Eric SchweinhartArchitectural Intern

“If the sight of the blue skies fills you with joy, if the simplest things of nature have a message that you understand, rejoice, for your soul is alive.” -Eleonora Duse

RESUME STUDIO

Cincinnati Makers CollaborativeWellness Center

Urban Grocery PrototypeShifting Sustainable Education

WORK EXPERIENCE

glaserworksBHDP Architecture

RossTarrant Architects

ERIC SCHWEINHART

EDUCATION

Class of 2014 University of Cincinnati College of Design, Architecture, Art and Planning Master of Architecture GPA: 3.75

Class of 2011 University of Cincinnati College of Design, Architecture, Art and Planning Bachelor of Science in Architecture: Cum Laude, Honors Minor in Sustaining the Urban Environment

Class of 2007 Amelia High School Graduate International Baccalaureate Program Class Rank: 1/282

WORK EXPERIENCE

SU14/W11 BHDP Architects; Cincinnati, OH Focused on the design and renovation of numerous Procter and Gamble, Fidelity Investments, and YUM Brands workplaces. The main objectives were to design for the user andtopositivelyinfluencebehaviorandproductivity.

SU13 CR Architecture + Design; Cincinnati, OH, 12 weeks Worked on the Kroger design team to quickly produce drawings for proto-similar grocery stores across the country foranumberofstorebrands.Efficiency,consistency,and accuracy were essential for optimal client satisfaction.

A11 glaserworks; Cincinnati, OH, 14 weeks Collaborated with Moore Ruble Yudell Architects to develop construction documents for a Bioengineering Building at the University of California, Santa Barbara. Detailing and understanding integrated systems and strategies were essential to portraying the architectural intent.

COMMUNITY SERVICE

College Mission Urban Development | Fuller Center Bicycle Adventure | Habitat for Humanity (Sea Island, SC; Cincinnati, OH) | Fuller Center Legacy Blitz Build 2010 Indianapolis | Fuller Center for Housing (New Orleans, LA) | City Gospel Mission | GO Cincinnati Team Leader | Appalachian Service Project | Relay for Life | Design Home tour guide | Hoxworth Blood Donor

ACTIVITIES

College Honors Program at the University of Cincinnati | Navigators Campus Christian Organization | Crossroads Community Church Enlisted Discipleship Training | The Den- Basketball Spirit Group | Intramural Sports- Flag Football, Volleyball, Basketball, Softball, Soccer

AWARDS & SCHOLARSHIPS

College Pearson Prize for Higher Education Award | Presidential Leadership Medal of Excellence Finalist | Cincinnatus University Scholarship Award | American Structurepoint Fellowship | John S. Madzula Scholarship | Mark and Carla Hutker Scholarship | Frank T. Leo Scholarship | Donald C. Smith, Gordon Wildermuth, and John H. Winkler Endowment Fund | Sigma Alpha Epsilon Scholarship

COMPUTER SKILLS

MacOSX|WindowsXP|MicrosoftOffice| Photoshop CS3 | Illustrator CS3 | InDesign CS3 | Form Z v. 6.6.1 | AutoCAD v. 2011 | SketchUp v. 7 | Revit v. 2013 | ArchGIS | Graphite 2D/3D CAD

References available upon request

Permanent Address Contact4317 Floral Ave. Apt #3 Phone (513) 236-0921Norwood, OH 45212 Email eschweinhart@gmail.com

Cincinnati Makers CollaborativeFall/Spring 2013-14

Thesis Year

BRIGHTON ARTS DISTRICT

Humans desire to experience an intimate understanding of physical construction. While the rising Maker Movement and Do-It-Yourself Movement cater to this desire, the design and construction of contemporary architecture does not.

Today, many makers, artists, and DIYers can be found working in old warehouse spaces in blighted urban areas. Cincinnati is home to many of these individuals but they are often isolated from each other and subsequently isolated from a wealth of resources. Through demographic and geographic studies a site was selected in the north-west corner of the OTR neighborhood. The site at 607 W. McMicken includes two existing industrial buildings that will house many of the making disciplines.

The primary purpose of the Cincinnati Makers Collaborative is to increase the dissemination of knowledge, skills, and resources of makers, artists, and craftspeople in order to establish making as a viable livelihood nationwide. Resident makers, maker members, and the general public all share in the experience of the Collaborative. An elevated marketplace serves to unite the three groups by providing convenient access for selling directly from the live-work residential units.

Surrounding Making Culture

Industrial Sites Business Districts

Public Transit Usage Poverty Levels

Unemployment Income Levels

Site Plan | Market Level

TheCincinnatiMakersCollaborativehasbeendesignedusingbasic,easilyidentifiablematerialssuchasconcreteblock,plywood,dimensionallumber,andsteel,revealing a compositional understanding of the building. The materials are composed honestly in regards to their material properties and their connections are highlighted rather than hidden. The transparency of construction methods emphasizes the human involvement in both design and construction.

Residential Construction Public Stair Construction Makers’ Factory Stair Construction

Residential Site Section

1234

5 6 7 8

1 2 3 4

5678

1 Crank Lift Security Gate

2 Pivoting Residential Roofs

3 Suspended Track Partition Walls

4 Train Track Sliding Walls

5 Pedal Powered Elevator

6 Retractable Sunshades

7 Scissor Jack Garage Door

8 Glazed Expandable Winter Wall

Intimate interactions between humans and architecture occur through the implementation of moving elements in the design. These kinetic pieces are highly functional machines that allow makers to spatially transform their environment. They do not move by the push of a button, but rather by human power; through turning a crank or sliding a door or lifting a lever. The Collaborative shows how a building can respond to the changing spatial needs and intuitions of a rising population of makers.Body + Machine

1234

5 6 7 8

1 2 3 4

5678

1 Crank Lift Security Gate

2 Pivoting Residential Roofs

3 Suspended Track Partition Walls

4 Train Track Sliding Walls

5 Pedal Powered Elevator

6 Retractable Sunshades

7 Scissor Jack Garage Door

8 Glazed Expandable Winter Wall

Intimate interactions between humans and architecture occur through the implementation of moving elements in the design. These kinetic pieces are highly functional machines that allow makers to spatially transform their environment. They do not move by the push of a button, but rather by human power; through turning a crank or sliding a door or lifting a lever. The Collaborative shows how a building can respond to the changing spatial needs and intuitions of a rising population of makers.Body + Machine

Intimate interactions between humans and architecture occur through the implementation of moving elements in the design. These kinetic pieces are highly functional machines that allow makers to spatially transform their environment. They do not move by the push of a button, but rather by human power; through turning a crank or sliding a door or lifting a lever. The Collaborative shows how a building can respond to the changing spatial needs and intuitions of a rising population of makers.

Crank Lift Security Gate Pivoting Residential Roofs

Kinetic Mechanisms

Wellness CenterWinter/Spring 2012

20 Weeks

This two quarter studios focus was to design a wellness center on the campus of Cranbrook Academy located just outside of Detroit, MI. This campus provides a rich context and history formed by Eliel Saarinen, Williams and Tsien, Rafael Moneo, and others.

Complete understanding of my design relied upon approaching the building from three different scales; site, body and hand. Extensive modeling was done in order to understand the space three dimensionally and materially.

Conceptually the wellness center developed as a series of “ribbons” running parallel to the grande alle. These “ribbons”, created by the repitition of a 1x12 wood board module, are transformed as they dictate different spaces, allowing them to serve various functions throughout the wellness center.

Cranbrook Wellness Center Birds Eye View

East Precinct“Ribbons” Creating Space and Engaging Landscape

One of the most challenging aspects of developing a wellness center was the variety of programmed spaces that were required. Each programatic zone, whether it be residential, spa, studio, or lobby, required a different atmosphere and level of privacy. Designing in the grand alle, a very public space, required the strategic creation of buffer zones and careful detailing to ensure user comfort.

Wall and Roof Construction

North Facing Section - Ribbons and Walls

Urban Grocery PrototypeSpring 2013

14 Weeks

Identifyingandaddressingspecificbehaviorsthrougharchitecturewas the primary challenge in this studio. By researching these human behaviors and setting up an architectural business model and client, I was able to make a real life proposal to a panel of critics.

Being an urban prototype means it was essential that the store occupied less land and was overall more compact than a traditional grocery store. A quick mart was added at the front of the store to provide convenience and sell expiring products. Products are stored on the lower level and brought up and shelved with a modular shelving system and a centrally located elevator. Circulation is routed around an internal food service counter, reducing time of travel for customers while retaining exposure to all products.

Circulation Patterns

3.5’ - 6’

Casual Buyer

Expiration Date Product Selection - MilkAnalyzing the selection habits of consumers.

All Levels

“Date Digger”

Aisle Restock

Restocking ShelvesEmployee interference and wasted space.

Service Space RestockObstructed

Customer SpaceUnderutilized

Service Space

Front Elevation

Checkout and Wine Tasting

Grocery Entrance

Behavior Observations

Children living in urban areas often lack an opportunity to explore and interact with nature. This net-zero environmental education annex provides an opportunity for the students at Taft Elementary School to coexist with nature. Students are able to escape the normality of urban dwelling and enter into an educational experience that will enlighten and connect.

The annex is shifted slightly off the street grid to create an optimum orientation for passive and active solar strategies. In addition, the wall separating the street from the site serves as the location for solar thermal collection. A complex Excel spreadsheet was used in order to monitor the influence of different design strategies on the performance of the building and to achieve net-zero energy consumption.

Materiality, energy consumption, energy production, site development, building layout, experiential quality, and cost were all factors that were critically examined throughout the design process.

Shifting Sustainable EducationSpring 2011

10 Weeks

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nature

people

nature

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united

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pene

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UPDN

UP

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DN

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GREENHOUSE

MECHANICAL

STORAGE

Site Axon

View from Meeting Room

Bird Watching Space

Green Design Strategies

First Floor Plan

Front Elevation

glaserworksAutumn 2011

14 Weeks

Working alongside the project architect on CD detailing helped me gain a sophisticated understanding of construction details and architectural intent. Understanding and developing integrated systems was another key aspect in designing the technically complex Bioengineering Building at the University of Santa Barbara. I also worked on the initial development of a building to house the business school at Washington University in St. Louis. Both of these projects were done in collaboration with Moore Ruble Yudell. Images Property of glaserworks and Moore Ruble Yudell.

LEVEL 10' - 0"

LEVEL 215' - 3"

LEVEL 330' - 6"

PENTHOUSE45' - 9"

E

T.O. ROOFPARAPET

47' - 9"

T.O. LANTERN60' - 3"

WINDOW ASSEMBLY(See window schedule)

VERTICAL SUNSHADE (TYP.)

HORIZONTAL SUNSHADE

6" LIGHT SHELF

LIGHT SHELF

4" X 6" SUNSHADESUPPORT POST (TYP.)

2" X 16" SUNSHADES

CURTAINWALL ASSEMBLY(see window schedule)

METAL FASCIA (TYP.)

METAL FLASHING OVERROOFING MATERIAL

7/8" STUCCO WALL OVER8" CFMF STUD (TYP.)

STONE WALL PANELS OVERCONCRETE WALL

STOREFRONT GLAZINGASSEMBLY (See window schedule)

ARCHITECTURALFINISH CONCRETE

ARCHITECTURALFINISH CONCRETE

FORMED ALUMINUM SILL

CW10

W11

W11

CW1

T.O. ROOF66' - 10"

DD.2

METAL COPING

10

A5.10

9

A5.10

11

A5.258

A6.26

10

A6.71

LEVEL 10' - 0"

LEVEL 215' - 3"

LEVEL 330' - 6"

PENTHOUSE45' - 9"

LANTERN TOS60' - 9"

1314

T.O. ROOFPARAPET

47' - 9"

6" LIGHT SHELF (TYP.)

METAL COPING (TYP.)

VERTICALSUNSHADES (TYP.)

7/8" STUCCO OVER 8"CFMFSTUD WALL (TYP.)

HORIZONTAL SUNSHADE (TYP.)

EXTERIOR AIR &MOISTURE BARRIER

WINDOW ASSEMBLY (Seewindow schedule)

METAL FASCIA

METAL SOFFIT

CURTAIN WALL ASSEMBLY(See window schedule)

6"X 32" LIGHT SHELF

2"X16" SUNSHDES

SUNSHADESUPPORT POSTS

STUCCO SOFFIT

CURTAINWALL ASSEMBLY(See window schedule)

FORMED ALUMINUM SILL

A5.103

A5.104

A5.502

A5.501A5.70

1ROOFASSEMBLY

A5.702 ROOF ASSEMBLY

LIQUID-APPLIEDELASTOMERICWATERPROOFINGMEMBRANE

7 1/

8"

A5.708

7 1/8" 1' - 4 7/8"

1' - 4"

7"

5 5/8"

1' - 3"

A5.249

A5.235

A5.236

OPP

MECH. MEZZANINE56' - 3"

1' - 6"

LEVEL 10' - 0"

LEVEL 215' - 3"

LEVEL 330' - 6"

PENTHOUSE45' - 9"

LANTERN TOS60' - 9"

1314

T.O. ROOFPARAPET

47' - 9"

METAL FASCIA

METAL SOFFIT

CURTAIN WALLASSEMBLY (See

window schedule)

6"X 32" LIGHT SHELF

2"X16" SUNSHDES

METAL COPING TYP.)

7/8" STUCCO ON 8" CFMF STUD WALL (TYP.)

STUCCO SOFFIT

STONE PANELS ONCONCRETE WALL

EXTERIOR AIR &MOISTURE BARRIER

RIGID INSULATION

5

A5.44

A5.701 ROOF ASSEMBLY

A5.502

Sim

A5.501

Sim

A5.444

Sim

A6.732

A5.106

8A0.21

16

A9.20

17

A9.20

18

A9.20

MECH. MEZZANINE56' - 3"

A5.708

STRUCTURAL ENGINEER

SHEE

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REV# DATE DESCRIPTION

Englekirk & Sabol Consulting Structural Engineers2116 Arlington Avenue

Los Angeles, CA 90018Phone: 323.733.2640

MEPT / LIGHTING

Syska & Hennessy, Inc.11500 West Olympic Blvd. Suite 680

Los Angeles, CA 90064Phone: 310.312.0200

UNIVERSITY OFCALIFORNIA

SANTA BARBARA

BIOENGINEERINGBUILDING

LABORATORY CONSULTANT

CIVIL ENGINEERPenfield & Smith

111 East Victoria StreetSanta Barbara, CA 93101

Phone: 805.963.9532

LANDSCAPE ARCHITECTSuding Design

10 East Islay StreetSanta Barbara, CA 93101

Phone: 805.687.9455

ACOUSTIC CONSULTANT

Schaffer Acoustics Inc.869 Via de la Paz Suite A

Pacific Palisades, CA 90272Phone: 310.459.6463

Design for Science2133 Sun Valley Road

San Marcos, CA 92078Phone: 760.598.7333

COST ESTIMATOR

Davis Langdon301 Arizona Avenue Suite 301

Santa Monica, CA 90401Phone: 310.393.7493

12/21/2011 100% CONSTRUCTION DOCS

1. SEE SHEET G1.00 FOR GRID DIMENSIONS2. SEE SHEET A6.20 FOR EXTERIOR DOOR TYPES3. SEE SHEET A6.40 FOR INTERIOR DOOR TYPES4. SEE SHEET A6.00 THRU A6.11 FOR EXTERIOR WINDOW AND LOUVER TYPES5. SEE SHEET A6.30 FOR INTERIOR FRAME TYPES6. SEE LF SERIES FOR DETAILED LABORATORY FITOUT.7. FINISH ELEVATION 0'-0" = SITE ELEV 53'-6"8. SEE SHEET A9.00 FOR INTERIOR FINISH KEY9. SEE SHEET A9.10 FOR ROOM FINISH SCHEDULE

DRAWING FILE NO. 512-101

PROJECT NO. FM 110496L / 981650

WALL SECTIONS ANDENLARGED ELEVATIONS

A4.70 3/8" = 1'-0" A2.11

1EAST ELEVATION - ENLARGED 3/8" = 1'-0" A2.10

3WALL SECTION - EAST WALL TYPICAL 3/8" = 1'-0" A2.10

2WALL SECTION - EAST LECTURE WALL

6"1 1/2"

10' - 0"4 1/

2"

1 3/

16"

3-5/8" 20 GA. METALSTUDS @ 16" O.C.

METAL STUD KICKERS

GYP. BOARD

CONT. WOOD BLOCKING

METAL GRATING

METAL CEILING PANELS

CEILING SUSPENSIONSYSTEM

ACOUSTIC PANEL CEILING

6" M

IN.

A6.8111

A6.8112

12' - 0"

1 1/2"

CEILING SUSPENSION SYSTEM'T'-GRID

2X2 18 GA. CONTINUOUSANGLE ATTACHED TO GRIDWITH CLIPS

SHIMS

ATTACH METAL GRATE TOANGLE W/ Z-CLIPS

METAL BAR GRATING

METAL CEILING PANEL

HANGER WIRE

3-5/8" METAL STUDBULKHEAD DESIGNED TOCARRY LOADING OF METALGRATING AND SUSPENDEDCEILING BELOW

2X4 CONT. WOOD BLOCKING

CONT. RUNNER TRACK

SHIM AS REQUIRED FORMETAL GRATINGALIGNMENT

HANGER WIRE CLIPFASTENED THROUGHGRATING BAR INTOBLOCKING

3" DEEP TOP BAR WELDEDTO GRATING

ANCHOR GRATING TOBOTTOM OF SOFFIT

METAL GRATING

CAULK JOINT

ACOUSTIC PANEL CEILING

GYP. BOARD

3/8"

3/8"

HARDWOOD EDGE BAND.MATCH VENEER SPECIES

CEILING SUSPENSION 'T' GRID

C-HANGERS ATTACHED TOWOOD CEILING PANELS

4" 4"

SPLINED MITER

CEILING SUSPENSION 'T' GRID

C-HANGERS ATTACHED TOWOOD CEILING PANELS

4"

SOLID CORE PANEL W/HARDWOOD VENEER, SOLID EDGEBANDING AND BALANCING PLY ONBACK

A6.819

VERTICAL SLIDINGWHITEBOARD SYSTEM

REAR WHITEBOARDPANEL

5/8" GYP. BOARD

6" METAL STUD

MECHANICALPROJECTION SCREEN

3/8" THREADED ROD

PENDANT FIXTURE: SEEFIXTURE SCHEDULE

3 5/8" METAL STUD

5/8" GYP. BOARD

UPLIGHT FIXTURE: SEEFIXTURE SCHEDULE

WOOD PANEL CEILING

12" EXTERIORCONCRETE WALL

6 5/8" 4" 5 1/2" 10 1/4" VARIES

UNISTRUT CHANNELANCHORED TO SLAB

10' - 0"

10' - 6"

CHANNEL NUT

ALIGN

WOOD TRIM BEYOND

A6.819

ALIGN

VERTICAL SLIDINGWHITEBOARD SYSTEM

REAR WHITEBOARDPANEL

GYP. BOARD

1 1/2" Z-FURRING

MECHANICALPROJECTION SCREEN

3/8" THREADED ROD

PENDANT FIXTURE: SEEFIXTURE SCHEDULE

3 5/8" METAL STUDS

GYP. BOARD

UPLIGHT FIXTURE: SEEFIXTURE SCHEDULE

WOOD PANEL CEILING

VERTICAL LEG OF WDCEILING PANELBEYOND

UNISTRUT CHANNELANCHORED TO CONCRETE

CHANNEL NUT

3 5/8" METAL STUDS

METAL STUD KICKERS

6 5/8" 4" 6 1/4" 11 3/4"

EXTERIOR CONCRETE WALL

A6.816

12' - 0"

ACOUSTIC PANEL CEILING.SEE RCP FOR TYPE

5/8" GYP. BOARD

3 5/8" METAL STUDS

WOOD PANEL CEILING

VERTICAL LEG OF WOODCEILING PANEL

METAL STUD KICKERS

ATTACH SUSPENSIONSYSTEM TO STUDS W/ CLIPANGLES

10' - 0"

CEILING SUSPENSIONSYSTEM

CEILING SUSPENSION SYSTEMATTACHED TO RUNNER TRACKW/ CLIP ANGLES

C-HANGER

6 5/8"

SELF-TRIMMINGFLANGE

GYP. BOARDCEILING

3 5/8" METAL STUDS

3/8" THREADED RODATTACHED TO HANGERBRACKET

4" 4"

7 3/4"

6 3/

8"

VARIABLE POSITIONMOUNTING BRACKET

6 1/2"

RUNNER CHANNEL. SUPPORT TOSTRUCTURE ABOVE WITH SUSPENSIONWIRES

ESCUTCHEON RING

PROJECTOR MOUNTSUSPENDED CEILINGREINFORCING PLATE

POWER AND DATAJUNCTION BOXESAND TRIMS

PROJECTOR MOUNTSUPPORT COLUMN

PROJECTOR MOUNT

SUPPORT WIRES WITHTURNBUCKLES ATTACHEDTO CONCRETE SLAB ABOVE

SUSPENDEDCEILING T-GRID

F.8

CEILING SUSPENSION SYSTEM

METAL CEILING PANELS

5/8" GYP. BOARDMETAL STUDS

CONCRETE BEAM

12' - 0"

ACOUSTIC PANEL CEILING. SEE RCP FOR TYPE

METAL CEILING PERIMETER TRIM

4 1/

2"

8"

ATTACH CEILING SUSPENSIONSYSTEM TO STUDS W/ CLIP ANGLES

ACOUSTICAL WOOD PANEL

1" ACOUSTICAL INSULATION

ACOUSTIC PANEL CEILING

5/8" GYP. BOARD

METAL STUDS

WALL ANGLE

HARDWOOD TRIM . MATCHSPECIES OF ACOUSTIC WOODWALL PANELS

1/4"

1/4"

WOOD BLOCKING

STRUCTURAL ENGINEER

SHEE

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REV# DATE DESCRIPTION

Englekirk & Sabol Consulting Structural Engineers2116 Arlington Avenue

Los Angeles, CA 90018Phone: 323.733.2640

MEPT / LIGHTING

Syska & Hennessy, Inc.11500 West Olympic Blvd. Suite 680

Los Angeles, CA 90064Phone: 310.312.0200

UNIVERSITY OFCALIFORNIA

SANTA BARBARA

BIOENGINEERINGBUILDING

LABORATORY CONSULTANT

CIVIL ENGINEERPenfield & Smith

111 East Victoria StreetSanta Barbara, CA 93101

Phone: 805.963.9532

LANDSCAPE ARCHITECTSuding Design

10 East Islay StreetSanta Barbara, CA 93101

Phone: 805.687.9455

ACOUSTIC CONSULTANT

Schaffer Acoustics Inc.869 Via de la Paz Suite A

Pacific Palisades, CA 90272Phone: 310.459.6463

Design for Science2133 Sun Valley Road

San Marcos, CA 92078Phone: 760.598.7333

COST ESTIMATOR

Davis Langdon301 Arizona Avenue Suite 301

Santa Monica, CA 90401Phone: 310.393.7493

11/14/2011 100% CONSTRUCTION DOCS

1. SEE SHEET G1.00 FOR GRID DIMENSIONS2. SEE SHEET A6.20 FOR EXTERIOR DOOR TYPES3. SEE SHEET A6.40 FOR INTERIOR DOOR TYPES4. SEE SHEET A6.00 THRU A6.11 FOR EXTERIOR WINDOW AND LOUVER TYPES5. SEE SHEET A6.30 FOR INTERIOR FRAME TYPES6. SEE LF SERIES FOR DETAILED LABORATORY FITOUT.7. FINISH ELEVATION 0'-0" = SITE ELEV 53'-6"8. SEE SHEET A9.00 FOR INTERIOR FINISH KEY9. SEE SHEET A9.10 FOR ROOM FINISH SCHEDULE

DRAWING FILE NO. 512-101

PROJECT NO. FM 110496L / 981650

INTERIOR CEILING ANDSOFFIT DETAILS

A6.81

6" = 1'-0" A8.60

15DETAIL - ACT PLANK AT CONCRETE BEAM, AUDITORIUM 1 1/2" = 1'-0" A3.12

5DETAIL - EXHAUST GRILL IN AUDITORIUM 3" = 1'-0" A6.81

11DETAIL - METAL GRATE ATTACHMENT TO CEILING GRID

3" = 1'-0" A6.81

12DETAIL - METAL GRATE ATTACHMENT TO BULKHEAD

3" = 1'-0" A3.12

7TYPICAL WOOD CEILING PANEL JOINT

3" = 1'-0" A3.12

6TYPICAL WOOD CEILING MITERED EDGE

1 1/2" = 1'-0" A3.12

2DETAIL - WHITE BOARD AND SCREEN HEAD CENTER

1 1/2" = 1'-0" A3.12

3DETAIL - WHITE BOARD AND SCREEN HEAD

1 1/2" = 1'-0" A3.12

4DETAIL - AUDITORIUM WOOD CEILING PERIMETER 3" = 1'-0" A6.81

9TYPICAL PROJECTOR SCREEN MOUNTING DETAIL 3" = 1'-0" A3.12

14TYPICAL PROJECTOR MOUNTING DETAIL 1 1/2" = 1'-0" A3.12

1DETAIL - METAL CEILING AT BOT OF AUDITORIUM RAMP

3" = 1'-0" A3.12

13DETAIL - ACOUSTICAL WOOD WALL PANEL AT CEILING

3" = 1'-0" A3.12

10Detail 102

Working in the Proctor & Gamble studio while at BHDP allowed me to improve my Revit skills dramatically while gaining a thorough understanding of space layout. I worked on a combination of new construction and renovation projects. I had the opportunity to explore some elements of furniture and lighting design while working on the interior spaces. Images Property of BHDP Architecture

BHDP ArchitectureWinter 2011

12 Weeks

0.787 1.238

EQEQ

2.28

61.

524

3.65

8

2.012 0.013

0.152 1.322 0.691

0.15

2

609

610

615

612

613

CENTER SHORTLEG OF 'L' ONMULLION.

611

D5A110

616

617

608

616

SS2

SS3

0.76

2

0.10

2

0.051

0.787

0.127

602

601

605

607

603

601

D10A110

D7A110

0.76

2

1.06

7

601

SS2

SS3

601

607

0.76

2

0.6090.331

1.06

7

0.10

20.

203

0.76

2

0.152 0.051

0.610

0.30

5

0.178

606

604

601

602

603

607

616

D7A110

D10A110

SS2

SS3

0.76

20.

305

0.30

50.

762

601601

607

FINISH SPECIFICATIONSMILLWORKSOLID SURFACESS2: MFG: CORIAN

COLOR: BRONZE PATINA

SS3: MFG: CORIANCOLOR: GLACIER WHITE

PAINTP1: MFG. BENJAMIN MOORE

NAME: MOUNTAIN PEAK WHITECOLOR: 2148-70

P2: MFG: SHERWIN-WILLIAMSNAME: RAPTURE BLUECOLOR: SW 6773

0.76

2

0.10

2

0.051 0.038

602

601

605

607

601

615

L14A110

0.91

4

0.652 0.711

0.559 0.102

0.10

20.

711

0.10

2

1.36

2

0.0510.075

1.24

50.

081

602

0.05

1

607

601

1.168

0.07

61.

264

0.07

6

0.076

0.365

0.04

9

1.225 0.076 0.012

H7A110

H4A110 618

618

307

621

0.045 1.168 0.011

0.91

4

0.02

50.

864

0.02

5

1.225

1.377

0.02

5

621

620

622

0.91

4

0.076 1.264 0.076

0.02

5

618

619

621621

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C:\Users\eschweinhart\Documents\PGCx - Costa Rica - Lobby_ESchweinhart.rvt 2/2/2011 3:53:18 PM

Author

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Checker

01/18/11

PGC01.60

A110

REC

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1 : 20A110

A13 RECEPTION DESK PLAN

1 : 10A110

D7

RECEPTION DESKSECTION

1 : 20A110

A5

RECEPTION DESK FRONTELEVATION

1 : 10A110

D10

RECEPTION DESKTRANSACTION SECTION

1 : 20A110

A10

RECEPTION DESK SIDEELEVATION

SHEET KEYNOTES307 GLASS PANEL TURNSTILE - BASIS OF DESIGN GUNNEBO - SPEED

STILE - COORDINATE WITH SECURITY CONTRACTOR.601 13 mm SOLID SURFACE MATERIAL ON 19mm PLYWOOD OR MDF

BOARD ON ALL VERTICAL AND HORIZONTAL SURFACES UNLESSNOTED OTHERWISE

602 2 X 4 NON-COMBUSTIBLE WOOD MILLWORK FRAME603 380mm X 530mM X 3mM THICK FREFINISHED WORK STATION

SUPPORT BRACKETS. COLOR WHITE604 3'-0" UNDER CABINET LIGHT. WIRE ALL FIXTURES TO ONE SWITCH605 PLASTIC LAMINATE FINISH ON ALL VERTICAL SURFACES UNDER

WORK SURFACE. COLOR TO MATCH SOLID SURFACE606 13mm MICORE BOARD WRAPPED IN FABRIC607 PLASTIC LAMINATE VERTICAL SURFACE OF TOE KICK608 2" PLASTIC GROMMET. TYPICAL OF TWO LOCATIONS609 WORK STATION SUPPORT BRACKETS BELOW SHOWN DASHED.

REFER DETAIL610 FACE OF VERTICAL SURFACE BELOW TRANSACTION TOP SHOWN

DASHED611 38mm THICK END SUPPORT PANEL612 OPTICAL SCANNER PROVIDED BY OWNER. COORDINATE SIZE AND

LOCATION WITH OWNER'S REPRESENTATIVE613 TRANSACTION TOP615 TWO DRAWER OWNER FURNISHED FILING CABINET UNDER WORK

SURFACE616 RETURN SOLID SURFACE BACK TO TACK BOARD MOUNTING

SURFACE617 OWNER FURNISHED PENCIL DRAWER UNDER WORK SURFACE618 CLEAR TEMPERED GLASS619 1" #4 STAINLESS STEEL BASE620 GATE HINGE621 3" SQUARE STAINLESS STEEL POST ANCHORED TO FLOOR622 1" STAINLESS STEEL FRAME

1 : 10A110

D5

RECEPTION DESK ENDPANEL SECTION

1 : 20A110

H14 GUARD DESK PLAN

1 : 10A110

L14 GUARD DESK SECTION

1 : 20A110

H11 HANDICAP GATE PLAN 1 : 10A110

H7 HANDICAP GATE ELEVATION 1 : 10A110

H4 HANDICAP GATE PARTITION ELEVATION

P&G Global AnalyticalDS2 Blocks 600 & 800

PGC30.4103|17|11

Final Schematic Design Option FIN

DS2 - 600/800 Final Design Option78 Workstations

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40 Workstations

38 Workstations

General Program Requirements

# of Workstations: 78

Typical Collaboration Ratio: 110%

Collaboration Seats Required: 86

(50% Conference, 40% Huddle, 10% Open Collaboration)

Conference Seats (50%): 43 Huddle Seats (40%): 35Open Collaboration Seats (10%): 8

Program Provided in Design

Workstations: 78

Conference Seats: 24Huddle Seats: 35Open Collaboration: 8

Informal Collaboration in 600: 24

Total Collaboration Provided: 91

UP DN

UP DN

5

E F G H K L M N P

1

4

5

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2

.P

MOMSMASSAGE

MAIL ROOM

LOST AND

FOUND ROOM

STORAGE - OFFICES

SUPPLIES, CLEANING, AND

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IT STORAGE

MEDICAL

SUPPLIES

level 2

NURSES

OFFICE /

RECEPTION

SICK BAY

TREATMENT

RESTROOM

BP

S

FILESDOCTORS

OFFICE

K L M N PJHGF

4

3

2

1

Stair Iterations

Programmatic Layout

Furniture Layout

RossTarrant ArchitectsLexington, KY

Winter/Summer 201022 Weeks

RossTarrant Architects works towards enhancing education through design in the most sustainable manner possible. Working strictly on education facilities I was able to gain an in depth understanding of how to design for low budget projects, with a very specific user, while keeping sustainability in mind through the entire process. The most encouraging and enlightening part of my time at RossTarrant was to see how the firmtooktheconcernsoftheirclientsattheforefrontofalldesignthinking in order to produce the best product possible.

I had the opportunity to work in all phases of design and constructionwithmytimeatthefirm.Thishasprovidedmewitha very good understanding of the different phases an architect encounters on a typical project. Working primarily in Revit and AutoCAD I developed my computer skills and technical knowledge. I worked with everything from site master plans to door jamb details, helping to enhance my understanding of buildings in general.

Images property of RossTarrant Architects

Front Entrance_Williamsburg Independent School

Revit Rendering_Tates Creek Middle School

Master Plan_Good Shepherd