emc 3130/2130 lecture one - image digital

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EMC 3130 Lecture One Digital Video – How Does This Work? Pixels to Scenes Edward Bowen

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Page 1: EMC 3130/2130 Lecture One - Image Digital

EMC 3130

Lecture OneDigital Video – How Does This Work?

Pixels to Scenes

Edward Bowen

Page 2: EMC 3130/2130 Lecture One - Image Digital

A Concise Explanation of Television

http://www.youtube.com/watch?v=UivqdpliyA0

Page 3: EMC 3130/2130 Lecture One - Image Digital

Digital Camera Deconstructed

http://www.youtube.com/watch?v=nSF3xdIWrPI

Page 4: EMC 3130/2130 Lecture One - Image Digital

What is Video?

Video is sequential still images (frames), electronically captured, stored and disseminated in rapid enough succession to create the illusion of motion, synchronized with sound.

Page 5: EMC 3130/2130 Lecture One - Image Digital

What is Video?

Video is sequential still images (frames), electronically captured, stored and disseminated in rapid enough succession to create the illusion of motion, synchronized with sound.

Page 6: EMC 3130/2130 Lecture One - Image Digital

Sequential Still Images (Frames)• The individual pictures that make up

video are “frames.”

Page 7: EMC 3130/2130 Lecture One - Image Digital

Sequential Still Images (Frames)

Page 8: EMC 3130/2130 Lecture One - Image Digital

Sequential Still Images (Frames)

Page 9: EMC 3130/2130 Lecture One - Image Digital

Sequential Still Images (Frames)• The individual pictures that make up

video are “frames.”• The frames are comprised of millions of

electrically excitable “pixels” (picture elements)

Page 10: EMC 3130/2130 Lecture One - Image Digital

Pixels

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Pixels

http://youtu.be/ugV6cLgwomo

Page 12: EMC 3130/2130 Lecture One - Image Digital

Pixels

Paper Pixelshttp://youtu.be/DCTRk5a0aJg

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Pixels

Pantone Pixels http://vimeo.com/18881890

Page 14: EMC 3130/2130 Lecture One - Image Digital

Pixels• The individual pictures that make up

video are “frames.”• The frames are comprised of millions of

electrically excitable “pixels” (picture elements)

• For color, each pixel is comprised of three parts (red, blue, green)

Page 15: EMC 3130/2130 Lecture One - Image Digital

Pixels

This Is Not Yellow http://youtu.be/R3unPcJDbCc

Page 16: EMC 3130/2130 Lecture One - Image Digital

Aside – A History Lesson

The Man Who Turned Paper into Pixels https://vimeo.com/98345492

Page 17: EMC 3130/2130 Lecture One - Image Digital

Sequential Still Images (Frames)

• The individual pictures that make up video are “frames.”

• The frames are comprised of millions of electrically excitable “pixels” (picture elements)

• For color, each pixel is comprised of three dots (red, blue, green)

• Individual images (frames) are drawn by scanning along these pixels from left to right, top to bottom.

Page 18: EMC 3130/2130 Lecture One - Image Digital

Scanning

High speed video showing the fluorescent screen of CRT television being scanned by electron gun.

http://youtu.be/zVS6QewZsi4

Page 20: EMC 3130/2130 Lecture One - Image Digital

Scanning• Interlaced Scanning - Two fields

comprise a frame.

Page 21: EMC 3130/2130 Lecture One - Image Digital

Scanning

• Interlaced Scanning

Interlaced Artifacts

Page 22: EMC 3130/2130 Lecture One - Image Digital

Scanning

• Interlaced Scanning

Interlaced Artifacts

Page 23: EMC 3130/2130 Lecture One - Image Digital

Scanning• Progressive Scanning (Computers and

Most Digital Video)

Page 24: EMC 3130/2130 Lecture One - Image Digital

Scanning

• Progressive v Interlaced Scanning

Page 25: EMC 3130/2130 Lecture One - Image Digital

Scanning

• Progressive v Interlaced Scanning

Page 26: EMC 3130/2130 Lecture One - Image Digital

Scanning• Progressive v Interlaced Scanning

http://youtu.be/gbtBP8QxGg8

Page 28: EMC 3130/2130 Lecture One - Image Digital

Scanning

Progressive VS Interlaced Video Modes and Pixel Aspect Ratio Part 1 http://youtu.be/9D8cRFMedGY

Page 29: EMC 3130/2130 Lecture One - Image Digital

Scanning

1080i vs 1080p [interlaced vs progressive] 1080p FULL HDhttp://youtu.be/j29b7B6CSNM

Page 30: EMC 3130/2130 Lecture One - Image Digital

Scanning

The Joy of Interlacing https://vimeo.com/1513146

Page 31: EMC 3130/2130 Lecture One - Image Digital

ResolutionThe quality of the image, a result of the number of lines,

therefore the number of pixels, often measured in megapixels, that comprise an individual frame.

Pixel count is the number of horizontal lines multiplied by the number of vertical lines.

One megapixel is ROUGHLY 1 million pixels.

Page 32: EMC 3130/2130 Lecture One - Image Digital

Resolution• The more lines, the more pixels.• The more pixels, the more information.• The more information, the higher the resolution.• Resolution is defined as the number of horizontal lines of

pixels in an image.

Page 33: EMC 3130/2130 Lecture One - Image Digital

How A Camcorder Works

How-a-Digital-Camera-Works---CMOS-chip.mov http://youtu.be/Z3co311bBqY

Page 34: EMC 3130/2130 Lecture One - Image Digital

Resolution

Old Style Standard Television

• 480i (480 horizontal lines visible, interlaced; 30 frames per second)

Page 35: EMC 3130/2130 Lecture One - Image Digital

ResolutionDigital Television (DTV) • Higher Picture Resolution• Truer Color• Wider Contrast Ratio

Four prominent systems:• 480p (progressive, 480 visible lines, 60 frames per

second) • 720p (progressive, 720 visible lines, 60 frames per

second, High Definition Television [HDTV] (Roughly 1 Megapixel)

• 1080i (interlaced, 60 fields/30 frames per second, High Definition Television [HDTV] (Roughly 2 Megapixels)

• 1080p (progressive, 60 frames per second, [HDTV] (Roughly 2 Megapixels)

Page 36: EMC 3130/2130 Lecture One - Image Digital

Resolution

Page 37: EMC 3130/2130 Lecture One - Image Digital

Resolution

720p 1080p

Page 38: EMC 3130/2130 Lecture One - Image Digital

Resolution

Page 41: EMC 3130/2130 Lecture One - Image Digital

Resolution

Skybox Imaging Captures World’s First High-Resolution, HD Video of Eartrh from Spacehttp://youtu.be/fCrB1t8MncYhttp://www.skyboximaging.com/news/FirstHigh-ResolutionHDVideoofEarth

Page 42: EMC 3130/2130 Lecture One - Image Digital

Resolution

Additional Systems

2K, 4K and 5K – 2000, 4000 and 5000 lines of resolution

• For use in theatrical screening and 35mm scanning

Page 43: EMC 3130/2130 Lecture One - Image Digital

Resolution

Resolution – The Detail an Image Contains• Horizontal lines of pixels times vertical lines of pixels

Digital• 720×480  :DVD, miniDV• 1280×720 (-1MP)  : HD DVD, Blu-ray, HDV (miniDV)• 1440×1080 (1.5 MP) : HDV (miniDV)• 1920×1080 (2MP) : HDV (miniDV), AVCHD, HD DVD, Blu-ray, • 2048×1080 : 2K Digital Cinema• 4096×2160 : 4K Digital Cinema• Sequences from newer films are scanned at 2,000, 4,000, or

even 8,000 columns, called 2K, 4K, and 8K, for quality visual-effects editing on computers

Page 44: EMC 3130/2130 Lecture One - Image Digital

Resolution – It’s Always More Complicated

What is the Resolution of the Eye? http://youtu.be/4I5Q3UXkGd0

Page 45: EMC 3130/2130 Lecture One - Image Digital

What is Video?

Video is sequential still images (frames), electronically captured, stored and disseminated in rapid enough succession to create the illusion of motion, synchronized with sound.

Page 46: EMC 3130/2130 Lecture One - Image Digital

Digital• Step 1 – Light enters the camera

Page 47: EMC 3130/2130 Lecture One - Image Digital

Digital• Step 1 – Light enters the camera• Step 2 – It is converted to electrical signals

Page 48: EMC 3130/2130 Lecture One - Image Digital

Digital• Step 1 – Light enters the camera• Step 2 – It is converted to electrical signals• Step 3 – The electrical signal is copied or converted and

stored. When accomplished digitally, the result is a computer file.

Page 49: EMC 3130/2130 Lecture One - Image Digital

Analog• A wave is recorded or used in its original form

• Light or sound are converted to a fluctuating electrical wave that is directly recorded, usually to a magnetic tape medium, mirroring the original stimulus.

• It produces an electrical copy of an original stimulus.

• Analog signal fluctuates exactly like the original stimulus.

• Analog signal is continuous.

Page 50: EMC 3130/2130 Lecture One - Image Digital

Analog• Light as it enters a camera is always analog.

But, you know, who cares? Everything is digital now anyway.

Page 51: EMC 3130/2130 Lecture One - Image Digital

Digital Conversion• The analog wave is sampled at some interval, and then turned

into numbers that are stored in the digital device

• Light and sound are recorded not as an identical copy of the original stimulus, but as discrete on-and-off pulses, zeros and ones, binary digits.

• It is a representation rather than a copy.

• Discontinuous. Signal is sampled.

• Advantage: Resists data distortion and error in duplication. No generational loss.

• Advantage: Allows for manipulation of sound and image.

Page 52: EMC 3130/2130 Lecture One - Image Digital

Digital

Analog or Digital? (1993) http://youtu.be/kR7227_ndqQ

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Digital

Page 55: EMC 3130/2130 Lecture One - Image Digital

Digital

Page 56: EMC 3130/2130 Lecture One - Image Digital

Digital• Sampling/Quantizing – The electrical signal is

sampled.

Page 57: EMC 3130/2130 Lecture One - Image Digital

Digital

Lots of Codecs - http://youtu.be/wRwBlb_23Ug

Page 58: EMC 3130/2130 Lecture One - Image Digital

Digital

• The resulting computer information is compressed. • Compression reduces computer file size, usually by

discarding hopefully unneeded information– Frame (Remove frames)– Picture (Remove redundancy between frames)– Color (Reduce variety of colors)– Sound (Reduce frequencies)

• This compression is accomplished by a CODEC.• CODEC – a device or program for encoding and/or

decoding digital information (DivX, Xvid, H.264, WMV, etc.)

Page 60: EMC 3130/2130 Lecture One - Image Digital

Digital

Video Codecs 101 http://youtu.be/7YQ1mikDhIo

Page 61: EMC 3130/2130 Lecture One - Image Digital

Basic Image Formation

Compression• The CODEC is a device or program for encoding

and/or decoding digital information. It converts and compresses the video computer file –(DivX, Xvid, H.264, WMV, etc.)

• Additionally, the file exists in a Container or Wrapper Format (AVI, FLV, QuickTIme, MPEG, MP4, etc.). This will be the file’s extension (.mov, .mpeg, etc.)

• Compression Ratio - the higher the ratio, the smaller the file; the lower the ratio, the higher the quality.

Page 62: EMC 3130/2130 Lecture One - Image Digital

Basic Image Formation

Compression• Lossy vs. Lossless• Lossy - Permanently removes information, such as

repeated pixels. High compression ratio.• Lossless - Compresses and decompresses without

loss of information. Low compression ratio.

Page 63: EMC 3130/2130 Lecture One - Image Digital

Digital Compression

http://vimeo.com/1172256

Page 64: EMC 3130/2130 Lecture One - Image Digital

Digital Compression As Art

http://youtu.be/nH3nmBEPIHYPlus De Deux

Page 65: EMC 3130/2130 Lecture One - Image Digital

Digital Compression

http://nofilmschool.com/2013/02/compression-encoding-basics-artifact-removal-tutorials/

Page 66: EMC 3130/2130 Lecture One - Image Digital

Digital Compression

Basics of Video Compression - http://www.larryjordan.biz/basics-of-video-compression-video/

Page 67: EMC 3130/2130 Lecture One - Image Digital

What is Video?

Video is sequential still images (frames), electronically captured, stored and disseminated in rapid enough succession to create the illusion of motion, synchronized with sound.

Page 68: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Shutter Speed (fraction of a second)

Page 69: EMC 3130/2130 Lecture One - Image Digital

Frame RatesThe number of frames captured in a

second (frames per second)

Shutter Speed -The time light is allowed to strike the

image sensor to create a single image.

(fraction of a second)

Page 70: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Higher frame capture and playback rates result in more information and higher picture quality with increased

sharpness, less stutter and flicker, and less motion blur.

Page 71: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Video Basics: Frame Rate http://youtu.be/8c8DrVvELe4

Page 72: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Image Quality and Smoothness of Motion

Video Frame Rate Comparison http://youtu.be/e54Q1KXRmX0

Page 73: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Image Quality and Smoothness of Motion

GoPro HD Hero 30fps vs. 60fps http://youtu.be/-nU2_ERC_oE

Page 74: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Image Quality and Smoothness of Motion

30vs60.wmv http://youtu.be/3xsSSsVqSA0

Page 75: EMC 3130/2130 Lecture One - Image Digital

Frame Rates

Additional Systems

24p - 1080 lines of resolution, 24 frames per second.

• For use in conjunction with motion picture film• Or to create a “film look.”

Page 76: EMC 3130/2130 Lecture One - Image Digital

Resolution

The_24p_Conspiracyhttp://vimeo.com/3388256

Page 77: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Video Speed

When video is played back at the same frame rate as it was captured, motion appears normal.

Page 78: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Video Speed (High Speed Capture)

When video is played back at the same frame rate as it was captured, motion appears normal.

When video capture speed is faster than it is played back, slow motion results, since the video is playing

back at a SLOWER speed than it was captured.

30fps Capture - 30fps Playback: Normal Motion60fps Capture - 60fps Playback: Normal Motion

60fps Capture - 30fps Playback: Slow Motion300fps Capture - 30fps Playback: Slow Motion

Page 79: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Image Speed (High Speed Capture)

http://vimeo.com/11648907

Page 80: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Image Speed (High Speed Capture)

Action Figure Slow Motion Punches http://youtu.be/kgdyBvHdNKY

Page 81: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Image Speed (High Speed Capture)

http://youtu.be/EtsXgODHMWk

Page 82: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Image Speed (High Speed Capture)

Ramesh Raskar: Imaging at a trillion frames per second http://youtu.be/Y_9vd4HWlVA

Page 83: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Image Speed (High Speed Capture)

http://youtu.be/9RbLLYCiyGE

Page 84: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Image Speed (High Speed Capture)

Two Forty from Brighton: Sony FS700 https://vimeo.com/42663128

Page 85: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Image Speed (High Speed Capture)

Exploring Frame Rates and Resolutions on a Phantom Flex High Speed Camera - Video Bloghttps://vimeo.com/48571597

Page 86: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Image Speed (High Speed Capture)

The Slow Mo Guys https://www.youtube.com/channel/UCUK0HBIBWgM2c4vsPhkYY4w

Page 87: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Video Speed (Slowed in Post)

When video is played back at the same frame rate as it was captured, motion appears normal.

When video playback speed is altered in post production to a slower frame rate than it was captured, slow motion results, since the video is playing back at a

SLOWER speed than it was captured.

30fps Capture - 30fps Playback: Normal Motion60fps Capture - 60fps Playback: Normal Motion

60fps Capture -30fps (or 50%) Playback: Slow Motion60fps Capture - 6fps (10%) Playback: Slow Motion

Page 88: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Video Speed (Slowed in Post)

Final Cut Pro X Super Slow Motion in Optical Flow https://vimeo.com/26626015

Page 89: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Video Speed (Slowed in Post)

Twixtor Software 7D 1000 fps https://vimeo.com/13557939

Page 90: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Video Speed (Slowed in Post)

Surfing –GoPro- Time Warp SlowMotion http://youtu.be/JWblwHPQZj4

TimeWarp Software

Page 91: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Video Speed (High Speed / Time Lapse)

When video is played back at the same frame rate as it was captured, motion appears normal.

When video capture speed is slower than it is played back, fast motion results, since the video is playing back

at a FASTER speed than it was captured.

30fps Capture - 30fps Playback: Normal Motion60fps Capture - 60fps Playback: Normal Motion

30fps Capture - 60fps Playback: Fast Motion3fps Capture - 30fps Playback: Fast Motion

Page 92: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Video Speed (High Speed)

When video is played back at the same frame rate as it was captured, motion appears normal.

When video playback speed is altered in post production to a faster frame rate than it was captured, fast motion results, since the video

is playing back at a FASTER speed than it was captured.

30fps Capture - 30fps Playback: Normal Motion60fps Capture -60fps Playback: Normal Motion

60fps Capture -120fps (or 200%) Playback: Fast Motion60fps Capture - 600fps (1000%) Playback: FAST Motion

Page 93: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Video Speed (High Speed / Time Lapse)

Koyaanisqatsi http://youtu.be/mzsmU5sXM1M

Page 94: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Video Speed (High Speed / Time Lapse)

Skywalker ranch timelapse test https://vimeo.com/8013220

Page 95: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Video Speed (High Speed / Time Lapse)

"The City Limits" (Cities in fast motion accompanied with Hans Zimmers "Time" )http://youtu.be/I1gxvG9roDM

Page 96: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Video Speed (High Speed / Time Lapse)

Celestial Lights https://vimeo.com/40555466

Page 97: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Video Speed (High Speed / Time Lapse)

Nightfall https://vimeo.com/47224216

Page 98: EMC 3130/2130 Lecture One - Image Digital

Frame Rates (frames per second)

Impact on Video Speed (High Speed / Time Lapse)

Yosemite Range of Light https://vimeo.com/40802206

Page 100: EMC 3130/2130 Lecture One - Image Digital

NTSCNational Television System Committee

• http://www.ehow.com/video_4751914_what-ntsc-video.html

• http://www.ehow.com/video_4751915_what-difference-between-ntsc-pal.html

Page 101: EMC 3130/2130 Lecture One - Image Digital

NTSC• The Americas, Japan Pretty Much Everywhere

Else • 60 Hertz Electric Current 50 Hertz Electric Current• 24, 30 and 60 fps 25 and 50 fps

PAL

Page 102: EMC 3130/2130 Lecture One - Image Digital

What is Video?

Video is sequential still images (frames), electronically captured, stored and disseminated in rapid enough succession to create the illusion of motion, synchronized with sound.

Page 103: EMC 3130/2130 Lecture One - Image Digital

The Illusion of Motion• Persistence of Vision, Beta Movement, Phi Phenomenon

Muybridge-horse-in-motion.mov http://www.youtube.com/watch?v=3veFqnnob0A

Page 104: EMC 3130/2130 Lecture One - Image Digital

The Illusion of Motion• Persistence of Vision, Beta Movement, Phi Phenomenon

What is Persistence of Vision? (Mr. Wizard)http://youtu.be/YismwdgMIRc

Page 105: EMC 3130/2130 Lecture One - Image Digital

The Illusion of Motion• Persistence of Vision, Beta Movement, Phi Phenomenon

Thaumatropes & the Persistence of Vision https://vimeo.com/44274189

Page 106: EMC 3130/2130 Lecture One - Image Digital

The Illusion of MotionWhat’s needed for Apparent Motion - Creating the illusion of motion

• Flicker Fusion or Frequency – the number of flashes of light per second to merge or fuse the images, so that the flicker itself is invisible. At least 50 to 60 flashes per second.

• Frame Rate – the number of images per second needed to create the illusion of motion. At least 16 images per second.

Page 107: EMC 3130/2130 Lecture One - Image Digital

Basic Image Formation

• Scanning• Fields / Frames• Flicker Frequency• Apparent motion• Frames per second

http://dsc.discovery.com/videos/assignment-discovery-shorts-tv-tube-and-the-flicker-frequency.html

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Overview

Interlaced and Progressive Frame Rates Explained! : FRIDAY 101http://youtu.be/xKMWjRlIvrY

Page 109: EMC 3130/2130 Lecture One - Image Digital

Overview

Progressive VS Interlaced Video Modes and Pixel Aspect Ratiohttp://youtu.be/9D8cRFMedGY

Page 110: EMC 3130/2130 Lecture One - Image Digital

What is Video?

http://youtu.be/buSaywCF6E8

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Blur

Page 112: EMC 3130/2130 Lecture One - Image Digital

What is Video?

“Now in the real world things just happen … things just continuously happen.”

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Reality

http://youtu.be/6jzNw4_2YGQ

Or do they?