e il topo issue 12 - 2012

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E IL TOPO PERIODICO D’ARTISTA ANNO XX N°12 2012 IT WOKE UP AND THE DINOSAUR WAS NO LONGER THERE

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issue 12 of E IL TOPO contains 104 portraits of artists died during the last 16 years (the period in which the magazine has been idle) submitted by contributors from around the world. The magazine has reborn with the support by Careof (Milan) and SupporticoLopez (Berlin) with a series of events in New York (at White Box), Paris (at Monnaie de Paris and Palais de Tokyo), Berlin (at SupporticoLopez) and Milan (at Careof and Ca' Laghetto)

TRANSCRIPT

Page 1: E IL TOPO issue 12 - 2012

E IL TOPOPERIODICO D’ARTISTA ANNO XX N°12 2012

IT WOKE UP AND THE DINOSAUR WAS NO LONGER THERE

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i

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Qui giace Raffaello Sanzio:da lui, quando visse, la natura temette d’esser vinta,

ora che egli è morto, teme di morire

D’AILLEURS, C’EST TOUJOURS LES AUTRES QUI MEURENT

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i

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Though they’d been informed of the eclipse, everybody panicked when the streets went suddenly dark.

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Raymond Hains ©Fondation Cartier pour l’art contemporain, Paris sent by Grazia Quaroni

2005

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Dennis Oppenheim ©Robert Ladislas Derr sent by Robert Ladislas Derr

2011

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André Raffray sent by Anne Dressen

2010

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Arman sent by Georges-Philippe & Nathalie Vallois

2005

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Carla Vendrame © A. Guidetti sent by Simona Bordone

2009

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Pierre Restany ©Giovanni Bai sent by Giovanni Bai

2003

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Helen Frankenthaler sent by Archivio Careof

2011

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Louise Bourgeois © Dimitris Yeros sent by Dimitris Yeros

2010

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Sadamasa Motonaga sent by Margaret Honda

2011

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Leonora Carrington sent by Michel De Gyves

2011

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Una banana è ansia dal distacco, una banana inserita nel tacco.

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Roy Lichtenstein © Christopher Felver sent by Christopher Felver

1997

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Mimmo Rotella sent by Francesca Alfano Miglietti

2006

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Aldo Tagliaferro © Bruno Di Bello sent by Bruno Di Bello

2009

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Dennis Hopper © Giovanni Bai sent by Giovanni Bai

2010

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Giancarla Zanutti sent by Antonio De Pascale

2002

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Larry Rivers sent by Archivio Careof

2002

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Nam June Paik © Giovanni Bai sent by Giovanni Bai

2006

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He was told so many times it was forbidden, he understood it was what he must want.

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Gino De Dominicis © Pio Monti sent by Pio Monti

1998

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Michele Sovente © Fabio Donato sent by Maddalena Arcella

2011

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Dadamaino sent by Archivio Careof

2004

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Shusaku Arakawa © Dimitris Yeros sent by Dimitris Yeros

2010

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Rammellzee sent by Franklin Sirmans

2010

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Sigmar Polke © Klaus Staeck sent by Gunther Gastroph

2010

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Jeanne-Claude © Wolfgang Volz sent by Matthias Koddenberg

2009

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Wolf Vostell © Giovanni Bai sent by Giovanni Bai

1998

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Aldo Mondino sent by Davide Nido

2005

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Palma Bucarelli sent by Rachele Ferrario

1998

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Joan Brossa © Pepe cobo y Cía sent by Pepe Cobo

1998

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Fabio Mauri sent by Sebastiano Mauri

2009

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Claudio Guarino sent by Steve Child

2004

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Eva Ziesel © Brigitte Lacombe sent by Jean Richards

2011

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Emanuele Luzzati © Davide Pambianchi sent by Nuvola Ravera

2007

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Bandi Binder sent by Martín Giménez

2006

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Paolo Cotani © Emiliano Zucchini sent by Emiliano Zucchini

2011

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Juan Muñoz © Pepe Cobo y Cía sent by Pepe Cobo

2001

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Antoni Tàpies © Gemma Mercader sent by Fundació Antoni Tàpies, Barcelona

2012

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I’m asleep now, in a while I’ll be rowing again

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Steven Parrino sent by Elizabeth Periale

2005

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Colin de Land sent by Craig Wadlin-Art Club 2000

2003

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Davide Mosconi © Angelo Caligaris sent by Elisabetta Longari

2002

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César sent by Georges-Philippe & Nathalie Vallois

1998

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Barry Flanagan © Braco Dimitrijević sent by Braco Dimitrijević

2009

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Luciano Fabro © Pio Monti sent by Pio Monti

2007

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Sol LeWitt © Pio Monti sent by Pio Monti

2007

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Aldo Rossi sent by Antonio Angelillo

1997

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Mario Schifano © Marcellino Radogna sent by Marcellino Radogna

1998

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The perfect reproduction, the absolute copy as distinct from the original, the possibility to create, duplicate, to endlessly multiply in the realms of art, literature and thinking, texts, authors, quotations and references, in order to build a milieu of innumerable possibilities and eternal returns. These operations are both, fascinating and anxious. And now what?

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Richard Hamilton © Braco Dimitrijević sent by Braco Dimitrijević

2011

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Christoph Maria Schlingensief sent by Y Liver

2011

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Merce Cunningham © Annie Leibovitz sent by Merce Cunningham Dance Company

2009

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Emilio Vedova © Fabrizio Gazzarri sent by Fondazione Emilio e Annabianca Vedova

2006

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Gianfranco Ferrè sent by Loredana Filice

2007

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Andrea Zanzotto and Mario Luzi

2011

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sent by Fabio Zanzotto

2005

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Marco Colombaioni sent by Bert Theis

2011

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Willem de Kooning © Christopher Felver sent by Christopher Felver

1997

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Cy Twombly © Mario Dondero sent by Sophie Dondero

2011

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Enrico Baj © Aurelio Amendola sent by Fondazione Marconi, Milano

2003

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Leo De Berardinis © Marco Caselli Nirmal,1988 sent by Marco Caselli Nirmal

2008

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Giuseppe Chiari © Luigi Ricci sent by Pio Monti

2007

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What time is it? I mean right now: NOW. What time is it right now?

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James Lee Byars © Fondation Cartier pour l’art contemporain, Paris sent by Hervé Chandès

1997

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Harald Szeemann © Mario Gorni sent by Archivio Careof

2005

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Luca Castellano sent by Peppe Esposito

2001

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Roman Opalka sent by Sara Scanderebech

2011

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Mario Merz © David Heald Courtesy Archivio Merz, Torino sent by Archivio Merz, Torino

2003

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Colin de Land ☺Armando della Vittoria sent by Gabriele Di Matteo

2003

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Pat Hearn ☺Armando della Vittoria sent by Gabriele Di Matteo

2000

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The sea still calls me each summer, though I am forgetting the names of the fi sh.

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Dennis Oppenheim and Stella sent by Emilio Corti

2011

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Luciano Inga Pin © Giovanni Bai sent by Giovanni Bai

2009

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Vettor Pisani © Pio Monti sent by Pio Monti

2011

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Roger Bouvet sent by Beatrice Bouvet

2010

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Jean-Louis Maubant sent by Homiridis Maubant

2010

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Jason Rhoades © Andrea Stappert sent by Andrea Stappert

2006

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Dash Snow © Wyatt Neumann sent by Wyatt Neumann

2009

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Oscar Bony sent by Patricia Rizzo

2002

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Fabio Mauri sent by Sebastiano Mauri

2009

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Leo Castelli © M. Riboud sent by Federico Luger

1999

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Gianfranco Pardi © Carlo Orsi sent by Fondazione Marconi, Milano

2012

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He would never let anyone so near him again. He would never let anyone so near him again.

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Robert Rauschenberg (selfportrait) ©Robert Rauschenberg Foundation sent by Christa Carr

2008

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Vincenzo Accame © Giovanni Bai sent by Giovanni Bai

1999

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Vincenzo Consolo sent by Eric Davanzo - Gruppo A

2012

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Georges Adilon © Blaise Adilon sent by Jacqueline Adilon

2009

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Crescenzo Del Vecchio sent by Maria adele Del Vecchio

2006

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Lello Ruggiero sent by Angelo Ricciardi and Nello Teodori

2009

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Tom Wesselmann © Dimitris Yeros sent by Dimitris Yeros

2004

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Dario Bernardi sent by Violetta di Parma

2011

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Ivo Bonacorsi sent by Valentina Tortorella

2007

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Mimmo Conenna sent by MariaTeresa Padula

1998

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John Chamberlain © Rafael Bueno sent by Rafael Bueno

2011

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Paolo Rigamonti sent by Emilio Rigamonti

2002

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Bob Law ©The estate of Bob Law sent by Richard Saltoun

2004

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Pasquale Zazzara sent by Antonio De Pascale

2011

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Luis Benedit sent by Julián Benedit

2011

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Bruno Munari sent by Mario Gorni

1998

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Giuseppe Panza di Biumo sent by Albarete di Gemito

2010

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Victor Vasarely sent by Gyula Kosice

1997

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Emilio Tadini © Alberto Taglabue sent by Fondazione Marconi, Milano

2002

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Martin Disler © Andreas Züst sent by Mara Züst

1996

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Chen Zhen © Galleria Continua sent by Maurizio Regillo

2000

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Richard Baquié sent by où, Marseille

1996

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Stan Brakhage © Tim Wilkins sent by Francesco Bertocco

2003

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Martin Kippenberger © Elfi e Semotan sent by Elfi e Semotan

1997

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Martin Kippenberger © Andrea Stappert sent by Andrea Stappert

1997

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Carlo Miroglio sent by Vanessa Michielon

2009

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Czeslaw Milosz sent by Magda Podkowinska

2004

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An empty page, specifi cally designed for the never present Félix González-Torres. A name that vanishes behind his oeuvre’s “permanent change”.Gabriele Di Ma eo, for this issue of E il topo devoted to the concept of me-as-magazine, requested a private picture/portrait of Félix González-Torres. Our request was turned down. We were told that it was an essen al part of the ar st’s statement not to allow any photograph of himself to be reproduced. This prohibi on is conceptually related to the idea that the image of the ar st places him in a determined me frame, while the inten on of Félix González-Torres is just the opposite: that of the perpetua on of melessness. Also, the personal image of the ar st would create an aura that wouldn’t allow the work to stand and live on its own as the only legacy to be le behind. We were also told that González-Torres, even went so far as to limit the number of interviews he gave, and chose to avoid the describing or talking about the meaning of his work, preferring to speak about general conceptual ideas.

1996

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Mike Kelley © Fredrik Nilsen sent by Fredrik Nilsen

2012

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1996

1997

1998

1999

2000

2001

2002

2003

2004

2005

2006

2007

2008

2009

2010

2011

2012

Special thanks to:Françoise Lonardoni Grazia Quaroni Robert Ladislas Derr Anne Dressen

Georges-Philippe & Nathalie Vallois Simona Bordone Giovanni Bai Archivio Careof Dimitris Yeros Suzanne Fredericq Michel De Gyves Christopher Felver

Francesca Alfano Miglietti Bruno Di Bello Antonio De Pascale Pio Monti Catherine Elkar Maddalena Arcella Franklin Sirmans Gunther Gastroph

Andrea Stappert Eric Davanzo Davide Nido Rachele Ferrario Pepe Cobo Sebastiano MauriSteve Child Jean Richards Martín Giménez Emiliano Zucchini Fondaciò Antoni Tàpies

Elizabeth Periale Craig Wadlin (Art Club 2000) Elisabetta Longari Braco DimitrijevićAntonio Angelillo Marcellino Radogna Y Liver Merce Cunningham Dance Company

Fondazione Emilio e Annabianca Vedova Loredana Filice Zaccaria Di MatteoFabio Zanzotto Bert Theis Sophie Dondero Fondazione Marconi Maria Teresa PadulaJen Budney Hervé Chandès Mario Gorni Guglielmo Guastafferi Sara Scanderebech

Archivio Merz Wyatt Neumann Beatrice Bouvet Homiridis Maubant Patricia RizzoFederico Luger Franco Marrocco Christa Carr Jacqueline Adilon Maria Adele Del Vecchio

Violetta di Parma Valentina Tortorella Rafael Bueno Richard Saltoun Emilio RigamontiJulián Benedit Albarete di Gemito Maurizio Regillo où Francesco Bertocco Benedikt EnderAngelo Ricciardi & Nello Teodori Saverio Lucariello Magda Podkowinska Vanessa Michielon

Ignazio Gadaleta Pablo Janzana Matteo Vinti Silvia Fabro Mario DonderoRiccardo Notte Vladimir Vasicek Jr. Loredana Putignani Pasquale Campanella

Nicola Di Caprio Sergio Sansevrino Elfi e Semotan Monia Basso Denis Piel Margaret Honda Athos Zacharias Matthias Koddenberg Nuvola Ravera Fabrizio Gazzarri

Marco Caselli Nirmal Chiara Agnello Emilio Corti Peppe Esposito Mara ZüstFlorian Bachmann Klaus Staeck Thomas Mariani Mirela Stanila Gyula Kosice

Massimo De Palma Stefano Carezzali Debora Hirsh Bruno Muzzolini Fredrik Nilsen

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Excuse my dust (Dorothy Parker)

Page 120: E IL TOPO issue 12 - 2012

E IL TOPO

E IL TOPO is reborn at Careof Milan on March 27, 2012

DirectorArmando Della Vittoria

Editorial StaffMattia Barbieri, Gabriele Di Matteo, Francesco Fossati, Giovanna Francesconi, Piero Gatto

Francesco Locatelli, Monica Mazzone, Luca Pozzi, Franco Silvestro

CorrespondentsMartín Giménez - New York, Y Liver and Frederic Liver - Paris, Gigiotto Del Vecchio - Berlin

Chiara Agnello - Milan, Debora Hirsch - Sao Paulo

ContributorsArt Club 2000, Valerio Borgonuovo, Gabriela Galati, Antonio Grulli, Giancarlo Norese

Steve Piccolo & Gak Sato

PublisherPiero Cavellini

Edizioni Nuovi Strumenti & EdiTorre del Grecovia Cesare Guerini 22, 25135 Brescia+39 030 780200 - [email protected]

E IL TOPO magazine - Piazza Irnerio 13, 20146 Milan, Italy - [email protected]