data culture what are the strategic and cultural data you wish to see freely available for use?
TRANSCRIPT
IF CULTURE MADE GOOD MONEY, WE’D BE THE FIRST TO NOTICE!
This presentation is about « la culture » – a very French notion combining heritage, the arts, and entertainment.
Disclaimer
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“What strategic public data on the culture economy would you like to see open for free and costless re-use?”
THE FRENCH MINISTRY FOR CULTURE AND COMMUNICATION HAS A QUESTION:
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“How can we re-use strategic public data on the culture economy as a lever for accelerating France’s economic growth?”
WE ANSWER WITH ANOTHER QUESTION:
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THE DATA THAT FABERNOVEL WISHES TO SEE OPEN FOR FREE AND COSTLESS RE-USE
CULTURAL INSTITUTIONS • Location • Opening hours • Themes • Admission fees • Attendance
volumes
DIGITALIZED WORKS • 3D models • HD pictures • Digital books • Sounds and
videos • Architectural
Plans
METADATA OF ARTWORKS • Location • Description • Author • Associated works • Price • Owner
HISTORICAL ARCHIVES • Letters • Sound and video
archives • Photographs • List of works that
have entered into the public domain
• Register of births
ECONOMIC DATA • Budgets et
detailed revenues of cultural institutions
Help the Ministry and cultural institutions in developing the cultural economy at startup speed, by imagining and producing original services and experiences
Our objective
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OUR CONVICTION
In the cultural field also, monetisation of open data fosters the creation of innovative services and new business models.
FABERNOVEL has imagined 3 levers of economic growth to develop the French culture economy.
REVITALISE THE ART MARKET
CAPITALIZE ON THE EXCELLENCE OF
FRENCH CULTURE
STRENGTHEN THE TOURISM OFFER
Source : Arts Economics
The economic force of France in the art market has been falling since the second half of the 20th century.
5% in 2012 40% in 1990 80% in1950
How could France come back to a central place in the international cultural sphere and revitalise the art market?
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Mashups, data-visualizations, 3D printing…
Immaterial works get copied and shared.
Data is the new creation material of an emerging movement that will disrupt the traditional art market.
The Ministry for Culture is expected to inspire this movement, empower it and enhance it so as to benefit from its value.
ENABLE THE EXPANSION OF CULTURAL AND ARTISTIC HERITAGE
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SHARE AND INSPIRE THE CREATIONS OF CONTEMPORARY ARTISTS //1 On the data.culture.fr platform, Diane participates in a competition encouraging worldwide artists to revisit classic artworks and share their creations.
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// 2 In her workshop, Diane decides to carry out the 3D printing of a model for inspiration. All digital formats are available online. Data needed: digitalised works, works details (ar3st, loca3on, dimensions…)
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// 3 Diane has been able to create and share her work. Among all the works presented, hers has been selected and will be shown in temporary exhibitions organised throughout the world to display the competition results.
Today, France is the 1st tourist destination in the world. For the French economy, this means:
Source : Rapport DGCIS 2012
633 000 employees i.e. 5,5% of the employed
workforce in France
€137,6 billion of inland consumption i.e. 7% of the French GDP
How could France maintain its attraction power and strengthen its tourism offer?
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Open data gives a new dimension to French cultural heritage and enables easier diffusion and sharing.
Innovative uses of culture economy data will generate new services, providing a unique and authentic tourist experience.
OFFERING A PERSONALISED, CONTINUED AND ENHANCED CULTURAL EXPERIENCE, TO EACH AND EVERY VISITOR
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// 1 Julia is visiting Paris. She has a tight schedule and budget, and already has an idea of what she wants to see.
OFFERING AN INTERACTIVE AND TAILORED EXPERIENCE TO EACH VISITOR
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// 2 At the tourist information centre, she picks up a pair of Google Glass where the details of her personalised route are uploaded. Data needed: cultural events calendars, loca3on of art works and cultural ins3tu3ons
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// 3 As she visits Paris’s landmarks, contextualised information enhance her journey. Data needed: video archives, architectural plans, loca3on of public art works.
The treasures of historical and cultural heritage are at the heart of France’s influence throughout the world.
How can we capitalize on the excellence of French culture to better share and enhance our heritage?
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Digital tools should enable unlimited access to the contents of France’s cultural heritage.
They should also give the keys to its understanding and appreciation.
Knowledge is dematerialising: the impressive development of MOOCs (Massive Online Open Courses), an education model based on free online courses, sparks reflexion on the new rules of knowledge transmission.
Open Data and MOOCs are the two pillars of the universal diffusion of French cultural excellence.
SHARE AND PASS ON THE FRENCH CULTURAL HERITAGE
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FACILITATE TRANSMISSION OF FRENCH HISTORY AND CULTURE
// 1 Luc would like to know more about World War I.
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// 2 He decides to follow a history MOOC that teaches about the World War I.
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// 3 To go further with the topic, Luc browses through soldiers’ letters, photographs, video and sound recording archives – all at the same place on one platform. Data needed: Historical archives, List of works that have entered into the public domain (soldiers’ leBers, works veterans such as Guillaume Apollinaire), List of those who died for their country and their civil status
FABERNOVEL has imagined and illustrated new use cases based on the integration of cultural open data. We are convinced of the fantastic potential of re-using such data and of the economic growth that would stem from the creation of new services based on cultural open data. MOOCs, 3D printing, augmented reality: these technologies, once matured, will disrupt our daily lives. They must be considered as strategic starting today, so as to be transformed into economic growth levers. Apprehending and then integrating these technologies into its considerations will enable the Ministry for Culture and Communication to create innovation vehicles and therefore favour the diffusion and the reinvention of France’s cultural heritage.
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