CURRICULUM VITAE

Cynthia Jane Brown

Educational Background

1973-78: Ph.D., University of California, Berkeley1976-77: École Normale Supérieure, Fontenay-aux-Roses, France1971-73: M.A., University of California, Berkeley1966-70: B.A., magna cum laude, Phi Beta Kappa, University of New Hampshire1968-69: Université de Dijon, France

Academic Distinctions and Awards

Extramural:

June 2016 Borchard Foundation International Symposium Grant 2013 Chevalier des Palmes Académiques, French Government2009-2012 Partner University Fund / French American Cultural Exchange: Collaborative

Interdisciplinary Project with Anne-Marie Legaré, Université de Lille IIIJun-Jul 2008 Borchard Foundation International Symposium Grant2006-07 UC President’s Fellowship for the HumanitiesSummer 2006 National Endowment for the Humanities Stipend AwardFall 2003 Camargo Foundation FellowshipFall 2003 CNRS Exchange Program (declined)June 2000 Borchard Foundation International Symposium Grant Spring 1999 Borchard Foundation Scholar-in-Residency Grant1996 Aldo and Jeanne Scaglione Prize for French and Francophone Studies, Modern

Language Association (for Poets, Patrons and Printers)July 1994 UC Management Institute, University of California, Irvine 1987-88 American Council of Learned Societies GrantSummer 1986 National Endowment for the Humanities Seminar Grant - Henri-Jean Martin, The

Early Printed Book - Newberry LibrarySummer 1980 National Endowment for the Humanities Stipend Award

Intramural:

2009-10 Faculty Collaborative Research Grant, Interdisciplinary Humanities Center,UCSB

2005 Unsung Heroine, UCSB Professional Women’s Association2002-03 Instructional Improvement Grant, Instructional Development, UCSB

Web Minigrant, Instructional Development, UCSBFall 2002 Honors Forum Class, Honors Program, College of L&S, UCSB2001 Research Grant, Interdisciplinary Humanities Center, UCSB1995-96 Intercampus Academic Program Incentive Fund Award, Office of the President,

University of California1994-95 Outstanding Faculty Award, Office of Residential Life, UCSB1990-91, 93-94, Research Grant, Interdisciplinary Humanities Center, UCSB 97-981993-94 Colloquium Grants (with Jody Enders), IHC and Academic Senate UCSB1981,1983, Faculty Career Development Award, UCSB 1994

1

Academic Experience

2011-present Distinguished Professor, University of California, Santa BarbaraNov-Dec 2005 Visiting Professor, L’École Nationale des Chartes, Paris1994-2011 Full Professor, University of California, Santa Barbara1985-1994 Associate Professor, University of California, Santa Barbara1979-1985 Assistant Professor, University of California, Santa Barbara1978-1979 Lecturer, University of New Hampshire, Durham1976-1977 Instructor of English, École Normale Supérieure, Fontenay-aux-Roses

Administrative Experience

2007-08 Vice-Chair, Department of French and Italian, UCSB2001-2002 Associate Vice Chancellor, Academic Personnel, UCSB2001-2002 Faculty Advisor to the Executive Vice Chancellor, UCSB2000-2001 Director, Graduate Studies, French and Italian, UCSB1999-2000 Graduate Advisor, Department of French and Italian, UCSBFall 1998 Vice-Chair, Department of French and Italian, UCSB1991-1996 Chair, Department of French and Italian, UCSB1986-Fall 1991 Graduate Advisor, Department of French and Italian, UCSB

Publications

Books

The Shaping of History and Poetry in Late Medieval France: Propaganda and Poetic Expression in the Works of the Rhétoriqueurs. Birmingham: Summa, 1985.

Reviewed in: The Year’s Work in Modern Language Studies, 48 (1986), 90; The French Review, 61, 1 (October 1987); South Atlantic Review (November 1987), 117-18;Studi Francesi, 32, 1(1988), 133-34

Critical edition of André de la Vigne’s La Ressource de la Chrestienté (1494). Montréal: CERES, 1989.

Poets, Patrons, and Printers: Crisis of Authority in Late Medieval France. Ithaca: Cornell University Press, 1995. Awarded the MLA Scaglione Prize in 1996.

Reviewed in: Choice, 33, 4 (December 1995); Nouvelles du Livre Ancien, 85 (hiver 1995-1996); Revue de l’Art, 112 (1996), 2; Times Literary Supplement (May 1996); Le Moyen Âge, 103, 2 (1997); French Studies, 51, 1 (January 1997), 61-62; Comparative Literature Studies, 34, 1 (1997), 86-88; French History, 12, 4 (December 1998), 459-60; Roman-ische Forschungen, 111 (1999), 94-96; Romance Philology, 54 (Fall 2000), 176-81; Annales, Histoire, Sciences Sociales, 56, 4-5 (2001), 1036-38.

Critical edition of Pierre Gringore’s Oeuvres, Volume I (Les œuvres polémiques sous le règne de Louis XII). Geneva: Éditions Droz, 2003.

Reviewed in: Bibliothèque de l’École des Chartes, 162 (2004); Bulletin Codicologique, 1 (2004); Bulletin critique du livre en français, 663 (octobre 2004), Fifteenth-Century Studies, 30 (2004); French Studies, 4 (October 2004), Revue d’Histoire de l’Église de France, 1, 90 (2004), Studi Francesi, XLVIII, 1 (2004), Vox Romanica, 63 (2004), Sixteenth Century Journal, XXXVI/4 (2005)

2

Critical edition of Pierre Gringore’s Oeuvres, Volume II (Les Entrées royales à Paris de Marie d’Angleterre [1514] et Claude de France [1517]). Geneva: Éditions Droz, 2005.

Reviewed in: Bulletin critique du livre en français, (décembre 2005); Romania 123. 1-2, (2005), 246-48; Bibliothèque d’Humanisme et Renaissance, LXVIII (2006), 427; Renaissance Quarterly (2006), 886-87; Revue d’Histoire et de Philosophie Religieuses, 86, 4, (2006), 544; Renaissance and Reformation (2007), 211-14; Réforme Humanisme Renaissance 64 (2006), 134-35; Bulletin du bibliophile, 1 (2006), 186-87; Sixteenth Century Journal XXXVIII.3 (2007), 820-21; French Studies, LXII, 1 (January 2008), 71; Fifteenth-Century Studies 33 (2008), 9-11 ; Publikation perspectivia.net, 4 (2009) (http://www.perspectivia.net/content/publikationen/francia/ francia-recensio/2009-4/FN/gringore_bryant)

The Cultural and Political Legacy of Anne de Bretagne: Negotiating Convention in Books and Documents (edited volume). Cambridge, UK: D. S. Brewer, 2010.

The Queen’s Library: Image-Making at the Court of Anne of Brittany, 1477-1514. Philadelphia: University of Pennsylvania Press, 2011.

Reviewed in: Renaissance Quarterly (Summer 2011); H-France Review (October 2011); French Studies (May 2012); SHARP (The Society for the History of Authorship, Reading and Publishing) News (Summer 2012); Sixteenth Century Journal (2012);

Studies in Iconography (2012), Kunstform (2013), French Review, 86/5 (April 2013)

Critical edition of André de la Vigne’s La Ressource de la Chrestienté (1494) (digitized version). École Normale Supérieure de Lyon: Base de français médiéval, 2014 (http://txm.bfm-corpus-org).

Les femmes, l’art et la culture en Europe entre Moyen Âge et Renaissance / Women, Art and Culture in Medieval and Renaissance Europe (co-edited with Anne-Marie Legaré). Turnhout, Belgium: Brepols, 2016.

Reviewed in: Cahiers de recherches médiévales et humanistes (2016); Bulletin de Liaison de la Société d’Études du Seizième Siècle, 83 (2016)

Manuscript to Print, Print to Digita : Editionsin Performance and Performance in Editions in Late Medieval and Renaissance France (1400-1550) (edited volume) (submitted).

Critical edition of Pierre Gringore’s Oeuvres, Volumes III-IV (in progress, forthcoming with Éditions Droz, Geneva)

Critical edition of selected works of André de la Vigne (in progress, forthcoming with Champion, Paris)

Journal Issue

Special issue of The Journal of the Early Book Society: Women and the Book Culture in Late Medieval and Early Modern France, co-edited with Martha Driver, Volume IV (2001).

Articles and Book Chapters

“Jean Lemaire’s La Concorde des deux langages: The Merging of Politics Language and Poetry.” Fifteenth Century Studies, 3 (1980), 29-39.

3

“The Evolution of André de la Vigne’s La Ressource de la Chrestienté: From the Manuscript Tradition to the Vergier d’honneur Editions.” Bibliothèque d’Humanisme et Renaissance, XLV (1982), 115-25.

“The Rise of Literary Consciousness in Late Medieval France: Jean Lemaire de Belges and the Rhétoriqueur Tradition.” The Journal of Medieval and Renaissance Studies, XIII (1983), 51-74.

“Political Misrule and Popular Opinion: Double Talk and Folly in Pierre Gringore’s Jeu du Prince des Sotz.” Le Moyen Français, 11 (1982 [appeared in 1984]), 89-111.

“Mémoire et Histoire: la déformation de la réalité chez les Rhétoriqueurs.” In Jeux de mémoire: aspects de la mnémotechnie médiévale. Proceedings of the 10th

Colloquium of the Institut d’études médiévales (Université de Montréal, May 1983). Montréal: Les Presses de l’Université, 1985, 43-53.

“Du Manuscrit à l’imprimé en France: le cas des Grands Rhétoriqueurs.” In Les Grands Rhétoriqueurs. Actes du Ve Colloque international sur le moyen français (Milan, 6-8 mai, 1985). Vol. I. Milano: Pubblicazioni della Università Cattolica del Sacro Cuore, 1985, 103-23.

“Du Nouveau sur le ‘mistère’ des Douze Dames de Rhétorique: le rôle de Georges Chastellain.” Bulletin de la Commission Royale d’Histoire, CLIII (1987), 188-223.

“L’Éveil d’une nouvelle conscience littéraire en France à la grande époque de transition technique: Jean Molinet et son moulin poétique.” Le Moyen Français (Du Manuscrit à l’imprimé). Actes du Colloque international sur le moyen français (Université de McGill, octobre 1988), 22 (1988), 15-35.

“The Confrontation Between Printer and Author in Early Sixteenth-Century France: Another Example of Michel Le Noir’s Unethical Printing Practices.” Bibliothèque d’Humanisme et Renaissance, LIII (1991), 105-19.

“Text, Image, and Authorial Self-Consciousness in Late Medieval Paris.” In Printing the Written Word: The Social History of Books, c. 1450-1520. Ed. Sandra Hindman. Ithaca: Cornell University Press, 1991, 103-42.

Reviewed in: Times Literary Supplement (September 18, 1992), 29; Art History, 16, 2(June 1993), 365-66.

“The Interaction Between Author and Printer: Title Pages and Colophons in Early French Imprints.” Soundings: Collections of the University Library. Santa Barbara: University of California, 1992, 33-50.

“Poètes, imprimeurs et mécènes à la fin du moyen âge français: une crise d’autorité.” In Pratiques de la culture écrite en France au XVe siècle. Eds. M. Ornato and N. Pons. Actes du Colloque international, Paris, CNRS, 18-21 mai, 1992. Louvain-la-Neuve: Fédération International des Instituts d’Études Médiévales, 1995, 423-40.

“A Late Medieval Cultural Artifact: The Twelve Ladies of Rhetoric (Les Douze Dames de Rhétorique). Allegorica, 16 (1995), 73-105.

“Pierre Gringore: acteur, auteur, éditeur.” Cahiers V. L. Saulnier (Les Grands Rhétoriqueurs), 14 (1997), 145-63.

4

“Les Abus du monde de Pierre Gringore: de l’imprimé au manuscrit?” In La Génération Marot: Poètes français et néo-latins (1515-1550). Actes du Colloque international de Baltimore (5-7 décembre 1996). Ed. Gérard Defaux. Paris: Champion-Slatkine, 1997, 35-58.

“The Reconstruction of an Author in Print: Christine de Pizan in the 15th and 16th Centuries.” In Christine de Pizan and the Categories of Difference. Ed. Marilynn Desmond. Minneapolis: University of Minnesota Press, 1998, 215-35.

Reviewed in: Speculum, 75, 1 (January 2000), 171-73; Studies in the Age of Chaucer, 22 (2000), 480-82; Modern Language Review, 95, 2 (2000), 504-05.

“De ‘La Louange à la tresglorieuse Vierge’ aux Chansons georgines: la transformation d’une oeuvre de Georges Chastellain. Le Moyen Français (Néologie et Création verbale), 39-41 (1996-97 [published 1998]), 65-80.

“Variance and Late Medieval Mouvance: Reading an Edition of Georges Chastellain’s ‘Louange a la tresglorieuse Vierge.’” Disputatio (Translation, Transformation and Transubstantiation in the Late Middle Ages), 3 (1998), 123-75.

“Author, Editor, and the Use of Illustrations in the Early Imprints of Villon’s Works: ‘Ung chacun n’est maistre du scien.’” In Chaucer’s French Contemporaries. Ed. R. Barton Palmer. New York: AMS Press, 1999, 315-48.

“Allegorical Design and Image-Making in Fifteenth-Century France: Alain Chartier’s Joan of Arc.” French Studies, 53, 4 (1999), 385-403.

“Networking in Medieval and Post-Modern Cultures: Texts, Authorship, and Intellectual Property” (co-authored with Barbara Valentine). Journal of the Early Book Society, 2 (1999), 157-78.

“Textual and Iconographical Ambivalence in the Late Medieval Representation of Women.” Bulletin of the John Rylands University Library of Manchester (Text and Image: Studies in the French Illustrated Book from the Middle Ages to the Present Day), 81, 3 (1999), 205-39.

“Patterns of Protest and Impersonation in the Works of Pierre Gringore.” In Vernacular Literacy and Current Affairs in the Early Sixteenth Century: France, England and Scotland. Eds. Jennifer Britnell and Richard Britnell. Aldershot: Ashgate Publishers, 2000, 16-40.

Reviewed in: Journal of the Early Book Society, 6 (2003), 179-81.

“Grief, Rape and Suicide as Consolation for the Queen: Ambivalent Images of Female Rulers in the Books of Anne de Bretagne.” Journal of the Early Book Society (special issue on Women and Books in Late Medieval and Renaissance Europe), IV (2001), 172-201.

“The ‘Famous Women’ Topos in Early Sixteenth-Century France: Echoes of Christine de Pizan.” “Rien ne mest seur que la chose incertaine:” Études sur l’art d’écrire au Moyen Âge offertes à Eric Hicks par ses élèves, collègues, amies et amis. Éds. Jean-Claude Mühlethaler and Denis Billotte. Genèva: Slatkine, 2001, 149-160.

“André de la Vigne au Puy de Rouen de 1511: Étude du ms. Douce 379 de la Bibliothèque Bodléienne.” Première poésie de la Renaissance: Autour des Puys poétiques normands, Actes du Colloque international organisé par le Centre d’Études et de Recherche Éditer-Interpréter (30 septembre-2 octobre 1999), eds. Jean-Claude Arnould et Thierry Mantovani (Paris: Champion, 2003), 161-192.

5

“Les Louanges d’Anne de Bretagne dans la poésie de Jean Bouchet et de ses contemporains: voix de deuil masculines et féminines,” Jean Bouchet, traverseur des voies périlleuses (1476-1557): actes du colloque de Poitiers (30-31 août 2001). Eds. Nathalie Dauvois et Jennifer Britnell. Paris: Champion, 2003, 32-51.

“La Mise en œuvre et la mise en page du prosimètre chez André de la Vigne,” Cahiers V. L. Saulnier (Le Prosimètre à la Renaissance), 22 (2005), 87-110.

“Books in Performance: The Parisian Entry (1504) and Funeral (1514) of Anne of Brittany.” Yale French Studies (Meanings and Its Objects: Material Culture in Medieval and Renaissance France, eds. Margaret Burland, David LaGuardia, and Andrea Tarnowski), 110, 2006, 75-91.

“From Stage to Page: Royal Entry Performances in Honour of Mary Tudor (1514).” In Poetry on the Page: Book and Text in France, 1400-1600. Eds. Adrian Armstrong and Malcolm Quainton. Aldershot: Ashgate, 2007, 49-72.

“Paratextual Performances in the Early Parisian Book Trade: Antoine Vérard’s Edition of Boccaccio’s Nobles et cleres dames (1493).” In Cultural Performances in Medieval France: Essays in Honor of Nancy Freeman Regalado. Eds. E. Jane Burns, Eglal Doss-Quinby and Roberta Krueger. Woodbridge, Surrey: Boydell & Brewer, 2007, 255-64.

"Le Mécénat d'Anne de Bretagne et la politique du livre." In Patronnes et femmes mécènes en France à la Renaissance, d'Anne de France à Catherine de Médicis. Ed. Kathleen Wilson-Chevalier. Saint-Étienne: Publications de l'Université de Saint-Étienne, 2007, 195-224.

“Vroeg-zestiende-eeuwse Frans-Nederlandse relaties: Pierre Gringores Entreprise de Venise en de Antwerpse Venegien” (co-authored with Susie Sutch). Spiegel der Letteren, 49, no. 2 (2007), 197-211.

“Du manuscrit à l’imprimé: Les XXI Epistres d’Ovide d’Octovien de Saint Gelais.” In Ovide Métamorphosé: Les Lecteurs médiévaux d’Ovide. Eds. Laurence Harf-Lancner, Laurence Mathey-Maille, Michelle Szkilnik. Paris: Presses Sorbonne nouvelle, 2009, 69-82.

“Visual and Verbal Satire in Pierre Gringore’s Folles Entreprises.” In La Satire dans tous ses états” à la Renaissance française. Ed. B. Renner. Cahiers d’Humanisme et de Renaissance. Geneva: Éditions Droz, 2009, 49-74.

“Like Mother, Like Daughter: The Blurring of Royal Imagery in Books for Anne de Bretagne and Claude de France.” In The Cultural and Political Legacy of Anne de Bretagne. Ed. Cynthia J. Brown. Cambridge, U.K.: D.S. Brewer, 2010, 101-21.

“Die Gebete / The Patron.” In Das Gebetbuch der Claude de France / The Prayer Book of Claude de France: MS M.1166 The Pierpont Morgan Library, New York, Kommentar zur Faksimile-Edition / Commentary to the Facsimile Edition. Roger Wieck with Cynthia J. Brown. Luzern: Quaternio Verlag Luzern, 2010, 45-66, 183-206.

“La Mise en oeuvre et la mise en page des recueils traitant des femmes célèbres à la fin du moyen âge.” In Le recueil à la fin du Moyen Âge. Eds. Tania Van Hemelryck and Stefania Marzano. Turnhout, Belgium: Brepols, 2010, 33-46.

“Celebration and Controversy at a Late Medieval French Court: A Poetic Anthology for and about Anne of Brittany and Her Female Entourage.” Bibliothèque d’Humanisme et Renaissance, LXXII, 3 (2010), 541-73.

6

“Pierre Gringore’s Complainte de Trop Tard Marié: Textual and Editorial Performances.” In Performance,Drama and Spectacle in the Medieval City: Essays in Honor of Alan Hindley. Eds. Catherine Emerson, Adrian Tudor and Mario Longtin. Louvain: Peeters, 2010, 419-42.

“La Mise en scène du texte dans Le Chasteau de Labour de Pierre Gringore.” In Le Discours du livre. Eds. Anna Arzoumanov, Anne Réach-Ngô, and Trung Tran. Paris: Classiques Garnier, 2011, 79-110. “Dédicaces à Anne de Bretagne: Éloges d'une reine.” In Publics et publications dans les éloges collectifs de femmes à la fin du Moyen Age et sous l'Ancien Régime. Ed. Renée-Claude Breitenstein. Études françaises, 47, 3 (2012), 29-54.

“Anne de Bretagne: Die Auftraggeberin / Anne de Bretagne: The Patron.” In Die Fibel der Claude de France / The Primer of Claude de France: Fitzwilliam, MS 159, Cambridge: Kommentar zur Faksimile-Edition / Commentary to the Facsimile Edition. Roger S. Wieck, Cynthia J. Brown and Eberhard König. Luzern: Quaternio Verlag Luzern, 2012, 9-23, 111-123.

“Les images récurrentes de femmes à l’aube de la Renaissance: Les XXI Epistres d’Ovide.” Actes du colloque sur la répétition (Université de Victoria, juin 2011). Textimage, http://www.revue-textimage.com/conferencier/01_image_repetee/brown1.html.

“Books for a Queen: The Literary Patronage of Claude de France.” Bulletin du Bibliophile, 2 (2012), 257-70.

“Polemics in Print in the Low Countries: Venegien. Transcription with Introduction and English Translation” (co-authored with Susie Sutch). Queeste, 19 (2012), 140-72.

“Pierre Gringore et ses imprimeurs (1499-1518): collaborations et conflits.” Seizième Siècle (Genèses éditoriales), 10 (2014), 67-87.

“Le Trépas de l’hermine regrettee: A Critical Edition” (co-authored with Elizabeth A. R. Brown). In Pecia: Le Livre et l’écrit, ed. Jean-Luc Deuffic. Turnhout, Belgium: Brepols, 2014, 191-249.

“L’ordre qui fut tenue a l’obseque et funeraille de feue tresexcellente et tresdebonnaire princesse Anne…de Bretaigne… : A Critical Edition” (co-authored with Elizabeth A. R. Brown). In Pecia: Le Livre et l’écrit, ed. Jean-Luc Deuffic. Turnhout, Belgium: Brepols, 2014, 250-271.

“Allegorical Design and Political Image-Making in Late Medieval France.” In Textual and Visual Representations of Power and Justice in Medieval France: Manuscripts and Early Printed Books. Eds. Rosalind Brown-Grant, Anne D. Hedeman, and Bernard Ribémont. Farnham, Surrey: Ashgate, 2015, 109-31.

“Parenté royale et livresque: une anthologie manuscrite dans la bibliothèque de Charlotte de Savoie (BnF fr. 2222).”  In Les femmes, la culture et les arts en Europe entre Moyen Âge et Renaissance / Women, Art and Culture in Medieval and Renaissance France. Eds. Cynthia J. Brown and Anne-Marie Legaré. Turnhout, Belgium: Brepols, 2016, 371-90.

“Anne de Bretagne and Anne de France: French Female Networks at the Dawn of the Renaissance.” In Founding Feminisms in Medieval Studies: Essays in Honor of E. Jane Burns. Eds. Laine E. Doggett and Daniel O'Sullivan. Cambridge: Boydell and Brewer, 2016, 171-86.

“Family Female Networking in Early Sixteenth-Century France: The Power of Text and Image.” In Women and Power at the French Renaissance Court. Ed. Susan Broomhall. Amsterdam: Amsterdam University Press (forthcoming).

7

Reference Works

”Alain Chartier.” In Dictionary of the Middle Ages. Vol. 3. New York: Charles Scribner’s Sons, 1983, 275-76.

“Complainte.” In Dictionary of the Middle Ages. Vol. 3. New York: Charles Scribner’s Sons, 1983, 507-08.

“Débat.” In Dictionary of the Middle Ages. Vol. 4. New York: Charles Scribner’s Sons, 1984, 122.

“Jean, Duke de Berry.” In Dictionary of the Middle Ages. Vol. 7. New York: Charles Scribner’s Sons, 1988, 49.

“Rhétoriqueurs.” In Dictionary of the Middle Ages. Vol. 10. New York: Charles Scribner’s Sons, 1988, 364-65.

“Anne de Bretagne, deux fois reine de France, duchesse de Bretagne (1477-1514).” In Dictionnaire des Femmes de l’Ancienne France (online dictionary of the Société Internationale pour l’Étude des Femmes sous l’Ancien Régime), http://www.siefar.org, 2005.

Book Reviews

Pierre Rivière, La Nef des Folz, ed. Edelgard Du Bruck (Ann Arbor: Michigan Academy of Sciences, Arts and Letters, 1977). The French Review, 55, 1 (October 1981), 131-32.

Michael F. O Jenkins, Artful Eloquence: Jean Lemaire de Belges and the Rhetorical Tradition (Chapel Hill: University of North Carolina Press, 1980). The French Review, 55, 4 (March 1982), 544-45.

Franco Simone, Jonathan Beck, Gianni Mombello, eds. Seconda Miscellanea di Studi e Ricerche sul Quattrocento Francese (Chambéry-Torino: Centre d’Études Franco-Italien, 1981). Romance Philology, XXXVIII, 4 (May 1985), 542-48.

Caroline Bruzelius, The 13th-Century Church at St. Denis (New Haven :Yale University Press, 1985). The French Review, 61, 2 (December 1987), 301-02.

Jennifer Britnell. Jean Bouchet (Edinburgh: Edinburgh University Press, 1986). The French Review, 62 (December 1988), 324-25.

Barbara Inglis, ed., Le Manuscrit B.N. Nouv. Acq. Fr. 15771 (Paris: Champion, 1985). Romance Philology, XLIV, 2 (November 1990), 233-35.

Martyn Rus, Textes, fonctions, et formes: Aspects de la littérature française à l’aube des temps modernes (The Hague: Rodopi, 1989). Speculum, 66, 1 (January 1991), 225-37.

Christopher Page, The Owl and the Nightingale: Musical Life and Ideas in France 1100-1300 (Berkeley: University of California Press, 1989). The French Review, 65, 6 (May 1992), 1069-70.

Leonard W. Johnson, Poets as Players: Theme and Variation in Late Medieval French Poetry (Stanford: Stanford University Press, 1990). The French Review, 65, 6 (May 1992), 1060-61.

Barbara Nelson Sargent-Baur, Brother of Dragons: Job Dolens and François Villon (New York: Garland, 1990). Romance Philology, 46, 1 (August 1992), 435-37.

8

P. E. Bennett and G. Runnalls, eds., The Editor and the Text (London: Anglo-Norman Text Society, 1991). SubStance, 70 (1993), 91-95.

Richard E. F. Straub, David Aubert, escripvain et clerc (Amsterdam: Rodopi, 1995). Speculum (October 1996), 1031-32.

June Hall McCash, ed., The Cultural Patronage of Medieval Women (Athens: University of Georgia Press, 1996). Medieval Feminist Newsletter, 22 (Fall 1996), 52-54.

Michael Randall, Building Resemblance: Analogical Imagery in the Early French Renaissance (Baltimore: The Johns Hopkins University Press, 1996). French Studies, 52, 3 (1998), 330-31.

Yvonne LeBlanc, Va Lettre Va: The French Verse Epistle (1400-1550) (Birmingham: Summa, 1995). Speculum (July 1999), 784-785.

David Cowling, Building the Text: Architecture as Metaphor in Late Medieval and Early Modern France (Oxford: Clarendon Press, 1998). Speculum (January 2000), 166-168.

David LaGuardia, The Iconography of Power: The French Nouvelle at the End of the Middle Ages (Newark: University of Delaware Press, 1999). Medievalia et Humanistica, 27 (2000), 131-33.

Adrian Armstrong, Technique and Technology: Script, Print, and Poetics in France 1470-1550 (Oxford: Clarendon Press, 2000). Medium Aevum, LXX, 1 (2001), 135-36.

Brian Richardson, Printing, Writers and Readers in Renaissance Italy (Cambridge: Cambridge University Press, 1999). Bulletin du Bibliophile, 2 (2002), 391-93.

Richard H. Rouse and Mary A. Rouse, Manuscripts and Their Makers: Commercial Book Producers in Medieval Paris 1200-1500, 2 vols (Turnhout, Belgium: Harvey Miller, 2000). Journal of the Early Book Society, 6 (2003), 209-14.

Marie Madeleine Fontaine, ed., Jean Lemaire de Belges, Des Anciennes pompes funeralles (Ms. BnF fr. 5447 et BnF fr. 22326). Bibliothèque d’Humanisme et Renaissance LXV, (2003), 739-42.

David C. Cowling, ed., Les Douze Dames de Rhétorique (Geneva: Droz, 2002). French Studies, 58, 2 (April 2004), 241-42.

Catherine Emerson, Olivier de La Marche and the Rhetoric of 15th-Century Historiography. Woodbridge, Suffolk and Rochester: The Boydell Press, 2004. H-France Review, Vol. 5 (September 2005), No. 91 (h-francereview.net).

Olga Duhl, Sotise à huit personnages, édition critique. Geneva: Droz, 2005. French Studies, 60, 2 (April 2006), 264-65.

David Adams and Adrian Armstrong, eds. Print and Power in France and England, 1500-1800. Aldershot: Ashgate, 2006. French Studies, 62 (January 2008), 85-86.

Emma Cayley. Debate and Dialogue: Alain Chartier in his Cultural Context. Oxford: Clarendon Press, 2006. The Journal of the Early Book Society, 11 (2008), 235-36. Helen J. Swift. Gender, Writing, and Performance: Men Defending Women in Late Medieval France (1440-1538). Oxford: Clarendon Press, 2008. Medium Aevum, LXXVIII, 1 (2009), 148-49.

9

Anne D. Hedeman. Translating the Past: Laurent de Premierfait and Boccaccio’s De Casibus. Los Angeles: The J. Paul Getty Museum, 2008. Speculum, 85, 2 (2010), 43-45.

Sophie Cassagnes-Brouquet. Un Manuscrit d’Anne de Bretagne: Les Vies des femmes célèbres d’Antoine Dufour. Rennes: Éditions Ouest-France, 2007. Bulletin du Bibliophile, 1 (2010), 176-78.

Dagmar Eichberger, Anne-Marie Legaré and Wim Hüsken, eds. Women at the Burgundian Court: Presence and Influence / Femmes à la cour de Bourgogne: présence et influence. Turnhout, Belgium : Brepols, 2010. Bulletin du Bibliophile (2014), 374-78.

Emma Cayley and Susan Powell, eds. Manuscripts and Printed Books in Europe, 1350-1550: Packaging, Presentation and Consumption. Liverpool: Liverpool University Press, 2013. The Medieval Review, 14.04.32 (https://scholarworks.iu.edu/dspace/bitstream/handle/2022/17543/ 14.04.32.html?sequence=1).

Jane H. M. Taylor, Rewriting Arthurian Romance in Renaissance France: From Manuscript to Printed Book. Cambridge: D. S. Brewer, 2014. Renaissance Quarterly, 68.3 (2015), 1124-1126.

Pascale Chiron et Nathalie Dauvois, eds. Jean Bouchet, Le Labirynth de fortune et Sejour des trois nobles dames, t. II, Œuvres complètes (Paris : Classiques Garnier, 2015). Revue d’histoire littéraire de la France, 4 (2016), 957.

Papers and Lectures

“Politics, Language and Poetry: Jean Lemaire’s La Concorde des deux langages.” 14th International Congress on Medieval Studies, Western Michigan University, May 1979. “Levels of Persuasion: The Role of the Patron, Poet and Public in Late Medieval France.” 15 th International Congress on Medieval Studies, Western Michigan University, May 1980. “The Rise of Literary Consciousness in Early 16th-Century France: Jean Lemaire de Belges and the Rhétoriqueur Tradition.” Renaissance Conference of Northern California, Stanford University, March 1981. “The Characteristics of the Transition from Manuscript to Print in Late Medieval France: Verisons of André de la Vigne’s La Ressource de la Chrestienté.” 16th International Congress on Medieval Studies, Western Michigan University, May 1981. “Rhetoric and the Rhétoriqueurs.” Session on Issues in the Study of Medieval Rhetoric, sponsored by the Medieval Academy. 17th International Congress on Medieval Studies, Western Michigan University, May 1982. “Printing and the Rhétoriqueurs.” Modern Language Association, Los Angeles, December 1982. “Images of the Author in Late Medieval France.” Comparative Literature Symposium, University of California, Santa Barbara, March 1983. “Mémoire et Histoire: la déformation de la vérité chez les Rhétoriqueurs.” Xe Colloque de l’Institut d’Études Médiévales: la mémoire au moyen âge, Université de Montréal, May 1983. “Du manuscrit à l’imprimé en France: le cas des Grands Rhétoriqueurs.” Ve Colloque international sur le moyen français, Milan (Università Cattolica del Sacro Cuore, Centro Studi sulla Letterature Medio-francese), May 1985. “From Manuscript to Printed Book in Late Medieval France: The Case of the Grands Rhétoriqueurs.” 20th International Congress on Medieval Studies, Western Michigan University, May 1985. “The Relationship of Text and Image in Les Douze Dames de Rhétorique. 21st International Congress on Medieval Studies, Western Michigan University, May 1986. “Authorial Consciousness and the Transition from Script to Print in Late Medieval France.” Newberry Library, NEH Seminar on the Early Printed Book, Chicago, August 1986.

10

“Image and Authorial Self-Consciousness in Late Medieval Paris.” From Scribal Culture to Print Culture: A Symposium on the Early Illustrated Book, Northwestern University, April 1987. “The Impact of the Transition from Script to Print on Jean Lemaire de Belges.” 22nd International Congress on Medieval Studies, Western Michigan University, May 1987. “L’Éveil d’une nouvelle conscience littéraire en France à la grande époque de transition technique: Jean Molinet et son moulin poétique.” IVe Colloque international sur le moyen français, McGill University, Montreal, October 1988. “Author and Printer in Early 16th-Century France: A Crisis of Authority.” University of California, Santa Barbara, Interdisciplinary Humanities Center, April 1989. “The Interaction Between Author and Printer in Early French Imprints.” 24th International Congress on Medieval Studies, Western Michigan University, May 1989. “Author and Printer in Early 16th-Century France: A Crisis of Authority.” Modern Language Association, Washington, D.C., December 1989. “Author, Editor and the Use of Illustrations in the Early Imprints of Villon’s Work: ‘Chascun n’est maistre du sien.’” 25th International Congress on Medieval Studies, Western Michigan University, May 1990. “Author, Image and Text in Late Medieval France.” Departmental Colloquium, French and Italian, University of California, Santa Barbara, May 1990. “Poets, Patrons and Printers in Late Medieval France: A Crisis of Authority.” Colloquium on Commentary as Cultural Artifact, University of California Humanities Research Institute, UC Irvine, June 1990. “The Impact of the Transition from Manuscript to Print on the Burgundian Poet Jean Molinet.” 5th Interdisciplinary Conference on Netherlandic Studies, University of California, Los Angeles, June 1990. “Poets, Patrons and Printers in Late Medieval France.” Department of Romance Languages, University of Georgia, November 1990. “Poets, Patrons and Printers in Late Medieval France.” Medieval and Renaissance Studies Colloquium, Long Beach State University, March 1991. “The Textual and Extratextual Image of the Author in Late Medieval France.” 6th Colloquium of the Society for Textual Scholarship, New York City, April 11-13, 1991. “The Interaction Between Poet and Printer: Title Pages and Colophons in Early French Imprints.” Friends of the Library, University of California, Santa Barbara, Celebration of the Two-Millionth Acquisition, April 1991. “Poètes, imprimeurs et mécènes à la fin du moyen âge français: crise d’autorité.” Colloque international sur les Pratiques de la Culture Écrite en France au XVe siècle, Paris, Centre National de Recherche Scientifique, May 1992. “Upstaging Late Medieval Royal Entries: The Drama of the Book.” Colloquium on the Book in Performance: Rethinking Codicology,” University of California, Santa Barbara, February 1994. “Theorizing Late Medieval Text-Editing: Towards a New Codicology.” Kentucky Foreign Language Conference, University of Kentucky, April 1994. “Royal Entry Accounts and the Dynamics of Female Patronage in Late Medieval France: Reading Between the Lines and Images.” 30th International Congress on Medieval Studies, Western Michigan University, May 1995. “The Book as Medieval Spectacle: Pierre Gringore as Author, Director and Producer.” Plenary Address of the Early Book Society Conference on Metamorphoses: Transmission and Transformation in Manuscripts and Printed Books, 1300-1550, University of Nottingham, England, July 1995. “The (Re)Authorization of Christine and Her Works in the Late 15th and 16th Centuries.” Christine de Pizan: Text/Intertext/Context. 29th Annual Conference of the Center for Medieval and Renaissance, State University of New York, Binghamton, October 1995. “The Beginning of the End of Mouvance in Late Medieval France.” Midwest Modern Language Association, President’s Session, St. Louis, Missouri, November 1995. “The Book as Spectacle.” College of Creative Studies, University of California, Santa Barbara, January 1996. “Networking in Medieval and Post-Modern Cultures: Texts, Authorship and Intellectual Property” (co-authored with Barbara Valentine). From Medieval Manuscript to CD-Rom:

11

Reexamining Image, Text and Performance. University of California, Santa Barbara, February 1996. “Pierre Gringore: acteur, auteur, éditeur.” Les Grands Rhétoriqueurs, Colloque du Centre V.L. Saulnier de Recherches sur la Création littéraire en France au XVIe siècle, Université de Paris IV, March 1996. “The Book in Performance in 15th-Century France: Politics and Allegory in the Work of Alain Chartier.” Conference on Joan of Arc in History and Film, Center for Medieval and Renaissance Studies, University of California, Los Angeles, May 1996. ”De ‘La Louange tresglorieuse à la Vierge’ aux Chansons georgines: la transformation d’une oeuvre de Georges Chastellain.” VIIIe Colloque international sur le moyen français, McGill University, Montreal, October 1996. “Les Abus du Monde (1516) de Pierre Gringore: De l’imprimé au manuscrit?” Colloque sur la Génération Marot, Johns Hopkins University, December 1996. “Manuscripts For and About Women: Textual and Verbal Imagery in the Books of Anne of Brittany and Margaret of Austria.” Medieval Academy/Medieval Association of the Pacific Conference, Stanford University, March 1998. “Books of Mourning for and about Women: The Cases of Margaret of Austria and Anne of Brittany.” 33rd International Congress on Medieval Studies, Western Michigan University, May 1998. “Images of Late Medieval Female Sovereignty.” 9th Triennial Congress of the International Courtly Literature Society, University of British Columbia, July 1998. “The Politics of Protest: Allegory, Morality and Shifting Authorial Voices in the Works of Pierre Gringore.” Vernacular Literature and Current Affairs: France, England and Scotland, c. 1500-1530, University of Durham, England, September 1998. “Networking in Medieval and Post-Modern Cultures” (co-authored with Barbara Valentine). Davidson Library, University of California, Santa Barbara, October 1998. “Changing Fortunes, Figures, and Voices in Late Medieval Europe: Gender Shifts in the Depiction of Marguerite d’Autriche. Modern Language Association, San Francisco, December 1998. “André de la Vigne au Puy de 1511: Étude du manuscrit Douce 379 de la Bibliothèque Bodléienne.” Colloque international sur la Première poésie de la Renaissance: Autour des puys poétiques normands, Université de Rouen, October 1999. “Grief, Rape and Suicide as Consolation for a Queen? Ambivalent Images of Women in the Books of Anne de Bretagne.” International Colloquium on Women and Books in Late Medieval and Renaissance Europe: Female Readers, Owners, and Makers, Château de la Bretesche, Missillac, France, June 2000. “Signs of Tension: The Late Medieval Book as Cultural Artifact,” 2000 Dartmouth Colloquium, Material Culture in Medieval and Early Modern France, Minary Center, Dartmouth College, New Hampshire, 29 September-1 October, 2000. “Contesting Convention: Textual and Iconographical Ambivalence in the Representation of Late Medieval Women.” Tulane University, 20 April 2001. “Épitaphes d’Anne de Bretagne: André de la Vigne et Jean Bouchet,” Session on Jean Bouchet at the International Colloquium Les Grands Jours de Rabelais en Poitou, Poitiers, 29 August-2 September 2001. “Signs of Tension: Late Medieval Entry Accounts of French Queens.” Session on The Late Medieval Book in Paris: Urban Patrons and Production. Medieval Academy of America, New York City, 4-6 April 2002. “Ambivalent Images: The Reconstruction of Women in Late Medieval Europe.” The Culture of Books: Birth and Transformations of the Reader from the Late Middle Ages to the Dawn of the Modern Period. University of California, Berkeley, 11-13 April 2002. “Rites of Passage: Encoding Anne of Brittany and Louise of Savoie.” Stanford Humanities Center, Stanford University, 21 November 2002. “Rites of Passage: The Books of the Parisian Entry (1504) and Funeral (1514) of Anne of Brittany (Waddesdon Manor Ms. 22 and B.N. Ms. f.fr. 5094).” La Maison Française, New York University, 3 February 2003.

12

“Staking Out Authorial Claims: Another Example of Self-Defense by Pierre Gringore.” 39 th International Congress on Medieval Studies, Western Michigan University, Kalamazoo, 10 May 2003. “Pierre Gringore and the Manuscript Culture: Two Early Sixteenth-Century French Royal Entry Books (British Library Cottonian Ms. Vespasian B.II and Bibliothèque Municipale de Nantes, Ms. 1337),” Camargo Foundation, Cassis, France, 9 October 2003. “In Celebration of Queen and Author: Early Sixteenth-Century French Royal Entry Books,” Cambridge University, 30 October 2003. “La Mise en œuvre et la mise en page du prosimètre chez André de la Vigne,” Journée Prosimètre, Centre Saulnier, Université de Paris IV (Sorbonne), 4 March 2004. “From Stage to Page: Royal Entry Performances in Honor of Mary Tudor (1514),” Fifty-Seventh Annual Kentucky Foreign Language Conference, April 16, 2004. “From Stage to Page: In Praise of Author and Queen,” Stanford University, 10 March 2005. “In Praise of Marriage and Authorship: Pierre Gringore’s Complainte de Trop Tard Marié,” Renaissance Society of America, Cambridge University, 4 April 2005.

“De la Mise en scène à la mise en page: L’entrée royale de Marie d’Angleterre,” Matérialité et Textualité: Le Discours du Livre à la Renaissance (Journée d’Étude de l’Atelier XVIe siècle de Paris IV), Université de Paris IV (Sorbonne), 9 April 2005. “Du manuscrit à l’imprimé: l’oeuvre littéraire comme artefact culturel,” L’École des Chartes, 8 December 2005. “La Mise en scène de l’auteur et de la reine: le compte rendu de l’entrée royale à Paris de Marie d’Angleterre (1514).” Institut International Érasme, Maison des Sciences Humaines du Nord-Pas-de-Calais, Université de Lille 3, 14 December 2005.  “Du manuscrit à l’imprimé: Les XXI Epistres d’Ovide d’Octovien de Saint Gelais.” Centre d’Études du Moyen Âge, Université de la Sorbonne Nouvelle (Paris III), 12 May 2006. “Auteurs, mécènes et libraires à l’aube de la Renaissance: autour de deux traductions, Les Nobles et cleres dames de Boccace (1493) et les Héroïdes d’Ovide traduites par Octovien de Saint-Gelais (1497).” Le Centre V.L Saulnier, Université de Paris IV-Sorbonne, 9 November 2006. “Corps et paysages dans les miniatures des Héroïdes d’Ovide traduites par Octovien de Saint-Gelais (1497).” Séminaire de Master 1 et 2 (Le Paysage et le Corps) de Frank Lestringant, Université de Paris IV-Sorbonne, 14 November 2006. “La Mise en oeuvre et la mise en page des recueils au sujet de femmes célèbres à la fin du Moyen Âge.” “Le livre ou je met toutes mes choses: Le recueil à la fin du Moyen Âge. Université catholique de Louvain, 10-12 mai, 2007. “Authorial Identity and Material Culture in Late Medieval French Manuscripts and Early Printed Books: The Enduring Debate about Female Virtues.” Florida State University, 10 April 2008. “The Transition from Manuscript to Print in Late Medieval France: Rubrics, Signatures, Authorial Images and Textual Modifications.” Florida State University, 11 April 2008. “Like Mother, Like Daughter: The Blurring of Royal Imagery in Books for Anne de Bretagne and Claude de France.” Borchard Foundation Colloquium on “The Cultural and Political Legacy of Anne de Bretagne,” Château de la Bretesche, Missillac, France, 29 June-2 July 2008. “La Mise en oeuvre et la mise en page des recueils au sujet de femmes célèbres à la fin du Moyen Âge.” “Pouvoir, Art et Culture des Pays-Bas bourguignons à la Méditerranée (XIVe-XVIe siècles).” Séminaire pluridisciplinaire de Master 2 et Doctorants en Histoire de l’art, Histoire, Études romanes, Université de Lille 3, 16 April 2009. “Pierre Gringore.” Literary and Learned Careers and Performative Culture, Netherlands National Institute for Advanced Study, Wassenaar, Netherlands, 1-5 July 2009. “Dédicaces à Anne de Bretagne: Éloges d'une reine.” International Society for the History of Rhetoric. Session on “Les Publics dans les éloges collectifs de femmes des XVe et XVIe siècles.” McGill University, 22-26 July 2009. “La Mise en scène de l’auteur et de la reine: le compte rendu de l’entrée royale à Paris de Marie d’Angleterre (1514).” Maison des Sciences Humaines du Nord-Pas-de-Calais, Université de Lille 3, 26 November 2009. “Celebration and Controversy at a Late-Medieval French Court: Texts for and About Anne of Brittany and Her Female Entourage.” Session on “Women’s Textualities in the Late Middle Ages

13

and Renaissance: Continuities, Controversies, and Transformations.” Modern Language Association, Philadelphia, 30 December 2009. “Books for a Queen: The Literary Patronage of Claude de France." Session on “Politics, Patronage, and Royal Women in France.” Sixteenth Century Society and Conference, Montreal, 14-17 October 2010. “La Femme comme mécène, autrice et sujet littéraire à la cour de Claude de France.” Colloque “Le Discours sur l’égalité/inégalité des femmes et des hommes de 1400-1600: Revisiter ‘la Querelle des Femmes,’” SIEFAR-Columbia University, Paris, 19-21 November 2010. “La Femme comme mécène, autrice et sujet littéraire à la cour de Claude de France.” Journée d’Études : Les Femmes, la Culture et les Arts, entre Moyen Âge et Renaissance : Recherches et nouvelles perspectives (Projet Partner University Fund/French American Cultural Exchange), Université de Lille III, MESHS, 3 décembre 2010. “Partner University Fund Project, UCSB-Lille-3.” “USA-France: Encounters in Sciences and Humanities,” University of Southern California/French Cultural Services, 8 March 2011. Response to Richard Rouse, “Santa Barbara’s 13th-Century Paris Bible 40 Years Later.” Colloquium entitled “Framing the Word: The Bible in European Culture and Society, c. 1250-1611.” UC Santa Barbara, 27 May 2011. “La Représentation des Héroïdes en France à l’aube de la Renaissance.” Littérature et Illustrations: L’Image répétée, University of Victoria, 2-4 June 2011. “Formal Inscriptions of Performance” (co-authored). International Workshop on “Communication by Performance: Literary Societies of Leaning (1200-1700).” Universidad Complutense de Madrid, 21-22 July 2011. “Une anthologie manuscrite dans la bibliothèque de Charlotte de Savoie: BnF ms. fr. 2222.” Les femmes, la culture et les arts en Europe entre Moyen âge et Renaissance / Women, Art and Culture in Medieval and Renaissance Europe. Maison Européenne des Sciences de l’Homme et de la Société (MESHS) Lille, France, 28-30 March 2012. “Allegorical Design and Political Image-Making in Late Medieval France.” Textual and Visual Representations of Power and Justice in Medieval Manuscript Culture. Le Studium, Orléans, France, 5-6 July 2012. Respondent at session entitled "History and Theatricality in 15th- and 16th-Century France," Renaissance Society of America, San Diego, 4 April 2013. “Paratextual Cues in Late Medieval Books: Detecting Female Networks.” Keynote Address, UC Berkeley Medieval Studies Program, "The Material Middle Ages: An International Graduate Student Conference." UC Berkeley, 28 February 2014. Respondent at session entitled "Performative Literary Culture II: Poetic and Musical Performance in Fifteenth- and Sixteenth-Century France: Passion Plays, Farces, and Tragedies." Renaissance Society of America, New York City, 27 March 2014. Chair, Roundtable: “In Good Company: Sociality, Friendship, and Joyfulness in Early Modern Literary Societies.” Renaissance Society of America, New York City, 29 March 2014. “Mothers Dedicating Books to their Daughters: Anne de France and Anne de Bretagne.” Sixteenth Century Society and Conference, New Orleans, 16-19 October 2014. “Detecting French Female Networks in 16th-Century Books: Family Relations and the Transmission of Knowledge,” Isidore Silver Memorial Lecture, Department of Romance Languages and Literatures, Washington University, St. Louis, 24 March 2015. “Editing, Manipulating and Adapting Texts in Early 16th-Century Paris,” Roundtable on “TheAuthor as Textual Critic: Intellectual Property in the Renaissance and Today,” Renaissance Society of America, Boston, 31 March 2016. “Reconstructing Medieval Women’s Libraries: Obstacles and Achievements.” Roundtable in Honor of E. Jane Burns: “Feminists and Feminisms in the Academy.” 51st International Congress on Medieval Studies, Western Michigan University, Kalamazoo, 13 May 2016. “Les Publics des Oeuvres de Pierre Gringore: Auteur et Imprimeur, Texte et Paratexte.” Colloquium on « Tensions à l’âge de l’imprimé : la construction conflictuelle des publics à la Renaissance en France, » Université Lumière – Lyon 2, 7 July 2017. “Paratextual Cues in Late Medieval Books: Detecting Family Female Networks.” Plenary Address of the Mid-America Medieval Association 41st Conference, University of Missouri-Kansas City, Kansas City, 16 September 2017.

14

“Fifteenth-Century French Versions of Ovid’s Heroides: Textual and Visual Translations of Departures.” Plenary Address of the Conference “Many Will Travel: Travel and Translation in Early Cultures,” for the Group for the Study of Early Cultures, School of Humanities, University of California, Irvine, 13-14 October 2017. “Artifical Boundaries: Crossing Century Borderlines in Early Modern France.” Medieval and 16th-century Forum on “Propaganda, Polemic, Persuasion: Changing Media and Modes,” Modern Language Association Conference, New York City, 7 January 2018.

Professional Activity

Member, Editorial Board, Brill Publishing monograph series Medieval and Renaissance Authors and Texts, 2007-present

Member, Editorial Board, Journal of the Early Book Society, 1997-presentMember, Editorial Board, Speculum, 2011-2015Member, Camargo Foundation Academic Selection Committee, 2007-2015Member, MLA Divisional Assembly, 2009-2012Book Review Editor, Speculum, 2001-2007Member, International Congress on Medieval Studies (Kalamazoo) Program Committee,

Medieval Academy of America, 2000-2006.Consultant/Reviewer

Presses and journals: Medieval and Renaissance Texts Series (SUNY Binghamton), University of Michigan Press; Romance Philology, Speculum, French Studies, Allegorica, Medieval and Renaissance Texts Series (Arizona State University), Exemplaria, Publications of the Modern Language Association, Boydell and Brewer, Ashgate Publishing, Medium Aevum

Appointments and promotions to Associate Professor, Full Professor, Reader, Chair: UCLA, Duke University, University of Michigan, Brandeis University, Rutgers University, Fordham University, SUNY Albany, University of Pittsburgh, University of Oregon, University of Colorado, University of Durham, England; University of Manchester, England, University of Virginia, Harvard University, Princeton University, Stanford University, Hebrew University of Jerusalem, Duke University, Rutgers University, University of Auckland, Cambridge University, Stanford University, University of Richmond, Boston University

Grants and Awards: Arts and Humanities Research Board Research Grants (United Kingdom)

Department Review: University of Colorado (Department of French and Italian), Queen’s University, Ontario (Department of French Studies), University of Virginia (Department of French), University of Victoria (Medieval Studies Program)

Conference: ‘”The Aura of the Word in the Early Age of Print (1450-1600).” Royal Flemish Academy of Belgium for Science and the Arts, Brussels, 13-15 September 2012

Conference Organization

Co-organized Romance Philology Convocation. University of California, Santa Barbara, October 1981. Organized and chaired Medieval Session, American Association of Teachers of French Annual Convention, Cincinnati, November 1981.

15

Co-organized and chaired session entitled “Medieval Conventions: Inversions and Conversions,” for the International Courtly Literature Society at the Medieval Association of the Pacific, Claremont College, California, February 1982. Chaired session entitled “Critical Perspectives: The Author, “ at the 17th International Congress on Medieval Studies, Western Michigan University, May 1982. Chaired Special Session entitled “The Early Years of Printing,” at the Modern Language Association Convention, Los Angeles, December 1982. Organized and chaired session entitled “Politics, Art, and Literature at Late Medieval French Courts: The Grands Rhétoriqueurs” at the 20th International Congress on Medieval Studies, Western Michigan University, May 1985. Organized and chaired session entitled “The Literary Legacy of Burgundy in Late Medieval and Renaissance Europe” at the 21st International Congress on Medieval Studies, Western Michigan University, May 1986. Presented Welcome Address at the “Italian Women Writers Conference,” University of California, Santa Barbara, November 1991. Chaired session entitled “Livre, Culture, Société” at the Colloque international sur Les Pratiques de la culture écrite en France au XVe siècle, Paris, Centre National de Recherche Scientifique, May 1992. Invited Participant, Conference on the Role of National Language and Literature Departments, UC Humanities Research Institute, UC Irvine, December 1993. Co-organized colloquium entitled “The Book in Performance: Towards a New Codicology” at the University of California, Santa Barbara, February 1994. Invited Participant, Conference on the Role of National Language and Literature Departments, UC Humanities Research Institute, UC Berkeley, March 1994. Steering Committee Member and Participant, Conference on Intercampus Cooperation among Foreign Language Departments and Programs, UC Office of the President, UC Irvine, November 1994. Organized 2-day colloquium on the Establishment of an Italian Consortium at the Southern UC Campuses, University of California, Santa Barbara, January 1996. Invited Participant, Interactive Teleconference on Foreign Language Across the Curriculum, University of California, Santa Barbara, May 1996. Chaired session entitled “Poétiques” at the Colloque international de la Première poésie de la Renaissance: Autour des Puys poétiques normands, Université de Rouen, October 1999. Organized International Colloquium entitled “Women and Books in Late Medieval and Renaissance Europe: Female Readers, Owners, and Makers,” Château de la Bretesche, Missillac, France, June 2000. Organized UCSB Lecture (co-sponsored by Interdisciplinary Humanities Center, French and Italian, Medieval Studies Program) by Jacqueline Cerquiglini-Toulet, University of Paris IV (Sorbonne), December 2000. Organized lecture (sponsored by French and Italian) in French 236A by Sharon Kinoshita, UC Santa Cruz, November 2001 Organized UCSB Lecture (co-sponsored by Interdisciplinary Humanities Center, French and Italian, Medieval Studies Program) by Sylvia Huot, Cambridge University, April 2003. Co-organized UCSB Lecture (co-sponsored by Interdisciplinary Humanities Center, French and Italian, English Department, Medieval Studies Program) by Deborah McGrady, Tulane University, February 2007 Organized UCSB class lecture in French 137X/English 119X by Meg Lamont, English Department, UCLA, January 2008. Chaired session entitled "Contemporary Violations of Human Rights" at the 9th Annual UC Irvine-UC Santa Barbara Graduate Conference in French and Francophone Studies, May 8, 2008. Organized International Colloquium entitled “The Cultural and Political Legacy of Anne of Brittany,” Château de la Bretesche, Missillac, France, 29 June - 2 July 2008. Organized Partner University Fund/Medieval Studies Colloquium entitled “Women, Art and Culture in Medieval and Renaissance Europe,” UCSB, 26-27 February 2010.

16

Organized Lecture in Medieval Studies Program by Jane Taylor, University of Durham, England, UCSB, 5 November 2010 Organized Lecture in French 232B by Deborah McGrady, University of Virginia, 2 February 2011 Chaired session entitled “Inflecting Time and Space,” at international colloquium, Future of the Past: History in the Francophone West,” UCLA/Getty, 5 February 2011 Organized Lecture in French 232B by Tracy Adams, University of Auckland, 16 February 2011 Co-organized International Colloquium entitled “Les femmes, la culture et les arts en Europe entre Moyen âge et Renaissance / Women, Art and Culture in Medieval and Renaissance Europe, Université de Lille, France, 28-30 March 2012. Chaired session at International Colloquium entitled Textual and Visual Representations of Power and Justice in Medieval Manuscript Culture, Le Studium, Orléans, France, 5 July 2012. Co-organized session entitled "History and Theatricality in 15th- and 16th-Century France" at the Renaissance Society of America conference, San Diego, 4 April 2013.

Chaired Roundtable: “In Good Company: Sociality, Friendship, and Joyfulness in Early Modern Literary Societies.” Renaissance Society of America conference, New York City, 29 March 2014. Organized International Colloquium entitled “Manuscript to Print, Print to Digital: Editions in Performance and Performance in Editions in Late Medieval and Renaissance France (1450-1550),” Château de la Bretesche, Missillac, France, 19 June - 22 June 2016.

Professional Societies: Modern Language Association, Medieval Academy of America, Medieval Association of the Pacific, Medieval Feminist Group, Early Book Society, Société Internationale pour l'Étude des Femmes de l'Ancien Régime

1996-present Associate, Center for Medieval and Renaissance Studies, University of California, Los Angeles

University and Public Service

2017-18 Chair, Program Review Panel, Office of the Executive Vice Chancellor

Member, Threat Management Team, Office of the Executive Vice Chancellor

Member, Medieval Studies Advisory Committee, College of L&S Member, Women’s Fund of Santa BarbaraMember, Women’s Auxiliary, Music Academy of the West, Santa Barbara Member, Women’s Board, Community Arts Music Association

(CAMA) Santa Barbara

2016-17 Member, Search Committee for Vice Chancellor of Research, Office of the Executive Vice Chancellor

Vice Chair, Program Review Panel, Office of the Executive Vice Chancellor

Member, Threat Management Team, Office of the Executive Vice Chancellor

Member, Search Committee for European Media Studies Position, Departments of French and Italian and German and Slavic, Comparative Literature Program

Member, Medieval Studies Advisory Committee, College of L&S Member, Women’s Fund of Santa BarbaraMember, Women’s Auxiliary, Music Academy of the West, Santa

17

Barbara Member, Women’s Board, Community Arts Music Association (CAMA) Santa Barbara

2015-16 Advisor to Acting Dean of Humanities and Fine Arts, College of L&SMember, Search Committee for Dean of Humanities and Fine Arts,

College of L&S Member, Program Review Panel, Office of the Executive Vice Chancellor

Member, Threat Management Team, Office of the Executive Vice Chancellor

Member, Medieval Studies Advisory Committee, College of L&S Member, Women’s Board, Community Arts Music Association (CAMA)

Santa Barbara (co-secretary)Member, Women’s Auxiliary, Music Academy of the West, Santa

Barbara Member, Women’s Fund of Santa Barbara

2014-15 Member, Search Committee for Dean of Humanities and Fine Arts, College of L&S

Member, Graduate Council, Academic SenateJudge, Grad Slam Competition, Graduate DivisionMember, Graduate Continuing Fellowships Committee, Grad DivisionMember, Personnel Review Committee (Chair of the Writing Program)Member, Shadow CAP Committee, Academic SenateMember, Threat Management Team, UCSBMember, Medieval Studies Advisory Committee, College of L&S Member, Women’s Board, Community Arts Music Association (CAMA)

Santa Barbara (co-secretary)Member, Women’s Auxiliary, Music Academy of the West, Santa

Barbara Member, Women’s Fund of Santa Barbara

2013-14 Member, Graduate Council, Faculty SenateJudge, Grad Slam Competition, Graduate DivisionMember, Threat Management Team, UCSBMember, Medieval Studies Advisory Committee, College of L&S Member, Teaching Assistant Award Selection CommitteeMember, Women’s Board, Community Arts Music Association (CAMA)

Santa Barbara (co-secretary)Member, Women’s Auxiliary, Music Academy of the West, Santa

Barbara Member, Women’s Fund of Santa Barbara

2012-13 Chair, Special Ad Hoc Personnel Committee, Letters and ScienceMember, Graduate Council, Faculty SenateMember, Threat Management Team, UCSBMember, Medieval Studies Advisory Committee, College of L&S Member, Lancaster Dissertation Award Selection CommitteeJudge, Grad Slam Competition, Graduate DivisionMember, French PhD Comprehensive Exam Committee, French and

ItalianMember, Graduate Studies Committee, French and ItalianMember, Ronald Tobin Scholarship Committee, French and ItalianMember, Community Arts Music Association (CAMA) Women’s Board,

Santa BarbaraMember, Women’s Auxiliary, Music Academy of the West, Santa

Barbara

18

2011-12 Member, Medieval Studies Advisory Committee, College of L&SMember, French PhD Comprehensive Exam Committee, French and

ItalianMember, Ronald Tobin Scholarship Committee, French and ItalianMember, Threat Management Team, UCSBMember, Community Arts Music Association (CAMA) Women’s Board,

Santa BarbaraMember, Women’s Auxiliary, Music Academy of the West, Santa

Barbara

2010-11 Member, Medieval Studies Advisory Committee, College of L&SMember, Threat Management Team, UCSBMember, Ronald Tobin Scholarship Committee, French and ItalianMember, French Masters Exam Committee, French and ItalianMember, Lectures/Colloquia Committee, French and ItalianMember, Community Arts Music Association (CAMA) Women’s Board,

Santa Barbara

2009-10 Member, UC Commission on the Future, UCOP Oakland2009-10 Co-Chair, Size and Shape Working Group, UCOP OaklandJuly 2010 Co-Chair, Advisory Faculty Committee on Proposals to the UC

Commission on the Future, UC Academic Council2007-10 Member, Committee on Privilege and Tenure, Faculty Senate2009-10 Chair, Medieval Studies Program, College of L&S1982-10 Member, Medieval Studies Advisory Committee, College of L&S2009-10 Member, PhD Comprehensive Exam Committee, French and Italian2008-09 Vice-Chair, Medieval Studies Program, College of L&S2008-09 Senior Women’s Council2008-09 Member, Search Committee for Director of the Writing Program, College

of L&S2008-09 Chair, French Institute Advisory Committee, French and Italian2007-09 Director, Graduate Recruitment and Admissions, French and Italian2007-08 Chair, Search Committee for Director of the Writing Program, College of

L&S2007-08 Member, Subcommittee on Academic Integrity for NCAA Certification of

UCSB Athletics2007-08 UCSB Representative, UC Privilege and Tenure, UCOP Oakland2007-08 Member, Graduate Studies Committee, French and ItalianWinter 2003-2006 Member, Committee on Academic Personnel, Faculty Senate 2004-05 Vice-Chair, Committee on Academic Personnel 2005-06 Chair, Committee on Academic Personnel2004-06 UCSB Representative, UCAP, UCOP Oakland2003-04 Member, Executive Committee, College of Creative StudiesSpring 2003 Member, PhD Pre-Qualifying Exam Committee, French and ItalianSpring 2003 Member, MA Exam Committee, French and ItalianWinter 2003, 2004 Member, Fellowship Committee, Medieval Studies Program2001-2003 Member, Graduate Studies Committee, French and Italian2001-2003 Member, Graduate Admissions and Fellowships, French and Italian1997-2004 Member, Advisory Committee, College of Creative Studies2001-2002 Member, Task Force on International Studies, UCSB2000-2001 Member, Search Committee, Director Interdisciplinary Humanities Center1998-2001 UCSB Representative, UC Humanities Research Institute, UC Irvine2000-2001 Chair, Pre-qualifying Exam Committee, French and ItalianWinter-Spring 2000 Member, Committee to Evaluate the Interdisciplinary Humanities Center,

College of L&S

19

1999-2002 Chair, Graduate Studies Committee, French and Italian1999-2000 Member, Graduate Admissions and Fellowships, French and Italian1997-1999 Member, Executive Committee, College of Letters and Science1998-99 Executive Committee Representative, General Education Committee, Faculty Senate1997-99 Member, Committee on Committees, Faculty Senate1998-99 Member, Search Committee, Library Director1983-99, 2001 Member, Education Abroad Interview Committee1998-99 Member, Graduate Admissions and Fellowships, French and Italian1998-99 Member, Graduate Studies Committee, French and Italian1998-99 Member, Development Committee, French and ItalianFall 1998 Member, Undergraduate Prizes Committee, College of L&S1995-98 Member, Regents’ Lectureship Selection Committee1997-98 Member, French Summer Institute Committee, French and Italian1994-97 Speaker, Summer Orientation Program, Dean and Faculty Panel for Parents1994-97 Member, Development Committee, French and Italian1996-97 Member, Emergency Ad Hoc Committee, College of L&SSpring 1996 Member, Masters Exam Committee, French and Italian1993-96 Juror, Foreign Language Olympiads, UCSB1993-95 Member, Senior Women’s CouncilFall 1995 Member, Special Review Committee (Muriel Zimmerman), L&S1993-95 Member, Hermione Chevalier Award Committee, French and Italian1993-94 Member, Women Leaders’ Networking Group, UCSBNovember 1993 Participant, University Leadership Network Conference1993-94, 1984-85 Organizer, Pi Delta Phi Banquet, French and Italian 1980-83Spring 1993 Member, Search Committee, Provost of the College of Creative StudiesMay 1992 Participant, Scholar Day, French and Italian1991-92 Member, Italian Studies Committee, French and Italian1986-Fall 1991 Chair, Graduate Studies Committee, French and Italian1988-91 Chair, Graduate Admissions and Fellowships, French and Italian1989-90 Member, General Education Committee, Faculty Senate1986-90 Member, Affirmative Action Advisor’s Committee, Graduate Division1988-89 Member, Fulbright Fellowship Committee1988-89 Organizer, Medieval Studies Committee monthly meetings1988-89 Member, Undergraduate Instruction Committee, French and Italian1988-89 Member, Search Committee, French and Italian1986-88 Representative, UCSB Faculty Legislature (Area III)1986-87 Member, Committee for the Development of the Humanities Institute1986-87 Member, Executive Committee, UCSB Faculty Legislature1986-87 Organizer, Phi Beta Kappa Scholars Program, French and Italian1986-1987 Member, Graduate Admissions and Fellowships, French and Italian1986-87 Member, Search Committee for Chair, French and Italian1984-87 Member, Election Committee, Faculty SenateNovember 1986 Lecturer on Medieval Literature, Advanced French Class, Dos Pueblos

High School, Santa Barbara1983-84, 1979-80 Participant, French Day Activities, French and Italian1982-83 Member, Hermione Chevalier Award Committee, French and Italian1980-81 Member, Evaluation Forms Committee, French and Italian1979-80 Member, Curriculum Committee, French and Italian

Department of French and Italian 2630 Montrose PlaceUniversity of California Santa Barbara, CA 93105

20

Santa Barbara, CA 93106 (805) 563-6306(805) 893-3111 cjbrown@frit.ucsb.edu

21