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  • 8/11/2019 Comprendiendo agencias y resistencias: ni@s en situacines de violencias domstica.

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    Jane Callaghan, Jo Alexander, Judith Sixsmith, Lisa FellinUniversity of Northampton

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    Understanding Agency & Resistance StrategiChildren in Situations of Domestic Abuse (UN

    Project aims:

    To explore young peoples capacity for resistance, agency and in situations of domestic abuse

    To enable an articulation of young peoples voice, in situations domestic abuse

    To challenge dominant professional & academic representatioyoung people as damaged or as passive victims of domestic

    To build an intervention for young people to facilitate the exprand development of agency and resistance, and to build resilie

    To develop a training intervention for professionals working wipeople in situations of domestic abuse.

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    Project Overview

    Methods

    Semi-structured, one-to-one interviews with children & young people Creative methodologies are used in conjunction with interview

    Photovoice

    Policy analysis conducted in each participating country

    Focus groups with carers & professionals

    Progress

    Conducted 74 out of the 100 planned individual interviews

    12 Focus groups with professionals, 5 with carers

    Challenges

    Recruitment of young people in some countries - dual parental consent required

    Austerity Politics Statutory funding allocation - competition Vs collaboration

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    What does the literature say?

    all academic literature published between 2002 and 2013 focused on child

    health, resilience and domestic abuse

    183 articles were included in the review:

    84 papers described psychopathological consequences of exposure to violenc

    5 papers focused on damage to neural system

    6 articles outlined other poor outcomes like educational difficulties, criminality

    The term exposure appears in 85% of the articles included in the review

    The term witness is used in 67% of the articles

    77% of the articles described children as victims or as victimised

    Intergenerational cycle of violence

    Children as contaminants (e.g. Carrell and Hoekstra, 2009: Externalities in the CHow Children Exposed to Domestic Violence Affect Everyone's Kids)

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    Mother blaming

    Childs response to violence is seen as mediated

    by the mothers pre-relational psychologicalfunctioning and her coping responses

    Discursive construction Mothers experienceviolence, children watch

    A significantly large number of children are

    exposed to maternal addiction and mental illness,as well as interpersonal violence... Childrenwitness between 68% and 87% of all domesticviolence incidents, and are aware of violencetoward their mothers 90% of the time.

    From Finkelstein et al, 2005: Building Resilience inChildren of Mothers Who Have Co-occurring Disorders and

    Histories of Violence

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    How does this translate into practice?

    These constructions of the child have implications for professional and sodiscourses around children in situations of DV

    They have implications too for how children are able to position themselcapacity to construct a self-identity as agentic, resistant, capable...

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    UNARS

    We want to explore childrens capacity to think and act to cope, to be cmanage, and to resist

    Challenge dominant representations of children as passive witnesses

    What are we finding?

    The creative and complex coping responses young people use in situations of abuse

    At odds with policy and professional discourses that position young people asvictims

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    Why use creative methods?

    Counter-hegemonic experience can be difficult to articulate verbally

    Photo elicitation, drawing and other creative approaches enable articulacomplex self accounts that extend beyond the dominant categories of wand victim

    Enables an articulation of spatial and systemic dynamics to enable con

    of resilience and resistance as contextual and processual, not just individ

    Enables young people to re-vision the world in which the violence took p

    Enables the envisioning of alternative futures and alternative understandself-in-context

    .

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    Safe Disclosure and Risky Speech

    Lucy: Id always hesitate of what I would say...even if I said Hello, Id always tlike, is he just going to shut me out? Is he going to respond in a nice way, or be aanything like that? Id always think ahead of what I was saying

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    Production of sanitised narratives andrehearsed or therapeutised accounts George: Sometimes you dont want to

    say stuff but you need to.Int: Does it help to talk or ?George: It helps because then youcan leave the past behind and youdont get in trouble and stuff.Int: Do you want to leave the past

    behind?George: Yeah. ()Int: Why?George: Because you can start fresh

    Int: What does it feel like when youremum

    George: Nice

    Int: Nice?

    George: Yes

    Int: Tell me a little bit more about nice

    George: Its just nice.

    Paul: You need to put it another way!

    Int: How do you feel about yourself wwith you mum?

    George: Happy

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    Taken for grantedness

    Ali: It just happens for everyone, like eating, everyone has to eat so whasame, whats the same with learning. You learn maths and science in here((referring to school)) so whats the difference about learning how to proyourself at home.

    Unterhalter (2013) the limitation of voice in research with children

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    Creative Methodologies

    Family Configurations Inclusion & Exclusion

    Draw your family

    Double moon

    Ecograms and systemic maps

    Spaces Exploring the family home

    Photovoice Imaging agency & resilience, photo elicitation & communit

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    Family Configuration

    Functionalities:

    On a practical level- drawings of the family aid researcher understandingconfigurations & hierarchies from the childs perspective

    Act as a shorthand during interview e.g. Children can refer to particularmembers

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    Inclusion & Exclusion Absence of fathers in family drawings

    Out of 13 family drawings 9 did not include afather. Of the 4 which included a father, 3 weretalked about or drawn in a negative light. Only 1child included a neutral representation of theirfather.

    Oliver, 12 years old

    Dylan, 15 years old

    Sophia, 14 years old

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    Self-Defining Family:Choosing relationships

    Int: ...Josh, I notice you dont cDad.

    Josh: No I dont call him Dad

    Int: Did you ever call him Dad

    Josh: erm not really, I just call(name), even at home when with him

    Int: Why was that?

    Josh: Because I dont want mythink hes my dad, cause hedont want a dad that hits m

    Josh, 9 years old

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    Self Defining Family When aspicture oJess reprperceivedivisions

    Boundarcreation

    Redefineincluding

    Jess: Shfamily, bfamily, I sister becalways thshes bee

    everythin(People

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    Bethany

    Refused to include father

    Wont be pinned down to a close relationship

    She is both central, and colounder a bright smiley sun

    Brothers initial sad face (linfamily division, and his desifather) is re-drawn by her as

    Le s?

    Bethany, 10 years old

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    Family Roles& Hierarchies

    Int: Okay Nancy, so were herpicture of your family. To stayou tell me a little bit about y

    Nancy: Im the youngest. I

    scaredest.

    Int: Youre the scaredest?

    Nancy: ((smiles)) Im scareeverything

    Int: Youre scared about

    Nancy: (Nods), I love animfrom arguments so I donUmm.

    Nancy, 10 years old

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    Birth Order

    Angels

    Cheated Death

    Alison: Im protecting my faalive, if I wasnt here, I couldcould I?

    Used within the family to m

    Confides in absent sisters:

    Alison:For me, if I was closclosest to my two dead sisterthis is weird and all that, but

    Alison, 15 years old

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    Spaces Exploring the family home

    Functionalities:

    Drawings of the family home layout can generate rich data when used inconjunction with semi-structured interviews

    Tells us how children experiencing DA use space within their immediate fhomes

    Risky places Vs Safe places

    Risky times Vs Safe times

    What/who helps children to cope (Material, personal or relational)

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    Josh- Identifies Living room

    Bathroom as places of conf

    Seeks safety & solitude in thShed:

    Int: Was there anywhere you felt sa

    Josh: In my bedroom, or I would haveshed

    Int: What was it about those places tyou feel safe?

    Josh: Because he didnt know really w

    Josh, 9 years

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    Rachel: ...sometimes wed gowhen they were fighting and Marcus on the rope swing andlay on the hammock and stuffthe net and go like fishing in t

    stuff trying to catch the fish ((

    _______________________________

    Accesses place of safety prior observation:

    Rachel, years

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    Negotiatingunsafe

    spaces

    Int: When there was fightinon, where was it most likely tJess: Well when it would hap(older brother) it was always

    bathroom, but with mum, it wbetween the kitchen, the garroomall downstairs basicaDownstairs was never safe ifabout because theyll be an aHed make an argument out argument, so downstairs was

    power, I suppose.

    ____________________

    Emma:...when I had friends rou

    nothing would happen, he woultr an thin so...then when I d

    Jess, 18 years

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    Hideaways

    Int: You know you said that when you go toyour dads and if theres fighting, you go to atight space, why a tight space?Nancy: That way they, they couldnt get to meInt: Who?Nancy: Everyone. It means like, they cantcome and start bothering me, which means Ifeel safer, which means when I feel calm, I go

    back, ((.)) and being in a tight space it feels likepart of a game, like being in a cave

    Int: Was there a particular spthat you felt safest?

    Jess: Upstairs cupboardInt: Why did you feel safest

    Jess: Because it was dark andoor behind all of it.

    Lizzy: ...hed take her into the livingand sometimes I had to hide in a tinycupboard with little like piles of blankestuff in there and just hide in there andjust, there was a neighbour next door every time that he used to start I used out, I used to run over to the other peo

    Int: Sowhen there was fightingwould you go to?...Rachel: My brothersroom.Int: You went to your brothersroRachel: Yeah, we used to h((jovial)) and stuff like that caden built and we used to hide in t

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    Photovoice The Process

    Following initial interview children are invited to take photos:

    Telling us about their lives

    How they cope & manage difficult circumstances & what helps

    Participants are also invited to include text with their photos

    Children & young people are asked to be mindful of their own & others prwhen taking photos and not to take identifiable pictures of people

    -

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    Dichotomous relational constructions

    Nice Mums & Bad Dads

    Int: What does it feel like when youre with your mum

    George: Nice

    Int: Nice?

    George: Yes

    Int: Tell me a little bit more about nice?

    George: Its just nice.

    Paul: You need to put it another way!

    Int: How do you feel about yourself when youre with you mum?

    George: Happy

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    Escapism

    Emma talks about walkhelps if I have a lot on myIm just over-thinking...I alone in the nature and nlistening to music. It giveminutes of thinking of nocalming down and lettingblow everything away

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    Xbox

    When physical escape isnt an option,escaping into other worlds :

    George and Paul

    Grand Theft Auto- A game reflective offathers lifestyle, but a space in whichthey are in control of the dangerousthings around them

    Oliver - Xbox Lizzy Super Mario

    h h h

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    Catharsis? through Sport

    Emma: So it would be fand gym right now and

    get upset or angry I let oIm playing the sport, thme deal with things

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    Music

    First visit Oliver took Jo ouat drums

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    Creative outlets

    Int: ...when it was very difficult at home, was

    there anything that made you feel better?

    Emma: Drawing.

    Int: Drawing?

    Emma: Yeah.

    Int:And what is it about drawing?

    Emma: Its like, this is how I put it to my artteacher, its like letting out your emotions on abit of paper.

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    Conclusions

    Overwhelmingly the imagery and talk associated with children and domeviolence positions them as passive recipients of damage, and as consequpathologised.

    Need for alternative ways of talking about children and young people thapositioning as agentic, resistant and resilient

    Make space for young people to articulate their experiences and take poof their sense of agency and creative coping

    Create space for positive framing of young people in situations of violencfuture for young people to populate

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    Finding us

    UNARS website www.unars.co.uk

    Follow us on twitter: https://twitter.com/JaneEMCallaghan

    Facebook: https://www.facebook.com/groups/428946693916205/?fref=

    thats a really handy, memorable address)

    http://www.unars.co.uk/https://twitter.com/JaneEMCallaghanhttps://www.facebook.com/groups/428946693916205/?fref=tshttps://www.facebook.com/groups/428946693916205/?fref=tshttps://twitter.com/JaneEMCallaghanhttps://twitter.com/JaneEMCallaghanhttp://www.unars.co.uk/http://www.unars.co.uk/