2 0 0 8 – 2 0 0 9d i c k i n s o n c o l l e g ec a r l i s l e , p e n n s y l v a n i a

FRIENDS of The Trout Gallery

Letter from the Director

Bulletin

The Friends of THE TROUT GALLERYVol. 5, 2008–2009

The Bulletin is published annually by the Friends of The Trout Gallery

Editor, Stephanie Keifer

THE TROUT GALLERYCarlisle, Pennsylvania 17013717–245–1344 fax 717–254–8929www.dickinson.edu/trouttrout@dickinson.edu

DIRECTORPhillip Earenfight

REGISTRAREXHIBITIONS PREPARATORJames Bowman

OUTREACH PROGRAMCURATOR OF EDUCATIONWendy Pires

OUTREACH PROGRAMPUBLICITY COORDINATORDottie Reed

SENIOR ADMINISTRATIVE ASSISTANTStephanie Keifer

GALLERY ATTENDANTSRosalie LehmanCatherine SaccoSatsuki Swisher

BULLETIN DESIGNKimberley NicholsPatricia Pohlman

PHOTOGRAPHERA. Pierce Bounds ’71Andrew Bale

PRINTINGTriangle PrintingYork, Pennsylvania

© The Trout Gallery, 2008

Cover: Joyce Kozloff, Targets (detail ofinterior), 2000, acrylic on canvas mountedon wood panels, 108 in. dia.

More than a year ago, I met with Toshiko Takaezu at her studio to select a number of ceramic works that she wished to donate to Dickinson College. Itwas her way of recognizing the college, which, twenty-three years earlier, had

selected her for the Arts Award and hosted an exhibition of her works in the newly openedTrout Gallery. While selecting the ceramics, I came across Autumn II, a large and beautifulbronze bell she had made a few years earlier. Immediately I thought of the museum’supcoming 25th Anniversary and recognized that the bronze bell would be the perfectacquisition to mark this important milestone. Through the generous support of Hon.George Hoffer ’61, Lawrence and Carol Zicklin, and Friends of The Trout Gallery, the bellwas soon on its way to Dickinson College. Installed in front of the Emil R. Weiss Centerfor the Arts, the bell represents a major step toward building the college’s collection ofpublic art, complements the bell that once stood in the cupola of Old West (now inDenny Hall), and closes The Trout Gallery’s first twenty-five years on the same brilliantnote that it began. Autumn II is a wonderful addition to the campus and signals a newdirection for the museum’s next twenty-five years.

In this spirit of reflection and charting new directions, The Trout Gallery is honoredto host the exhibition Gordon Parks: Crossroads, which surveys the artist’s extensive photo-graphic career. Like Toshiko, Gordon Parks (1912–2006) is well known within theDickinson College community. In 2000, the college presented him with an honorary doctorate for his groundbreaking work as a photographer, poet, novelist, composer, musician, and filmmaker. In light of this association, The Trout Gallery is proud to hostGordon Parks: Crossroads, which recognizes the life and work of a pioneer while at the same time highlighting the museum’s commitment to collecting and exhibiting works byimportant photographers.

Throughout the museum’s twenty-five years, it has organized important solo exhibi-tions by major contemporary artists whose work focuses on key global issues. Leon Golub’sWorldwide (1992) was the first of such exhibitions. As part of this tradition, The TroutGallery is honored to organize Joyce Kozloff: Co+Ordinates, a major exhibition that dealswith issues of power, control, gender, and global conflict. Kozloff was a major force in thefeminist art movement of the 1970s in New York and Los Angeles as well as a key figure inthe public art projects of the 1980s and 1990s. Her current work deals with cartography asa metaphor for power, knowledge, and the consequences of their misuse. In light ofDickinson College’s fundamental emphasis on global issues, her work speaks directly to theessence of the institution’s mission and identity. The Trout Gallery is fortunate to bring thisimportant exhibition to campus and to host the artist for a public lecture and studio visits.

As this sampling of events for the 2008-2009 season illustrates, The Trout Gallery hasa rich history of important projects and continues to grow at a tremendous pace. It is mypleasure to share the museum’s achievements with all who have made these first twenty-fiveyears so successful. It is sad, however, that several of those who have given much to The TroutGallery are no longer with us to join in the celebration. Although gone from our day-to-daylives, they remain in our thoughts and inspire us to realize their dreams for the museum.

During this special celebration, The Trout Gallery promises exciting and importantexhibitions and related events. If you have not already joined the Friends of The TroutGallery, I invite you to become a member and share more fully in the museum’s continuedand ever-increasing success.

Sincerely,

Phillip Earenfight

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Exhibitions 2008–2009

Toshiko TakaezuDedication: Autumn IIFriday, August 29, 4 p.m.Emil R. Weiss Center for the Arts, entrance courtyard

To celebrate The Trout Gallery’s 25th anniversary, the museum acquired Autumn II, one of Toshiko’s largest and most beautiful bronze bells. Inspired bylarge ceremonial bells used in ancient Japan, this stunning work commemorates

the opening of The Trout Gallery in 1983 and its first exhibition Toshiko Takaezu:Ceramics, Textiles, and Bronzes. The autumnal patina of Toshiko’s bell calls to mind the rich colors that inaugurate each academic season while its placement opposite thebelfry of Old West reminds one of the central role that the ringing of the bells plays inmarking the hours, days, and events in the life of Dickinson College.

Autumn II was purchased through funds provided by the Hon. George Hoffer ’61,Lawrence and Carol Zicklin, by exchange, and Friends of The Trout Gallery.

Toshiko Takaezu: Recent GiftsAugust 29–October 11Opening Reception: Friday, August 29, 5–7 p.m.

Toshiko Takaezu (b. 1929) is among the most important ceramicists of the twentiethcentury. Her long and highly productive career began in the post-war era and continues up through the present. Her signature work in clay and cast bronze is

based on elemental forms including cylinders, spheres, and disks. Many of Toshiko’s worksfeature colored glazes or patina that are applied loosely and spontaneously across a neutralground and suggest broad, expressive, calligraphic brush strokes. The works range in sizefrom tiny vessels that nestle in one’s hand to monumental spherical “moons” and bells thatshape and define a natural landscape. All of her works are at once organic and universal yetrefined in shape and design.

Toshiko was born in Pepeekeo, Hawaii, and studied at the Honolulu Academy of Arts, the University of Hawaii, and the Cranbrook Academy of Art in Bloomfield Hills,Michigan. She has worked in ceramics for more than four decades holding positions first at Cranbrook, the University of Wisconsin, and the Cleveland Institute of Art, and since1966 at Princeton University.

In 1983, Toshiko Takaezu was presented with the Dickinson College Arts Award andhonored with the first exhibition at the newly opened Trout Gallery. Twenty-five yearslater, The Trout Gallery is pleased to recognize Toshiko’s enduring artistry with an exhibi-tion that celebrates her long association with Dickinson College and highlights her recentgifts to the museum’s collection.

Autumn II, 2004, bronze, wood, 2008.10

Untitled, gas-fired porcelain, Gift of the artist, in honor of Ruth ’36 and Helen Trout, 2007.4.13

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Exhibitions 2008–2009

Gordon Parks: CrossroadsAugust 29–October 18Opening Reception: Friday, August 29, 5–7 p.m.

The Trout Gallery is proud to host a retrospective exhibition of the photo-graphs of Gordon Parks (1912–2006), one of the nation’s most importantchroniclers of the twentieth century. Photographer, poet, novelist, composer,

musician, and filmmaker, Parks spent a lifetime shattering barriers in the pursuit oftruth, beauty, social justice, and artistic expression.

Parks became the first black photographer to join the Farm SecurityAdministration (FSA), shortly after which he made his signature image AmericanGothic. In 1949, he became the first black staff photographer at Life magazine, wherehe continued to work on assignment for the next quarter of the century. He docu-mented the gang wars of Harlem and the nascent Black Muslim movement, workedin fashion and commercial as well as fine art photography. He helped found Essencemagazine and directed the film Shaft. He received numerous awards including theJackie Robinson Lifetime Achievement Award, the NAACP Hall of Fame Award, the National Medal of the Arts, as well as an honorary doctorate from DickinsonCollege. All photographs courtesy of the Gordon Parks Foundation and HowardGreenberg Gallery. Organized by art2art Circulating Exhibitions.

Film Screening: Shaft (1971),

directed by Gordon ParksTuesday, September 23, 7–9 p.m.Weiss Center, Room 235

American Gothic, Washington D.C., 1942, silver gelatin print

Ethel Shariff in Chicago, 1963, silver gelatin print

Paris Fashion, 1950, silver gelatin print

This groundbreaking film is based on a novel by Ernest Tidyman and is regarded asone of the first and most characteristic of the blaxploitation genre. It is Parks’ best-known film and features the award-winning soundtrack by Isaac Hayes. Introducedby Cotten Seiler, Associate Professor of American Studies at Dickinson College.

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Exhibitions 2008–2009

Joyce Kozloff: Co+OrdinatesOctober 31–January 10Artist’s Lecture: Friday, October 31, 4–5 p.m.

In this selection of works, Joyce Kozloff considersrelationships of power and global politics through the imagery of maps and cartography.

Her paintings often resemble maps from antiquityand the age of exploration as a way to examine issuesof territorial conquest, identity, and the topographyof power. Although her works trace physical bound-aries and recognizable geographic borders, such territorial references act as metaphors for people, culture, body, and mind.

Kozloff has been active in the women artistsmovement since the 1970s, is a peace activist, a member of the New York based collective ArtistsAgainst the War, and a founding member of theHeresies publishing collective. Her awards include the Jules Guerin Fellowship and the Rome Prize from the American Academy in Rome. She has worksin the Brooklyn Museum, Metropolitan Museum ofArt, Jewish Museum, Whitney Museum of AmericanArt, the National Gallery of Art, Smithsonian American Art Museum, the Fogg Art Museum,Yale University Art Museum, Los Angeles County Museum of Art, M.H. de Young MemorialMuseum, among many others. She shows widely in the United States and Europe. In February,the Women’s Art Caucus will present Kozloff with a lifetime achievement award.

PublicationJoyce Kozloff: Co+OrdinatesNancy Princenthal and Phillip EarenfightEdited by Phillip EarenfightPublished by The Trout Gallery and distributedby D.A.P., Distributed Art Publishers, New YorkISBN 978-0-9768488-8-2$45

Written specifically for the exhibition at TheTrout Gallery, this handsomely illustrated bookhighlights works from each of the artist’s majorprojects in the last decade including: Knowledge,Targets, Boys’ Art, Voyages, and AmericanHistory. It features essays by guest critic NancyPrincenthal, Senior Contributing Editor to Artin America, and the exhibition curator PhillipEarenfight, as well as an interview with theartist. The essays discuss Kozloff ’s recent paintings and their relationship to her earlierwork in the Pattern and Decoration movementand her public art projects.

The Trout Gallery Lectures in the History of Art

Marcia Kupfer“Medieval Art andWorld Maps: ADisenchanting”

Monday, November 10, 7 p.m. Stern Center, Great Room

Marcia Kupfer is the 2007–2008 PaulMellon Senior Fellow at the Centerfor the Advanced Study in the VisualArts, where she is working onmedieval maps and mapping. Herresearch focuses on ancient andmedieval maps and cartographies,imagining the orbis terrarum, and theChristianization of space. She haspublished important studies on thesubject of medieval art and mapsincluding articles in Art Bulletin andWord & Image.

Co-Sponsored by Medieval and EarlyModern Studies.

Targets, 2000, acrylic on canvas with wood frame, 108 in. dia.

Mappa mundi from a Psalter, c. 1265, BritishLibrary, London, Add. MS 28681, Fol. 9,HIP/Art Resource, New York

Voyages 5: Lesbos, 2005, cast paper,watercolor, acrylic, 8 x 6 x 3 ½ in.

Gallery closed November 27–December 1 and December 24–January 5, 2009

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Exhibitions 2008–2009

Recent Gifts to The Trout GalleryJanuary 23–March 28Opening Reception: Friday, January 23, 5–7 p.m.

This exhibition pays tribute to a number of remarkable gifts ofart that have been made to The Trout Gallery to honor themuseum on its 25th Anniversary. Thanks to all the donors for

their generosity and for joining in the celebration and strengthening thecollections at The Trout Gallery.

Andy Warhol, Absolut, n.d., silver gelatin print, Giftof the Andy Warhol Foundation, 2008.6.134

Thomas Sully, Powhatan Ellis, 1853, oil on canvas, Gift of Samuel Rose ’58 and Julie Walters, 2008.9

Ancestral Poles from a Ceremonial House, c. 1960, Kanganaman Village, Middle SepikRiver, New Guinea, Gift of David ’62 and Karina Rilling, 2007.3.1–8

Maxime Lalanne, Rue des Marmousets, 1863, etching, Gift of Eric Denker ’75, 2007.7.1

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Exhibitions 2008–2009

Photographs from The Trout Gallery’s Permanent CollectionMarch 4–April 11Opening Reception: Wednesday, March 4, 5–7 p.m.

This exhibition features photographs from the museum’s growing collection of photographs. It is curated by Dickinson College seniorart history majors: Tess Arntsen, Kristin Beach, Jennings Culver,

Kendall Friedman, Elizabeth Grazioli, Flannery Peterson, Madelyn Priest,Sarah Quin, Kristen Rudy, Casey Schaffer, and Hana Thomson, under thedirection of Phillip Earenfight.

Senior Studio ArtMajors ExhibitionApril 24–July 11Opening Reception: Friday, April 24, 5–7 p.m.

The annual Senior Studio Art Majors Exhibitionmarks the culmination of a student’s artisticcareer at Dickinson College. This exhibition

features works by Marjorie Blann, Clare Cooper, MaxieEtess, Parry Grimm, Melissa Haimowitz, TacincalaHidaka, Navajeet K.C., Judith Lopez, Luz Portillo,Joshua Salim, Kristan Saloky, Rachel Warren, andNicholas Young, under the direction of Todd Arsenault,with Andrew Bale, Anthony Cervino, Ward Davenny,and Barbara Diduk.

MUSEUM HOURS: Tuesday –Saturday: 10 a.m.–4 p.m.

Closed November 27–December 1 and December 24–January 5

June–August: Wednesday–Saturday: 10 a.m.–4 p.m.

Tom Baril, Chrysler Building, 1995, toned silver gelatin print, Gift of Mark W. Connelly, 2007.9.11

Installation of the senior studio art majors exhibition in 2008

Exhibi t ions

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1985 1990 1995

the trout gallery: 1983–2008

Ruth ’36 and Helen Troutfund the creation of an art museum in their parents’name

Auguste Rodin, Saint Johnthe Baptist Preaching, Gift ofDrs. Meyer P. ’32 and VivianO. Potamkin

Dr. and Mrs. Donald K.McIntyre ’35, Gift ofAncient Artifacts

Wayne Thiebaud

Appalachian Landscapes:With Natural Eyes

Visions of Home:AmericanImpressionismLeon Golub: Worldwide

Joseph Priestley in America,1794–1804

Mr. and Mrs. JosephGerofsky, Gifts of African Art 1975–1999

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2000 2005 2010

25 years

Jim Dine Prints:Enduring Objects

Joyce Kozloff:Co+Ordinates

A Kiowa’s Odyssey: A Sketchbook from Fort Marion

Writing on Hands:Memory andKnowledge in EarlyModern Europe

Grace Hartigan, Music Box,Gift of Mrs. Fay Chandler

Henry Moore, Reclining Nude, Giftof Drs. Meyer P. ’32 and Vivian O.Potamkin

Mumper-Stuart Educational Center

Toshiko Takaezu, Autumn II,Lawrence and CarolZicklin, by exchange, Hon.George Hoffer ’61, andFriends of The TroutGallery

Print Archive / Study Center

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A Kiowa’s Odyssey CD/Web siteFor those who were unable to see the drawings in person, The TroutGallery created a free interactive Web site which provides visitorswith the opportunity to learn more about the sketchbook and its history. Visit www.kiowasodyssey.com.

Symposium Papers PublishedThe scholarly papers presented at the symposium held in conjunctionwith A Kiowa’s Odyssey will be published by The Trout Gallery underthe title Captive Imagery: Assimilation and Resistance at Fort Marion. It isscheduled for publication in Winter 2008-2009 and distributed by theUniversity of Washington Press.

KiowaA Kiowa’s Odyssey on TourAfter a successful showing at The Trout Gallery, A Kiowa’s Odyssey: A Sketchbook fromFort Marion was sent to venues in Florida and the Texas-Panhandle area whereEtahdleuh Doanmoe’s sketchbook was “returned”—if only for a few months—to thecommunities associated with the events represented in the drawings. Such a historictour was one of the primary goals of the project and required extraordinary effort andcoordination among the lending and host institutions.

The result was a remarkable public response at The Cummer Museum of Art &Gardens in Jacksonville, Florida, and the Panhandle-Plains Historical Museum inCanyon, Texas. Particularly moving was a solemn ceremony held at dusk in the courtyard at Fort Marion, where rangers from the U.S. National Parks Service welcomed descendents of the seventy-two Indian prisoners, teachers, and Lt. Pratt tobless the site on behalf of those who were brought together there from 1875 to 1878.

What started out as a narrow scholarly project to reunite a set of drawings divided between The Trout Gallery and the Beinecke Rare Book and ManuscriptLibrary eventually brought together communities long separated by time and distance.

Ceremonial blessing at Fort Marion, St. Augustine, Florida

Panhandle-Plains Historical Museum, Canyon, Texas

Powwow featuring guests from the Cheyenne, Arapahoe, Kiowa, and Caddo tribes held at The Cummer Museum of Art & Gardens, Jacksonville, Florida

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Outreach Program

High school students in the programs for A Kiowa’s Odyssey discover that there is more than one way to interpret a box of historical evidence.

A young student creates a Balinese shadow puppet as part of his exploration of the New Lives for Asian Images exhibition.

Anabella Atach ’08 helps students learn about Dogon community structure as they create a model of a Dogon village.

Anabella Atach ’08 and Jenn Huang ’08 creatededucational portfolios for The Dogon: SpiritualForces in Action and New Lives for Asian Images.

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trea

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The 2007-2008 season inaugurated The Trout Gallery’snewly constructed Mumper-Stuart Educational Centerby serving more than 2,800 program participants

during the first nine months. The flexibility and size of the new center made it possible to deliver a variety of age-specificprograms with different room configurations designed to meetthe pedagogical goals of each audience. From performing dramatic presentations to investigating the study of historicsources, participants were able to experience and understand asnever before the material presented in the museum’s galleries.

The Outreach Program is dedicated to providing educa-tional experiences to the museum’s visitors. But it also providesideal career experience to Dickinson College student internspreparing to enter the museum profession. This past year,Anabella Atach ’08, Emma Bennett ’10, Jenn Huang ’08, andAllison Reilly ’08 worked closely with all members of themuseum staff to create comprehensive outreach programs for A Kiowa’s Odyssey, New Lives for Asian Images, and The Dogon:Spiritual Forces in Action. Such professional-level opportunities provide Dickinson College students with a high degree of training not often found at the undergraduate level and areinstrumental for career development.

During the 2008-2009 season the Outreach Program willprovide a variety of programs, from geographic and mappingprojects to experiments with light and photography. All pro-grams are free but available dates fill up quickly. To schedule aprogram contact the Outreach Program at 717-245-1344.

Wendy PiresCurator of Education

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Collections Management

CollectionsManagement

FacilitiesThis past summer The Trout Gallery installed a new lighting system, with upper floor and atrium areas being converted to the same museum-grade equipment recently installed in thelower gallery. This change is one in a series which highlights the overall evolution of the gallery since its inception in 1983.Future projects include a redesign of the lower level moveablewalls and the acquisition of Americans with Disabilities Actfriendly floor display cases.

Collections ManagementThe Trout Gallery is beginning a new era in its collection management process by migrating content from the former database to a multi-function program designed specifically formuseums. With over 6,000 objects in the collection, The TroutGallery needed to move to an industry-supported application.The new system will allow the museum to better manage itsobject records, facilitate reporting, and bring the collectiononline for public research. As part of the effort to make the collection Web-accessible, a digital imaging project is under wayto photograph every object in the permanent collection. Digitalimages for much of the collection will be available online by2009.

Loans and Traveling ExhibitionsIn keeping with the museum’s goal to increase the exposure ofthe permanent collection, The Trout Gallery lent two works tothe Susquehanna Museum of Art for its exhibition, Treasuresfrom the Attic, which highlights the breadth and depth of material found in the collections of local institutions. The loansincluded one print from Robert Rauschenberg’s Surface Seriesand Romare Bearden’s The Family. This summer also marks theend of A Kiowa’s Odyssey tour and the return of The TroutGallery’s ledger book drawings and historical photographs.

James Bowman Registrar and Exhibitions Preparator

Andy Bale photographing one of the Albrecht Dürer prints in the museum’s permanent collection.

The newly installed lighting system is smaller, less intrusive, and more effective than thesystem that was originally installed in the galleries twenty-five years ago.

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Charles Meryon (1821–1868), FrenchLa Pompe Nôtre Dame, 1852Etching on chine colléGift of Eric Denker ’75, in Honor ofWilliam Durden ’71 2007.6.1

Félix Buhot (1847–1898), FrenchL’hiver de 1879 à Paris (for L’Art), 1879Etching, aquatint, drypoint, rouletteGift of Eric Denker ’75, in Honor ofWilliam Durden ’712007.6.2

Alphonse Legros (1837–1911), FrenchUncut folio with four prints for Souvenirs des Funambules, 1879EtchingGift of Eric Denker ’75, in Honor ofWilliam Durden ’712007.6.3

Maxime Lalanne (1827–1886), FrenchRue des Marmousets, 1863EtchingGift of Eric Denker ’75, in Honor ofPhillip Earenfight2007.7.1

Maxime Lalanne (1827–1886), FrenchVue Prise du Pont Saint Michel, 1862EtchingGift of Eric Denker ’75, in Honor ofPhillip Earenfight2007.7.2

Maxime Lalanne (1827–1886), FrenchUntitled (Démolitions pour le percementdu boulevard Saint-Germain), 1862EtchingGift of Eric Denker ’75, in Honor ofPhillip Earenfight2007.7.3

Maxime Lalanne (1827–1886), FrenchUntitled (Démolitions pour le percementde la rue des Ecoles), 1862EtchingGift of Eric Denker ’75, in Honor ofPhillip Earenfight2007.7.4

Maxime Lalanne (1827–1886), FrenchRuines du Palais Gallien à Bordeaux (fron-tispiece for Eaux-Fortes Modernes. 100 Oeuvres choisies par une société depeintres graveures à l’eaux forte), 1879EtchingGift of Eric Denker ’75, in Honor ofPhillip Earenfight2007.7.5

Jules-Ferdinand Jacquemart (1837–1880),FrenchUntitled (frontispiece for Eaux-FortesModernes, published by the Société desAquafortistes, 1ère année), 1863EtchingGift of Eric Denker ’75, in Memory ofWalter Beach ’562007.7.6

Ludovic-Napoléon Lépic (1839–1890),FrenchUntitled (Landscape before the storm),1870EtchingGift of Eric Denker ’75, in Memory ofWalter Beach ’562007.7.7

Marcellin Desboutins (1823–1902), FrenchPortrait of Puvis de Chavannes, c. 1890Etching and drypointGift of Eric Denker ’75, in Memory ofWalter Beach ’562007.7.8

Jules-Ferdinand Jacquemart (1837–1880),FrenchUntitled (floral still-life for Kunst in Wien),n.d.EtchingGift of Eric Denker ’75, in Memory ofWalter Beach ’562007.7.9

Honoré Daumier (1808–1879), FrenchLe Tentateur (Actualités) from Le Charivari,n.d.Lithograph, LD 2149Gift of Eric Denker ’752007.8.1

Honoré Daumier (1808–1879), FrenchVois comme ils m’avaient...(Locataires etPropriétaires) from Le Charivari, n.d.Lithograph, LD 1623Gift of Eric Denker ’752007.8.2

Félix Bracquemond (1833–1914), FrenchVue des Pont des Saint Pères (for L’Art),1877EtchingGift of Eric Denker ’752007.8.3

Félix Bracquemond (1833–1914), FrenchEnfant á L’afée (after Edouard Manet), n.d.EtchingGift of Eric Denker ’752007.8.4

Jean-Louis Forain (1852–1931), FrenchLa Vie, 1896LithographGift of Eric Denker ’752007.8.5.a

Charles Huard (1874–1965), FrenchV’là trés longtemps que j’prende..., 1896LithographGift of Eric Denker ’752007.8.5.b

Unknown, French Il faut bien qu’il y ait quelques mal heureux...,1896LithographGift of Eric Denker ’752007.8.5.c

G. Wendt, FrenchLes Obscurantistes, 1896LithographGift of Eric Denker ’752007.8.5.d

Abel Faivre (1856–1914), FrenchQuel est votre numero?, 1896LithographGift of Eric Denker ’752007.8.5.e

M. Radiguet, FrenchMembres de La Vache Envagée, 1896LithographGift of Eric Denker ’752007.8.5.f

Albert Eloy-Vincent (1868–1945), FrenchQuel froid! ... Et ce monsieur qui va venir!,1896LithographGift of Eric Denker ’752007.8.5.g

Theophile Alexandre Steilen (1859–1923),FrenchC’est p’têt ... Satyre, 1896LithographGift of Eric Denker ’752007.8.5.h

Pierre Georges Jeanniot (1848–1934),FrenchVoyage Presidentiel, 1896LithographGift of Eric Denker ’752007.8.5.i

Recent Acquisitions

Andy Warhol, Stallone, Slyvester, 1980, Polacolor Type 108, Gift ofthe Andy Warhol Foundation, 2008.6.61

Jill Mathis, Shore/Coast, 2004, silver gelatin print, Gift of Mark W. Connelly, 2007.9.20

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Abel Faivre (1856–1914), FrenchSalbac (4 images), 1896LithographGift of Eric Denker ’752007.8.5.j

Abel Faivre (1856–1914), FrenchA Propos des Predicateur du Careme, 1896LithographGift of Eric Denker ’752007.8.5.k

Pete Turner (b. 1934), AmericanIbiza Woman, 1961Digital pigment printGift of Mark W. Connelly2007.9.1

Pete Turner (b. 1934), AmericanDust Storm, 1970Digital pigment printGift of Mark W. Connelly2007.9.2

Pete Turner (b. 1934), AmericanRoad Song, 1967Digital pigment printGift of Mark W. Connelly2007.9.3

Pete Turner (b. 1934), AmericanBoat Wake, 1966Digital pigment printGift of Mark W. Connelly2007.9.4

Pete Turner (b. 1934), AmericanSand Dune and Tree, 1995Digital pigment printGift of Mark W. Connelly2007.9.5

Pete Turner (b. 1934), AmericanBlue Walls and Light, 2002Digital pigment printGift of Mark W. Connelly2007.9.6

Pete Turner (b. 1934), AmericanDoorway to Nowhere, 1963Digital pigment printGift of Mark W. Connelly2007.9.7

Tom Baril (b. 1952), AmericanLumahai Beach #3, 1997Toned silver gelatin printGift of Mark W. Connelly2007.9.8

Tom Baril (b. 1952), American3 Poppies, 1997Toned silver gelatin printGift of Mark W. Connelly2007.9.9

Tom Baril (b. 1952), AmericanCalla Lilly, 1998Toned silver gelatin printGift of Mark W. Connelly2007.9.10

Tom Baril (b. 1952), AmericanChrysler Building, 1995Toned silver gelatin printGift of Mark W. Connelly2007.9.11

Tom Baril (b. 1952), American Eustoma, 1998Toned silver gelatin printGift of Mark W. Connelly2007.9.12

Tom Baril (b. 1952), AmericanVerrazano Bridge, 1993Toned silver gelatin printGift of Mark W. Connelly2007.9.13

Tom Baril (b. 1952), AmericanTulip, 1995Toned silver gelatin printGift of Mark W. Connelly2007.9.14

Tom Baril (b. 1952), AmericanTaughannock Falls #2, 2001Toned silver gelatin printGift of Mark W. Connelly2007.9.15

Jill Mathis (b. 1964), AmericanDelirium, 2004Silver gelatin printGift of Mark W. Connelly2007.9.16

Jill Mathis (b. 1964), AmericanMorse Code, 2005Silver gelatin printGift of Mark W. Connelly2007.9.17

Jill Mathis (b. 1964), AmericanStay Alert, 1995–2005Silver gelatin printGift of Mark W. Connelly2007.9.18

Jill Mathis (b. 1964), AmericanWindfall, 1996Silver gelatin printGift of Mark W. Connelly2007.9.19

Jill Mathis (b. 1964), AmericanShore/Coast, 2004Silver gelatin printGift of Mark W. Connelly2007.9.20

Caleb Cain Marcus (b. 1978), AmericanThe Weight of a Pigeon, 2005Silver gelatin printGift of Mark W. Connelly2007.9.21

Caleb Cain Marcus (b. 1978), AmericanSmoke and Fog, 2005Silver gelatin printGift of Mark W. Connelly2007.9.22

Caleb Cain Marcus (b. 1978), AmericanWaiting to Carry the Dead, 2005Silver gelatin printGift of Mark W. Connelly2007.9.23

Caleb Cain Marcus (b. 1978), AmericanA Painting for a King, 2005Silver gelatin printGift of Mark W. Connelly2007.9.24

Recent Acquisitions

Jennie Brownscombe, Girls Daydreaming, c. 1890, etching, Gift of Rona Schneider, 2008.7.1

Caleb Cain Marcus, Waiting to Carry the Dead, 2005, silver gelatin print, Gift of Mark W. Connelly, 2007.9.23

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Caleb Cain Marcus (b. 1978), AmericanWindow of Kumbhalgarh, 2005Silver gelatin printGift of Mark W. Connelly2007.9.25

Michael Wolgemut (1434–1519), GermanThe Last Judgment, from the NuremburgChronicles, 1493Wood engraving and ink on paper2008.1

Ben Shahn (1898–1969), AmericanMcCathy – Peace, 1968Lithograph2008.2

W.P.E. Eggers, J. Kolb, H. Kreische, W.P.KundeGalerie Beinroth and Sindren, c. 1965Lithograph2008.3

Unknown, GermanJunge Grafik Berlin, 1968Lithograph2008.4

William Saroyan (1908–1981), AmericanFresno #4, 1967WatercolorGift of the William Saroyan Foundation2008.5

Andy Warhol (1928–1987), American152 photographsMedia variousGift of the Andy Warhol Foundation2008.6.1-152

Jennie Augusta Brownscombe(1850–1936), AmericanGirls Daydreaming, c. 1890Etching on vellum with remarqueGift of Rona Schneider2008.7.1

Robert Swain Gifford (1840–1905),AmericanNear the Coast, 1885–86Etching on Japanese paperGift of Rona Schneider2008.7.2

William Langson Lathrop (1859–1938),AmericanAn Evening Walk, 1886Etching on Japanese paperGift of Rona Schneider2008.7.3

Seymour Joseph Guy (1824–1910),AmericanLook, Mamma, 1886Etching on Japanese paperGift of Rona Schneider2008.7.4

Stephen Alonzo Schoff (1818–1904),AmericanPortrait of General Charles Devens, n.d.Etching on Japanese paperGift of Rona Schneider2008.7.5

Stephen Alonzo Schoff (1818–1904),AmericanThe Prelude, 1886Etching on Japanese paperGift of Rona Schneider2008.7.6

James David Smillie (1833–1909),AmericanA Glass with the Squire, 1886Etching on Japanese paperGift of Rona Schneider2008.7.7

Mitzi Melnicoff (1922–1972), AmericanWoman in a Red Dress [a portrait of LillianBregman], c. 1969–71Oil on canvasGift of Dr. Albert and Lorraine Kligman2008.8

Thomas Sully (1783–1872), AmericanPowhatan Ellis, 1853Oil on canvasGift of Samuel Rose and Julie Walters2008.9

Toshiko Takaezu (b. 1922), AmericanAutumn II, 2004Wood and bronzePurchased with funds from Lawrence andCarol Zicklin, by exchange, Hon. GeorgeHoffer ’61, and Friends of The TroutGallery2008.10

Recent Acquisitions

Tom Baril, Calla Lilly, 1998, toned silver gelatin print, Gift of Mark W. Connelly, 2007.9.10

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Pete Turner, Blue Walls and Light, 2002, digital pigment print,Gift of Mark W. Connelly, 2007.9.6

Board MembersVice-President: Maureen ReedDonna ClarkeCarolyn Cleveland ’60Eric Denker ’75Karen Neely Faryniak ’86Melissa GallagherSusan GoldbergMelinda SchlittWilford Scott ’72, P’02

The John Dickinson SocietyMark W. ConnellyEric Denker ’75 The Honorable George E.

Hoffer ’61Ann K. HofferAlbert KligmanLorraine KligmanFred A. Pennington, Jr. ’65Samuel G. Rose ’58William Saroyan FoundationRona SchneiderWilford W. Scott ’72, P’02Siena Scott P’02Mary Stuart Smith ’69Julie WaltersAndy Warhol Foundation

BenefactorsJohn Curley ’60Ann Conser Curley ’63Todd Henry Engels ’87Deirdre DeBlasio Engels ’87Barry Fisher ’62Sylvia SmithMr. & Mrs. Kenneth R. Woodcock

PartnersArthur E. Arnold II ’50Lisa Matteucci Breuche ’88Carolyn Cleveland ’60Kathleen O. DeBlasio P’87John P. Derrickson ’65Kenneth C. Spengler ’36, P’81Nancy Gray Vibert ’83

SustainersRoberta Baron ’73Eugene M. D’Amico III P’08Phillip EarenfightJonathan S. Epstein ’96Alison S. Fierce ’95Katherine Harman Forester ’96Melissa A. GallagherWilliam J. GallagherMary J. Gaskin, Esq. ’71

Carol Shaw Glatt ’55Marla Hand ’77William E. Owens ’62Victoria Hann Reynolds ’50Nancy Siegel

SupportersBenazir A. Akbar ’07Khalifa Al Kindi ’07George AllanMary AllanNeil Allen Cynthia AllenAnabella Atach ’08Curtis GoldsteinMichelle Attias-Goldstein ’96Melanie S. Baird ’01Patricia Ritterhoff Barber ’84Gregg W. Boehne ’70Ruth Munch Boehne ’69Christine Bombaro ’93Rick Bonomo ’71Pierce Bounds ’71Kathryn Van Schaick Brown ’86William L. Bruckart P’08Margaret E. Bruckart P’08James R. Bunce P’00Sally Greene Bunce P’00Adrienne Deitch Burge ’99Sarah Rachel Burger ’05Kara E. Carmack ’08Elizabeth J. Castillo ’08Joanna E. Castro ’98Audree Chase-Mayoral ’90Anne G. Chesnut ’76Christopher C. Cocores ’05Russell CoeDavid Cohn ’48Lauren P. Comly ’87Morgan Constantino ’07Ida Ashburn Cook ’76William Cook ’74Sarah R. Curran ’07Sylvie G. DavidsonDaniela M. D’Amato ’01Mark B. Dischell, Esq. ’68Meta Duevell ’03Cynthia Slack Ehlinger ’75Sonia Evers ’08Susan Fair ’92Steven J. Fishman ’67Nancy Shoup Fishman ’88Benjamin Folkman ’79Jane S. Fox ’68Jennifer Garfield ’83Beth Pearsall Gibble ’91Ira D. Glick, M.D. ’57

Edward Goldman Lori Edwards Goldman ’81Margaret E. Graham ’08James R. Greece ’01Diana Gregg P’03William L. Gumby ’54George A. Hahn, Jr. P’06Laura D. Hahn ’06Marcia C. Hahn P’06David C. Hancock ’66Regina Haughney Edward HaughneySusannah K. Haworth ’06Jennifer Huang ’08Stephanie Woodhouse Hughes ’99Esther HumphreyMarc A. Jeffreys ’95Jennifer Locke Jeffreys ’92Margaret Moon Kenrick ’48Elizabeth KerchAnn Thompson Kern ’63David Kranz Suzanne KranzEdward KreuserRichard Lawson P’04Ruth Lawson P’04Richard Levie ’66, P’06Sally Levie P’06Mary Lin Yan ’80Katheryn Linduff ’63Charles H. Lippy ’65Cassie Lynott ’06Elizabeth Madaus ’02Alfred Marcello P’78 Hilda Marcello P’78Peter Martin P’85Ann Martin P’85James McCallumPatricia McCallumAlison R. McCarthy ’89Anne McLean ’93Clarence Millichap P’07 Zita Millichap P’07Stacy C. Milo ’91Andrew H. Moser ’08Kathryn Moyer ’04Ann Horlacher Murray ’66Togo NishiuraEleanor NishiuraDawn R. Petrosky, Esq. ’89Sanford Quickel P’08Sandra Quickel P’08Selwyn E. Ramp ’08W. Creighton Reed, Jr. ’59Adam Reedy ’01David Reel ’92Sarah E. Maggs Riley ’97

Barbara Ritter ’55, P’84Dieter Rollfinke P’93 Jackie Rollfinke P’93Martine Romano ’08David M. Ruegg ’75Bjorn Runquist P’02Anne Runquist P’02Lindsay Sauers ’05Martha McLaughlin Schloetzer ’99Elane Foreman Seltzer ’62Donna Lueckenbach Shaffner ’83Arielle Shapiro ’07Stephanie J. Shapiro ’07Amelia (Span) Shillingsburg ’96 Robert ShillingsburgFrank Sparandero P’04Valerie Sparandero P’04Lynnea Sparandero ’04Matthew Stevenson ’02Janice B. Turner P’04John H. Turner P’04Laura G. Turner ’04Susan Poteat Uhler ’69Milica Curcic Wainwright ’95Murrel R. Walters III, Esq. ’72Mary A. Warner ’72Sarah Wasdyke ’98Michael Evan Weiss ’89Jeffrey Werthan P’08Susan Werthan P’08Emily T. West ’06Nora Green Whalen ’57Jacquelyn M. White ’08Donna Williams ’74Robyn Nichols Witschey ’80Melvin WolfJoan WolfStephanie Wolf ’92Charles A. Wood P’96Jo Ann E. Wood P’96Ruth Wrightstone ’61William WyattBarbara Minnick Wyatt ’55George W. YorkSteven Zazenski P’07Kathryn M. Zazenski P’07

† deceased

The Trout Gallery receives supportfrom Dickinson College, the RuthTrout Endowment, and the Helen E.Trout Memorial Fund. Additionalfunding for special projects comesfrom the Henry D. Clarke Jr.Foundation for the Arts.

Friends of The Trout GalleryThe Trout Gallery gratefully recognizes individuals and organizations who support the museum

through contributions of service, funds, or works of art during the 2007-2008 fiscal year.

4.5K 08/08 Tr

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