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by Kim JAe DUK & T.H.e DANCe CompANyKorea / Singapore

– a backstage site-specific work

9 & 16 Oct 2015, Fri, 7.30Pm & 10.30Pm10 & 17 Oct 2015, Sat, 3Pm & 9Pm11 & 18 Oct 2015, SuN, 3Pm & 7Pm

ESPlaNadE BackStagE

1hr, no intermission

About Esplanade – Theatres on the Bay

All rights reserved. UEN: 199205206GInformation correct at time of print.Please note that photographs and videos of patrons may be taken at this event for use in our archival and publicity material.

1 Esplanade Drive, Singapore 038981 Tel: 6828 8222 Fax: 6337 3633Customer Service Hotline: 6828 8377 SISTIC Hotline: 6348 5555

Board Members

Esplanade is a proud member of

Association of Asia Pacific Performing Art Centreswww.aappac.net

Mr Lee Tzu Yang (Chairman) Mr Benson Puah (Chief Executive Officer)Dr Beh Swan Gin Mrs Rosa Daniel

Mrs Christine Ong Mr Ramlee Bin Buang Ms Saw Phaik HwaMrs Mildred Tan-Sim Beng MeiMr Yap Chee MengMr Andre Yeap

Esplanade is Singapore’s national performing arts centre and one of the busiest arts centres in the world. Since its opening in 2002, the centre has presented more than 31,000 performances, drawing an audience of 22 million patrons and 84 million visitors. This architectural icon, with its distinctive twin shells, houses world-class performance spaces complemented by a comprehensive range of professional support services. Its two main venues are the 1,600-seat Concert Hall and a Theatre with a capacity of 2,000. In March 2014, Esplanade’s Concert Hall was listed as one of the “world’s 15 most beautiful concert halls” by Hamburg-based building data company Emporis.

Esplanade’s vision is to be a performing arts centre for everyone and it seeks to enrich the lives of its community through the arts. The centre’s programming is guided by its mission – to entertain, engage, educate and inspire. Its year-long arts calendar of about 3,000 performances presented by Esplanade, its collaboration partners and hirers cater to diverse audiences in Singapore and span different cultures, languages and genres including dance, music, theatre, visual arts and more. More than 70% of the shows that take place each year at the centre are non-ticketed. In May 2015, Esplanade was chosen as one of SG Heart Map’s 50 special places.

Esplanade regularly presents world-renowned companies and artists that attract international attention and add to Singapore’s cultural vibrancy. The centre is also a popular performance home for arts groups and commercial presenters who hire its venues to stage a wide range of programmes. These carefully curated presentations complement Esplanade’s own diverse offerings for audiences.

Esplanade works in close partnership with local, regional and international artists to develop artistic capabilities, push artistic boundaries and engage audiences. The centre supports the creation of artistic content and develops technical capabilities for the industry nationally.

Esplanade – Theatres on the Bay is operated by The Esplanade Co Ltd, which is a not-for-profit organisation, a registered Charity and an Institution of a Public Character.

Visit www.esplanade.com for more information.

Ms Kathy LaiDr Jennifer Lee

FeSTivAl meSSAge

About Esplanade – Theatres on the Bay

All rights reserved. UEN: 199205206GInformation correct at time of print.Please note that photographs and videos of patrons may be taken at this event for use in our archival and publicity material.

1 Esplanade Drive, Singapore 038981 Tel: 6828 8222 Fax: 6337 3633Customer Service Hotline: 6828 8377 SISTIC Hotline: 6348 5555

Board Members

Esplanade is a proud member of

Association of Asia Pacific Performing Art Centreswww.aappac.net

Mr Lee Tzu Yang (Chairman) Mr Benson Puah (Chief Executive Officer)Dr Beh Swan Gin Mrs Rosa Daniel

Mrs Christine Ong Mr Ramlee Bin Buang Ms Saw Phaik HwaMrs Mildred Tan-Sim Beng MeiMr Yap Chee MengMr Andre Yeap

Esplanade is Singapore’s national performing arts centre and one of the busiest arts centres in the world. Since its opening in 2002, the centre has presented more than 31,000 performances, drawing an audience of 22 million patrons and 84 million visitors. This architectural icon, with its distinctive twin shells, houses world-class performance spaces complemented by a comprehensive range of professional support services. Its two main venues are the 1,600-seat Concert Hall and a Theatre with a capacity of 2,000. In March 2014, Esplanade’s Concert Hall was listed as one of the “world’s 15 most beautiful concert halls” by Hamburg-based building data company Emporis.

Esplanade’s vision is to be a performing arts centre for everyone and it seeks to enrich the lives of its community through the arts. The centre’s programming is guided by its mission – to entertain, engage, educate and inspire. Its year-long arts calendar of about 3,000 performances presented by Esplanade, its collaboration partners and hirers cater to diverse audiences in Singapore and span different cultures, languages and genres including dance, music, theatre, visual arts and more. More than 70% of the shows that take place each year at the centre are non-ticketed. In May 2015, Esplanade was chosen as one of SG Heart Map’s 50 special places.

Esplanade regularly presents world-renowned companies and artists that attract international attention and add to Singapore’s cultural vibrancy. The centre is also a popular performance home for arts groups and commercial presenters who hire its venues to stage a wide range of programmes. These carefully curated presentations complement Esplanade’s own diverse offerings for audiences.

Esplanade works in close partnership with local, regional and international artists to develop artistic capabilities, push artistic boundaries and engage audiences. The centre supports the creation of artistic content and develops technical capabilities for the industry nationally.

Esplanade – Theatres on the Bay is operated by The Esplanade Co Ltd, which is a not-for-profit organisation, a registered Charity and an Institution of a Public Character.

Visit www.esplanade.com for more information.

Ms Kathy LaiDr Jennifer Lee

Where has the time gone? da:ns festival turns 10 this year and it seems like only yesterday when we presented our first edition.

At da:ns festival, our sense of time shifts. As we watch bodies move on stage, or as we ourselves dance, time as we know it, is suspended, and we become attuned to time driven by the body and its unique rhythms in movement. Over the years, we hope the festival has given you several experiences and memories that have expanded your sense of movement, and opened you up to different expressions of dance.

The festival team has had the pleasure of creating this dedicated event, growing a myriad of platforms in our festival that support the development of dance. To encourage more people of all ages to try dancing, we have worked with Singapore dance studios to provide fun and easy dance lessons that everyone can enjoy both inside our rehearsal studio, outdoors along our waterfront and around Singapore. Last year, we welcomed over 28,000 participants to these sessions and the overall da:ns festival has doubled in audience size since it’s first year.

To support the creation of new dance works, da:ns festival commissions, co-produces and provides residencies for artists. This has led to long-lasting relationships with artists we deeply admire for their dedication and creativity, and enabled 23 new dance creations, the majority from Asian dance-makers. So this year, for our special 10th anniversary, we have invited several of these artists to celebrate this special occasion with us, some of whom are marking significant milestones in their own personal careers. We host the legendary Sylvie Guillem, who returns to da:ns festival with her final world tour before retiring from 35 years of dancing, while Singapore choreographer Kuik Swee Boon creates a work that brings together leading dance-makers in their 40s back to the stage. The festival would have not been possible without our supportive audience of dance lovers, the dance-makers who continually inspire us, our festival sponsors and partners who have shared our belief in the significance of dance in our lives, and our group of dedicated festival volunteers—the da:ns Kaki Ambassadors.

With deep gratitude to everyone—thank you for being part of 10 years of da:ns festival together.

Faith TanProducerda:ns festival

Esplanade’s da:ns festival programming team(L-–R: Marlene Ditzig, Iris Cheung, Faith Tan, Emily J Hoe, Rydwan Anwar, Christel Hon & Shireen Abdullah. Not in photo: Suhana Laila Abdul Shukur, Fezhah Maznan & Joyce Yao)

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As I narrate these thoughts, it is only two days before I am due to arrive in Singapore, and embark on a madcap rehearsal schedule with T.H.E in order to create Impulse. Because of the high-traffic, publicly accessible spaces that we are using, our working hours are unusual and mostly nocturnal. It is with equal parts apprehension and excitement that I arrive at the start of my five-week long residency.

My approach to Impulse is relatively simple: it is a site-specific piece shaped upon the oriental understanding of space. As opposed to the western focus of applying objects corresponding to movement and the dancer’s physicality, an oriental focus appreciates space itself; be it the air, wind, breath, or the atmosphere that envelops all human interaction.

The method for creating this piece focuses upon a common motif of “combining”. I wanted to mirror the multiculturalism of Singapore with complex but earthy layers of dance movement and music composed with oriental instruments. As the work’s choreographer and composer, I crafted the music with each of the four spaces in mind. The beauty of its arrangement lies in exposing their individual attributes and quirks—the spaces as much as the dancers.

Enjoy!

Kim Jae Duk7 September 2015

CHoReogRApHeR’S meSSAge

As T.H.E Dance Company’s very first resident choreographer, Kim Jae Duk’s works have been described by critics as among some of the most attention grabbing, refreshing and innovative, straddling both the pop and artistic realms. Kim holds a Master’s in choreography from Korea National University of the Arts, and is currently pursuing a PhD in dance studies at Sungkyunkwan University. He was previously a member of LDP Dance Company and is currently Creative Director and Choreographer with Modern Table Dance Company. In 2007 he received the third prize from Seoul International Dance Concours and the first prize in choreography from Seoul Dance Festival. His 2010 piece, Darkness Pumba, was selected for the PAMS CHOICE award.

AboUTKim JAe DUK

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Evelyn Toh attended the Singapore Ballet Academy while performing with Singapore Dance Theatre and John Mead Dance Company (previously MI Arts). She competed in Perth’s Theatrical Festival finishing first in the National and Neo-Classical dance categories. On a National Arts Council Overseas scholarship, Evelyn graduated from the Boston Conservatory magna cum laude, with additional support from the Al and Pat Houston scholarship, Jan Veen scholarship and Anamarie Sarazin award. Evelyn has worked as a guest artist at BalletRox, Nimbus Dance Works, and MOMIX with which she toured extensively. She joined T.H.E Dance Company in April 2014.

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Wu Mi received his dance training at the LASALLE College of the Arts in Singapore and Hong Kong Academy for Performing Arts. He danced with Singapore Dance Theatre for four years as a First Soloist, taking on principal roles in Romeo and Juliet, Sleeping Beauty, Giselle, amongst others. He has worked with renowned choreographers such as David Dawson, Jorma Elo, Stanton Welch, Nils Christe, Edwaard Liang and Xing Liang. Wu Mi joined T.H.E Dance Company in August 2011, and has since danced and toured with T.H.E extensively.

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Zhuo Zihao received his contemporary dance training at LASALLE College of the Arts in Singapore and the Hong Kong Academy for Performing Arts, both under scholarship. He has worked with various choreographers including Alberto Del-Saz, Robert Tannion, Charlotte-Boyd Christensen, and Cheng Tsung-Lung. He was also a resident artist with Odyssey Dance Theatre in Singapore. As a founding member of T.H.E Dance Company, he has performed in all the company’s works since its establishment as well as featured his solo work at the CONTACT Contemporary Dance Festival 2010, an annual dance intensive initiated by T.H.E. In 2012, Zihao was conferred the Young Artist Award (Dance) by Singapore’s National Arts Council.

ZHUo ZiHAo

Born in Japan, Kei Ushiroda received her training at Arts Umbrella in Vancouver, Canada and The Ailey School in New York. After moving back to Japan, she joined Noism under Jo Kanamori in Niigata for 3 years, and performed in Japan, Paris and Moscow. She also has performed choreography by Tero Saarinen, Alessio Silvestrin, Jo Kanamori, Aiichiro Miyagawa, Roberto Campanella, Edgar Zendejas and Emily Molnar. In September 2014, Kei joined T.H.E Dance Company.

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AboUTT.H.e DANCe CompANy

The Human Expression Dance Company, or T.H.E Dance Company was founded in September 2008 by artistic director Kuik Swee Boon. Since then, T.H.E has performed in most major local arts festivals and prestigious international festivals such as Les Hivernales (Avignon), SIDance (South Korea), and Beijing Dance Festival. T.H.E has steadily built a strong base of support amongst local audiences and the arts community. It continues to engage with a growing audience through works that delve deep into the human condition, and with greater efforts in education, training and outreach.

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Chia Poh Hian is a graduate of the London Contemporary Dance School (LCDS), with a First Class Honours degree in contemporary dance. She has performed at international venues such as Buckingham Palace and Sadler’s Wells (UK), Verona, Italy, Paris and France, as well as collaborated across disciplines for events such as the Cloud Dance Festival, City of London Festival and BIG Dance Festival (UK).

Poh Hian has worked with and is mentored by artists such as Anthony Van Laast, Chisato Ohno, Hofesh Shechter, Itamar Serussi, Richard Alston and Kuik Swee Boon. She was trained at Singapore Ballet Academy, NAFA School of Young Talents, and SOTA Singapore. Poh Hian was a recipient of the Singapore National Arts Council Scholarship (Overseas) and the LCDS Peggy Hawkins Scholarship Fund Award for outstanding and technical ability and performance.

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Terence is a graduate of the Nanyang Academy of Fine Arts (NAFA), and Conservatory of Dance at SUNY Purchase, where he obtained his BFA in Dance. During his time at NAFA, Terence was awarded the Ngee Ann Kongsi scholarship in his second and third year of studies, a full scholarship to attend the M1 CONTACT Contemporary Dance Festival 2012, and a scholarship for the CSTD Summer School 2013. He has worked with various local and international choreographers such as Jeffrey Tan, Ryan Tan, Wu Chien-Wei, James Cousins, Jonathan Guillarme, Wallie Wolfgruber, Larry Clark, MADboots dance co., Stuart Loungway and Azsure Barton.

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Anthea Seah trained in Chinese Dance with Dance Horizon Troupe, and in street, jazz and contemporary dance. She holds a BA(Hons) Dance degree at LASALLE College of the Arts where she has worked with Singapore artists Albert Tiong, Melissa Quek and Susan Yeung, and international artists Marie-Gabrielle Rotie, Akiko Kitamura (Leni-Basso) and Wu Yi San (Cloud Gate Dance Theatre, CCDC). Anthea also produces work and dances with a semi-professional collective, Sigma Dance.

Her independent works have been featured in short films. Anthea was part of T.H.E’s semi-professional youth wing T.H.E Second Company, before becoming an apprentice dancer in the main company in April 2015.ANTHeA SeAH

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Brandon Khoo began his training in Chinese dance at Soka Gakkai Malaysia Association at age 13. He joined the Nanyang Academy of Fine Arts’ (NAFA) Diploma in Dance Programme in 2012, and is a recipient of the NAFA scholarship for 2014 and 2015. As a student dancer he participated in a work choreographed by Viv Phua Mui Ling, which won the Gold Medal at the Asia Youth Dance Festival 2013 in Hong Kong.

Brandon graduated from NAFA in 2015 and joined T.H.E Dance Company as an apprentice dancer in July.

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ANDy lim STAge “live” l i g H T i N g C o N S U lTA N T

Andy Lim is a lighting designer who has worked extensively locally and abroad on theatre and dance productions, art installations and film. His works have been featured in major local and international performing arts festivals including Singapore Arts Festival (Singapore), Kunsten Festival Des Arts (Belgium), Theatre Der Welt (Germany), 54th Venice Biennale (Italy), Festival/Tokyo & Mori Arts Museum (Japan), SIDance (Korea).

He has designed for choreographers, directors and artists such as Emmanuèle Phuon, Edwaard Liang, Xing Liang,

Eko Supriyanto, Lim Fei Shen, Dr Caren Carino, Jamie Redfern, Ong Keng Sen, Natalie Hennedige, Annemarie Prins, Nikolai Foster, and Ho Tzu Nyen.

In addition to design, Andy takes on the role of Technical Director/Manager for theatre companies such as TheatreWorks, Cake Theatrical Productions, Drama Box, and Amrita Performing Arts (Cambodia). He also collaborates frequently with ARTFACTORY, specialising in curators and working with artists, institutions to provide creative technical solutions for art installations.

SHiNiNg goH p R o D U C T i o N m A N A g e R

Shining Goh has been active in managing dance productions that include both professional and collegiate productions. She has done 132 productions over the past 11 years.

Her stage management skills are evidenced through the many productions she has been engaged in. She built her resume steadily working on many local and overseas festivals: 2006, 2009, 2010 & 2013 editions of M1 Singapore Fringe Festival; 2006, 2009, 2010, 2011, 2012, 2013 and 2014 editions of NUS Arts Festival, 2005, 2006, 2007, 2008, 2009 & 2011 editions of Singapore Arts Festival; 2007, 2009, 2012 & 2013 editions of Esplanade’s da:ns festival. 4th and 8th Guangdong Modern Dance Festival (Guangzhou, China), 17th Changmu Dance Festival (Goyang, Korea),

SiDance Festival 2013 (Seoul, Korea), 17th and 18th Contemporary Dance Festival (Bytom, Poland), 34th les hivernales, festival de danse (Avignon, France), Beijing Dance Festival (Beijing, China), 32nd Oriente Occidente Festival (Rovereto, Italy) & Singapour FestivArts (Paris, France).

She has had the opportunity to work with various companies such as RawMoves (2012–2013), Frontier Danceland (2010–2012), Re:Dance Theatre (2012–2013) and The Arts Fission Company (2005 – 2012).

She has toured extensively with T.H.E Dance Company and worked in all their local/overseas productions since its establishment. Since 2013, she has been Production Stage Manager with T.H.E Dance Company.

goRDoN lAi S TA g e m A N A g e R

Prior to taking on roles in technical theatre, Gordon was a Project Dancer with Re:Dance Theatre and Frontier Danceland. Since 2012, he has consistently undertaken stage manager or assistant stage manager roles with the most active and prolific dance companies in Singapore, including Singapore Dance Theatre, T.H.E Dance Company /T.H.E Second Company, Re:Dance Theatre,

Frontier Danceland, Arts Fission, and Raw Moves. Outside of dance, Gordon has also worked with companies and productions as diverse as Ho Tzu Nyen’s Ten Thousand Tigers, the Singapore Repertory Theatre, DramaBox, Flamenco Sin Fronteras, and festivals including the M1 CONTACT Contemporary Dance Festival, Huayi – Chinese Festival of the Arts, and da:ns festival.

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dans 2015 House programme (SHIFT).pdf 1 30/7/2015 9:35:43 AM

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Back home, Jae Dukis artistic director ofModern Table, a contemporary dance company that consistssolely of male dancers.

Jae Duk is T.H.EDance Company’svery first resident choreographer, and has been working withT.H.E since 2010. He createsat least one new work for T.H.E each year, and Impulse is his seventh work for the company.

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It is T.H.E’s very first site-specific work, and the local debut of two dancers,Chia Poh Hian and Brandon Khoo, since joining the company this year.

This makes T.H.E’s female dancers the only ones he has worked extensively with.

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The cleaning aunties and uncles encountering the rehearsals (and detoured route) at Basement 2 are the dancers’ very first and most candid ‘live’ audience’ – reactions include bemusement, curiosity, annoyance and sheer nonchalance. 7

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It is the first timethat a site-specific (dance) workwill be presented atthe Esplanade.

Each time he returns, Jae Duk gains much from the experience – including a command of Korean-inflected English that increases in clarity. The word most frequently used in this year’s Impulse?

4Honest.

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Esplanade&Me

It’s more than a card for arts lovers; it’s your pass to experience the arts, go behind the scenes and a way to support the arts.

31 Dec 2016 31 Dec 2016

Sign up now to get your card! www.esplanade.com

UEN: 199205206G Information correct at time of print. EsplanadeSingapore#esplanade

EsplanadeSGwww.esplanade.com

Be Involved. Be Engaged. Be Entertained.

Discover the joy of dance.

dans4.indd 1 21/8/15 6:07 pm

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