finemusic 美樂集(05/2016)

MAY 2016 二零一六年五月號©

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MAY 2016 | FINE MUSIC | FOREWORD 前言

After a break of two years, Artist-in-Residence is back! This special series aims to build a platform for established musicians to showcase their all-rounded talent. As Artist-in-Residence, Zhang Ying is in the limelight this month as Radio 4’s featured artist. You can hear her play solo pieces and see how she collaborates with other musicians to present a variety of works written for the pipa. In her pre-recorded solo recital on 12 May, there is a mix of the more standard wen (civil) and wu (martial) repertoires, and works with geographical associations. For the live recital on 26 May, it’s a ‘Zhang Ying and Friends’ programme that demonstrates her versatility. Book your ticket now to join the excitement in the studio.

This month, there is another Studio One recital which is equally fascinating. The story goes like this. Lio Kuok-man is the Assistant Conductor of The Philadelphia Orchestra. As a Hong Kong-trained musician, his first home-coming concert with the Orchestra has a special meaning. One day, we were talking about that tour and he wanted to see if some players from the Orchestra might come in to do a studio recording during the first day of their stay in Hong Kong. The idea was further developed into the possibility of involving our own RTHK Quartet, and making it open to a studio audience. So, here is it with a live-broadcast chamber recital entitled A Philadelphia - Hong Kong Encounter which will take place on 18 May at 8pm at Studio One, Broadcast Drive. The recital is presented by RTHK Radio 4 in association with the Leisure and Cultural Services Department. Book your ticket now!

On the following two evenings at Hong Kong Cultural Centre Concert Hall, the full Philadelphia Orchestra will present two exciting programmes. All tickets are sold out. You are welcome to tune in to Radio 4 for the live broadcasts or log on to our website for the programme archive. The first concert will also be filmed by RTHK TV for broadcast in September on RTHK TV 31.

As a prelude to RTHK’s Philadelphia Orchestra coverage, this issue of FM brings you Stacey Rodda’s recent interview with the Orchestra’s sensational Music Director Yannick Nézet-Séguin, Kathy Lam’s conversation with the Macau and HK–groomed pianist/conductor Lio Kuok-man, and music critic Oliver Chou’s special profile of this great Orchestra.

Finally, I would like to draw your attention to our connection with schools. Students from 20 primary and secondary schools have taken part in the Fine Music DJ@Schools competition, organised by the Music Office of LCSD in association with RTHK Radio 4. Through the medium of radio drama, they were given a chance to try out on the promotion of classical music. The competition will be broadcast in R4 Buddies. In the programme, winning teams will also share their unique experience of preparing and presenting the dramas. The 20 clips have been uploaded onto Facebook. You are encouraged to view and click to decide which schools get the most ‘Likes’! Flashback of the event is on p. 19.

Jimmy Shiu Head, Radio 4

暫別兩年，駐台演奏家系列再與大家見面。第四台這個歷史悠久的系列旨在讓觀眾較全面地接觸一些優秀音樂家的藝術造詣。5月份的「駐台演奏家」，有琵琶獨奏家張瑩為我們帶來兩套份量十足的節目。她的錄音演出將於5月12日播放，全為經典獨奏作品，選曲文武兼備，更有好些與地域有關的創作。5月26日晚在一號錄播室的演出則為「張瑩與友人」的樂聚，歡迎你出席，一同領會以樂會友的情懷。

本月，我們另一個自家製的一號錄播室音樂會同樣充滿亮點。廖國敏是費城樂團的助理指揮，作為在香港接受培訓的音樂家，第一次陪同樂團回港獻技，可謂別具意義。有一次與廖國敏談及費城樂團來港，他問及部份樂手在抵港後首天能否到電台錄音，後來我們進一步談到可否邀請香港電台弦樂四重奏加入演出，並在一號錄播室招待現場觀眾。於是便成為了這場名為費城–香港•音樂邂逅的現場直播音樂會，於5月18日晚上8時在一號錄播室舉行。音樂會由香港電台第四台主辦，康樂及文化事務署協辦。歡迎你蒞臨觀賞。

之後兩晚費城樂團在香港文化中心音樂廳的演出，亦會由第四台現場直播。音樂會的門票已搶購一空，向隅的樂迷可安坐家中靜心欣賞，或於網上重溫。首場音樂會更由港台電視部錄影，於9月在港台電視31播出。

今期《美樂集》刊載了盧迪思最近與費城樂團音樂總監尼澤–塞甘的訪問、林家琦與廖國敏的對話，以及樂評人周光蓁對費城樂團的獨特見解，讓樂迷對費城樂團是次訪港有更深了解。

最後一提我們的學生活動。來自二十間中小學的同學參加了由音樂事務處主辦，第四台協辦的美樂DJ@校園比賽，透過演出廣播劇推廣古典音樂。比賽當日的精彩過程可於「四台插班生」中聽到，亦歡迎你在面書中觀賞及讚好，幫忙選出獲得最多回應的學校。活動的剪影刊於第19頁。

第四台節目總監　蕭樹勝

Radio 4 would like to thank the patrons for their generous support. If you would like to become a patron of ‘FM’ Fine Music, please call us on 9073 3474 for further information during office hours.

香港電台第四台謹向以下贊助者的慷慨支持致以最深謝意。有興趣成為「美樂集」贊助者的朋友，可在辦公時間內致電 9073 3474 查詢有關詳情。

DIAMOND PATRON 鑽石贊助者 Sir Gordon & Lady Wu 胡應湘爵士伉儷

PLATINUM PATRON 白金贊助者 Anonymous 無名氏

SILVER PATRON 白銀贊助者 Ms. Rayne Chai Chih-hui 蔡之慧女士

▲ Pipa is a versatile instrument, even more so in the hands of Zhang Ying, our ‘Artist-in-Residence’ in May.在5月份「駐台演奏家」張瑩手中，琵琶能文能武的特質表露無遺。©

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MAY 2016 | FINE MUSIC | CONTENTS 目錄

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MAY 2016 二零一六年五月號

01 FROM THE DESK OF HEAD, R4掌台人隨筆

SPECIAL FEATURES 特稿05 Philadelphia on Radio 4

費城樂團在第四台

17 New Generation 2016 音樂新一代 2016

19 Fine Music DJ@Schools – Classical Music Radio Drama Broadcast Training & Contest Flashback 美樂主持@校園 — 古典音樂廣播劇訓練班及比賽剪影

COVER STORY 封面故事27 ‘Artist-in-Residence’ Zhang Ying

「駐台演奏家」張瑩

COLUMNS 專欄34 Sunday Opera 歌劇世界

39 Jazzing Up 爵士靈感

41 All or Nothing 情有獨鍾

43 New Releases 碟碟不休

46 Concert Highlights 音樂會轉播精選

48 Friends of Radio 4 第四台之友

51 Main Programme Chart 節目時間表

53 Programme Highlights 節目精華

63 ‘FM’ Classified Board 《美樂集》分類廣告

64 Coda

美樂集FINE MUSIC

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MAY 2016 | FINE MUSIC | SPECIAL FEATURES 特稿

香港電台有幸參與費城樂團的亞洲之行，讓

香港樂迷一睹其風采。是次費城樂團在香港

文化中心音樂廳的演出，第四台將作現場直

播，香港電台電視部亦會錄影第一場音樂

會，稍後於港台電視31播放。除了音樂會轉

播外，部份費城樂團的團員還會聯同香港電

台弦樂四重奏，於香港電台一號錄播室舉行

演奏會，為觀眾帶來一個愉快的晚上。

費城 — 香港•音樂邂逅

這次演奏會名為「費城—香港‧音樂邂逅」。

費城樂團單簧管首席莫拉里斯，聯同彈奏

鋼琴的助理指揮廖國敏率先演奏舒曼的幻想

樂曲。隨後，莫拉里斯會與香港電台弦樂四

重奏，合演莫扎特的單簧管五重奏。中場休

息之後，觀眾可欣賞到德伏扎克的鋼琴五重

奏。樂曲將由廖國敏聯同樂團副團長傅贏和

中提琴手鄧思恆，以及香港電台弦樂四重奏

的小提琴手李海南和大提琴手貝樂安演出。

誠邀你蒞臨一號錄播室，欣賞這場不容錯過

的室樂音樂會。留座表格刊登於第15頁。

這場特備音樂會於5月18日晚上8時在第四台

現場直播，並為一連三晚第四台直播費城樂

團訪港演出揭開序幕！

RTHK is delighted to present The Philadelphia Orchestra to the

Hong Kong audience, not just on our airwaves, but also physically

here at Broadcasting House.

The Orchestra’s two thrilling concerts at Hong Kong Cultural Centre

Concert Hall will be brought to you live. In fact, RTHK TV will also

film the first concert for viewing on RTHK TV 31 for later broadcast.

Before these two concert relays, Radio 4 is staging a recital at

Studio One, Broadcast Drive, bringing together musicians from The

Philadelphia Orchestra and our own RTHK Quartet for an evening

of delightful chamber music.

A Philadelphia – Hong Kong Encounter

The day before the first concert, on 18 May, a recital entitled A

Philadelphia – Hong Kong Encounter will open with Schumann’s

Fantasiestücke. The Orchestra’s Principal Clarinettist, Ricardo

Morales, performs the work with Assistant Conductor Lio Kuok-

man at the piano. Ricardo Morales will continue to play with the

RTHK Quartet in a performance of Mozart’s Clarinet Quintet. After

the intermission, Lio Kuok-man will be at the keyboard again to join

two members of the Orchestra – Associate Concertmaster Ying Fu

and viola player Burchard Tang, and the RTHK Quartet’s violinist

Le Hoai-nam and cellist Laurent Perrin in Dvořák’s Piano Quintet.

You can be an audience member at Studio One for this sensational

chamber concert. Just fill out the ticket request form on page 15.

This recital will be broadcast live on Radio 4, making it three

evenings in a row Radio 4’s live coverage of The Philadelphia

Orchestra in Hong Kong!

Philadelphia on Radio 4 費城樂團在第四台

Hong Kong is proud to play host to The Philadelphia Orchestra as they embark on their Asia tour this spring. On 19 and 20 May, they will give two sold-out concerts presented by the Leisure and Cultural Services Department.

費城樂團於春季展開其亞洲之行，香港

有幸成為東道主之一。由康樂及文化事

務署主辦，於5月19日及20日舉行的兩

場費城樂團音樂會，樂迷反應熱烈。

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Leading the Orchestra for the First Time

SR : There must be huge pressure when you meet an orchestra for the

first time. Do you remember your first time with The Philadelphia?

YNS : I never tire of telling the story of my childhood memory of listening

to a Philadelphia Orchestra recording of Tchaikovsky’s Sixth

Symphony, under the baton of the great Eugene Ormandy. I

was very taken by this piece. In December 2008, when I took

the podium to make my debut with the Orchestra, conducting

that very piece, I felt that something very special was happening.

Later I heard that the musicians also felt this strong connection.

So when I was selected by The Philadelphia Orchestra as its next

Music Director, I knew inside myself that this relationship was right

at this moment, for this Orchestra and for me – I felt that the stars

were aligned.

SR : How would you describe your relationship with the Orchestra?

YNS : I have felt the closest of bonds to the musicians of the Orchestra

since my debut, almost as if we had been working together all our

lives. We have a special musical partnership, a deep connection

that I can only describe as magical. When I step in front of these

musicians there is a mutual respect and desire to work together,

as well as a very distinct and palpable energy. We are united in

our goals – to make the ultimate in music. It is this remarkable

relationship that has enabled us to accomplish, with so much joy,

all we have done so far and all we will do in the future.

SR: Stacey Rodda

YNS: Yannick Nézet-Séguin

The Importance of New Music

SR : Many orchestras have deep musical roots in specific repertoire. Is

American music often on the menu?

YNS : For me, it is important that we reflect the past, present, and

future of American music in the overall mix of our programming.

These works incorporate uniquely American sounds, including

jazz, Broadway, spirituals, and film. Our recent performances of

Gershwin’s American in Paris are an example of the past, as were

our incredible performances of Bernstein’s MASS in 2015. Last

fall we presented powerful performances of Hannibal Lokumbe’s

One Land, One River, One People, commissioned specifically for

the Orchestra, and a good example of the present day. And next

season we will add electronica, a look into the future, with Mason

Bates’ Alternative Energy.

SR : What is your position on commissioning new works?

YNS : I believe strongly in this important aspect of our legacy, which

is to champion and premiere new repertoire. This longstanding

commitment to new music goes all the way back to the very

beginning of the Orchestra. It is critical that we carry on this

tradition because not only does it add new works to the repertoire

for all orchestras to perform, it also gives us the chance to feature

our stellar musicians and create showpieces for some instruments

that may be featured less often for solos.

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As The Philadelphia Orchestra gets ready to kick-off its 2016 Asian tour in Hong Kong, I caught up with its Music Director…

Stacey Rodda 盧迪思整理：箬笠

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Going on Tour to Asia

SR : In 2014, the Residency of China & Tour of Asia marked your

inaugural tour with The Philadelphia Orchestra – the Orchestra

served as the United States’ first cultural ambassador to China in

1973 under Eugene Ormandy. What memories do you have from

that tour and what did you learn from it?

YNS : The first tour with an Orchestra is very special, and the 2014 Tour

of Asia was no exception. It was the debut to the world of our

relationship and it was also incredibly special for me to see how

audiences in Asia respond to this Orchestra that has a long history

in of representing the United States to the world. We were all very

happy and proud. And I learned how knowledgeable audiences

are about the music, how attentive they are in concerts, and how

enthusiastic they are about sharing their passion. It has been more

than 10 years since the Orchestra has been in Hong Kong — I

really look forward to bringing the Orchestra to kick off our tour in

Hong Kong!

SR : What goes into your thought process when planning a programme?

YNS : It is a process of curating the concerts and overall season,

balancing the artistic themes I want to establish with input from

our musician and board artistic committees, taking into account

what we hear from our audiences, and making room for new

repertoire to balance the traditional. We want audiences to hear

familiar works and to experience new music but in fresh contexts.

I also focus on the overall health of the Orchestra, programming

repertoire that benefits the sense of sound the musicians and I

strive to achieve together. And, I am very engaged in developing

the programmes for the dates when I am not on the podium

in Philadelphia. I think about what is best suited for our guest

conductors to continue the themes of each season, a way for

our audience to follow along on our journey. I am fortunate in this

respect, also, to be working with conductors and artists who are

engaged with us and participate in the whole artistic picture.

SR : Take us through the music for the Hong Kong concerts: Brahms’

high-octane ‘Pastoral’ Symphony No. 2; the colourful symphonic

suite Scheherazade by Rimsky-Korsakov; Mahler’s orchestration

of the darkly-hued Beethoven ‘Serioso’ Quartet; the Austrian

symphonic excellence of Bruckner’s ‘Romantic’ Symphony…

YNS : For our tours it is important to present what the Orchestra does

best. I have a strong affinity for both Brahms and Bruckner. We

have done all four Brahms symphonies in Philadelphia so now we

share them with the world, last year in Europe with Brahms’ Third

Symphony and this year we bring his Second Symphony, perfect

vehicles for our sound. Bruckner’s Fourth Symphony is perhaps

his most approachable, and a wonderful display of our playing

tradition.

Scheherazade is a piece that The Philadelphia Orchestra recorded

many times over the years, so it is part of our history and a chance

to display our Russian side. It is a real orchestral showpiece! And

the Beethoven is an extraordinary way of discovering the virtuosity

of our strings!

Future Visions

SR : You want to be at the cutting edge, so what are your visions for the

future of The Philadelphia Orchestra?

YNS : We recently announced a new long-term plan for the community

that I am very excited about. Our HEAR (Health, Education,

Access, Research) is a series of collaborative learning initiatives

that will create dynamic community programmes around health,

music education, and access to the Orchestra, with an additional

research component. This work, along with our cutting edge

LiveNote app, all are designed to bring people closer to the music,

which is so important to our future.

SR : Where’s the best place to get dim sum in Philadelphia?

YNS : Many people think Bing Bing is the best place to get dim sum in

Philadelphia. However, I understand that it is hard to find authentic

Hong Kong dim sum unless you are IN Hong Kong. So I am

looking forward to tasting the real thing!

自2012年起出任費城樂團音樂總監的尼澤─塞甘直言，起初面對史托哥夫斯基和奧曼第等偉大指揮所留下的豐富音樂遺產時，壓力頗大。這位加拿大籍指揮小時候聽唱片，費城樂團在奧曼第帶領下演出柴可夫斯基的第六交響曲，自此對傳說中的「費城之聲」念念不忘。

2008年，在與費城樂團首演的音樂會上，尼澤─塞甘同樣選了這首柴可夫斯基的第六交響曲。站在指揮台上，他感到他與樂手、與曲目之間異常強烈的親近感。這種親近感，在尼澤─塞甘獲委任為樂團音樂總監之後，愈來愈強烈，用他自己的話說，「宛如被施了魔法一般」。

在他看來，身為總監，之所以能與一眾樂手愉快共事，是因為大家彼此信任、尊重，且懷著同樣的音樂理想 ─ 呈現美國音樂的過去、當下以及未來。從歌舒詠到伯恩斯坦等，尼澤─塞甘與樂團樂手試圖以音樂呈現美國社會發展的境况，並反映美國新音樂創作的蓬勃景象。

對於這次香港演出，指揮與樂手都十分期待。距樂團上次來港演出已過了十年，此番故地重訪，樂團將帶來布拉姆斯和布魯克納的交響曲。這兩位作曲家都是尼澤─塞甘的心頭好，他們的作品，也剛好呈現壯麗華美的「費城之聲」。

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MAY 2016 | FINE MUSIC | SPECIAL FEATURES 特稿MAY 2016 | FINE MUSIC | SPECIAL FEATURES 特稿

採訪：林家琦整理：箬笠

們在歐洲巡迴演出的時候，曾在不同的音樂廳演出。我親身感覺到，不同音樂廳的音響效果可以有很大分別。

費城樂團今年亞洲巡迴演出的第一站，就在香港，這是我十分期待的演出。我第一次欣賞費城樂團，就在香港文化中心。我記得當時為了買門票，很早就去售票處排隊，很幸運最後能買到山頂位的學生票。一邊聽音樂會，一邊心裡暗暗希望：要是有一天，能夠與這個樂團合作，該多好。想不到現在真的有機會隨樂團來港，實在令人興奮。

以鋼琴家身份與樂師同台演出

林：此次費城樂團到訪，因為你的安排，香港樂迷得到一份很特別的禮物......

廖：這個小驚喜是一場室樂音樂會。費城樂團的三位音樂家，將和我一起來到香港電台，與香港電台弦樂四重奏合作。曲目包括上半場演出莫扎特的單簧管五重奏，而下半場則是德伏扎克的鋼琴五重奏。

林：你也會參與演出鋼琴五重奏，是嗎？現在工作那麼忙，仍有時間練琴？

廖：雖然很忙，但我亦會盡量抽出時間。在我學習指揮的路上，令我得益不少的，是以鋼琴跟其他樂手作室樂演奏。那刻，我感受到音樂從我的手指間流露出來。能與坐在身旁的演奏者作互動，讓我真的學到很多。所以我一直沒有中斷室樂演奏。

首次到俄羅斯指揮歌劇

林：最近在社交網站上看到，你在俄羅斯指揮歌劇。不妨跟我們分享這次合作的機緣與感想。

廖：這是我第一次去俄羅斯，也是第一次在歐洲指揮歌劇，感到很緊張。我之前在法國贏得一個指揮比賽，比賽的合作夥伴之一是馬林斯基劇院。他們隨即邀請我指揮歌劇，我當時並不知道要指揮什麼作品。剛巧，演出當天是林姆斯基－高沙可夫的生日，我們決定演一齣他的早期歌劇。我立刻找到樂譜，學習俄文發音。這比我平日指揮歌劇所用的準備時間，至少多出三倍。

回想起那次演出，最深刻印象的是要跟多匹駿馬合作。馬匹事前當然沒有參與綵排，待正式演出時，原本要在舞台上輕鬆路過的兩三匹馬，居然以高速從舞台一邊奔跑到另一邊，當下我呆了一下，但感覺很是有趣。

林：你在香港演出的時候，經常與「歌劇世界」的主持盧景文合作。他能清楚記得歌劇中每個角色的唱段。你呢？你怎樣為演出作好準備？

廖：指揮歌劇很重要的一點，是要了解劇中角色演唱的每個字的意思，這樣才能觸摸到彼時彼處角色的心情。這通常需要花費很多時間。

林：跟隨費城樂團出訪，有那些有趣的事情？

廖：樂團在不同的音樂廳演奏，會有不同的反應。我們既要去適應音樂廳的音響效果，又要保持樂團本身的傳統。去年，我

林︰林家琦廖：廖國敏

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費城樂團來港演出，助理指揮廖國敏隨團返港。自2014年加入費城樂團後，廖國敏指揮過不同類型的音樂會，他與林家琦談及跟這隊擁有百多年歷史的樂團合作的經驗。

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Lio Kuok-man, the 34-year-old conductor who graduated from

The Hong Kong Academy for Performing Arts with first class

honours in piano performance, was appointed as the Assistant

Conductor of The Philadelphia Orchestra two years ago after

being the top prize winner in the June 2014 Evgeny Svetlanov

Conducting Competition in Paris. Now, he is starting The

Philadelphia Orchestra’s Asian tour with the renowned American

orchestra and Hong Kong will be their first stop.

Kathy Lam talked to Lio Kuok-man about the Orchestra’s

Asian tour and a special chamber music concert that has been

organised for Hong Kong music lovers.

The Philadelphia Orchestra will present two concerts at Hong

Kong Cultural Centre on 19 and 20 May 2016. He clearly

remembered that he first heard the live performance of this

American orchestra while he was a student. He waited quite a

long time outside the ticket office in order to get a student ticket.

After the concert, he told himself that it would be great to

cooperate with such an amazing orchestra one day. Now his

dream comes true.

In addition to the two main concerts, Lio Kuok-man has also

prepared a special gift for classical music fans in Hong Kong. He

will play Dvořák’s Piano Quintet with two musicians each from

The Philadelphia Orchestra and the RTHK Quartet at Studio One

of RTHK Radio 4. It will not be merely a chamber music concert,

but also a gathering. Professional musicians from various cultural

backgrounds will share their thoughts on music during the

concert.

As a conductor, Lio needs to have a good understanding of the

demands of orchestra players. Playing chamber music gives him

a chance to listen to and communicate with players. It, to some

degree, shortens the distance between conductor and players.

Even though Lio is quite busy now, he still spends much time and

energy playing chamber music with his partners.

Lio is undoubtedly one of the most prominent young conductors

in the world. After being appointed as the Assistant Conductor of

The Philadelphia Orchestra, he has frequently received invitations

from major orchestras and opera houses. The most recent one

was from the Mariinsky Theatre in St. Petersburg. He conducted

The Maid of Pskov, one of Rimsky-Korsakov’s early operas. It

was Lio’s debut in Russia.

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▲ Lio Kuok-man (piano) 廖國敏 (鋼琴)

▲ Ying Fu (violin) 傅贏 (小提琴)

▲ Burchard Tang (viola) 鄧思恆 (中提琴)

▲ RTHK Quartet 香港電台弦樂四重奏 LeHoai-nam(firstviolin);WintyWan(guestsecondviolin);LaurentPerrin(cello);

ElvisChan(viola) 李海南 (第一小提琴)、雲凱弦 (客席第二小提琴) 、貝樂安 (大提琴)、

陳子信 (中提琴)

▲ Ricardo Morales (clarinet) 里卡多‧莫拉里斯 (單簧管)

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Players who are involved with ‘A Philadelphia – Hong Kong Encounter’ on 18 May:

參與演出5月18日「費城 – 香港‧音樂邂逅」的音樂家 :

▲ A clip from the Orchestra’s Yearbook (1941)©

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Oliver Chou 周光蓁

War-Time Aid

The first connection was in 1940, a good 76 years ago, through a ‘Gala Symphony

Concert’ to raise fund for war-torn China, which had been fighting alone for almost

three years. The concert was by no means a routine charity show for musicians

but was actually a star-studded event. The Orchestra was taking a break after its

grilling recording sessions for Fantasia, the legendary animation film produced by

Walt Disney, in which the Philly Orchestra played 7 of 8 soundtracks, including the

famous Toccata and Fugue in D minor by Bach, arranged and conducted by Leopold

Stokowski. Stokowski took part in the China Aid Council concert in Philadelphia on

21 March 1940, and was joined by Eugene Ormandy, who had succeeded him as

Music Director in 1938, also wielding the baton. Violinist Josef Szigeti and cellist

Emanuel Feuermann also performed. Hu Shih (胡適), a literary giant in 20th century

China and ambassador to the United States at the time, addressed the audiences

with a word of thanks.

But there was not a word in the media about the concert, until 33 years later.

‘We are old friends. You supported us in the 1940s and we are grateful. China does

not forget her friends,’ said a Chinese host to the visiting Philadelphia Orchestra

during its historic tour in 1973 to the country for which they had once raised funds.

The person who made that remark to maestro Ormandy, then 73 years old, backstage

after the Philly’s third of four Beijing concerts is none other than Jiang Qing (江青), the

ferocious Cultural Revolution protagonist and wife of Chairman Mao Zedong (毛澤東).

No orchestra anywhere has the same musical connection to this part of the world as does The Philadelphia Orchestra.

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▲ Eugene Ormandy conducting the Central Philharmonic in Beethoven’s Fifth, second movement

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The first China tour of 1973

There was no better choice than The Philadelphia Orchestra for that 1973

China tour. Early that year, the Orchestra had performed at the second

inauguration of President Richard Nixon, who himself was on an ice-breaking

tour to the Middle Kingdom a year before. But Ormandy and his players did

far more than the London Philharmonic under John Pritchard and the Vienna

Philharmonic under Claudio Abbado had done during their China debuts a

few months earlier. Instead of sight-reading the works from the host, the Philly

musicians, along with pianist Daniel Epstein, rehearsed and performed the

Yellow River piano concerto at the Saratoga Festival before the tour, and

recorded it afterwards. The record on RCA, which also includes San Pei, also

known as, March of the Workers and Peasants, marking the first Chinese

orchestral works performed by a major western orchestra for commercial

release.

But what was not put on the vinyl record was an impromptu rehearsal where

Ormandy was invited to conduct the host orchestra playing the second

movement of Beethoven’s Fifth Symphony. Conductor Li Delun (李德倫),

handed him the baton after the first movement and, as Harold Schonberg of

the New York Times noted, ‘The Central Philharmonic sounded like a different

orchestra’.

Laughter and Appreciation

According to Yim Hok-man (閻學敏), Principal Percussionist of the Hong Kong

Chinese Orchestra who was then with the Central Philharmonic, the gathering

of the two orchestras was full of laughter, especially during the exchange of

gifts. ‘We presented a large gong to them with our orchestra’s name and date

on it. They were thrilled.’ The Philadelphia percussionist Anthony Orlando

recalled they did use the gong once in Mussorgsky’s Pictures at an Exhibition.

But the sound quality did not quite fit and so it has remained in the Orchestra’s

special collections.

The 2005 Tour

The remarks on the Chinese gong were made during The Philadelphia

Orchestra’s visit to Hong Kong in 2005 under then–Music Director Christoph

Eschenbach, and Orlando was among 24 in the roster who had been on the

1973 China tour. On this 2016 tour, the number of veterans from earlier tours

drops to just six, including the percussionist.

Long gone is the Cultural Revolution, so are Ormandy and Madame Mao, but

not The Philadelphia Orchestra’s connection with this region. In a big way,

China still has in mind its ‘old friend’ by playing host three years in a row

(2012 - 2014) through a residency programme for The Philadelphia Orchestra,

which in 2011 had gone into temporary bankruptcy as a result of the financial

crisis at the time.

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▲ A gong was presented to The Philadelphia Orchestra during their gift exchange

▲ A souvenir booklet was published just after the 1973 China tour

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享譽國際古典樂壇的費城樂團本月大軍壓境，一連兩場重頭戲碼，都是炫耀樂團實力之作，例如首場《天方夜譚》和次場

布魯克納的「浪漫」，值得期待音樂總監尼澤一塞甘的香江處子演出，如何糅合以溫純弦樂聞名的「費城之聲」。

費城樂團有別於其他一級樂團，是它在中國當代史留下重要足跡，尤其1973年歷史訪華後灌錄的「黃河鋼琴協奏曲」，是

國際頂級樂團演出中國管弦作品的第一張，唱片封背更有指揮家奧曼第和毛夫人江青暢談合照，成為史料。

這次來港的百人樂師中，僅有六人參與當年破冰之旅。至於費城樂團音樂傳統如何承傳，5月份的兩場實況演出自有分曉。


A New Director and a New Direction

A new page has been turned with Canadian conductor Yannick Nézet-Séguin

taking over as Music Director in 2012. Born in 1975, the Montreal native

couldn’t have been a part of the 1973 historic visit but makes his connections

in many other ways.

The 2014 China tour, Nézet-Séguin’s inaugural overseas tour with The

Philadelphia Orchestra, is a case in point. Unlike 1973, the Orchestra now

had players from the mainland and Taiwan. Both Associate Concertmaster Fu

Ying and Principal Cello Ni Haiye are from Shanghai, and violists Chen Che-

hung and Rachel Ku from Taiwan. Instead of a revolutionary work with political

tunes such as the East is Red, they played Oscar laureate Tan Dun’s nostalgic

Nu Shu. Tan’s work was played not only in Beijing and Shanghai, but also in

Changsha, its place of origin.

The 2014 tour took the 100-strong ensemble to cities around Hong Kong,

including Shenzhen, Taipei, and Macao, but didn’t actually visit Hong Kong,

despite our connections with The Philadelphia Orchestra. The latest Hong

Kong connection with the Orchestra is Lio Kuok-man (廖國敏), one of our

most accomplished locally trained musicians, who has been an Assistant

Conductor of The Philadelphia Orchestra since 2014. Further back, the late

Ling Tung (董麟), Music Director of the Hong Kong Philharmonic from 1978

to 1981, began his career with The Philadelphia Orchestra as a violinist from

1958 to1964. Somewhere in the middle is this writer’s connection with The

Philadelphia Orchestra’s now defunct archive. My two-day visit in 2002, thanks

to the Asian Cultural Council, turned out to be the last due to budget cuts.

But the released clippings and house programmes, including the invaluable

1973 and 1993 China tours, have become a part of our musical collections

ever since.

The Current tour and New Connections

For all parties concerned, the 2016 tour is therefore a timely reconnection for

Hong Kong with the legendary ‘Philadelphia Sound’ at the debut concerts of

its dynamic Music Director. Nézet-Séguin is well aware of the lustrous string

sound of the Orchestra developed under Stokowski and has kicked off the

current season with a programme dedicated to Fantasia of 1940, the year

of the first Philly connection with those who have now become ‘old friends’.

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▲ Eugene Ormandy worked with The Philadelphia Orchestra for 44 years

▲ Yannick Nézet-Séguin, Music Director of The Philadelphia Orchestra, cherishes the legacy of the ‘Philadelphia Sound’ created over generations.

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The Philadelphia Orchestra’s concerts at Hong Kong Cultural Centre are presented by:費城樂團香港文化中心音樂會主辦機構 :

Media Partner 傳媒伙伴：

RTHK Radio 4 香港電台第四台

RTHK TV 31 港視31

A Philadelphia – Hong Kong Encounter Ticket Request Form

費城―香港•音樂邂逅門票索取表格

Date 日期：18/5/2016 (Wed 星期三)

Time 時間：8:00pm

Venue 地點：RTHK Studio One, Broadcasting House, 30 Broadcast Drive, Kowloon Tong, Kowloon 九龍塘廣播道30號香港電台廣播大廈一號錄播室

Name 姓名：

Address 地址：

E-mail 電郵地址：

Tel. 電話　（Day 日間）　（Evening 夜間）

FOR4 Membership No. 第四台之友會員編號 (if applicable 如適用)：

Number of Tickets 門票數量

(Please specify the no. of tickets, maximum 2) (請列明數量，最多兩張)

Please return the completed form to:Radio 4, RTHK, 30 Broadcast Drive, Kowloon Tong, Kowloon, HK請郵寄至香港九龍塘廣播道30號香港電台第四台

Fax 傳真：2339 6427 Enquiries 查詢：2339 6425


Concert Date 音樂會日期

(8pm)Venue 地點 Programme ﹠ Performer

曲目及表演者

First broadcast 首播日期

(8pm)

Repeat broadcast 重播日期 (2pm)

18/5 (Wed 三)

RTHK Studio One, Broadcast Drive

香港電台一號錄播室

A Philadelphia – Hong Kong Encounter 費城－香港•音樂邂逅Schumann: Fantasiestücke, Op. 73 Mozart: Clarinet Quintet in A, K. 581 Dvořák: Piano Quintet in A, Op. 81 Musicians from The Philadelphia Orchestra and RTHK Quartet 舒曼：幻想樂曲，作品73 莫扎特：A大調單簧管五重奏，K. 581 德伏扎克：A大調鋼琴五重奏，作品81 費城樂團團員與香港電台弦樂四重奏

LIVE直播

23/5 (Mon 一)

19/5 (Thu 四)

Hong Kong Cultural Centre Concert Hall

香港文化中心音樂廳

Brahms: Symphony No. 2 in D, Op. 73 Rimsky-Korsakov: Scheherazade, Op. 35 The Philadelphia Orchestra/ Yannick Nézet-Séguin

布拉姆斯：D大調第二交響曲，作品73 林姆斯基－高沙可夫：天方夜譚，作品35 費城樂團 / 尼澤－塞甘

LIVE直播

24/5 (Tue 二)

20/5 (Fri 五)

Hong Kong Cultural Centre Concert Hall

香港文化中心音樂廳

Beethoven (arr: Mahler): String Quartet in F minor, Op. 95, ‘Serioso’ Bruckner: Symphony No. 4 in E-flat, WAB104, ‘Romantic’ The Philadelphia Orchestra/ Yannick Nézet-Séguin

貝多芬(馬勒改編)：F小調弦樂四重奏，作品95，「嚴肅」布魯克納：降E大調第四交響曲，WAB104，「浪漫」費城樂團 / 尼澤－塞甘

LIVE直播

25/5 (Wed 三)

‘A Philadelphia–Hong Kong Encounter’is presented by RTHK Radio 4 in association with the Leisure and Cultural Services Department

「費城—香港‧音樂邂逅」由香港電台第四台主辦，康樂及文化事務署協辦

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Shing Chun-hay 成俊曦

Since 1989, the New Generation concerts, organised by the Hong

Kong Composers’ Guild, have been encouraging music creativity among

young composers in Hong Kong by providing a platform for performance

and exchange of musical ideas. Composers submit their works through

a jury-panelled call-for-scores and shortlisted works are presented by

professional musicians in a concert recorded and broadcast by Radio 4.

This year’s New Generation explores the instrumentation of the saxophone

octet, made up of two soprano saxophones, two alto saxophones, two

tenor saxophones, and two baritone saxophones. Six shortlisted works

will be performed by the Hong Kong Saxophone Ensemble, which has

performed many times locally and overseas. You will also be able to listen

to my new commissioned work, since I had the honour of being named

the winner last year.

The concert will be held on 2 June (Thu) at 8pm at RTHK Studio One.

Please come and hear the birth of the creative product of Hong Kong’s

young composers with a fascinating ensemble.

曾經參觀過一間博物館，觀賞一件玩弄視覺的展品。展品是一塊平面，由凹凹凸凸很多小點構成，當燈光由左面投射在展品上，會看見一個人的樣貌，而當燈光由相反方向投射，又會變成另一個人的樣貌。同一樣材料，以不同視角觀看，用不同方式呈現，體驗也不同。創作，正有異曲同工之理。

香港作曲家聯會由1989年開始舉辦「音樂新一代」音樂會，旨在鼓勵香港年青作曲家發表作品，提供演出作品和觀摩交流的機會。聯會向本地青年作曲家徵集作品，經評選後入圍的作品，於音樂會由專業團體演出，並由第四台錄音轉播。

本年度「音樂新一代」的指定配器組合是薩克管八重奏，包括高音薩克管、中音薩克管、次中音薩克管和上低音薩克管各兩支。六首入圍作品，將由Hong Kong Saxophone Ensemble演出。這個組合由活躍於本地的薩克管演奏家組成，表演經驗豐富，曾於香港及海外多次演出。另外，因筆者有幸於去年「音樂新一代」中獲得冠軍，亦會在今場音樂會發表委約新作。

音樂會於6月2日(星期四)晚上8時在香港電台一號錄播室舉行。歡迎蒞臨見證新音樂的誕生，細聽各位本地青年作曲家的創作成果。

New Generation 2016 Concert Ticket Request Form

音樂新一代2016音樂會門票索取表格

Date 日期：2/6/2016 (Thu 星期四)



Name 姓名：

Address 地址：





(Please specify the no. of tickets, maximum 4) (請列明數量，最多四張)



Organiser 主辦： In association with 協辦機構： Sponsored by 贊助機構：


CASH Music Fund 香港作曲家及作詞家協會

Hong Kong Composers’ Guild 香港作曲家聯會

▲ Hong Kong Saxophone Ensemble

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▲ 主持人賴建群(左一)於去年11月26日到訪天主教郭得勝中學


Daphne Lee 李德芬

‘Fine Music DJ@Schools’ is a two-part project that aims to promote classical music with school children. In Part One, from September

2015 to February 2016, Radio 4 colleagues visited 30 schools to promote classical music, radio drama, and introduce the duties of our

colleagues. In Part Two, 20 schools, including primary and secondary schools, joined the ‘Classical Music Radio Drama Broadcast

Training & Contest’, held at the RTHK studios on 28 March and at the Cultural Activities Hall at Tsuen Wan Town Hall on 10 April.

The four radio dramas were written by conductor and music critic Chu Chun-wai.

In the Part Two training section, Raymond Chung from Radio 4, briefly explained radio drama and invited students to demonstrate

various sound effects and roles. After that, the schools were divided into four groups and received intensive training from

our colleagues, to enhance their radio drama skills and prepare them the best performance in the contest. We had three

adjudicators, Ip Sai-hung Jet, Richie Lam, and Jimmy Shiu. All radio dramas were filmed. The videos, which include

performances on the dizi and saxophone, will be posted on R4 Buddies’ Facebook. Champions of the contest will be

invited to be the guests of honour on this programme that same day. Raymond Chung, host of R4 Buddies, will announce

the most Facebook ‘Likes’ and other reactions to the performances on the 14 May programme. This project was

presented by Music Office, Leisure and Cultural Services Department. RTHK Radio 4 was the Associated Presenter.

由康樂及文化事務署音樂事務處主辦，香港電台第四台協辦的「美樂主持@校園」已經

踏入第二年。這個活動旨在提高同學對古典音樂的興趣，透過參與工作坊和親身演出，

希望提高同學的自信心、增強說話技巧和學習互相合作。活動的第一部份由第四台節目

主持於去年9月至今年2月期間，到訪三十間學校及舉行工作坊，其中有部份學校則繼續

參與第二部份的「古典音樂廣播劇比賽」。今年有二十間學校入圍。同學首先參加3月28

日的訓練班，才能參加4月10日的比賽。今年的評判團包括葉世雄、林覺聲和蕭樹勝。

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▲ 同學在訓練班不知道示範了甚麼聲音效果，引來哄堂大笑

▲ 多專心的同學

▲ 中學分組，導師：馬盈盈 (後排左一)

▲ 小學分組，導師：鍾子豪 (前排右一)

▲ 中學分組，導師：林家琦 (後排右二)

▲ 小學分組，導師：李德芬 (後排左一)

3月28日的「古典音樂廣播劇訓練班」於香港電台錄音室舉行。當日由第四台節目主持鍾

子豪為同學介紹廣播劇的歷史、特色、技巧、語氣、聲音運用等等。同學亦有機會示範不

同聲效演繹角色，引得全場笑聲此起彼落。接着便分組和接受第四台節目主持的訓練，為

4月10日的比賽作好準備。今年中學及小學各有兩齣廣播劇讓同學挑選參賽。廣播劇由指

揮兼樂評人朱振威撰寫。

MAY 2016 | FINE MUSIC | SPECIAL FEATURES 特稿20


▲ 多專心的同學

劇目：任性的巴赫

劇目：任性的巴赫劇目：任性的巴赫

▲ 小學組所有參賽學校、導師、司儀與評判大合照

RESULTS 比賽結果

4月10日的「古典音樂廣播劇比賽」於荃灣大會堂文娛廳舉行。朱振威撰寫了四齣廣播劇讓二十間學校的同學選擇。

小學組的劇目是「惺惺相惜」和「任性的巴赫」；中學組則為「怒火命運」及「春之暴動」。演出時，除了由我們提

供的音樂和較難由人聲即場扮演的聲效之外，同學都能發揮創意，用不同的道具製造不同聲效。

PRIMARY SCHOOL CLASS 小學組

Champion: Pui Ching Primary School 冠軍：香港培正小學

First Runner-up: Canossa School (Hong Kong) 亞軍：香港嘉諾撒學校

Second Runner-up: F.D.B.W.A. Chow Chin Yau School 季軍：五邑鄒振猷學校

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▲ 中學組所有參賽學校、導師、司儀、演出嘉賓葉曉洋與評判大合照

SECONDARY SCHOOL CLASS 中學組

劇目：怒火命運

劇目：怒火命運劇目：春之暴動

Champion: Yuen Long Merchants Association Secondary School 冠軍：元朗商會中學

First Runner-up: YLPMSAA Tang Siu Tong Secondary School 亞軍：元朗公立中學校友會鄧兆棠中學

Second Runner-up: Lee Kau Yan Memorial School 季軍：五邑鄒振猷學校

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Please visit the Facebook page of R4 Buddies to enjoy these wonderful performances.

為了讓更多人可以欣賞今次比賽，我們已拍攝了二十間學校的廣播劇演出和兩位嘉

賓的演奏。所有片段會上載至「四台插班生」的面書專頁。冠軍學校亦獲邀到這節

目接受主持人鍾子豪的訪問。

R4 Buddies 四台插班生

4月30日：訪問中學及小學冠軍學校

5月14日：於節目內公佈「面書獲得最多回應的學校」得主


▲ Music Office’s student Kwok Chun-hei (dizi) playing Zhao Songting’s Morning

音樂事務處學員郭栒曦 (笛子) 演奏趙松庭的〈早晨〉

▲ Radio 4’s Young Music Maker Ocean Yip (saxophone) playing Piazzolla’s Tango Étude No. 3

第四台樂壇新秀葉曉洋 (薩克管) 演奏皮亞蘇拉的第三探戈練習曲

▲ One of the adjudicators, Richie Lam (Chief Music Officer, Music Office, LCSD)

大會評判之一林覺聲（音樂事務處總音樂主任）

▲ One of our adjudicators, Ip Sai-hung Jet (former Head of Radio Drama Section, RTHK & Examiner of the Xiqu Specialty of Hong Kong Arts Development Council)

大會評判之一葉世雄（香港電台前廣播劇組主管及現任香港藝術發展局戲曲組審批員）

▲ MC: Rachel Lai 大會司儀黎慧因

Presented by 主辦： In association with 協辦：


Music Office, LCSD 康樂及文化事務處｜音樂事務處

R4 Buddies (RTHK Radio 4)

23

Arts Happenings 藝壇快訊

MAY 2016 | FINE MUSIC | COLUMNS 專欄

Our local conductor Elim Chan has been appointed as the new Chief Conductor of the NorrlandsOperan in Umeå, Sweden. The announcement was made on 13 April, and the contract begins in Autumn 2017 for a three-year term.

‘I still vividly remember the magic and warmth exuding from the Norrlands Opera Symphony Orchestra during the first moments I shared the stage with them.’ Elim Chan recalled, ‘I am eager to embrace and cultivate their shared spirit and curiosity to bring the scores alive.’

Elisabet Ljungar, Director of Music at NorrlandsOperan, said that what impressed her most about Chan was her immense focus and total devotion to the music. ‘She has a natural style of leadership that creates a feeling of involvement and affinity.’

Chan astounded the world when she was the first female winner of the Donatella Flick LSO Conducting Competition in 2014. As a result, she was appointed Assistant Conductor of the London Symphony Orchestra. In Spring 2016, she was personally invited by the renowned conductor Valery Gergiev to conduct the Mariinsky Orchestra in St. Petersburg, Russia. She will be making her debut at the Lucerne Festival with the Orchestra-in-Residence this coming August. Her North American debut with the Detroit Symphony Orchestra will take place in 2017, as well as a return visit to the Hong Kong Philharmonic. She made her debut with the HK Phil in December 2015.

來自香港的女指揮家陳以琳，於4月13日獲瑞典諾爾蘭歌劇院委任為首席指揮。合約由2017年秋天開始，任期三年。

陳以琳表示：「我猶記得第一次與諾爾蘭歌劇院交響樂團合作時所感受到的魅力與熱情。我十分期待發掘他們的魄力和好奇心，讓樂譜的演繹更栩栩如生。」

諾爾蘭歌劇院音樂總監翁雅則形容，陳以琳給她最深刻的印象是她那份「專注力和對音樂的忠誠。」她更指出陳以琳「擁有與生俱來的領導才能，讓人參與和感受到她的親和力。」

陳以琳於2014年奪得由倫敦交響樂團舉辦的唐娜泰拉‧弗里克指揮大賽首獎，成為該大賽中首位獲獎的女性。隨後，她獲倫敦交響樂團委任為助理指揮。2016年春天，她更獲著名指揮家葛濟夫私下邀請，領導馬林斯基樂團演出。今年8月，她將首次於琉森音樂節亮相。2017年，她將踏足北美舞台，領導底特律交響樂團演出，同時更會再度回港指揮香港管弦樂團。她在去年12月首次與港樂合作。

Have you ever thought that working in an orchestra could lead to hearing loss? A British violinist is suing and claiming compensation from the Royal Opera House (ROH) after a rehearsal for his hearing and career loss.

Violist Chris Goldscheider claims that in 2012, during a rehearsal for Wagner’s Die Walküre, the blasting noise from the brass section behind him left him with ‘acoustic shock’, which is resulted when a sudden, unexpected loud sound occurs near the ear. According to court documents seen by the BBC, peak sound levels reached to about 137 decibels, roughly the same volume produced by a jet engine. Goldscheider described his hearing as ‘irreversibly damaged’. The ROH, on the other hand, denies it has responsibility in this case.

Could such a case be regarded as ‘occupational deafness’ if it happened in Hong Kong? According to Sandy Lai, audiologist from the Occupational Deafness Compensation Board, ‘occupational deafness’ is caused by exposure to noise above 85 decibels occurring over a prolonged period of time, and for at least 8 hours a day. In Goldscheider’s case, it is regarded as a ‘work injury’ since his hearing loss was caused by a sole incident. Currently 29 types of occupations are specified as ‘noisy occupations’, but the list does not include musicians. Lai said that if musicians are exposed to excessive noise for over 8 hours per day, they are advised take a 15- to 30-minute break every two hours. They may also use earbuds that can reduce the decibels to protect their hearing.

樂團樂手有可能聽覺受損？英國一位中提琴家在一次排練後入品法庭，控告並向皇家歌劇院索取賠償，原因是一次的排練令他的聽覺受損以致失業。

中提琴手高德舒特聲稱，於2012年一次排練華格納的《女武神》時，在他後方的銅管樂組發出巨大聲浪，令他產生「聽覺休克」。控方於法庭上呈上一份英國廣播公司曾經過目的文件，數據顯示，當時最高音量達到137分貝，相等於飛機引擎所製造的噪音。高德舒特形容，這次事件令他的聽覺受到「不能逆轉的損害」。而皇家歌劇院則否認需要付上責任。

若此案例發生在香港，這算是「職業性失聰」嗎？香港「職業性失聰補償管理局」的聽力學家黎珮珊表示：「職業性失聰是指長年累月，每天超過八小時在高噪音環境下工作(85分貝以上)。在高德舒特的案例裡，由於他的聽覺是因為突發事故而受影響，因此會被界定為工傷。」現時有二十九項工種被指定為「高噪音工作」，而樂手暫未被列入工種之一。專家提醒各位樂手，如需連續於八小時內在高噪音下工作，應每兩小時休息十五至三十分鐘。若情況許可，可佩戴耳塞以減低分貝對聽力的影響。

Tune in to Artbeat every Saturday at noon for more arts happening around town.請收聽逢星期一至六黃昏6時的藝壇快訊，了解海外及城中最新的藝術資訊。

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Rachel Lai 黎慧因Rachel Lai 黎慧因

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27MAY 2016 | FINE MUSIC | COVER STORY 封面故事

MAY 2016 | FINE MUSIC | COVER STORY 封面故事

Radio 4’s exciting ‘Artist-in-Residence’ series returns. This long-standing series aims to showcase established musicians in pre-recorded and live programmes. To open the series is a distinguished performer who you might have seen in Hong Kong Chinese Orchestra’s concerts, sometimes among the Orchestra members at the centre of the stage, sometimes as the focal point in concertos in front of the whole ensemble. Apart from orchestral performances, she also appears in various solo and chamber concerts, aiming to educate the audience about the truly historic musical instrument. Our ‘Artist-in-Residence’ this month is pipa player Zhang Ying.

Winner of the Silver Award for Pipa Specialism, Youth Section, at the first Chinese Instrumental Music Competition, and the First Prize in the Youth Section at the ‘Longyin Cup’ International Ethnic Instrument of China Competition (Pipa), Zhang Ying’s performance has been praised with such descriptions as ‘well-grounded’, ‘powerful’, ‘natural’, ‘subtle’, ‘flexible’, and ‘superb’. But in the first place, Zhang Ying never imagined herself to become a professional pipa player. She started learning the pipa at the age of four and, as she said to me, ‘her teachers were the lamps unto her feet’ and the key to what she has become. They not only helped her master her technique and deepen

Shing Chun-hay 成俊曦

her musical understanding, but also were stepping stones to her development. Many of them became Zhang Ying’s teachers after she was introduced to them by her previous teacher. Zhang Ying admits, without any links in this chain, she might have dropped out of her musical path with the pipa. By lucky coincidence, the path opened up itself for her.

It led her to the Hong Kong Chinese Orchestra. In 2004, while Zhang Ying was applying for postgraduate study, the Orchestra happened to be recruiting a pipa player. She applied for it. She received offers from both graduate school and the Orchestra. As a result she studied and worked at the same time, obtaining her Master’s degree after an arduous process of five years. She recalls, not without a laugh, ‘I lost so much hair on the desk writing my thesis!’, but she felt herself lucky to have had the opportunity. In her second year of joining the Hong Kong Chinese Orchestra, she made her solo debut as a concerto soloist, supported by the full 80-member ensemble, joined on stage by gaohu virtuoso Yu Qiwei. Flattered as Zhang Ying felt for the occasion, she was, even more nervous, and told herself she must do it well. After the performance, she was very excited as if she had passed a test. It is an unforgettable experience for her to this day.

▲ Zhang Ying with the Hong Kong Chinese Orchestra 張瑩與香港中樂團

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「駐台演奏家」系列本月起載譽歸來。這系列

在第四台已有數十年歷史，旨在讓優秀的音樂

家透過錄音和現場演出，全面發揮他們的音樂

才華。本年度為「駐台演奏家」揭開序幕的這

位音樂家，你也許在欣賞香港中樂團演出時，

在舞台上團員之間見過她的蹤影。有時候，她

卻坐在台前，樂團在背後為她協奏，讓她成為

全場焦點。大型演出以外，她亦積極參與獨奏

和小型合奏，務求令觀眾更深入認識她手上那

件樂器。她，是琵琶演奏家張瑩。

張瑩曾獲「中國第一屆民族器樂大賽」琵琶青

年專業組銀獎及「龍音杯」國際民族器樂比賽

琵琶青年專業組金獎。她的演奏被評為「扎實

有力，穩固平實，當中又不乏細緻感情，收放

得宜，表現超卓」，不過，從幼稚園已經開始

學琵琶的她，並沒有想過成為一位專業演奏

家。她形容老師是她的指路明燈，除了老師引

導她掌握彈奏技巧、理解藝術，更因為她往

往由老師推薦，認識老師的老師，得以向前輩

學習。這樣的環環相扣，假如缺少當中任何一

環，張瑩坦言，也未必會繼續走琵琶的路，這

條路是在機緣巧合之下為她展開。

環環相扣的下一環，是香港中樂團。2004年，

張瑩準備畢業，報讀中國音樂學院研究生課

程，剛好香港中樂團招請琵琶樂手，張瑩也有

應徵，結果兩邊都成功，於是同時兼顧讀書和

工作，歷時五年，取得碩士學位。過程雖然艱

苦，寫論文「寫到頭髮一直掉」，但這樣的機

會，張瑩覺得尤其難得。加入香港中樂團第

二年，她便有機會獨奏，由整隊樂團八十多人

協奏，同台表演的更是高胡大師余其偉，令張

瑩受寵若驚，很緊張，她在各個環節都認真準

備，心想一定要不負所望。完成演出後，張瑩

感覺像跨過了一個關卡，衝關的過程中，在樂

團的老師、同仁身上學到了很多舞台經驗和對

藝術認真的態度，這些寶貴的素質至今仍是她

遵循的藝術準則。

29MAY 2016 | FINE MUSIC | COVER STORY 封面故事

MAY 2016 | FINE MUSIC | COVER STORY 封面故事

Zhang Ying will present her live concert at RTHK Studio One on 26 May (Thu) at 8pm. Please fill in the form below for tickets, distributed on a first-come-first-served basis. You can enjoy this programme live at RTHK Radio 4.

The other two upcoming ‘Artist-in-Residence’ musicians will arrive in July and September. They are flutist Sibei Weng and violist Andrew Ling. Stay tuned for latest updates on Radio 4 on air, on the web, and in FM magazine.

張瑩的現場音樂會將於5月26日(四)晚上8時在香港電台一號錄播室舉行，請填妥以下表格索取門票。門票有限，先到先得。音樂會於第四台現場直播。

「駐台演奏家」系列另外兩位音樂家 – 長笛演奏家翁斯貝和中提琴家凌顯祐，亦分別在7月和9月登場，詳情請密切留意第四台、香港電台網站及《美樂集》最新資訊。

Concert by ‘Artist-in-Residence’ Zhang Ying Ticket Request Form

「駐台演奏家」張瑩音樂會門票索取表格

Date 日期：26/5/2016 (Thu 星期四)



Name 姓名：

Address 地址：





(Please specify the no. of tickets, maximum 2) (請列明數量，最多兩張)



Zhang Ying’s musical path with the pipa has led her to many places.

And this month, it leads her to RTHK, where she will perform in two

concert programmes. For the recorded programme based on the

origin and development of the instrument, she has selected various

classics as well as pieces with ethnic flavours, including Spring of

Tianshan (Xinjiang), Dance of the Yi People (Sichuan), King Chu

Doffs His Armour, and of course the classic of classics, Ambush

from Ten Sides, which Zhang Ying says her hands can play almost

automatically because she has been playing it from a very young

age. This programme will be broadcast on 12 May (Thu) at 8pm.

As for the live concert, with its focus on the pipa, Zhang Ying will

experiment with many modes of musical collaboration. She has

invited friends to join her on stage and will play Send Me a Rose

accompanied by hand drum, Song of Horse Herding with zhongruan

and daruan, and The Heroic Little Sisters of the Grassland with piano,

among other works. A brand-new attempt will be the pipa and dance

performance of Story — Inspired by the Tang Poem ‘Song of the Pipa’.

In this piece, Zhang Ying will work with a dancer from the Hong Kong

Dance Company on reconstructing the touching scene that inspired

the poem, written by Tang poet Bai Juyi about his meeting with a

woman playing the pipa. There will be many more surprising musical

collaborations, but enough previews for now. Come to experience

them live at RTHK Studio One at 8pm on 26 May (Thu).

張瑩的琵琶路一路走來，引領她本月來到廣播道，在香港

電台為聽眾演出兩場音樂會。其中在5月12日(星期四)晚上

8時播放的錄音音樂會，張瑩以「源遠流長」中的「源」與

「流」為理念，選來一系列經典樂曲和富地方特色的曲目，

為聽眾全面呈現琵琶的歷史傳承，以及在不同地區開枝散葉

的發展。新疆的〈天山之春〉、四川的〈彝族舞曲〉、〈霸王

卸甲〉，當然還少不得張瑩從小就彈，笑說雙手已能自動彈

奏的〈十面埋伏〉。

至於在5月26日(星期四)晚上8時舉行的現場音樂會，張瑩選

擇以琵琶為中心，嘗試多元化的音樂合作。她將會和一班好

友同台，與手鼓合奏〈送我一枝玫瑰花〉，與中阮、大阮演

繹〈放馬山歌〉，與鋼琴合奏〈草原英雄小姐妹〉。曲目中，

〈訴 — 讀唐詩琵琶行有感〉更以琵琶加上舞蹈的形式呈現，

是張瑩的全新嘗試。她邀請了來自香港舞蹈團的朋友，一起

重塑《琵琶行》背後，白居易遇上琵琶女的原本場景，聽來

也讓人期待。尚有其他意想不到的音樂合作，在這裡先賣個

關子，待你來音樂會親身體驗！

Special thanks to Hong Kong Chinese Orchestra for their kind permission to Zhang Ying to participate in this performance.承蒙香港中樂團允許張瑩參與是次演出。

31

Lo King-man

SUNDAY OPERA

In the month of May, Sunday Opera comprises one of the world’s most famous love stories, a baroque music drama on a royal

domestic subject, a tuneful Italian grand opera about a Venetian ballad singer’s sacrifice for love, a rare early Wagner comedy

based on Shakespeare, and a dramatic adaptation of a Russian literary classic.

Sundays 2:00pm

1 May : Gounod’s Romeo et Juliette

The celebrated story of the young lovers of Verona has been set to music by many composers

for more than three hundred years, notably as a dramatic choral symphony by Berlioz, as a

fantasy overture by Tchaikovsky, as a full-length ballet by Prokofiev, as a Broadway musical

by Bernstein, and as operas by Bellini, Gounod, Zandonai, and dozens of other distinguished

musicians.

The subject was just of the kind that would stimulate the interest of Charles Gounod (1818 -

1893). Shakespeare’s poetic imagery is particularly suited to the composer’s melodic sensibility.

The French libretto by Jules Barbier and Michel Carré places its focus almost entirely on the

two lovers, thus limiting the function of the original plot and the subordinate characters. There

are several scenes of great lyrical beauty, especially the five magnificent love duets, one in each

act, on account of which the opera was an immediate triumph when it was premiered at the

Théâtre Lyrique of Paris in April 1867. Gounod was aged 49.

In the recording selected for your enjoyment, Romeo is sung by Corsican tenor Roberto

Alagna, Juliette by Romanian soprano Angela Gheorghiu, Friar Laurence by Belgian bass-

baritone Jose van Dam, and Mercutio by British baritone Simon Keenlyside. They perform with

an international cast of singers in the supporting roles together with the Chorus and Orchestra

of the Capitole of Toulouse conducted by Michel Plasson.

8 May : Vivaldi’s Griselda

Antonio Vivaldi (1678 - 1741) was the most celebrated of all the Italian Baroque composers

and certainly one of the most prolific. In addition to his more than 500 concertos and numerous

instrumental, vocal and sacred works, he also composed 94 operas, of which about 20 survive.

Born and brought up in Venice, Vivaldi was trained in a seminary and was ordained a priest at

the age of 25. He took up appointment as Music Master in the Hospital of Mercy, an orphanage

where boys were trained for the trades and girls as singers and instrumental players. Under his

tutelage, the choir and orchestra of the orphanage became widely acclaimed in Europe. For his

fiery red hair, he was nicknamed ‘The Red Priest’.

Vivaldi achieved international fame with the publication of his first set of violin concertos in 1711

and the premiere of his first opera in 1713.

He reached the peak of his reputation and popularity with the creation in 1726 of a set of

concertos known as The Four Seasons, which is generally recognised as the first programmed

composition in classical music. In the 1720s, the composer began a close relationship with

soprano Anna Giro, for whom he wrote all the principal female lead roles in his mature operas,

including Griselda, which was premiered in Venice in May 1735.

▲ Angela Gheorghiu

▲ Roberto Alagna

▲ An 18th-century painting by Gabriel Bella showing Teatro San Samuele, the operatic theatre gave the premiere of Vivaldi’s Griselda in Venice

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▲ Amilcare Ponchielli

▲ The cover of the vocal score of Liebesverbot drawn by Franz Stassen

The music of Griselda was set to a libretto by the great Venetian playwright Carlo Goldoni, using

an older text as the basis of his plot. The central character is a woman with admirable virtues of

patience and loyalty. In a series of cruel tests, her royal husband tries her fidelity and endurance

to prove her worthiness as queen.

Our recording features mezzo-soprano Marion Newman in the title role, bass Giles Tomkins as

the King, soprano Carla Huhtanen as the Princess, and tenor Colin Ainsworth as a noble knight

of Thessaly. The Opera in Concert Aradia Ensemble is conducted by Kevin Mallon.

15 May : Ponchielli’s La Gioconda

For more than fifty years from the 1840s, the history of Italian opera was dominated by the

genius of Giuseppe Verdi. Amilcare Ponchielli (1834 - 1886) was one of the very few composers

who managed to create a work of distinction with lasting artistic value and popular appeal.

Such a work is La Gioconda, a romantic grand opera full of memorable melodies and brilliant

scenic effects.

Set to a libretto by Arrigo Boito based on Victor Hugo’s melodrama, La Gioconda tells the story

of a woman, a street ballad singer in Venice, who sacrifices her own life to enable her lover,

a Genovese nobleman and sea-captain, to be reunited with his former betrothed. There are

spectacular scenes of a Venetian carnival, the burning of a large ship, and the famous ballet,

‘The Dance of the Hours’.

Spanish diva soprano Monserrat Caballé, singing the title role, leads a fabulous cast including

Italian tenor Luciano Pavarotti, Greek mezzo-soprano Agnes Baltsa, American baritone Sherill

Milnes, and Bulgarian bass Nicolai Ghiaurov. Bruno Bartoletti conducts the London Opera

Chorus and the National Philharmonic Orchestra.

22 May : Wagner’s Liebesverbot

Richard Wagner (1813 - 1883) began his career at the age of 20 as Chorusmaster at the

theatre in Würzburg after studying at the University of Leipzig and taking lessons in harmony

with Theodor Weinlig. In that same year, he composed his first complete opera, Die Feen (The

Fairies), which imitated the style of Weber and Meyerbeer. It was never performed in Wagner’s

lifetime. A year later, in 1834, he took up appointment as Music Director at the opera house in

Magdeburg. There he wrote Das Liebesverbot (The Ban on Love), set to his own libretto based

on Shakespeare’s Measure for Measure. This work was produced at Magdeburg in 1836. It

was a disastrous failure and closed after a single performance. It was not fully staged again until

2008 in the United States and has been heard only a few times, mainly as a curiosity.

In the absence of the king of Sicily on a state visit, the Regent Friedrich imposes a ban on love

to secure a better state of morals. Claudio, found guilty of breaking the law, is condemned to

death. His sister Isabella pleads for mercy and Friedrich hypocritically demands the price that

she gives herself to him. Isabella sends in her place Friedrich’s abandoned former mistress

Mariana. The villain’s duplicity is thus revealed, and a measure of free love is restored when the

king returns.

Prof. Lo King-man, producer and director of numerous opera productions in Hong Kong.

MAY 2016 | FINE MUSIC | COLUMNS 專欄 35


▲ Magda Olivero

▲ Giuseppe Gismondo

▲ Franco Alfano

A radio studio recording made in 1963 will be played. Isabella is interpreted by soprano

Hilde Zadek, Claudio by tenor Anton Dermota, Friedrich by bass Heinz Imdahl, and

Marianna by soprano Christiane Sorell. The Austrian Broadcasting Corporation Chorus

and the Grand Orchestra of Radio Vienna perform under the baton of Robert Heger.

29 May : Alfano’s Risurrezione

The name of Franco Alfano (1876 - 1956) is likely to be permanently associated with

Puccini’s ever-popular but unfinished Turandot, which Alfano completed in 1926 with

a magnificent finale. Alfano himself was Italy’s leading composer in his own right who

enjoyed great success during his lifetime with several of his own works. A graduate of San

Pietro a Majella Conservatory of Naples, Alfano pursued further composition studies in

Leipzig. From 1918, he was Director of the Conservatory of Bologna, from 1923 Director

of the Turin Conservatory, and from 1947 to 1950 Director of the Rossini Conservatory

of Pesaro.

In 1902, Alfano was in Paris to compose two ballets for the Folies Bergère. While there

he saw a dramatization of Tolstoy’s Resurrection (Resurrection) that appealed to him

profoundly as a subject for an opera. He at once commissioned a libretto from Cesare

Hanau and set to work on the music, which he completed in 1904. The opera’s premiere in

Turin in November of that year was a resounding success and the work was given in many

cities of Europe and America with leading singers of the time. Its thousandth performance

was celebrated in Naples in 1951. A youthful work, Risurrezione is recognised as Alfano’s

masterpiece.

Katiusha, an innocent country girl, has been seduced by Prince Dimitri and is pregnant

with his child. She does not have the courage to confront the nobleman. After the death

of her baby, she falls into evil company and is unjustly condemned for prostitution and

murder. The remorseful Dimitri follows her to Siberia, obtains pardon and liberty for her

and proposes to marry her. Katiusha refuses, for she has found a new purpose in life in

helping her fellow-prisoners, and believes that only a total renunciation of their guilty past

can they find redemption and resurrection.

Katiusha is potrayed by famous Italian singing actress Magda Olivero; Prince Dimitri is

sung by tenor Giuseppe Gismondo. They perform with a large supporting cast of singers

and the Chorus and Orchestra of Radio Italiana Turin conducted by Elio Boncompagni.

37

葉積奇

曾記得在這個節目中播放過由流行樂手演奏爵士樂的特輯，今次我把重點倒轉過來，專門挑選一些由爵士樂手以爵士手

法演繹的流行樂歌曲。其實在歐美樂壇上，只要是好的音樂作品，不管是流行、爵士、古典還是怨曲，都有來自不同領

域的樂手以他們熟悉的技法重新演繹或處理這些佳作，例如爵士樂大師Miles Davis很喜歡〈Time After Time〉這首著名

流行曲，並以爵士樂方式吹奏，效果頗為不俗。我會在節目中選播多首同類型的樂曲。

對歐美流行樂壇稍有留意的朋友，相信也會聽過Ray Charles的大名。他在樂壇上活躍超過半個世紀，橫跨怨曲、鄉謠、

騷靈、爵士多個音樂界別，影響極之深遠。由於大多數樂迷只知Ray Charles在流行樂上的成就，反而忽略了他對爵士樂

的貢獻，因此我特別從他多張較罕見的唱片中，選播一些爵士樂作品與你分享。

Michael Brecker一向被視為是John Coltrane以後最偉大的色士風手，他以伴奏樂手身份參與過無數唱片的灌錄，亦曾

與其兄弟Randy Brecker組成「The Brecker Brothers」，推動了融合音樂(Fusion)的發展。Brecker的色士風吹奏風格

凌厲急速，勁度十足，自成一格。可惜他後期患上罕見疾病，終年才五十七歲。在他的特輯中，大家會聽到他不同時期

的代表作。

▲ 父子檔Ellis Marsalis(鋼琴)與Jason Marsalis (鼓手)

▼


從5月到7月，很高興再次為第四台聽眾主持「爵士靈感」。藉着本文，不妨先透露5月份部份節目內容。

In May’s Jazzing Up (Cantonese programme), Jackie Ip brings some big name jazz artists, including Ray Charles, Michael Brecker, and more recordings played by father-son group, to his Hong Kong jazz audience. Stay tuned every Sunday at 11pm.

葉積奇在5月份逢星期日晚上11時播出的爵士靈感中，為本地樂迷帶來多位著名爵士樂樂手，以及父子兵爵士樂組合的錄音，並展示他們對樂壇的貢獻。

星期日晚上11時正

所謂上陣不離父子兵，原來在爵士樂壇上，也有多位爵士樂手箕裘相繼，

例如有鋼琴怪傑之稱的Thelonious Monk，其兒子T. S. Monk雖然演奏

的樂器與父親不同，但在爵士樂壇上亦卓有成就。至於來自新奧爾良的

Marsalis家族就更為顯赫了，父親Ellis Marsalis是出色的鋼琴手，四位兒

子則各有千秋，一門五傑，令人讚嘆。此外還有Dewey Redman及其兒子

Joshua Redman，兩人演奏的是同一種樂器(色士風)，在樂壇的影響力亦

不容忽視。大家可以在這個特輯中接觸到這幾位父子兵的演繹。

為了籌備以上的特輯，費盡了不少心思和時間，希望聽眾捧場，不負我一

片苦心。

Ray Charles在蒙特利爾國際爵士樂音樂節亮相 (2003)

© E

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39

▲ Les Six at the Eiffel Tower (left to right) - Germaine Tailleferre, Francis Poulenc, Author Honneger, Darius Milhaud, (playwright) Jean Cocteau, and Georges Auric (1921)


二十世紀初期的法國，普遍流行以聖桑和德布西為首的新古典主義和印象派音樂。可是，同期的作曲家薩替卻銳意創作輕鬆幽默的小品。雖然其作品並沒有即時得到廣泛認同，但他的觀念卻得到不少年輕作曲家的擁護，「法國六人組」正是在這樣的理念下組成。

5月份逢星期六下午5時的情有獨鍾，彭禮傑和凌崎偵會為你送上二十世紀初印象派以外的法國音樂，與你一同欣賞「法國六人組」和薩替的作品，發掘現代音樂的根源。

Livia Lin

By the end of World War I, long-standing empires fell and

much of Europe was destroyed. When peace was finally restored

and the world rehabilitated, avant-garde ideas caught on with

European artists in the post-WWI era, challenging old-fashioned

theories such as romanticism, nationalism, and impressionism.

This new generation was inspired by progressive artists to

explore the emerging new styles. Coincidentally and ironically,

the heightened disparity in artistic directions at the dawn of the

20th century left a positive impact on the future of modern art.

Saturdays 5:00pm

In France at the turn of the century, composers such as Camille

Saint-Saëns and Claude Debussy established and defined

French classical music as neoclassical and impressionistic. While

their musical styles were unique, the composers also showed

the influence of late Romantic composers, particularly Richard

Wagner. There was one exception, however, Erik Satie, a close

friend of Debussy, who did not conform to these prevailing trends.

Having a deep aversion to the grandeur in Wagnerian style,

Satie deliberately composed humorous and light-hearted works,

bearing titles like Three Pieces in the Shape of a Pear, evidently

mocking the overly meticulous notions of others. Despite not

gaining popularity among the masses, Satie’s works were well-

received by younger composers, who showed admiration for his

eccentric musical approaches. In the late 1910s, Satie began to

gather these young composers in mutual artistic support, forming

the predecessor of Les Six, called Les nouveaux jeunes, with

himself as the mentor. These composers would later become

champions of new directions in French compositions.

In fact, it was another avant-garde advocate, French playwright

Jean Cocteau, who officially established Les Six in January 1920.

The six composers involved were Georges Auric, Louis Durey,

Arthur Honegger, Darius Milhaud, Francis Poulenc, and Germaine

Tailleferre. As the chief of Les Six, Cocteau, who wished to restore

candor and simplicity in French art, imposed this concept on

the group. However, as much as they belonged to a collective,

their artistic tastes were greatly dissimilar. Honegger lauded the

music of Wagner while most others found it distasteful. On the

other hand, Milhaud was an advocate of the work of Arnold

Schoenberg, which French audiences did not find pleasing.

With such divergence among the members, it is not hard to

imagine that the partnership of Les Six was short-lived and their

collaboration was minimal. The only joint-effort output involving all

six members was a set of short piano pieces titled L’Album des

Six. A year later, five members of Les Six collaborated again to

compose music for Cocteau’s ballet Les mariés de la tour Eiffel (The

Wedding Party on the Eiffel Tower). From then on, there were only

three more works produced, in which part the group participated in

collaboration with other composers outside of Les Six.

Nonetheless, the individual output of each ‘Les Six member’

was substantial. The effects on the 20th century avant-garde

movements left behind by these compositions, and that of Erik

Satie was abiding. John Cage, Marius Constant, and Philip

Glass, to name a few, were fueled by these French composers

to push the boundaries of creativity and stimulate modern music

in unique ways. The innovative spirit of Les Six and Erik Satie

continued to catalyse the development of music to date.

© L

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Mus

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41

Rachel Lai and a group of music critics guide you through some of the most interesting new releases to keep you in touch with the

latest in fine music recordings. The segments are also available on Radio 4’s website for streaming: radio4.rthk.hk

黎慧因和多位樂評人在「碟碟不休」中，為你介紹最新推出的影音製作。環節更可於網上重溫：radio4.rthk.hk

Rachel Lai 黎慧因

Monday and Friday 5:30pm 逢星期一及五下午5時30分

2 MAY

30 MAY

9 MAY

20 MAY

27 MAY23 MAY

6 MAY

13 MAY 16 MAY

MAY 2016 | FINE MUSIC | COLUMNS 專欄 43

Date 日期 Highlights 重點推介

3/5(Tue 二) 8:00pm

Song of the Earth: Radio France Philharmonic Orchestra

Relish the fruits of maturity. Erich Korngold and Gustav Mahler first met

as a child of nine and an acknowledged genius in his late 40s. Both

Korngold’s melancholy Violin Concerto and Mahler’s Das Lied von der

Erde have an established place in the repertoire.

Marzena Diakun brings these two composers together, echoing the

meeting of youth and experience in her soloists: the youthful Norwegian

violinist, Vilde Frang, and mezzo-soprano Alisa Kolosova, and the

respected German tenor, Christian Elsner.

大地之歌 — 法國電台愛樂樂團

哥高迪九歲時與馬勒初次見面，到四十多歲再與馬勒碰頭時，已是眾人

公認的音樂天才。他的小提琴協奏曲與馬勒的《大地之歌》均是古典音

樂中的重要曲目。

本場音樂會為你送上兩首作品，由指揮戴觀聯同年青小提琴家法朗、女

中音高洛索娃，以及備受敬重的男高音埃斯納演出。表演陣容既有樂界

前輩，亦有樂界新星，正好呼應哥高迪與馬勒的微妙關係。

7/5(Sat 六) 8:00pm

12/5(Thu 四) 2:00pm

Repeat 重播

Radovan Vlatković Plays Richard Strauss

Hailed as ‘the Croatian horn herald sent by

God’ (Hamburger Abendblatt), horn virtuoso

Radovan Vlatković joins the Hong Kong

Sinfonietta in Richard Strauss’ youthful Horn

Concerto No. 1. Principal Guest Conductor

Christoph Poppen continues his Brahms

symphonic cycle with the monumental

Symphony No. 1, counterbalanced by Haydn’s

buoyant ‘Military’ Symphony.

音樂會轉播精選 HIGHLIGHTS OF CONCERT BROADCASTS

▲ Radovan Vlatković, horn 圓號：華拉高域

▲ Vilde Frang, violin 小提琴：法朗

▲ Christian Elsner, tenor 男高音：埃斯納

▲ Christoph Poppen, conductor 指揮：柏鵬

© B

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o H

rkač

© S

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Gus

ov

圓號大師華拉高域

圓號演奏家華拉高域，獲《德國漢堡晚報》譽為「上天派來的克羅地亞圓號使者」，這次來港與香港小交響樂團攜

手帶來李察‧史特勞斯的少年之作 — 第一圓號協奏曲。首席客席指揮柏鵬帶領樂團，送上海頓歡快的「軍隊」交響

曲，並繼續布拉姆斯全集，演奏作曲家匠心獨運的第一首交響巨作 — 第一交響曲。


Stia

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46

Date 日期 Highlights 重點推介

14/5(Sat 六) 8:00pm

19/5(Thu 四) 2:00pm

Repeat 重播

Szymanowski Quartet and Mary Wu

The Szymanowski Quartet’s Asia tour includes stops at South Korea, Hong Kong and Taiwan. Its concert here features four new works by our own local composers and also music by Polish composers. Szymanowski’s Nocturne and Tarantella has a mildly exotic flavour, whereas Bacewicz’s Piano Quintet No. 1 displays neo-classical influence. Internationally renowned Hong Kong pianist Mary Wu joins

in this Quintet by one of the most important female Polish composers.

史曼諾夫斯基四重奏與吳美樂

史曼諾夫斯基四重奏在亞洲巡迴演出，先後於南韓、香港和台灣舉行

音樂會，他們為香港樂迷預備的節目，包括四位香港作曲家的新作品

和波蘭音樂。史曼諾夫斯基的夜曲及塔朗泰拉舞曲頗富異國情調，至

於波蘭其中一位最顯赫的女作曲家巴西域茲，她的第一鋼琴五重奏則

具備新古典主義風格。國際知名的本地鋼琴家吳美樂，將與史曼諾夫

斯基四重奏同台，帶來這首鋼琴五重奏作品。

28/5(Sat 六) 8:00pm

2/6(Thu 四) 2:00pm

Repeat 重播

Louis Schwizgebel’s Piano Recital

Winner of the second prize of the Leeds International Piano Competition and a BBC ‘New Generation Artist’ from 2013 - 2015, young pianist Louis Schwizgebel makes his Hong Kong recital debut with a keyboard sonata by Haydn, a selection of Liszt’s transcriptions of Schubert’s lieder, and Schubert’s Piano Sonata in A minor. Discover for yourself one of the rising star pianists of the day.

▲ Mary Wu, piano 鋼琴：吳美樂

▲ Szymanowski Quartet 史曼諾夫斯基四重奏

© Ir

ène

Zand

el

▲ Louis Schwizgebel, piano 鋼琴：王思韻

© M

arco

Bor

ggre

ve

王思韻鋼琴獨奏會

瑞士華裔年青鋼琴家王思韻，榮獲里茲國際鋼琴比賽亞軍，亦曾獲選為2013 - 2015年英國廣播公司「新世代藝術家」，

可謂當今鋼琴界矚目新星。他首次來港演出獨奏會，彈奏海頓的鍵盤奏鳴曲、李斯特改編舒伯特的藝術歌曲，以及

舒伯特的A小調鋼琴奏鳴曲。

47

Mon - Fri 星期一至五 : 7:55am, 12:55pm, 5:55pm, 10:55pmWeekends 週末 : 9:55am, 4:55pm, 10:55pm

– be in touch in 3 minutes —三分鐘錦囊

Topic 內容 Host 主持

星期一 : 今日話當年馬盈盈星期二 : 費城樂團戚家榮 Wed : Zooming In Rachel Lai Thu : Arts News Jonathan Douglas Fri : The Golden Voices Lo King-man 星期六 : 碟碟不休胡銘堯星期日 : 琵琶張穎宜


Friends of Radio 4 Society Limited第四台之友協會有限公司

www.finemusic.org.hk

會籍年費 Annual Membership Fee

個人會員 Individual Member : HK$120家庭會員 Family Member : HK$150半費會員 Concession Member : HK$60

（只供學生、65歲或以上長者及殘疾人士）(Only for students, senior citizens aged 65 or above, and people with disabilities)

亞斯頓教育．Aston Education

伯樂音樂學院．Baron School of Music

嘉林琴行．Collin Music Co. Ltd.

琴之屋．Eddie’s House of Strings

偉樂琴行．Eddy Music Co. Ltd.

香港鋼琴教育專業學院．HK Prof. Piano Education Academy

繆斯琴行．Muse Music Company

向日葵文化良品．Sole Cultural Goods

華偉音樂藝術中心．S T Music & Art Centre

通利琴行．Tom Lee Music Co. Ltd.

Friends’ Discounts

Friends’ Exclusive Benefits

• 《美樂集》郵寄至府上• 各大琴行、唱片公司及種種不同的優惠• 優先獲得指定的第四台音樂會門券• 參加第四台之友特備活動

• Fine Music delivery to your home• Purchasing discount from major piano companies, music shops and other institutes• Priority in getting designated Radio 4 recital tickets • Exclusive activities and programmes

Friends of Radio 4 Membership Application Form第四台之友協會會員申請表

Name 姓名：

Tel. 電話（Office 日間）：（Home 晚間）：

Mobile 手提電話：

Address 地址：

E-mail 電郵地址：(Please use English block letters 請以正楷填寫)

Membership 會籍：

Individual 個人會員 HK$120

Family 家庭會員 HK$150

* Concession Member 半費會員 HK$60

* 請附上學生證、長者咭或殘疾人士登記證影印本。

* Please enclose photocopy of student ID, senior citizen card or registration cardfor people with disabilities.

Enquiry 查詢電話：9073 3474

Some more about you其他資料：

Sex 性別：

Age 年齡：

Occupation 職業：

(This part is optional 可選擇不填此部分)

請將表格連同劃線支票寄往：九龍尖沙嘴郵政局郵箱97497號，第四台之友協會收（抬頭請填「第四台之友協會有限公司」）

Please send your application form and cheque to: Friends of Radio 4 Society P.O. Box No. 97497 at Tsim Sha Tsui Post Office (payable to “Friends of Radio 4 Society Limited”)

Please allow 3 weeks for processing of membership and 5 weeks for delivery on the first issue of Fine Music. 會員證將於三星期內寄到府上；而第一期《美樂集》將於五星期內郵寄至閣下地址。


「第四台之友協會」在3月19日舉辦了「美樂直播導賞團」。主席胡銘堯帶領多位聽眾參觀電台和了解美樂節目的製作流程之餘，一位去年參加過「美樂主持＠校園」的小聽眾，更接受了第四台主持鍾子豪在「四台插班生」直播節目的訪問！

On 19 March 2016, ‘Friends of Radio 4 Society’ organised a visit to Radio 4. Chairman Dennis Wu led our listeners in a tour of our studios, and a young participant was invited to join Radio 4 host Raymond Chung on his live show R4 Buddies.

美樂直播導賞團 – 剪影Seeing Radio 4 in Action Live! - Flashback

亞斯頓教育．Aston Education

伯樂音樂學院．Baron School of Music

嘉林琴行．Collin Music Co. Ltd.

琴之屋．Eddie’s House of Strings

偉樂琴行．Eddy Music Co. Ltd.

香港鋼琴教育專業學院．HK Prof. Piano Education Academy

繆斯琴行．Muse Music Company

向日葵文化良品．Sole Cultural Goods

華偉音樂藝術中心．S T Music & Art Centre

通利琴行．Tom Lee Music Co. Ltd.

• 《美樂集》郵寄至府上• 各大琴行、唱片公司及種種不同的優惠• 優先獲得指定的第四台音樂會門券• 參加第四台之友特備活動

• Fine Music delivery to your home• Purchasing discount from major piano companies, music shops and other institutes• Priority in getting designated Radio 4 recital tickets • Exclusive activities and programmes

49

Monday 星期一

Tuesday星期二

Wednesday星期三

Thursday星期四

Friday星期五

Saturday星期六

Sunday星期日

Aubade 晨曲

Morning Call with Jonathan Douglas清晨妙韻杜格尊

Music Infusion 樂樂無窮Ben Pelletier

彭禮傑

Sunday Morningon 4

週日早晨 Stacey Rodda

盧迪思

Minutes That Matter

Non-stop Classics美樂無休

Synthia Ko / Ben Pelletier 高德儀 / 彭禮傑

Play by Ear 週末隨想Synthia Ko

高德儀

I am Lost to the World別離之歌 –

馬勒道別世界的音符 Dennis Wu 胡銘堯

Church Service 主日崇拜

Artbeat Jonathan Douglas 杜格尊

Songs of the Earth 大地之歌Ben Pelletier

彭禮傑News at One

Music à la Carte (Tue ﹠ Thu : Chinese Music) 午間精點 (星期二及四：中樂篇) Daphne Lee / Tina Ma 李德芬 / 馬盈盈

Piano Exams 2016 鋼琴考試講座

Warren Lee 李偉安

Piano Exams 2016 鋼琴考試講座

Warren Lee 李偉安

Live on 4 第四台音樂會

(Repeat 重播)

Hong Kong Schools Music Festival

香港學校音樂節(Repeat 重播)

R4 Buddies四台插班生

Raymond Chung鍾子豪

Sunday Opera歌劇世界Lo King-man

盧景文

Rupert Chan 陳鈞潤

(1st Sunday 首個週日）

(1st b/c: Wed) (首播：星期三)

(1st b/c: Thu) (首播：星期四)

(1st b/c: Fri) (首播：星期五)

(1st b/c: Sat) (首播：星期六)

Music from China樂在神州

Tina Ma 馬盈盈

Four for Classics with Rachel Lai 四時行樂黎慧因

Collage點指美樂

All or Nothing情有獨鍾

Ben Pelletier / Livia Lin彭禮傑 / 凌崎偵

Children’s Corner 親親童樂日

Nancy Loo 羅乃新New Releases (Mon ﹠ Fri) 碟碟不休 (星期一及五) News at Six

Arts News 藝壇快訊Tunes to

Remember人約黄昏後

Emma Liu廖碧楨

Jazz and more... with Kathy Lam 不太古典林家琦

All or Nothing情有獨鍾

Cantilena 自投羅網

Nancy Loo 羅乃新

Live on 4 第四台音樂會

Hong Kong Schools Music Festival

香港學校音樂節

Sunday Divertimento

星夜樂逍遙Wendy Ng

伍穎文Nocturne 夜心曲

Tina Ma / Gladys Lau 馬盈盈 / 劉建婷

Chamber Fragrance

寫意室樂Ben Pelletier / Rebecca Siu

彭禮傑 / 蕭程佳明Jazzing Up

爵士靈感Jackie Ip 葉積奇

Bilingual 雙語B Cantonese 粵語C English 英語E

6:00am

7:00am

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MAY 2016 | FINE MUSIC | MAIN PROGRAMME CHART 節目時間表 51

MAY 2016 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華

1/5/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Gounod: Roméo et Juliette 160’Juliette: Angela Gheorghiu (s)Roméo: Roberto Alagna (t)Frère Laurent: José van Dam (b-br)Stéphano: Marie-Ange Todorovitch (ms)Cho. & Orch. of Capitole de Toulouse / Michel Plasson

古諾：羅密歐與朱麗葉朱麗葉：基柯基沃（女高音）羅密歐：亞蘭尼亞（男高音）勞倫特：達姆（低男中音）斯堤芬奴：托杜洛維特（女中音）土魯斯市政大廈樂團及合唱團 / 比拉遜

8:00pm 68TH HONG KONG SCHOOLS MUSIC FESTIVAL 第六十八屆香港學校音樂節Secondary School Choir Final – Boys’ Choir Section (First Division)第一組別中學合唱決賽 – 男聲合唱組

2/5/2016 (Mon 星期一)11:00am HUMMEL 亨密爾Trumpet Concerto in E 18’ Håkan Hardenberger (tr) Acad. of St. Martin in the Fields / Neville MarrinerE大調小號協奏曲哈登伯格（小號）聖馬田室樂團 / 馬連拿

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Narek Hakhnazaryan (vc)RTÉ Nat. Sym. Orch. / Duncan WardBax: In memoriam 15’Lutosławski: Cello Concerto 24’Beethoven: Symphony No. 3 in E flat, Op. 55, ‘Eroica’ 56’

哈卡拿薩萊恩（大提琴）愛爾蘭電台電視國家交響樂團 / 華特巴斯：悼念魯杜斯華夫斯基：大提琴協奏曲貝多芬：降E大調第三交響曲，作品55，「英雄」

8:00pm LIVE ON 4 第四台音樂會Copland: Fanfare for the Common Man 4’Seattle Sym. Orch. / Gerard Schwarz

Bach: Peasant Cantata, BWV212 27’Emma Kirkby (s)Rogers Covey-Crump (t)David Thomas (b)Acad. of Ancient Music / Christopher Hogwood

Bruckner: Symphony No. 4 in E flat, ‘Romantic’ 73’Royal Scottish Nat. Orch. / Georg Tintner

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Belshazzar’s FeastMegan Sterling (f)Jonathan Lemalu (b-br)Hong Kong Phil. Orch. ﹠ Cho. / Courtney LewisBeethoven: Leonore Overture No. 2, Op. 72aReinecke: Flute Concerto, Op. 283Walton: Belshazzar’s Feast

Presented by Hong Kong Philharmonic Society Ltd. Recorded at Hong Kong Cultural Centre Concert Hall on 29/4/2016.

伯沙撒王的宴會史德琳（長笛）利馬露（低男中音）香港管弦樂團及合唱團 / 劉易斯貝多芬：第二里奧諾拉序曲，作品72a萊恩力克：長笛協奏曲，作品283華爾頓：伯沙撒王的宴會

香港管弦協會主辦。2016年4月29日香港文化中心音樂廳錄音。

8:00pm LIVE ON 4 第四台音樂會Barthold Kuijken (r)Erik Bosgraff (r)Dmitry Sinkovsky (v)Alexandra Koreneva (hc)Capella Savaria / Zsolt Kalló (v & cond.)Fasch: Suite in D minor 25’Telemann: Concerto for Flute and Recorder in E minor, TWV 52:e1 13’ Suite in D, TWV 55:D23 19’ Concerto for Three Violins in F, TWV 53:F1 14’

Recorded in the Marionette Theatre, Esterhazy Palace, Austria, on 4/7/2015.

巴福‧高爾根（牧笛）博斯掛夫（牧笛）辛高斯基（小提琴）高雲尼娃（古鍵琴）薩伐利亞學院樂團 / 卡羅（小提琴及指揮）法殊：D小調組曲泰利文：E小調長笛與牧笛協奏曲， TWV 52:e1 D大調組曲，TWV 53:D23 F大調三小提琴協奏曲，TWV 53:F1

2015年7月4日奧地利艾斯特哈茲宮廷木偶劇場錄音。

柯普蘭：普通人的鼓號曲西雅圖交響樂團 / 謝路‧舒華施

巴赫：農民清唱劇，BWV212卻比（女高音）加維—格林普（男高音）大衛‧湯馬士（男低音）古樂學院合奏團 / 賀活特

布魯克納：降E大調第四交響曲，「浪漫」蘇格蘭皇家國家樂團 / 丁德納

3/5/2016 (Tue 星期二)11:00am TCHAIKOVSKY 柴可夫斯基 Symphony No. 4 in F minor, Op. 36 43’ Orchestra dell’Accademia Nazionale di Santa Cecilia / Antonio PappanoF小調第四交響曲，作品36聖西西利亞音樂學院樂團 / 柏巴奴

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）David Frey (p)Orchestre de la Suisse Romande / Rafael PayareKodály: Dances of Galánta 17’Beethoven: Piano Concerto No. 3 in C minor, Op. 37 36’Bartók: Concerto for Orchestra, Sz. 116 40’

費拉（鋼琴）瑞士羅曼第樂團 / 帕耶拉高大宜：加蘭塔舞曲貝多芬：C小調第三鋼琴協奏曲，作品37巴托：樂團協奏曲，Sz. 116

8:00pm LIVE ON 4 第四台音樂會Vilde Frang (v)Alisa Kolosova (ms)Christian Elsner (t)Radio France Phil. Orch. / Marzena DiakunKorngold: Violin Concerto in D, Op. 35 26’Mahler: Das Lied von der Erde 63’

Recorded at the Philharmonie, Paris, on 25/9/2015.

法朗（小提琴）高洛索娃（女中音）埃斯納（男高音）法國電台愛樂樂團 / 戴觀哥高迪：D大調小提琴協奏曲，作品35馬勒：大地之歌

2015年9月25日巴黎愛樂音樂廳錄音。

4/5/2016 (Wed 星期三)11:00am RESPIGHI 雷史碧基 Church Windows 28’Cincinnati Sym. Orch. / Jesés López-Cobos教堂之窗辛辛那提交響樂團 / 路柏斯—高寶士

節目精華Programme Highlights

Barthold Kuijken 巴福‧高爾根

53

5/5/2016 (Thu 星期四)11:00am GLAZUNOV 格拉祖諾夫Saxophone Quartet in B flat, Op. 109 27’Rolling Phones Saxophone Quartet降B大調薩克管四重奏，作品109Rolling Phones薩克管四重奏

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）The Intimacy of Creativity 2016 World Premiere ConcertDan Zhu (v)Hong Kong Phil. Orch. / Bright ShengMcClure: Warning ColoursTemkin: Rising MoonBright Sheng: Let FlyBaker: Tumultuous VoyageProkofiev: ‘Romeo and Juliet’ Suite No. 2, Op. 64b

Presented by School of Humanities and Social Science, Hong Kong University of Science and Technology. Recorded at Hong Kong Cultural Centre Concert Hall on 21/4/2016.

創意間的親暱2016世界首演音樂會朱丹（小提琴）香港管弦樂團 / 盛宗亮麥克盧爾：警告的顏色特姆金：初昇之月盛宗亮：飛飛歌貝克：動盪之旅浦羅歌菲夫：《羅密歐與朱麗葉》第二組曲，作品64b

香港科技大學人文社會科學學院主辦。2016年4月21日香港文化中心音樂廳錄音。

8:00pm LIVE ON 4 第四台音樂會Nicolas Baldeyrou (cl)Philippe Bajart (ty)Radio France Phil. Orch. / Jakub HrůšaBoulez: Domaines for Clarinet 8’Martinů: Double Concerto for 2 String Orchestras, Piano and Timpani 23’Roussel: ‘Bacchus et Ariane’, Suite No. 2 20’Martinu: La Bagarre 8’Roussel: Symphony No. 3 in G minor, Op. 42 25’

Recorded at Maison de la Radio, Paris, on 11/1/2016.

保狄洛（單簧管）巴耶特（定音鼓）法國電台愛樂樂團 / 哈魯沙布萊茲：區域，為單簧管而作馬天奈：為兩隊弦樂團、鋼琴與定音鼓而寫的雙協奏曲羅素：《巴庫斯和阿里阿德涅》第二組曲馬天奈：爭吵羅素：G小調第三交響曲，作品42

2016年1月11日巴黎電台大廈錄音。

6/5/2016 (Fri 星期五)11:00am FINZI 費茲 A Young Man’s Exhortation, Op. 14 28’ Mark Padmore (t) Roger Vignoles (p)青年忠告，作品14帕慕亞（男高音）域沃斯（鋼琴）

2:00pm 68TH HONG KONG SCHOOLS MUSIC FESTIVAL (REPEAT) 第六十八屆香港學校音樂節（重播）Prog. as 1/5/2016, 8pm節目與2016年5月1日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會BBC Proms 2015Monteverdi Cho. & English Baroque Soloists / John Eliot GardinerMonteverdi: L’Orfeo 120’

Recorded at the Royal Albert Hall, London, on 4/8/2015.

英國廣播公司逍遙音樂節2015蒙台威爾第合唱團及英國巴洛克獨奏家樂團 / 嘉狄拿蒙台威爾第：奧菲歐

2015年8月4日倫敦皇家亞爾拔音樂廳錄音。

7/5/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Radovan Vlatković Plays Richard StraussRadovan Vlatković (fh)Hong Kong Sinfonietta / Christoph Poppen

Haydn: Symphony No. 100 in G, ‘Military’R. Strauss: Horn Concerto No. 1 in E flat, Op. 11Brahms: Symphony No. 1 in C minor, Op. 68

Presented by Hong Kong Sinfonietta. Recorded at Hong Kong City Hall Concert Hall on 23/4/2016.

圓號大師費拿高域演奏李察‧史特勞斯華拉高域（圓號）香港小交響樂團 / 樸賓

海頓：G大調第一百交響曲，「軍隊」李察‧史特勞斯：降E大調第一圓號協奏曲，作品11布拉姆斯：C小調第一交響曲，作品68

香港小交響樂團主辦。2016年4月23日香港大會堂音樂廳錄音。

8/5/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Vivaldi: Griselda 169’Griselda: Marion Newman (ms)Gualtiero: Giles Tomkins (b)Costanza: Carla Huhtanen (s)Thessaly: Colin Ainsworth (t)Opera in Concert Aradia Ensemble / Kevin Mallon

韋華第：格利素達格利素達：萊曼（女中音）挂堤洛：湯健士（男低音）高斯單莎：胡塔蘭（女高音）戴查里：安士和夫（男高音）音樂會歌劇團阿拉狄亞合奏團 / 馬倫

8:00pm 68TH HONG KONG SCHOOLS MUSIC FESTIVAL 第六十八屆香港學校音樂節Secondary School Choir Final – Girls’ Choir Section (First Division)第一組別中學合唱決賽 – 女聲合唱組

9/5/2016 (Mon 星期一)11:00am STRAVINSKY 史達拉汶斯基 Pulcinella 27’Cleveland Orch. / Igor Stravinsky普切內拉克里夫蘭樂團 / 史達拉汶斯基

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 4/5/2016, 8:00pm節目與2016年5月4日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Bach: Flute Sonata in B minor, BWV1030 17’Jean-Pierre Rampal (f)Jordi Savall (va) Robert Veyron-Lacroix (hc)

Schubert: String Quintet in C, D. 956 46’Isaac Stern (v)Alexander Schneider (v)Milton Katims (va)Pablo Casals (vc)Paul Tortelier (vc)

Prokofiev: Symphony No. 6 in E flat minor, Op. 111 42’Royal Scottish Nat. Orch. / Neeme Järvi

Mark Padmore 帕慕亞

55MAY 2016 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華

巴赫：B小調長笛奏鳴曲，BWV1030雷波爾（長笛）沙霍（中提琴）菲朗拉確斯（古鍵琴）

舒伯特：C小調弦樂五重奏，D. 956以撒‧史頓（小提琴）舒乃達（小提琴）卡添士（中提琴）卡索斯（大提琴）保羅‧托替利亞（大提琴）

浦羅歌菲夫：降E小調第六交響曲，作品111蘇格蘭皇家國家樂團 / 約菲

10/5/2016 (Tue 星期二)11:00am DEBUSSY 德布西 Cinq poèmes de Baudelaire 27’Christopher Maltman (br) Malcom Martineau (p)五首波德萊詩作馬特文（男中音）馬田尼奧（鋼琴）


8:00pm LIVE ON 4 第四台音樂會Julia Fischer QuartetBeethoven: String Quartet in C minor, Op. 18, No. 4 24’Shostakovich: String Quartet No. 8 in C minor, Op. 110 24’Schumann: String Quartet in A, Op. 41, No. 3 29’

Recorded at the Musikverein, Vienna, on 15/1/2015.

費莎四重奏貝多芬：C小調弦樂四重奏，作品18，第四首蕭斯達高維契：C小調第八弦樂四重奏，作品110舒曼：A大調弦樂四重奏，作品41，第三首

2015年1月15日維也納金色大廳錄音。

Jean-Pierre Rampal 雷波爾

14/5/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Szymanowski Quartet and Mary WuMary Wu (p)Szymanowski QuartetHaydn: String Quartet in E flat, Op. 33 No. 2, ‘The Joke’Szymanowski (Myroslav Skoryk arr.): Nocturne and TarantellaBacewicz: Piano Quintet No. 1Daniel Lo Ting-cheung: EncounterChan Sze-rok: In Search of Lost TimeKiko Shao Li-tang: HarmonyJoyce Tang Wai-chung: The Bacewicz Obsession

Presented by Cultural Management Office, University of Hong Kong. Recorded at Grand Hall, Lee Shau Kee Lecture Centre, HKU, on 23/4/2016.

史曼諾夫斯基四重奏與吳美樂吳美樂（鋼琴）史曼諾夫斯基四重奏海頓：降E大調弦樂四重奏，作品33，第二首，「笑話」史曼諾夫斯基（斯哥利改篇）：夜曲及塔朗泰拉舞曲巴西域茲：第一鋼琴五重奏盧定彰：遇陳詩諾：憶邵麗棠：和鄧慧中：對巴切維茨之著迷

香港大學Cultural Management Office主辦。 2016年4月23日香港大學李兆基會議中心大會堂錄音。

15/5/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Ponchielli: La Gioconda 170’Gioconda: Montserrat Caballé (s)Enzo Grimaldo: Luciano Pavarotti (t)Alvise Badoero: Nicolai Ghiaurov (b)London Opera Cho., Nat. Phil. Orch. / Bruno Bartoletti龐基耶利：歌女焦空達焦空達：卡芭兒（女高音）格利姆杜：巴筏諾堤（男高音）巴度洛：基亞洛夫（男低音）倫敦歌劇院合唱團，國家愛樂樂團 / 巴圖烈第

8:00pm 68TH HONG KONG SCHOOLS MUSIC FESTIVAL 第六十八屆香港學校音樂節 Secondary School Choir Final – Mixed Voice Choir Section (First Division)第一組別中學合唱決賽 – 混聲合唱組

16/5/2016 (Mon 星期一)11:00am SCHÜTZ 舒池 Musikalische Exequien, Op. 7, SWV279-281 31’ English Baroque Soloists / John Eliot Gardiner音樂葬禮，作品7，SWV279-281英國巴羅克獨奏家樂團 / 嘉狄拿


11/5/2016 (Wed 星期三)11:00am BACH 巴赫 Cello Suite No. 4 in E flat, BWV1010 27’ Jian Wang (vc) 降E大調第四大提琴組曲，BWV1010王健（大提琴） 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 6/5/2016, 8:00pm節目與2016年5月6日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Plamena Mangova (p)Apollon Musagète QuartetSchumann: Piano Quintet in E flat, Op. 44 30’Dvořák: String Quartet No. 11 in C, Op. 61 39’

Recorded in the Philharmonic Concert Hall, Warsaw, on 24/8/2015.

曼高華（鋼琴）謬斯領袖阿波羅四重奏舒曼：降E大調鋼琴五重奏，作品44德伏扎克：C大調第十一弦樂四重奏，作品61

2015年8月24日華沙愛樂音樂廳錄音。

12/5/2016 (Thu 星期四)11:00am HAYDN 海頓Symphony No. 8 in G, ‘Le Soir’ 24’ Vienna Concentus Musicus / Nikolaus HarnoncourtG大調第八交響曲，「夜」維也納古樂團 / 亞奴閣

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 7/5/2016, 8pm節目與2016年5月7日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會 Artist-in-Residence: Zhang YingZhang Ying (pipa) Trad.: White Snow in Early Spring 3’Trad. (Liu Dehai transmitted): Moon on High 8’ King Chu Doffs His Amour 10’ Ambush from Ten Sides 9’Rawap solo (Wang Fandi arr.): Spring of Tianshan 3’Wang Huiran: Dance of the Yi People 7’Ren Hongxiang: Reminiscences by the Wei River 9’Chaozhou folk music: Fish Hawks Dabbling in the Water 5’Chen Yin: Dance of the Mountain 8’

Recorded at RTHK Studio Two on 8/3 & 9/3/2016.

駐台演奏家：張瑩張瑩（琵琶）古曲：陽春白雪古曲 / 劉德海傳譜：月兒高霸王卸甲十面埋伏熱瓦普獨奏曲（王範地編）：天山之春王惠然：彝族舞曲任鴻翔：渭水情潮州民間樂曲：寒鴉戲水陳音：山之舞

2106年3月8日及9日香港電台二號錄播室錄音。

13/5/2016 (Fri 星期五)11:00am KORNGOLD 康高特Suite from ‘Between Two Worlds’ 30’Deutsches Sym. Orch. Berlin / John Mauceri《兩世之間》組曲柏林德意志交響樂團 / 茅卓里


8:00pm LIVE ON 4 第四台音樂會BBC Proms 2015Steven Osborne (p)Valérie Hartmann-Claverie (ondes Martenot)London Sym. Cho. & BBC Phil. Orch. / Juanjo MenaFoulds: 3 Mantras, Op. 61 22’Messiaen: Turangalîla-Symphonie 73’

Recorded at the Royal Albert Hall, London, on 13/8/2015.

英國廣播公司逍遙音樂節2015奧斯本（鋼琴）夏文—嘉法利（馬特諾音波琴）倫敦交響合唱團及英國廣播公司愛樂樂團 / 萬那福士：三首曼特羅，作品61梅湘：圖倫加利拉交響曲

2015年8月13日倫敦皇家亞爾拔音樂廳錄音。

Steven Osborne 奧斯本


8:00pm LIVE ON 4 第四台音樂會Fernandes: Piano Quartet 22’Barbara Friedhoff (va)Bomtempo Trio

Mozart: Violin Concerto No. 3 in G, K. 216 24’Itzhak Perlman (v)Vienna Phil. Orch. / James Levine

Elgar: Symphony No. 1 in A flat, Op. 55 57’London Phil. Orch. / Bryden Thomson

費蘭狄斯：鋼琴四重奏費特荷夫（中提琴）邦譚普三重奏

莫扎特：G大調第三小提琴協奏曲，K. 216普爾文（小提琴）維也納愛樂樂團 / 利雲

艾爾加：降A大調第一交響曲，作品55倫敦愛樂樂團 / 湯遜

17/5/2016 (Tue 星期二)11:00am RICHARD STRAUSS 李察‧史特勞斯 Don QuixotePierre Fournier (vc) Royal Concertgebouw Orch. / George Szell唐吉訶德科尼亞（大提琴）阿姆斯特丹皇家音樂廳樂團 /史奧爾


8:00pm LIVE ON 4 第四台音樂會Emmanuel Pahud (f)Helsinki Phil. Orch. / Miguel Harth-BedoyaSallinen: Shadows (Prelude for Orchestra) 8’Ibert: Flute Concerto 20’Brahms: Symphony No. 4 in E minor, Op. 98 40’

Recorded in the Helsinki Music Center on 29/5/2015.

巴活（長笛）赫爾辛基愛樂樂團 / 夏夫—比多亞沙連倫：影子（為樂團而寫的前奏曲）易伯特：長笛協奏曲布拉姆斯：E小調第四交響曲，作品98

2015年5月29日赫爾辛基音樂中心錄音。

Emmanuel Pahud 巴活


8:00pm LIVE ON 4 第四台音樂會The Philadelphia OrchestraThe Philadelphia Orch. / Yannick Nézet-SéguinBeethoven (Mahler arr.): String Quartet in F minor, Op. 95, ‘Serioso’Bruckner: Symphony No. 4 in E flat, ‘Romantic’

Presented by Cultural Presentations Section, LCSD. Live from the Hong Kong Cultural Centre Concert Hall.

費城樂團費城樂團 / 尼澤—塞甘貝多芬（馬勒改編）：F小調弦樂四重奏，作品95，「嚴肅」布魯克納：降E大調第四交響曲，「浪漫」

康樂及文化事務署文化節目組主辦。香港文化中心音樂廳現場直播。

21/5/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Martha Argerich (p)Royal Phil. Orch. / Charles DutoitVivier: Orion 14’Ravel: Piano Concerto in G 22’Prokofiev: Suite from ‘The Love for Three Oranges’ 15’Mussorgsky (Ravel orch.): Pictures at an Exhibition 32’

亞嘉莉殊（鋼琴）皇家愛樂樂團 /杜托華維韋亞：獵戶座拉威爾：G大調鋼琴協奏曲浦羅歌菲夫：《三橘之戀》組曲穆索斯基（拉威爾配器）：圖畫展覽會

22/5/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Richard Wagner: Das Liebesverbot 121’Isabella: Hilde Zadek (s)Claudio: Anton Dermota (t)Friedrich: Heinz Imdahl (b)Marianna: Christiane Sorell (s)ORF – Chor und Grosses Wiener Rundfunkorchester / Robert Heger華格納：愛情的禁令伊莎貝拉：沙迪（女高音）卡羅狄奧：狄姆達（男高音）費特力：艾姆達（男低音）瑪莉安娜：蘇域利（女高音）奧地利廣播公司合唱團及維也納電台樂團 / 希格

8:00pm 68TH HONG KONG SCHOOLS MUSIC FESTIVAL 第六十八屆香港學校音樂節 Prize-winners’ Concert 優勝者音樂會

18/5/2016 (Wed 星期三)11:00am MOZART 莫扎特 Piano Concerto No. 26 in D, K. 537 30’ Maria João Pires (p) Gulbenkian Ch. Orch. of Lisbon / Theodore GuschlbaurD大調第二十六鋼琴協奏曲，K. 537比殊（鋼琴）里斯本古賓其因室樂團 / 古舒包亞


8:00pm LIVE ON 4 第四台音樂會A Philadelphia – Hong Kong EncounterMembers of The Philadelphia Orchestra Ricardo Morales (cl) Ying Fu (v) Burchard Tang (va) Lio Kuok-man (p) RTHK Quartet Le Hoai-nam (v) Winty Wan, (v) Elvis Chan, (va) Laurent Perrin (vc) Schumann: Fantasiestücke, Op. 73 11’Mozart: Clarinet Quintet in A, K. 581 33’Dvořák: Piano Quintet No. 2 in A, Op. 81 36’

Presented by RTHK Radio 4 in association with The Leisure and Cultural Services Department. Live from Studio One, RTHK.

費城 – 香港‧音樂邂逅費城樂團成員里卡多‧莫拉里斯 (單簧管) 傅贏 (小提琴) 鄧思恆 (中提琴) 廖國敏 (鋼琴)香港電台弦樂四重奏李海南 (小提琴) 雲凱弦(小提琴) 陳子信 (中提琴) 貝樂安 (大提琴)舒曼：幻想樂曲，作品73莫扎特：A大調單簧管五重奏，K. 581德伏扎克： A大調第二鋼琴五重奏，作品81

香港電台第四台主辦，康樂及文化事務署協辦。香港電台一號錄播室現場直播。

19/5/2016 (Thu 星期四)11:00am BACH 巴赫Partita No. 2 in C minor, BWV826 20’ Trevor Pinnock (hc)C小調第二組曲，BWV826班諾克（古鍵琴）


8:00pm LIVE ON 4 第四台音樂會The Philadelphia OrchestraThe Philadelphia Orch. / Yannick Nézet-Séguin

Brahms: Symphony No. 2 in D, Op. 73Rimsky-Korsakov: Scheherazade, Op. 35

Presented by the Cultural Presentations Section, LCSD. Live from the Hong Kong Cultural Centre Concert Hall.

費城樂團費城樂團 / 尼澤—塞甘

布拉姆斯：D大調第二交響曲，作品73林姆斯基—高沙可夫：天方夜譚，作品35

康樂及文化事務署文化節目組主辦。香港文化中心音樂廳現場直播。

20/5/2016 (Fri 星期五)11:00am ROUSSEL 羅素 ‘Bacchus et Ariane’ Suite No. 2 20’ Orch. de Paris / Serge Baudo《巴庫斯與阿里阿德涅》第二組曲巴黎管弦樂團 / 鮑度


Yannick Nézet-Séguin 尼澤—塞甘

Lio Kuok-man 廖國敏

25/5/2016 (Wed 星期三)11:00am STANFORD 史丹福特 Concert Variations on an English Theme, Op. 71 27’Margaret Fingerhut (p)Ulster Orch. / Vernon Handley英式主題音樂會變奏曲，作品71芬格浩特（鋼琴）奧斯特樂團 / 漢特利


8:00pm LIVE ON 4 第四台音樂會West Cork Chamber Music FestivalJames Gilchrist (t)Dmitry Sitkovetsky (v)Jose Gallardo (p)Anna Tilbrook (p)RTÉ Vanbrugh QuartetShchedrin: Menuhin Sonata 20’Vaughan-Williams: On Wenlock Edge 22’Gubaidulina: Homage to T. S. Elliot 33’

Recorded at the festival on 2/7/2015.

西確克室樂節基克里斯特（男高音）薛高維斯基（小提琴）嘉拿杜（鋼琴）堤爾布洛克（鋼琴）愛爾蘭廣播及電視雲堡四重奏蕭卓倫：曼奴軒奏鳴曲佛漢威廉士：在溫洛克山古拜杜蓮娜：向T. S. 艾略特致敬

2015年7月2日於音樂節錄音。

26/5/2016 (Thu 星期四)11:00am ELGAR 艾爾加Enigma Variations, Op. 36 30’ Montreal Sym. Orch. / Charles Dutoit謎語變奏曲，作品36蒙特利爾交響樂團 / 杜托華


8:00pm LIVE ON 4 第四台音樂會Artist-in-Residence: Zhang Ying & FriendsZhang Ying (pipa) & friendsPipa performer Zhang Ying pairs up her friends and gives an all rounded pipa concert. Works performed include:Give me a RoseStory – inspired by the Tang Poem ‘Tune of Pipa’Song of Horse HerdingEncountersSpring blossoms over Moon RiverLittle Sisters of the Grassland

Presented by RTHK Radio 4. Live from Studio One, RTHK.

駐台演奏家：張瑩與友人張瑩（琵琶）與友人張瑩以琵琶為中心，跟朋友以不同形式合作，為大家送上多首作品，包括有：送我一支玫瑰花訴 — 讀唐詩琵琶行有感放馬山歌邂逅春江花月夜草原英雄小姐妹香港電台第四台主辦。香港電台一號錄播室現場直播。

27/5/2016 (Fri 星期五)11:00am KORNGOLD 哥高迪Symphonic Serenade, Op. 39 36’ Deutsches Sym. Orch., Berlin / John Mauceri交響小夜曲，作品39柏林德意志交響樂團 / 茅卓里


8:00pm LIVE ON 4 第四台音樂會Live at the WigmoreKopelman QuartetProkofiev: String Quartet No. 2 in F, Op. 92 22’Shostakovich: String Quartet No. 4 in D, Op. 83 26’

Recorded at Wigmore Hall, London, on 30/6/2014.

威格摩音樂廳的迴響高寶文四重奏浦羅歌菲夫：F大調第二弦樂四重奏，作品92蕭斯達高維契：D大調第四弦樂四重奏，作品83

2014年6月30日倫敦威格摩音樂廳錄音。

23/5/2016 (Mon 星期一)11:00am EDUARD FRANCK 愛德華‧法朗克 Symphony in B flat, Op. 52 38’Saarbrücken Radio Sym. / Hans-Peter Frank降B大調交響曲，作品52 薩布隆根電台交響樂團 / 漢斯—彼得‧法朗克


8:00pm LIVE ON 4 第四台音樂會Palestrina: Missa papae marcelli 40’Westminster Cathedral Choir

Beethoven: Violin Sonata No. 7, Op. 30 No. 2 29’Yehudi Menuhin (v)Wilhelm Kempff (p)

Shostakovich: Symphony No. 1 in F minor, Op. 10 32’Royal Phil. Orch. / Vladimir Ashkenazy

帕萊斯特里那：馬爾采魯斯教皇彌撒曲西敏寺大教堂合唱團

貝多芬：第七小提琴奏鳴曲，作品30，第二首曼奴軒（小提琴）甘富爾（鋼琴）

蕭斯達高維契：F小調第一交響曲，作品10皇家愛樂樂團 / 亞殊堅納西

24/5/2016 (Tue 星期二)11:00am GADE 加特 Symphony No.7 in F, Op. 45 32’Danish Nat. Radio Sym. Orch. / Christopher HogwoodF大調第七交響曲，作品45丹麥國家電台交響樂團 / 賀活特


8:00pm LIVE ON 4 第四台音樂會Behzod Abduraimov (p)Czech Phil. Orch. / Jakub HrůšaTchaikovsky: Piano Concerto in B flat minor, Op. 23 34’R. Strauss: Alpine Symphony, Op. 64 57’

Recorded in Dvořák Hall, Rudolfinum, Prague, on 11/4/2016.

亞杜萊莫夫（鋼琴）捷克愛樂樂團 / 哈魯沙柴可夫斯基：降B小調鋼琴協奏曲，作品23李察‧史特勞斯：阿爾卑斯山交響曲，作品64

2016年4月11日布拉格魯道夫音樂廳德伏扎克音樂廳錄音。

Dmitry Sitkovestky 薛高維斯基

60 MAY 2016 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華

28/5/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Hong Kong Recital Debut: Louis SchwizgebelLouis Schwizgebel (p)Haydn: Keyboard Sonata No. 60 in C, Hob.XVI: 50Liszt: 12 Lieder von Franz Schubert, S. 558 Ständchen von Shakespeare, No. 9 Auf dem Wasser zu singen, No. 2 Du bist die Ruh, No. 3 Erlkönig, No. 4 Schubert: Piano Sonata in A minor, D. 845

Presented by Premiere Performances. Recorded at Hong Kong City Hall Concert Hall on 25/4/2016.

香港獨奏首演：王思韻王思韻（鋼琴）海頓：C大調第六十鍵盤奏鳴曲，Hob.XVI: 50李斯特：舒伯特藝術歌曲改編，S. 558 第九首 — 莎士比亞小夜曲第二首 — 水上吟第三首 — 你是安寧第四首 — 魔王舒伯特：A小調鋼琴奏鳴曲，D. 845

飛躍演奏香港主辦。2016年4月25日香港大會堂音樂廳錄音。

29/5/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Franco Alfano: Risurrezione 112’Katiusha: Magda Olivero (s)Prince Dimitri: Giuseppe Gismondo (t)RAI Sym. Orch. & Cho. Turin / Elio Boncompagni

亞芬奴：復活卡塞意莎：奧莉費奧（女高音）狄密塞爾王子：紀斯蒙杜（男高音）意大利都靈電台交響樂團及合唱團 / 邦琴柏尼

8:00pm 68TH HONG KONG SCHOOLS MUSIC FESTIVAL 第六十八屆香港學校音樂節 Prize-winners’ Concert 優勝者音樂會

30/5/2016 (Mon 星期一)11:00am BACH 巴赫 Magnificat in E flat, BWV243aJudith Nelson & Emma Kirkby (s) Carolyn Watkinson (ms)Cho. of Christ Church CathedralAcademy of Ancient Music / Simon Preston降E大調尊主頌，BWV243a尼爾遜、卻比（女高音）屈健遜（女中音）牛津基督教堂合唱團古樂學院合奏團 / 柏爾斯頓


8:00pm LIVE ON 4 第四台音樂會Bartok: Contrasts 18’Richard Stoltzman (cl)Lucy Chapman Stoltzman (v)Richard Goode (p)

Sarasate: Zigeunerweisen 9’Michael Rabin (v) Hollywood Bowl Symphony Orchestra / Felix Slatkin

Brahms: Ein Deutsches Requiem 74’Felicity Lott (s)David Wilson-Johnson (br) London Symphony Cho. & Orch. / Richard Hickox

巴托：對比李察‧史圖哲文（單簧管）露思‧卓曼‧史圖哲文（小提琴）古德（鋼琴）

薩拉沙替：流浪者之歌拉賓（小提琴）荷理活碗交響樂團 / 史拉堅

布拉姆斯：德意志安魂曲羅德（女高音）威爾遜－莊遜（男中音）倫敦交響樂團及合唱團 / 希覺斯

31/5/2016 (Tue 星期二)11:00am ALKAN 亞爾勤 Sonata de Concerto for Cello and Piano in E, Op. 47 33’Emmanuelle Bertrand (vc) Pascal Amoyel (p)E大調大提琴與鋼琴協奏奏鳴曲，作品47貝德蘭（大提琴）亞姆耶（鋼琴）


8:00pm LIVE ON 4 第四台音樂會Fazil Say (p)Mozart: Piano Sonata No. 12 in F, K. 332 23’Chopin: Four Nocturnes 19’Janáček: Piano Sonata in E flat minor 15’Say: ‘Gezi Park 2’, Op. 52 16’

Recorded at Le Corum, Opera Berlioz, Montpellier, on 10/7/2015.

薩爾（鋼琴）莫扎特：F大調第十二鋼琴奏鳴曲，K. 332蕭邦：四首夜曲楊納傑克：降E小調鋼琴奏鳴曲薩爾：「葛茲公園二」，作品52

2015年7月10日蒙彼利埃白遼士歌劇院哥隆音樂廳錄音。

1/6/2016 (Wed 星期三)11:00am MILHAUD 米堯 Le Carnaval de Londres 28’ New London Orch. / Ronald Crop倫敦嘉年華會新倫敦樂團 / 哥立普 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 27/5/2016, 8:00pm節目與2016年5月27日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Programme to be announced節目詳情容後公佈

2/6/2016 (Thu 星期四)11:00am BEETHOVEN 貝多芬Piano Sonata No. 8 in C minor, Op. 13, ‘Pathétique’ 18’ François-René Duchâble (p)C小調第八鋼琴奏鳴曲，作品13，「悲愴」杜沙貝（鋼琴）


8:00pm LIVE ON 4 第四台音樂會Programme to be announced節目詳情容後公佈

Felicity Lott 羅德

Fazil Say 薩爾


3/6/2016 (Fri 星期五)11:00am BARTÓK 巴托Concerto for Orchestra, Sz. 116 42’Hungarian State Sym. Orch. / Adam Fischer樂隊協奏曲，Sz. 116匈牙利國家交響樂團 / 費殊


8:00pm LIVE ON 4 第四台音樂會Live at the Wigmore Elisabeth Leonskaja (p)Beethoven: Fantasia in G minor, Op. 77 8’ Piano Sonata in D minor, Op. 31, No. 2, ‘Tempest’ 13’Berg: Piano Sonata, Op. 1 25’

Recorded at Wigmore Hall, London, on 27/10/2014.

威格摩音樂廳的迴響李安絲卡雅（鋼琴）貝多芬：G小調幻想曲，作品77 D小調鋼琴奏鳴曲，作品31，第二首，「暴風雨」貝爾格：鋼琴奏鳴曲，作品1

2014年10月27日倫敦威格摩音樂廳錄音。

Elisabeth Lenskaja 李安絲卡雅

62 MAY 2016 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華

• Radio Television Hong Kong • Music Office • Hong Kong Cultural Centre • Hong Kong Cultural Centre • Hong Kong City Hal • Shatin Town Hall • Tsuen Wan Town Hall • Tuen Mun Town Hall • Kwai Tsing Theatre • Yuen Long Theatre • Ngau Chi Wan Civic Centre • Sai Wan Ho Civic Centre • Sheung Wan Civic Centre • 香港電台 • 音樂事務處 • 香港文化中心 • 香港大會堂 • 沙田大會堂 • 荃灣大會堂 • 屯門大會堂 •葵青劇院 • 元朗劇院 • 牛池灣文娛中心 • 西灣河文娛中心 • 上環文娛中心• Tom Lee Music Co. Ltd. Retail branches including: Tsimshatsui, Wanchai, Shatin, Causeway Bay, Taikoo, Aberdeen, Western District, Olympian City, Kowloon Bay MegaBox, Hunghom, Hang Hau, Luk Yeung Galleria, Tsing Yi, Tuen Mun, Yuen Long, Tai Po • Eddy Piano Co. Ltd. Retail Branches including: Kowloon City, Mongkok, Hung Hum, Tseung Kwan O, Tai Po, Homantin • Tsang Fook Piano Co. Ltd. Wanchai • Hong Kong Children’s Strings Branches including Causeway Bay, Tai Kok Tsui • Muse Music Company • Harmony Music Co. Ltd. Prince Edward • Hong Kong Records Tsimshatsui & Admiralty • Pro-sound Ltd. • ST Music & Art Centre • Rosealan Music • Sole Cultural Goods • Youth Square • Hong Kong Zhang Shixiang International Violin School • Dynamics Music • Aria Academy of Music • 通利琴行分行包括：尖沙咀、灣仔、沙田、銅鑼灣、太古、香港仔、西環、奧海城、九龍灣(Megabox)、紅磡、坑口、綠楊坊、青衣、屯門、元朗、大埔 • 偉樂琴行分行包括：九龍城、旺角、紅磡、將軍澳、大埔、何文田 • 曾福琴行灣仔 • 香港兒童弦樂團包括：銅鑼灣、大角咀 • 繆斯琴行 • 凱聲琴行太子 • 香港唱片有限公司尖沙咀及金鐘 • 寶韻 Pro-sound Ltd • 華偉音樂藝術中心 • 樂爵士琴行 • 向日葵文化良品 • 青年廣場 •

張世祥國際小提琴學校 • 艾莉亞音樂學院• Hong Kong Children’s Choir • Music Department of the University of Hong Kong • Music Department of the Chinese University of Hong Kong • Music Department of the Hong Kong Baptist University • The Hong Kong Academy for Performing Arts • Hong Kong Music Institute • The United Academy of Music • Hong Kong International Institute of Music • Hong Kong Percussion Centre • Baron School of Music • Hong Kong Professional Piano Education Academy Tin Hau, QuarryBay & Tsuen Wan • The Hong Kong Institute of Education • Lingnan University • 香港兒童合唱團 • 香港大學音樂系 • 香港中文大學音樂系 • 香港浸會大學音樂系 • 香港演藝學院 • 香港音樂專科學校 • 聯合音樂學院 • 香港國際音樂學校 • 香港敲擊樂中心 • 伯樂音樂學院 • 香港鋼琴教育專業學院天后、鰂魚涌、荃灣 • 香港教育學院 • 嶺南大學• Hong Kong Public Libraries Including: Hong Kong Central Library, Kowloon Central, Fa Yuen Street, To Kwa Wan, Lai Chi Kok, North Point, Shatin, Sheung Shui, Tai Po, Tsuen Wan, Tuen Mun, Yuen Long, North Kwai Chung • Hong Kong Museum of Art • Hong Kong Museum of History • 香港公共圖書館包括：香港中央圖書館、九龍中央圖書館、花園街、土瓜灣、荔枝角、北角、沙田、上水、大埔、荃灣、屯門、元朗、北葵涌 • 香港藝術館 • 香港歷史博物館

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RTHK Radio 4 香港電台第四台 FM Stereo 97.6-98.9 MHz radio4.rthk.hk

K E Y

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T O A B B R E V I A T I O N S

ALTOACADEMYARRANGED BYBASSBASSOONBARITONECHAMBERCHOIR, CHORALE,CHORUSCLARINETCOMPOSERCONDUCTORCOUNTERTENORCLAVICHORDDOUBLE BASSENGLISH HORNFLUTE

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FRENCH HORNFORTEPIANOFESTIVALGLASS HARMONICAGUITARHARPHARPSICHORDHARMONICALUTEMEZZO﹣SOPRANONARRATORNATIONALORGANOBOEORCHESTRAPIANOPICCOLO

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PERCUSSIONPHILHARMONICRECORDERSOPRANOSAXOPHONESYMPHONYTENORTROMBONETRUMPETTRADITIONALTRANSCRIBED BYTIMPANIVIOLINVIOLONCELLOVIOLAVIOLA DA GAMBAVIHUELA

BBC RADIOINTERNATIONAL

European Broadcasting Union

帕多瓦鋼琴工藝坊

Padua Piano Technology Workshop音樂廳調音師專業維修翻新買賣歐洲古董日本二手鋼琴

Concert Tuner / Servicing / Tuning / Rebuilding Japanese Used & European Antique Pianos

2345-7950 / 9783-3929 www.PaduaPiano.com

Piano TeachingBA(Hon) HKU, LTCL, CTABRSM

9360 7410 Mr. Chiu Fb: Warmy’s Piano Tutorial

Piano, Theory, Aural, Accompaniment

Experienced bilingual tutor with FRSM, BA(Hons.) Music, AMusTCL.

All levels. Theory to Grade 8

6076 7454 Causeway Bay [email protected]

Make a difference in 2016Change the way you play Pass the exam you want Learn the song you love

Teach more and better students!

Facebook: Teresa Wong All About Piano www.teresawong.hk

Now recruiting piano beginners and diploma students.

‘FM’ Classified Board 《美樂集》分類廣告表格

Only $250 for first 20 words (including headings)首 20 字 $250 (包括標題)HEADING 標題

BODY TEXT 內文

（English: up to 30 characters ，中文：最多８字）

Note 請注意：

1. No refund or changes can be made to your ad after booking deadline.

截稿日期後將不接受退款及更改。

2. Friends of Radio 4 Society Limited reserves the right to reject or edit any advertisements.

第四台之友協會有限公司保留一切拒絕刊登或編輯廣告的權利。

3. The advertisements will be produced based on our standard format.

所有廣告將以本刊既有格式刊登。

4. Word counting: Website, Email, Tel. No. = 1 word Abbrieviation (e.g. RTHK) = 1 word Enquiry: 9073 3575, Miss Wong.

網址、電郵、電話號碼及英文縮寫 (如RTHK) 作一字計算。如有查詢，請電 9073 3575 黃小姐。

COST CALCULATOR 價格計算

1st 20 words首20字

Each extra word $5 以後每字 $5

No. of issue刊登期數

Discount折扣30% off for 6 issues刊登六期可獲七折

Total總數

($250 + $ ) x x =Please mail this form with your cheque, payable to “Friends of Radio 4 Society Limited” to: Friends of Radio 4 Society Limited, PO Box No. 97497 at Tsim Sha Tsui Post Office請連同劃線支票（抬頭「第四台之友協會有限公司」）郵寄至九龍尖沙咀郵政局郵箱97497號，第四台之友協會有限公司。

BOOKING DEALINE 截稿日期： 10th day of each month 每月 10 日

8 30 To be published in 刊登日期：

Name 姓名：

Address 地址：

Daytime Tel. 日間聯絡電話：

End of body text 內文完

Email Address 電郵地址：

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免責

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廣告查詢： Miss Wong 黃小姐

Tel 電話： 9073 3575

Email 電子郵箱： [email protected]

Contact Us

MAY 2016 | FINE MUSIC | CLASSIFIED BOARD 分類廣告

天韻樂室 Heavenly Music Music rooms equipped with piano for hire

ABRSM approved examination centre 15 sqm room with a brand new grand piano

Teachers……teaching, rehearsal, recital Students……lesson, practice

Directly opposite Sai Ying Pun MTR station exit B3

21100432 [email protected]

63

Rachel Lai 黎慧因

As a teenager, my curiosity was easily fulfilled thanks to the greatest

invention in the world: the internet. Through the internet I met my first

(virtual) boyfriend who lived half-way around the world and, to this day,

I don’t know what he looks like. Besides meeting friends, I also got to

explore a lot of new music genres through the internet. And when I

ultimately discovered jazz… it was much more exciting than having an

actual boyfriend.

Speaking of jazz, what intrigued me most was that sleek, handsome-

looking instrument: the alto saxophone. I personally think that

the sax is the most distinctive and

expressive instrument after human

voice. It could sound soulful and

mellow, bright and dazzling, or wild

and crazy. In the bossa nova song

Corcovado, ‘Quiet Nights of Quiet

Stars,’ by Tom Jobim, Stan Getz

even made his sax sound like an

elephant!

Not only was I a curious teenager, my

passions and impulsions were wild as

the wind. When my father said he would

reward me for getting a distinction in

my Grade 8 piano exam, guess what?

I asked for a saxophone. At last I

brought one home, but then public

exams were coming up shortly. Then I

went to college, then I studied abroad,

then I got a job…. Now it’s been over

10 years, and my beloved sax still lies

lonely in its case, little used and virtually

brand new.

In this year’s New Generation concert, the Hong Kong Saxophone

Ensemble has been invited to be the guest performer. With all the new

works written specially to highlight the instrument’s uniqueness by young

talented composers, my passion will surely be rekindled. Will I ever have

a ‘date’ with my saxophone?

The story is to be continued…

年少時，我的好奇心特別強。多得世上最偉大發明 — 互

聯網，我在網上結交了第一位（虛擬）男朋友，他居住在

地球的另一個角落，不過至今我仍不知道他的樣子如何。

其實除了認識新朋友，我也喜歡透過互聯網發掘不同類型

的音樂。當我首次接觸爵士樂，這比起能夠結交一位「真

實」的男朋友還要興奮。

談到爵士樂，最令我著迷的，就是那外形華麗的色士風

(薩克管)。你不覺得拿著色士風吹奏的樣子很有型嗎？

除此之外，我認為色士風是繼人聲

後，聲音最獨特和最富表現力的樂

器。它的聲音可以是深情醇厚，

也可以明亮閃爍、還可以狂野奔

放⋯⋯。Stan Getz在巴薩諾瓦歌曲

〈Quiet Nights of Quiet Stars〉裡

的吹奏方法，聽起來更猶如森林裡

的大象在嘶叫。

我不只是一個充滿好奇心的年青

人，我的熱情和衝動也格外火熱。

當年我的八級鋼琴試考到優異成

績，爸爸答應給我一份禮物以示獎

勵。結果，我要求他買一支色士

風。把色士風帶回家後，剛好即將

要應付公開試、之後上大學、出

國、工作⋯⋯。相隔十多年，我那

支全新的色士風仍然孤單地躺在盒

子裡，原封不動。

今年的「音樂新一代」音樂會，請來 H o n g K o n g

Saxophone Ensemble，加上多位才華洋溢的年輕作曲

家為色士風譜寫新曲，這回我一定能重拾昔日對色士風

的熱情。

我和色士風最終可以「約會」嗎？這故事，待續⋯⋯

64 MAY 2016 | FINE MUSIC | COLUMNS 專欄

finemusic 美樂集(05/2016)

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