flemish school, 17th century · italo-french school, 17th century part of the arch of constantine...

1

FLEMISH SCHOOL, 17TH CENTURY

A TREE

Pen and brown ink;

bears inscription: Fluweelen breughel. f.

212 by 142 mm

PROVENANCE:

Wellesley;

Sir David Kelly;

Acquired from Hans Calmann, 1954

EXHIBITED:

London, Royal Academy, The Paul Oppé Collection, 1958, no. 400 (as Jan Breughel I);

Ottawa, The National Gallery of Canada, Exhibition of Works from Paul Oppé Collection, 1961, no. 107 (as Jan

Breughel I)

LITERATURE:

A. E. Popham and K. Fenwick, European Drawings in the Collection of the National Gallery of Art, Toronto, 1965,

under no. 143

12,000 GBP

2

CARLO URBINO

Born Cremona, active 2nd half 16th Century

THE GLORIFICATION OF THE VIRGIN (RECTO AND VERSO)

Black chalk, pen and brown ink

216 by 163 mm

PROVENANCE:

Padre Resta John, Lord Somers (L. 2981), the former's numbering 'I. 141';

J. Richardson Sen. (L. 2183);

Earl Spencer (L. 1532);

A. Donnadieu (L. 726);

Acquired from Parsons, 1914

2,200 GBP

3

WILLEM VAN NIEULANDT II

Antwerp 1584 - 1635 Amsterdam

THE SEPTIZONIUM SEVERI, ROME

Pen and brown ink and watercolour, within brown ink framing lines

202 by 273 mm

PROVENANCE:

Acquired from D. G. Thomson, March 1937

3,000 GBP

4

GIROLAMO MAZZOLA BEDOLI

Viadana circa 1505 - 1569 Parma

A LUNETTE WITH A PROPHET

Pen and brown ink and wash and black chalk, the figure squared

117 by 191 mm

PROVENANCE:

Gift of Richeton, 1927

5,000 GBP

5

ITALO-FRENCH SCHOOL, 17TH CENTURY

PART OF THE ARCH OF CONSTANTINE

Black chalk and brown wash

185 by 114 mm

PROVENANCE:

Lord Northwick;

sale, Sotheby's, 24 November 1919, part of lot 1

700 GBP

6

JACOPO CHIMENTI, CALLED JACOPO DA EMPOLI

Florence 1551 - 1640

A MAN, STANDING TO RIGHT

Red chalk

407 by 230 mm

PROVENANCE:

Benno Geiger;

sale, Sotheby's, 7 December 1920, part of lot 94

EXHIBITED:

London, Royal Academy, The Paul Oppé Collection, 1958, no. 357

3,000 GBP

7

CARLO MARATTA

Camerano 1625 - 1713 Rome

CARICATURE HEADS

Red chalk

195 by 263 mm

PROVENANCE:

I.A. Williams;

Acquired in 1941, in exchange for a drawing by Artaud

3,500 GBP

8

BACCIO DEL BIANCO

Florence 1604 - 1657 Madrid

PUNCHINELLO AND A SLAVE

Pen and brown ink and wash, on the back of a lover's letter

140 by 145 mm

PROVENANCE:

Acquired from Calmann in 1954 by exchange

3,500 GBP

9

AGOSTINO TASSI

? 1565-Rome 1644

MUSICIANS

Pen and brown ink, irregular;

inscribed: ingilese tedeschi agostino Tassi 10./

121 by 154 mm

PROVENANCE:

Sir Joshua Reynolds (L. 2364);

W. Esdaile

EXHIBITED:


LITERATURE:

P. Ward-Jackson, Italian Drawings, 17th-18th Century, London, 1980, II, p. 86-87, under no. 811

9,000 GBP

10

ATTRIBUTED TO MAURO ANTONIO TESI

Montalbano, near Modena 1730 - 1766 Bologna

THE FAÇADE OF A TOWN HOUSE WITH STEMMA

Pen and brown ink

197 by 248 mm

PROVENANCE:

Acquired from Puttick, 1921

2,000 GBP

11

ROMAN SCHOOL, LATE 17TH CENTURY

A MAN ON CRUTCHES

Black and white chalk, on blue paper, irregular

407 by 232 mm

PROVENANCE:

Lord Northwick;

sale, Sotheby's, 1 November 1920, lot 42

EXHIBITED:

London, Royal Academy, Seventeenth Century, 1938, no. 384 (as Ludovico Carracci);

London, Wildenstein Gallery, 17th Century Artists working in Rome, 1955, no. 22, reproduced;

Bologna, Palazzo dell'Archiginnasio, Mostra dei Carracci, 1963, no. 106;

London, Royal Academy, The Paul Oppé Collection, 1958, no. 375;

Ottawa, The National Gallery of Canada, Exhibition of Works from Paul Oppé Collection, 1961, no. 114

LITERATURE:

D. Posner, Annibale Carracci, London 1971, p. 37

20,000 GBP

12

CLAUDE GELLÉE, CALLED CLAUDE LORRAIN

Chamagne, Lorraine 1604/5 - 1682 Rome

RECTO: LANDSCAPE IN THE CAMPAGNA;

VERSO: A TREE

Brown wash, on pale-pink preparation (recto), black chalk (verso);

with inscription 'C. Loranese'

165 by 265 mm

PROVENANCE:


Holland-Hibbert;

Lord Knutsford;

sale, Sotheby's, 11 April 1935, lot 108

EXHIBITED:

London, Royal Academy, Seventeenth Century, 1938, no. 529 (reproduced in the souvenir catalogue p. 106);

London, Royal Academy, Landscapes in French Art, 1950, no. 477;

Amsterdam, Het Franse Landscap, 1951, no. 174;

London, Arts Council, French Drawings from Fouquet to Gauguin, 1952, no. 28;

London, Royal Academy, Drawings by Old Masters, 1953, no. 372;


Ottawa, The National Gallery of Canada, Exhibition of Works from Paul Oppé Collection, 1961, no. 118;

Cambridge, The Fitzwilliam Museum, Beauty, Horror and Humility, 1981, no. 47

LITERATURE:

M. Roethlisberger, Claude Lorrain, The Drawings, Berkeley 1968, p. 168, no. 353 (where dated circa 1640)

200,000 GBP

13

FRANCESCO BARBIERI, CALLED IL GUERCINO

Cento 1591 - 1666 Bologna

CARICATURE: HEAD OF A PEASANT

Pen and brown ink and wash

291 by 210 mm

PROVENANCE:

Casa Gennari;

John Bouverie;

Mr Henry;

The Earls of Gainsborough; Christie's, 27 July 1922, part of lot 85;

Acquired from Parsons in August 1922

EXHIBITED:

London, Royal Academy, Old Master Drawings, 1953, no. 149;


Ottawa, National Gallery of Canada, Exhibition of Works of Paul Oppé Collection, 1961, no. 125;

Bologna, Palazzo dell'Archiginnasio, Il Guercino, Catalogo Critico dei Disegni, 1969, no. 234, reproduced;

London, British Museum, Drawings from Guercino from British Collections, 1991, no. 209, reproduced

70,000 GBP

14

ATTRIBUTED TO PHILIPP PETER ROOS, CALLED ROSA DA TIVOLI

Frankfurt 1657 - 1706 Rome

A BULLOCK, STANDING

Red chalk

260 by 396 mm

PROVENANCE:

Acquired in Bergamo, 1908

EXHIBITED:


1,500 GBP

15

GIOVANNI BATTISTA TIEPOLO

Venice 1696 - 1770 Madrid

A CAPRICCIO

Pen and brown ink and wash over black chalk

199 by 308 mm

PROVENANCE:

Sir Gilbert Lewis;

Henry Duff Gordon;

Gift of Lady Duff Gordon, 1836

EXHIBITED:


Ottawa, National Gallery of Canada, Exhibition of Works from Paul Oppé Collection, 1961, no. 143

LITERATURE:

A.P Oppé, A Fresh Group of Tiepolo Drawings, Old Master Drawings, 1930, p. 29-32;

J. Byam Shaw, The Drawings of Giovanni Domenico Tiepolo, London 1962, p. 80, under no. 44

40,000 GBP

16

GIOVANNI DOMENICO TIEPOLO

Venice 1727 - 1804

A SERVANT BEFORE A GROUP OF ORIENTALS

Pen and grey ink and wash

204 by 252 mm

PROVENANCE:

Sir Gilbert Lewis;

Henry Duff Gordon;

sale, Sotheby's, July 1937, lot 69

EXHIBITED:



22,000 GBP

17

FOLLOWER OF GIOVANNI LANFRANCO

Parma 1582 - 1647 Rome

THE CORONATION OF THE VIRGIN

Pen and brown ink and wash, heightened with white

371 by 247mm

PROVENANCE:

Sir Joshua Reynolds (L.2364);

Dr. E. Peart (L.891)

EXHIBITED:

London, Royal Academy, The Paul Oppé Collection, 1958, no. 377 ( as Giovanni Lanfranco)

600 GBP

18

LUCAS VAN VALCKENBORCH

Louvain c.1535 - 1597 Frankfurt

RECTO: A ROCKY LANDSCAPE WITH MINE-WORKINGS;

VERSO: A MOUNTAIN LANDSCAPE

Pen and brown ink and wash (recto), pen and brown ink (verso), brown ink framing lines

287 by 429 mm

PROVENANCE:

Acquired from P. & D. Colnaghi, 1948

EXHIBITED:


London, Royal Academy, Flemish Art, 1953, no. 478;



35,000 GBP

19

BALDASSARE FRANCESCHINI, CALLED IL VOLTERRANO

Volterra 1611 - 1689 Florence

FIGURE OF A BOY, HALF-LENGTH, CLIMBING A WALL

Red and white chalk, on light-brown paper

206 by 179 mm

PROVENANCE:


EXHIBITED:

London, Royal Academy, Old Master Drawings, 1953, no. 140 (as Domenichino);

London, Royal Academy, The Paul Oppé Collection, 1958, no. 388 (as Domenichino)

15,000 GBP

20

ATTRIBUTED TO GIROLAMO MUZIANO

Brescia 1532 - 1592 Rome

TREES AND A ROAD

Pen and brown ink

295 by 274 mm

PROVENANCE:

J. Richardson Sen. (L.2184);

R. Johnson (L.2216)

4,000 GBP

21

MARCO MARCHETTI, CALLED MARCO DA FAENZA

Faenza 1528 - 1588

ORNAMENT FOR A WALL DECORATION

Pen and brown ink and wash;

bears inscription: Dorato

272 by 142 mm

PROVENANCE:


1,500 GBP

22

GIOVANNI BATTISTA NALDINI

Fiesole circa 1537 - 1591 Florence

TIVOLI

Pen and brown ink, lower corners made up

387 by 252 mm

50,000 GBP

23

NORTH ITALIAN SCHOOL, 17TH CENTURY

CHRIST BLESSING, AMONG THE DISCIPLES

Black chalk, brown wash heightened with white, on brown paper

330 by 280 mm

PROVENANCE:

Sale, Sotheby's, 30 November 1927, lot 44

3,000 GBP

24

CLAUDE-LOUIS CHÂTELET

Paris 1753 - 1794

THE HERMITAGE OF TROPAEA, CALABRIA

Pen and black ink and watercolour over pencil

222 by 348 mm

PROVENANCE:

Sale, Robinson and Fisher, June 1926

EXHIBITED:

London, Royal Academy, Landscapes in French Art, 1950, no. 382


9,000 GBP

25

LUIS PARET Y ALCÁZAR

Madrid 1746 - 1799

THE PORT OF BILBAO, 1785

Pen and grey ink and wash;

inscribed: La Ria de Bilbao por La Torre de Luchana con el Desierto de SS. Carmelitas Descazos / A D n Josef Patras

por su Amigo Paret a 1785

311 by 455 mm

PROVENANCE:

Bicknell;

Acquired at Foster's, 9 March 1921

EXHIBITED:


4,000 GBP

26

FILIPPO D'ANGELI OR DE LIAGNO, CALLED FILIPPO NAPOLETANO

Naples or Rome circa 1587 - 1629 Rome

A WATERMILL AND A BRIDGE

Pen and brown ink and wash over traces of black chalk;

bears Gabburi's inscription in pen and brown ink on an added strip of paper on the back of the mount: Originale/Di

mano di Filippo Lauri Napoletano Il quadro a olio di questo Disegno/dipinto dal med. mo Autore si conserva in questo

anno 1733 (or 1773 according to Roethlisberger) nella Villa da/Poggi a Caiano nel celebre Gabinetto di quadri

piccolo dei piu celebri/Professori la di cui Collezino fu fatta gia della S.M del Ser:mo/Ferdinando Medici Fran

Principe di Toscana, also bears number in pen and brown ink on the front of the mount, lower right corner: 3

300 by 243 mm

PROVENANCE:

D.M Gabburi, his inscription attached to the mount;

Acquired P. & D. Colnaghi, 1934 (£14)

EXHIBITED:

London, Royal Academy, The Paul Oppé Collection, 1958, no. 411 (as Balthazar Lauri);

Naples, Museo di Capodimonte and Museo Pignatelli, Civilià del Seicento a Napoli, 1958, II, no. 3.15, reproduced

LITERATURE:

M. Roethlisberger, Around Filippo Napoletano, Master Drawings, 1975, XIII, p. 23-4, pl. 5 (the related

painting reproduced fig. 1)

50,000 GBP

27

ROMAN SCHOOL, EARLY 17TH CENTURY

A STANDING YOUTH, HALF-LENGTH, WEARING A LARGE CLOAK

Black and white chalk on grey paper

162 by 175 mm

PROVENANCE:

Acquired from Rimell, 1914

3,500 GBP

28

MAURO ANTONIO TESI

Montalbano, near Modena 1730 - 1766 Bologna

HERALDIC ORNAMENT;

RECTO: TWO SHIELDS SUPPORTED BY PUTTI;

VERSO: A SIMILAR DESIGN

Pen and brown ink and wash, over black chalk;

inscribed: Tesi

205 by 141 mm

PROVENANCE:

Acquired from Colnaghi, 1949

EXHIBITED:



2,000 GBP

29

ABRAHAM CASEMBROT

Bruges circa 1593 - 1658 Messina

SHIPS


100 by 130 mm

PROVENANCE:

Z. Sagredo, with his number '127';

R. Lamponi (L.1760);

L. Grassi (L. 1171b);

Acquired in 1925

1,500 GBP

30

DUTCH SCHOOL, 17TH CENTURY

A SHIP


145 by 185 mm

PROVENANCE:

Acquired from Crook, 1925

1,800 GBP

31

ZACHARIAS BLIJHOOFT

circa. 1625/35 - 1681 Middelburg

A ROCKY LANDSCAPE WITH TRAVELLERS

Black chalk and watercolour heightened with white, within brown ink framing lines;

signed: Z. Blyhoft

142 by 187 mm

PROVENANCE:

Mrs J. Richmond;


EXHIBITED:


4,000 GBP

32

CIRCLE OF GILLIS VAN CONINXLOO

Antwerp 1544 - 1607 Amsterdam

A LANDSCAPE WITH A HOUSE IN A WOOD

Pen and brown ink and brown and blue-grey wash;

bears inscription: fouquiers

180 by 285 mm

PROVENANCE:

The Llanover Album, assembled in the 18th Century, possibly Sir Anthony Westcombe (d. 1952) whose heir was his

cousin Bernard Granville, bother of Mrs Delaney, whose grand-niece Mary Port married Benjamin Waddington, the

purchaser of Llanover;

By descent to Lord Treowen, Llanover sale, 26 June 1934, lot 997;

Alfred Jowett, who acquired the album en bloc, and had the drawings extracted;

Acquired from Calmann, 7 February 1946

5,000 GBP

33

ADRIAEN HENDRICKSZ. VERBOOM

Rotterdam circa 1628 - circa 1670 Amsterdam

A FOREST SCENE

Pen and brown ink and watercolour, within black ink framing lines;

signed: AVBoom

157 by 195 mm

PROVENANCE:

Acquired from Mendeldsohn, 1919

12,000 GBP

34

ITALO-SPANISH SCHOOL, CIRCA 1570

THE ASCENSION OF CHRIST

Pen and brown ink and wash over black chalk, heightened with white (oxidized);

bears inscription in an 18th Century hand, verso: Pablo de Cespedes

450 by 325 mm

PROVENANCE:

T. Dimsdale(?);

Sir Thomas Lawrence(?), correct stamp worked over in ink, TL in a circle

EXHIBITED:

London, Royal Academy, Old Master Drawings, 1958, no. 493 (as Cespedes);

London, Royal Academy, The Paul Oppé Collection, 1958, no. 418 (as Cespedes);

Ottawa, National Gallery of Canada, Exhibition of Works from Paul Oppé Collection, 1961, no. 115 (as Cespedes)

LITERATURE:

J. Gere, A Drawing by Matteo Perez da Leccio, Master Drawings, 1973, II, p. 152, pl. 17 (as Roman School, ca. 1570-

80, possibly by Matteo Perez da Leccio);

D. Angulo & A.E. Perez Sanchez, A Corpus of Spanish Drawings, 1400-1600, London, 1975, p. 38 (where attribution

to Cespedes rejected)

8,000 GBP

35

JACOB VAN DER ULFT

Gorinchem 1627 - 1689 Noordwijk

A SHIP ON THE BEACH


185 by 255 mm

PROVENANCE:

Acquired in 1927

EXHIBITED:


2,000 GBP

36

AGOSTINO CARRACCI

Bologna 1557 - 1602 Parma

SHEET OF CARICATURE HEADS

Pen and brown ink, made up at left;

signed and dated: Agostino Ca fec/26 8bre 1594, and bears inscription: Carracci

204 by 283 mm

PROVENANCE:

Capt. E. G. Spencer-Churchill;


EXHIBITED:

London, Wildenstein Gallery, Artists working in 17th Century Rome, 1955, no. 18;

Bologna, Palazza dell'Archiginnasio, Mostra del Carracci, 1956, no. 78;

Newcastle-upon-Tyne, The Hatton Gallery, The Carracci, Drawings and Paintings, 1961, no. 37

LITERATURE:

C. McPhee and N. Orenstein, Infinite Jest, Metropolitan Museum exhib. cat. 2011, p. 32, fig. 12;

R. Wittkower, The Drawings of The Carracci in the Collection of Her Majest the Queen at Windsor Castle, London

1952, p. 17, reproduced;

A. Bertini, I Disegni Italiani della Biblioteca Reale di Torino, Rome 1958, under no. 83;

Donald Posner, A. Carracci, A Study in the Reform of Italian Painting around 1590, London 1971, vol. I, fig. 56

20,000 GBP

37

CORNELIS PIETERSZ. BEGA

Haarlem 1631/2 - 1664

A STANDING GIRL, THE FEATURES BLANK

Black and white chalk, on blue paper, within brown ink framing lines

324 by 164 mm

PROVENANCE:

H. S. Reitlinger;

sale, Sotheby's, 22 June 1954, lot 613

9,000 GBP

38

ANNIBALE CARRACCI

Bologna 1560 - 1609 Rome

A LANDSCAPE WITH BATHERS

Pen and brown ink;

bears inscription: Annibale belle / 1560-1600

201 by 282 mm

PROVENANCE:

E. Jabach;

Probably P. Crozat;

P. J. Mariette (L. 1852);

perhaps F. Basan, Paris, 15 November 1775 - 30 January 1776, probably part of lot 310;

Comte Moriz von Fries (L. 2903);

Acquired from Riche, 1919

EXHIBITED:

London, Royal Academy, Seventeenth Century, 1938, no. 66;

London, Wildenstein Gallery, Artist in 17th Century Rome, 1955, no. 25;


Newcastle-upon-Tyne, The Hatton Gallery, The Carracci, Drawings and Paintings, 1961, no. 94;

Ottawa, National Gallery of Canada, Exhibition of Works from Paul Oppé Collection, 1961, no. 113;

Bologna, Palazzo dell'Archiginnasio, Mostra dei Carracci, 1956, no. 236, pl. 111;

Paris, Musee du Louvre, Le Cabinet d'un grand Amateur, P. J. Marette, 1967, no. 2

LITERATURE:

T. Borenius, Drawings and Engravings by the Carracci, The Print Collector's Quarterly, XI, 1922, 9, p. 120,

reproduced on p. 119;

D. Posner, Annibale Carracci, London, 1971, I, p. 113, 172 (5), fig. 95

60,000 GBP

39

PAOLO CALIARI, CALLED IL VERONESE

Verona 1528 - 1588 Venice

REBECCA AND ELIEZER AT THE WELL

Pen and brown ink and wash, upper corners made up;

inscribed: So potamia eal avendo admento molte m(?)olte di fare

152 by 161 mm

PROVENANCE:

J. Richardson Sen. (L. 2184) his mount and attribution;

T. Hudson (L. 2432);


Pembroke, Northwick and later sale;

Earl of Harewood;

sale, Christie's, 6 July 1965, lot 147, reproduced (£3,600 to Calmann);

Acquired from Calmann in 1965

EXHIBITED:

Venice, Mostra de Paolo Veronese, Ca'Giustiniani, 1939, no. 9, pl. XVI;

Washington, National Gallery of Art, The Art of Paolo Veronese, 1988, no. 101, reproduced

LITERATURE:

T. Borenius, A Group of Drawings by Paul Veronese, The Burlington Magazine, 1921, p. 59;

D. von Hadeln, Venezianische Zeichnungen der Spät-renaissance, Berlin, 1926, pl. 27;

Osmond, Paolo Veronese, Bolognia, 1927, p. 101;

G. Fiocco, Veronese, Bologna, 1928, p. 208;

H. Tietze and E. Tietze-Conrat, The Drawings of the Venetian Painters, New York, 1944, p. 346, no. 2102,

reproduced;

R. Cocke, Veronese's Drawings, London, 1984, p. 239, no. 101, reproduced

120,000 GBP

40

ATTRIBUTED TO ANDREA VICENTINO

Venice 1542 - 1617 Venice

SKETCHES AFTER THE CORONATION AND EXCOMMUNICATION BY TINTORETTO IN THE SALA DEL

MAGGIOR CONSIGLIO, PALAZZO DUCALE, VENICE (DESTROYED IN THE FIRE OF 1577);

SKETCHES OF PAINTINGS BY VERONESE IN THE SALA DEL COLLEGIO, PALAZZO DUCALE, VENICE

Red chalk

200 by 309 mm

PROVENANCE:


EXHIBITED:

London, Royal Academy, The Paul Oppé Collection, 1958, no. 354 (as attributed to El Greco)

LITERATURE:

E. Titeze-Conrat, Art Quarterly, III, 1940, p. 22-6, reproduced;

H. Tietze and E. Titeze-Conrat, The Drawings of the Venetian Painters in the 15th and 16th Centuries, New York

1970, p. 180, no. 747, pl. CXXX, reproduced (as possibly by El Greco);

H.E. Wethey, El Greco and his School, Princeton 1962, p. 153 (as Venetian, second half of the sixteenth century);

D. Angulo and A. E. Perez Sanchez, A Corpus of Spanish Drawings, 1400-1600, London 1975, p. 44 (as not by El

Greco);

W.R. Rearick, Il disegno Veneziano de Cinquecento, Milan 2001, p. 199-200 (as Vicentino, circa 1576)

8,000 GBP

41

CIRCLE OF NICOLAS POUSSIN

Les Andelys, Normandy 1594 - 1665 Rome

DETAIL FROM TRAJAN'S COLUMN

Point of the brush and brown wash over black chalk

265 by 401 mm

PROVENANCE:


EXHIBITED:

London, Wildenstein Gallery, Artists in 17th Century Rome, 1955, no. 60;



Edinburgh, National Gallery of Scotland, Poussin. Sacraments and Bacchanals, 1981, no. 61;

Oxford, Ashmolean Museum, A Loan Exhibition of Drawings by Poussin, 1990, no. 36

LITERATURE:

S. Somers Rinehart, Poussin et la Famille dal Pozzo, Paris 1960, I, p. 26, 30, fig. 6;

W. Friedlaender, Nicolas Poussin, London 1966, p. 17, fig. 3;

D. Wild, Charles Mellin ou Nichola Poussin II, Gazette des Bauex Arts, 1967, LXIX, p. 36-7, no. 88 (as attributed to

Mellin);

K. Badt, Die kunst des Nicholas Poussin, I, Cologne 1969, p. 254;

A. Blunt, The Drawings of Nicholas Poussin, London 1974, V, p. 29, no. 303, pl. 245 (where dated to the 1640s);

D. Wild, Nicholas Pouissin, I, Zurich 1980, p. 195 and note 19;

P. Rosenberg, review of Ashmolean exhibition, The Burlington Magazine, 1991, CXXXIII, p. 211 (where not accepted

as Poussin);

P. Rosenberg, Nicholas Poussin, Catalogue Raisonee des Dessiux,, II, Milan 1994, p. 914, no. R525, (as not by

Poussin)

6,000 GBP

42

JEAN ANTOINE WATTEAU

Valenciennes 1684 - 1721 Nogent-sur-Marne

FÊTE CHAMPÊTRE

Red chalk

163 by 214 mm

PROVENANCE:

F. Coke Smythe and by descent;

Robinson and Fisher, June 1914

EXHIBITED:

London, Royal Academy, Drawings by Old Masters, 1953, no. 399;



LITERATURE:

K. T. Parker and J. Mathey, The Drawings of Antoine Watteau, Paris 1957, I, p. 17, under no. 101, reproduced;

J. Saint-Paulien, 'Sur les dessins de Watteau: les écritures secrètes,' Nouvelle Revue des Deaux Mondes, 1972, p. 75;

M. Roland Michel, Watteau. Un artiste au XVIIIe siècle, Paris and London 1984, p. 117;

M. Morgan Grasselli, The Drawings of Antoine Watteau, stylistic development and problems of chronology, (doctorate

thesis, Cambridge, Harvard University 1987) p. 121, no. 49, fig. 107;

P. Rosenberg and L. A. Prat, Antoine Watteau Catalogue Resonné des Dessius, Milan 1996, no. 89

60,000 GBP

43

JACQUES CALLOT

Nancy 1592 - 1635

A FESTIVAL: STUDY FOR THE ETCHING (LIEURE 171)

Pen and brown ink and wash and red chalk

155 by 335 mm

PROVENANCE:

Acquired from Riche, November 1919 (£7)

EXHIBITED:


Ottawa, National Gallery of Canada, Exhibition of Works from the Paul Oppé Collection, 1961, no. 109

60,000 GBP

44

BOLOGNESE SCHOOL, 17TH CENTURY

STUDY OF A TREE

Pen and brown ink and black chalk

187 by 156 mm

PROVENANCE:

Acquired in 1919

1,200 GBP

45

BOLOGNESE SCHOOL, LATE 17TH CENTURY

TREES IN A HIGH WIND

Pen and brown ink

290 by 215 mm

PROVENANCE:

W. Esdaile (L. 2617);

W. Mayor (L. 2799);

Sir Edward Poynter (L. 874);

sale, Sotheby's, 24 April 1918, lot 51 (as Grimaldi);

Acquired 13 May 1921

1,500 GBP

46

ITALIAN SCHOOL, 17TH CENTURY

A SHIP IN DRY ROCK


257 by 185 mm

PROVENANCE:

P. Crozat, with his number '217';

Gift of E. Horsman Coles, 1949

EXHIBITED:



1,200 GBP

47

ATTRIBUTED TO DOMENICO ZAMPIERI, CALLED DOMENICHINO

Bologna 1581 - 1641 Naples

RECTO: STUDY OF A BOY IN THE ATTITUDE OF THE VIRGIN INCORONATA

VERSO: STUDY OF A SEATED, CLOAKED WOMAN

Black and white chalk on blue paper

337 by 173mm

PROVENANCE:

Luigi Grassi (L.1171b);

Acquired in 1925

3,500 GBP

48

ATTRIBUTED TO GIUSEPPE PASSERI

Rome 1654 - 1714

THE ANGEL OF THE ANNUNCIATION

Pen and black ink heightened with white, over black chalk

171 by 123 mm

PROVENANCE:

Rev. C.J. Bell;

C.F. Bell;

Gift of C.F. Bell, April 1941

1,800 GBP

49

ATTRIBUTED TO AGOSTINO CARRACCI


A LANDSCAPE WITH THE RIPOSO

Pen and brown ink

199 by 187 mm

PROVENANCE:

A. Grahl (L. 1199);

B. Geiger;

sale, Sotheby's, 12 December 1920, lot 51 (as School of Domenico Campagnola)

3,500 GBP

50

AGOSTINO TASSI

Perugia 1565 - 1644 Rome

A SHIPWRECK WITH FIGURES ON THE SHORE

Pen and brown ink

174 by 205 mm

PROVENANCE:

Acquired from Fosters, 1921

3,000 GBP

51

DOMENICO ZAMPIERI, CALLED DOMENICHINO


GOD THE FATHER

Black, white and red chalk, on grey-green paper

237 by 177 mm

PROVENANCE:

Possibly Sir Joshua Reynolds, lot 712 of his sale;


An unidentified collector's mark (L. 619a);

Kindersley Porcher;

Acquired in 1920

8,000 GBP

52

CIRCLE OF JAN ASSELYN

Dieppe circa 1610 - 1652 Amsterdam

THE INTERIOR OF THE COLOSSEUM

Black chalk and grey wash

172 by 239 mm

PROVENANCE:

Acquired from de Beer's, 1937

1,800 GBP

53

FLORENTINE SCHOOL, MID-17TH CENTURY

A SEATED MAN, AND OTHER SMALL SKETCHES

Red chalk, made up lower right

409 by 238 mm

PROVENANCE:

Benno Geiger;

sale, Sotheby's, 7 December 1920, part of lot 137 (as Giovanni da San Giovanni-Manozzi);

EXHIBITED:


8,000 GBP

54

ATTRIBUTED TO HENRI MAUPERCHÉ

Paris 1602 - 1686 ?

A LANDSCAPE WITH BOATMEN

Pen and brown ink;

bears inscription and numbering: M. Mauperchs fecit No 38

137 by 186 mm

PROVENANCE:


600 GBP

55

SALVATOR ROSA

Arenella, Naples 1615 - 1673 Rome

A SERVING MAN, STANDING TO RIGHT

Pen and brown ink and grey wash

110 by 50 mm

PROVENANCE:

Sir Thomas Lawrence (L. 2445);

Sir Edward Poynter;

W. Esdaile, his writing 'P88', initials erased

3,000 GBP

56

AGOSTINO TASSI

Perugia 1565 - 1644 Rome

RECTO: A COASTAL SCENE WITH FIGURES;

VERSO: STUDIES OF FIGURES

Pen and brown ink

125 by 190 mm

PROVENANCE:

R. H. Randall Davies;

sale, Sotheby's, 10 February 1947, lot 66

1,200 GBP

57

BOLOGNESE SCHOOL, LATE 18TH CENTURY

A FOUNTAIN


151 by 104mm

PROVENANCE:

Acquired from Colnaghi, 1937 (£1)

EXHIBITED:

London, Royal Academy, The Paul Oppé Collection, 1958, no. 453 (as Gaetano Gandolfi)

200 GBP

58

ATTRIBUTED TO CAMILLO BOCCACCINO

Ferrara circa 1501 - 1546 Cremona

A SAINT READING

Grey wash heightened with white, on dark-red preparation

145 by 95 mm

PROVENANCE:

Sir Peter Lely (L. 2092);

W. Gibson, his attribution and price code 3.3. (verso);

Gift of A. Horsman Coles

4,000 GBP

59

FLORENTINE SCHOOL, EARLY 17TH CENTURY

A FIGURE STUDY

Pen and brown ink

120 by 145 mm

PROVENANCE:


1,200 GBP

60

JACOPO NEGRETTI, CALLED PALMA IL GIOVANE

Venice circa 1548 - 1628

STUDIES OF A FALLING MAN

Pen and brown ink

90 by 75 mm

PROVENANCE:

J. Richardson, Jun. (L. 2170);

Acquired from Meatyard, 2 August 1923

800 GBP

61

BATTISTA FRANCO, CALLED IL SEMOLEI

Venice 1510-1561

A BOY, WRITING OR SKETCHING


150 by 89 mm

PROVENANCE:

Sir Erasmus Phillips and by descent to Lord Milford;

Acquired from Calmann, 1943

EXHIBITED:


300 GBP

62

FOLLOWER OF CLAUDE GELLÉE, CALLED CLAUDE LORRAIN


THE FORUM

Pen and brown ink and wash, over black chalk

186 by 123 mm

PROVENANCE:

Randall Davies;

sale, 13 February 1947, lot 199

EXHIBITED:


300 GBP

63

ADRIEN DAUZATS

Bordeaux 1804 - 1868 Paris

STREET MARKET, TROYES, WITH THE CHURCH OF ST. JEAN BAPTISTE

Watercolour and gum Arabic;

signed and dated, recto: Dauzats 1829 and inscribed, verso: Troyes, rue Moyenne

280 by 192 mm

120 GBP

64

CLAUDE GILLOT

Langres 1673 - 1722 Paris

SKETCH FOR A FOUNTAIN, OR A THEATRICAL DECORATION

Pen and brown ink

160 by 204 mm

PROVENANCE:

Mears;

sale, London, Sotheby's, June 1925

8,000 GBP

65

CIRCLE OF ANNIBALE CARRACCI


PAN, HALF-LENGTH

Black and white chalk on grey paper;

bears inscription: An: Carrache fecit

280 by 212 mm

PROVENANCE:

Francis Place;

P. Allen Fraser;

sale, Sotheby's, 10 June 1931, lot 131 (from a scrapbook of etchings and drawings by Francis Place, F. Barlow, etc.)

3,000 GBP

66

FOLLOWER OF AGOSTINO CARRACCI


CARICATURE: A BEARDED MAN, IN PROFILE TO LEFT

Pen and brown ink, made up

180 by 115 mm

PROVENANCE:

An unidentified collector's mark (L. 619a);

Kindersley Porcher;

sale, Sotheby's, 15 October 1920, lot 157

150 GBP

67

NORTH ITALIAN SCHOOL, CIRCA 1720

circa 1720

THE HEAD OF A GIRL

Black and white chalk on blue paper;

bears inscription: Schidone

210 by 165 mm

PROVENANCE:

Lord Northwick;

sale, Sotheby's, 13 December 1919, lot 37

800 GBP

68

BOLOGNESE SCHOOL

17th Century

RECTO: A SLEEPING BABY

VERSO: HEAD OF A MAN IN PROFILE TO THE LEFT

Black and white chalk, on light-brown paper

141 by 218 mm

PROVENANCE:

Acquired from Colnaghi, 1949

EXHIBITED:



Venice, Cini Foundation Disegni veneti di collezioni inglesi, 1980, no. 42, recto reproduced (as Venetian School, first

half XVII century)

3,000 GBP

69

GIULIO CARPIONE

Venice 1613 - 1678

CAPTIVES AND SEAMEN, AND A PORTRAIT

Red chalk, upper corners cut

218 by 243 mm

PROVENANCE:

J. Richardson Jun. (L. 2170);

J. Gulston (?) (L. 474)

3,500 GBP

70

ATTRIBUTED TO PAOLO CALIARI, CALLED IL VERONESE


A SEATED FIGURE


103 by 80 mm

PROVENANCE:

J. Richardson Sen. (L. 2184);


W. Sharp (L. 2650);

sale, Puttick's, 2 August 1923

3,000 GBP

71


A SHEET OF STUDIES, PERHAPS DESIGNS FOR PICTURES OR CEILINGS

Pen and brown ink

248 by 173 mm

PROVENANCE:

Acquired in 1924

1,200 GBP

72

SALVATOR ROSA


GROTESQUE ANIMAL HEADS

Pen and brown ink

145 by 90 mm

PROVENANCE:

Lord Northwick;

sale, Sotheby's, 24 November 1919, part of lot 21

2,000 GBP

73

ANTOON OVERLAET

1720 - 1774

A BOOR

Pen and brown ink;

signed: Overlaet f.

83 by 63 mm

PROVENANCE:

S. Coningsby Sibthorpe;

Acquired in 1920

800 GBP

74

JAN SIBERECHTS

Antwerp 1627 - circa 1703 London

A HILLY LANDSCAPE WITH FERNS IN THE FOREGROUND

Watercolour and bodycolour

230 by 355 mm

PROVENANCE:

P. Sandby (L. 2112);

Acquired from Holloway, 1927

15,000 GBP

75

FERRAÙ FENZONI

Faenza 1562 - 1645

A HAND

Red chalk

110 by 50 mm

PROVENANCE:

J. Richardon Sen (L. 2183);

Lord Northwick;

sale, Sotheby's, 1 November 1920, lot 42 (as Annibale Carracci)

EXHIBITED:

London, Royal Academy, The Paul Oppé Collection, 1958, no. 450 (as Annibale Carracci)

LITERATURE:

T. Borenius, Drawings and Engravings by the Carracci, The Print Collector's Quarterly, 1922, 9, p. 116

2,000 GBP

76

FRENCH SCHOOL, 17TH CENTURY

RECTO: SOLON: A MAN STANDING, TO LEFT, CARRYING A SKULL;

VERSO: HEAD OF A MAN

Grey wash (recto), red chalk (verso)

325 by 115 mm; and an engraving of the same

150 GBP

77

CIRCLE OF PIETRO TESTA

Lucca 1612 - 1650 Rome

RECTO: SAINT PETER HEALING;

VERSO: FIGURE STUDIES

Pen and brown ink;

bears inscription: Verte

375 by 250 mm

PROVENANCE:

Given to Armide Oppé by Hans Calmann

600 GBP

78

FRANCESCO GALLI BIBIENA

Bologna 1659 - 1739

RECTO: AN ARCHITECTURAL STAGE DESIGN, WITH LABELLED PLAN

VERSO: PLAN AND ELEVATION OF A DOUBLE STAIRCASE

Pen and brown ink and black chalk;

inscribed with numerous measurements and bears inscription: del SS. Francesco Bibiena

395 by 283 mm

PROVENANCE:

Acquired from Fosters, 1921

EXHIBITED:


600 GBP

79

CIRCLE OF GUSTAVE COURBET

Ornans 1819 - 1877 Tour de Peilz

TWO SKETCHES OF A SEATED FEMALE NUDE

Red chalk

175 by 310 mm

PROVENANCE:


600 GBP

80

GIOVANNI MARIA QUAGLIO

1700 - 1765 active Vienna

THE INTERIOR OF A PRISON


200 by 300 mm

PROVENANCE:

Acquired from Meatyard, 1919

150 GBP

81

SALVATOR ROSA


CASTELLO DELL'UOVO, NAPLES


bears inscription, recto: Salvator Rosa and verso: Claude

184 by 348 mm

PROVENANCE:

Crozat. his number '76';

Jackson;

Acquired in 1924

4,000 GBP

82

GIOVANNI MARIA QUAGLIO

1700 - 1765 active Vienna

THE INTERIOR OF A PRISON


255 by 385 mm

PROVENANCE:


80 GBP

83

NICOLAS DELOBEL

1693 - 1763 Paris

TIVOLI

Pen and brown ink, watercolour, bodycolour and black chalk;

inscribed: Veue au bas de Tyvoly come leau sor de dans les roche venan dela cascade

337 by 228 mm

PROVENANCE:

Lady Lucas;

sale, Sotheby's, 3 May 1918, lot 132

EXHIBITED:

London, Royal Academy, Landscapes in French Art, 1950, no. 402 (as Follower of Claude Lorraine);


8,000 GBP

84

ATTRIBUTED TO PIER LEONE GHEZZI

Rome 1674 - 1755

SHEET OF STUDIES: THE CORONATION OF THE VIRGIN


221 by 322 mm

PROVENANCE:

R. Johnson;

J. C. Platt, 23 April 1912, lot 80

3,500 GBP

85

SCHOOL OF ANNIBALE CARRACCI


THE HEAD OF A MAN, LOOKING UP, IN PROFILE TO LEFT

Red chalk

205 by 159 mm

PROVENANCE:

J. Richardson Sen. (L. 2184) his mount, attribution and shelf marks;

Lord Northwick;

sale, Sotheby's, 24 November 1919

3,000 GBP

86

ATTRIBUTED TO PHILIPP PETER ROOS, CALLED ROSA DA TIVOLI

Frankfurt 1657 - 1706 Rome

A BULL, STANDING

Red chalk

252 by 395 mm

PROVENANCE:

Acquired by Bergamo, 1908

EXHIBITED:


1,500 GBP

87

MICHELE PACE, CALLED MICHELANGELO DEL CAMPIDOGLIO

Rome 1625 - 1669

A ROMAN VIEW, 1608, WITH A MAN STANDING IN AN ARCH


bears inscription: In amphitheatrum in Roma 1608 de Gaspr. Ochialj

385 by 266 mm

PROVENANCE:

J. McGouen (L. 1496);

Lord Northwick;

sale, Sotheby's , 24 November 1919, part of lot 1

EXHIBITED:

London, Royal Academy, The Paul Oppé Collection, 1958, no. 415 (as Vanvitelli)

LITERATURE:

A. Zwollo, Hollandse en Valmse veduteschilders te Rome 1675-1725, Assen 1973, p. 67, Abb. 84 (as Theodoor

Wilkens);

V. Birke and J. Kertesz, Die Italienischen Ziechnungen der Albertina, Vienna 1992, p. 504, under no. 976

9,000 GBP

88

AGOSTINO CARRACCI


DESIGN FOR A FAN

Red and black chalk, pen and brown ink, the outlines incised silhouetted;

bears inscription: Donna mentre I degli occhi

(18th century English Mount, perhaps D. Price or West)

310 by 240 mm

PROVENANCE:

M. Rosenheim;

sale, Sotheby's, 2 May 1923, lot 7;

H. S. Reitlinger (L. 224a);

sale, Sotheby's, 9 December 1953, lot 35;

EXHIBITED:

London, Burlington Fine Arts Club, 1921;

Bologna, Palazzo dell'Archiginnasio, Mostra dei Carracci, 1956, no. 47;


Rome, Palazzo delle Esposizioni, The Idea of Beauty: Seventeenth-century Rome seen through the Eyes of Giovan

Pietro Bellori, 2000

LITERATURE:

T. Borenius, Drawings and Engravings by the Carracci, the Print Collector's Quarterly, 1922, 9, p. 111, reproduced;

H. Bodmer, Die Entwicklung der Stechkunst des Agostino Carracci II, Die Graphischen Kunste, 1940, p. 58, no. 1 (as

not by Agostino);

D. DeGrazia Bohlin, Prints and Related Drawings by the Carracci Family, Washington, 1979, p. 310, fig. 193a

80,000 GBP

89

ATTRIBUTED TO ALESSANDRO TIARINI

Bologna 1577 - 1668

THE LAMENTATION

Black chalk and brown wash heightened with white, on grey paper, lower left corner cut;

bears inscription, verso: Questo quadro ora e in Bologna, posseduto dal Signor Antonio Magnani Bibliothecario del

Instituto delle Scienze' and another hand 'Disegno original di Federico Barocci... per il Quadro fatto al Cardinale

Federico Borromeo, che lo pose nel Duomo di Milano, del quale ho parlato nella Guida di quella Citta impresa nel

1787. Carlo Branconi, Seg perp. della Gle Accada Milano della Ri Ae

351 by 277 mm

PROVENANCE:

Benno Geiger;

sale, Sotheby's, 7 December 1920, lot 17

EXHIBITED:

London, Burlington Fine Art Club, 1923;


Edinburgh, Merchant Hall, Italian 16th Century Drawings from British Private Collections, 1969, no. 7, pl. 58;

Cleveland Museum of Art and New Haven, Yale Art Gallery, The Graphic Art of Federico Barocci, 1978, no. 71;

Cambridge, The Fitzwilliam Museum, A Touch of the Divine; Drawings by Federico Barocci in British Collections,

2006, no. 77

LITERATURE:

B. Geiger, Handzeichnungen alter Meister, Zurich 1948, no. 31, reproduced (as Barocci);

S. Lingo, Federico Barocci, Yale Iniversity Press 2008, p. 116-7, III (as Barocci)

12,000 GBP

90

ITALIAN SCHOOL, CIRCA 1700

CARICATURE HEADS OF A MAN IN A HAT

Black and red chalk;

bears numbering: 1509

250 by 190 mm

PROVENANCE:

Gift of Colnaghi, 28 July 1949

150 GBP

91

GIOVANNI DOMENICO CAMPIGLIA


CARICATURE: A COURTIER SEEN FROM BEHIND

Pencil;

inscribed 'del 3 8bdre 1733', with inscription 'Campiglia delin', numbered 'no. 74', no. 40' (verso)

135 by 140 mm

PROVENANCE:

Sir Eramus-Phillips and by descent to Lord Mitford;

Gift of Armide Oppe and Aydua Scot-Elliot, Christmas 1942

150 GBP

92



PORTRAIT OF BRUNO MANGIA-CANI

Black chalk, within ruled margin;

with inscription 'Ritratto di Bruno, detto Mangia Cani, Mesticatore della galleria di Medico disegnate dall. Sigre.

Campiglia', numbered 'no, 78', '98' (verso)

225 by 185 mm

PROVENANCE:



400 GBP

93



PORTRAIT OF SIGNORE BASTIANO BIANCHI, IN PROFILE TO RIGHT

Black chalk, pen and brown ink, laid down;

with inscriptions 'Campiglia delin no. 73', 'Sig. Bastiano Bianchi, late keeper of the Great Duke's Gallery', numbered

'no. 41' (verso)

180 by 145 mm

PROVENANCE:



300 GBP

94



AN ARTIST, SEATED

Black chalk;

with inscription 'Campiglia Delin', numbered 'no. 63', '46', watermark 'C.R. 25'

200 by 340 mm

PROVENANCE:



400 GBP

95



CARICATURE: AN ABBÉ

Black chalk, laid down;

with inscription 'Campiglia Delin', numbered 'no. 88', '36' (verso)

170 by 120 mm

PROVENANCE:


Gift of Armide Oppé and Aydua Scot-Elliot, Christmas 1942

300 GBP

96



CARICATURE: THE GRAND DUKE OF TUSCANY IN PROFILE TO LEFT

Black chalk;

with inscription 'Campiglia Delin', 'Great D. of Tuscany', numbered 'no. 72' (verso)

200 by 130 mm

PROVENANCE:


Gift of Armide Oppé and Aydua Scot-Elliot, Christmas 1942

150 GBP

97

CARLO MARCHIONNI

Rome 1702 - 1786

CARICATURE HEADS OF PRIESTS, AND A SELF-PORTRAIT

Pen and brown ink and brown and pink wash;

bears inscription on the mount: C.M.

90 by 335 mm

PROVENANCE:

P. Huart (?) (L. 2084);

Gift to Richeton, November 1920

800 GBP

98

CHARLES LUCIEN LÉANDRE

Champsecret 1862 - 1930 Monmartre

A GIRL WITH A LILY


signed: C. Léandre

275 by 200 mm

PROVENANCE:

G. Engelbrechts (L. 1148)

70 GBP

99

AGOSTINO CARRACCI


A DWARF POINTING TO THE RIGHT

Red chalk, made up top right

312 by 207 mm

PROVENANCE:

Lord Northwick, and by descent at Northwick Park to

Capt. E.G. Spencer-Churchill;


EXHIBITED:


Bologna, Palazzo dell'Archiginnasio, Mostra dei Carracci, 1963, no. 92, pl. 48;



LITERATURE:

D. Posner, Annibale Caracci, London, 1971, II, under no. 16, pl. 16b (as Annibale);

P.J. Coony and G. Malafarina, L'Opera Completa di Annibale Carracci, Milan 1976, no. 17.1 (as Annibale);

A. Brejon de Lavergnée and N. Volle, Seicento, le siècle de Carvage dans les collections françaises, exhib. cat., Paris,

Grand Palais, and Milan, Palazzo Reale, 1988-1989, under no. 34;

C. Legrand, Le dessin à Bologue, 1580-1620, La réforme des trois Carracci, exhib. cat., Paris, Louvre 1994, under no.

46;

A. Sutherland Harris, 'Agostino Carracci's inventions: Pen=and-ink studies, 1582-1602', Master Drawings, XXXVIII

(2000), p. 420, note 35

35,000 GBP

100

GIOVANNI FRANCESCO BARBIERI, CALLED GUERCINO

Cento 1591 - 1666 Bologna

A GROUP OF PEASANTS

Pen and brown ink

203mm by 187mm

PROVENANCE:

By descent in the family of the artist's nephews Carlo and Benedetto Gennari, Bologna, until after 1719;

Francesco Forni, Bologna;

John Bouverie (circa 1723-50), to his sister;

Anne Bouverie (died 1757), to her husband

Mr. Hervey (died 1764), to their son;

Christopher Hervey (died 1786), to his aunt Elizabeth Bouverie (died 1798), surviving sister of John Bouverie, to;

Sir Charles Middleton, later 1st Baron Barham (1726-1813), husband of Elisabeth Bouverie's childhood friend

Margaret Gambier, to his son-in-law;

Sir Gerard Noel Noel, 2nd Baron Barham (1759-1838), to his son;

Sir Charles Noel, 3rd Baron Barham and later 1st Earl of Gainsborough (1781-1866), and by descent to;

The Earl of Gainsborough;

sale, Christie's, 27 July 1922, part of lot 85;

Acquired from Parsons in August 1922

EXHIBITED:

London, Burlington Fine Art Club, 1923, no. 15;



London, British Museum, Drawings by Guercino from British Collections, 1991, no. 211, reproduced

LITERATURE:

A. G. B. Russell, Drawings by Guercino, London 1923, p. 21, pl. IV

20,000 GBP

101

PIER FRANCESCO MOLA

Coldrerio 1612 - 1666 Rome

CARICATURE OF SIMONELLI PRESENTING AN INFANT FOR BAPTISM

Red chalk;

bears signature, lower left in grey wash: f Mola

187 by 262 mm

PROVENANCE:

Lord Northwick and by descent at Northwick Park to Capt. E.G. Spencer;

sale, Sotheby's, 18 November 1919;

Acquired from Meatyard, 25 November 1919

EXHIBITED:

London, Wildenstein Gallery, Artists in 17th Century Rome, 1955, no. 58;


Lugano, Museo Cantonale d'Arte, Pier Francesco Mola, Milan 1989, no. III. 106, reproduced

LITERATURE:

W. R. Juynboll, het Komische Genre in de Italiansche Schilderkunst gedurende de zeventiende en de achtiende Ewuw,

Leiden 1934, p. 146;

K. T. Parker, Catalogue of the Collections of Drawings in the Ashmolean Museum, vol. II, Italian Schools, Oxford

1956, under no. 915

12,000 GBP

102

FOLLOWER OF HANS BOL

Mechelen 1534 - 1593 Amsterdam

A LANDSCAPE WITH A CASTLE, A RIVER AND HILLS

Pen and brown ink;

bears inscription: Hb and numbered: 61

140 by 212 mm

PROVENANCE:



6,000 GBP

103

CIRCLE OF FABRIZIO GALLIARI

1709 - 1790

RECTO: THE INTERIOR OF A PRISON

VERSO: TWO PEASANTS

Recto: pen and brown ink

Verso: pen and red ink

205 by 290 mm

PROVENANCE:

W. Mayor (L. 2799) perhaps as Zuccarelli;


400 GBP

104

ROMAN SCHOOL, 18TH CENTURY

TWO WOMEN SINGING


270 by 195 mm

800 GBP

105

FLORENTINE SCHOOL, 16TH CENTURY

THE LEPER: TWO MONKS AFTER ANDREA DEL SARTO

Pen and brown ink, the lines incised;

bears inscription: Ha

236 by 330 mm

PROVENANCE:

Acquired in 1922

800 GBP

106


HEAD OF A FRIAR, AND THREE CARICATURE HEADS

Black and brown chalk

192 by 237 mm

PROVENANCE:

Paignon-Dijonval;

Acquired from Tregaskias

700 GBP

107

ITALIAN SCHOOL

CARICATURE: SERVING MAN

Pen and brown ink and watercolour, heightened with white

177 by 182 mm

PROVENANCE:

An unidentified collector's mark (L. 2865);

Acquired from Mendelsohn, 28 March 1919

150 GBP

108

CIRCLE OF DOMENICO ZAMPIERI, CALLED DOMENICHINO


THE BANKS OF THE TIBER WITH SANTA SABINA ABOVE, TWO SATYRS IN THE FOREGROUND

Pen and brown ink

163 by 283 mm

PROVENANCE:

Lord Spencer (L. 1530);

Stafford House;

Acquired in 1913

1,500 GBP

109


A COWSHED


142 by 239 mm

PROVENANCE:

Prince W. Argoutinsky-Dolforoukoff (L. 2602d);

Amsterdam, R.W.;

P. de Vries, 27 March 1925, lot 403 (as D. Vinckeboons);

Acquired in 1927

200 GBP

110


A WIDE HILLY LANDSCAPE ON THE RHINE

Black chalk and watercolour, within brown ink framing lines

176 by 251 mm

PROVENANCE:

Rev. Thomas Kerrich;

sale, Sotheby's, 6 July 1921, part of lot 222

700 GBP

111

AFTER MICHELANGELO MERISI DA CARAVAGGIO

Milan or Caravaggio 1571 - 1610 Porto Ercole

SAINT JOHN THE BAPTIST

Point of the brush and brown and grey wash

210 by 173 mm

PROVENANCE:

Earls of Gainsborough;

sale, Sotheby's, 22 July 1953, lot 18

30 GBP

112

FLEMISH SCHOOL, CIRCA 1600

RECTO: A MOUNTAINOUS LANDSCAPE

VERSO: A GABLED HOUSE

Pen and grey ink and brown wash

116 by 195 mm

PROVENANCE:

Acquired from Calmann, 1949

EXHIBITED:

London, Royal Academy, The Paul Oppé Collection, 1958, no. 405 (as Hercules Seghers)

Ottawa, The National Gallery of Canada, Exhibition of Works from Paul Oppé Collection, 1961, no. 138 (as Hercules

Seghers);

Amsterdam, Rijksmuseum, Hercules Seghers, 1967, no. J (as not by Seghers)

400 GBP

113


A LANDSCAPE WITH HAYMAKERS


158 by 215 mm

PROVENANCE:

R. Dumesnil (L. 739);

H. Hamal (L. 1231), with his inscription;

Bayley;

Barrow;

Acquired from Roma, 1919

80 GBP

114

FLEMISH SCHOOL, LATE 16TH CENTURY

A HILLY LANDSCAPE WITH CASTLES AND RIVERS

Pen and brown ink and blue-grey wash, within brown ink framing lines

114 by 178 mm

PROVENANCE:

Sale, Sotheby's, May 1941;

Gift of Edmund Schilling

2,000 GBP

115

SIMON JACOBSZ. DE VLIEGER

Rotterdam circa 1600/1 - 1653 Weesp

THE HULL OF A WARSHIP

Black chalk and brown wash, within black chalk framing lines

77 by 107 mm

PROVENANCE:

Sale, Sotheby's, 16 March 1927, lot 11;

Acquired from Meatyard

600 GBP

116

DUTCH SCHOOL, CIRCA 1620

A LANDSCAPE WITH VILLAGE AND RIVER

Pen and brown ink, right corners made up

111 by 156 mm

PROVENANCE:

S. Coningsby Sibthorpe;

Acquired 1922

1,200 GBP

117


RECTO: AN EXTENSIVE LANDSCAPE WITH A TOWN, AND A CASTLE AND HILL

VERSO: A CHURCH

Recto: grey, white and blue bodycolour;

Verso: pen and brown ink and blue wash

132 by 189 mm

700 GBP

118

ETIENNE DE LAVALLÉE-POUSSIN

Rouen 1733 - 1793 Paris

DESIGN FOR THE DECORATION OF THE WALL OF A PICTURE GALLERY

Pen and brown ink and wash, over lead

88 by 144 mm

PROVENANCE:

Gift from P. & D. Colnaghi, 1952

120 GBP

119

DUTCH SCHOOL, CIRCA 1640

AN EXTENSIVE LANDSCAPE

Pen and brown ink and brown and grey wash, over black chalk, within brown ink framing lines

132 by 250 mm

PROVENANCE:

Possibly with E. Parsons and Sons, 1934;

sale, Sotheby's, 26 April 1939, lot 25

150 GBP

120

ATTRIBUTED TO JACOB DE GHEYN III

Haarlem or Leiden 1596 - 1641 Utrecht

STUDIES OF A FLAYED HORSE

Silverpoint

167 by 155 mm

PROVENANCE:

Probably Lord Arundel;

A. M. Zanerri, his inscription 'Di Lionardo da Vinci, 21 Ducati';

T. Rosy;

Prince Belosselsky;

sale, Robinson and Fisher, 28 April 1921, lot 169;

Gift of Meatyard, 1921

LITERATURE:

A. E. Popham, in Old Master Drawings, September 1927, II, p. 29-30;

I.Q. van Regteren Altena, Jacques de Gheyn, an introduction to the study of his drawings, Amsterdam 1936, p. 97-9

I.Q. van Regteren Altena, Jacques de Gheyn, Three Generations, The Hague 1983, II, p. 181, III, reproduced p. 278,

no. 15, pl. 15

6,000 GBP

121

FRENCH SCHOOL, CIRCA 1830

THE GARDEN OF AN ITALIAN PALACE

Black chalk

180 by 255 mm

PROVENANCE:

Sale, Sotheby's, 2 January 1923

EXHIBITED:

London, Royal Academy, The Paul Oppé Collection, 1958, no. 342 (as attributed to Hubert Robert);


1,500 GBP

122

JACQUES PROU

1630 - 1696

A ROMAN VIEW WITH RUINS AND FRAGMENTS OF SCULPTURE

Pen and brown ink;

signed: J. Prou fecit Roma inscribed: Md and numbered: 54

269 by 371 mm

PROVENANCE:

A gift from Sir Bruce Ingram

700 GBP

123

FOLLOWER OF CLAUDE GELLÉE, CALLED CLAUDE LORRAIN


A RIVER WITH A BOAT, AND A VILLAGE WITH A BURNING HOUSE


193 by 252 mm

PROVENANCE:


C. Gasc (L. 544);

A.P.E. Gasc (L. 1131);

Acquired from Rimell, 1914

800 GBP

124

MASTER OF THE BLUE LANDSCAPES

mid 17th Century

A FORTIFIED TOWN IN THE CAMPAGNA (RECTO AND VERSO)

Pen and brown ink and wash, heightened with white (verso), on blue paper

187 by 258 mm

PROVENANCE:

Fries;

Acquired from Mendelsohn, 3 April 1919

EXHIBITED:

London, Royal Academy, The Paul Oppé Collection, 1958, no. 330 (as Claude);

Ottawa, The National Gallery of Canada, Exhibition of Works from Paul Oppé Collection, 1961, no. 118 (as Claude)

LITERATURE:

M. Roethlisberger, 'Drawings around Claude I', Master Drawings, 1965 (III), no. 11

2,000 GBP

125

FRENCH SCHOOL CIRCA 1850

A WOMAN SEATED ON A BALCONY

Pencil and watercolour, circular;

inscribed: Le Senora

90 mm diameter

80 GBP

126


A JOCKEY AND A RACEHORSE

Pencil and watercolour, circular;

inscribed: Les Courses

90 mm diameter

80 GBP

127

FRENCH SCHOOL, LATE 19TH CENTURY

A BARN

Pen and black ink and watercolour over pencil

258 by 177 mm

PROVENANCE:


60 GBP

128


HEAD OF A MAN

Red and brown chalk, on brown paper

167 by 124 mm

PROVENANCE:

Barrymore, his mount and drystamp 'MC/E / 53'

80 GBP

129

ATTRIBUTED TO GIOVANNI FRANCESO GRIMALDI


A BOY DRINKING AT A STREAM

Pen and brown ink

97 by 187 mm

PROVENANCE:

R. Houlditch;

Viscount Knutsford;

Acquired 11 April 1935, lot 87

300 GBP

130

CIRCLE OF JAN ASSELYN

Dieppe circa 1610 - 1652 Amsterdam

THE PONTE ROTTO, ROME; AND A RIVER LANDSCAPE

Black chalk and grey wash;

two in one mount

170 by 238 mm and 162 by 251 mm

900 GBP

131

ATTRIBUTED TO ALESSANDRO CASOLANI

Siena 1552 - 1606

PIETA

Black chalk on grey paper

140 by 138 mm

PROVENANCE:

Barrymore with associated mount and drystamp 'M.C./E./37.';

sale, Sotheby's, June 1933

700 GBP

132

JACOPO NEGRETTI, CALLED PALMA IL GIOVANE


A WOMAN, HALF-LENGTH TO THE LEFT


100 by 29 mm

PROVENANCE:

J. Richardson, Jun. (L. 2170);

Gift of I.Q. van Regteren Altena, July 1936

300 GBP

133

ATTRIBUTED TO GIOVANNI MANNOZZI, CALLED DA SAN GIOVANNI

Valdarno 1592 - 1636 Florence

A CHILD ON A MULE, BESIDE A SECOND MULE

Red chalk;

bears inscription: S. Giovanni

135 by 140 mm

PROVENANCE:

Luigi Grassi (L. 1171b);

sale, Sotheby's, 13 May 1924, part of lot 106

EXHIBITED:


1,000 GBP

134

CIRCLE OF MICHEL CORNEILLE THE YOUNGER

Paris 1642 - 1708

WOMAN WASHING AT A STREAM

Pen and brown ink

125 by 180 mm

PROVENANCE:

Acquired from Crook, 21 June 1924

200 GBP

135

GIOVANNI MANNOZZI, CALLED DA SAN GIOVANNI

Valdarno 1592 - 1636 Florence

RECTO: A KNEELING MONK, TO LEFT

VERSO: A KNEELING MONK, FACING FRONT

Red chalk

263 by 177 mm

PROVENANCE:

R. Johnston (?);


1,200 GBP

136



PORTRAIT OF A NOBLEMAN

Pencil, laid down;

with inscription 'Campiglia delin', numbered 'no. 81', '95'

195mm diameter

PROVENANCE:

Gift of Hans Calmann, September 1943

300 GBP

137



PORTRAIT OF CARDINAL PIERRE TENCIN

Pencil, grey wash, laid down, oval;

with inscription 'Campaglia delin', 'Cardinal Tencin', numbered 'no. 80' (verso)

145 by 155 mm

PROVENANCE:


600 GBP

138



DESIGN FOR A TITLE PAGE

Black chalk within a ruled margin, laid down

170 by 125 mm

PROVENANCE:


800 GBP

139

ATTRIBUTED TO GIULIO DELL'ANGOLO DEL MORO


A RELIGIOUS SUBJECT

Pen and blue ink and blue and brown wash

85 by 115 mm

PROVENANCE:

Acquired from Gernsheim, 28 December 1937

EXHIBITED:


1,000 GBP

140

CAMILLO BOCCACCINO

Ferrara circa 1501 - 1546 Cremona

A SAINT READING

Grey wash heightened with white, on dark-red preparation

145 by 95 mm

PROVENANCE:


W. Gibson, his attribution and price code 3.3. (verso);

Gift of A. Horsman Coles

3,000 GBP

141

GIUSEPPE BALDINI

Active in Florence circa 1730

RECTO: REBECCA AND ELIEZER AT THE WELL

VERSO: FIGURE STUDIES

Red chalk

196 by 261 mm

PROVENANCE:

F. M. N. Gaburri, his inscription 'Di Mano di Miuselle Baldini (?) Fiorno 14' (L. 2992b);


1,200 GBP

142

ROMAN SCHOOL, CIRCA 1620

THE EXECUTION OF SAINT JOHN THE BAPTIST


125 by 195 mm

PROVENANCE:

K.T. Parker;

C.R. Rudolf;

sale, Sotheby's, 9 June 1937, part lot 2

2,000 GBP

143


A GROUP OF WOMEN, LISTENING

Pen and brown ink and wash, on dark-brown paper

215 by 380 mm

PROVENANCE:

Gift of Richeton, 1920

100 GBP

144

SCHOOL OF ANTWERP, CIRCA 1550

THE HEAD OF A BOY, LOOKING UP; A CARTOON FRAGMENT

Black chalk and bodycolour, the outlines pricked;

bears inscription on the mount: An Carats.

150 by 135 mm

PROVENANCE:

Worsley;

Acquired in May 1921

1,200 GBP

145


A LANDSCAPE WITH FALLEN TREES AND A CASTLE ON A HILL


193 by 268 mm

PROVENANCE:

B. Geiger;

sale, Sotheby's, 7 December 1920, lot 60;

Acquired from Newmayr

EXHIBITED:

London, Royal Academy, The Paul Oppé Collection, 1958, no. 376 (as Agostino Carracci)

800 GBP

146

REMIGIO CANTAGALLINA

Sansepolcro/Florence 1582/83 - 1656 Florence

A RIVER LANDSCAPE WITH HOUSES AND TREES IN THE FOREGROUND

Pen and brown ink;

bears inscription: Callot

195 by 255 mm

PROVENANCE:

Gift of Bellingham Smith, 1919

500 GBP

147

M. F. 1757

A DOWNLAND LANDSCAPE UNDER RAIN, WITH A RIDER CROSSING A BRIDGE

Pen and brown ink and watercolour;

signed with the artist's monogram and dated: MF 1757

180 by 265 mm

PROVENANCE:


2,000 GBP

148

PHILIBERT BENOIT DE LA RÜE

Paris 1725 - 1785

THE VISION OF SAINT JOHN ON PATMOS

Pen and brown ink and grey and brown wash and black chalk, heightened with white

300 by 200 mm

PROVENANCE:

Lord Northwick;


EXHIBITED:

London, Royal Academy, The Paul Oppé Collection, 1958, no. 345 (as Louis-Felix de la Rue)

800 GBP

149

CIRCLE OF PHILIPPE-LOUIS PARIZEAU

Paris 1740 - 1801

A BOY SEATED ON THE GROUND

Red chalk

150 by 130 mm

PROVENANCE:

Sale, 1 February 1922, lot 1;


300 GBP

150

LUDOVICO RODOLPHE PISSARRO

1878 - 1954

KIRFANY: SUNSET OVER A HEADLAND AND BAY

Pen and brown ink and watercolour;

signed: Ludovic Rodo

260 by 375 mm

PROVENANCE:

Miss M. Kinnear;


300 GBP

151

ITALIAN SCHOOL, LATE 18TH CENTURY

RECTO: A TRIUMPHAL ARCH IN A TOWN

VERSO: TREES

Red chalk;

inscribed: cornice and an illegible inscription

145mm by 203mm

PROVENANCE:

Lord Northwick;


150 GBP

152

ATTRIBUTED TO MATTEO ROSSELLI


A MAN, STANDING TO LEFT

410 by 233 mm

PROVENANCE:

Benno Geiger;

sale, Sotheby's, 7 December 1920

1,500 GBP

153

BOLOGNESE SCHOOL, CIRCA 1700

A LANDSCAPE WITH RIVER AND TREES

Pen and brown ink, on blue paper

200 by 297 mm

PROVENANCE:

Lord Amerst of Hackney;

sale, Sotheby's, 14 December 1921, part of lot 6

600 GBP

154

ATTRIBUTED TO DOMENICO ZAMPIERI, CALLED DOMENICHINO


A MOUNTAINOUS LANDSCAPE

Pen and brown ink

305 by 245 mm

PROVENANCE:

Count Moriz von Fries (L. 2903);

F. Bright;

sale, Sotheby's, 3 May 1921, lot 338

EXHIBITED:

London, Royal Academy, The Paul Oppé Collection, 1958, no. 356 (as Fra Bartolommeo);

Ottawa, The National Gallery of Canada, Exhibition of Works from Paul Oppé Collection, 1961, no. 104 (as Fra

Bartolommeo)

6,000 GBP

155

CIRCLE OF JACOB RUYSDAEL

Haarlem circa 1629 - 1861 Amsterdam

A BUILDING WITH A BRIDGE, WATER AND TREES

Black chalk and grey wash;

bears numbering, verso: 235

95 by 140 mm

PROVENANCE:

Sale, Sotheby's, 16 March 1927, part of lot 60;

Acquired from Meatyard, 24 March 1927

800 GBP

156

ATTRIBUTED TO JAN VAN KESSEL

Amsterdam 1641 - 1680

A RIVER SCENE WITH A HUT AND WINDMILLS

Black chalk and grey wash, within brown ink framing lines

90 by 150 mm

PROVENANCE:

Sale, Sotheby's, 16 March 1927;

Acquired from Meatyard, 24 March 1927

3,500 GBP

157

CHARLES MICHEL-ANGE CHALLE

Paris 1718 - 1778

AN ARCHITECTURAL CAPRICCIO

Pen and grey ink and wash;

bears inscription: Jacques Rousseau

208 by 280 mm

PROVENANCE:

C. Jourdeuil (L. 527);

Acquired from Huddlestone, June 1910

800 GBP

158

BENEDETTO CARPACCIO

Venice 1490 - 1572 Istria

THE TRIAL OF MOSES


202 by 242 mm

PROVENANCE:

Acquired from Parsons, 13 August 1910 with the Parsons SS Star

EXHIBITED:

London, Royal Academy, The Paul Oppé Collection, 1958, no. 358 (as Michele da Verona);

Venice, Fondazione Cini, Disegni veneti di collezioni inglesi, 1980, no. 9, reproduced

LITERATURE:

T. Borenius, Michele da Verona, The Burlington Magazine, 1921, XXXIX, no. 220 (as Michele da Verona)

12,000 GBP

159


A KNEELING MARTYR

Red chalk

310 by 195 mm

PROVENANCE:


1,500 GBP

160

VINCENT LAURENTSZ. VAN DER VINNE II

Haarlem 1686 - 1742

A RUINED CASTLE

Red and black chalk and watercolour

195 by 293 mm

EXHIBITED:


2,000 GBP

161

HENRI MONNIER

Paris 1799 - 1877

A PEASANT WOMAN

Pencil, fixative;

inscribed: à mon ami Mêne and signed and dated: Henry Monnier 1866

315 by 200 mm

PROVENANCE:

G. Engelbrachts (L. 1148);

sale, Sotheby's, 30 July 1937;


300 GBP

162

VICTOR JEAN NICOLLE

Paris 1754 - 1826

PEASANTS BEFORE A HOUSE

Pen and brown ink and watercolour

151 by 97 mm

PROVENANCE:

Acquired in Exeter, 1915

700 GBP

163

ITALO-FLEMISH SCHOOL, 17TH CENTURY

RECTO: THE GROTTO OF POSILIPPO

VERSO: PART OF THE GROTTO


251 by 186 mm

PROVENANCE:

Acquired in 1921

200 GBP

164


RECTO: A CASTLE, REMINISCENT OF CASTEL SANT'ANGELO, ROME

VERSO: THE UPPER STORIES OF A VILLA


193 by 313 mm

200 GBP

165


RECTO: A VIEW OF A TOWN WITH A CHURCH

VERSO: PART OF THE VATICAN


216 by 310 mm

300 GBP

166

WILLEM VAN DE VELDE II

Leiden 1633 - 1707 London

ROCKY COAST


110 by 115 mm

PROVENANCE:

Acquired in 1925

150 GBP

167



FISHERMEN


150 by 210 mm

PROVENANCE:

Acquired in 1925

300 GBP

168



A SHIPWRECK


165 by 275 mm

PROVENANCE:

Acquired in 1925

200 GBP

169


RECTO: VIEW OF A TOWN

VERSO: A CASTLE ON A HILL

Black chalk

198 by 279 mm

PROVENANCE:

Acquired in 1932

600 GBP

170

BOLOGNESE SCHOOL, EARLY 17TH CENTURY

FOUR PUTTI

Red chalk and wash, squared in black chalk

171 by 200 mm

PROVENANCE:

Barrymore with associated mount and drystamp 'M.C./E./57.';

Acquired in 1937

1,500 GBP

171

JAN DE BISSCHOP

Amsterdam 1628 - 1671 The Hague

THE HUYGENS HOUSE AT THE HAGUE

Pen and brown ink and wash, within brown ink framing lines;

inscribed, verso: achter d'H'van Zuylichem in den Haegh. Huys van d'H'van Odyck. Huys van Mads. Horst van Prins

Maurits...

98 by 115 mm

PROVENANCE:

Sale, Sotheby's, 13 May 1920, lot 69

EXHIBITED:



12,000 GBP

172

STEFANO DELLA BELLA


CARICATURE: A VILLAGE DANCE

Pen and brown ink and grey wash, over black chalk;

inscribed: Stef. dela Bela

195 by 270 mm

PROVENANCE:

Sale, Sotheby's. 19 February 1930, part of lot 83;


9,000 GBP

173

STEFANO DELLA BELLA


CARICATURE: A NIGHT WATCH

Pen and brown ink and grey wash, over black chalk

160 by 270 mm

PROVENANCE:

Sale, Sotheby's, 19 February 1930, part of lot 83;


12,000 GBP

174

STEFANO DELLA BELLA


CARICATURE: AN ASSEMBLY IN A PIAZZA

Pen and brown ink and grey wash, over black chalk;

inscribed: ecci Poeti ecceni Ocomincia

195 by 270 mm

PROVENANCE:



12,000 GBP

175

STEFANO DELLA BELLA


CARICATURE: HEDGE SCHOOL


125 by 270 mm

PROVENANCE:



6,000 GBP

176

STEFANO DELLA BELLA


CARICATURE: A DRUNKARD


150 by 270 mm

PROVENANCE:



7,000 GBP

177

STEFANO DELLA BELLA


CARICATURE: BOWLING


210 by 315 mm

PROVENANCE:



9,000 GBP

178

STEFANO DELLA BELLA


CARICATURE: SWINGS


145 by 270 mm

PROVENANCE:



EXHIBITED:


16,000 GBP

179

STEFANO DELLA BELLA


CARICATURE: A GYMNASIUM


170 by 270 mm

PROVENANCE:



12,000 GBP

180

STEFANO DELLA BELLA


CARICATURE: THE FOUNTAIN


200 by 280 mm

PROVENANCE:



12,000 GBP

181

STEFANO DELLA BELLA


CARICATURE: MANEGGIO


155 by 270 mm

PROVENANCE:



16,000 GBP

182

STEFANO DELLA BELLA


CARICATURE: FEMALE OCCUPATIONS


165 by 260 mm

PROVENANCE:



9,000 GBP

183

LOUIS FRANÇOIS SÉBASTIEN FAUVEL

Clermont-en-Beauvaisis 1753 - 1838 Smyrna

ATHENS: THE TEMPLE OF OLYMPIAN ZEUS, FROM THE SOUTH

Watercolour and pencil

235 by 370 mm

PROVENANCE:

Stephen Hawkins;

Acquired in 1936

2,000 GBP

184



THE ODEON OF HERODIUS ATTICUS, ON THE SOUTH SIDE OF THE ACROPOLIS

Watercolour and pencil, on two joined sheets

280 by 480 mm

PROVENANCE:

Stephen Hawkins;

Acquired in 1936

6,000 GBP

185



THE EAST FRONT OF THE PARTHENON

Watercolour and pencil;

bears inscription: too deep

270 by 420 mm

PROVENANCE:

Stephen Hawkins;

Acquired in 1936

EXHIBITED:

London, Royal Academy, Landscapes in French Art, 1950, no 432;



6,000 GBP

186



VIEW OF A CAVERN


inscribed: Interieur d'une grotte près la Métairie dans chemin d'Athènes au cap Colonne

250 by 390 mm

PROVENANCE:

Stephen Hawkins;

Acquired August 1936

3,000 GBP

187



ATHENS: THE TEMPLE OF OLYMPIAN ZEUS, FROM THE NORTH

Watercolour and pencil

255 by 405 mm

PROVENANCE:

Stephen Hawkins;

Acquired in 1936

2,000 GBP

188



A COLUMN, POSSIBLY THE COLUMN OF APHRODITE AT AEGINA


bears inscription: restitué par Fauvel d'après les ruins

385 by 305 mm

PROVENANCE:

Stephen Hawkins;

Acquired in 1936

4,000 GBP

189



A RUINED ARCH OF BRICK, PARTLY COVERED WITH MARBLE, WITH A MOSQUE IN THE DISTANCE


signed and dated: Fauvel 1793

260 by 410 mm

PROVENANCE:

Stephen Hawkins;

Acquired in 1936

4,500 GBP

190



THE TEMPLE OF APOLLO AT BASSAE

Pen and grey ink and watercolour

210 by 345 mm

PROVENANCE:

Stephen Hawkins;

Acquired in 1936

EXHIBITED:


3,500 GBP

191

EDMÉ BOUCHARDON

Chaumont 1698 - 1762 Paris

DESIGN FOR A COVERED VASE WITH GADROONED BODY

Red chalk

232 by 161 mm

PROVENANCE:

F.J.C. Holdsworth, Widdicombe House, Kingsbridge, Devon;

sale, Christie's, 24 May 1921, lot 12

EXHIBITED:

London, Matthiesen Gallery, French Drawings, 1950, no. 2;


3,000 GBP

192

EDMÉ BOUCHARDON

Chaumont 1698 - 1762 Paris

DESIGN FOR A COVERED VASE

Red chalk

223 by 163 mm

PROVENANCE:

F.J.C. Holdsworth, Widdicombe House, Kingsbridge, Devon;

sale, Christie's, 24 May 1921, lot 12

EXHIBITED:


3,000 GBP

193

JAN DE BISSCHOP


A HILLSIDE AND TREES

Pen and brown ink and wash, within brown ink framing lines;

inscribed: Buyten den Haegh bij Dorpen Laen

102 by 155 mm

PROVENANCE:

Sale, Foster's, 23 October 1929;

Acquired from Crook

EXHIBITED:


3,000 GBP

194

JAN DE BISSCHOP


A VILLA BY A WOOD


120 by 210 mm

PROVENANCE:

L. G. Duke;

sale, Robinson and Fisher, 5 October 1933, lot 70

EXHIBITED:



3,000 GBP

195

JAN DE BISSCHOP


A FIGURE IN A SUNLIT WOOD


inscribed, verso: Tot Ryswyk

156 by 102 mm

PROVENANCE:

Francis Place;

P. Allen Fraser;

From the Barlow book;

Acquired 1931

EXHIBITED:


6,000 GBP

196

DUTCH SCHOOL, 1612(?)

'MR CARELESS' SITTING BEFORE THE FIRE

Black chalk, brown and grey wash heightened with white, the outlines incised;

dated(?): 1612

235 by 190 mm

PROVENANCE:


Sir Thomas Lawrence (L. 2445);

J. Gray;

sale, Sotheby's, 21 July 1948, lot 38;

Acquired from P. & D. Colnaghi

EXHIBITED:



18,000 GBP

197

ATTRIBUTED TO GIOVANNI ANTONIO FUMIANI


DESIGN FOR A CEILING: THE ASSUMPTION OF THE VIRGIN

Pen and brown ink and wash, over black chalk

168 by 141 mm

PROVENANCE:

G. Vallardi (L. 1223);

P. Davidsohn (L. 654);

Acquired in 1920

1,500 GBP

198

ATTRIBUTED TO GIOVANNI BATTISTA LENARDI

Rome 1656 - 1704

DESIGN FOR THE REAR OF A CHARIOT


bears inscription: Ciro ferri

269 by 181 mm

PROVENANCE:

Sale, Robinson & Fisher, 20 May 1921, lot 86

2,500 GBP

199

CIRCLE OF PIETRO BUONACCORSI, CALLED PERINO DEL VAGA

Florence 1501 - 1547 Rome

FRAGMENTS OF ORNAMENTS


105 by 205 mm

PROVENANCE:

Sir Joshua Reynold (L. 2364);

T. Banks (L. 2464);

Sir Edward Poynter;

Acquired in 1921

EXHIBITED:


800 GBP

200

JOHAN VAN HELL

Amsterdam 1889 - 1952

A SIBERIAN PRISONER OF WAR CAMP, WITH A MAN SEATED

Pencil;

signed and dated: H. 20

88 by 110 mm

PROVENANCE:

Gift from the artist, 1928

70 GBP

201


RECTO: A SHEPHERD IN A WIDE HAT

VERSO: STUDIES FOR A SEATED FEMALE FIGURE

Red and black chalk (recto) and pen and brown ink (verso)

211 by 282mm

PROVENANCE:

Lord Northwick;

sale, Sotheby's, 24 November 1919

300 GBP

202

ANTONIO MANCINI

Rome 1852 - 1930

THREE PORTRAITS

Head of a woman: blue chalk;

signed 'A Mancini'

Head of a woman: red chalk;

signed 'A Mancini'

Head of a man: pastel, oval

395 by 260 mm

360 by 260 mm

245 by 265 mm

PROVENANCE:

Norton;

sale, Sotheby's, 22 July 1919, lot 235

4,000 GBP

203

AUGUSTE RODIN

Paris 1840 - 1917 Meudon

A CAMBODIAN DANCER

Point of the brush and pink and yellowish wash, over graphite

310 by 240 mm

PROVENANCE:

Acquired from Hans Calmann, 25 March 1938

EXHIBITED:

London, Matthiesen's Gallery, French Drawings, 1938, no. 142;

London, Arts Council, French Drawings from Fouquet to Gauguin, 1952, no. 141

18,000 GBP

204

GERHART FRANKL

Vienna 1901 - 1965

HORN'S COPSE: WOODLAND

Pen and brown ink and wash over black chalk;

bears inscription, lower left: for Paul A. Oppé. and signed, dated and inscribed, lower right: Gerh Frankl 40 / Horn's

Copse

374 by 554mm

1,200 GBP

205

GERHART FRANKL

Vienna 1901 - 1965

NEAR BANKS, RAVENSTONDALE, WESTMORLAND

Pen and brown ink and wash over chalk;

signed and dated, lower left: Gerh Frankl 39

380 by 561mm

1,200 GBP

206

BRITISH SCHOOL, CIRCA 1820

CAERNARVON CASTLE BY MOONLIGHT

Watercolour and gouache

365 by 475mm

1,200 GBP

flemish school, 17th century · italo-french school, 17th century part of the arch of constantine...

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