement.

1 2

The Song view of a MASCHINE Project.

The workflow of creating an arrangement in MASCHINE is as follows:

▪ Create Sections on the Timeline of the Arranger (1).

▪ Assign each Scene to a Section (2).

Quick Reference



▪ Change the position of a Section by dragging the Sections slot.

11.3 MASCHINE Hardware Overview

11.3.1 MASCHINE STUDIO Hardware Overview

This section quickly describes the areas and control elements on your hardware controller.

Quick Reference

MASCHINE Hardware Overview


2

3

4

5

6

7

1

Overview of the MASCHINE STUDIO hardware controller.

(1) CONTROL section: Use this multi-purpose section to access to all parameters of the modeselected on your controller. There are also dedicated buttons to access the Browser and theSample Editor. For more information on this section please view ↑11.3.1.1, CONTROL Sec-tion.

Quick Reference



(2) I/O and Level section: Use this section to access to all parameters related to metering via thecontroller and for selecting an audio input channel. There are is a level meter, level knob anddedicated input/output buttons which allow you to select an input for sampling and an outputfor metering. For more information on this section please view ↑11.3.1.2, I/O and Level Sec-tion.

(3) EDIT section: This section holds the multifunctional jog wheel in the middle which allowsyou to control the Tune, Swing, and Volume parameters, as well as scroll through lists inBrowse mode, or scrub through a song. This section also provides dedicated buttons for editingpatterns and their events. For more information on this section please view ↑11.3.1.7, EDITSection.

(4) PADS section: Access the various controller modes using the column of mode buttons onthe left-hand side of this section. Pads 1-16 allow you to play the Sounds of the selectedGroup. For more information on this section please view ↑11.3.1.6, PADS Section.

(5) TRANSPORT section: Start, stop and restart playback, activate record and skip bars whileplaying, simply by pressing the dedicated buttons. Use SHIFT to access the secondary func-tions of your controller. For more information on this section please view ↑11.3.1.5, TRANS-PORT Section.

(6) GROUPS section: The dedicated Group buttons allow you to instantly access each Group ofSounds. For more information on this section please view ↑11.3.1.4, GROUPS Section.

(7) PERFORMANCE section: This contains dedicated controls related to performance aspects ofyour project such a Tap tempo Step Mode and Macro. The NOTE REPEAT button is also posi-tioned here, ready to help with the creative process of making beats. For more information onthis section please view ↑11.3.1.3, PERFORMANCE Section

11.3.1.1 CONTROL Section

This section gives an overview of the CONTROL section.

Quick Reference



1 2

3 4

5 6

7

8 9

10

11

12

Overview of the CONTROL section.

(1) CHANNEL button: Press CHANNEL at any time to return to Channel mode. In this mode youcan quickly access the Channel properties including Input, Output, Groove and Macro. You canalso use the CHANNEL button to access MIDI mode by pressing SHIFT + CHANNEL. Thismode will enable you to use MASCHINE as a MIDI controller.

For detailed information on MIDI mode, please refer to the Controller Editor Manual.

(2) PLUG-IN button: Press PLUG-IN at any time to return to Control mode — the default modeof the controller. In this mode, the pads represent the Sounds of the selected Group. At thesame time, Control mode provides instant access to all Sound, Group and Master parametersvia the eight Buttons and eight Knobs above and under the displays. Press SHIFT + STEP toenter Instance mode. In this mode you can select which instance of the MASCHINE plug-in youwant to control from your hardware controller if you have more than one instance open in yourDigital Audio Workstation (DAW).

(3) ARRANGE button: Press ARRANGE at any time to access the Arrange view. This mode allowsyou to edit your Scenes and Patterns to create the perfect arrangement.

(4) MIX button: Press MIX at any time to access an overview of your mix. Use the Mix view toedit the level and panning of each Sound and Group.

Quick Reference



(5) BROWSE button: Press the BROWSE button to access the Browser. Press SHIFT + BROWSEto access the Plug-in menu and load a Plug-in (Internal, Native Instruments, and External, aswell as Instrument and Effect) in the selected Plug-in slot.

(6) SAMPLING button: Press the SAMPLING button to access the Sample Editor.

(7) Page buttons: Almost any feature of MASCHINE can be accessed using the hardware con-troller. For a clear and simple layout of the displays, the parameters are grouped into differentpages — these are selected using the Page buttons.

(8) ALL button: The ALL button on its own currently does not have any functionality. However,use the ALL button to save your project by pressing SHIFT + ALL.

(9) AUTO button: In MASCHINE, modulation of almost any parameter on the Sound and Grouplevel is achieved with one-touch simplicity. Press and hold this button while turning any of theeight Knobs (or any combination) under the displays to record automation for the correspond-ing parameter(s).

The Auto mode can be pinned: Press SHIFT + AUTO to pin/unpin the Auto mode. See ↑11.1.1,Controller Modes and Mode Pinning for more information.

(10) Buttons 1–8: About one fourth of the hardware is occupied by the multi-functional controlarea, which forms the core of MASCHINE’s mouse-free workflow. The eight Buttons above thedisplays dynamically adapt their function to the currently active environment, allowing directaccess to the most important sub-sections and functions. The action they perform is shown be-low each button in the displays.

(11) Displays: The displays are laid-out to provide you with all essential information — there’sno need to glance at the computer screen.

(12) Knobs 1–8: Each Knob dynamically controls the parameter shown in the display above it.

11.3.1.2 I/O and Level Section

This section gives an overview of the I/O and Level section.

Quick Reference



2

3

4

5

6

7

8

9

10

11

1

Overview of the I/O and Level section.

(1) Level meter The Level meter displays the volume level of the selected input/output. Selectan input (3–6) or output (7–10) to display it in the Level meter.

(2) MST button (Master button) Press this button to display the Master volume level in the Levelmeter (1) and use the Level knob (2) to adjust its volume level.

(3) GRP button (Group button). Press this button to display the volume level of the selectedGroup in the Level meter (1) and use the Level knob (2) to adjust its volume level.

(4) SND button (Sound button). Press this button to display the volume level of the selectedSound in the Level meter (1) and use the Level knob (2) to adjust its volume level.

(5) CUE button Press this button to display the Cue level in the Level meter (1) and use theLevel knob (2) to adjust its volume level.

(6) Level knob Turn the Level knob to adjust the level of the selected input/output.

Quick Reference



(7–8) IN1–4 buttons: Press these buttons to select an external audio input for a Sound. Youcan meter an input level using the Level meter (1) and adjust an input level using the Levelknob (2).

(11) MIDI indicators : These LED's represent MIDI Input and Output traffic (1 MIDI-In, 3 MIDI-Out).

11.3.1.3 PERFORMANCE Section

This section gives an overview of the PERFORMANCE section.

2 3 41

Overview of the I/O and Level section.

(1) TAP button: Use the TAP button to tap each beat of your song. The BPM (beats per minute)will be automatically computed to determine the tempo. Alternatively, hold the TAP button andturn the jog wheel to adjust tempo.

(2) STEP MODE button: As a complement to Control mode, Step mode doubles as a full-featuredstep sequencer. In this mode, each pad represents one step of the selected Step Grid resolu-tion. During playback, a running light shows the current position of the step sequencer. Press-ing the pads creates notes on the corresponding steps (causing them to light up) or it removesthem.

(3) MACRO button: Macro Controls enable you to control in one same location a selection ofparameters from different sources. Available in every channel (Sounds, Groups, and Master),Macro Controls are very useful for playing live since you can choose a set of parameters fromvarious sources to manipulate on one screen without having to switch screens. For detailed in-formation on Macro Controls, refer to the MASCHINE Manual.

Quick Reference



(4) NOTE REPEAT button: Note Repeat is a really handy way to play and record beats — it playsthe selected Sound automatically at a given rate. While holding the NOTE REPEAT button,hold the pad you want to play: notes will be repeatedly triggered at the rate selected in theright display. With Buttons 5–8, you can select different rates while playing. You can selectnew rate values for each of these buttons by turning Knobs 2–4.

The Note Repeat mode can be pinned: Press NOTE REPEAT + Button 1 to pin/unpin the Note Re-peat mode. See ↑11.1.1, Controller Modes and Mode Pinning for more information.

11.3.1.4 GROUPS Section

This section gives an overview of the GROUPS section.

Overview of the GROUPS section.

Group buttons: Press one of the eight dedicated Group buttons A–H to select the Group youwant to work in. These buttons are also used to solo and mute Groups on the fly when SOLO orMUTE buttons are held — great for jamming out your Project and performing live!

Press SHIFT + Group buttons A–H to select a Group Bank. For more information on Group Banksplease refer to the Manual.

11.3.1.5 TRANSPORT Section

This section gives an overview of the TRANSPORT section.

Quick Reference



2 3 4

5678

1

Overview of the TRANSPORT section.

Start, stop and restart playback, activate record and skip bars while playing, simply by pressingthe dedicated buttons in the TRANSPORT section of the controller. Use the SHIFT button toinvoke secondary commands such as the Loop, Count-in and Rec Mode.

(1) RESTART button: Press the RESTART button at anytime to restart from the beginning of thecurrent loop range. SHIFT + RESTART + jog wheel moves the Loop. SHIFT + RESTART + jogwheel + FUNCTION Arrow Left/Right changes the start/end point of the Loop.

(2) METRO button: Press METRO to turn the metronome on/off.

(3) EVENTS button: EVENTS + pad to quickly select all events triggered by that pad in yourPattern. This notably allows you to precisely define which events your next edit will be appliedto. For detailed information on the EVENTS button please see the Manual.

(4) GRID button: Enters Grid mode. The Grid mode allows you to select resolutions for the StepGrid (used for quantization), for changing Pattern Lengths and transitions between Scene.Press SHIFT + GRID to access REC MODE. This allows you adjust Metronome parameters (Lev-el, Time signature and Count-In Length) and automatic Quantize mode.

The Grid mode can be pinned: Press GRID + Button 1 to pin/unpin the Grid mode. See ↑11.1.1,Controller Modes and Mode Pinning for more information.

(5) PLAY button: Press the PLAY button to activate playback. Press PLAY a second time to stopplayback.

Quick Reference



(6) REC button: When playback is on, press REC to begin recording. Or when playback is off,press SHIFT + REC to begin recording with a Count-in. Press REC a second time to stop re-cording. Hold the REC button to access Pattern Preset mode, this allows you to select a presetfor the Pattern Length before recording any events.

(7) ERASE button: When creating music, erasing needs to be as quick and simple as recording,so there is a dedicated button for this! During playback, hold ERASE and hold any number ofpads to erase the events for the corresponding Sounds on the fly as the playback goes on. Holda Group button to erase all its events at once. Use the shortcut ERASE + EVENTS + pad toquickly erase all events triggered by that pad in your Pattern. If you automated a parameter,hold ERASE and turn the corresponding Knob under the displays to erase the automation ofthis parameter.

(8) SHIFT button: While the most important features are accessible through dedicated buttons,many shortcuts are available by holding the SHIFT button and other buttons (where labeled).You can also use the SHIFT button to change parameters in finer increments when enteringvalues with the Knobs.

All hardware shortcuts are explained in the Hardware Control Reference, available from the Helpmenu in the MASCHINE software.

11.3.1.6 PADS Section

This section gives an overview of the PADS section.

Quick Reference



1

2

3

4

5

6

7

8

9

Overview of the PADS section.

All the following buttons can be pinned: Simply press the desired button + Button 1 (above the leftdisplay) to pin/unpin the corresponding mode. See ↑11.1.1, Controller Modes and Mode Pinning formore information.

(1) SCENE button: Enters Scene mode in Ideas view or Section mode in Song view. Use Scenemode to access your Scenes and Section mode for arranging your song.

▪ Use Scene mode to create, select and manage Scenes to prepare them for assignment toSections in the Arranger. During playback, you can switch Scenes for quick on-the-fly ar-rangement by pressing the pads; half-lit pads show existing Scenes, while fully lit padsshow the selected Scene. When you are satisfied with a Scene you can append it to theArranger.

Quick Reference



▪ Use Section mode to create, select, and manage Sections in order to create an arrange-ment. Here you can create Sections, assign a Scene to Section, position a Section on theTimeline, and set the length of a Section.

Use SHIFT + SCENE to quickly toggle between Ideas view and Song view.

(2) PATTERN button: Enters Pattern mode. Pattern mode allows you to create different Patternsfor the selected Group, switch between different Patterns or create a new one, etc. DimmedPads show existing Patterns, the fully lit pad shows the selected Pattern.

(3) PAD MODE button: Enters Pad Mode. This mode allows you to select a different mode foryour pads. For example, you can quickly switch the pads to play melodies or even chords! Thefollowing pad modes are available:

▪ In the standard layout mapping, each pad represents one Sound of the Group and theSounds’ velocity is controlled by the pressure applied on the pads.

▪ In Keyboard mode, the pads represent 16 chromatic steps of the currently selected Sound,ascending from the selected root note — this way you can play the selected Sound like amelodic instrument. You can also use Buttons 5-8 to adjust the Base Key for your pads.Press SHIFT + PAD MODE to quickly activate Keyboard mode.

▪ In 16 Velocities mode, the pads represent 16 levels from the softest to the full velocity ofthe currently selected Sound — this is especially useful for building up dynamic grooves.

▪ In Fixed Velocities mode, each pad represents one Sound of the Group and all Sounds havethe same fixed velocity, whatever pressure you apply on the pads.

You can also use Pad Mode to access the Choke and Link functions. Please refer to the Manual formore information on this.

(4) NAVIGATE button: Enters Navigate mode. When working on large Projects, it is sometimesnecessary to look at the computer screen. Just use Buttons above the displays and the pads toquickly access different views, channel and plug-in pages, and parameters.

(5) DUPLICATE button: Enters Duplicate mode. Use the Duplicate mode to swiftly create anoth-er instance of any Sound, Pattern, Group or Scene. This can be useful for creating variations ortrying out something new while preserving the current state of your work.

Quick Reference



(6) SELECT button: Enters Select mode. This mode allows you to select a Sound without havingto play it. In Select mode press Button 8 MULTI to select multiple Sounds.

(7) SOLO button: Enters Solo mode. In this mode, you can instantly solo any Sound or Group(equals muting all other Sounds/Groups) by pressing its pad or Group button — useful to tweakthe Sound or for performing live. The pad of the soloed Sound or Group is fully lit, while allother pads (representing the muted Sounds/Groups) are dimmed.

(8) MUTE button: Enters Mute mode. In this mode, you can instantly mute Sounds and/orGroups by pressing the corresponding pads and/or Group buttons — good for getting on top ofyour production when you have many sounds playing and especially useful for performing live.Muted Sounds/Groups are represented by half-lit pads, while audible Sounds/Groups are repre-sented by fully lit pads.

(9) Pads 1–16: The sixteen velocity sensitive pads can be used to play and select your Sounds,the pads also have many functions depending on the controller mode that is currently active.

11.3.1.7 EDIT Section

This section gives an overview of the EDIT section.

Quick Reference



2 3 4

5678

9

1011

1

12

Overview of the EDIT Section

(1) COPY button: Press the COPY button to copy selected events.

(2) PASTE button: Press the PASTE button to paste selected events.

(3) NOTE button: Press the NOTE button and turn the jog wheel to change the selected eventsby one semitone per increment. Hold press and turn the jog wheel to change the selectedevents by one octave.

(4) NUDGE button: Press the NUDGE button and turn the jog wheel to move the selected eventsone step per increment. Press SHIFT+NUDGE for finer increments.

(5) CLEAR button: Press the CLEAR button to clear the selected events (or all events if noevents are selected) are deleted. Pressing SHIFT + CLEAR (CLR AUTO) will delete all modula-tions for the selected Sound.

Quick Reference



(6) QUANTIZE button: Press the QUANTIZE button to quantize the selected events (or all eventsif no events are selected) to the step grid. Press SHIFT + QUANTIZE (50%)to quantize the se-lected events (or all events if no events are selected) 50% to the step grid.

(7) REDO button: Press REDO to redo your last action. Press SHIFT + REDO to redo your laststep.

(8) UNDO button: Press UNDO to undo your last action. Press SHIFT + UNDO to undo your laststep.

(9) Jog wheel: By default you can use the jog wheel to scrub through a track according to thesetting of the Pattern Grid (PATTERN + turn Knob 2), for example, if this is set to 1 BAR, youcan use the jog wheel to scrub though the track 1 bar at a time. Hold SHIFT and turn the jogwheel to scrub through the track one step at a time. When your controller is in Browse mode orwhen you browse plug-in lists, turn the jog wheel to scroll through the list and press it to loadthe selected entry. When TUNE, SWING or VOLUME are active (lit), the jog wheel acts as atune, swing or volume control, respectively. Switch between TUNE, SWING or VOLUME by us-ing the FUNCTION arrow buttons.

(10) ENTER button: Press the ENTER button to move one step forward in the hierarchy of aproject. See the BACK button (10) for more information. These buttons used in combinationallow you to quickly navigate your project.

(11) FUNCTION buttons: Press the left and right FUNCTION buttons to select between theTUNE, SWING and VOLUME functions when pressing a pad or Group button. When unlit,these buttons are equal to one increment of the jog wheel when scrubbing through a song.

(12) BACK button: Press the BACK button to move one step back in the hierarchy of a project.For example, in ARRANGE view if you have PATTERN (Button 2) selected use the BACK but-ton to move up the hierarchy to SCENE (Button 1). In another example in MIX view use theBACK button to move between a selected Sound and a Group. Use the ENTER button to moveback down the hierarchy. These buttons when used in combination allow you to quickly navi-gate your project.

Quick Reference



11.4 MASCHINE Software Overview

1

2

3

4

5

The MASCHINE software.

(1) Header: The Header contains the main controls for the MASCHINE software including theDisplay area, the Transport controls, and the Master Volume slider. You can also use this areato toggle the Browser, toggle the Mixer view, connect to your hardware controller and monitorthe CPU usage of your computer.

(2) Browser: The Browser is your tool for managing, finding, tagging and categorizing Projects,Groups, Sounds, Instruments, Effects and Samples. Using the search facility you can quicklyfind things and Prehear (audition) Samples.

(3) Arranger: This area has two views: Ideas view and Song view. Ideas view is for creating andexperimenting with musical ideas free from the timeline. Song view is for organizing your musi-cal ideas into a song on the Timeline.

Quick Reference

MASCHINE Software Overview


(4) Control area: The Control area allows you to control parameters and settings for each of thePlug-in slots at each Project level (Sound, Group and Master). This area can hold settings forGroups, Sounds, Plug-ins (internal or VST/AU plug-ins), MIDI, routing.

(5) Pattern Editor: The Pattern Editor features both step programming and real-time recordingand is the basis for each Pattern. Patterns for each Group can be created here and then as-signed to Scenes in the Arranger. The Pattern Editor also lets you edit modulation for theSound, Group, and Plug-in (Internal or External) parameters.

11.4.1 Header

1

2

3 4 5

7

8

9

106

The Header.

(1) MASCHINE menu: Click the MASCHINE menu to access the software menus. This menu isparticularly useful in Full screen mode and when MASCHINE is used as a plug-in in a host ap-plication.

(2) Browser button: Use the Browser button to toggle the Browser. The Browser is your tool formanaging, finding, tagging and categorizing Projects, Groups, Sounds, Instruments, Effectsand Samples. From the Browser you can directly search your computer or an external drive toadd new files. You may also prehear (audition) Samples directly from the Browser and applynew tags.

(3) Mix view button: Click the Mix view button to access the Mix view. The Mix view providesyou with quick access to the level and routing settings of all your Sounds, Groups, and theMaster. In addition, it provides you with an intuitive interface for adjusting the parameters ofall your Plug-ins.

(4) Transport controls: The Transport controls contain buttons such as Play, Restart, Record andLoop.

Quick Reference



(5) Display area: The Display area provides control regarding Ableton Link, time signature, tem-po, global swing, Follow and Performance Grid (Including Retrigger)

(6) Controller icon: This area displays an icon each MASCHINE controllers connected to yourcomputer.

(7) Master Volume slider: Shows and adjusts the level of the MASCHINE audio output.

(8) CPU meter: The CPU meter represents the current load on your computer’s processor and isconstantly measured; it should not go above 70% to avoid clicks and interruptions. You cansave CPU power by sampling the audio output of MASCHINE if necessary using export (formore information, please refer to the Manual).

(9) Audio Engine button: Click the Audio Engine button to disable the entire sound processing ofMASCHINE.

(10) NI logo: The NI logo and MASCHINE logo open the About screen which displays the ver-sion number and edition of your MASCHINE software.

Quick Reference



11.4.2 Browser

1 2

3 45

6

7

8

11 129 10

The Browser.

(1) Library tab: Use the Library tab to access your computer's hard drives via MASCHINE's se-lectors and filters.

(2) Files tab: Use the Files tab to access your computer’s hard drives.

Quick Reference



(3) File Type selector: This contains seven icons representing the different file types of MA-SCHINE. From left to right the file types are: Projects, Groups, Sounds, Instruments, Effects,Loops and One-shots. Clicking one of them causes only the files of the selected type to be dis-played.

(4) Content selector: Use the Content selector to switch between Factory Content (button off)and User Content (button on).

(5) Product selector: The Product selector allows you to browse and select any content of thesame File Type as is selected in the File Type selector above.

(6) Tag Filter: The Tag Filter allows you to search based on tags. You can quickly find filesbased on the Types and Characters categories by clicking the tags.

(7) Search field: Use the Search field to quickly find files based on their name or tagged attrib-ute. Select the type of file you are looking for from the File Type selector and enter the nameor category of a file into the Search field to perform a search. Results are displayed in the Re-sults list below.

(8) Results list: The Results list displays all files that match your query.

(9) Autoload: This button automatically loads the selected loop or one-shot in the Results listso you can to listen in context and in tempo with your Project while it is playing.

(10) The Prehear button (speaker icon) allows you to quickly audition the item selected in theResults list when Preview files have been downloaded and installed using Native Access. Thevolume level of the file being auditioned is set by the slider.

Audition control volume slider.

When browsing Groups, the +PATTERNS and +ROUTING buttons appear in the Control bar ofthe Browser.

+PATTERNS and +ROUTING in the Control bar of the Browser.

Use the +ROUTING button to load the audio and MIDI routings stored in the Group (potentiallyoverwriting previous routings in the selected Group). When the +ROUTING button is off, anyaudio and MIDI routings saved in the Group will not be loaded, preserving any existing routingsin the active Group.

Quick Reference



Use the +PATTERNS button to load a Group with its saved Pattern. When +PATTERNS is se-lected the Sounds and Patterns of the selected Group are loaded. When +PATTERNS is dese-lected, only the Sounds of the selected Group are loaded so you can try them with your existingpattern.

(11) Information: Click the Information icon to view details of the selected file.

(12) Tag Editor: Use the Tag Editor to edit Tags applied to files and to add Tags to new files.Native Instruments content is read only, however, Types and Characters properties can be edit-ed in User content. You can show/hide the Tag Editor by clicking the EDIT button at the bot-tom right.

11.4.3 Arranger

The Arranger is has two different views: Ideas view and Song view. Each view has a specificpurpose in the workflow of creating a song, but essentially they represent the same content.The Ideas view allows you to experiment with your musical ideas without being tied to a time-line or any kind of arrangement. Here you can create Patterns for each Group and combinethem into a Scene. The Song view allows you to structure your song by allowing you to assignthe Scenes you created in the Ideas view to Sections, and move them around to quickly createa larger musical structure.

Switching between Ideas View and Song view

The Arranger View button.

► Click the Arranger View button to switch between the Ideas view and the Song view.

→ When the button is unlit Ideas view is active, when the button is lit Song view is active.

Quick Reference



The Ideas View

1

2

3The Ideas view for creating and experimenting with musical ideas free from the Timeline.

(1) Scenes: This area displays all the current Scenes in your project. After creating a Scene byclicking the + symbol, you can build the Scene by selecting a Pattern from each Group. Byclicking each Scene name (Scene slot) you can switch between Scenes to see how your musi-cal ideas work together.

Using your mouse you can right-click the Scene slot and select to Append to Arrangement fromthe menu and then arrange your song in the Song view. You can also use the right-click menuto Clear, Duplicate, or Delete Scenes, as well as organize your Scenes by selecting the Renameor Color options

(2) Pattern area: All Patterns in your Song are represented here. You can double-click a blankslot to create and new Pattern or click an existing Pattern to assign it to the selected Scene.Once assigned, a Pattern will become highlighted, click it again to remove it from the selectedScene. Using your mouse you can right-click the name of a Pattern and select to Clear, Dupli-cate, or Delete a Pattern. You can also organize your Patterns by selecting the Rename or Coloroptions.

(3) Groups: The Group slots can hold one Group each. Select the desired slot to load a Groupinto it and display the Group’s content (Sounds, Patterns…) in the Pattern Editor (see↑11.4.5, Pattern Editor) and the Group’s Channel properties and Plug-in parameters in theControl area (see ↑11.4.4, Control Area). To mute a Group click the Group letter, for exampleA1, and right-click on the letter to solo the Group. Using your mouse you can also right-clickthe name of a Group to access the many options available to manage them.

Quick Reference



The Song view

3

4

21

The Song view for organizing your musical ideas into a song on the Timeline.

(1) Groups: The Group slots can hold one Group each. Select the desired slot to load a Groupinto it and display the Group’s content (Sounds, Patterns…) in the Pattern Editor (see↑11.4.5, Pattern Editor) and the Group’s Channel properties and Plug-in parameters in theControl area (see ↑11.4.4, Control Area).

(2) Arranger timeline: This area displays the current position within the track and allows you toset the loop range.

(3) Section slots: This area displays Section slots. A Section is a container for Scene placed onthe Timeline. A Section can be moved freely by clicking the name of the Section and draggingand dropping it into place. You can change the length of a Section by dragging the Section endmarker to the left to shorten it, or to the right to lengthen it. Using your mouse you can right-click a Section and use Select in the menu to assign a Scene to a Section. It is also possible touse the menu to Insert, Duplicate, Delete, Clear or Remove Sections as well as organize themby selecting the Rename or Color options.

(4) Pattern area: In each Section of the Arrangement, you can see the name of the Scene as-signed to the Section along with the Scene’s Patterns stacked vertically for each Group in theProject. The Patterns seen here are the same as those seen when viewing the same Scene inthe Ideas view.

Quick Reference



11.4.4 Control Area

2 3 4 5

1

8

6 7

The Control area.

(1) Plug-in icon: Click the Plug-in icon to access Plug-ins and their parameters.

(2) Channel icon: Click the Channel icon to access Channel properties where you can displayand adjust various properties for the selected Sound/Group or Master channel in the Parameterarea.

(3) MASTER tab: Click the MASTER tab to control sound at the main outputs of MASCHINE (in-cluding all Groups and Sounds).

(4) GROUP tab: Click the GROUP tab to gain access to Plug-ins and Channel properties of theGroup loaded in the selected Group slot (A–H).

(5) SOUND tab: Click the SOUND tab to gain access to Plug-ins and Channel properties of theSound in the selected Sound slot (1-16).

(6) Parameter area: Displays the parameters for the selected Plug-in or Channel properties. De-pending on the number of parameters to display, these can be split into several pages. In thiscase, click the name of the parameter page to display it.

(7) Quick Browse Icon: Use the Quick Browse icon to recall the search query you performed tofind the currently loaded file/preset.

(8) Plug-in List: There are Plug-in slots on each channel level (Sound, Group and Master). Eachof them can hold one effect Plug-in. The first Plug-in slot of the Sound level can also hold aplug-in instrument. Select the desired Plug-in to display its parameters in the Parameter area.

Quick Reference



11.4.5 Pattern Editor

3

2

1

6 874 5 9

10

11

12

1314

The Pattern Editor.

(1) Sample Editor button: Click this button to open/close the Sample Editor.

(2) Keyboard view button: Click this button to display the Keyboard view.

(3) Group view button: Click this button to display the Group view.

(4) Audition button: Click this button to audition a Sound when it is selected from the Soundslots (6).

(5) Sound properties icon: Click this icon to quickly access the Key, Choke, and Link settingsfor the selected Sound.

Quick Reference



(6) Sound slots: Sounds slots 1–16 of the selected Group are listed here. Click a Sound slot tobring it into focus and display its Plug-ins and Channel properties in the Control area (see↑11.4.4, Control Area). In Keyboard view (2), click a Sound slot to display its events in theStep Grid (11).

(7) Pattern slots: Each Group has an unlimited number of Patterns available. Each Pattern slotcan hold one Pattern. A Pattern contains the events that make up a groove or a musical phrasefor the selected Group. Click the drop-down arrow to open the Pattern Manager and select aPattern slot to display and edit its Pattern. Upon slot selection this Pattern is also referencedfor that Group in the selected Scene in the Arranger (see ↑11.4.3, Arranger). Select variousPatterns from each Group to form an arrangement.

(8) Pattern Length controls: The Pattern Length controls allow you to choose the unit by whichthe length of the Pattern can be adjusted and to adjust the length of the displayed Pattern ac-cording to that unit.

(9) Dragger icons: The Dragger icons allow you to conveniently drag and drop audio or MIDIfrom your Patterns to your desktop or host software.

(10) Pattern timeline: The timeline at the top of the Step Grid (11) displays musical time units,including bars and beats. Click the timeline to resize the currently selected Pattern.

(11) Step Grid: Displays the content of the selected Pattern slot (7). Here you can see your re-corded events as rectangular blocks. In Group view (3) these represent the Sounds of yourGroup. In Keyboard view (2) they represent musical notes of the selected Sound. The eventscan be edited using your mouse; they can be dragged to a new position, elongated, shortenedor deleted.

(12) Control Lane: The Control Lane provides a visual overview and editing tools for the automa-tion of each parameter and modulation of each MIDI control change.

(13) Edit controls: Use the Step menu to change the step size in which events can be moved/resized and click the Pencil icon to toggle the Pencil mode on/off.

(14) Control Lane button: The Control Lane button allows you to show/hide the Control Lane(12).

For a detailed explanation of each section please refer to the MASCHINE Manual.

Quick Reference



12 Troubleshooting

If you are experiencing problems related to your Native Instruments product that the supplieddocumentation does not cover, there are several ways of getting help.

Before getting help please make sure you have downloaded the latest MASCHINE software from Na-tive Access.

12.1 Knowledge Base

The Online Knowledge Base gathers useful information about your Native Instruments productand can be of great help to solve possible issues you may encounter. You can reach the Knowl-edge Base via: www.native-instruments.com/knowledge.

12.2 Technical Support

If no Knowledge Base entry matches your problem, or if the matching entry does not solve theproblem, you can use the Online Support Form to contact the Technical Support team of Na-tive Instruments. The Online Support Form will ask you to enter information about your hard-ware and software setup. This information is essential for our Support team to be able to pro-vide you with quality assistance. You can reach the Online Support via: www.native-instru-ments.com/suppform.

When communicating with the Native Instruments Support team, keep in mind that the moredetails you can provide about your hardware, your operating system, the version of the softwareyou are running, and the problem you are experiencing, the better they will be able to help you.

In your description, you should mention:

▪ How to reproduce the problem

▪ What you have already tried to fix the problem

▪ A description of your setup, including all hardware and the version of your software

Troubleshooting

Knowledge Base


▪ The brand and specifications of your computer

When installing new software or software updates, a Readme file is included that contains latebreaking news and new information that was not yet included in the documentation. Please openand read this Readme file before contacting Technical Support.

12.3 Registration Support

If problems occur during the product activation procedure, please contact our RegistrationSupport team: www.native-instruments.com/regsuppfrm.

12.4 User Forum

In the Native Instruments User Forum, you can discuss product features directly with otherusers and with experts moderating the forum. Please be aware that the Technical Supportteam does not participate in the forum. If you’re encountering an issue that can’t be solved byother users, contact Native Instruments’ Technical Support team via the online support as de-scribed above. You can reach the User Forum via: http://www.native-instruments.com/forum.

Troubleshooting

Registration Support


http://www.native-instruments.com/forum

13 Glossary

In this glossary you will find short definitions for numerous terms used in the MASCHINE con-text. If you have any doubts about the meaning of a word, this is the place to check!

Arranger

The Arranger is the big area located in the upper part of the MASCHINE window, right underthe Header. It is has two views: Ideas view for creating Patterns and Scenes, and Song view forcreating an arrangement.

Autoload

When Autoload is enabled, any Group, Sound, Pattern, Plug-in preset (instrument or effect), orSample that you select in the Browser is instantly loaded into the selected Group slot, Soundslot, Pattern slot or Plug-in slot. This way, you can listen to this object in the current context ofyour song.

Browser

The Browser is the front end for accessing all MASCHINE objects: Projects, Groups, Sounds,Patterns, presets for instrument and effect Plug-ins, and Samples. Each of these can be stor-ed, “tagged,” and categorized in a way that allows you easy access to all of them. MA-SCHINE’s factory library is already completely tagged, and you can also import your own filesto the Library and tag them as well.

Bussing Point

A bussing point is a point in the signal flow that can accept signals coming from various loca-tions in the audio routing system. In MASCHINE for example, the first Plug-in slot of a Soundusually contains a sound source (which you will hear by pressing the corresponding pad onyour controller). If you load an effect plug-in in this first Plug-in slot, though, the Sound won’tgenerate audio itself but instead it becomes available for other Sounds and Groups to processtheir audio. You then only have to set up the desired Sound(s) and Group(s) of your Project tosend some of their audio to this bussing point. This basically is the way to set up send effectsin MASCHINE!

Glossary


Channel Properties

Channel properties are sets of parameters available at each Project level (i.e. for each Sound,each Group, and for the Master) that are independent of the Plug-ins loaded in that Sound/Group/Master. Like the Plug-in parameters, in the software the Channel properties are dis-played in the Control area. For example, the volume, pan or swing controls are properties oftheir respective Sound/Group/Master channel.

Control Area

The Control area is located in the middle of the MASCHINE window, between the Arranger(above) and the Pattern Editor (below). This area allows you to adjust all Plug-in parametersand Channel properties for the selected Sound/Group or the Master level: routing, effects, Mac-ro Controls, etc.

Control Lane

Located at the bottom of the Pattern Editor in the MASCHINE window, the Control Lane showsand lets you edit the recorded automation in form of automation points for each automated pa-rameter. You can add, remove, or manipulate existing automation points as well as add newparameters to automate.

Control Mode

Control mode is the default mode of your controller. In this mode, you can play or record youractions in real-time. Control mode also allows you to easily adjust any parameter of yourGroups and Sounds via the Control section of your controller.

Effect (FX)

An effect modifies the audio material it receives. MASCHINE already includes many differenteffects. You may also use VST/AU plug-in effects. Effects can be loaded as Plug-ins in anyPlug-in slot of the Sound, Group, and Master levels. MASCHINE’s flexible routing allows younot only to apply insert effects but also to create send effects and multi-effects.

Glossary


Event

Events are the individual drum hits or notes that make up a Pattern. In the Pattern Editor,events are visually represented by rectangles in the Step Grid. Depending on the current viewin the Pattern Editor, you can see events for all Sounds slots (Group view) or for the selectSound slots only (Keyboard view).

Groove Properties

The Groove properties control the rhythmic relationship between events for the selected Group/Sound or the Master level. By shifting some of the events, you can e.g. give a shuffling, ternarytouch to your Patterns. The main parameter of the Groove properties is the Swing control.

Group

A Group contains 16 Sound slots, each of which can hold one Sound. In addition to the effectsapplied to individual Sounds, a Group can have insert effects loaded in its Plug-in slots. Theseaffect all the Sounds in the Group. A Group can also contain an unlimited amount of Patternsorganized into Pattern Banks.

Group View

Group view is the view of the Pattern Editor in which events for all 16 Sound slots of the se-lected Group are visible and editable. In Group view, each row of the Step Grid represents adifferent Sound slot. This mode is well suited for rhythmic instruments (e.g., a drum kit).

Ideas View

The Ideas view allows you to experiment with your musical ideas without being tied to a time-line or arrangement. You can create Patterns for each Group and combine them into a Scene.These Scenes can then be added to Sections in the Song view to create a larger musical struc-ture.

Insert Effect

An insert effect is an effect directly inserted in the signal path of the audio to be processed.

Glossary


Header

The Header is the topmost row of controls in the MASCHINE software window. It containsglobal settings, such as the Master Volume slider, the Transport controls, controls for globalswing, tempo, time signature, etc.

Keyboard View

Keyboard view is the view of the Pattern Editor in which only events of the selected Sound arevisible and editable. The Keyboard view provides a vertical on-screen keyboard that indicatesthe pitch of each event (one row per semi-tone). This mode is well suited for melodic instru-ments (e.g., synthesizer). The Keyboard view of the Pattern Editor and the Keyboard mode onyour controller are bound together: If you enable Keyboard view in the Pattern Editor, your con-troller automatically switches to Keyboard mode, and inversely.

Macro Control

Each Sound/Group/Master channel provides a page of eight Macro Controls to which you canassign almost any parameter from that level or the underlying one. This way you can define for,e.g., each Group or Sound a set of eight parameters that are quickly accessible. Furthermore,Macro Controls can be assigned to MIDI CCs to be controlled and automated by an externalMIDI controller or application. Last but not least, if you use MASCHINE as a plug-in in a host,Macro Controls are available for automation in your host too.

Master

The Master is where all audio signals from each of the Groups and Sounds come together andget mixed. The Master bus can also have insert effects loaded in its Plug-in slots. These ef-fects are applied to all Groups and the Sounds within them.

Modulation

Modulation allows you to record changes of parameter values so that you don’t need to actuatethese parameters in real-time. Any modulated parameter is displayed both in the Control Lane(at the bottom of the Pattern Editor) and as a movement of the chosen parameter itself in theControl area.

Glossary


Mute and Solo

Muting allows you to bypass a Sound or a Group, whereas Soloing is pretty much the opposite:It mutes all other Sounds or Groups so that only the soloed Sound or Group is played. Thecombination of muting and soloing is a useful means both to play live and to test different se-quences together.

Pad Mode

Your controller offers various Pad modes that allow you to play your Sounds from the pads indifferent ways: Depending on the selected Pad mode, you can either assign one Sound to all16 pads (Keyboard mode and 16 Velocities mode) or trigger each Sound with a distinct pad(default mode and Fixed Velocity mode). The Keyboard mode on your controller and the Key-board view in the software’s Pattern Editor are bound together: If you enter Keyboard mode onthe controller, Keyboard view gets automatically enabled in the software, and inversely.

Parameter Pages

The Parameter pages constitute the biggest part of the Control area in the MASCHINE window.They contain the adjustable Plug-in parameters and Channel properties of the selected Sound/Group or those of the Master.

Pattern

A Pattern is a sequence that plays Sounds from a Group. Patterns are the building blocks forScenes. One Pattern from each Group can be added to a Scene. You can reference the samePattern in different Scenes. When you modify a Pattern in the Pattern Editor, all references tothis Pattern are updated in the Arranger.

Pattern Editor

Located at the bottom of the MASCHINE window, the Pattern Editor allows you to selectSound slots (on the left), display and edit your Patterns, change the Step Grid settings andcreate/edit automation.

Glossary


Plug-in

A Plug-in is an instrument or effect unit, either Internal or External (by Native Instruments or athird-party manufacturer), that can be loaded into a Plug-in slot to produce or alter sound.When a Plug-in is loaded into a Plug-in slot, the Plug-in appears in the Plug-in List in the leftpart of the Control area.

Prehear

The Prehear feature allows you to listen to Samples directly from the Browser without loadingthem into Sound slots first. This way, you can quietly choose a Sample before modifying any-thing in your Project.

Project

A Project contains all data needed for a song: all Groups, Patterns, Sounds, Samples, Scenesand all settings, automation, effects, routings, etc. It’s like a snapshot of the entire state ofMASCHINE.

Quantization

To quantize a Pattern is to make its events snap to a set of equally distributed locations knownas steps. This ensures that these events are on beat. You can also let MASCHINE automaticallyquantize events that you play and/or record live. Quantization makes it easier to get a rhythmgoing, but too much use can make the Pattern seem stiff or lifeless.

Sample

A Sample is any piece of audio that can be used e.g. to build a drum kit or a melodic instru-ment, or as a distinct loop in your song. You can load one or more Samples into each Soundslot.

Sample Editor

The Sample Editor can be displayed in place of the Pattern Editor. The Sample Editor is theall-in-one editor for Samples. It notably allows you to record Samples, edit them, split theminto slices and map them across notes and velocities on your keyboard.

Glossary


Scene

A Scene is a combination of Patterns for each Group. They can be used to combine Patterns inorder to create musical ideas. Scenes are created in the Ideas view and then added to Sectionsin the Song view to create an arrangement.

Section

A Section is a reference to a specific Scene on the Timeline of the Song view and is used toarrange the Scenes into a larger musical structure. The benefit of using Sections is that anychanges made to a Scene are replicated in each Section where the Scene is referenced there-fore making the process of changing parts of a song quick and easy.

Send Effect

A send effect is an effect available for audio signals located on other Sounds and/or Groups.These audio signals can be routed to a variable extent to the send effect for the effect to proc-ess them. Send effects notably allow you to reuse the same effect on different Sounds and/orGroups, thereby limiting the overall CPU load.

Sequencer

Generally speaking, a sequencer is a hardware unit or software tool that arranges musical se-quences, e.g. drum patterns or chord progressions. Hardware sequencers typically function asa set of steps, where every step can be filled with musical content. The steps are then playedback as a musical sequence. MASCHINE has its own sequencing abilities: you can record andplay single Patterns as well as arrange Patterns into Scenes and Scenes into full songs.

Solo

See Mute and Solo.

Song View

The Song view allows you to combine Sections (references to Scenes), and arrange them into asong on the Timeline.

Glossary


Sound

Sounds are the building blocks of all sound content in MASCHINE. They are organized intoGroups that can hold up to 16 Sounds each. Sounds can be played directly from the pads onyour controller. A Sound can be loaded with Plug-ins of various types (sound source or effect,Internal or External, etc.).

Step

Steps are elementary time blocks. They are notably used to apply quantization or to composePatterns from your controller in Step mode. All steps together make up the Step Grid. In thesoftware’s Pattern Editor, steps are visualized by vertical lines. You can adjust the step size,e.g., to apply different quantization to different events or to divide the Step Grid into finerblocks to edit your Pattern more precisely.

Step Grid

The Step Grid is a set of parallel lines that divide the Pattern into steps. By changing the reso-lution of the Step Grid (i.e. the step size), you can adjust the note values at which you canquantize your Pattern and the number of steps available in Step mode on your controller.

Step Mode

In Step mode, your controller can be used as a traditional step sequencer, where each of the16 pads represent a step in the Step Grid. Just as on classical drum machines, a light repre-senting the sequence runs from pad 1 up to pad 16, highlighting each step during playback.Select a Sound and put events at chosen steps in the sequence by pressing the correspondingpads. By repeating the process Sound by Sound you build up the whole Pattern.

Swing

The Swing parameter allows you to shift some of the events in your Pattern to create a shuf-fling effect.

Glossary


IndexAARRANGE button [146]

Arranger

definition [171]

switching views [163]

Arranger View button [163]

Audio Engine button [160]

Audio plug-in [23] [64]

Audition [35]

Autoload

definition [171]

replacing Sounds with [34]

BBACK button [157]

BROWSE button [19] [147]

Browser [17] [158]

+PATTERNS button [162]

+ROUTING button [162]

button [159]

definition [171]

load a Drumsynth [37]

load a Group [17]

load a Plug-in [68]

load a Project [30]

load a Sample [34]

load a Sound [34]

load an effect [84]

MASSIVE presets [69]

Bussing point [171]

Index


CCHANNEL button [146]

Channel icon [166]

Channel Properties

definition [172]

Channel Property selector [166]

CLEAR button [156]

Color

Groups [67]

Sounds [46]

Color changing

Scenes [114]

Content selector [162]

Control area [159]

adjusting parameters [78]

definition [172]

Control Lane

definition [172]

editing modulation [95]

Control mode

definition [172]

pads [21]

CONTROL section [145]

Controller

CONTROL section [145]

EDIT section [155]

GROUPS section [150]

I/O and Level section [147]

overview [143]

PADS section [152]

PERFORMANCE section [149]

TRANSPORT section [150]

Controller mode [134]

COPY button [156]

Count-in [60]

length [60]

CPU meter [160]

CUE button [148]

DDisplay area [160]

Drumsynth [37]

load [37]

DUPLICATE button [154]

Duplication

Pattern Length [53]

Index


EEDIT section [155]

Editing

Patterns [61]

Effects [83]


bypassing [91]

definition [172]

insert effect [173]

load [84]

muting [91]

send effect definition [177]

ENTER button [157]

ERASE button [152]

Event

definition [173]

editing with the Pattern Editor [61]

EVENTS button [151]

FFactory library

presets [17]

FILE button [33]

File mode

load a recent Project [33]

File Type selector [162]

Files tab [161]

FOLLOW button [106]

FUNCTION Arrow Left/Right buttons [157]

FX [83]

Index


GGrid [104]

GRID button [60] [106] [151]

Groove properties

definition [173]

Group

changing the color [67]

definition [173]

load a [17]

muting and soloing [25]

soloing [25]

GROUP tab [166]

Group view [167]

definition [173]

Groups [165]

GROUPS section [150]

GRP button [148]

HHeader [158]

Audio Engine button [160]

Browser button [159]

CPU meter [160]

definition [174]

Display area [160]

MASCHINE menu [159]

Master Volume slider [160]

NI logo [160]

Transport controls [159]

Help [169]

II/O and Level section [147]

Ideas view

definition [173]

Groups [164]

Pattern area [164]

Scenes [164]

IN buttons [149]

Insert effect [173]

JJog wheel [157]

Index


KKeyboard mode

playing the pads [74]

recording [76]

Root Note [75]

shifting octave [75]

Keyboard view [167]

definition [174]

KOMPLETE 11 SELECT bundle [69]

LLevel knob [148]

Level meter [148]

Library tab [161]

Live playing [130]

Load

a Drumsynth [37]

a Group [17]

a Plug-in [68]

a Project [30]

a Sample [34]

a Sound [34]

an effect [84]

into a Plug-in List [39]

Locking controller modes [134]

Loop range [127]

Index


MMACRO button [149]

Macro Control

definition [174]

MASCHINE menu [159]

MASSIVE [69]

browsing presets [69]

Master

definition [174]

MASTER tab [166]

Master Volume slider [160]

Melodic Sounds

playing [68]

METRO button [151]

Metronome

activating [23] [ 0 ]

MIDI indicators [149]

MIX button [146]

Mode locking [134]

Mode pinning [134]

Modulation

definition [174]

delete on the controller [95]

editing in the software [96]

record on the controller [94]

recording [93]

recording in Step mode [101]

MST button [148]

Mute

definition [175]

Sound or Group [25]

MUTE button [155]

NNAVIGATE button [154]

NI logo [160]

NOTE button [156]

Note Repeat [27] [28]

NOTE REPEAT button [150]

Note snap [56]

NUDGE button [156]

Index


OOpen

a Drumsynth [37]

a Group [17]

a Plug-in [68]

a Project [30]

a Sample [34]

a Sound [34]

an effect [84]

Overview

hardware controller [143]

structure of a Project [138]

PPAD MODE button [154]

Pad modes

definition [175]

Pads [155]

in Control mode [21]

in Keyboard mode [74]

in Step mode [99]

velocity [21]

PADS section [152]

Parameter area [166]

Parameter page

definition [175]

Parameters

adjusting a Sound [78]

adjusting effects [89]

PASTE button [156]

Pattern

adding a [57]

definition [175]

double [53]

editing [61]

recording [23]

PATTERN button [154]

Pattern Editor [159]

Index


definition [175]

editing events [61]

Pattern Length

adjusting [58]

doubling [53]

Pattern slot [57]

Perform Grid [130]

PERFORMANCE section [149]

Pinning controller modes [134]

PLAY button [151]

Playing live [130]

Plug-in

definition [176]

load a [68]

parameters [78]

PLUG-IN button [146]

Plug-in icon [166]

Plug-in slots

load into [38]

Prehear [35]

definition [176]

listening to samples [34]

Pre-listen [35]

Product selector [162]

Project

definition [176]

load a [30]

load a recent [33]

load from the controller [32] [33]

overview and structure [138]

QQuantization [56]

definition [176]

QUANTIZE button [157]

Query [ 0 ]

Quick Reference [134]

Index


RREAKTOR PRISM [69]

REC button [152]

Recording

a Pattern [23]

in Keyboard mode [76]

modulation [93]

Recording modulation

Step mode [101]

Recording Settings mode [60]

REDO button [157]

Repeating notes

Note Repeat [28]

RESTART button [151]

Retrigger Scenes [130]

Retrigger Sections [130]

Root Note

adjusting [75]

SSample

definition [176]

load a [34]

Sample Editor

definition [176]

SAMPLING button [147]

Saving [28]

SCARBEE MARK 1 [69]

Scene

definition [177]

jumping to another [130]

mode [153]

playing longer loops [127]

Retrigger [130]

selecting (hardware) [112]

selecting (software) [111]

transitions [130]

SCENE button [112] [153]

Search field [162]

Search results

updating [ 0 ]

Section

definition [177]

jumping to another [130]

Index


mode [154]

SELECT button [155]

Send effect

definition [177]

Sequencer

definition [177]

SHIFT button [152]

SND button [148]

SOLID BUS COMP [69]

Solo

definition [175]

Sound or Group [25]

SOLO button [155]

Song view

definition [177]

Groups [165]

Pattern area [165]

Sections [165]

Timeline [165]

Sound


changing the color [46]

definition [178]

load a [34]

muting and soloing [25]

soloing [25]

Sound slot

number [25]

SOUND tab [166]

Step

definition [178]

Step Grid [104] [168]

definition [178]

Step mode [98]

definition [178]

STEP MODE button [149]

Step sequencer [98]

Swing

definition [178]

TTag Filter [162]

TAP button [149]

Text search [162]

Transport controls [159]

TRANSPORT section [145] [150]

Troubleshooting [169]

UUNDO button [157]

Index


VVelocity

pads [21]

Volume [160]

Volume adjusting

Sound, Group, and overall [43]

VST/AU

definition [176]

load plug-in instruments [68]

ZZoom [55]

Index


commitment on the part of native instruments gmbh. the … · 2019-02-22 · the information in...

Documents