cslie
TRANSCRIPT
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CSLie
Crime dramas have been a staple of American television for a half century. Obviously,
these television shows have had a tremendous impact on the minds and lives of their viewers.
Most people go their entire lives without ever seeing the criminal justice system in real life in
action, but these people, if ased to, could probably give an accurate brief description of how the
system wors. !he reason why they are able to is because of the media, which presents to
viewers a distorted lieness of the justice system. At a very brief glance, it appears that the media
is providing an accurate"enough portrayal of the criminal justice system. Criminals, detectives,
judges, lawyers, and juries do e#ist, after all, but they do not behave in real life the same way
they do on the television screen. As a result of this, Americans$ perceptions of real life crime are
heavily influenced by the crime shown in the media. !he inaccurate depiction of crime in
television gives its viewers unrealistic e#pectations of crime and the criminal justice system,
which can lead to problems in real life, and because of this, crime dramas should change the way
they portray the criminal justice system.
Crime is interesting. !his is the reason why crime dramas have dominated prime time
television for the past fifty years. %n fact, &more than a 'uarter of all prime time shows ( have
focused on themes of crime or criminal justice, which constitute the largest single subject matter
on television today, across all types of programming,) meaning that for every four hours of
television an American watches, one hour of that is spent watching a crime drama *Mc+eely.
!his holds many negative implications because as people watch these crime dramas, they learn
from them- the content that is shown on television, unfortunately, is mostly inaccurate and
unrealistic.
!here are many differences and similarities between real life and television crime but
mostly just differences. sually, crime television shows start off with a murder/ the victim is
illed by a person whose face is not seen. A few minutes later after the murder, the authorities are
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notified somehow, and a detective is sent to the scene of the crime. !he detective will find some
small scrap of evidence and tae it bac to the forensic lab where the scrap of evidence will be
subjected to some ind of uncomplicated, time"efficient, ine#pensive, but irrefutable scientific
test. A few buttons are pressed and a suspect$s face magically pops up on a computer screen. !he
suspect is then arrested. Sometimes, it turns out that the first face on the computer screen is
innocent, in which case the above steps are than repeated at a different crime scene with a
different scrap of evidence until a different face appears on the computer. !he villain is then
prosecuted because of science. !his is not the way it wors in reality. nlie their television
counterparts, the real world &criminal justice system operates under constraints of time,
manpower and priorities) *Myths and 1ealities of &2orensic) !3. Most of the time, detectives
are not able to find conclusive scientific evidence at the scene of the crime. %n reality, tests are
very complicated, time"consuming, and e#pensive- mistaes can happen, and all test results have
a chance of being wrong. !he crime depicted in television is made to loo lie a perfected e#act
science when in real life, most trials and court cases are resolved without using any type of
science at all.
Comparisons between the legal systems of fiction and reality are unavoidable. Crime
television is influential upon American perceptions of crime because &most members of the
population actually have few opportunities for direct interaction with the criminal justice system)
*Mc+eely. 0ecause most people never witness real life crime fighting, they latch on to the ne#t
closest thing/ crime dramas. 2urthermore, because people watch so much crime television, they
develop the incorrect notion that what is shown on the screen must be happening in real life.
4arford County 5udge 6ennis M. Sweeney e#plains that the comparisons of these two systems
&is lie comparing what happens in +ASA space travel to what is seen on 7Star !re.$8 %t is
preposterous and should not be allowed to happen, but it is something that is going to happen as
long as Americans find television crime dramas more interesting than the real deal or remain
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ignorant to what actually goes on. Almost all American$s current perceptions of crime have been
taen from the media.
!here are many ways that the unrealistic e#pectations of viewers of crime dramas can
have a negative impact on society. A prominent e#ample of this is the CS% effect. 5effrey
4einric describes it as the &phenomenon where television $educated$ jurors are more liely to
not convict someone who is guilty because procedures and techni'ues they observed from the
fiction television show were not applied to the case.) !his theory proposes that one of the
ramifications of confusing the legal systems of those shown on television and that of reality is
that it becomes much harder to prosecute anyone without scientific evidence. !his could easily
result in the release of dangerous criminals bac into society because of a mistrial. 4einric cites
the trial of 1obert 0lae as an e#ample of the CS% effect taing hold of the jury. !he jury voted
to ac'uit 0lae on the charge of murdering his wife because of a lac of gunshot residue and
blood on his clothes. !he prosecuting attorney called the jurors &incredibly stupid) because they
were demanding more scientific evidence and tests despite the prosecution having a strong case
against 0lae. !hese jurors have been affected by the CS% 9ffect- they have confused what they
have seen on the screen with what they have seen before their very eyes, and the end result is a
disastrous one.
More forensic tests are being called for now than ever before. !hese tests, the ones
populari:ed by television include &6+A testing, handwriting analyses, and gun shot residue
tests,) are e#pensive to conduct and tae a very long time to perform *4einric. 6espite being
inefficient most of the time, are being called for to appease the juries appetite for conclusive,
television"lie, scientific evidence. !his directly affects the worload of the nation$s &many
underfunded and understaffed medical e#aminer and coroner offices) *0artlett. %t is very
e#pensive to pay the upeep of a crime lab. 9'uipment to perform tests is very costly and the
doctors wor long hours, and because of the increase of forensic testing, many coroners are
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finding themselves overloaded with e#tra autopsies to conduct and more tests to perform. Some
death investigators have had to mae cuts on which types of bodies are to be autopsied and
which ones are to be ignored. Chief death investigator of Los Angeles, Craig 4arvey says that
&there$s no way that we can loo at every case we should probably be looing at. ;hen you only
see < in every = cases, the possibility that a homicide$s going to be missed are pretty great)
*0artlett et. al.. %t is terrible when a homicide is missed because that means a murderer has
gotten away and remains free to continue illing people and lessening humanity.
!he effects crime dramas have had on analysis labs have already become apparent. Such
is the case of 9lmore >ittower, a nursing home patient who died by the hands of his abusive care
taers. ;hat maes >ittower$s story so crude is how the coroners chose not to investigate his
death and ruled out foul play despite severe bruises all over his body because of their
overflowing caseload *0artlett. !his is a perfect e#ample of what tragedies can happen when
labs are overbooed. %f it were not for the persistence of an anonymous caller, who wored for
the same nursing home, the treacherous care taers would have slipped through the cracs of the
underfunded homicide detection system and continued their malpractices. !he caller
convinced the authorities to conduct a high priority autopsy on >ittower$s body, revealing
&multiple rib fractures at different stages of healing,) a tell tale sign of e#tended abuse *0artlett.
9verything that can be done to prevent this situation from occurring again should be
accomplished. !hat is, decreasing the amount of e#cess wor that crime labs are responsible for
is necessary and can be achieved if crime television shows placed a lesser emphasis on
technology and forensic tests.
Of course, within the crime drama continuum, it is not just the portrayal of technology
that causes problems and holds a negative influence on viewers$ minds. Crime television shows
are notorious for their dependency on violence to move forward plots, and violence is notorious
for being very controversial when used or seen in any medium. 0ecause of the sheer 'uantity of
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violence used, viewers have become normali:ed to it. !his leads to three possible outcomes/
increased fear of crime, decreased fear of crime, or, to many people, no obvious outstanding
changes at all. 4ow someone reacts to the normali:ation of crime is based on his or her
personality. !he increased fear of crime, can be e#plained because the person becomes &more
liely to feel a greater threat from crime, ?believes@ crime is more prevalent than statistics
indicate, and ?taes@ more precautions against crime. !hey find that crime portrayed on television
is significantly more violent, random, and dangerous than crime in the $real$ world) *6owler.
!his heightened fear for personal safety is detrimental to the enjoyment of life as one might be
unwilling to do something for one$s benefit because of the threat of a ris that does not e#ist. On
the opposite side of the spectrum, are the people who grow less afraid of crime. !he reasoning
behind this reaction is these people become desensiti:ed to crime and violence. %t has been
shown that those &who consume high levels of media violence are more liely to be aggressive in
the real world) as well as be more liely to partae in criminal activity- these are the people that
are prone to such a mannerism *1esearch on the 9ffects of Media 3iolence. !here are
conse'uences whether someone goes up or down the spectrum of one$s perception of crime.
Crime dramas also have enough content so that innocent television watchers and
criminals alie have something to learn from them. ;ith innocent viewers, it is worried that they
will &learn) or, rather, misconstrue all of the inaccuracies of the television show. !his contrasts
with criminals, with whom it is worried will learn the actually authentic material. !here is
sometimes just enough truth in the crime drama to be beneficial to a current or potential criminal-
by watching these television shows, criminals can be introduced to some methods that police
investigators use to trac them down. !he criminal can then tae precautions to bypass that
certain method and thus becomes harder to catch. Other times, the crime drama can introduce a
new techni'ue to get away with their misdeeds/ it was simply wearing gloves a long time ago,
but these methods have grown increasingly intricate. 1ecently, a gang of bandits inspired by the
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popular crime film !he !own, went on a fourteen"month crime spree, robbing stores and A!M
machines. !hey used a techni'ue they saw in the movie/ covering their tracs with bleach to
destroy any 6+A evidence left behind *0oyle. !his proved to be a very effective method to get
away from investigators- the gang completed si#ty"one successful robberies before finally
getting caught. Sometimes it is dangerous when life imitates art, especially when the piece of art
is about a group of men who rob and ill for a living.
%t is often argued that crime dramas should be able to do whatever they please because
they are made with the sole purpose of entertainment, and no one is forcing anyone to watch
them. roponents of this argument would assert that whether or not someone watches the
television show is based completely on that person$s own choice, and whatever that person
maes of the television show is a personal matter of its own because the writers of the show had
no intention of sending any type of political message to their viewers *Mai. !here are many
people who agree with this, and they are generally right. At the end of the day, it really is up to
the individual whether or not they want to immerse themselves into a world of croos and cops.
4owever, such a stance is undeniably passive to such an e#tent that it is irresponsible. %f it is
nown that a certain habit has adverse ramifications, steps should be taen to prevent it from
ever forming, and if it has already manifested itself in someone, something should be done to
help him or her out of it. 5ust lie if two people were arguing furiously and screaming at each
other, someone should get in there and brea them apart before any real fighting begins. 0ecause
it is nown that watching crime dramas can cause harm, it does not matter if someone chooses to
watch it or not. !hat person should not be allowed to watch at all, until some slight alterations to
the plot and script are in order and approved to be safe.
!he punishment always fits the crime. %n this case, the crime is watching television shows
about crime, and the punishment is jurors becoming less and less liely to convict criminals of
crimes, crime labs around the nited States getting baclogged with tests ordered to appease the
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aforementioned jurors, nursing home caretaers getting away with murder, people getting too
scared to say hello to their neighbors, and children turning to lives of crime because they saw
someone do it on the television screen and wanted to do it, too. All of this can be prevented if
someone convinces those 4ollywood script writers to thin with their clever minds to slightly
shift the focus and theme of the crime drama they are writing for. Crime is such an interesting
subject that it would be easy to eep it engaging even without the fancy gadgets and machines
that do not e#ist in real life or the mindless violence that only ever infects man when man is at
the gates of war.
%t is so absolutely vital that the world nows what is happening to it when it innocently
watches television. Although it may appear to be simple entertainment, there is a darer power at
wor- this power is the same one that criminals have when they are in the middle of their federal
offense. !he idea that these crime dramas can be so dar and sinister yet still be watched as
entertainment by children and adults is a bit alarming. %t is some ind of a strange voyeurism that
compels even the brightest and the nicest of all manind to want to watch a character in the show
murder another character. %n fact, it is almost lie an instinct because people way before the
twenty"first century were at least e'ually, if not more interested in the entertainment of the blood
and gore variety. 3iolent crime television shows can be looed at as a sort of evolution from the
medieval form of entertainment torture. %t is safe to say that entertainment has gone a long way,
but still, it can be very crude, which is why it is important to move away from the violence. As
long as this form of entertainment is revered, crime and the justice system will always be at odds.
Crime dramas drive too many sic urges out and up to the surface- nothing but negativity can
come of it. !hat is what the nature of crime is, whether it taes the form of a mugging, a murder,
or a movie. %t is e#citing to thin of what the minds of the world will come up with for
entertainment after the violence and crassness of crime is done away with.