creative commons for the non-profit sector - connecting up 2009
DESCRIPTION
Copyright is one of the many legal complexities non-profits encourter in their day to day operation. Knowing what you can and can't do with the content you use and create is confusing, but is a necessary evil. Creative Commons is one tool available to non-profits to help make sense of this area of law. At the core of the Creative Commons project is a suite of standardised copyright licences, freely avaialble to creators, that foster sharing and collaboration. Creative Commons builds upon the all rights reserved of traditional copyright to create a voluntary some rights reserved system. There is a whole range of content out there that is available on more flexible terms than traditional copyright. Elliott aims to give you the information you need to gain access to these resources and manage your own copyrighted works more efficiently. Delivered by Elliott Bledsoe, Project Officer, Creative Commons Australia on Monday, 11 May 2009 at the Connecting Up 2009 conference.TRANSCRIPT
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creative copyright
copyright + options for creative practitioners
elliott bledsoe
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copyright
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a right
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to copy
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copyright
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creator’s rights
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right to access
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original works
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original worksliterary works
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original works
dramatic works
literary works
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literary worksdramatic
works
original works
musical works
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literary worksdramatic
worksmusical works
original works
artistic works
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other subject matter
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other subject matter
sound recordings
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sound recordings
other subject matter
films
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sound recordings
films
other subject matter
tv broadcasts
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sound recordings
filmstv broadcasts
other subject matter
sound broadcasts
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sound recordings
filmstv broadcastssound
broadcasts
other subject matter
published editions
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copyright
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all rights reserved
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bundle of rights
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5 rights
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the right to
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the right to
copy
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the right to
adapt
copy
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copyadapt
the right to
publish
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the right to
perform
the right to
publish
copyadapt
publish
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copyadaptpublishperform
the right to
broadcast
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copyadaptpublishperform
the right to
broadcast
can’ttouchthis
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ask permission
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ask permission
each time
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ask permission
each use
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permission culture
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3 stories
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james joyce
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james joyce
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public performance
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public performance
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derivative work
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no readings
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dean gray - american edit
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dean gray - american edit
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derivative work
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derivative work
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communication
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pulled the album
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robert greenwald
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robert greenwald
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outfoxed
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copied footage
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copied footage
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refusing to license
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“as a practical matter the high costs of litigation
force most filmmakers to simply remove the
material in question.”
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permission in advance
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opt in
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flexible
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facilitates sharing
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easy to understand
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apply worldwide
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general permission granted
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nonexclusive permission granted
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worldwide permission granted
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4 elements
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attribution:acknowledge the authorBY
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attribution:acknowledge the creatorBY
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noncommerical:no commercial use
NC
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noncommercial:no commercial use
NC
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no derivatives:no changes to the workND
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no derivatives:no changes to the workND
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share alike:remix my work, yours must be remixable too
SA
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share alike:remix my work, yours must be remixable too
SA
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6 licences
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BY-NC
6 licences
BY-ND
BY-NC-ND
BY-SA
BY-NC-SA
BY
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contact
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elliott bledsoeproject officercreative commons australia
+61 7 3138 [email protected]://creativecommons.org.au
This presentation is available at http://creativecommons.org.au/cipp