curzio, bardot, and the runaway amnesiac

13
! Curzio, Bardot, and the runaway amnesiac Stefan Jovanovic AA History & Theory Studies Term 1 (Fall) Seminar Tutor: Alison Moffett #

Upload: lynga

Post on 20-Dec-2016

235 views

Category:

Documents


3 download

TRANSCRIPT

Page 1: Curzio, Bardot, and the runaway amnesiac

!"""""""""" Curzio, Bardot, and the runaway amnesiac Stefan Jovanovic AA History & Theory Studies Term 1 (Fall) Seminar Tutor: Alison Moffett """"""""""""""""""#"

""

Page 2: Curzio, Bardot, and the runaway amnesiac

$%&'()*("+"&,-&'.&/0&"12&")&*12"34"12&"56/7"8/)"12&"9'36/)"12*1"+":1*/)"6-3/;"0*%&:"./7""$%&'(12./9"+":&&"16'/:"13":13/&7"8/)"12&"<&*1./9"34"=("2&*'1">6:1":13-:7""+"0?3:&"=("&(&:"*/)"4*??")3@/"13"12&"9'36/);"8/)"*@*.1"43'"*??"13":261")3@/;"53"12&"-*./"@.??"4*)&7"+"0?3:&"=("&(&:"*/)"@*.1"43'"12&"/6=</&::"13":&1"./;"8/)"+"&=<'*0&"12&":1.??/&::"34"&1&'/*?":?&&-7#"

A"

!"#$%&#'%()*&(+,#-%)("#(.#/%0*#)&(.#(1*#2%3405.'#./#1)"#1.$*6#%++#(1%(#5*$%)&"#%5*#(1*#-%++"#(1%(#"755.7&0#1)$6#%&0#.''5*""#1)$8#(1*#3*)+)&9#-1)31#1%&9"#%2.:*#1)"#1*%06#-%)()&9#(.#3.++%'"*6#%&0#(1*#/+..5#2*+.-#1)$#(1%(#95%07%++,#3.&"7$*"#1)$#7&()+#1*#)"#&.(1)&9#$.5*#(1%&#(1*#"'%3*#1*# )&1%2)("6#%&0#(1*#1.7"*#1%"#2*3.$*#&.(1)&9# +*""# (1%&#%#'*5$%&*&(#$*$.5,#./#1)$"*+/;#

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email protected]#F*(*56#!531)(*3(75*#./#G*+%&31.+,6#HD%&03%$'6#F*(*5#[email protected]#IJCIK#

Page 3: Curzio, Bardot, and the runaway amnesiac

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

"(.&*C7A""R#

# M%"%#G%+%'%5(*6# %&#%5()/%3(6# %# 57)&6#

%&#%&(15.'.$.5'1

)N*0#*&:)5.&$*&(6#

(1*# )0*%+# "(%9*#"*(#/.5#(1*#2)5(1#./#%#(5%9*0,#%&0#S12&" 03/:1'601&)".=*9&" 34" */"

.:3?*1&);"'3=*/1.0;"'&<&??.36:"

./1&??&016*?;T R#!&#

%531)(*3(75%+#"*+/P'.5(5%)(#

-.7+0# 2*# %#$*5*#

7&0*5"(%(*$*&(#/.5# (1)"#%7(.2).95%'1)3%+# 1.7"*6#3.&3*):*0# %"# %#"(%9*# /.5#

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

########################################################I#<%+%$.&%6#G%5)0%6#M%"%#G%+%'%5(*6#HNew York: Princeton Architectural Press, 1992) 20#R#=2)0#IX#X#McDonough, Michael, Malaparte A House Like Me, (New York: Clarkson Potter/Publishers, 1999) IC#

Page 4: Curzio, Bardot, and the runaway amnesiac

X#<1*# /)5*'+%3*# )"#

&.&*# .(1*5# (1%&# (1*#O1*%5(1# ./# (1*# Y.$*5)3#%&0# G*0)(*55%&*%&#1.7"*6# V%&0W# (1*# /)975*"#./# (1*# 1)91# 5*+)*/#"37+'(75*# *:.4*# (1*#'5*"*&3*#./#(1*#'5)$)():*#9.0"T; Z #<1*# )&*"3%'%2+*#%((5%3().&#(.#3+%"")3)"$#)"#%''%5*&(# )&# (1*#/.5$7+%().&# ./# (1*#5*+%().&"1)'#2*(-**&#(1*#)&(*5).5# %&0# *>(*5).5#"'%()%+# '5.95*"").&# ./#M%"%# G%+%'%5(*6#*&1%&3*0# -)(1# (1*#.33%").&%+# .5&%$*&(%+#%((5)27(*# "731# %"# (1*#"37+'(75*# .5# /)5*'+%3*;#

B:*5,(1)&9#2*3.$*"#3%(*5*0#(.#(1*#&**0"#./#(1*#1.7"*?"#'+.(#-)(1)&#(1*#.:*5%531)&9#&%55%():*#./#)(#2*)&9#2.(1#(1*#"'*3(%(.5#%&0#(1*#'%5()3)'%&(;#

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

#########################################################################################

Z#!"# ,.7# :%9%2.&0# (15.791# (1*#

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

########################################################Z#<%+%$.&%#Z]#\#=2)0;#Z^#

Page 5: Curzio, Bardot, and the runaway amnesiac

'.*(5,# .5# %"# S!&05_# D5*(.&# 0*"35)2*0# (1*# U7)&(*""*&3*# ./# "755*%+)"$# %"# O%# '.-*5/7+#+.3.$.():*#%2%&0.&*0#/.5#,*%5"#(.#(1*#$%0&*""#./#(1*#:)59)&#/.5*"(;T]##

<1*#*>'*5)*&3*#./# %&#%531)(*3(75%+# "'%3*# 5..(*0# )&#&."(%+9)%# %&0#$*+%&31.+,#1%"# (1*#3%'%2)+)(,#./#)&:.4)&9#(1*#&.().&#./#5*P$*$.5,;#<1*#+%((*5#)"#%#$*$.5,#)&#3.&"(%&(#*:.+7().&6#3.&"(%&(+,# 5*0*/)&)&9# )("*+/# %33.50)&9# (.#.&*?"# 5*'*%(*0#%&0# 5*&*-*0#*>'*5)*&3*"#-)(1)&#%&#7&3%&&)+,#/%$)+)%5#27(#7&4&.-&#"'%3*;#<1*#2*%7(,#./#')*3)&9#(1*#&%55%():*#)&#(1)"#-%,#)"#(1%(#.&*# &**0# &.(# %+-%,"# 2*# '5*"*&(# )&# (1*# "'%3*# (.# 5*$*$2*5# %# /.59.((*&# U7%+)(,8# 5%(1*5# 3%&#*U7%++,#*&9%9*#(15.791#(1*#*>'*5)*&3*#./#(1*#)("#$%&)/*"(%().&#)&#.(1*5#/.5$"#./#$*0)%6#"731#%"#3)&*$%#%&0#+)(*5%(75*;#<1*#'.-*5#./#-.50"#%&0#/)+$#".$*()$*"#3%'(75*#-1%(#(1*#*,*#.5#*%5#

3%&&.(;# =&# (1*#/.++.-)&9#

'%""%9*6 ` #a.1&#Y*@074#

)&"35)2*"# M%"%#G%+%'%5(*# )&# %#

/)3().&%+#3.&(*>(6#

0)"'+%3)&9# )(#/5.$# "'%3*# %&0#()$*# %&0#*$2*00)&9# )(#)&(.# (1*# %++# (..#

/%$)+)%5#&%55%():*A#\#

# OL%#1.7"*#./#5)(7%+"#%&0#5)(*"6# )(# )"#%#1.7"*# ./#$,"(*5)*"6# )(# %(#.&3*# 25)&9"#/.5(1# (1*# 31)++#

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

########################################################]#G3b.&.791#I]#`#=2)0;#\R#

Page 6: Curzio, Bardot, and the runaway amnesiac

'.-*5# (.# )&:.4*# %&0# 5*)(*5%(*# %# 0)//*5*&(# $%"4# ./# M%"%# G%+%'%5(*6# %&0# (1*# '.-*5# ./# 1)"#+)(*5%5,#(..+"#.&+,#/%3)+)(%(*"#.75#:)"7%+)N%().&#./#/.59.((*&#$*$.5)*";### !&#%531)(*3(75%+#"'%3*6#%#1.7"*6#+*(#7"#3.&()&7*#-)(1#M%"%#G%+%'%5(*#/.5#(1*#()$*#2*)&96#-1)31#9%)&"#%33+%$%().&#(15.791#(1*#%3():)()*"#./#)("#'5.'5)*(.5#"700*&+,#2*3.$*"#(1*#3*&(*5#./# %++# (1*#$*0)%# %&0# 37+(75*?"# %((*&().&;# M75N).#G%+%'%5(*6# %'%5(# /5.$# 2*)&9# (1*# '5.$)&*&(#=(%+)%&# %7(1.5# -%"# %+".# %&# %0%$%&(# '.+)()3%+# %3():)"(6# -1.# (15.791.7(# 1)"# +)/*# 3.7'+*0# (1*#"733*""# ./# 1)"# +)(*5%5,# 3%5**5# -)(1# 1)"# '.+)()3%+# -5)()&9"# .&# /%"3)"$# %&0# 3.$$7&)"$8# 2.(1#-1)31#1*#"7''.5(*0#%(#".$*#"(%9*#./#1)"#+)/*;#B&5%9)&9#G7"".+)&)#3%7"*0#1)"#*>)+*#(.#(1*#)"+*#./#="31)%6#-1)31#'*51%'"#$%,#2*#-1*5*#(1*#'5)".&P+)4*#*&:)5.&$*&(#./#M%"%#G%+%'%5(*#.5)9)&%(*"#/5.$6#%#1.7"*#O$*+%&31.+,6#1%506#"*:*5*6T# +)4*#G%+%'%5(*#1)$"*+/;^#Y.-*:*5#)(# )"#(1*#/%3(#(1%(#1*# $%&%9*0# (.# )&(*5/*5*# -)(1# (1*# 3.&"(573().&# ./# (1*# 1.7"*6# 9.)&9# %"# /%5# %"# 2*3.$)&9#3.&")0*5*06# 2,# $%&,6# (1*# %531)(*3(# ./# (1*# 1.7"*6# %+.&9# -)(1# 9%)&)&9# 5*'7(%().&# %"# %#O&*-"'%'*5#3.55*"'.&0*&(6#*""%,)"(6#'.+)()3%+#-5)(*56#&.:*+)"(#%&0#'+%,-5)91(6#(1*%(*5#%&0#/)+$#0)5*3(.58#%"#-*++#%"#1)"#$*(%$.5'1.")"#)&(.#3.&(5%3(.56#%531)(*3(6#%&0#S%5()"()3?#0)5*3(.5#./#(1*#")(*#%(#M%5')?"#F7&(%#G%""7+.T# (1%(# )&"')5*0#%5()"("6#'1.(.95%'1*5"6#.(1*5#-5)(*5"6#%531)(*3("6#3)&*$%(.95%'1*5"#%&0#%&,.&*#-1.#5*%+)N*0#(1*#'.(*&()%+#./#(1*#1.7"*;#=(#2*3%$*#%#$7"(P1%:*#%00)().&#(.#*:*5,2.0,?"#2.0,#./#5*"*%531#%&0#-.54;#CJ#=(#)"#(15.791#(1*"*#"*3.&0%5,#5*".753*"#(1%(#-*6# (1*#:.,*75"#./# (1)"#"'*3(%3+*6#%5*#%2+*# (.#9%)&# )&")91(# )&(.#%#1.7"*# (1%(#-*#'*51%'"#1%:*#&*:*5#"**&;## a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a*%&Pc73#d.0%50?"#C^\X#/)+$6#c*#G_'5)";#<1*#/)+$#"+.-+,#27)+0"#7'#%#$.$*&(7$#(1%(#(.731*"#O(1*#0*'(1"#./#'*5".&%+#%&0#3.++*3():*#$*$.5,LV%&0#)&#0.)&9#".W#%531)(*3(75*#%&0#3)&*$%#5*:*%+#(1*)5#3.&"(573():*#/.53*T;#CI#e5.$#(1*#:*5,#2*9)&&)&9#./# c*# G_'5)"6# (1*5*# )"# .&*# 5*.33755)&9# $*+.0,# 2,# d*.59*"# b*+*57*# (1%(# )&:%0*"# 7"6# (1*#:.,*75"6# 2.(1# )&#2.0,# %&0#$)&06# +)4*# (1*# 31)$*#./# %# '*&07+7$#3.7&()&9#0.-&# (.-%50"# (1*#7&4&.-&;#f1%(# )"# (1)"# 7&4&.-&# /%3(.5g#f*# %5*#-*++# %-%5*# (1%(# (1*# '+.(# )"# (1)34*&)&96# (1*#$7")3# )"# 05%$%()36# %&0# -*# 95%07%++,# 2*3.$*# 3.$'+*(*+,# "*073*0# 2,# (1*# -.50"# ./# D5)9)((*#D%50.(;#!&0#-1)+*#(1*#%3(.5"#%5*#(1*5*6#(1*#$7")3#)"#(1*5*6#(1*#-%,#(1*#/)+$#)"#"1.(#)"#*>%3(+,#1.-#)(#"1.7+0#2*8#-1%(#)"#$)"")&9#)"#(1*#")(*;#h.#-1%(#)"#(1*#")(*g#=(?"#&.(#(1*#/)+$#"(70).#-1*5*#(1*#'5.(%9.&)"(#$**("# (1*#'5.073*56#%&0# )(?"#0*/)&)(*+,#&.(# (1*#%'%5($*&(#-1*5*#D%50.(#%&0#F)33.+)#%5*#/*%(75*0#/.5#075)&9#(1*#95*%(*5#'%5(#./#(1*#"1..()&9;##

<1*#$)&7(*#-*#%5*#)&(5.073*0#(.#(1*#'."")2)+)(,#./#(1*#'5.(%9.&)"("#+*%:)&9#(.#(1*#:)++%#)&#M%'5)6#%&#*+*$*&(#./#7&3*5(%)&(,#%5)"*"6#%+.&9#-)(1#%#"'%()%+)(,#(1%(#-*#3%&&.(#(.731#27(#(1%(#)"# )&(*95%+# (.# (1*# 27)+0P7'# ./# (1*# 3+)$%>;# f*# )&1*5*&(+,# 2*9)&# (.# 5*+%(*# *:*5,(1)&9# &.&P%531)(*3(75%+#(.#(1*#1.7"*#-1*5*#(1*#(*&").&#$7"(#7&/.+0;#!&0#-1*&#-*#/)&%++,#-)(&*""#M%"%#

########################################################^#<%+%$.&%#IR#CJ#=2)0;#CC#Schöning, Pascal, Manifesto for a Cinematic Architecture, (London: AA School of Architecture, 2006) 22#CI#=2)0#I\#

Page 7: Curzio, Bardot, and the runaway amnesiac

G%+%'%5(*#/.5#(1*#/)5"(#()$*6#-*#/**+#(1)"#()&9+)&9#"*&"%().&#./#*:*5,(1)&9#/%++)&9#)&(.#'+%3*;#<1*#$7")3#/)&%++,#2*9)&"#(.#$%4*#"*&"*6#%&0#(1*#31%5%3(*5"#%++#%""7$*#.&*#$7(7%+#'75'."*#Q#(.#2*#-1*5*#(1*,#-*5*#$*%&(#(.#2*#(1*#-1.+*#075%().&#./#(1*#/)+$6#%3(.5"#.&#(1*#"(%9*6#(1*#"(%9*#./#M75N).#G%+%'%5(*;##

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h700*&+,#.&*#5*3%++"#(1*#"(%(7*"#./# (1*# d5**4# 9.0"# /*%(75*0# %# /*-# "3*&*"# *%5+)*5# )&# (1*# /)5"(# "35**&)&9# ./# (1*# G5# c%&9?"#'5.073().&#(1%(#)"#"1.(#%(#M%"%#G%+%'%5(*;#d5%07%++,#(1*#"(.&*#/%3*#./#(1*#0*)(,#2*9)&"#(.#/%0*#%&0#)"#5*'+%3*0#2,#(1*#")+1.7*((*#./#F)33.+)#"(%&0)&9#.&#(1*#3+)//6#+..4)&9#.7(#(.-%50"#(1*#"*%;#f*#5*%+)N*#(1%(#$%&#1%"#2*3.$*#d.06#%&0#:)3*#:*5"%;#<1*#'+%,#1%"#2*97&#%&0#(1*#31%5%3(*5"#(1%(#-*# 1%:*# (17"# /%5# 9.((*&# (.# 4&.-# 1%:*# %""7$*0# &*-# 5.+*"6# 31%5%3(*5"# ./# (1*# i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

Page 8: Curzio, Bardot, and the runaway amnesiac

# [*(#0*"')(*#(1*#'*&"):*&*""#)(#25)&9"#7"#(.#-%(31#%#"(.5,#7&/.+06#-1.?"#%531)(*3(75*#-*#-)++#&*:*5#2*#%2+*#(.#*>'*5)*&3*#(.#)("#/7++*"(6#-*#95%07%++,#+*%5&#(.#O&.75)"1#(1*#&."(%+9)%#/.5#$)""*0#.''.5(7&)()*"#%&0#(1*#*+%().&# /.5# /7(75*#*>'*3(%().&"T;CR#Y.-*:*5#-1%(#-*#"()++#1%:*#&.(#7&0*5"(..0# )"#-1,#%5*#-*#05%-&# (.# (1*#7&3%&&,#5*%+)(,6# %'%5(# /5.$# (1*#&.().&# (1%(#-*#'5.@*3(#.75#.-&# /%&(%")*"#.&(.#%&#%531)(*3(75*# (1%(#.//*5"# )("*+/#-)++)&9+,# /.5#7"# (.#%27"*# )(g#f1,# 0.#-*# 3.&()&7*# (.# 5*'*%(# (1*# "%$*#$)"(%4*"# %&0# 0-*++# )&# (1*# '%"(# %&0# 5*(75&# (.# (1*#"'%3*"#(1%(#3%7"*#7"#(.#5*$*$2*5#%&0#5*0*/)&*#.75#$*$.5)*"#*%31#()$*g#B""*&()%++,#-1%(#0.#-*#1.'*#(.#/)&0g### f*#1.'*#(.#/)&0#-1%(#-*#+.&9#/.56#%&0#$.5*#./(*&#(1%&#&.(#-*#+.&9#(.#57&#%-%,#/5.$#(1*# "*&"%().&# ./# )".+%().&# %&0# +.&*+)&*""6# %&0# 3.$/.5(# .75"*+:*"# -)(1# 5*3.++*3().&"# ./# (1*#/%$)+)%5;#!531)(*3(75*#1%"#(1*#'.-*5/7+#(5%)(#./#-)(11.+0)&9#(1*#1)"(.5,#./#".3)%+# )&(*5%3().&"#()*0#(.#)(;#<1*#-%++"#"()++#5*$*$2*5#(1*#U7%55*+"#./#(1*#3.7'+*#(1%(#7"*0#(.#+):*#2*(-**&#(1*$6#(1*#0..5"#3.7+0#&*:*5#/.59*(#-1.#(1*,#-*+3.$*0#%&0#-1.#(1*,#"%-#-%+4#.7(#(1%(#+%"(#%7(7$&#&)91(;#<1*#1.7"*1.+0#9.0"#0.#&.(#/.59*(6#%&0#)(#)"#-*6#(1*#:.,*75"6#-1.#3.&()&7%++,#"*%531#%&0#

'5%,#(.#(1*$#+.&9#%/(*5#.75#:)")()&9#1.75"#%5*#.:*5;##`##O=# $)55.5*0# (1*)5# 25*%4)&9# +):*"6# =# "%-#(1*)5#'%+*#/%3*"##b)"(5%791(# 3.$)&9# %&0# 9.)&96# +)&*0#0*"'%)56##Y)"# "1%4*&# 27+46# 1*5# 3%+$# '."*# )&# (1*#0..5-%,j##=#"%-#(1*$;##=#-%"#(1*5*;##=#1%:*#".#+.&9#2**&#")+*&(6#*:*&#&.-##Y%50+,#%(#%++#5*$*$2*5#1.-#1*5#"+)$##c.&9# /)&9*5"# .&3*# 3%5*""*0# $*j-%"#(1%(#1.-##!(#.&*#()$*#"1*#(.731*0#1)$g##Y)"# +)'"# .&# $)&*# )&# (1*# $.5&)&96# .56# )&#0%54&*""6##

!/(*5#%#1%'',#*$25%3*6#-%5$*0#$,#3+%,;##f1*5*#)"#(1*#/)5$#$.7(1#&.-6#-1*5*#(1*#4)""g##D5.4*&#%&0#"-*'(#%-%,;##=#"**#&.#$.5*;##<1*)5#+)/*#9%:*#.75#+):*"#$*%&)&96#

########################################################CR#Schöning, Pascal, Julian Löffler, and Rubens Azeedo, Cinematic Architecture, (Belgium: AA School of Architecture, 2009) 19#

Page 9: Curzio, Bardot, and the runaway amnesiac

#D7(#25.4*&#1.$*"#-)++#&.(#"*(#%9%)&;##<1*)5#'%5()&9#-%"#.75#0)"".+7().&6#(1*,##f)++#&*:*5#4&.-#(1*)5#1.7"*1.+0#9.0"#%5*#"+%)&;TCX## ^#

#!"# F%7+# a%:%+# HG)31*+# F)33.+)K# "(5.++"# %+.&9# (1*# 5../# ./# M%"%#G%+%'%5(*6# (1*# ".7&0# ./#

:.)3*"# /5.$# 2*+.-# %((5%3(# 1)"# %((*&().&# (.# (1*# ")0*;# Y*# ")+*&(+,# 2*&0"# .:*5# %&0# 0)%9.&%++,#"(%5*"# )&(.# (1*#-)&0.-# /5.$# (1*# "*3.&0# /+..56# @7"(# )&# ()$*# (.# "**#1)"#-)/*6# M%$)++*# HD5)9)((*#D%50.(K6# 4)"")&9# (1*# /)+$#'5.073*5# a*5*$,#F5.4."31;# =&# .&*# "1.(#-*# "**# %++# (15**# /)975*"# %(#0)//*5*&(# 1*)91("# %&0#0*'(1"# ./# (1*# 1.7"*?"# /%k%0*6# %&0# )&# (1%(# )&"(%&(# (1%(# /%k%0*# 2*3.$*"#/.5*:*5#+)&4*0#(.#(1%(#.&*#"3*&*6#(1*#)&(*5%3().&#%&0#"*>7%+#(*&").&#2*(-**&#(1*#31%5%3(*5"#./#c*#G_'5)";#<1*#1.7"*#)"#&.(#@7"(#%#$*(.&,$)3#'+%&*#:)"7%++,#27(#%3.7"()3%++,#%"#-*++8#-1)+*#)("#-%++"#$%,#2*#)("#3+.(1*"6#(1*#".7&0"#/5.$#-)(1)&#1%:*#(1*#'.-*5#(.#*&()5*+,#"(5)'#)(#&%4*0;#!&0#-1)+*#7&()+#&.-#-*#-*5*#*>'*3()&9#(.#"**#(1*#1.7"*#)&#.50*5#(.#/7+/)++#(1*#'+.(6#/.5$#(1)"#'.)&(#.&-%50"#-*#-)++#1%:*#95*%(#*>'*3(%().&"#./#M%"%#G%+%'%5(*6#)&#%&,#$*0)%#-*#-)(&*""#)(;#<1*#"%$*#-%,#-*#-)++#)&*>(5)3%2+,#+)&4#)(#(.#b*+*57*?"#$*+.0,6#%&0#*>'*3(#)(#(.#2*#'+%,)&9#-1*&#-*#.75"*+:*"#$%&%9*#(.#"(*'#.&(.#(1%(#0*+)5).7"#5../#/.5#(1*#/)5"(#()$*;### #

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i0,""*,#3.&()&7*"#(.#2*#"1.(#%&0#M%"%#G%+%'%5(*#+):*"#.&6#7&31%&9*0;#<17"#(1*#5.+*"#5*:*5"*6#%&0#(1*#1.7"*#2*3.$*"#%&#*&9)&*#(1%(#)"#/*0#2,#(1*#".7+"#%&0#/+*"1#./#(1*#'5.(%9.&)"(#

########################################################CX#Hobsbaum, Philip, Household Gods, (English A1 - Higher Level - Paper 1. International Baccalaureate, 05 2008)#CZ#Colomina, Beatriz, Sexuality and Space, (New Jersey: Princeton Architectural Press, 1992) 358#

Page 10: Curzio, Bardot, and the runaway amnesiac

-1.#1%"#&.-#2*3.$*#(1*#"*3.&0%5,#.2@*3(;#!#1.7"*#$7"(#/7+/)++#(1*#07()*"#)(#-%"#9):*&#/5.$#)("# )&3*'().&6# %&0# 1)"(.5,#$%,# .&+,# 5*'*%(# )("*+/# /.5# .(1*5-)"*# -*# 0)"(%&3*# .75"*+:*"# /5.$#&."(%+9)%#%&0#/5.$#$*+%&31.+,6#%&0#%-%,#/5.$#(1*#%531)(*3(75*#(1%(#$%4*"#7"#/**+;##

f*#5)"4#(.#2*3.$*#%$&*")%3";#CJ#M%"%# G%+%'%5(*L# %# :*""*+# 31%59*0# -)(1# U7%+)()*"# .&+,# -*6# (1*# :.,*75"6# 3%&# 2*1.+0;#

!531)(*3(75*#./# (1*#$*+%&31.+)3;# =(# )"# :)(%+# (.# 5*$*$2*5# (1%(#$*+%&31.+,# )"# &.(# (1*# "%$*#%"#0*'5*"").&6#%&0#"()++#0)//*5*&(#/5.$#&."(%+9)%;#G*+%&31.+,# )"#(1%(#&*3*""%5,#'%7"*#./#35*%():*#(1.791(#(1%(#&**0"#(.#1%''*&#%"#.&*#"**4"#)&"')5%().&;#f*#3%&&.(#+."*#)(6#-*#$7"(#&.(#/.59*(#)(6#/.5#(.#5*$*$2*5#)"#(.#/**+6#%&0#(.#/**+#)"#(.#+):*;#!&0#(.0%,#O=#+):*#.&#%&#)"+%&06#)&#%#1.7"*#(1%(#)"#"%06#1%506#"*:*5*6#(1%(#=#27)+(#/.5#$,"*+/6#".+)(%5,#.&#%#"1**5#5.34#.:*5#(1*#"*%A#%#1.7"*#(1%(#)"#(1*#"'*3(5*6#(1*#"*35*(*#)$%9*#./#%#'5)".&;#<1*#)$%9*#./#$,#&."(%+9)%;#G%,2*#=#&*:*5#0*")5*06#&.(#*:*&#(1*&#(.#*"3%'*# /5.$#@%)+;#G%&# )"#&.(#$*%&(# (.# +):*# /5**+,# )&# /5**0.$6#27(# (.#2*# /5**#)&")0*#%#'5)".&;TC\#

## #########

########################################################C\#Malaparte, Curzio, Woman Like Me, (Leicester: Troubador Publishing Ltd, 2007) vii#

Page 11: Curzio, Bardot, and the runaway amnesiac

##

Works Cited Bjärgö, Peter. "The Architecture of Melancholy." Peter Bjärgö. BBandcamp, 01 2012. Web. 1 Dec

2012. <http://peterbjargo.bandcamp.com/track/the-architecture-of-melancholy>. Colomina, Beatriz. Sexuality and Space. New Jersey: Princeton Architectural Press, 1992. Print. Halard, François. Villa Malaparte. France: Actes Sud, 2003. Print. Hays, Michael K. Hejduk's Chronotope. New York: Princeton Architectural Press, 1996. Print. Hobsbaum, Philip. "Household Gods." English A1 - Higher Level - Paper 1. International

Baccalaureate, 05 2008. Web. 1 Dec 2012. <http://papers.xtremepapers.com/IB/English/English A1 HL paper 1 TZ2.pdf>.

#Malaparte, Curzio. Kaputt. New York: New York Review of Books, 2005. Print. Malaparte, Curzio. Woman Like Me. Leicester: Troubador Publishing Ltd, 2007. Print. McDonough, Michael. Malaparte A House Like Me. New York: Clarkson Potter/Publishers, 1999.

Print. Schöning, Pascal, Julian Löffler, and Rubens Azevedo.Cinematic Architecture. Belgium: AA

School of Architecture, 2009. Print. Schöning, Pascal. Manifesto for a Cinematic Architecture. London: AA School of Architecture,

2006. Print. #Talamona, Marida. Casa Malaparte. New York: Princeton Architectural Press, 1992. Print.

Page 12: Curzio, Bardot, and the runaway amnesiac

Images Cited

1 Halard, François. Villa Malaparte. France: Actes Sud, 2003. Print. 2 Halard, François. Villa Malaparte. France: Actes Sud, 2003. Print. 3 McDonough, Michael. Malaparte A House Like Me. New York: Clarkson Potter/Publishers, 1999.

Print. 103 4 Halard, François. Villa Malaparte. France: Actes Sud, 2003. Print. 5 McDonough, Michael. Malaparte A House Like Me. New York: Clarkson Potter/Publishers, 1999.

Print. 110 6 McDonough, Michael. Malaparte A House Like Me. New York: Clarkson Potter/Publishers, 1999.

Print. 63 7 McDonough, Michael. Malaparte A House Like Me. New York: Clarkson Potter/Publishers, 1999.

Print. 167 8 McDonough, Michael. Malaparte A House Like Me. New York: Clarkson Potter/Publishers, 1999.

Print. 56 9 Godard, Jean-Luc, dir. Le Mépris. Writ. Alberto Moravia. 1963. Film. 1 Dec 2012. 10 Halard, François. Villa Malaparte. France: Actes Sud, 2003. Print. #############

Page 13: Curzio, Bardot, and the runaway amnesiac

#