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30141579 God Creating, God Sustaining Michael Joncas 30141581 (PDF) Assembly, SAB Choir, and Organ

God Creating, God SustainingMichael Joncas

FROM THE COLLECTIONO Sacred Banquet

Octavo Packet #30133521CD #30133522

Preview

Edition 30141579 Printed in USA

Text © 2017, The Jan Michael Joncas Trust and GIA Publications, Inc. All rights reserved. Administered by OCP, 5536 NE Hassalo, Portland, OR 97213 and GIA Publications, Inc.

Music © 2017, The Jan Michael Joncas Trust. Published by OCP. All rights reserved.

2Commissioned by St. Bartholomew’s Catholic Community in honor of its 100th anniversary,

Fr. Michael Van Sloun, pastor; Richard Clarke, director of liturgy and music

God Creating, God Sustaining WAYZATA, 87 87 87 7

Michael Joncas

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hear our voic es:

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God Creating, God Sustaining

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theus

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hosts!”oth!”

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∑

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God2. for giv ing,

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VERSE 2

Soprano/Alto

Baritone

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.

.˙˙

˙˙

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God who fa ces

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all we

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God2. in Je sus,

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bless ing, heal ing,

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.

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God a ris ing

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.

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from the

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dead,

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us!son!

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œ œ œœ

œ œ œ œ

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Lord,Ký

haveri

mere,

cye

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.

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God,3.

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God3. in dwell ing,

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VERSE 3

S

A

B (Melody)

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God,

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his to

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his to

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A

B (Melody)

f

f

f

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pow er, prais es

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pow er and

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pow er,

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to the Fa ther


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prais

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prais es,

œ œ œ

and the

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.˙˙ œ

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prais4.

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hear our voic es:

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es,4. hear our

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es,4. hear our

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voic es:

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9


Composer NotesBackground: Richard Clarke, the music and liturgy director at St. Bartholomew’s parish in Wayzata, MN, has been a long-time champion of my compositions, so much so that he organized and conducted (with another long-time friend, Rob Glover) a hymn festival of my “hymns of the day” project sponsored by Oregon Catholic Press. In honor of the centenary of the parish’s founding, Richard, in conjunction with Fr. Mike van Sloun, gave me a rather complex commission. They asked me to write two new hymn texts that would work with pre-existing tunes that could be used during a Eucharist at the closing of the parish’s 100th anniversary year in September 2017. One was to be “a hymn that gathers the assembly, or perhaps a hymn of the day,” while the other would be a hymn “that sends forth with a strong sense of mission, or perhaps a hymn of thanksgiving (sung at the end of communion).” Once this initial textual work was done, they then asked if I would write completely new hymn tunes that would also work with these new texts. “God Creating, God Sustaining,” here set to an original tune of mine entitled WAYZATA, is one of the texts created for this commission.

Textual Notes: Fr. van Sloun put forward the idea that rather than basing the text directly on scripture, I explore using a liturgical text from the Roman Missal. What I came up with is a Trinitarian processional hymn whose initial three stanzas are addressed to each of the Divine Persons and whose closing stanza is a Trinitarian doxology. What ties this text to the Roman Missal is the use of Latin and Greek refrains that would be very familiar to those celebrating Eucharist in the Roman Rite prior to the Second Vatican Council’s reforms (or in the Extraordinary Form today). While I prefer singing these refrains in the original languages, here are alternatives to the final phrase in case the worshiping community would prefer to sing only in English:

Stanza 1: “Holy is the Lord of hosts!” substituted for “Sanctus Deus Sabaoth!” Stanza 2: “Lord, have mercy upon us!” substituted for “Kyrie eleison!” Stanza 3: “Come, O Holy Spirit, come!” substituted for “Veni, Sancte Spiritus!”

Since the final phrase is repeated, it would also be possible to sing the final phrase in both the original language and with the English substitution provided above.

Musical Notes: Any musical performance of this WAYZATA setting of “God Creating, God Sustaining” should aim at what the commission called for: “the new melody should be sturdy, memorable, stately, grand, having a sense of beauty and a classic style – something that is enduring.” While it is possible to sing this setting simply with organ accompaniment as a straightforward hymn, the concertato arrangement helps to accent the festivity of the setting. Keeping a strict processional tempo will help the congregation negotiate the changes in meter.

Use: Since “God Creating, God Sustaining” is a Trinitarian processional hymn, it may be used in any liturgical setting where “Holy God, We Praise Thy Name” would be appropriate, e.g., as an opening or closing processional at Eucharist or as a hymn of praise and thanksgiving after Communion. It would be especially appropriate for the Solemnity of the Holy Trinity, or other celebrations where the Triune God is acclaimed, e.g., the Baptism of the Lord or the Feast of the Transfiguration.

—Michael Joncas

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Text © 2017, The Jan Michael Joncas Trust and GIA Publications, Inc. All rights reserved. Administered by OCP, 5536 NE Hassalo, Portland, OR 97213 and GIA Publications, Inc.

Music © 2017, The Jan Michael Joncas Trust. Published by OCP. All rights reserved.

10Commissioned by St. Bartholomew’s Catholic Community in honor of its 100th anniversary,

Fr. Michael Van Sloun, pastor; Richard Clarke, director of liturgy and music

God Creating, God Sustaining(Hymn Version)

WAYZATA, 87 87 87 7 Michael Joncas

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.˙ ˙

E b7(D7)

E b/G(D/F#)

œ œ œfromallhisand

ourwetothe

œ œ œ.˙

.˙˙ œ

A bmaj7(Gmaj7)

- - - -- - - - -

- - - - - -- - - - -

&

&

?

bbb

bbb

bbb

44

44

44

45

45

45

43

43

43

˙ œ Œ

birth,dread,

ry,Son

1. 2. 3. 4.

.˙ Œœ œ œ œ

ww

B bsus4 B b(Asus4) (A)

˙ œ œœ

GodGodGodwith

whoin

whothe

callsJe

thunSpir

ussus,ders,

it,

˙ œ œœ

.˙ ˙˙

.˙ Ó

E b(D)

A b/C(G/B)

˙œœ œ

inblessGodco

toing,who

e

behealwhister

ing,ing,pers,nal,

˙œœ œ

.

.˙˙

˙˙

Ó . Œ œ

B b/D(A/C#)

Fm(Em)

˙ œ œ œ

GodGodGod,as

ofae

un

searisterend

andingnaling

˙ œ œ œ

.

.˙˙

˙˙

.˙ ˙

Cm/G Gm/B b(Bm/F#) (F#m/A)

- --- - - --- - -

- - -- - -Preview


11

&

&

?

bbb

bbb

bbb

43

43

43

44

44

44

45

45

45

43

43

43

œ œ œ

skyfrommys

a

1. 2. 3. 4.

andtheterges

œ œ œ

˙̇ œœ˙ œ

A bmaj7(Gmaj7)

B b(A)

.˙Œ

earth,dead,

y,run.

.˙Œ

œ œ œœ

œ œ œœ

E b(D)

˙œ œœ

HearHearHearHear

ourourourour

voicvoicvoicvoic

es,es,es,es,

˙œœ œœ

˙ ˙

.˙ ˙

.˙ ˙

Fm7(Em7)

A b(G)

˙œ œ

œ

hearhearhearhear

ourourourour

voicvoicvoicvoic

es:es:es:es:

˙œ œ

œ..˙˙ ˙

.˙ ˙

.˙˙

E bmaj7/G Cm7(Dmaj7/F#) (Bm7)

˙ œ œ œ

“San“Ký“Ve“Glo

ctusrini,ry

Dee,Santo

usectethe

˙ œ œ œ.˙ ˙

˙ œ œ œ.˙ ˙

A b6(G6)

A b(G)

- - - ---- - -

- - - - - -- - - -

&

&

?

bbb

bbb

bbb

43

43

43

44

44

44

45

45

45

43

43

43

45

45

45

œ œ œSáléSpí

Three

1. 2. 3. 4.

bairiin

œ œ œ˙ œ

œ œ œ.˙

B b(A)

.˙Œ

oth!son!tus!One!

.˙Œ

.˙Œ

œ œ œœ

œ œ œ œ

˙ œ œ œ

SanKýVeGlo

ctusrini,ry

Dee,Santo

usectethe

˙ œ œ œ

.

.˙˙

˙˙

.˙ ˙

A bmaj7(Gmaj7)

Gm/B b(F#m/A)

œ œ œ

SáléSpí

Three

bairiin

œ œ œ

˙˙

œœ˙ œ

B b(A)

A bmaj7(Gmaj7)

.˙ œŒ

oth!”son!”tus!”One!”

.˙ ˙

˙ œ œœ

˙ œ œœ

E b(D)

E b/G(D/F#)

- - - - - ---- - - - -

- - - - - -- - - - -

&

&

?

bbb

bbb

bbb

..

..

..Ó . Ó

.˙ ˙

˙ œ œ œ

˙ œ œ œ

A b(G)

A b/C(G/B)

Ó . Ó

˙ œ œ œ

.˙ œ œ

.˙ ˙

Cm(Bm)

E b/B b(D/A)

Ó . Ó

.˙ œ Œ


B b/D(A/C#)

B b(A)

Final

.˙ ˙A

Final

..˙̇ ˙̇

.

.˙˙˙˙

.

.˙˙˙˙

B b/E bE b(D) (A/D)

4.

.˙ ˙

..˙̇ ˙̇

..˙̇ ˙̇

.

.˙˙˙˙

Fm/E bCm/E b(Bm/D) (Em/D)

.˙ ˙U

men.

..˙̇ ˙̇U

...˙˙˙

˙˙˙

U

.

.˙˙

˙˙u

E b(D)

-

Note: the composer has suggested that the following English translations of the original languages may be used: Verse 1: “Holy is the Lord of hosts!” may substitute for “Sanctus Deus Sabaoth!” Verse 2: “Lord, have mercy upon us!” may substitute for “Kyrie, eleison!” Verse 3: “Come, O Holy Spirit, come!” may substitute for “Veni, Sancte Spiritus!”

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12

Assembly Edition

Text: 87 87 87 7; Michael Joncas, © 2017, The Jan Michael Joncas Trust and GIA Publications, Inc. All rights reserved. Administered by OCP, 5536 NE Hassalo, Portland, OR 97213 and GIA Publications, Inc.

Music: WAYZATA, © 2017, The Jan Michael Joncas Trust. Published by OCP. All rights reserved.

Note: the composer has suggested that the following English translations of the original languages may be used: Verse 1: “Holy is the Lord of hosts!” may substitute for “Sanctus Deus Sabaoth!” Verse 2: “Lord, have mercy upon us!” may substitute for “Kyrie, eleison!” Verse 3: “Come, O Holy Spirit, come!” may substitute for “Veni, Sancte Spiritus!”

GOD CREATING, GOD SUSTAINING

Michael Joncas

For reprint permissions, please visit OneLicense.net or contact us at 1-800-663-1501.

& bbb 45 .. 4

3˙ œ œ

œ

GodGodGodBless

1. 2. 3. 4.

creforin

ing,

agiv

dwellhon

ting,ing,ing,or,

Verses

˙œœ œ

GodGodGodpow

susreemer,

taindeempow’rprais

ing,ing,ing,es

˙ œ œ œ

GodGodGodto

whowhowhothe

lovesfa

guidesFa

uscesall

ther

- - - -- - - - -

- - - -- - - - -

& bbb 43

44

45

œ œ œfrom

allhisand

1. 2. 3. 4.

ourwetothe

.˙ Œ

birth,dread,

ry,Son

˙ œ œœ

GodGodGodwith

whoin

whothe

callsJe

thunSpir

ussus,ders,

it,

˙œœ œ

inblessGodco

toing,who

e

behealwhister

ing,ing,pers,nal,

- -- - -

- - - -- -- -

& bbb 4

344

45

˙ œ œ œ

GodGodGod,as

1. 2. 3. 4.

ofae

un

searisterend

andingnaling

œ œ œ

skyfrommys

a

andtheterges

.˙Œ

earth,dead,

y,run.

˙œ œ

œ

HearHearHearHear

ourourourour

voicvoicvoicvoic

es,es,es,es,

-- - -- - - - -- - - -

& bbb 4

344

45˙

œ œœ

hearhearhearhear

1. 2. 3. 4.

ourourourour

voicvoicvoicvoic

es:es:es:es:

˙ œ œ œ

“San“Ký“Ve“Glo

ctusrini,ry

Dee,Santo

usectethe

œ œ œSáléSpí

Three

bairiin

.˙Œ

oth!son!tus!One!

- - - - ---- - - -

- - - - -- - - -

& bbb 45

43

45 ..˙ œ œ œ

SanKýVeGlo

1. 2. 3. 4.

ctusrini,ry

Dee,

Santo

usectethe

œ œ œ

SáléSpí

Three

bairiin

.˙ œŒ

oth!”son!”tus!”One!”

3 Final

.˙ ˙A4.

.˙ ˙ .˙ ˙

men.- - - --- - - -

- - - -- - -

-

Preview

god creating, god sustaining michael joncas 30141581 the ...composer notes background: richard...

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