extended outlooks: the iowa review collection of contemporary writing by women || your story
TRANSCRIPT
Your StoryAuthor(s): Susan WoodSource: The Iowa Review, Vol. 12, No. 2/3, Extended Outlooks: The Iowa Review Collection ofContemporary Writing by Women (Spring - Summer, 1981), p. 372Published by: University of IowaStable URL: http://www.jstor.org/stable/20155767 .
Accessed: 14/06/2014 17:08
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp
.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].
.
University of Iowa is collaborating with JSTOR to digitize, preserve and extend access to The Iowa Review.
http://www.jstor.org
This content downloaded from 188.72.126.55 on Sat, 14 Jun 2014 17:08:38 PMAll use subject to JSTOR Terms and Conditions
Your Story Susan Wood
We rose from the bed and sat at the table.
You were telling your story,
how your father would disappear for days each morning with a tin pail full of cold meat
and thick bread to come home drunk
for a few hours' sleep and another bloodshot dawn.
Nights you lay so still
you scarcely breathed, wishing and wishing. In family legend you had the Irish in you, those high-horse looks at two, and charm,
the boy who's always "acting up." You hid your young aunt's sandals in the icebox
while she was dressing for a date.
You laughed and wouldn't tell. She slapped your face.
Whole summers by the ocean escape you and there's only the moment the cart is bolting,
leaving behind a blur of sand and sea,
the unfamiliar streets, the boardwalk. You were four
and proud to be minding your baby sister.
Your father had handed you two nickels
for the ride. On the far side of town
the driver stopped the pony, made the children all get down, and drove on.
If your father had come just then to lead you home,
what would it matter? All I remember is being lost,
you said. And so do I. It's what we know
and can believe in, why the present wears the past, each day knit to the next.
Or why this story is true as anything,
where the boy and girl are left in the forest.
I'd like to say it has a happy ending,
they find their way, love,
breadcrumbs the birds haven't eaten,
this table in the morning light.
372
This content downloaded from 188.72.126.55 on Sat, 14 Jun 2014 17:08:38 PMAll use subject to JSTOR Terms and Conditions