genre, cultural literacy, and curriculum building: some … · we can base language teaching and...

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Some Reflections 1 Heidi Byrnes Georgetown University [email protected] http://www1.georgetown.edu/departments/german/faculty/byrnes AATK June 28, 2008 Genre, Cultural Literacy, and Curriculum Building:

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  • Some Reflections

    1

    Heidi ByrnesGeorgetown University

    [email protected]

    http://www1.georgetown.edu/departments/german/faculty/byrnes

    AATK June 28, 2008

    Genre, Cultural Literacy, and Curriculum Building:

  • 2J

    The privilegeof the

    non-cognate(less commonly taught )

    languages

    Positioning the presentation

    Enrichingprogrammatic/curricular thinking

  • 3J

    The challengesof the

    non-cognate

    languages

    Positioning the presentation

    •Program configuration•Curriculum building•Learning goals•Materials development•Teacher education and

    availability

  • 4J

    The opportunitiesof the

    non-cognate

    languages

    Positioning the presentation

    The professional context•The National Standards (K-16)•The MLA report (Higher education)

    The “on-the-ground” context•More advanced courses•Minors, majors•Interdisciplinary “studies” programs•Graduate programs (linked to

    professional programs)•Materials and course development•Content-based instruction•Heritage learners•Study abroad

  • 5

    The possibility of creating a

    • genre-based, integrated, articulated curriculum that

    • through its pedagogies, fosters the simultaneous development of

    • language and cultural knowledge to

    • upper levels of ability.

    What is the nature of those opportunities (and challenges)?

  • 6

    What is the value of language education in a global world?

    The value of

    language education

    Meeting the challenge of fostering

    Translingual and transcultural competenceLinking language and

    content learning:The language‐based nature of knowing

    Creating a context for acquiring advanced levels of ability:

    Adopting an encompassing vision of the role of language in human lives:

    Instrumental, aesthetic, ethical, moral, private, public

    Linking L1 and L2 knowledge … and

    back: the reflective

    multicompetent Language user

    FosteringL2 learning

    and academic achievement

  • 7

    … of any phenomenon depends critically on our conception of this phenomenon. Unless we can base language teaching and learning on a richly revealing comprehensive account of what kind of phenomenon language is, we are not in a position to answer the many questions that arise in educational contexts.

    Matthiessen, 2006, p. 31

    Our approach to the teaching …

  • 8

    Our approach to the phenomenon language

    • Language forms are associated with particular social contexts

    • Language construes a particular social context • Language is about meaning making

    • Language is a social semiotic system

  • 9

    Our approach to the phenomenon language

    •Learning a language islearning how to mean diverse registers and genres

    • Learning through the language isexpanding one’s repertoire of registers and genres

    •Learning about a language isbecoming a socioculturally competent, metalinguistically aware user of the language•

    Language as “substance”

    Language as “instrument”

    Language as “object”

  • 10

    • Relatively stable thematic, compositional and stylistic type of utterance, embodying an aspect of cultural rationality (Bakhtin) [weather report, fairy tale, letter of inquiry, journalistic report, job application]

    • Linguistically realized activity types which comprise much of culture• Verbal strategies that accomplish social purposes of many kinds (Martin, 1985)• A language-based theory of culture that interprets culture as a system of social processes recognized in terms of distinctive stages (Rothery, 1989)

    Exploring the construct of genre

  • 11

    • StagedMore than one phase of meaning to work through

    • Goal orientedUnfolding phases toward meeting linguistic/cultural

    expectations

    • Social activityOccur in social settings and are interactively

    undertaken (covertly/overtly)

    Genres as staged social activity types

  • 12

    If we have access to the context, we can predict the text (genre)

    If we have access to the text (genre), we can infer the context from it

    Social/cultural context as the rationale for the prediction of typical patterns of behavior

    (Hasan, 1996, p. 42-43)

    Genres in a functional theory of language:

    The relationship between text and context

  • The challenge …

    … is to relate sociocultural context and the “content” that is likely to be enacted to its particular wording in language, that is, we need rich accounts of semantics and lexicogrammar.

  • 14

    GENRES The genres of education‐Pedagogical genres‐ Academic genres

    Blurred genrese.g., infomercials

    The genres of literature,e.g., Novel, ballad, short

    story, sonnet, drama

    Genres of the disciplines

    andprofessions

    Meeting the challenge with genres

  • 15

    •The centrality of curriculum

    “Curriculum” is NOT a single course but an articulated sequence of courses

    The issue is fostering development over time

    • The nature of curriculumCurriculum as intention (often prescriptive)Curriculum as (current) reality (by “default”)Curriculum as proposal by informed practitioners

    The challenge of curriculum (= selection and sequencing) and articulation

  • 16

    •Mikhail Bakhtin

    From the

    • overt dialogicality of conversation to the • covert dialogiality of

    • the language system (synchronic, diachronic)• the intratextual aspects of coherence and

    cohesion• intertextual reference (intertextuality)

    Some approaches to curricular sequencing

  • 17

    •James Gee

    From the

    • primary discourses of familiarity to the

    • secondary discourses of public life and institutions.

    Some approaches to curricular sequencing

  • 18

    • M. A. K. Halliday

    Developmental continua:

    • From oral language to written language• “choreographic”: expansion of the clausal system syntactic complexity• “crystalline”: information density within the clause lexical density

    • From congruent to noncongruent/synoptic semiosis (“ways of making meaning”)

    Some approaches to curricular sequencing

  • 19

    Congruent semiosis (“from within”)

    The way we “normally” understand the worldReality understood in terms of actors, actions, circumstances

    Focus on function, process, and flow

    Non-congruent (synoptic) semiosis (“from outside”)

    The way we come to understand the world: the role of educationReality understood in terms of the “thinginess” of the world

    Focus on abstractions, concepts, categories, taxonomies

    Some approaches to curricular sequencing

  • 20

    Congruent semiosis

    We hope that peace will be restored soon.

    Hypotactic relationship in one complex clause

    Non-congruent semiosis

    (Our) hope for an early restoration of peace

    Single noun phrase

    … continues to be dashed.

  • 21

    The challenge of a genre-based pedagogy

  • 22

    An integrated approach that links

    •A genre-based task with its

    •typical/appropriate/likely content with its

    •typical/appropriate/likely language forms

    at the• level of obligatory (and optional) genre “moves”• (complex) sentence level• lexicogrammatical level of clause and phrase

    Considering a genre-based pedagogy:A language-based functional approach

  • 23

    A “close-up” pedagogical example: The “moves” of the story genre

    Obligatory moves – optional moves – recursive moves

    Abstract – Orientation

    – Complication – Evaluation

    - Resolution- Coda

    Labov and Waletzky, 1997 (1966)

  • 24

    A curricular example: The continuum of the genres of history

    (Coffin, 2006)

    •Recording genresAutobiographical recountBiographical recountHistorical recountHistorical account

    •Explaining genresFactorial explanationConsequential explanation

    •Arguing genresExposition (arguing for a particular interpretation)Discussion (considering different interpretations before reaching a

    conclusion)Challenge (arguing against a particular interpretation)

  • 25

    A closer look at the recording genres:(Coffin, 2006, p. 64)

    GENRE SOCIAL PURPOSE

    STAGES KEY LANGUAGE

    FEATURES

    Autobio-graphical recount

    to retell theevents of your own life

    Orientation,Record of

    events

    Specific participants,Authorial “I”

    Language of time

    Biographicalrecount

    to retell the events of a person’s life

    Orientation,Record of events,(Evaluation of person)

    Specific participants,More specialized lexis

    Language of time

    Historical recount

    to retell events in the past

    Background,Record of events, (Deduction)

    Generic participants, Specialized lexis

    Language of time

    Historicalaccount

    to account for why things happened in a particular sequence

    Background,Account of Events,(Deduction)

    Generic andAbstract participants, Specialized lexis,Nominalizations

    Language of time and cause and effect

  • 26

    Positioning our work

    Higher education imperatives

    Overcoming the divide between “content-indifferent” language teaching and “language-indifferent” content teaching

    Moving from (oral) communicative competence toward “multiple literacies “

    Linking language and content throughout a curricular sequence from undergraduate through graduate education

    Connecting language studies to the educational goals of the university

    Educational goal: Language-based translingual and transcultural competence

  • 27

    Positioning our work

    Teaching and learning imperativesDeveloping a shared professional discourse

    Sharing a discourse between teachers and learners: meta-awareness of the nature of adult instructed language learning asmeaning-making in situated language use

    Linking L1 and L2 literacy and emergent multiple literacies

    Highlighting the centrality of narrative

    Educational approach:Meaning-making as choices toward the creation of a competent “non-native” voice and identity –creating “third spaces”

  • 28

    Positioning our work

    Assessment imperatives •Integrating content learning and language learning: Language is the primary evidence for judging what a person has learned.

    •Diagnostic tools for establishing learners’ location on the cline from a particular text (genre) to the language system

    •Placement testing•End of curricular level outcomes statement•Minors/majors/end of program•

    •Determining learning goals and outcomesAssessing them in appropriate waysRecognizing institution-specific characteristics and educational niches

  • 29

    Developing new narratives

    The current quest for accountability creates a precious opportunity for educators to tell the full range of stories about learning and teaching. Counting and recounting can only be pursued together. Counting without narrative is meaningless. Narrative without counting is suspicious. We now have the opportunity to employ the many indicators of learning that we can count for the most important stories we have to tell. (Shulman, 2007, p. 25)

  • Thank [email protected]

  • 31

    References

    Byrnes, H. (2008). Articulating a foreign language sequence through content: A look at the culture Standards. Language Teaching, 41(1), 97‐113.

    Byrnes, H. (2008). Assessing content and language. E. Shohamy (Ed.), Language testing and assessment (Vol. 7, pp. 37‐52). Berlin: Springer‐Kluwer Academic Publishers.

    Byrnes, H. (2007). Language acquisition and language learning. D. G. Nicholls (Ed.), Introduction to scholarship in modern languages and literatures (3rd. edition) (pp. 48‐69). New York: MLA.

    Byrnes, H. (2002). The role of task and task‐based assessment in a content‐oriented collegiate FL curriculum. Language Testing, 19(4), 419‐437.

    Byrnes, H. (2006). A semiotic perspective on culture and foreign language teaching: Implications for collegiate materials development. V. Galloway, & B. Cothran (Eds.), Language and culture out of bounds: Discipline‐blurred perspectives on the foreign language classroom (pp. 37‐66). Boston, MA: Heinle Thomson.

    Byrnes, H. (2006). What kind of resource is language and why does it matter for advanced language learning? An introduction. H. Byrnes (Ed.), Advanced language learning: The contribution of Halliday and Vygotsky (pp. 1‐28). London: Continuum.

  • 32

    Byrnes, H., Crane, C., Maxim, H. H., & Sprang, K. A. (2006). Taking text to task: Issues and choices in curriculum construction. ITL: International Journal of Applied Linguistics, 152, 85‐110.

    Christie, F. (1989). Language development in education. R. Hasan, & J. R. Martin (editors), Language development: Learning language, learning culture (pp. 152‐198). Norwood, NJ: Ablex.

    Coffin, C. (2006). Historical discourse: The language of time, cause and evaluation. London: Continuum.

    Crane, C. (2006). Modelling a genre‐based foreign language curriculum: Staging advanced L2 learning. H. Byrnes (Ed.), Advanced language learning: The contribution of Halliday and Vygotsky (pp. 227‐245). London: Continuum.

    Ghadessy, M. (1999). Textual features and contextual factors for register identification. M. Ghadessy (Ed.), Text and context in functional linguistics (pp. 125‐139). Amsterdam/Philadelphia: John Benjamins.

    Halliday, M. A. K. (1973). Explorations in the functions of language. Explorations in language study . London: Edward Arnold.

    Halliday, M. A. K. (1994). An introduction to functional grammar. London: Edward Arnold.

  • 33

    Halliday, M. A. K. (1999). The notion of "context" in language education. M. Ghadessy (Ed.), Text and context in functional linguistics (pp. 1‐24). Amsterdam/Philadelphia: John Benjamins.

    Halliday, M. A. K. (2002). Spoken and written modes of meaning. J. J. Webster (Ed.), On grammar (pp. 323‐351). London: Continuum.

    Halliday, M. A. K. (1993). Towards a language‐based theory of learning. Linguistics and Education, 5(2), 93‐116.

    Halliday, M. A. K., & Hasan, R. (editors). (1989). Language, context and text: Aspects of language in a social‐semiotic perspective. Oxford: Oxford University Press.

    Halliday, M. A. K., & Matthiessen, C. M. I. M. (1999‐2006). Construing experience through meaning: A language‐based approach to cognition. London/New York: Continuum.

    Halliday, M. A. K., & Matthiessen, C. M. I. M. (2004). An introduction to functional grammar. London: Edward Arnold. Martin, J. R. (1993). Genre and literacy ‐‐ modeling context in educational linguistics. Annual Review of Applied Linguistics, 13, 141‐172.

    Martin, J. R. (1985). Process and text: Two aspects of human semiosis. J. D. Benson, & W. S. Greaves (Eds.), Systemic perspectives on discourse (pp. 243‐274). Norwood, NJ: Ablex.

  • 34

    Matthiessen, C. M. I. M. (2006). Educating for advanced foreign language capacities: exploring the meaning‐making resources of languages systemic‐functionally. H. Byrnes (Ed.), Advanced language learning: The contribution of Halliday and Vygotsky (pp. 31‐57). London: Continuum.

    MLA Ad Hoc Committee on Foreign Languages. (2007). Foreign languages and higher education: New structures for a changed world. Profession 2007, 234‐245.Mohan, B., Leung, C., Slater, T., & Low, M. (2008). Assessing discourse functionally in practice and theory: the case of causal discourse.

    Rothery, J. (1989). Learning about language. R. Hasan, & J. R. Martin (Eds.), Language development: Learning language, learning culture (pp. 199‐256). Norwood, NJ: Ablex.

    Schleppegrell, M. J. (2006). The linguistic features of advanced language use: the grammar of exposition. H. Byrnes (Ed.), Advanced language learning: The contribution of Halliday and Vygotsky (pp. 134‐146). London: Continuum.

    Shulman, L. S. (2007). Counting and recounting: Assessment and the quest for accountability. Change, January/February, 20‐25.

    Swaffar, J., & Arens, K. (2005). Remapping the foreign language curriculum: An approach through multiple literacies. New York: MLA.