folie à deux [album] - fall out boy
DESCRIPTION
jjjjjTRANSCRIPT
Intro
Moderately q = 122
Disloyal Order of Water BuffaloesWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley
Copyright © 2008 Sony/ATV Music Publishing LLC and Chicago X Softcore SongsAll Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
from Fall Out Boy - Folie à Deux
Drop D tuning:(low to high) D-A-D-G-B-E
D
I’m com in’- a part
A/C#
- at the seams,
*Gtr. 1
w/ fingers
pp mf
*Organ arr. for gtr.
pitch
Bm
in’- my self- for leads in oth
G5
er- peo ple’s- dreams, now. Buzz,
D/A
buzz, buzz.
A
Doc,
A/Bb
there’s a
let ring
hole
Bm
where some
G5
thing- was.
D
Doc,
D/A
there’s a hole
Bm
where some
G5
thing- was.
D
let ring
0232
4225
2
432
5
033
0
232
0
220
1
2
432
5
033
0232
0 2
432
5
033
0232
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.1
Faster q = 148
Gtr. 2 (dist.)
Gtr. 1 tacet
Rhy. Fig. 1
mf
Dsus2 DEnd Rhy. Fig. 1
Dsus2
*Gtr. 3 (dist.)
f
*Doubled throughout
Gtr. 3
**
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
Rhy. Fig. 2
D5 A5 G5End Rhy. Fig. 2
**Chord symbols reflect harmony played by Gtr. 3.
Gtr. 3: w/ Rhy. Fig. 2
D5
A5 G5
Fell1. out of bed,
Gtr. 2: w/ Rhy. Fig. 1 (2 times)Gtr. 3: w/ Rhy. Fig. 2
Verse
D5
but ter- fly- band age,- but don’t
A5
wor
G5
ry.- You’ll nev er- re mem- -
D5
ber,- your head is far too
A5
blur
G5
ry.- Put him in the
Gtr. 3
Rhy. Fig. 3 End Rhy. Fig. 3
077
077
077
077
077
077
077
077
077
077
077
075
075
077
077
077
077
077
077
077
077
077
077
077
075
075
075
19
00
77
55
55
00
77
55
55
55
55
55
55
55
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back
*Bm7
of a squad
Esus4
car, re strain
A5
- that man.
D5
He needs
Bm7
his head put
Esus4
through a cat
A5
scan.
D5
- Hey
Riff A
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
*Chord symbols reflect implied harmony.
ed
Bm7
i- tor,
-
Esus4
I’m un de- ni
A5
- a- ble.
-
D5
Hey, doc
Bm7
tor,- I’m
Esus4
cer ti- fi
A5
- a- ble.- Oh,
P.M. P.M. P.M. P.M. P.M. P.M.
End Riff A
let ring
Pre-Chorus
Gtr. 3 tacet
G
I’m a loose bolt
Aadd4
of a com plete- ma chine.
Bm
- What a
A5
Gtr. 5 (dist.)
Riff C
mf
Gtr. 4 (slight dist.)
Riff B
mflet ring let ring let ring
2 2
2
2 2
2
0 0
2
0 05 4 2 2
2
2 2
2
0 0
2
0 05 4
2 2
2
2 2
2
0 0
2
0 05 4 2 2
2
2 2
2
02
2
0
2
0
2
57
57
8 7 57
5 5
40
5
0
7
0
7
60
7
07
9
0
9
70 0
9
0
9 9 7
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match,
G
I’m half
Aadd4
doomed and you’re
Bm
sem
A
i- -
End Riff C
let ring w/ pick
& finger let ring
End Riff B
sweet.
G DGtrs. 4 & 5 tacet
Dsus2
So boy
Chorus
Gtr. 2 tacet
D5
cott-
Gtr. 2 Gtr. 6 (dist.)
mf
Gtr. 5
Gtr. 4
Gtr. 3
Rhy. Fig. 4
4 4 6 7 6
5
0
5
4
5
4
0
5
0
7
60
7
60
7
7
9
06
7
6
5
4
077
077
077
077
077
077
077
077
077
077
077
075
075
075 10 7 8
97
4 4
5X04
5 9 0577
0577
0577
0577
0577
0577
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love,
G5
de
B5
tox- just to re
A5
tox.- And I’d
Gtr. 6
let ring let ring
Gtr. 1 End Rhy. Fig. 4
prom
Gtr. 3: w/ Rhy. Fig. 4 (2 times)
D5
ise- you an
G5
y- thing-
for an oth
B5
- er- shot at life.
A5
And
Gtr. 6
let ring let ring
per
D5
fect- boys
G5
with their per
B5
fect- lives,
A5
no bod- y-
(Ah.)
Voc. Fig. 1 End Voc. Fig. 1
let ring let ring
77
5 7 107
89
77
5 7
555
555
555
555
555
555
999
999
999
999
999
999
999
777
777
777
777
777
777
7 7 89
77
5 7 7 89
77
5 7
7 7 89
77
5 7 7 89
77
5 7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.5
2CTo oda 1CTo oda
wants
Bkgd. Voc.: w/ Voc. Fig. 1
D/F#
to hear you sing
G5
a bout- trag e- dy.-
B5 A5
Oh.
(Wants to hear you sing a bout- trag e- dy.)-
Gtr. 6
let ring let ring
Gtr. 3
Rhy. Fig. 5 End Rhy. Fig. 5
Gtr. 2: w/ Rhy. Fig. 1 (2 times)Gtr. 3: w/ Rhy. Fig. 2 (2 times)Gtr. 6 tacet
Interlude
D5 A5 G5
D5
A5 G5
Lit2. tle- girl,
Gtr. 2: w/ Rhy. Fig. 1 (2 times)Gtr. 3: w/ Rhy. Fig. 2
Verse
D5
you got me star ing- odd,
A5 G5
oh. Or was that just
Gtr. 3: w/ Rhy. Fig. 3
D5
a tel e- scop- ic- cam ’ra- nod?
A5 G5
Uh, p p- paint- ed-
7 7 89
77 7
5 7 7 7 89
77
5 7 7
457
457
457
457
457
457
555
555
555
555
555
555
999
999
999
999
999
999
999
777
777
777
777
777
777
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.6
D.S. al Coda 1
dolls
Gtr. 3: w/ Riff A
Bm7
in the high
Esus4
way- truck
A5
stop- stalls,
D5
lot
Bm7
liz ard- scales
Esus4
cool your night
A5
life- moods.
D5
All the
(Paint ed- dolls in the high way- truck stop- stalls.)
rook
Bm7
ies,- leave your badge
Esus4
and your gun
A5
on the desk
D5
when you leave
Bm7
the room.
Esus4
A5
Gtr. 4: w/ Riff B
Pre-Chorus
G
I’m a loose bolt
Aadd4
of a com plete- ma chine.
Bm
-
(I’m a loose bolt.)
Gtr. 5: w/ Riff C
What a
A5
match,
G
I’m half
Aadd4
doomed and you’re
Bm
sem
A
i- -
sweet.
G
Gtr. 3
5 5 5 5 50 0 0 0 0 2 2 2 2 2 4 4 4 4 4 5 5 7 7
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1 Coda
Gtr. 2: w/ Rhy. Fig. 1 (4 times)Gtr. 6 tacet
Bridge
D Dsus2 D
Dsus2
(De
Voc. Fig. 2
tox- just to re tox.- De tox- just to re tox.)-
End Voc. Fig. 2
Gtr. 3
Bkgd. Voc.: w/ Voc. Fig. 2 (3 times)
D
Dsus2 D
Dsus2
So
boy
D
cott- love,
Dsus2 D Dsus2
(Boy cott- love,
00
00
00
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.8
D.S. al Coda 2
2 Coda
boy
D
cott- love.
Dsus2 D Dsus2
So
boy cott- love.)
B5 A5
No bod- y-
(Wants to hear you sing.)
let ring
wants
Gtr. 3: w/ Rhy. Fig. 5
D/F#
to hear you sing
G5
a bout- trag e- dy.-
Gtr. 6
let ring
00
12
7 7 89
77
5 7
999
999
999
999
999
999
999
777
777
777
777
777
777
10 79
89
77
5 7
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B5
Whoa.
A5Outro
D
(Wants to hear you sing a bout- trag e- dy.)-
Gtr. 6
let ring
Gtr. 2
Gtr. 3
Gtr. 6 tacet
Dsus2 D
Dsus2
Gtr. 2
Gtr. 3
10 79
89
77
5 7
077
077
077
077
077
077
077
999
999
999
999
999
999
999
777
777
777
777
777
777
00
077
077
077
077
075
075
075
077
077
077
077
077
077
077
077
077
077
077
075
075
075
00
00
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Intro
Fast q = 135
I Don’t CareWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman, Andrew Hurley and Norman Greenbaum
Copyright © 2008 Sony/ATV Music Publishing LLC, Chicago X Softcore Songs, WB Music Corp. and Great Honesty Music Inc.All Rights on behalf of Sony/ATV Music Publishing LLC and Chicago X Softcore Songs Administered by
Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203All Rights on behalf of Great Honesty Music Inc. Administered by WB Music Corp.
International Copyright Secured All Rights ReservedReprinted by Permission of Hal Leonard Corporation
from Fall Out Boy - Folie à Deux
Transcribed by David Stocker
____
= 3
(Drums)
*
Voc. Fig. 1
F#5
A6 B5 A6 B5
(Oo.)
End Voc. Fig. 1
A6 F#5
A6 B5
A6 B5 A6
Gtrs. 1 & 2 (elec.)
w/ dist.
Riff A
f
End Riff A
let ring
Riff B End Riff B
let ring
*Chord symbols reflect implied harmony.
Bkgd. Voc.: w/ Voc. Fig. 1
F#5 A6 B5 A6 B5 A6
let ring
F#5 A6 B5 A6 B5 A6
let ring
Say
Verse
1.
F#5
my name and
A6
his
B5
in
A6
the same
B5
breath.
A6
I
F#5
dare you to say they
A6
taste
B5
the
A6
same.
B5 A6
A,
Riffs C & C1
let ring let ring
2
4 4 40
42
40
42
40
0 2
4 4 40
42
40
42
40
0
2
4 4 40
42
40
42
40
0 2
4 4 40
42
40
42
40
4
2
4 4 40
42
40
42
40
0 2
4 4 40
42
40
42
40
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
let
D5
the leaves
A/C#
fall off
B5
in the sum
A
mer- and
E/G#
let
Bkgd. Voc.: w/ Voc. Fig. 1
F#5
De cem- ber- glow in
A6
flames.
B5
(In
A6
flames.)
B5 A6
Gtr. 1
End Riff C
let ring 3 3 3 3 3 3
3 3
Gtr. 2
End Riff C1
let ring 3 3 3 3 3 3 3 3
Brace
Gtrs. 1 & 2: w/ Riffs C & C1
F#5
my self- and
A6
let
B5
go.
A6 B5
Start
A6
it o
F#5
ver- a gain- in
A6
Mex
B5
i
A6
- co.-
B5 A6
These
D5
friends,
A/C#
they
B5
don’t love
A
you.
E/G#
They
F#5
just love the
A6
ho
B5
tel-
A6
suites,
B5
now.
A6
I
Chorus
F#5
don’t
care
A5
what you think as long
D5/A
as it’s a bout
B5/F#
- me. The
(Oh.)
Voc. Fig. 2
Gtrs. 1 & 2
Rhy. Fig. 1
2X5
2X5
2X5
2X5
2X5
2X5
2X5
2X5
2X5
2X5
2X5
2X5
2X5
2X5
2X5
2X5
2X5
2X5
4 4 4 2 2 22
4 4 40
42
40
42
40
4
5 5 5 5 5 5 4 4 4 4 4 4 2 2 2 2 2 2 0 0 04 4 4 2
4 4 40
42
40
42
40
4
244
022
5577
2244
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CTo oda
D.S. al Coda
best
D5/A
of us can find
B5/F#
hap pi- ness- in mis
F#5
- er
A6
y.-
B5
A6 B5
Said,
A6
End Voc. Fig. 2
End Rhy. Fig. 1
let ring
I
Bkgd. Voc.: w/ Voc. Fig. 2Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 6 meas.)
F#5
(I
don’t
don’t.)
care
A5
what you think as long
D5/A
as it’s a bout
B5/F#
- me. The best
D5/A
of us can find
B5/F#
hap pi- ness- in
mis
InterludeBkgd. Voc.: w/ Voc. Fig. 1 (2 times)
F#5
er- y.-
A6 B5
A6 B5 A6 F#5
A6 B5
A6 B5 µ
Gtrs. 1 & 2
let ring let ring
Verse
Gtrs. 1 & 2: w/ Riffs C & C1 (2 times)
F#5
Oh,2. take a chance, let
A6
your bod
B5
y- get
A6
a tol
B5
er- ance.
A6
-
F#5
I’m not a chance, put
A6
a heat
B5
wave in
A6
your pants.
B5
Pull
A5
a
breath
D5
like an oth
A/C#
- er- cig a- rette.
B5
- Pawn shop;
A
I’m
E/G#
trad
Bkgd. Voc.: w/ Voc. Fig. 1
F#5
in’- ’em.
A6 B5
(Trad
Mm.
A6
in’- ’em.)
B5 A6
F#5
I’m the or a- cle
A6
- in
B5
my
A6
chest.
B5 A6 F#5
Let the gui tar- scream
A6
like
B5
a fas
A6
cist.
B5
- Sweat
A5
it
(In my chest. oo.)
out,
D5
shut your mouth.
A/C#
Free love
B5
on the streets,
A
but
E/G# F#5
in the al ley- it
A6
ain’t
B5
that
A6
cheap
B5
now.
A6
5577
2244
2
4 4 40
42
40
42
40
2
4 4 40
42
40
42
40
0 2
4 4 40
42
40
42
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Coda
Gtr. 1 F#5 A6 B5 A6 B5 A6
let ring
Breakdown
F#5 A6 B5 A6 B5 A6
Gtr. 2
let ring slight P.M.
F#5
A6
Mm.
B5 A6 B5
Said,
A6
a, I
Gtr. 1 tacet
Bridge
F#5
don’t care just,
A6
a, what
B5
you
A6
think
B5 A6
as
fdbk.*
3
Gtr. 3 (acous.)
mp let ring
Pitch: G#*Using a guitar with LesPaul-style electronics, set the lead volume to 0 and the rhythm volume to 10. Flip the pickup selector switch in the rhythm indicated to simulate the re-attack.
slight P.M.
long
F#5
as it’s
A6
a
3
bout
B5
-
A6
me.
B5
I said,
A6
a, I
Gtr. 1: w/ Riff A
F#5
don’t care just,
A6
a, what
Gtr. 3 tacet
B5
you
A6
think
B5
as
A6
long
let ring
slight P.M. slight P.M.
2
4 4 40
42
40
42
40
4
24
2
4 4 40
42
40
42
40
4
2
4 4 40
42
40
42
40
0
24
24
24
24
2
4 4 40
42
40
42
40
0
2
4 4 40
42
40
42
40
0 2
4 4 40
42
40
42
40
0
2
4 4 40
42
40
42
40
0 2
2
4 4 40
42
40
42
40
0 2
40
42
40
42
40
0Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.4
Gtr. 1: w/ Riff B (2 times)
F#5
as it’s
A6
a bout
B5
-
A6
me.
B5
I said,
A6
a, I
F#5
don’t care.
A6
(I
B5
don’t
A6
care.
B5
Said
A6
I
(Oo, hoo,
Gtr. 2
slight P.M.
F#5
don’t care.
A6
I
B5
don’t
A6
care.
B5
Said
A6
I
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
F#5
I
don’t
don’t
A6
care.
B5
care.
A6 B5 F#5
hoo.
Gtr. 1
let ring let ring
Gtr. 2
slight P.M.
2
4 4 40
42
40
42
40
0 2
4 4 40
42
40
42
40
4
2
4 4 40
42
40
42
40
0 2
4 4 40
42
40
42 0
244
2
4 4 40
42
40
42
40
0 2
4 4 400
00
22
22
00
00
22
0244
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.5
I
I
don’t
don’t...)
A6
care.
B5 A6 B5 F#5
I don’t care.
A6
No, I don’t.
Said, a,
let ring let ring
F#5
I said,
A6
a, I
F#5 A6
don’t
F#5 A6
care.
F#53 3
I don’t care.
I don’t care.)
let ring
P.M. P.M.
I
Outro-Chorus
Bkgd. Voc.: w/ Voc. Fig. 2Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 3/4 times)
F#5
don’t
care
A5
what you think as long
D5/A
as it’s a bout
B5/F#
- me. The best
D5/A
of us can find
B5/F#
hap pi- ness- in
(I don’t.
3
Oo, hoo,
3
hoo. Best of us, best of us,
2
4 4 40
42
40
42 0
244
2
4 4 40
4
2
4 4 400
00
22
22
00
00
22
0244
2
4 4 400
00
244 4 4
04
244 4 4
244 4
244 4
244 4
244 4
244 4
244 4 4
00
00
244
04
244
04
244
244
244
244
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.6
mis
F#5 A6 B5
er
A6
- y.-
B5
Said
A6
I
Bkgd. Voc.: w/ Voc. Fig. 2
F#5
(I
don’t
don’t.)
care
A5
what you think as
oo, oo, oo, oo.)
Gtr. 4 (elec.)
*w/ dist. & octaver
mf
3
33 3 3 3 3
*Set octaver for one octave below.
long
D5/A
as it’s a bout
B5/F#
- me. The best
D5/A
of us can find
B5/F#
hap pi- ness- in
3 3 3 3
8va
mis
F#5 A6 B5 A6 B5 A6Bkgd. Voc.: w/ Voc. Fig. 1
F#5
- er
A6
y.-
B5 A6 B5
A6 F#5
µ
Gtr. 4
8va
Gtr. 5 (elec.)
**w/ dist. & octaver
*** mf
***Vol. swell**Set octaver for one octave below.
Gtrs. 1 & 2
let ring let ring
3 11 119 11 9 11
10 10 12 14 14 14 14 1414 14
1414 0 12 14 12 14 0 12 14 12 14
00
10 12 10
1014 0 14 0 12 14 12 14 0 12 14 12 14 0
10 12 10 10 0 10 12 10 1210 0 14 12 1011 9
14 16 17 17
17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17 17
14 14
2
4 4 40
42
40
42
40
0 2
4 4 40
42
40
42
40
0 244
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.7
Intro
Moderately q = 137
She’s My WinonaWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley
Copyright © 2008 Sony/ATV Music Publishing LLC and Chicago X Softcore SongsAll Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
from Fall Out Boy - Folie à Deux
Gtr. 1 (elec.)
w/ slight dist. & slap-back reverb
µ
mf
Bm A/D G
13421
Bm
134111
F#m
1
Em7
11
A5
132
D/A
Bm Bm[add4]
Gtr. 1
Rhy. Fig. 1
Bm A G Bm[add4]End Rhy. Fig. 1
Gtr. 2 (elec.)
w/ dist.
f
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w/ dist.
f
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Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.1
Gtr. 1 tacet
G5
Oh, oh,
D/F#
oh, oh,
E5
oh, oh,
A5
oh, oh, whoa.
D5/A
Gtr. 5(elec.)
w/ dist.
Riff B
mf
End Riff B
Gtr. 4 (elec.)
w/ dist.
Riff A
mf
*Gtrs. 2 & 3
Rhy. Fig. 2
*Composite arrangement
B5
Oh, oh,
F#5
oh, oh,
E5
oh, oh,
A5
oh, oh, whoa.
D5/A
End Riff A
End Rhy. Fig. 2
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Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.2
Life’s
Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtrs. 2–5 tacet
Verse
1.
Bm
just a pace
A
car on death,
G
on ly- less dil i- gent.
Bm[add4]
- And when the two col lide,-
it’s no co in- ci- dence.- The lights
Bm
are on
A
and
G
ev ’ry- bod- y’s- home.
Bm[add4]
The
on
Bm
ly- thing su
*F#m
i- ci- dal
Em7
- here is the door.
G/A D
We had a good run, e ven- I have to
Dadd9
ad mit.-
Gtr. 1
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 2
Riff C End Riff C
*Chord symbols reflect combined harmony.
Gtr. 1: w/ Rhy. Fig. 3
Bm F#m Em7
Life’s just a pace
G/A
car on death,
D
on ly- less dil i- gent.-
Dadd9
Gtr. 3
Gtr. 2
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443
22
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Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.3
Hell
ChorusGtrs. 2 & 3: w/ Rhy. Fig. 2 (1st 4 meas.)Gtr. 4: w/ Riff A (1st 4 meas.)Gtr. 5: w/ Riff B
G5
or
D/F#
glo
E5
ry,- I
A5
don’t want an
D5/A
y- thing- in be tween.- Then came a ba -
B5
by- boy
F#5
with long
E5
eye lash-
A5
es,- and Dad
D5/A
dy- said you got ta- show the world the
µ
thun der.-
Gtr. 5
Gtr. 4
Gtrs. 2 & 3
Harm.
Pitch: E
(Whoa,
Gtr. 5 tacet
Bm
F#m7 Em7
The thun der,-
whoa,
Bm
F#m7 Em7
the thun
A11
der,-
Gtr. 4
Rhy. Fig. 4A
Gtrs. 2 & 3
Rhy. Fig. 4
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Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.4
CTo oda
whoa,
D
the thun der.-
whoa.)
Bm F#m7 Em7 A
Oo, oo, oo.
End Rhy. Fig. 4A
End Rhy. Fig. 4
Gtrs. 2, 3 & 4 tacet
D
Gtr. 1 tacetGtrs. 2 & 3: w/ Rhy. Fig. 2Gtr. 4: w/ Riff A
Interlude
G5
Oh, oh,
D/F#
oh, oh,
E5
oh, oh,
A5
oh, oh, whoa.
D5/A
Gtr. 1
B5
Oh, oh,
F#5
oh, oh,
E5
oh, oh,
A5
oh, oh, whoa.
D5/A
We2.
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Verse
Bm
did n’t- come
A
to com pete,
G
- this is a dem on- stra
Bm[add4]
- tion.- E ven- the young ones be come- ir rel- e- vant.- They
232
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Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.5
D.S. al Coda
Coda
al
Bm
ways- bring
A
up
G
how you’ve changed.
Bm[add4]
Oh.
(Oh.)
Nev
Gtr. 1: w/ Rhy. Fig. 3Gtr. 2: w/ Riff C
Bm
er- the same
F#m
per son
Em7
- when I go to sleep
G/A D
as when I wake up, as when I wake
Dadd9
up.
(Ba,
Bm
ba, ba,
F#m
da, ba,
Em7
da, ba, ba,
G/A
da. Ba,
D
da,
µ
ba, ba, da, ba, da,
Gtr. 1 tacet
ba, ba, da.)
Oh!
Gtr. 1
Gtr. 2 Gtrs. 2 & 3
whoa.)
Bm F#m7 Em7 AGtrs. 2, 3 & 4 tacet
D
Gtr. 1
*Gtr. 6
f
*Bass arr. for gtr.
443
443
22
22
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423
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10
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.6
Interlude
Gtr. 1 tacet
G5
Oh, oh,
F#5
oh, oh,
E5
oh, oh,
A5
oh, oh, whoa.
D5 C#5
Gtr. 6
B5
Oh, oh,
F#5
oh, oh,
E5
oh, oh,
A5
oh, oh, whoa.
D5
Gtr. 7 (acous.)
mp
Gtr. 6
Hell
Chorus
Gtr. 6 tacet
G
or
D/F#
glo
Em7
ry,- I
A5
don’t want an
D/A
y- thing- in be tween.- Then came a ba -
Gtr. 7
(cont. in slashes)
3 3 3 3 2 2 2 2 0 0 0 0 5 5 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 4 4
023
023
2 2 2 22 2 2 2 0 0 0 0 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
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Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.7
Gtr. 7
Bm F#m Em7 A5 D/A
by- boy with long eye lash- es,- and Dad dy- said you got ta- show the world the thun der.-
Gtrs. 2 & 3
(Whoa,
Gtrs. 2 & 3: w/ Rhy. Fig. 4Gtr. 4: w/ Rhy. Fig. 4AGtr. 7 tacet
Bm
F#m7 Em7
The thun der,-
whoa,
Bm F#m7
Em7
the thun
A11
der,-
whoa.)
D
the thun der.-
Outro-Chorus
C#m
G#m7 F#m7
He said, “Bring the thun
C#m
der.”-
G#m7 F#m7
The thun
B11
der,-
(Whoa, whoa,
Gtr. 4
Gtrs. 2 & 3
2244
022X00
022X00
5577
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00
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Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.8
whoa,
E
the thun der,- whoa.
C#m B F#m7 B3
whoa, whoa.)
E
100
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442
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Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.9
Intro
Moderately slow q = 80
America’s SuiteheartsWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley
Copyright © 2008 Sony/ATV Music Publishing LLC and Chicago X Softcore SongsAll Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
from Fall Out Boy - Folie à Deux
Drop D tuning:(low to high) D-A-D-G-B-E
Gtr. 1 (dist.)*A
mf
Gtr. 2 (dist.)
mf
*Chord symbols reflect implied harmony.
Riff A
Riff A1
Gtr. 1
D5End Riff A
Gtr. 3 (dist.)
mf
Gtr. 2 End Riff A1
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Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.1
Riff B
A
Riff B1
Dm
You1. could have knocked
Verse
Gtrs. 1, 2 & 3 tacet
D
me out with a...
End Riff B
Gtr. 5 (dist.)
Riff C
mf
Gtr. 4 (dist.)
Rhy. Fig. 1
mf
End Riff B1
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Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.2
F#m/C#
I know you heard
Bm
this all be fore,- but we’re just hell’s...
F#m/A
(Oh.)
(Feath er,-
neigh
bors.)-
Gtr. 5 End Riff C
Gtr. 4
End Rhy. Fig. 1
Gtr. 4: w/ Rhy. Fig. 1Gtr. 5: w/ Riff C
D
Why, why, why won’t the world re volve-
F#m/C#
a round- me? In my
dreams,
Bm
trees grow all o
F#m/A
ver- the streets. But I don’t
B5
know
A5
*Gtr. 6 (dist.)
f
P.M.
*Doubled throughout
7 7
7
7 7 7
79 9
X 7 79 9 9
7 7
7
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7
7 7 7 8
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Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.3
much
Pre-Chorus
E5
a bout- clas sic- cars,
B5
but I’ve
A5
got
E5
a lot of friends stuck on clas sic-
(Cars.
Gtr. 4
P.M. P.M. P.M. P.M. P.M. P.M.
Gtr. 6
P.M. P.M.
Coke.
B5
Down, set,
A5
one,
G5
hut, hut, hike. Me di- a- blitz. Let’s hear it for A mer- i- ca’s-
Coke.)
Gtr. 4
Gtr. 7 (dist.)
mf
Gtr. 6
P.M. P.M.
5 30
7 7 5 30
70
5 3 02
5 3 05 5
5 3 05 5
05
7 5 30
7 7 5 30
70
5 3 02
22
22
22
22
22
22
22
99
99
99
99
99
99
99
77
22
22
22
22
22
22
22
5 3 05 5
5 3 05 5
05
7 3 5 7 10 7
2 4 5 7 5
99
99
99
99
99
99
99
77
555
55
55
555
7 12
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.4
1CTo oda 2CTo oda
suite
Gtrs. 4 & 7 tacet3rd time, Gtr. 3 tacet
D5
Chorus
hearts,- but I must
B5
con fess
D5
-
B5
I’m
D5
in
E5
love
G5
with
D5 G5
my own
D5
Gtrs. 5 & 6
Rhy. Fig. 2
sins.
2nd & 3rd times, Gtr. 4: w/ Fill 1
B5 A5
Let’s
G5
hear it for A
A5
mer- i- ca’s- suite
*
Gtr. 6: w/ Rhy. Fig. 2
D
hearts,- but I must con -
End Rhy. Fig. 2
Gtr. 5
Rhy. Fig. 3
*Chord symbols reflect overall harmony.
fess
B5 D B5
I’m
D
in
Em
love
G5
with
D G5
my own
D B5
sins.
A5 G5 A5
End Rhy. Fig. 3
Gtr. 4
Fill 1
000
000
000
5X7
000
000
000
000
5
7X
00
999
999
999
5X7
999
999
999
999
5X7
7
9
555
555
555
5X7
555
555
555
555
5
7X
00
999
999
777
777
555
555
555
555
777
777
777
777
777
000
000
000 X
9
11
000
000
000
000
9
11X
00
999
999
999
9X11
999
999
999
999
9
11X
10
12
555
555
555 X
9
11
555
555
555
555
9
11X
00
999
999
777
777
555
555
555
555
777
777
777
777
777
7 5 7 5 7 5 7 5 7 5 7 5 7 5 7 57
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.5
D.S. al Coda 1
You
2.
Verse
Gtr. 4: w/ Rhy. Fig. 1 (1st 2 meas.)Gtr. 5: w/ Riff C (1st 2 meas.)
D
can bow
and
Gtr. 6 tacet
F#m/C#
pre tend- that you don’t,
Bm
don’t know you’re a
Gtr. 6
P.M.
F#m/A
leg end.- Oh, time,
Gtr. 4: w/ Rhy. Fig. 1Gtr. 5: w/ Riff C
D
time, time has n’t-
Gtr. 5
P.M.
Gtr. 4
told
F#m/C#
an y- one- else yet.
Bm
Let my
love
loose
F#m/A
a gain.- Oh, I don’t
B5
know
A5
Gtr. 6
00
7 7
7
7 7
7
7 8
675
XX
XX
67
XX
XX
67
XX
67
XX
XX
67
XX
XX
99
77
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.6
1 Coda
love
Gtr. 5: w/ Rhy. Fig. 3 (last 2 meas.)
G5
with
D G5
my own
DGtr. 4: w/ Fill 1 (1st meas.)
B5
sins.
A5 G5 A5
Gtrs. 1 & 2: w/ Riffs A & A1 (2 times)
Interlude
A D5/AGtr. 4 tacet
A D5/A
You could have
Gtr. 4
Gtr. 3
Gtr. 6
P.M.
knocked
Bridge
Gtrs. 1 & 2: w/ Riffs A & A1
A
me out with a...
Dm/A
(Feath er.)-
I know you
P.M.
7 5
0X2
77
77
77
77
77
77
77
77
77
77
77
77
77
77
77
77
77
77
77
77
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10
77
77
77
77
77
77
77
77
77
77
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.7
D.S.S. al Coda 2
2 Coda
heard
Gtrs. 1 & 2: w/ Riffs B & B1
A
this all be fore.-
Dm/A
Let’s hear it for A mer
µ
- i- ca’s-
P.M.
Gtr. 5: w/ Rhy. Fig. 3Gtr. 6: w/ Rhy. Fig. 2 (1st 2 meas.)
D
Let’s hear it, oh, let’s hear it.
B5
Let’s hear
D
it, oh,
B5
let’s...
D Em
(Suite hearts,- suite hearts,-
Suite
G5
hearts.
D
-
G5 D B5 A5 G5 A5 D5
suite hearts.)-
Gtr. 4
Gtr. 6
P.M.
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10X8
10
77
77
77
77
77
77
77
77
7 5 7 5 7 5 7 5 7 5 7 5 7 57
57
555
555
555
5X7
555
555
555
555
5
7X
00
999
999
777
777
555
555
555
555
777
777
777
777
777
00
00
00
00
00
00
00
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.8
Intro
Moderately q = 120
Headfirst Slide Into Cooperstownon a Bad Bet
Words and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley
Copyright © 2008 Sony/ATV Music Publishing LLC and Chicago X Softcore SongsAll Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
from Fall Out Boy - Folie à Deux
Gtrs. 1–6: Drop D tuning:(low to high) D-A-D-G-B-E
Gtr. 7: Tune down 1 step:(low to high) D-G-C-F-A-D
Gtr. 1 (elec.)
µ
w/ clean tone
D5
p
3 4
[G]
1 24
[D/F#]
12
[Em]
32 1
(C)
mf
Verse
**
Gtr. 1 tacet
Bb5
Mis1. ter- Sand
A5
man,
C5
-
D5
show ing- his
C5
beam.
D5
When
C5
he
D5
walks
Bb5
in to- the room,
A5
the walls
C5 D5
lean
A5
in
D5
to lis ten.-
*Gtr. 2 (elec.)
w/ dist.
Riff A
f
End Riff A
*Doubled throughout
**Chord symbols reflect implied harmony.
Gtr. 2: w/ Riff A
Bb5
Surfed out
A5
brain
C5 D5
waves flick
C5
back
D5
and forth
C5
like
D5
old
Bb5
head lights,
A5
- sniff
C5
ing
D5
- mod el
A5
- glue a
D5
gain.-
023
023
02
0
0235
0235
0235
0235
0235
0235
0235
0235
0235
0235
0235
0235
0235
0235
0235
0235
0235
0235
0235
0235
0235
0235
8 8 73 5 5 3 5 3 5
8 8 73 5
7 0 05
0
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.1
1CTo oda
Head
Bb5
like a steel
A5
trap.
C5 D5
Wish I did
C5
n’t,- I
D5
did n’t,
C5
- I
D5
did
Bb5
n’t,- I did n’t,
A5
- I did
C5
n’t,
D5
- I did
A5
n’t,- I
D5
did n’t.- I don’t
Gtr. 2
Gtr. 2: w/ Riff A
Bb5
just want
A5
to
C5
be
D5
a
C5
foot
D5
note-
C5
in
D5
some
Bb5
one- else’s
A5 C5 D5
hap
A5
pi- ness.
D5
-
Gtr. 3 (elec.)
w/ dist.
f
Does
Pre-Chorus
2nd time, Gtr. 5 tacet
Bb5
your hus
A5
band
C5
-
D5
know the
C5
way
D5
that
C5
the
D5
sun
Bb5
shine- gleams
A5
from
C5
your
D5
wed ding- band? Does he
Rhy. Fig. 1 End Rhy. Fig. 1
know
Bb5
the way?
A5
Does
C5
he
D5
know the
C5
way
D5
of
C5
the
D5
crick
Bb5
ets- that would con
A5
vince- me
C5
to
D5
call it a night?
8 8 73 5 5 3 5 3 5
8 8 73 5
7 0 0
XX
XX
0
13
13
02
35
57
57
35
57
35
57
13
13
02
35
57
00
00
00 5
7
0
13
13
02
35
57
57
35
57
35
57
13
13
02
35
57
00
00
XX
XX
XX
XX
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.2
2CTo oda
I
Gtr. 3 tacet
F
Chorus
(I will...)
will nev
C/E
er- end up like him.
Dm
Be hind- my back
Bb
I al read- y- am.
*Gtr. 4
w/ fingerslet ring throughout
mf
*Piano arr. for gtr.
F
Keep a cal en- dar,- this
C/E
way you will al
Dm
ways- know.
Bb
The
last
Gtr. 4 tacet
D5
time you came through,
C/E
oh, dar
F5
lin’,- I know what you’re go
G5
in’- through.
A5
The
Gtr. 3
mfP.M.
last
D5
time you came
C/E
through, oh, dar
F5
lin’,- oh, dar lin’,- oh, dar
G5
lin’.-
A5
P.M. f
3
321 1
3
321
321
321
2
201
201
0201
201
0
323
323
323
323
323
01333
33
333
333
3
3
321
321
321
321
321
3 2
201
201
201
201
201
201
201
2 0
323
23
323
323
01333
1
33
333
333
3
00
00
00
00
00
00
00
00
23
23
23
23
23
23
23
23
33
33
33
33
33
33
33
33
55
55
55
55
55
55
7 7
00
00
00
00
00
00
00
00
23
23
23
23
23
23
23
23
33
33
33
33
33
33
33
33
55
55
55
55
55
55 0 0
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.3
Gtr. 3: w/ Rhy. Fig. 1
Bb5 A5 C5 D5 C5 D5 C5 D5 Bb5 A5 C5 D5
Aw!
Tem2.
Verse
Bb5
pest- in a tea
A5
cup,
C5
-
D5
get
µ
u nique.- Per ox-
Gtr. 2: w/ Riff A (last 2 meas.)
Bb5
ide- princ
A5
es-
C5
shine
D5
Gtr. 6 (elec.)
w/ slight dist.
mf
Gtr. 2 *Gtr. 5 (elec.)
Gtr. 2divisi
Gtr. 5
like
A5
shark
D5
teeth. It’s a sign,
Gtr. 2: w/ Riff A
Bb5
(It’s a sign,
A5
it’s
C5
a
D5
sign,
it’s
C5
a sign.)
D5
it’s
C5
a
D5
let ring
Rhy. Fig. 2
let ring
End Rhy. Fig. 2
XX
XX
55
XX
XX
55
XX
XX
55
XX
76
XX
XX
XX
8 8 73 5 X
XXX
XX
3 X X 33
3 5
555
555
555
76
XX
XX
55
XX
76
XX
76
XX
XX
55
XX
XX
55
XX
XX
55
XX
76
XX
XX
XX
555
555
555
76
XX
XX
55
XX
76
XX
76
XX
XX
0 X 03 3 3
0 X 3 3 X3
3 X X 5 X X 5 3 3 5 3 5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.4
D.S. al Coda 1
1 Coda
D.S.S. al Coda 2
2 Coda
sign.
Gtr. 6: w/ Rhy. Fig. 2
Bb5
What if
A5
you peaked
C5 D5
ear
A5
ly?-
D5
Gtr. 5
Gtr. 3: w/ Rhy. Fig. 1
Bb5
Does he,
A5
does
C5
he
D5
know the
C5
way
D5
I
C5
wor
D5 Bb5
ship- our
A5 C5
love?
D5
Does
Bb5
your hus
A5
band
C5
-
D5
know the
C5
way
D5
that
C5
the
D5
sun
Bb5
shine- gleams
A5
from
C5
your
D5
wed ding- band? But
Gtr. 3 Rhy. Fig. 3 End Rhy. Fig. 3
-
F5
lin’, oh, dar lin’,- oh, dar
G5
lin’.-
A5
Gtr. 3: w/ Rhy. Fig. 1 (1 1/2 times)
Bb5 A5 C5 D5
Well, oh, does your hus band- know?
P.M. f
1 X X 1 X 0 3 5XX
XX
05
00
75 7 5
0
13
13
02
35
57
57
35
57
35
57
13
13
02
35
57
00
00
00
00
33
33
33
33
33
33
33
33
55
55
55
55
55
55 0 0
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.5
Half-time feel
C5 D5 C5 D5 Bb5 A5 C5 D5
Bb5
A5 C5 D5
Does your hus band- know? Does your hus band- know? Does he know?
Does
C5
he know?
D5
Does
C5
he
D5
know?
Gtr. 3: w/ Rhy. Fig. 3
Bb5 A5 C5 D5
Oh!
Oh!
Oh!
But
Gtr. 7(acous.)
*
Rhy. Fig. 4A
Chorus
[G] [D/F#] [Em] [C]End Rhy. Fig. 4A
I will nev er- end up like him. Be hind- my back I al read- y- am.
I
(I will...)
will nev er- end up like him. Be hind- my back I al read- y- am.
Gtr. 3
Rhy. Fig. 4 End Rhy. Fig. 4
*Symbols in parentheses represent chord names respective to detuned guitar and do not reflect actual sounding chords.
33
23
00 1
3
0
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.6
*
Gtr. 7: w/ Rhy. Fig. 4A (2 1/2 times)
F[G]
Keep a cal en- dar,- this
C/E[D/F#]
way you will al
Dm[Em]
ways- know.
Bb[C]
Oh, the
Keep a cal en- dar,- this way you will al ways- know.
Gtr. 5
Gtr. 3
*Symbols in parentheses represent chord names respective to detuned guitar. Symbols above reflect actual sounding chords.
last
Gtr. 3: w// Rhy. Fig. 4 (1 1/2 times)
F[G]
time you came through,
C/E[D/F#]
oh, dar
Dm[Em]
lin’,- I know what you’re
Gtr. 6
3 3 3
3
Gtr. 5
3
3
3
3
33
3
3
3X5
33
23
00 1
3
0
10 810
10 10 10 10 810
10
10 8 7 8
6 57 5
78
6 57 5
78
6 57 5
7 7
6 57 5
7 5 3 5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.7
rit.
go
Bb[C]
in’- through. Oh, the last
F[G]
time you came
C/E[D/F#]
through, oh, dar -
Gtr. 7
[Em] [C]
lin’,- I know
rit.
what you’re go in’- through. Oh, oh.
Gtr. 6
rit.
p
Gtr. 5
rit.
fdbk.
Pitch: C
p
Gtr. 3
rit. p
8 10 8 77 10 12 10
5 7 5 3 3
10 11 10 10
12
7 10 12 10
3 3
10 11 1012 10 10
00 1
3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.8
Intro
Moderately slow q = 86
The (Shipped) Gold StandardWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley
Copyright © 2008 Sony/ATV Music Publishing LLC and Chicago X Softcore SongsAll Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
from Fall Out Boy - Folie à Deux
Gtr. 1 (dist.)
*
Riff A
F#5
mf
G#5 Esus2End Riff A
Gtr. 2 (dist.)
Riff A1
mf
End Riff A1
*Chord symbols reflect implied harmony.
Gtrs. 1 & 2
Rhy. Fig. 1
G#m7 Esus2 G#m7End Rhy. Fig. 1
Esus2
Verse
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)
G#m7
Some
the
1. times
yes
- I
men
wan
said,
na-
“No
quit
com
this
Esus2
ment.”-
all
G#m7
and be
My
come-
mouth
an ac
got
count
go
- ant-
in’-
now.
Esus2
G#m7
the
But
wrong
I’m
way
no
and
good
all
at
the
math,
calls
and
start
Esus2
be
ed-
sides
snow
-
G#m7
the dol
in’.-
lar- is down.
Esus2
9 9 9 911 11
9 9 11 11 11 1113 13
11 7 7 7 7
11 11
7 7
11 11
7 7
11 9 8
2 2 2 24 4
2 2 4 4 4 46 6
4 4 0 0 0 0
4 4
0 0
4 4
0 0
4 2 1
4X44
4X44
4X44
4X44
0244
4X44
4X44
4X44
4X44
0244
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.1
Plant
G#m7
palm
The
trees
time
on
my
Esus2
Lake
dad
G#m7
Mich
caught
i- gan
me
- be
a
fore
horse
- it gets
shoe-
cold.
crab
Esus2
Gtr. 3 (dist.)
Riff B
mf
End Riff B
Gtr. 3: w/ Riff B
G#m7
I got
and
ta
I
- feel
asked
the
him if
wind
throw in’- it back
chill
in
Esus2
to-
a
the
gain
sea
G#m7
-
would
be fore
bring
- I get
our
old.
luck back.
Esus2
Gtrs. 1 & 2: w/ Riffs A & A1
Pre-Chorus
F#5
I wan na- scream, “I love
G#5
you” from the top
Esus2
of my lungs, but
I’m
F#5
a fraid- that some
G#5
one- else will hear me.
E5 µ
You can on ly-
Gtr. 3
Gtr. 1
f
Gtr. 2
f
6X8
6X8
6X8
6X8
2X4
6X8
6X8
6X8
6X8
2X4
6X9
6X9
6X9
6X9
6X9
6X9
6X9
6X9
6X9
6X9
6X9
6X9
9 9 9 911 11
9 9 11 11 11 1113 13
11 1112 X
XXX
XX
XX
2 2 2 24 4
2 2 4 4 4 46 6
4 4 0 XX
XX
XX
XX
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.2
blame
Chorus
G#5
your prob
E5
lems- on the world
B5/F#
for so long
F#5
be fore- it
Gtr. 3
*Gtrs. 1 & 2
*Composite arrangement
all
G#5
be comes
E5
- the same old song.
B5/F# F#/A#
6X8
6X8
6X8
6X8
6X8
6X8
7X9
7X9
7X9
7X9
7X9
7X9
X9
11X9
11X9
11X9
11X9
11X9
11
4X6
4X6
4X6
4X6
4X6
4X6
6
8
466
466
466
466
0 022
022
022
022
022
022
2244
2244
2244
2244
2244
244
244
244
244
244
244
466
6X8
6X8
6X8
6X8
6X8
6X8
7X9
7X9
7X9
7X9
7X9
7X9
6X8
6X8
6X8
6X8
6X8
6X8
6X8
6X8
6X8
6X8
4X6
466
466
466
466
0 022
022
022
022
022
022
022
2244
2244
2244
2244
2244
2244
2244
2244
2244
2244
2244
14
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.3
CTo oda 1.
Soon
G#5
as we hit the hos
E5
pi- tal,- I know
B5/F#
we’re gon na- leave this town
F#5
and
get
G#5
new pass
E5
ports- and get,
B5/F#
get, get, get, get out
F#/A#
Riff C End Riff C
Rhy. Fig. 2 End Rhy. Fig. 2
now.
Gtrs. 1 & 2: w/ Rhy. Fig. 1Gtr. 3 tacet
Interlude
G#m7 Esus2 G#m7 Esus2
All2.
6X8
6X8
6X8
6X8
6X8
6X8
7X9
7X9
7X9
7X9
7X9
7X9
X9
11X9
11X9
11X9
11X9
11X9
11
4X6
4X6
4X6
4X6
4X6
4X6
6
8
466
466
466
466
0 022
022
022
022
022
022
2244
2244
2244
2244
2244
244
244
244
244
244
244
466
6X8
6X8
6X8
6X8
6X8
6X8
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
3X6
466
466
466
466
0 022
022
022
022
022
022
2244
2244
2244
2244
2244
2244
2244
2244
2244
14
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.4
2.
(jq = jq)
get
Gtrs. 1 & 2: w/ Rhy. Fig. 2Gtr. 3: w/ Riff C
G#5
new pass
E5
ports,- get out now.
B5/F#
Woo!
F#/A#
Tell
= 3 Bridge
* Voc. Fig. 1
G#5
that boy I’ll leave you a lone,- now.
E5
(Oh,
G#5
Like a stove, I’ll turn my love
End Voc. Fig. 1
down.
E5
oh.)
3
Gtrs. 1 & 2
Harm. Harm.
*Refers to upstemmed voc. only.
Sup
Bkgd. Voc.: w/ Voc. Fig. 1
G#5
ra- and the proph et- are both in the busi ness- of
E5
souls.
G#5
Harm. Harm.
Pre-Chorus
Gtrs. 1 & 2: w/ Riffs A & A1 (3 times)
F#5
I wan na- scream, “I love
G#5
you” from the top
Esus2
of my lungs, but
I’m
F#5
a fraid- that some
G#5
one- else will hear me.
Esus2
Whoa.
466
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
0 466
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
0
466
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
0 466
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
4XX
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.5
D.S. al Coda
(take 1st ending)
Coda
F#5
I wan na- scream, “I love
G#5
you” from the top
Esus2
of my lungs, but
I’m
F#5
a fraid- that some
G#5
one- else will hear me.
Esus2
You can on ly-
Gtr. 1
let ring
Gtr. 2
let ring
get,
B5/F#
get, get, get, get out
F#/A#
now.
G#m7 Esus2 G#m7
Esus2
(Get, get, get, get out now.)
9 9 9 911 11
9 9 11 11 11 1113 13
11 7
11 11
XX
XX
XX
XX
2 2 2 24 4
2 2 4 4 4 46 6
4 4 0
4 4
XX
XX
XX
XX
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
4X7
3X6
2244
2244
2244
2244
2244
2244
2244
2244
2244
14
4X44
4X44
4X44
4X44
0244
4X44
4X44
4X44
4X44
0244
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.6
Moderately fast q = 156
(Coffee’s for Closers)Words and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley
Copyright © 2008 Sony/ATV Music Publishing LLC and Chicago X Softcore SongsAll Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
from Fall Out Boy - Folie à Deux
Intro
Gtr. 2(acous.)
let ring throughout
E5
mp
Rhy. Fig. 1
7fr
134
E56fr
143
Badd4/D#4fr
134
C#m7
134
Bsus4
231
E
Badd4/D# C#m7End Rhy. Fig. 1
Bsus4
Gtr. 1 (elec.)
(Drums)
w/ dist.
mf
Riff A
*Gtr. 3 (elec.)
w/ dist.
Rhy. Fig. 1A
mf
End Rhy. Fig. 1A
*Doubled throughout
E5 Badd4/D# C#m7 Bsus4Verse
E
I,1. I, I,
End Riff A Riff B
Rhy. Fig. 2
7X9
X11
13
11
13
9
11X9
11
9
11
7
9
7X9
7X9
7
9
14
16X X
14
16X12
14
07X9
07X9
07X9
07X9
07X9
06X8
06X8
06X8
06X8
04X6
04X6
04X6
04X6
04X6
04X6
04X6
04X6
04X6
04X6
02X4
X11
13
11
13
9
11X9
11
9
11
7
9
7X9
7X9
7
9
14
16X X
14
16X12
14X11
13
07X9
07X9
07X9
07X9
07X9
06X8
06X8
06X8
06X8
04X6
04X6
04X6
04X6
04X6
04X6
04X6
04X6
04X6
04X6
02X4
02
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.1
*
Gtr. 2 tacet
B/D#
I can’t ex plain
C#m7
- a thing. No,
B5
I,
E5
I, I,
B/D#
I want ev
C#m7
’ry- thing- to
B5
End Riff B
End Rhy. Fig. 2
pp
mf
*Chord symbols reflect overall harmony.
change
Gtr. 3: w/ Rhy. Fig. 1A (2 times)
E5
and stay the same,
Badd4/D#
oh, time does n’t- care
C#m7
a bout- an y- one- or an y- thing,- no.
Bsus4
Gtr. 1
Come
E5
to geth- er,- come
Badd4/D#
a part.- On
C#m7
ly- get lone ly- when you read the charts. And
B5
11
13
11
13
14
16
7X
9
11
13
02
07X9
07X9
X11
13
11
13
9
11X9
11
9
11
7
9
7X9
7X9
7
9
14
16X X
14
16X12
14
X11
13
11
13
9
11X9
11
9
11
7
9
7X9
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.2
oh,
Pre-Chorus
Gtr. 1 tacet
Amaj7(no3rd)
ba by,- when
F#m9
they made me
C#m
they broke the mold.
Gtr. 5 (elec.)
w/ dist.
mf
Gtr. 4 (elec.)
w/ dist.
mfP.M. P.M. P.M. P.M.
Gtr. 3
P.M. P.M. P.M. P.M.
Girls
Amaj7(no3rd)
used to fol
F#m9
low- me a round,-
C#m
then I
B
got cold.
Amaj9
P.M. P.M.
P.M. P.M.
021
22
22
21
22
22
22
22 2
22
22
22
22
22
22
4665
665
665
665
665
665
665
665 5 7 9
7X9
7 7 7 7 7 7 6X8
7
9
7 7 7 7 7 7 7X9
7 7 7 7 7 7 7X9
7 76 7 9
021
21
21
2X21
21
21
21
21 2
21
21
21
21
21
21
421
21
21
21
21
21
21
421
21
21
2 4 6
021
22
22
21
22
22
22
22 2
22
22
22
22
22
22
46 6
65
465
0665
0665
0665
0665
0665
0665 0
7X9
7 7 7 7 7 7 6X8
7
9
7 7 7 7 7 7 7X9
7X9
6X8
6X8
6X8
6X8
4X6
0 0
021
21
21
2X21
21
21
21
21 2
21
21
21
21
21
21
421
421
211
211
0210
0210
0210
0210
0210
0210
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.3
Half-time feel End half-time feel
Throw
Gtr. 3 tacet
E
your cam ’ras- in the air
A5
and wave
B5/F#
’em like you just don’t care. I
µ
will
*Gtrs. 4 & 5
*Composite arrangement
nev
Gtrs. 4 & 5 tacet
Chorus
C#5/G#
er- be lieve- in an
A5
y- thing- a gain,-
E5 B/D# C#5/G#
I
B5/F#
will
Gtr. 3
nev
A5
er- be lieve- in an
B5/F#
y- thing- a gain.-
C#5/G#
P.M.
Though change
A5
will
B5/F#
come,
C#5/G#
oh, change
A5
will
B5/F#
P.M.
0221
022
022
000
2244
2244
4466
4466
4466
4466
4466
0 022
022
022
022
022
022
079
079
079
69
69
69
4466
4466
2244
2244
022
022
022
022
022
022
2244
2244
2244
2244
2244
2244
2244
4466
446
446
446
446
446
446
446
446
446
446
4466
4466
4466
0 022
XXX
XXX
XXX
2244
4466
XXXX
XXXX
XXXX
XXXX
0 022
XXX
XXX
2244
XXXX
XXXX
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.4
1CTo oda 2CTo oda C#5/G# B5/F# A5
Gtr. 2
2nd time, Gtr. 1 tacet
E5
come, I will nev er- be lieve- in an y- thing- a gain.-
Gtr. 1
Gtr. 3
We
Gtr. 1: w/ Riff AGtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A (2 times)
will nev er- be lieve
Badd4/D#
- a gain.- Kick
C#m7
drum beat ing- in my chest a gain.- No,
Bsus4
we
E5
will nev er- be lieve
Badd4/D#
- a gain.- Preach
C#m7
e lec- tric- to a mi cro- phone- stand, oh.
Bsus4
I,
Verse
Gtr. 1: w/ Riff BGtr. 3: w/ Rhy. Fig. 2
2.
E
I’m a mas
Gtr. 2 tacet
B/D#
cot- for what you’ve
C#m7
be come.-
B5
And
Gtr. 2
7X9
4466
XXXX
XXXX
4466
2244
022
022
022
022
022
022
022
2244
2244
2244
2244
2244
2244
0
022100
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.5
D.S. al Coda 1
1 Coda
I,
E5
I, I love
B/D#
the may hem- more
C#m7
than the love. And
B5
Gtrs. 4 & 5
F#5
B5/F#
We
A5
will nev er- be -
nev er- be lieve- in an y- thing- a gain.-
Gtr. 3
Rhy. Fig. 3
lieve
F#5
a gain.-
B5/F# C#5/G#
Kick drum beat ing- in my chest a gain.- No,
End Rhy. Fig. 3
We
Gtr. 3: w/ Rhy. Fig. 3 (3 times)
A5
will nev er- be lieve
F#5
- a gain.-
B5/F# C#5/G#
Preach e lec- tric- to a mic ro- phone- stand, oh.
0
244
244
244
244
244
244
2244
2244
2244
2244
2244
2244
2244
2244
022
244
2244
2244
4466
4466
4466
4466 4
2X4
4
6
7X9
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.6
Half-time feel End half-time feel
D.S.S. al Coda 2
Throw
A5
your cam ’ras- in the air
*
*w/ echo set for half-note regeneration w/ 1 repeat.
F#5 B5/F#
and wave
C#5/G#
’em ’cause I just don’t care.
Throw
A5
your cam ’ras- in the air
**
**As before.
F#5 B5/F#
and wave
C#5/G#
’em ’cause I just don’t care. I will
nev
Chorus
E5
er- be lieve- in an y- thing- a gain.- I will
Gtr. 3
nev er- be lieve- in an y- thing- a gain.-
C#5/G#
Oh,
Harm.
8valoco
mfP.M. f
change
A5
will
B5/F#
come,
C#5/G#
oh, change
A5
will
B5/F#
come.
C#5/G#
I will
02
02
4
44
44
44
44
446
446
446
446
446
446
446
446
446
446
446
0
022
XXX
XXX
2244
4466
XXXX
XXXX
0 02
2244
2244
4466
4466
4466
4466
4466
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.7
2 Coda
We
Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A (4 times)
E5
will nev er- be lieve
Badd4/D#
- a gain.- Kick
C#m7
drum beat ing- in my chest a gain.- No,
Bsus4
Whoa.
Gtr. 4
Riff C End Riff C
We
E5
will nev er- be lieve
Badd4/D#
- a gain.- Preach
C#m7
e lec- tric- to a mi cro- phone- stand, oh.
Bsus4
I will
We
E5
will nev er- be lieve
Badd4/D#
- a gain.- Kick
C#m7
drum beat ing- in my chest a gain.- No,
Bsus4
nev er- be lieve- in an y- thing- a gain.- I will
11 99
11 99
11 99
11 99
11 99
11 99
11 99
11 99
11 99
11 99
11 9
911 9
911 9
911 9
911 9
911 9
911 9
911 9
911 9
911 9
911 9
911
99
11 99
11 99
11 99
11 99
11 99
11 99
11 99
11 99
11 99
11 99
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.8
we
Gtr. 4: w/ Riff C
E5
will nev er- be lieve
Badd4/D#
- a gain.- Preach
C#m7
e lec- tric- to a mi cro- phone- stand, oh.
Bsus4
nev er- be lieve- in an y- thing- a gain.- I will
Gtr. 2
E5 Badd4/D#
Gtr. 4 tacet
E
We will nev er- be lieve- a gain.-
nev er- be lieve- in an y- thing- a gain.-
Gtr. 4
Gtr. 3
Gtr. 3
911 9
911 9
911 9
911 9
911 9
9
02
02
02
02
02
02
02
02
02
02
02
02
02
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.9
Slowly q = 64
What a Catch, DonnieWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley
Copyright © 2008 Sony/ATV Music Publishing LLC and Chicago X Softcore SongsAll Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
from Fall Out Boy - Folie à Deux
I
Drop D tuning, down 1 step:(low to high) C-G-C-F-A-D
Chorus
B
got
= 3
trou
F#/A#
bled- thoughts and
5fr
111
G54fr
12
D/F#
111
E5 D5
self
G#m7
es- teem- to match.
F#
What a catch,
*Gtr. 1
w/ fingers
let ring throughout
Rhy. Fig. 1
mf**T
End Rhy. Fig. 1
*Piano arr. for gtr. **T = Thumb on 6th string
E B/D#
what a catch.
C#m7 F#sus4 F#
Whoa, whoa,
3 3
3
Gtr. 1
T
Gtr. 2 (dist.)
mf
2444
444
2 1432
432
16
444
444
6 4
432
432
2
7999
999
7 6987
987
6 4
454
454
44
444
4
432
4
4X7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.1
hoo.
Interlude
*
Gtr. 1 tacet
B
You’ll1.
Verse
B
nev er- catch
F#/A#
us so just
Gtr. 2
Gtr. 3 (dist.)
mf
Rhy. Fig. 2
*Chord symbols reflect overall harmony.
let
G#m7
me be.
F#
They said I’ll be fine
E
till the hos pi- tal-
B/F#
or A mer- i- can-
X9
12X9
12X9
12X9
12X9
12X9
12X9
12X9
12X9
12X9
12X9
12X9
12X9
12X9
12X9
12X9
12X9
12X13
16X11
14
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
X9
12X9
12
9X12
11X14
9
X11X
9
12
11
14
13
16
X9
11
11
13X
11
13
9
11
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.2
Em
G#m
bas- sy.- Miss
F#7
Flack
E
said I
F#7
still want you back.
3
End Rhy. Fig. 2
*
*Played as even sixteenth-notes. (next 2 meas.).
G#m
Yeah, hey, hey. Miss
F#sus4**
Flack
E
said I
F#7
still want you, mm, back.
G#m B5 A#5 A5 G#5
f
***
f
***As before
**Sung as even sixteenth-notes.
9
11
9
X11
X9
11
11
13
11
X13
13
15
13
15
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
1311 1311
1411 13
11 1111 13 11 11
9 8 7 6
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
9 8 7 6
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.3
I’ve
Chorus
G
got trou
D/F#
bled- thoughts and a self
Em
es- teem- to match.
D
What a catch,
*Gtrs. 2 & 3
Rhy. Fig. 3
*Composite arrangement
2nd time, Gtr. 5: w/ Riff A (1st meas.)3rd time, Gtr. 5: w/ Riff A
C G/B
what a catch.
2nd time, Gtr. 5: w/ Fill 1
Am D
And all I can
3
Gtr. 4 (dist.)
mf
33
Gtrs. 2 & 3 End Rhy. Fig. 3
think
Gtr. 4 tacet
G
of is
D/F#
the way I’m the one
Em
who charmed, the one
D
who gave up on
Gtrs. 2 & 3
Rhy. Fig. 4
Gtr. 5
Fill 1
3
555
555
555
45
45
45
45
45
222
222
222
222
222
000
000 0 2
0
2
5 75 5 5 7 9 9 7 7 7 7 7 7 7 7
355
355
355
355
355
25
25
25
25
25
022
022
022
022
000
000 0 2
00
555
555
555
555
45
45
45
45
222
222
222
222
222
000
000
000 0 2
0
2
3 3 3 3 3 3 3 3 3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.4
2CTo oda 1CTo oda
C
you,
G/B
who gave up on
Am
you,
D
Gtr. 1: w/ Rhy. Fig. 1Gtrs. 4 & 5 tacet
Interlude
B F#/A#
whoa,
Gtr. 5 (dist.)
Riff A
mp
End Riff A
3
Gtr. 4 33 3 3
Gtrs. 2 & 3
End Rhy. Fig. 4
whoa.
G#m7 F#*Gtr. 3: w/ Rhy. Fig. 2
Verse
B
They2. say the cap
F#/A#
tain- goes down with
G#m7
the ship,
F#
so when the world
Gtrs. 2 & 3
Gtr. 2
mf
*Played mf
0 20 3
5 75 5 5 7 9 9 7 7 7 7 7 7 7 7 7
00
355
355
355
355
25
25
25
25
022
022
022
022
022
000
000
000
000
000
244
244 X
13
16 16 16 12 12
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.5
D.S. al Coda 1
E
ends
B/F#
will God go down
G#m
with it? Miss
F#7
Flack
3 3
*
*Played as even sixteenth-notes.
E
said I
F#7
still want you, mm, back.
G#m
Yeah, hey, hey. Miss
F#sus4***
Gtr. 2 **
**As before
Gtr. 3 3
***Sung as even sixteenth-notes.
Flack
E
said I
F#7
still want you, mm, ba
G#m
a- ack.-
B5 A#5 A5 G#5
3
f
f
911 11 11 11
11 13 1311 12 11 11
1311 1311
1411 13
11 11
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
11 13 11 11 9
9 8 7 6
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
9 8 7 6
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.6
1 Coda
Gtrs. 4 & 5 tacet
Bridge
B B7/A G#m Eb/G3
3
(Na,
Voc. Fig. 1
na, na, na, na, na, na, na, na, na, na, na.)
End Voc. Fig. 13 3
Gtrs. 2 & 3
Bkgd. Voc.: w/ Voc. Fig. 1 (3 times)
B/F#
G5 G#m
What a
F#5
catch,
B/D#
what a catch,
E5
what a catch,
B/F#
what a catch.
G#m3
A
Oh.
G#m G53 6
3
999
999
999
999
999
79
79
79
79
79
666
666
666
666
56
56
56
56
56
444
444
444
444
444
444
444
555
666
666
666
666
666
666
666
444
69
69
69
69
69
799
799
799
799
799
444
444
444
444
666
666
666
666
777
777
777
777
777
777
777
777
777
666
666
666
666
666
666
555
555
555
555
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.7
D.S. al Coda 2
I
Verse
3.
B
will nev
F#/A#
er- end up like him.
G#m
Be hind- my back
F#
I al read- y- am.
Gtr. 2
mp
Gtr. 3
E
Keep a cal en- dar,- this
B/D#
way you will al
C#m7
ways- know.
B5 A#5 A5
Say
G#5
that
f
999
89
666
999
14 9 8 7 6
9 21 9 8 7 6
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.8
2 Coda
Gtrs. 2 & 3: w/ Rhy. Fig. 4 (last meas.)Gtr. 5: w/ Riff A (last meas.)
Am
you.
D
Bkgd. Voc.: w/ Voc. Fig. 1 (6 times)Gtrs. 2 & 3: w/ Rhy. Fig. 4Gtr. 4 tacet
G D/F#
(So where is your boy to night?- I hope
Gtr. 4
3 3
Em D
(We’re go ing- down,
C
down in a ear
G/B
li- er- round and,
3
he is a gen tle- man.- May be- he won’t find out what I know. You were
su
Am
gar,- we’re go ing- down swing
D
ing.- I’ll be your num
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (1 3/4 times)
G
ber- one with a bul let.
D/F#
- A
just an oth- er- mel o- dy.- Dance, dance, we’re fall ing- a part- to half
load
Em
ed- God com plex,- cock
D
it and pull it. This
C
ain’t a scene, it’s a god
G/B
damn- arms race.
3 3 3
time. Dance, dance, these are the lives you’d love to lead. Dance, this is the way they’d love if they knew
9 7 7 7 7 7 7 7 7 7 7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.9
Am
This ain’t a scene, it’s a god
D
damn- arms race.
G
D/F#
3 3
how mis er- y- loved me. One night and one more time.
3
Em D
Grow ing- up,
C G/B
grow ing-
Thanks for
*Sung as even sixteenth-notes.
*
the mem o- ries- e ven- though they weren’t so great. He tastes like you on ly- sweet -
Am D
Gtrs.2 & 3
Outro-Chorus
G5
mp
D/F#
up.)
I got trou bled- thoughts and
3 3
er.)
Gtrs. 2 & 3
(cont. in slashes)
Gtr. 1
T T T
E5 D5Gtrs. 2 & 3 tacet
C G/B Am7
self es- teem- to match. What a catch, mm, what a catch.
3
022
000
000
000
5
543
543
5 4
423
423
4
2
543
543
2 0
423
423
53555
555
3 2543
543
2 02013 3
0
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.10
Moderately fast q = 157
27Words and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley
Copyright © 2008 Sony/ATV Music Publishing LLC and Chicago X Softcore SongsAll Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
from Fall Out Boy - Folie à Deux
Gtr. 2(slight dist.)
Intro
13421
Bm
134111
F#m
134211
G
12
Em
134211
F#
111
A
11342
Bm
134
G5
134
B5
Bm
mf
type2
If1.
Gtr. 1 (slight dist.)
Rhy. Fig. 1
mf
End Rhy. Fig. 1
Verse
2nd time, Gtr. 4 tacet
Rhy. Fig. 2A
Bm F#m Bm F#m G Em G F#m
home
mil li-
is
grams-
where
in
the heart
my
is
head,
then
burn ing-
we’re
to
all
bac- co-
just
in my
fucked.
wind.
I
Chas
can’t
ing- the
re
di
-
-
Rhy. Fig. 2
24432
XXXXX
XXXXX
24422
24422
222
22443
XXX
XXX
24422
24422
22
224432
24422
24422
222
224432
XX
XX
24422
24422
222
224432
XXXX
24422
24422
222
224432
XXXXX
XXXXX
24422
24422
24422
355433
022000
022000
XXXX
355433
XXXXX
XXXXX
355433
244222
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.1
Em Bm F#m Bm F#mEnd Rhy. Fig. 2A
mem
rec
ber,
tion,
-
-
I
chas
can’t
ing- the di
re mem
rec-
- ber.
tion
-
- you went.
And I
And
End Rhy. Fig. 2
you’re
want
Gtr. 2: w/ Rhy. Fig. 2A (1st 4 meas.)
Bm
a bot
it
F#m
tled
so
- star.
bad
Bm
The
I’d
plan
shoot
F#m
ets
for
- a
sun
lign
G
-
shine-
you just
in
Em
like
to- my
Mars.
veins.
G
You
I
shine
can’t
in
re
F#m
the
-
Gtr. 2
Em Bm F#mRhy. Fill 1A
BmEnd Rhy. Fill 1A
F#m
sky,
mem ber-
you
the
shine
good old
in the sky.
days. And
Are
it’s
all
kind
the
of
Rhy. Fill 1
(cont. in slashes)
End Rhy. Fill 1
022000
XXX X
XX
022000
022000
000
022000
XXX X
XX
022000
022000
XXXX
XXXX
22443
XXXX
XXXX
24422
24422
2222
22443
XXXX
XXXX
24422
24422
XXXX
222
224432
XXXX
24422
24422
222
224432
XXXXX
XXXXX
24422
24422
24422
355433
022000
022000
XXXX
355433
XXXXX
XXXXX
355433
244222
022000
XXX
XXX
022000
022000
00
022000
XXX 0
0
022000
022000
XXXX
XXXX
2244
XXX
XXX
24422
24422
22
2244
XXX
44
2244
244222
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.2
*Gtrs. 1 & 2
Pre-Chorus
G Bm
good
fun
times
ny-
get ting- gone?
the way
They
we’re
come
wear
and
ing-
go
an
and
chors-
go
on
and
our
come
shirts
and go. Oh,
when
yeah,
be
I
ing-
Gtr. 3 (slight dist.)
mf
P.M. P.M.
*Composite arrangement
G F#
have
an chored-
a
a
3
lot
board-
of friends
just feels
who are stars
like
but
a
some
curse.
are just black holes. My
P.M. let ring
Gtr. 3 tacet3rd time, Gtr. 5 tacet
Bm
Chorus
F#m Bm G
mind is a safe
and if I keep it in we all get rich. My
Gtr. 4 (dist.)
mf
97
97
97
97
97
97
97
97
97
97
97
97
11 11 12 12 97
97
97
97
97
97
97
97
9 9 9 9 11 11 12 12
97
97
97
97
9 9 9 9 9 9 9 9 11 11 12 12 8 8 8 8 86
8 86
86
8 96
96
5X7
5X7
5X7
5X7
4X6
5X7
5X7
5X7
5X7
5X7
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
2X4
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.3
2CTo oda
1CTo oda
D.S. al Coda 1
Em Bm A
(cont. in notation)
bod y- is an or phan- age,- we take ev ’ry- one- in do ing-
lines
D
of dust and
A
sweat
D
off last
A
night’s stage just
A#º
to
Gtr. 4
Riff A End Riff A
Gtrs. 1 & 2
Rhy. Fig. 3
(2nd time, cont. in slashes)
End Rhy. Fig. 3
feel
Interlude
Gtr. 1: w/ Rhy. Fig. 1
Bm
like
F#m
you.
Bm F#m Bm F#m Bm F#m
M2. m- m --
3
Gtr. 4
Gtr. 2
(cont. in slashes)
X9
11X9
11X9
11X9
11X9
11X9
11X9
11X9
11X9
11X9
11X9
11X9
11X9
11X9
11X9
11X9
11X9
11
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
5X7
5X7
5X7
5X7
4X6
5X7
5X7
5X7
5X7
5X7
4X6
4X6
4X6
4X6
4X6
4X6
4X6
4X6
XXX
7X9
7X9
XXX
5X7
5777
5777
5777
5777
577655
5777
5777
5777
5777
5777
5777
577655
577655
577655
577655
577655
577655
577655
XXXX
6X8
6X8
XXXX
XXXX
5X7
5X7
5
7
224432
222
222
24432
222
222
222
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.4
1 Coda
Gtrs. 1 & 2
Interlude
Bm type2 Bm
feel like you. Oh.
3
Gtr. 5 (dist.)
f
Gtr. 4
Fill 1 End Fill 1
Gtr. 5
Guitar Solo
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (1 1/2 times)Gtr. 4 tacet
Bm F#m Bm F#m G Em G F#m
Gtr. 6 (dist.)
Em
Bm
F#m Bm F#m
f
Gtr. 5
2 3 3 3
5X7
5X7
5X7
5X7
3 0 5 0 7 0 5 7 8 0 7 57 6 4
7
0 10 12 0 7 10 0 7 57 4
74 6 7 9
14 15 15 15
79 7 9
79 9
7 9 79 7 9
79
10 12 12 12
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.5
Bm F#m Bm
8va
F#m
loco
G
Em
G
(cont. on bottom staff)
F#m
(cont. on middle staff)
Gtrs. 1 & 2
Em Bm type2 F#m Bm type2 F#m
And it’s kind of
Gtr. 4
Gtr. 5
Gtr. 6
15 14 1714 16 17 19 22
16 14 16 16 14 16 16 14 1615
16 14 16 16 14
12 0 10 0 14 15 0 17 0 19 0 2217
019
17 15 17 17 15 17 17 15 1717 19 17 15 17 17 15
16
1717 19 17 15 17 17 15 17 1516 16 16 14 16
1516 16 1416 14 16
14 16 14 1214
1615
16 14 16 16 14 16 1416 16 16
14 16 1416
12 14 12 12 14
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.6
D.S.S. al Coda 2
Pre-Chorus
G5
P.M.
type2Bm B5
P.M.
fun ny- the way we’re wear ing- an chors- on our shirts when be ing-
Gtr. 4
Gtrs. 5 & 6
Gtr. 6 tacet
G G5
*P.M.
F#
an chored- a
3
board- just feels like a curse. My
Gtr. 4
Gtr. 5
*Gradually lift P.M.
16
14
11 12 11 12 11 12 11 12 11 12 11 12 14 14 14 14
14 13 14 13 14 13 14 13 14 13 14 13 14 13 14 13 14
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.7
2 Coda
A
Gtrs. 1 & 2: w/ Rhy. Fig. 3Gtr. 4: w/ Riff A
D A D A
3 3 3 3
in. Do ing- lines of dust and sweat off last night’s stage
Gtr. 4
3 3 3 3
Gtr. 6
mf 3 3 3
Gtr. 5
mf
3 3
3
A#º7
Gtrs.1 & 2
Gtr. 4: w/ Fill 1
type2Bm
just
If
to be
home
like
is where
you.
the heart is then we’re all just fucked.
Gtr. 6
(cont. on lower staff)
Gtr. 4
Gtr. 5
Gtr. 5
Gtr. 6divisi
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7X9
7 96
96 7 6 7 9 9 11 11 11 11 9 11 11 9
11
4 5 7 5 74
74 6 6 7 7 7 7 6 7 7 6
7
11 87 5 5 5 5
X7
5
7
7 5 4 4 454
54
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.8
Moderately q = 135
Tiffany BlewsWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley
Copyright © 2008 Sony/ATV Music Publishing LLC and Chicago X Softcore SongsAll Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
from Fall Out Boy - Folie à Deux
Intro
Voc. Fig. 1
µ
Oh, oh, oh, oh, oh, oh,
11
E5
134
F#54fr
134
G#5
oh. Oh, oh, oh, oh, oh,
D#m/A
oh,
End Voc. Fig. 1
oh.
*Gtr. 1
Fill 1
** p
End Fill 1
mf
*Kybd. arr. for gtr. **Vol. swell
***
***Chord symbols implied by bass, next 3 meas.
Gtr. 1 tacet
G#m
Oh, oh, oh, oh,
A#º7
oh, oh, oh.
D#m
Oh, oh, oh, oh,
Gtr. 1: w/ Fill 1
oh, oh, oh.
Verse
†G#m
I’m1.
A#º7
not a cry ba- by.-
D#m
I’m the
µ
cry
D#m
ba- by,-
Gtr. 2 (clean)
Riff A
mpP.M. P.M.
P.M.
Gtr. 3 (dist.)
Riff B
fP.M. P.M. P.M. P.M.
End Riff B
P.M.
†Chord symbols reflect implied harmony.
151614
46 6 4
6 6 6 66
6 66
46 6 4
6
76 6
4 4 4 4
4 2 4 4 4 6 4 6 64 6 4 6 6 4 6 6 6 6 6 6
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.1
G#m
a cat er- pil- lar-
A#º7
that got stuck. Mis ter- moth
D#m
come quick with an
y- luck. A
P.M. P.M.
P.M.
End Riff A
3
1 1
Riff C
P.M. P.M. P.M. P.M.
End Riff C
P.M.
(Long
long
Gtr. 3: w/ Riff C (2 times)
G#m
walk
walk
to
to
a
a
dark,
dark, hou
A#º7
hou
hou-
hou...)-
house.- Oh, Ro
D#m
man- can dle- heart, keep
Gtr. 2
1/2 1/2 1/2
us far a part.- A cock
G#m
tail- par ty- do ing- al right.- Hey
A#º7
be,- ba by,- may be- I’m a
1
646
6 4 66 46
6 46
66 6
6
4 6 6 46
767
87
67
89
XX
89
89
XX
XX
4 2 4 4 4 6 4 6 64 6 4 6 6 4 6 4 6 6 6 6 6 6
6
64 6 6
66 4
66 X
66
66 46
7
XX
XX
67
67
89
89
6
6
7 4
4 64 4
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.2
D#m
Gtr. 3
Pre-Chorus
Gtr. 2 tacet
Rhy. Fig. 1
E5 F#5
piece of art. All my friends all lie and say they on ly- want the best wish es- for me.
P.H.
8va
loco
Gtr. 4 (dist.)
Riff D
mp
G#5 E5
(cont. in notation)
End Rhy. Fig. 1
Oh, three, two, one, we go live.
End Riff D
Oo,
Chorus
G#5
ba by,- you’re a clas
E
sic- like a lit
B5
tle- black dress.
F#5
You’re a fad ed-
Gtr. 4
Riff E
Gtr. 3
Rhy. Fig. 2
Gtr. 5 (dist.)
Rhy. Fig. 2A
mf
6 47
X 67
89
XX
XX
89
6X8
6X8
6X8
6X8
6X8
6X8
6X8
6X8
X9
11X9
11X9
11X9
11X9
11X9
11
6X8
6X8
6X8
6X8
6X8
6X8
6X8
6X8
6X8
6X8
4X6
4X6
4X6
4X6
7X9
6X8
4X6
4X6
4X6
4X6
X9
11X9
11X9
11X9
11X9
11
11
13X9
11X9
11X9
11X9
11X9
11X9
11
6X8
X9
11X9
11X9
11X9
11X9
11X9
11X9
11X9
11
7X9
X9
11
7
9
466
466
466
466
466
466
022
022
022
022
022
022
022
2244
2244
2244
2244
2244
2244
2 42 4
4 2
466
466
466
466
466
466
02210
02210
02210
02210
02210
02210
244
244
244
244
244
244
244
4 4 4 4 4 2
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.3
CTo oda
moon
E
stuck on a lit
G#5
tle- hot mess.
(Lit
* Voc. Fill 1
F#5
tle- hot mess.)
End Voc. Fill 1
Whoa,
E5
whoa. And
End Riff E
End Rhy. Fig. 2
End Rhy. Fig. 2A
*Refers to upstemmed vocs. only.
oo,
1st time, Gtrs. 3 & 5: w/ Rhy. Figs. 2 & 2A1st time, Gtr. 4: w/ Riff E2nd time, Gtrs. 3 & 5: w/ Rhy. Figs. 2 & 2A (1st 7 meas.)2nd time, Gtr. 4: w/ Riff E (1st 7 meas.)
G#5
ba by,- you’re a clas
E
sic- like a lit
B5
tle- black dress, but
F#5
you’ll be fad ed-
soon,
E
stuck on a lit
G#5
tle- hot mess.
Bkgd. Voc.: w/ Voc. Fill 1
F#5
Whoa,
E5
whoa.
(Oh.)
Verse
Gtr. 2: w/ Riff AGtr. 3: w/ Riff B
G#m
I2. can’t
A#º7
make your heart slow.
D#m
I can feel the weath er
µ
- in my
D#m
bones.
2X4
2X4
2X4
4X6
4X6
4X6
4X6
X9
11X9
11X9
11X9
11X9
11X9
11
6X8
6X8
6X8
7X9
7X9 X
9
11X9
11X9
11
7X9
7X9
7X9
7X9
7X9
X9
11
7X9
022
022
022
022
022
022
022
466
466
466
466
466
466
244
244
244
244
244
244
022
022
022 2 1
4 2
02210
02210
02210
02210
02210
02210
466
466
466
466
466
466
244
244
244
244
244
244
022
022
022
2 0 0 0
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.4
D.S. al Coda
Gtr. 3: w/ Riff C
G#m
Wish hard e nough- I could turn
A#º7
it to what I like. Your pu
D#m
pils-
(Big,
big,
roll ing.)-
roll ing- like dice.
They
Gtr. 6 (dist.)
mf
Gtr. 7 (dist.)
mf
say
Pre-Chorus
Gtr. 3: w/ Rhy. Fig. 1Gtr. 4: w/ Riff D
E5
they on ly- want the best
F#5
wish es- for me.
G#5
Oh,
Voc. Fill 2
(They on ly- want the best for me.)
End Voc. Fill 2
three,
Gtrs. 6 & 7 tacet
E5
two, one,
µ
we go live.
1312
11 1112
13
11 12 12 12
1312
11 1112
13 11 1312 12 12 12
12 14 14 14 14
1313
1313
13 1113
14 13 9
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.5
Coda
E5
whoa.
Gtr. 4
Gtr. 5
Gtr. 3
Not
Bridge
*
Bkgd. Voc.: w/ Voc. Fig. 1 (4 times)Gtrs. 3, 4 & 5 tacet
G#m
the boy
D#m7
I was. The boy
E
I am is just vent
D#m
ing,- vent ing.-
(Uh,
*Chord symbols reflect overall harmony.
Voc. Fig. 2
(Not
uh,
the
uh,
boy.
uh,
I
uh,
was
uh,
just
uh,
vent
uh.
ing.-
Dear
G#m
grav
D#m7
i- ty,- you’ve held
C#m
me down in this star
D#m
less- cit y.- No, I’m
Uh,
Dear,
uh,
dear
uh,
grav
uh,
i-
uh,
ty,-
uh,
you’ve
uh,
held
uh.)
End Voc. Fig. 2
me.)
7X9
7X9
7X9
7X9
7X9
7X9
X9
11
7X9 X
14
16X12
14X11
13X9
11
11
13
022
022
022
2 0 0 0
022
022
022
022
022
022
022
022
022 2 1
4 2022
022
022
022
022
022
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.6
not
Bkgd. Voc.: w/ Voc. Fig. 2
G#m
the boy
D#m7
I was. The boy
E
I am is just vent
D#m
ing,- vent ing.-
Dear
(Dear
G#m
grav
grav
D#m7
i
i
-
-
ty,
ty,
-
-
you’ve
you’ve
held
held.)
C#m
me down in this star
D#m
less- cit y.-
(They
say.)
Pre-Chorus
Gtr. 3: w/ Rhy. Fig. 1 (1st 4 meas.)Gtr. 4: w/ Riff D (1st 4 meas.)
E5
They on ly- want the best
F#5
wish es- for me.
Bkgd. Voc.: w/ Voc. Fill 2
G#5
Oh,
Gtr. 3
E5 F#5
(cont. in notation)
Chorus
Gtr. 4 tacet
G#5 µ
(Ba by,- you’re a
three, two, one, we go live. Oo, ba by,- you’re a
Gtr. 4 Gtr. 3
P.M.
clas
Gtrs. 3 & 5: w/ Rhy. Figs. 2 & 2A (last 7 meas.)Gtr. 4: w/ Riff E (last 7 meas.)
E
sic,- oh,
B5
oh,
oh.
F#5
clas sic- like a lit tle- black dress. You’re a fad ed-
6X8
6X8
6X8
6X8
6X8
6X8
6X8
X9
11X9
11X9
11X9
11X9
11X9
11X9
11
466
466
466
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.7
E
You’re a fad ed- moon.
G#5
Lit
F#5
tle- hot mess.
E5
moon stuck on a lit tle- hot mess. Whoa, whoa. And
Oo,
Gtrs. 3 & 5: w/ Rhy. Figs. 2 & 2AGtr. 4: w/ Riff E (1st 6 meas.)
G#5
ba by- you’re a clas
E
sic,- oo,
B5
oo, oo,
Oo, ba by,- you’re a clas sic- like a lit tle- black dress,
F#5
oo, oo, oo.)
E G#5
but you’ll be fad ed- soon, stuck on a lit tle- hot mess.
Bkgd. Voc.: w/ Voc. Fill 1
F#5 E5
Gtrs.3 & 5
E5
Whoa, whoa, whoa.
(Mm.)
Gtr. 6
Gtr. 4
9X11
11
13X11
13
6X8
7X9
7X9 X
9
11X9
11X9
11
7X9
7X9
7X9
7X9
7X9
X9
11
7X9
7X9
7X9
7X9
7X9
7X9
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.8
Intro
Moderately q = 127
w.a.m.s.Words and Music by Peter Wentz, Patrick Stump, Joseph Trohman, Andrew Hurley and Pharrell Williams
Copyright © 2008 Sony/ATV Music Publishing LLC, Chicago X Softcore Songs, EMI April Music Inc. and Pharrell Williams ASCAP Publishing DesigneeAll Rights on behalf of Sony/ATV Music Publishing LLC and Chicago X Softcore Songs
Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203All Rights on behalf of Pharrell Williams ASCAP Publishing Designee Controlled and Administered by EMI April Music Inc.
International Copyright Secured All Rights Reserved
from Fall Out Boy - Folie à Deux
1., 2., 3.
4.
Gtr. 1 (elec.)
*
(Bass)
F5
w/ dist.
mf
Riff A
F5 Bb5
4fr
134
Ab53fr
13
Eb/G
F5 Db5
End Riff A
Gtr. 2 (elec.)
w/ dist.P.M.
Rhy. Fig. 1
mfP.M.
End Rhy. Fig. 1
P.M.
*Chords symbols reflect overall harmony.
A5 Ab5 G5
I’m
Give
1.
2.
1st time, Gtrs. 1 & 2 tacet2nd time, Gtr. 1: w/ Riff A (4 times)2nd time, Gtr. 2: w/ Rhy. Fig. 1 (3 1/2 times)2nd time, Gtrs. 5, 6 & 7 tacet
Verse
F5
a
me,
Bb5
young
build
one
me.
stuck
It’s
F5
in
your
the
Db5
thoughts
club
of
so
an
Fill 1 End Fill 1
XXX
XXX
X10
12
XXX
XXX
X10
12
XXX
XXX
X10
12
XXX
XXX
10X12
11
13X10
12X8
10X8
10X8
10
XXX
XXX
X8
10
XXX
XXX
X8
10
XXX
XXX
133
XXX
1133
1133
XXXX
XXXX
1133
111
133
133
466
XXX
466
XXX
466
00
10
12X8
10X8
10X8
10
XXX
XXX
X8
10
XXX
XXX
X8
10
6
8
5
7
4
6
3
5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.1
old
let
F5
one’s
me
Bb5
head.
in.
F5 Db5
When all the oth
Know
F5
ers
ing
-
-
were
you’re
just
heart
Bb5
stir
warm-
ring
ing,
-
-
a
it
wake
is
-
F5
I’m
in
try ing- to
side
Db5
-
trick my
your
self- to
skin.
fall
F5
a sleep
Bb5
- a gain,-
2nd time, Gtr. 2: w/ Fill 1
A5
oh.
Ab5
My
G5
Gtr. 3 (elec.)
w/ dist.
mf
head’s
Pre-Chorus
E
in heav en,- my soles
F#
are in hell.
E F#
Well, let’s
Gtr. 3
Gtr. 2
XXX
XXX
XXX
XXX
6X8
6X8
6X8
6X8
6X8
7X9
6X8
4X6
4X6
4X6
4X6
4X6
4X6
6X8
4X6
2X4
2X4
2X4
2X4
2X4
2X4
4X6
2X4
1X3
1X3
1X3
1X3
1X3
1X3
2X4
4X6
6X8
7X9
7X9
7X9
7X9
7X9
9X11
7X9
6X8
6X8
6X8
6X8
6X8
6X8
7X9
6X8
4X6
4X6
4X6
4X6
4X6
4X6
6X8
4X6
2X4
2X4
2X4
2X4
2X4
2X4
4
6
4X6
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.2
meet
E
in the pur ga- to- ry
F#
- of my hips and
get
G#
well.
3
Hur
Gtrs. 2 & 3 tacet
Chorus
F5
ry,- hur ry.-
Bb5
You put my head in such a
Gtr. 3
w/ dist.
Gtr. 6 (elec.)
mf
Gtr. 2
*Gtr. 5 (elec.)
**w/ dist.
f
Harm.
Rhy. Fig. 2
*Two gtrs. arr. for one. Pitch: **Harm. located approx. six-tenths the distance between the 2nd & 3rd frets.
D2.6 2.6
Gtr. 7 (elec.)
w/ dist.
mf
6X8
6X8
6X8
6X8
6X8
7X9
6X8
4X6
4X6
4X6
4X6
4X6
4X6
4X6
2X4
2X4
6X8
6X8
3X5
3X5
3X5
3X5
3X5
3X5
7X9
7X9
7X9
7X9
7X9
9X11
7X9
6X8
6X8
6X8
6X8
6X8
6X8
6X8
6X8
6X8
4X6
3X5
3X5
3X5
3X5
3X5
3X5
3X5
3X5
X10
12X11
13X8
10
XXX
X8
10
XXX
X8
10
XXX
XXX
XXX
XXX
X8
10
XXX
XXX
X8
10
XXX
X8
10
XXX
X8
10
4
6
XXX
XXX
XXX
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
133
6X8
8
10
6X8
8
10
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.3
flur
Ab5
ry,- flur ry.-
Db5
Oh, freck le,- freck le,- what makes you
F5
so spe cial?-
Gtr. 6
Gtr. 5
Gtr. 7
Bb5
Oo, what makes you
Ab5
so spe
Eb/G
cial?- I’m gon na-
End Rhy. Fig. 2
1
X10
12
XXX
XXX
XXX
X10
12
XXX
XXX
X8
10
XXX
XXX
XXX
XXX
X8
10X8
10
XXX
X8
10
XXX
X8
10X10
12
XXX
XXX
XXX
XXX
X10
12X8
10
XXX
X8
10
XXX
X8
10
466
466
466
466
466
466
466
466
466
466
466
466
466
466
466
466
133
133
133
133
133
133
133
133
6X8
8
10
6X8
8
10
6X8
8
10
6X8
8
10
XXX
X8
10
XXX
X8
10
XXX
XXX
X8
10X8
10
XXX
XXX
X8
10
XXX
X10
12
XXX
X10
12X11
13X8
10
XXX
X8
10
XXX
X8
10
XXX
XXX
XXX
XXX
X8
10
XXX
XXX
133
133
133
133
133
133
133
133
466
466
466
466
466
466
466
466
36
36
36
36
36
36
36
36
8 8
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.4
leave
1st & 2nd times, Gtr. 5: w/ Rhy. Fig. 2 (1st 6 meas.)3rd time, Gtr. 5: w/ Rhy. Fig. 2 (1st 7 meas.)3rd time, half-time feel3rd time, Gtr. 7 tacet
F5
you.
(Ah, ah.
Bb5
Oh, I’m gon na- teach
Ab5
you
Ah,
Gtr. 7
Gtr. 6
ah.)
Db5
how we’re all
F5
a lone,-
Bb5
(How we’re all
(How we’re all a lone.)-
12 13 13 13 12 13 13 13 12 13 13
1113 14 13 11
12 13 13 13 12 13 13 13
X10
12X11
13X8
10
XXX
X8
10
XXX
X8
10
XXX
XXX
XXX
XXX
X8
10
XXX
XXX
X8
10
XXX
X8
10
XXX
X8
10X10
12
XXX
XXX
XXX
X10
12
XXX
XXX
X8
10
XXX
XXX
XXX
XXX
X8
10
12 13 13
1113 14 13 11
12 13 13 13 12 13 13 13 12 13 13
1113 14 13 11
X8
10
XXX
X8
10
XXX
X8
10X10
12
XXX
XXX
XXX
XXX
X10
12X8
10
XXX
X8
10
XXX
X8
10
XXX
X8
10
XXX
X8
10
XXX
XXX
X8
10X8
10
XXX
XXX
X8
10
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.5
CTo oda 1.
2.
Half-time feel
Gtr. 5
Ab5 Eb/G * Eb/G
a lone,-
oh,
oh,
oh,
oh.)
oh.
oh.)
oh.
Oo.
*Tape slowed
Gtrs. 5 & 6 tacet
Bridge
Abadd9
Uh, uh.
Gtr. 7
dist. off
Riff C1
Gtr. 2
dist. off
Riff C
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
Gtr. 1
dist. off
Riff B End Riff B
P.M.
12 13 13 13 12 13 13 13 12 13 13
11
12 13 13
1113 11 13
XXX
X10
12
XXX
X10
12X11
13X8
10
XXX
X8
10
XXX
X8
10
XXX
XXX
XXX
XXX
X8
10
XXX
XXX
XXX
XXX
XXX
XXX
X8
10
XXX
XXX
3X5
3X5
3X5
3X5
3X5
3X5
3
3 3
3
3 3
3
3 3
3
3 3
3
3 3
3
3 3
3
3 3
3
3 3
4
6 6
4 46
4 4 46
4 46
46 6
46 6
46 6
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.6
Abm[add9]
Uh, oo.
Gtr. 8 (elec.)
w/ clean tone
mf
Gtr. 7
End Riff C1
Gtr. 2
P.M. P.M. P.M. P.M. P.M. P.M.
End Riff C
P.M.
Gtr. 1
P.M.
Gtr. 1: w/ Riff B (2 times)Gtrs. 2 & 7: w/ Riffs C & C1
Abadd9
Uh, uh.
Abm[add9]
Uh, uh.
Gtr. 8
3
6 8
2X4
2X4
2X4
2X4
2X4
2X4
3
2 2
3
2 2
3
2 2 2X3
2X3
2X3
2 2
1
2 2
1
2 2
1
2 2
4
6 6
4 46
4 4 46
4 46
4 4 0 46 6
46 6
85 7 8
6 8 96 8 6
9 8 68 8 4 5 4 3 4 4
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.7
Emaj7
Uh, uh.
F#
Gtr. 8
Gtr. 7
Gtr. 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
Gtr. 1
let ring P.M. P.M.
46 6
4 4 4 4 36 6 66 11 11 11 11 11 11 11
6X8
6X8
6X8
6X8
6X8
6X8
4X6
4X6
4X6
4X6
6X8
6X8
4
2 2
4
2 2
4
2 2
4
2 2
4
2 2
1
2 2
1
2 2
1
2 2
6
4 4
6
4 4
6
4 4
6
4 4
0
21
21
0 022
02 2
02 2 2 2
0 02 2 2 2 2 2
2
6 6
2 2
6 6 6
2 2
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.8
Ah,
pa, pa, la. Pa, pa, oo, ah. Oo,
G#add9
ah,
oo, ah,
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
P.M. P.M.
11 8 8 8 10 10 1011 11 11
8 8
6X8
4X6
4X6
4X6
4 3X5
3X5
3X5
3X5
6
4 4
3
4 4
3
4 4
3
4 4
3
3 3
3
3 3
3
3 3 3X3
3X3
26 6 6
2 2 26 4
26 4
4
6 6
4 46 3
4 4 4
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.9
D.S. al Coda
Coda
End half-time feel
Play 3 times & fade
oo.
Pa,
la, la, oo,
ah,
oo.
Gtrs. 1, 2, & 8 tacet
µ
P.M. P.M. P.M. P.M. P.M. P.M.
P.M. P.M.
Gtr. 6 tacet
µ
oh.)
oh.
F5
Gtr. 1: w/ Riff A (till fade)Gtr. 2: w/ Rhy. Fig. 1 (till fade)
Bb5 F5
Db5
88 8 8 8 8
8
11 11 118 8
3X5
3X5
3X5
3X5
3X5
3X5
3X3
3X3
3 3
3
3 3
3
3 3
3
3 3
3
3 3
3
3 3 3X3
3X3
64 4
34 4 4
6 64
6 64
6 6
4 4 46 6
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.10
Moderately q = 99
20 Dollar Nose BleedWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley
Copyright © 2008 Sony/ATV Music Publishing LLC and Chicago X Softcore SongsAll Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
from Fall Out Boy - Folie à Deux
*
(Piano)
Ab
= 3
Have1. you ev
Verse
Ab5
er- want
4fr
134
Ab5
1134
C5/G
134
F5
5fr
134
A5
6fr
134
Bb5
6fr
1134
Eb5/Bb
ed- to
C5/G
dis ap- pear-
F5 Ab5
and join a
A5
Gtr. 1 (dist.)
mf
*Chord symbols reflect overall harmony.
mon
Bb5
as- ter- y?- Go out and
Ab5
preach
Eb5
on Man ic- Street.
Who will I be
Ab5
when I wake up
C5/G
next to a
Rhy. Fig. 1
stran
**
F5
ger-
Ab5
on a
A5
pas
Bb5
sen- ger- plane?
Ab5 Eb5
Oh, per ma- nent- jet -
Pas sen- ger- plane.
End Rhy. Fig. 1
**Sung as straight sixteenth-notes.
XXX
XXX
0 XXX
0 466
466
466
466
3355
3355
3355
3355
133
133
133
133
466
466
466
577
688
688
688
688
688
688
688
466
688
688
688
688
688
688
688
688
466
466
466
466
3355
3355
3355
3355
133
133
133
133
466
466
466
577
688
688
688
688
688
688
688
466
688
688
688
688
688
688
688
688
688
688
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.1
Pre-Chorus
Gtr. 1: w/ Rhy. Fig. 1 (1st 3 meas.)
Ab5
lag,- please
C5/G
take me back.
F5
Please
Ab5
take me back.
A5 Bb5 Ab5
Please take me back. Oh.
Eb5
I’m a stray dog sick.
Ab5
Please
C5/G
let me in.
F5
The man
Ab5
keeps trip ping,
A5
-
Please let me in.
Gtr. 1
Bb5
sing ing- vows be fore- we
*
Ab5
ex change
Eb5
- smoke rings.
Give me
µ
a pen.
2nd time, Gtr. 5 tacet
Chorus
Ab5
Call
(Call
me
me
Cm/G
Mis
Mis
-
-
Gtr. 2 (slight dist.)
let ring throughout
mp
Gtr. 3 (dist.)
mf
Gtr. 1 **Gtrs. 1 & 4
*Sung as straight sixteenth-notes. **Gtr. 4 (dist.), played mf. Composite arrangement
688
688
688
688
688
688
688
688
688
688
466
466
466
466
3355
3355
3355
3355
133
133
133
133
466
466
466
577
1313
1313 13
1313
13
X11
13X11
13X11
13X11
13X10
12X10
12X10
12X10
12
688
688
688
688
688
688
688
466
688
688
688
688
6688
6688
XXX
466
466
466
466
33554
33554
33554
33554
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.2
F5
ter
ter
-
-
Ben
Ben
ze
ze
-
-
drine.
drine.
Cm/G
-
-
But
But
don’t
don’t
Dbsus2/Ab
let
let
the
the
doc
doc
Ab5
tor
tor
-
-
in,
in,
I
I
G5
want
want
Eb
to
to
blow
blow
Eb/Db
off
off
steam.
steam.
Eb/C
And
And
Eb/Bb
F5
call me
Cm/G Dbsus2/Ab
Mis ter- Ben ze
Bb5
- drine.-
C5
Gtr. 3 tacet
F5
Oh,
µ Bb5 C5
oh,
Db5
call me Mis ter- Ben ze- drine.- But don’t let the doc tor,-
1413
1413
1313 13
13 14 1413
1411
13 1313
131514
131514
131514
131514
131514
131514
131514
131514
1514
1514
1313
1313
X8
10X8
10X8
10X8
10
6X8
6X8
6X8
6X8
4X6
4X6
4X6
4X6
6X8
6X8
6X8
6X8
6X8
6X8
4X6
4X6
3X5
3X5
1X3
1X3
133
133
133
133
33554
33554
33554
33554
44664
44664
44664
44664
468
468
468
35 6
888
6888
6888
6888
6888
6888
6888
6888
13
1313
13
1313
1313
1413
1413
1111 13
13131313
XXX
XXX
XXX
131313
131314
131313
X8
10X8
10X8
10X8
10X10
12X10
12X10
12X10
12X11
13X11
13X11
13X11
13X13
15X13
15X15
17X15
17
133
133
133
133
33554
33554
33554
33554
44664
44664
44664
44664
133
133
355
4 133
133
XXX
XXX
688
81010
91111
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.3
2CTo oda 1CTo oda
µ
doc
Ab5 Eb/G
tor- in,
F5 µ F5 Eb5/Bb
whoa.
Db5/Ab C5/G Bb5 Eb5/Bb
don’t let the doc tor- in.)
Gtr. 2
Gtrs. 1 & 4
F5 µ Bb5 C5 Db5 µ Ab5 Eb/G F5 µ F5 Eb5/Bb Db5/Ab
C5/G Bb5 Eb5/Bb
Have4. you
Interlude
Gtrs. 2 & 4 tacet
Ab
It2. feels like
Gtr. 1
stringnoise
stringnoise
XXX
XXX
XXX
131313
XXX
XXX
131313
131514
131313
XXX
XXX
131313
131313
131313
XXX
XXX
131313
131514
131313
131313
131313
XXX
XXX
131514
131514
XXX
XXX
91111
XXX
XXX
XXX
XXX
466
36
133
133
XXX
XXX
XXX
133
133
6688
4466
3355
688
6688
6688
131313
XXX
XXX
131313
131313
XXX
XXX
131313
131514
131313
XXX
XXX
131313
131313
131313
XXX
XXX
131313
131514
131313
XXX
XXX
131313
131313
131313
131313
131313
131313
131514
XXX
131313
133
133
XXX
XXX
688
81010
91111
91111
XXX
XXX
XXX
XXX
XXX
466
36
133
133
XXX
XXX
XXX
133
133
6688
4466
131313
131313
131313
XXX
XXX
131514
131514
XXX
XXX
4466
3355
688
6688
XXX
X10
XXX
XXX
0
XXX
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.4
four
Verse
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Ab5
teen- car ats- but
C5/G
no clar i- ty-
F5 Ab5
when I look at
A5
the
3 3
man
Bb5
who would be king. The
Ab5
man
Eb5
who would be king goes through the
des
Ab5
ert- to sing war
C5/G
his dad re hearsed.-
F5 Ab5
Came back with
A5
flags
Gtr. 2: w/ Riff A
Bb5
on cof fins- and said we
Ab5
Gtr. 2
Riff A End Riff A
Eb5
Per man- ent- jet
Pre-Chorus
Gtr. 1: w/ Rhy. Fig. 1Gtr. 2: w/ Riff A (2 1/2 times)
Ab5
lag,- please
C5/G
take me back.
F5
Please
Ab5
take me back.
A5
won, oh, we won.
Please take me back.
Gtr. 5 (slight dist.)
let ring throughout
mp
6X8
X8
10
6X8
X8
10
XXX
X8
10
6X8
X8
10
6X8
X8
10
XXX
X8
10
11
89
8
10
89
8
8
89
8
11
89
8
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.5
D.S. al Coda 1
1 Coda
Bb5 Ab5 Eb5
Gtr. 1
Ab5 C5/G
I’m a stray dog sick. Please let me in.
Oo, hoo, oo.
F5 Ab5 A5 Bb5 Ab5 Eb5/Bb
(cont. in notation)
The man keeps trip ping,- sing ing- vows be fore- we
*
ex change
- smoke rings.
Please let me in.
Give me a
Gtr. 2
Fill 1 End Fill 1
Gtr. 5
*Sung as straight sixteenth-notes.
Ba,
Gtr. 2 tacet
Bridge
Ab
ba, ba, ba, ben
Cm/G
ze- drine.- Ba,
Fm
ba, ba, ben
Ab/Eb
ze- drine.- Ba, ba,
Db
ba, ba, ba, ben
Ab
ze- drine- now.
Gtrs. 1 & 4
98
66
6
866
65
34
3 3
34
11
89
8
10
89
8
6X8
X8
10
6X8
X8
10
XXX
X8
10
6X8
X8
10
6X8
X8
10
6X8
XXX
X8
10
6X8
6
8
8
89
8
11
89
8
98
66
6
866
65
34
34
34
466
466
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.6
D.S. al Coda 2
2 Coda
Eb Eº
Ba,
Fm
ba, ba, ba, ben
Cm
ze- drine.- Ba,
Db
ba, ba, ben
Ab
ze- drine.- Ba,
ba,
Gtr. 4 tacet
Db
ba, ba, ba, ben
Ab
ze- drine- now.
Ebsus4 Eb
On3. ly- one
Gtr. 2: w/ Riff A (1 1/2 times)
Verse
Ab5
book real ly- mat
C5/G
ters.- The rest
Gtr. 1
F5
of the proof
Ab5
is on the tel
Bb5
e- vi- sion,- on
Ab5
the...
Gtr. 2: w/ Fill 1
Eb5/Bb µ
Woo!
ev
Outro-Verse
Gtr. 2 tacet
Ab5
er- want ed- to
C5/G
dis ap- pear?
F5
-
µ
65
75
88
10
88
10
4466
4466
4466
4 4
XXX
XXX
XXX
XXX
XXX
XXX
000
000
000
000
466
466
466
466
3355
3355
3355
XXXX
XXXX
XXXX
XXXX
133
133
133
133
466
466
466
XXX
XXX
XXX
XXX
688
688
688
688
688
688
688
XXX
XXX
466
6688
6688
18 00
0
466
466
466
466
3355
3355
3355
133
133
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.7
Intro
Moderately q = 120
West Coast SmokerWords and Music by Peter Wentz, Patrick Stump, Joseph Trohman and Andrew Hurley
Copyright © 2008 Sony/ATV Music Publishing LLC and Chicago X Softcore SongsAll Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
from Fall Out Boy - Folie à Deux
Gtr. 1 (dist.)
(Drums)
µ
Riff A
*
mf
Em
1134
C5/G5fr
1134
D5/A4fr
13
A/C#7fr
134
E5
P.M.
*Chord symbols reflect basic harmony.
Wish1.
Verse
Gtr. 1 tacet
Em
es- bounce me weight less.- The in fra- red- scope of
Gtr. 1 End Riff A
Riff B
Gtr. 2 (dist.)
w/ heavy reverb
mp
Gtr. 3 (clean)
Riff C
mf
98
98
77
98
98
77
9 77
9
07 8
010 8
9 99
98
98
77
9 98
77
98
77
97 8 10 8
98
98
98
98
7
07
9
09
0
7
07 0
99
0
7
07 0
99
0
07 5
0
57 5 7
07 5 7
57
45
07 5
0
57 5 7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.1
point less- ness.- The bull’s
Am
all se dat- ed- and this fight’s fixed.
End Riff B Riff D
Don’t
Gtr. 3: w/ Riff C
Em
feel bad for the su i- ci- dal- cats. Got ta-
End Riff C
Gtr. 4 (dist.)
mf
1/2
kill them selves- nine times be fore- they get it right.
Gtr. 2: w/ Riff D (1st 4 meas.)
Am
The P. A.
Gtr. 2 End Riff D
Gtr. 4 1/2
7
07 0
99
0 0
1210
0
910
0
1210
0
1210
0
1210
0
910
0
1210
9
010
07 5 7
57
45 0
7 5 75
7 5 70
7 5 75
74
50
7 5 75
7 5 7
0
1210
0
1210
0
910
7
07
7
07
9
09
0
7
07
7
07
9
09
0
07 5 7
57
45 7 7 7 X 7 5 7
75 7 7 X 7 X 7 5 7 7 7 5
7
7
07
7
07
9
09
0
7
07 0
99
0
7 7 7 X 7 5 77
5 7 7 X 7 X 7 5 7 7 7 57
7 7 X 7 X 7 5 77
5
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.2
sys tem- keeps my heart, heart beat ing- at night, ah.
Voc. Fig. 1
(Oh,
Gtr. 4 1/4
Chorus
Gtr. 4 tacet
E5 D5/A
I’m a ner
A/C#
vous- wreck.
C5/G E5
Thedrugs
D5/A
just make
A/C#
me re
C5/G
set.-
hell, yes. Oh, hell, yes.)
End Voc. Fig. 1
*Gtr. 5 (dist.)
Riff E1
mf
End Riff E1
*Two gtrs. arr. for one.
Gtr. 1Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 2Riff E End Riff E
**Gtr. 6 (dist.)
Rhy. Fig. 1A
mf
End Rhy. Fig. 1A
**Doubled throughout
7 7 X 7 X 7 5 77
5 7 7 X 7 X 7 5 7 7 X 7 X 7 5 7 7 X 7 X 7 55
7 5 70
50
50
8 50
50
8 50
50
8 50
50
8 50
50
8 50
50
50
8 50
50
8 50
50
8 50
50
8 50
50
8 50
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
9
7
9 7
5
7 6
4
6 5
3
5 9
7
9 7
5
7 6
4
6 5
3
5
0799
0799
0799
0799
5577
5577
5577
5577
47
47
47
47
3355
3355
3355
3355
0799
0799
0799
0799
5577
5577
5577
5577
47
47
47
47
3355
3355
3355
3355
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.3
Knock
Gtrs. 1 & 6: w/ Rhy. Figs. 1 & 1AGtr. 2: w/ Riff E
E5
once for
D5/A
The Fa
A/C#
ther,- twice
C5/G
for The Son,
E5
three times
D5/A
for The Ho
A/C#
ly- Ghost.
C5/G
Gtr. 5Riff F End Riff F
Interlude
Gtr. 1: w/ Riff AGtr. 2: w/ Riff B
Em
Come2.
Verse
Gtr. 2: w/ Riff BGtr. 3: w/ Riff C (2 times)
Em
on in, the wa ter’s- warm. Come on like a su gar- cube but with a kick in the head.
Like put ting-
wings on lead.
And your eyes
Gtr. 2: w/ Riff D (1 1/2 times)
Am
are block ing- my star
light.- I’m the last of my kind.
And that’s all
that should mat ter- to, to, to you.
Fol
Em
low- the dis or- gan- ized- re li
- gion- of my head and we’ll
Gtr. 4
00
8 50
50
8 50
50
8 50
50
8 50
50
8 50
50
50
8 50
50
8 50
50
8 50
50
8 50
50
50
50
98
998
98
98
77
98
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.4
nev
er- get through cus toms.- Let’s just take
off a gain- in stead.-
Am
Got my de gree- in the
gut ter,- my heart bro ken- in the dorms of the I vy- League.
Bkgd. Voc.: w/ Voc. Fig. 1
Gtr. 6
Gtr. 4 tacet
Chorus
D5/A A/C# C5/G E5 D5/A
I’m a ner vous- wreck. The drugs just make
Gtr. 5
Gtr. 1
Gtr. 2
98
98
98
98
98
77
98
98
98
77
98
98
5 8 50
50
8 50
50
8 50
50
8 50
50
50
8 50
50
8 50
50
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
7
5
7 6
4
6 5
3
5 9
7
9 7
5
7
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.5
Gtrs. 1 & 6: w/ Rhy. Figs. 1 & 1A (last meas.)Gtrs. 2 & 5: w/ Riffs E & E1 (last meas.)
A/C#
Make
C5/G
me re
Gtr. 1: w/ Rhy. Fig. 1Gtr. 6: w/ Rhy. Fig. 1A (1st 2 meas.)Gtr. 2: w/ Riff EGtr. 5: w/ Riff F
E5
set.-
D5/A A/C# C5/G
me re set.- Knock once for The Fa ther,- twice for The Son,
E5 D5/A A/C# C5/G
Bridge
E5
(Ah.
µ
three times for The Ho ly- Ghost.
(Ah.
Gtr. 6
P.M.
Gtr. 6 tacet
Ah.)
Ah.)
Knock
E5
once
µ
for The Fa ther,
D5/A
- twice for The
µ
Son, three
A/C#
times for
C5/G
The
Gtr. 6
0799
0799
0799
0799
5577
5577
5577
5577
47
47
47
47
3355
3355
3355
3355
022
022
022
5577
5577
5577
47
47
3355
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.6
Gtr. 6
E5 D5/A A/C# C5/G
Ho ly- Ghost.
(I’mScreamed: a ner vous- wreck. I’m a ner vous- wreck. I’m a ner vous-
Gtr. 5
Gtr. 6
(cont. in slashes)
steady gliss.
E5 D5/A
Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtr. 6: w/ Rhy. Fig. 1A (3 times)Gtrs. 2 & 5: w/ Riffs E & E1 (2 times)
Outro-Chorus
E5 D5/A
I’m a ner -
I’m a n - n - ner vous- wreck. I’m a ner vous- wreck.
wreck, huh.
I’mScreamed: a n n- ner- vous- wreck.)
Gtr. 2
fdbk.
8va
Pitch: D#
Gtr. 5
XXX
XXX
XXX
XXX
XXX
XXX
5 775 7 9
7 9 98
9 9 9 9 9
3355
3 15
0
9
XXX
XXX
XXX
XXX
XXX
XXX
XXX
XXX
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.7
Bkgd. Voc.: w/ Voc. Fig. 1 (1st 2 meas.)
A/C#
vous- wreck.
C5/G E5
The drugs
D5/A
just make
A/C#
me re
C5/G
set.-
The drugs just make me get up set.-
Knock
E5
once for
D5/A
The Fa
A/C#
ther,- twice
C5/G
for The Son,
E5
three times
D5/A
for The Ho
A/C#
ly- Ghost,
C5/G
Don’t stop, don’t stop, don’t stop.
Three
(Ghost.
Gtr. 5: w/ Riff F
E5
three times
D5/A
for The Ho
A/C#
ly- Ghost,
C5/G E5
three times
D5/A
for The Ho
A/C#
ly- Ghost.
C5/G
times. Three times.
Ghost.
Ghost.)
Gtr. 1
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.8