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Page 1: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

COLOR A

ND SHAPE

CU

T PA

P E R D

E S I GN

PR

OB

L E MS ,

A

MAT I S

S E - IN

S P I RE D

PR

OJ E

CT

Page 2: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

WHAT IS A DOT?

What can a dot be?

Are you limited by 2D space?

Are you limited by the idea of the shape of a dot? Or color?

Are you limited by the shape of your paper?

Page 3: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

-Place one “dot” on your square sheet of paper.-Construction paper,

scissors, and glue ONLY!

-Post it on the cork board when finished.

Page 4: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

Can you change the color of the background?

Can you use negative space?

Can you change the shape of the background?

Does a dot have to be a circle?

ONE “DOT” ON A PAGE

Page 5: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

Now, on another square sheet of paper, create a

strong composition using TWO DOTS.

Post when finished.

Page 6: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

TWO “DOTS” ON A PAGE

Page 7: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

On a new a square sheet of paper, make a strong composition using ONE DOT and ONE LINE. Post when

finished.

Page 8: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

ONE “DOT” AND ONE “LINE”

Page 9: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

On your final square of paper, create a strong

composition using THREE LINES.

Post when finished.

Page 10: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

THREE “LINES”

Page 11: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

Fauve artist-means wild beast because of his use of color in his paintings.

Started using cut paper when his eye sight began to fail.

Focus on shape (organic or geometric) and color to create his compositions.

His works used both representational (recognizable), and non-representational (shape design, not recognizable pictures).

HENRI MATISSE, 1869-1954

Page 12: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

-Representational Design

-Organic and Geometric Shapes

What does this artwork represent?

Why is this representational?

How are organic and geometric shapes used?

How does he use color?

ICARUS, PLATE VIII FROM THE ILLUSTRATED BOOK, "JAZZ“, 1947

Page 13: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

What do you see?

What kind of design is this?

What shapes are used, and how does he use them?

THE SORROW OF THE KING, 1952

Page 14: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

What kind of shapes are used, and how?

Representational or non-representational? Why?

THE KNIFE THROWER, 1947

Page 15: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

What kind of shapes do you see, and how are they used?

How is color used?

What kind of design is this, and why?

THE CODOMAS, FROM “JAZZ”, 1947

Page 16: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

What kind of shapes do you see, and how are they used?

How is color used?

What kind of design is this, and why?

THE HORSE, THE RIDER, AND THE CLOWN, 1943-44

Page 17: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

MORE MATISSE WORKS

Page 18: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

MATISSE IN HIS STUDIO

Page 19: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

CREATE YOUR OWN COLOR AND SHAPE DESIGN COMPOSITION – SKETCH FIRST

Things to consider:

- Matisse’s use of color and shape

- Is your design going to be representational or non-representational?

- Color blocked background

- Use of organic or geometric shape, or both

Page 20: COLOR AND SHAPE CUT PAPER DESIGN PROBLEMS, A MATISSE-INSPIRED PROJECT

STUDENT WORKS


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