copy left, right, or wrong
DESCRIPTION
A brief overview of music copyright laws, and how their current implementations limit education and creativity.TRANSCRIPT
Copy Left, Right or Wrong
Wednesday, February 9, 2011
A Tour of Copyright,Education and
Information Technologyby Isabelle Plante
and Alexander Somma
Wednesday, February 9, 2011
Intro: MashupsWednesday, February 9, 2011
We are a Shared Culture Of Mashups
Wednesday, February 9, 2011
Some rights reserved by TravOC Some rights reserved by dslrninja
Wednesday, February 9, 2011
Some rights reserved by richardmasoner Some rights reserved by Kalexanderson
Wednesday, February 9, 2011
Problem #1
It’s illegal to make most mashups
Wednesday, February 9, 2011
Problem #2
it’s illegal to show mashups because of copyright laws
Wednesday, February 9, 2011
Road Block
at most schools sites like Youtube and Flickr are blocked.
Wednesday, February 9, 2011
Part I: CopyRightWednesday, February 9, 2011
Part I: CopyRightinvented to protect and reward creators
a system of rights and rules
Wednesday, February 9, 2011
Current Copyright in Canada
Bill C-32 (Copyright Modernization Act)
Conundrum
Essentially perpetual
corporations -n 90 years
Some rights reserved by @boetter
Wednesday, February 9, 2011
DRM
Control use of digital media
preventing access, copying or conversion
disallow copyright infringements
prevent lawful fair use
Some rights reserved by CarbonNYC
Wednesday, February 9, 2011
Part II: Copy Wrong
Wednesday, February 9, 2011
Susie Suh, Susie Suh (Epic)
Amerie, Touch (Columbia)
Life of Agony, Broken Valley (Epic)
Horace Silver Quintet, Silver's Blue (Epic Legacy)
Gerry Mulligan, Jeru (Columbia Legacy)
Dexter Gordon, Manhattan Symphonie (Columbia Legacy)
The Bad Plus, Suspicious Activity (Columbia)
The Dead 60s, The Dead 60s (Epic)
Dion, The Essential Dion (Columbia Legacy)
DRMed CDs Trey Anastasio, Shine (Columbia)
Celine Dion, On ne Change Pas (Epic)
Neil Diamond, 12 Songs (Columbia)
Our Lady Peace, Healthy in Paranoid Times (Columbia)
Chris Botti, To Love Again (Columbia)
Van Zant, Get Right with the Man (Columbia)
Switchfoot, Nothing is Sound (Columbia)
The Coral, The Invisible Invasion (Columbia)
Acceptance, Phantoms (Columbia) Some rights reserved by Creativity103
Wednesday, February 9, 2011
criminals/law suites
generic media
loss of old media
Wednesday, February 9, 2011
Free ideas make people rich
Wednesday, February 9, 2011
Part III: Copy Left
Wednesday, February 9, 2011
RIP
more creativity
peer review
accelerated innovation
RightsImplemented
Properly
Wednesday, February 9, 2011
Copy Left
Open Source
CreativeCommons.org
Archive.org
Wikipedia.org
opensourcecinima.org
Not Piracy but Remix
Wednesday, February 9, 2011
is an alternative to ©
Wednesday, February 9, 2011
How Openness Works
Wednesday, February 9, 2011
Who you can contact
Parliament: [email protected]
Other people: Professor of Law Michael Geist and Lawyer Lawrence Lessig, Digital Culture Critic Cory Doctorow
us on Twitter: @CopyLeftBot twitter.com/CopyLeftBot
Wednesday, February 9, 2011
Techie things music teachers
would like to learnhow to download video clips
how to trim video clips
how to create a musical mashup
how to auto tune your voice
Wednesday, February 9, 2011
list of videos and songs
1. documentary: RIP A REMIX MANIFESTO2. TED talks: Larry Lessig, Johanna Blakley, and Margaret Stewart 3. CBC interview: Michael Geist interview4. mashup song of Jackson and Nirvana
Wednesday, February 9, 2011