FORWARDSERVER

FS1000,2000,3000 KM300

Technology

Darim Vision Co., Ltd.http://darim.com http://darim.co.kr

Forward Server Product Lines

FS1000 (Automation & Title Server)Ingestion+Logo/Titling+APC+Playout server with Switcher and Mixer

FS2000 (PostPlay Server)Automatic Record-edit-Rebroadcast Server in Realtime

FS3000 (Slow Motion Server)Mainly SPORT Realtime replay Server

KM300 (Key Machine) 2ch. Chromakey Machine

FS1000 Automation Server Automation and Title Server includes

all hardware and software for building fully automated playback system

Switcher+Mixer+Ingestion+Multi-Titling/Logo/PIP scheduler+TV Clock+Chromakey+Remote Control server

All In One solution for Single channel full Broadcast Automation : Comes with necessary Tools for edit, Title, logo, Multichannel titling, etc..

Full H/W and S/W solutions

FS2000 Replay Server PostPlay Server allows to capture, re-

schedule and playback delayed video/audio data

FS1000 + Circular Buffered Recorder + Realtime Editor.

Can do Ad. / Title insertion in realtime or create schedule from remote Machine

•Satelite•Analog•IP

IngestVideo

RealTimeEdit Video

SchedulePlayout with LogoTitle, Clock etcFS1000

FS3000 Sport SlowMotion Server

Slow Motion Server is price effective replay machine with unbelievable fast user interface and very low price

FS2000+Multichannel Recording and Slow motion Realtime play control.

KM200 Chromakey Server

Key Machine is 2D virtual studio especially designed to generate good picture with bad environment (non-professional camera, bad lights, ‘stupid’ operator).

KM200Video1Video2

Keyout Video Out orMixed Video output

Avi/Picutre

FS1000 Automation Server line

FS1000 – basic automation & title server FS1100 – FS1000 server with web-IP

information titling support FS1200 – FS1000 server with SMS information

titling support FS900 – Remote web-IP titling only station FS800 – SMS titling automation only station FS500 – capture (ingest)/preparation station

FS2000 Replay server line

FS2000 Basic re-scheduling,

automation & title server FS2020 Dual capture re-scheduling,

automation & title server

FS3000 Sport Slow Motion product line

FS3020 2 channels slow motion replay server FS30404 channels slow motion replay server

FS Server In/Out options

FSnnn0 – Y/C version FSnnn1 – YUV/RGB version FSnnn2 – SDI version

Forward 1000 AutomationTapeless Automated Broadcast

Non-automated studio

Playback server

Titling server

Clock generatorLogo insertionWeather report

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Audio mixer + audio delay

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Semi Automated studio - APC

APC server

Playback server

Titling server

Clock generatorLogo insertionWeather report

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Audio mixer + audio delay

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Forward Server

FS1000 automated studio

APC server

Playback server

Titling server

Clock generatorLogo insertionWeather report

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Audio mixer + audio delay

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Forward ServerPostPlay Server

FS2000 RePlay automated studio

APC server

Playback server

Titling server

Clock generatorLogo insertionWeather report

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Audio mixer + audio delay

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Switcher + TBC

Time shift server

FS 1000 Application Areas

Scheduled Advertisement insertion Scheduled Multi-layer titling with PIP

video, flash and so on “All in one”

(fully integrated automation server) Ingestion+Playout+Multilayer titling +Logo + T

V Clock + PIP video,Flash..

Other Applications of FS Servers

Title generation Server(with internal or external mixer usage)

Scheduled video playout Server Scheduled Multi-layer titling Server Scheduled input switcher, ingestion Server Scheduled time shifter with full

rescheduling/rebroadcasting of multi-channels

OEM Server– selection of key component features

Typical Tasks and Problems of regional broadcasters

Stable On air for 24/7/365 environment Automated playback/ scheduling Whole Titling and decoration Time Shift and Re-broadcasting of media

(with re-scheduling) Best Performance vs Price ratio Chroma key and Mix - 2D Virtual Sets

Forward Series Server structure

Unique hardware for Server: FD300 board

Big set of software package: Automation schedule (OnAir) Ingest capture Titling Remote workplaces

H/W and S/W Optimized for Automation

FD300 H/W Functions

DSP

FD300 H/W Digital Signal Processing

Form FPGAForm FPGA To VIDEOENCODERTo VIDEOENCODER

MIXER

FD300 H/W BoardInternal Structure of DSP Video Mixer

Technology Highlights:FD 300 Input/Out Diagram

Balanced Audio and

Active In/out signal Proc.

FD300 H/W Built-in audio mixer/delay unit

Up to 6 analog or 2 digital audio inputs/outputs Selectable delay per channel (up to 1000 ms) Multiple simultaneous outputs available

FD300 H/W configuration s/w

FS1000 softwares Forward OnAir S/W– automated

scheduled playback video and titles

Forward Title software: Title Designer Title generation utility

Forwards Capture (ingest) Forward Video/Audio real time editing

FS OnAir:Broadcasting Automation

Forward 1000 OnAir software

Flexible combination of schedule and interactive controls Multiformat media representation and operation Real-time editing and updating provides

An opportunity of updating of any not yet executed part of the schedule

Dynamic check of a correctness of the schedule Bypassing erroneous tasks Recording all actions of the operator and all succe

ssfully executed tasks to a LOG-file The adjustable interface for operative creation of th

e schedule from the prepared materials Automatic restore of execution of the schedule afte

r emergency reset of systems

FS OnAir: Interactive Controls

Audio and Video Control Panel

Titling

Control Panel

FS OnAir:Media access

•Pictures

•Pictures with Alpha

•Movies

•Movies with Alpha

•Sounds

•Virtual PostPlay clips

•NLE projects

•External events

•Title scripts

•Title objects

FS OnAir:Schedule Control

• On-line Schedule Visualisation and Editing• Dual window operation• Trim-editor• Cross-fade• Alarm on incidents• Log-book

Multi-instance ApplicationsTitle & Video separate schedule

FS OnAir:Broadcasting Automation Architecture

FS OnAir: Functional DiagramBroadcasting Automation system

Title engine (mix images)

Title object 1F9

OnAir application

Title element 1(crawl)

Outputvideo

Title object 2F10

Title object 3F11

Title element 3(Clock)

FS OnAir multi-layer titles

Title element 2b(roll)

Title element 2a(AVI)

FS Title DesignerMulti-layer Titles Compositor

Forward TitleTitle Creation - any style of OWN stype can be created.

FS TV Clock DesignerAny clocks what you can imagine

Image UpdaterDynamic titles generation from any text

MovieList EditorPlayback movies in Titles Engine

Scheduled playback of pictures and movies with or without transparency layers inside titling objects (PIP)

FS WebTrackerAutomated Monitoring of WEB for news

Title engine (mix images)

Static image title object 1

OnAir application

Image1(graphic file)

Read image every second

Outputvideo

Static image title object 2

Image2(graphic file)

Read image every second

Crawl title object 3

Crawl images(graphic files)

Read crawl image by image

3-d party software(update the images)

Dynamic update of title images

Title engine (mix images)

Static image title object

OnAir application

Image1(graphic file)

Read image every second

Outputvideo

Static image title object

Image2(graphic file)

Read image every second

Crawl title object

Crawl images(graphic files)

Read crawl image by image

ImageUpdaterapplication

Text 1a

Read text every second

Text 1b

ImageUpdaterapplication

Text2

Read text every second

ImageUpdaterapplication

ImageUpdaterapplication

ImageUpdaterapplication

3-d party software(update the text files)

Automatic Dynamic Titling from updated Text Files

Batch Capturing Via VTR control or Scheduled Recording Software

MultiFormat Codec: Uncompressed I-MPEG-2 Motion JPEG DV DVC Pro. etc.Capture drive support Direct Show filter Video For Windows Capture SDK Windows

FD Capture:Uncompressed/Multiformat Capture

Real-Time Editing Studio

Optimized for Video Server Project Preparation

FD AV Studio:Video / Audio editing software

FS2000 Server

PostPlay server – file storage with automatic data cleaning

PostPlay VideoIn – capture video and audio

PostPlay Preview – clip selection OnAir – playback selected clips

PostPlay operationIngestion

Edit

Reschedule Play

FS2000 vs FS1000

+ Dramatically decrease operator usage+ More safety (no human errors)– OnAir can not switch from one LIVE1 to

LIVE2 or LIVE3– More CPU requirement

FS3000 Sports Replay Server

For Slow Motion Instant Replay

•Based on technology of PostPlay system- Ability to edit and play back video with out stopping recording.•Allows capturing of up to 4 video channels and replaying any of them at any speed, from any specified position. •Main purpose of the system – replay goals, offsides, penalties and other sport moments from best view. •Very short delay between the moment and replay (~2-3 seconds).

FS3000

FS3000 Sport Server features Management of system through keyboard,

mouse, Touch Screen, or external switcher. Integration with a video equipment through

GPI. (start/stop, GPI-in/GPI-out) Insertion of a static or dynamic logo. Easily playback all the highlights at the end

of the game. 2 channel or 4 channel models. Compact, integrated, ready to work.

FS3000: console user interface

FS3000 Server

FS3000: Replay console user interface

K M3 0 0

Innovative color keying toolkitChromate backdrop material Light

emitting ringfor camera Color keying interface card

Digital Key MachineKM300Automatic Digital Keying - Easy to use Enhanced Mask Filtering/Clipping

• Static/Animation(JPEG,DV,MPEG2)• Live Video Background • Optimized for SVHS as well

KM300

Unique chroma key especially designed for low-cost studio

Up to 2 cameras with independent chroma key settings

Decoration: live, movie or still images Automatic settings Presets

Digital Chroma Keyer Advantage

- Fully Integrated

- Fast Setting

- Not so sensitive with Color and Light

Full Intelligent Automatic Key Set up.

Special Noise filter..

- S-video/Composite Support

Unique algorithms of chroma key for low-budget cameras

KM300: Chroma key

K M 30 0

The powerful kit offering superior video digitizing and keying performance

- High quality automatic keying with manual adjustments of fine details

- Convenient user interface for both simple and advanced applications

- Multiple Composite, S-Video and YUV Component inputs with built-in TBC

- Optional SDI video input/output- Genlocked video outputs with user-defined delay- Key output channel for external mixing

KM 300 advantages

• Improved tolerance to the lights andbackground inconsistencies• Lower sensitivity to the image noise caused byvideo cameras• Reduced cost of virtual set studios• Excellent source for real time 3D video effects

H/W Specifications (FD 300)

Video Formats: Uncompressed YUV 4:2:2, MPEG1, MPEG2 (with/without Alpha) DV, MJPEG (with/without Alpha)Video Standards: NTSC (720x480) or PAL (720x576)Video switcher Inputs: Up to 6 Composite (RCA, 75 Ohm) Up to 3 S-Video (4-pin miniDIN, 75 Ohm) Up to 2 YUV Component (BNC, 75 Ohm) Optional SDI (BNC) Sampling format:

YUV 4:2:2, 8-bit

Specifications (Forward 300)

Video Outputs: Composite (RCA, 75 Ohm) S-Video (4-pin miniDIN, 75 Ohm) YUVa Component (BNC, 75 Ohm) Optional SDI (BNC) Sampling format:

YUVa 4:2:2:4, 8-bitColor Keying: Two independent channel of table-based color key with color corre

ction and color mask filtering and clipping

Specifications (Forward 300)

Alpha Channel: Real time 8-bit Alpha mixing of live video with CG image

s or compressed videoTime Base Correction: Dual channel TBCGenlock: Outputs genlocked to any video input with programmabl

e delaySpecial I/O options: CCIR 656 input/output interface back drop material.

KM 300

KM 300 is an all new color keying toolkitfrom Darim Vision. It delivers sophisticated real time keying functionality thatwill amaze even the most experienced video professionals - yet the KM 200 iseasy to use. In KM300, we at Darim Vision have combined the world’s latest advances in light reflecting technology with our video engineering experience.Thanks to the uniform light emitter and unique PC add-on hardware with table-based keying, color correction, mask filtering and clipping, KM 200 canseparate very fine details and transparent objects in the foreground from theback drop material. Technically, this enables the background to be easily - without bleeding around the edges of the talent - substituted with recorded video in AVI or MPEG format (with or without embedded alpha channel).In today’s era of virtual studio program making and broadcasting this means ....

Thank you

Darim Vision