course on shakespeare lane 448 introduction
TRANSCRIPT
Section : BA
01C Room: 201 A
Lecture Time & Days:
Sunday 8:00 – 9 :20
Tuesday 8:00 – 9:20
Dr. Fawzia Aseel
A108 Room Office:
00:11-30 :9Sunday : Office Hours
Monday 10:30 - 12:30
Tuesday 9:30 - 10:30
Wednesday 8:00 - 10:00
@ Yahoo.comRawda_dEmail:
Widely regarded as
the greatest writer in
English Literature
1563-1616
Stratford-on-Avon, England
wrote 37 plays
about 154 sonnets
started out as an actor
Actor for Lord Chamberlain’s
Men (London theater co.)
Also > principal playwright
for them
1599> Lord Ch. Co. built
Globe Theater where most of
Sh. Play’s were performed
Comedies
Histories
Tragedies
Plays produced for the
general public
Roofless>open air
No artificial lighting
Courtyard surrounded by 3
levels of galleries
Wealthy got benches
“Groundlings”>poorer people
stood and watched from the
courtyard (“pit”)
All but wealthy were
uneducated/illiterate
Much more interaction than today
Stage>platform that extended into the pit
Dressing & storage rooms in galleries behind & above stage
second-level gallery> upper stage> famous balcony scene in
Romeo & Juliet
Trap door>ghosts
“Heavens”> angelic beings
Only men and boys
Young boys whose voices
had not changed play
women’s roles
Would have been
considered indecent for a
woman to appear on stage
An , and: If
Anon: At once - Soon
Ay: Yes
But: Only - Except for
E’en: Even
E’er: Ever
Exeunt: They go out( leave stage)
Exit: He , She goes out
Haply: Perhaps
Happy: Fortunate
Hence: Away, from her
Marry: Indeed
Methinks: I think
Nay: No
Pray : Please
Thou ,Thee ,Thy , Thine :
You, Your, Yours
Whence: Where
Wilt: Will, will you
Withal: In addition to
Would: Wish
Yea : Yes
Ordinary writing that is not
poetry, drama, or song
Only characters in the lower
social classes speak this way in
Shakespeare’s plays
Why do you suppose that is?
The sequence of events in a literary work
The plot usually begins
with this:
introduces>>>>
setting
characters
basic situation
Often called “initial
incident”
the first bit of action that
occurs and which begins
the plot
The struggle that
develops
man vs. man
man vs. himself
man vs. society
man vs. nature
The point where the
protagonist’s situation
will either get better or
worse
protagonist>good
character
antagonist>bad character
The turning point of
the story>everything
begins to unravel
from here
Thus begins the falling
action
The end of the
central conflict
The final explanation
or outcome of the plot
If this is included in
literature, it will occur
after the resolution.
Drama where the central character/s suffer disaster/great misfortune In many tragedies, downfall results from>
Fate
Character flaw/Fatal flaw
Combination of the two
Central idea or
Insight about life
which explains the
downfall
Characters who
have many
personality traits,
like real people.
One-dimensional,
embodying only a single
trait
Shakespeare often uses
them to provide comic
relief even in a tragedy
Characters within a
story who remain the
same. They do not
change. They do not
change their minds,
opinions or character.
Characters that change somehow during the course of the plot. They generally change for the better.
One person speaking on
stage > may be other
character on stage too
Long speech expressing
the thoughts of a
character alone on
stage. Macbeth gives a
soliloquy after the
murder of King Duncan.
Words spoken, usually in an
undertone not intended to
be heard by all characters.
In The Merchant of Venice Shylock’s Asides are very
important to the spectators as
they explain the reasons of his
revenge on Antonio.
Shakespeare loved to use
them!!!
Humorous use of a word
with two meanings >
sometimes missed by the
reader because of
Elizabethan language .
Words that tell the reader
who is being addressed:
“Ah, my mistresses, which of
you all/ Will now deny to
dance?”
A contradiction between what a character thinks and what the reader/audience knows to be true
Words used to suggest
the opposite of what is
meant
An event occurs that
directly contradicts the
expectations of the
characters, the reader,
or the audience
Use of comedy within literature
that is NOT comedy to provide
“relief” from seriousness or
sadness.
In MACBETH look for moments of
comic relief that help “relieve” the
tragedy of the situation
1. Macbeth
A Tragedy by William Shakespeare
2. The Taming of the Shrew
A Farce by William Shakespeare
1.A.C. Bradley. Shakespearean Tragedy . Hong Kong: The Macmillan Press Ltd, 1978
2. Anthony Burgess. English Literature .
London : Longman, 1974
3.Caroline Spurgeon. Shakespeare’s Imagery . London :Cambridge University Press, 1982
4. Peter Spalding. Drama in Practice.
London : Macmillan Publishers Ltd.1985
Participation: 5 marks
Power Point Presentation: 20 marks
Test: 20 marks
Sunday 29/ 4 / 1432 H
Quiz: 15 marks
Tuesday 21/ 6/ 1432 H
Final: 40 marks
Total: 100 marks
Wishing You a Successful
Academic Term