cultura popular societat de massesthe honest urban legends going. newyork norton. brunvand, jan...

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Cultura popular i societat de masses Cristina Sánchez Carretero (Universitat d'Alcala-CSIC) Qualsevol recopilació bibliogdfica mai no és completa i resta limitada per factors que tenen a veure amb I'access~b~l~tat a les fonts per part de les persones que la fan, amb la seva preparació -en termes de llengües que usen I d'orientació disciplini- ria- i, per tant, amb la forma d'entendre el tema que s'ha escollit. En el cas de la cul- tura popular i la societat de consum o de masses la bibliografia que es pot recopilar és doblement limitada per I'ambigijitatdel terme "cultura populai'. Aquí presento una llista de les fonts que em semblen més rellevants per a I'estudi de la cultura expressiva popular; prenent com a centre els processos comunicatius que a hores d'ara es donen en la nostra societat. Així, s'ha donat una importancia especial als nous m~tjans que s'usen com a canals de comun~cació en que s'escoita ;a veu "folk" de I'actual~tat, com, per exemple, lnternet i els mitjans de comunicació de masses, tot Incloent també temes transversals que tenen a veure amb la re:nvenció de les tradicions, la comercialització de la cul- tura, les relaclons de podel; qüestions de genere i la g~obalitzaciÓ.Tots aquests te- mes resten acotats per I'aspecte que aquí he anomenat com "cukura expressiva", seguint, en part, la class~ca definició de Dan Ben-Amos de folldore com aHcomu- nicació artística en el si de petits grups". I. ABRAHAMS, Roger D. 1964: Deep Down in thelungle. Hatboro, Pa.:Fol- klore Associates. 2. ABRAHAMS, Roger D., 1968: "A Rhetoric of Everyday Life:Traditional Conversational Genres". Southern Folklore Quorterly 32: 44-59. 3. ABRAHAMS,Roger D., I98 1 :"Shou- tlng Match at the Border:The Fol- klore of D~splay Events". A: 'And Ot- her Neighborly Nomes .. .': Sociol Pra- cess ond Culturol lmoge in Texos Fol- klore. Ed. R~chard Bauman y Roger Abrahams. Austin: University of Te- xas Press. 303-2 l . 4. ADAMS, Robert McC., i996 Poths of Fire:An Anthropologist's lnquiry into Western Technology. Princeton: Prin- ceton Univers~ty Press. 5. ALEGR~A de la COLINA, Margarita, Carlos G~MEZ CARRO y Elsa MUÑIZ GARC~A (ed.), 1995: Nue- vas ideos; viejos creencios: Lo culturo mexicano hacia el siglo XXI. Azcapot- zalco, México: Universidad Autóno- ma Metropolitana. ALLEN, Ray y Lois WILCKEN (ed.), 1998: lsland Sounds in the Global City: Coribbean Popular Music ond ldentity in New York. New York : New York Folklore Sociev lnstitute for Studies In American Music, Brooklyn Colle- ge. ALTER,J.S., 1994:"Somatic Nationa- lism: lndian Wrestling and Militant Hinduism". Modern Asion Studies 28: 557-88. ANTTONEN, Pertti J. y Reimund KVIDELAND (ed.), 1993: Nordic Frontiers:Recent lssues in the Study of Modern Troditional Culture in the Nor- dic Countries.Turku: Nordic Institute of Folklore. APPADURAI,Arjun, 1996: Modernity ot Lorge: Culturol Dimensions of Glo- balization. Minneapolis:University of Minnesota Press. APPADURAI, A qun, 2000: "Grassro- ots Globalization and the Research Imagination". Public Cuhure 12.1 : 1 - 19. APPADURAI, Aqun, 1986 (ed.): The Sociol Life of Things: Cornmodities in Cultural Perspeaive. Cambr~dge: Cambridge University Press. APPADURAI, Arjun, E J. KOROM y M. MILLS (ed.), 199 1 : Gender, Genre and Power in South Asion Expressive Troditions. Philadelphia: University of Pennsylvania Press. APTE, Mahadev L., 1978:Moss Cultu- re, Longuoge, ond Arts in Indio. Bom- bay: Popular Prakashan. ARAKI, Hiroyuko, 1978: "The Wan- dering Infant-Noble Theme In Japa- nese Legends and Mass Media". A: Folklore in the Modern World. Ed. Ri- chard Dorson.The Hague: Mouton. 147-54. AUG~, Marc, 1993: Los ((no lugores)) espocios del ononimoto: una ontropa- logio de 10 modernidod. Barcelona: Gedisa. 16. AUGE, Marc. 1998: Hocio una ontrc- pologia de 10s mundos contemporane- os. Barcelona: Ged~sa. 17. AYATS, Jaume, 1998:"Como mode- lar la imagen sonora del grupo: 10s eslóganes de manifestación". Antra- pologio 16: 243-267. 18. BAER, Florence E., 1982: "'Give me.. . Your Huddled Masses': Anti- Vietnamese Refugee Lore and the 'Image of Limited Good"', Western Folklore 4 1.4: 275-29 I. 19. BAKER Ronald L., 1976: "The In- fluence of Mass Culture on Modern Legends", Southern Folklore Quorterly 40: 367-376. 20. BARON, Robert y Nicholas R. SPIT- ZER (ed.), 1992: Public Folklore. Was- hington, D.C.:Smithsonian Institution Press. 21. BAUMAN, Richard. 1984 [1977]: Verbal Art as Performance. Prospect Heights, 111.: Waveland Press. 22. BAUMAN. Richard, 1986: Story, Per- formance, ond Evenr Contextuol Stu- dies in Oro1 Norrotive. Cambridge: Cambridge University Press. 23. BAUMAN, kchard (ed.), 1992: FOC klore, Cuhural Performonces, ond Pa- pular Entertainments. NewYork Ox- ford University Press. 24. BAUMAN, Richard y Joel SHERZER, 1989:Explorations in the Ethnogrophy of Speoking. New York Cambridge University Press. 25. BAUMAN, Richard y Roger D. ABRAHAMS (ed.), 198 I : 'And Other Neighborly Nomes . . .': Sociol Process and Cultural lmoge in Texos Folklore. Austin: University ofTexas Press. 26. BAUSINGER Hermann, 1966: "Zur Krit~k der Folklorismuskritik". A: Pa- pulus Revisus. Ed. Hermann Bausin- ger 6 1-72, 27. BAUSINGER, Hermann, 1990 [1961]: Folk Culture in o World of Technology.Trad.Elke Dettmer Bloo- mington: lndiana University Press, 28. BAUSINGER, Hermann, 1999 [ I 97 I]: Volkskunde: von der Alter- tumsforschung zur Kuhuronolyse.Tü- b~ngen: Tübinger Vereinigung fur Volkkunde. 29. BAUSINGER, Hermann y Elfriede MOSER-RATH, 1976: Direkte Kom- munikotion und Mossenkornmuniko- tion. Scholss:Tübingen. 30. BEARDSLEY Richard K, y Rosalie HANKEY 1942: "The Vanishing Hitchhikei'. Colifornio Folklore Quor- terly 1 : 303-3s. 3 1. BEARDSLEY Richard K. y Rosalie HANKEY 1943: 'A Hstory of the Vanishing H~tchhikei'. Colifornio FOC klore Quorterly 2: 13-35. BECK, Ulrich, 1998: ¿Que es 10 globa- lizoción? Folocios del glabolismo, res- puestos o la globolizoción. Barcelona: Paidós. BECKER Jane S. y Barbara FRAN- CO, 1988:Folk Roots, New Roots: FOC klore in Americon Life. Lexington, Mass.:Museum of Our Natlonal He- ritage. BELL, David y Barbara M. KENNEDY (ed.), 2000: The Cybercuhures Reo- der. London: Routledge. BELLVER AMARE, Fernando. 1999: Lo cep0 mediterranea: Del Mediterrá- neo al Pacifico, del Neolitico a 10 glo- bolizoción.Madrid: Noesis. BEN-AMOS, Dan, 1984:"The Seven Strands of Tradition:Varieties in Its Meaning In American Folklore Stu- dies",]ournol of Folklore Reseorch 2 1 : 97.131 BEN-AMOS, Dan, 1990: "Fore- word". A: Folk Culture in o World of Technology. Hermann Baus~nger Blo- omingon: Indiana Univers'ity Press. vii-xv. BENDIX, Regina, 1993: "Of Moh- renkopfe and loponesen: Swiss Ima- ges of the Foreign". journol of Folkla- re Reseorch 30.1: 15-28. BENDIX, Regina, 1997: In Search of Authenticity.The Formotion of Folklore Studies. Madison: The University of Wisconsin Press. BENDIZ, Regina y Barbro KLElN (ed.), 1993:"foreigners and Foreign- ness in Europe:Express~ve Culture in Transcukural Encounters"]ournol of Folklore Reseorch (número mono- grafico). 30. l BENDIX, Regina y Gisela WELZ, 1999:"Cuitural Brokerage: Forms of lnteilectual Practice in Society",]our- no1 of Folklore Reseorch 362-3. BENJAMIN, Waker; 1973: "La obra de arte en la época de su reproduc- tibilidad técn~ca". A: Discursos Inte- rrumpidos. Trad. Jesús Aguirre. Ma- drid:Taurus.[1968:"TheWork ofArt In the Age of Mechan~cal Reproduc- tion". A: Illuminotions. New York Schocken.219-2531, BENNEn, G~llian, 1884:"The Phan- tom Hitchhiker: Neither Modem, Urban, nor Legend". A: Perspectives on Contemporory Legend: Proceedings of the Conference on Contemporory Legend, Sheffield, july 1982. Ed. Paul Sm~th. Shefield:CECTAL. BENNETT, Gillian, 1985: "What's 'Modern' about the Modern Le- gend?', Fobulo 26: 2 19-229. B E N N U L Giilian, 1987.Troditions of

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Page 1: Cultura popular societat de massesThe Honest Urban Legends Going. NewYork Norton. BRUNVAND, Jan Harold, 1993: The Baby Train.And Other Lusty Urbon Le- tors-in-the-Sewers: A Journalistic

Cultura popular i societat de masses

Cristina Sánchez Carretero (Universitat d'Alcala-CSIC)

Qualsevol recopilació bibliogdfica mai no

és completa i resta limitada per factors

que tenen a veure amb I'access~b~l~tat a les

fonts per part de les persones que la fan,

amb la seva preparació -en termes de

llengües que usen I d'orientació disciplini-

ria- i, per tant, amb la forma d'entendre el

tema que s'ha escollit. En el cas de la cul-

tura popular i la societat de consum o de

masses la bibliografia que es pot recopilar

és doblement limitada per I'ambigijitat del

terme "cultura populai'. Aquí presento

una llista de les fonts que em semblen

més rellevants per a I'estudi de la cultura

expressiva popular; prenent com a centre

els processos comunicatius que a hores

d'ara es donen en la nostra societat. Així,

s'ha donat una importancia especial als

nous m~tjans que s'usen com a canals de

comun~cació en que s'escoita ;a veu "folk"

de I'actual~tat, com, per exemple, lnternet

i els mitjans de comunicació de masses,

to t Incloent també temes transversals

que tenen a veure amb la re:nvenció de

les tradicions, la comercialització de la cul-

tura, les relaclons de podel; qüestions de

genere i la g~obalitzaciÓ.Tots aquests te-

mes resten acotats per I'aspecte que aquí

he anomenat com "cukura expressiva",

seguint, en part, la class~ca definició de

Dan Ben-Amos de folldore com aHcomu-

nicació artística en el si de petits grups".

I . ABRAHAMS, Roger D. 1964: Deep

Down in thelungle. Hatboro, Pa.: Fol-

klore Associates.

2. ABRAHAMS, Roger D., 1968: "A

Rhetoric of Everyday Life:Traditional

Conversational Genres". Southern

Folklore Quorterly 32: 44-59.

3. ABRAHAMS, Roger D., I98 1 :"Shou-

tlng Match at the Border:The Fol-

klore of D~splay Events". A: 'And Ot-

her Neighborly Nomes . . .': Sociol Pra-

cess ond Culturol lmoge in Texos Fol-

klore. Ed. R~chard Bauman y Roger

Abrahams. Austin: University of Te-

xas Press. 303-2 l .

4. ADAMS, Robert McC., i996 Poths

of Fire:An Anthropologist 's lnquiry into

Western Technology. Princeton: Prin-

ceton Univers~ty Press. 5. ALEGR~A de la COLINA, Margarita,

Carlos G ~ M E Z CARRO y Elsa

MUÑIZ GARC~A (ed.), 1995: Nue-

vas ideos; viejos creencios: Lo culturo

mexicano hacia el siglo XXI. Azcapot-

zalco, México: Universidad Autóno-

ma Metropolitana.

ALLEN, Ray y Lois WILCKEN (ed.),

1998: lsland Sounds in the Global City:

Coribbean Popular Music ond ldentity

in New York. New York : New York

Folklore Sociev lnstitute for Studies

In American Music, Brooklyn Colle-

ge. ALTER, J. S., 1994:"Somatic Nationa-

lism: lndian Wrestling and Militant

Hinduism". Modern Asion Studies 28:

557-88.

ANTTONEN, Pertti J. y Reimund

KVIDELAND (ed.), 1993: Nordic

Frontiers:Recent lssues in the Study of

Modern Troditional Culture in the Nor-

dic Countries.Turku: Nordic Institute

of Folklore.

APPADURAI, Arjun, 1996: Modernity

ot Lorge: Culturol Dimensions of Glo-

balization. Minneapolis: University of

Minnesota Press.

APPADURAI, A qun, 2000: "Grassro-

ots Globalization and the Research

Imagination". Public Cuhure 12.1 : 1 - 19.

APPADURAI, Aqun, 1986 (ed.): The

Sociol Life of Things: Cornmodities in

Cultural Perspeaive. Cambr~dge:

Cambridge University Press.

APPADURAI, Arjun, E J. KOROM y

M. MILLS (ed.), 199 1 : Gender, Genre

and Power in South Asion Expressive

Troditions. Philadelphia: University of

Pennsylvania Press.

APTE, Mahadev L., 1978: Moss Cultu-

re, Longuoge, ond Arts in Indio. Bom-

bay: Popular Prakashan.

ARAKI, Hiroyuko, 1978: "The Wan-

dering Infant-Noble Theme In Japa-

nese Legends and Mass Media". A:

Folklore in the Modern World. Ed. Ri-

chard Dorson.The Hague: Mouton.

147-54.

AUG~, Marc, 1993: Los ((no lugores))

espocios del ononimoto: una ontropa- logio de 10 modernidod. Barcelona:

Gedisa.

16. AUGE, Marc. 1998: Hocio una ontrc-

pologia de 10s mundos contemporane-

os. Barcelona: Ged~sa.

17. AYATS, Jaume, 1998: "Como mode-

lar la imagen sonora del grupo: 10s

eslóganes de manifestación". Antra-

pologio 16: 243-267.

18. BAER, Florence E., 1982: "'Give

me.. . Your Huddled Masses': Anti-

Vietnamese Refugee Lore and the

'Image of Limited Good"', Western

Folklore 4 1.4: 275-29 I.

19. BAKER Ronald L., 1976: "The In-

fluence of Mass Culture on Modern

Legends", Southern Folklore Quorterly

40: 367-376.

20. BARON, Robert y Nicholas R. SPIT-

ZER (ed.), 1992: Public Folklore. Was-

hington, D.C.: Smithsonian Institution

Press.

21. BAUMAN, Richard. 1984 [1977]:

Verbal Art as Performance. Prospect

Heights, 111.: Waveland Press.

22. BAUMAN. Richard, 1986: Story, Per- formance, ond Evenr Contextuol Stu-

dies in Oro1 Norrotive. Cambridge:

Cambridge University Press.

23. BAUMAN, kchard (ed.), 1992: FOC

klore, Cuhural Performonces, ond Pa-

pular Entertainments. NewYork Ox-

ford University Press.

24. BAUMAN, Richard y Joel SHERZER,

1989: Explorations in the Ethnogrophy

of Speoking. New York Cambridge

University Press.

25. BAUMAN, Richard y Roger D.

ABRAHAMS (ed.), 198 I : 'And Other

Neighborly Nomes . . .': Sociol Process

and Cultural lmoge in Texos Folklore.

Austin: University ofTexas Press.

26. BAUSINGER Hermann, 1966: "Zur

Krit~k der Folklorismuskritik". A: Pa-

pulus Revisus. Ed. Hermann Bausin-

ger 6 1-72,

27. BAUSINGER, Hermann, 1990

[1961]: Folk Culture in o World of

Technology.Trad. Elke Dettmer Bloo-

mington: lndiana University Press,

28. BAUSINGER, Hermann, 1999

[ I 97 I]: Volkskunde: von der Alter-

tumsforschung zur Kuhuronolyse. Tü-

b~ngen: Tübinger Vereinigung fur

Volkkunde.

29. BAUSINGER, Hermann y Elfriede

MOSER-RATH, 1976: Direkte Kom-

munikotion und Mossenkornmuniko-

tion. Scholss:Tübingen.

30. BEARDSLEY Richard K, y Rosalie HANKEY 1942: "The Vanishing

Hitchhikei'. Colifornio Folklore Quor-

terly 1 : 303-3s.

3 1 . BEARDSLEY Richard K. y Rosalie HANKEY 1943: 'A Hstory of the

Vanishing H~tchhikei'. Colifornio FOC

klore Quorterly 2: 13-35.

BECK, Ulrich, 1998: ¿Que es 10 globa-

lizoción? Folocios del glabolismo, res-

puestos o la globolizoción. Barcelona:

Paidós.

BECKER Jane S. y Barbara FRAN-

CO, 1988: Folk Roots, New Roots: FOC

klore in Americon Life. Lexington,

Mass.: Museum of Our Natlonal He-

ritage.

BELL, David y Barbara M. KENNEDY

(ed.), 2000: The Cybercuhures Reo-

der. London: Routledge.

BELLVER AMARE, Fernando. 1999:

Lo cep0 mediterranea: Del Mediterrá-

neo al Pacifico, del Neolitico a 10 glo-

bolizoción. Madrid: Noesis.

BEN-AMOS, Dan, 1984: "The Seven

Strands of Tradition: Varieties in Its

Meaning In American Folklore Stu-

dies",]ournol of Folklore Reseorch 2 1 : 97.131

BEN-AMOS, Dan, 1990: "Fore-

word". A: Folk Culture in o World of

Technology. Hermann Baus~nger Blo-

omingon: Indiana Univers'ity Press.

vii-xv.

BENDIX, Regina, 1993: "Of Moh-

renkopfe and loponesen: Swiss Ima-

ges of the Foreign". journol of Folkla-

re Reseorch 30.1: 15-28.

BENDIX, Regina, 1997: In Search of

Authenticity.The Formotion of Folklore

Studies. Madison: The University of

Wisconsin Press.

BENDIZ, Regina y Barbro KLElN

(ed.), 1993:"foreigners and Foreign-

ness in Europe: Express~ve Culture in

Transcukural Encounters"]ournol of

Folklore Reseorch (número mono-

grafico). 30. l

BENDIX, Regina y Gisela WELZ,

1999: "Cuitural Brokerage: Forms of

lnteilectual Practice in Society",]our-

no1 of Folklore Reseorch 362-3. BENJAMIN, Waker; 1973: "La obra

de arte en la época de su reproduc-

tibilidad técn~ca". A: Discursos Inte-

rrumpidos. Trad. Jesús Aguirre. Ma- drid:Taurus. [1968:"TheWork ofArt

In the Age of Mechan~cal Reproduc-

tion". A: Illuminotions. New York

Schocken. 219-2531,

BENNEn, G~llian, 1884: "The Phan-

tom Hitchhiker: Neither Modem,

Urban, nor Legend". A: Perspectives

on Contemporory Legend: Proceedings of the Conference on Contemporory

Legend, Sheffield, july 1982. Ed. Paul

Sm~th. Shefield: CECTAL.

BENNETT, Gillian, 1985: "What's

'Modern' about the Modern Le-

gend?', Fobulo 26: 2 19-229.

BENNUL Giilian, 1987. Troditions of

Page 2: Cultura popular societat de massesThe Honest Urban Legends Going. NewYork Norton. BRUNVAND, Jan Harold, 1993: The Baby Train.And Other Lusty Urbon Le- tors-in-the-Sewers: A Journalistic

Belief: Wornen ond the Supernatural. BLACHE, Martha (ed.), 1994: Narra-

tiva Folklorica. Vol. I. Buenos Aires:

York W W Norton.

BRUNVAND, jan Hamld, 1989: Cur-

Nord Nyn 74: 17-37.

90. COLEMAN, Loren, 1979: "Alliga- Harmondsworth: Pelican.

46. BENNET, Gillian, 1995: "'lf I knew

You Were Comlng I'd Have Baked a

Cake': The Folklore of the Forek-

nowledge in a Neighborhood

Group". A: Out of the Ordinary: FOC

klore and the Supernatural. Ed. Baha-

Centro Editor de America Latina.

BLACHE, Martha (ed.), 1995: Narra-

ses! Broiled Again. The Honest Urban

Legends Going. NewYork Norton.

BRUNVAND, Jan Harold, 1993: The

Baby Train.And Other Lusty Urbon Le-

tors-in-the-Sewers: A Journalistic

Origin". Journa1 af American Folklore

92: 335-38.

9 1 . CONDRY; lan, 1999: "Japanese Rap

Mus1c:An Ethnography of Globaliza-

tiva Folklorica.Vol.ll. Buenos Aires: FA-

DA.

BLACHE, Martha (ed.), 1999: Folklc-

re urbono.Vigencia de 10 leyendo y 10s

gends: NewYork, London.

BRUNVAND, Jan Harold, 1986: The

Mexicon Pet. New York, London:

tion in Popular Culture".Tes~s Doc-

toral.Yale University

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Ghost!" Traditions of Belief in Stary

relatos tradicionales. Buenos Aires:

Ediclones Collhue.

BLANCH, Antonio, 2000: Luces y

Norton.

BUELL, Frederick. 1998: "Nationallst la societat de la informacio. Revista

d'Etnologia de Catdunya 14: 76-83.

93. COOMBE. Rosemary J., 1997: "The

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BOOTH, Gregory D., 1990: "Brass

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gend. Vol. I . Shefield: Shefield Aca-

demic Press.

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gies intel-lectuals: suports interactius,

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Mitjans de comunicació de masses i fol-

klore

13, 14, 19,29,50,51,55,57,58,63,97, 112, 115, 117, 120, 121, 129, 163, 174,

182, 186, 193, 21 6, 228, 232, 235, 239,

243, 246, 250, 253, 254, 258, 269, 276,

277, 302, 308, 311, 312, 314, 316, 317,

322,323,328,332,334,341

Tecnologia i cultura expressiva

4,27,29. 34. 37,42,5 1,56,65,78,79,80,

92, 103, 104, 122, 130, 131, 133, 136, 139,

177- 180, 197, 234, 261, 266, 272, 280,

283,294,3 19,324,340,344,346,352

Globalització i cultura

10, 15, 16,32,38,40,62,77,87, 1 11, 136-

138, 156, 158, 17 1, 188, 190, 204. 207, 219. 220, 240, 247, 257, 270, 285-287,

305,325,340,343,356

Cultura com a bé de consum

I I , 20, 26, 35, 41, 53. 67, 154-158, 162,

168, 223, 224, 225. 255, 265, 3 15, 326,

335,336,342

Poder i cuitura expressiva 7, 12. 18,25,28,41, 69,70, 84, 126, 134.

1 35, 140, 142, 154, 206, 2 1 5, 267, 274,

Noves tradicions i invenció de la tradició

6.7,8,33,34,36,37,39,45,47, 124, 125,

153, 19 1 . 193, 194, 241, 242. 252, 277,

278,295,329,336,348,349

Llegendes urbanes

14. 18, 19,30,3 1,43,44,48,49,50,52,55.

61, 71-76, 81, 82, 83, 89, 90, 93, 94, 108,

109, 110, 113, 118, 123, 127, 145-149,

152. 1 69, 170, 229, 230, 244, 245, 273,

276, 284, 300, 302, 304, 3 13, 321, 327,

330,33 1,333,337,345,35 1,353,357

Festes, rituals i societat de consum

La pol;tica de la cultura

67,69,84,95, 134, 142, 162, 164, 168, 176,

181, 183, 184, 185, 191, 198, 218, 223,

225, 242, 248, 249, 27 1 , 274, 275, 288,

306,335,336,339,354,355

Música

6, 17,63,9 1 , 1 32, 144, 159,226,268,282

Cultura expressiva en ciutats

1, 8, 27, 33, 37, 119, 125, 128. 141, 150,

151, 172, '73, 187, 208, 209, 210, 217,

22 1,222,238,259,278,292,296,297

Dones i cultura expressiva

1 2,45,64, 195,2 1 3,2 14,280, 30 1 , 347

358.