hagia sophia - kept light photography · i had the extraordinary privilege to view the great...

4
Touching the History Photographs from the Dome of Hagia Sophia A. Cemal Ekin exhibit catalog Boston University The Howard Thurman Center November 1 - November 19, 2010 Reception with the Artist November 12, 2010 6–8 p.m.

Upload: others

Post on 19-Mar-2020

0 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: Hagia Sophia - Kept Light Photography · I had the extraordinary privilege to view the Great Church, Hagia Sophia, from the vantage point of its dome. Being so close to the orig-inal

Touching the HistoryPhotogr a phs f rom t he Dom e of

Hagi a Sophi aA. Cemal Ekin

e x h i b i t c ata l o g

Boston U ni v e r s i t y T he Howa rd T hur m a n Ce n t e rNov e m be r 1 - Nov e m be r 19 , 20 10

Rece pt ion w i t h t he A rt i stNov e m be r 1 2 , 20 10 6 – 8 p. m .

Page 2: Hagia Sophia - Kept Light Photography · I had the extraordinary privilege to view the Great Church, Hagia Sophia, from the vantage point of its dome. Being so close to the orig-inal

2 3

7 8 9

13

14

The framed photographs are available for purchase at a price of $350 during the exhibit. Orders must be paid in full and may be picked up at the end of the show. Additional copies may be ordered by contacting the photographer: [email protected] or visit www.keptlight.com

1

15

Page 3: Hagia Sophia - Kept Light Photography · I had the extraordinary privilege to view the Great Church, Hagia Sophia, from the vantage point of its dome. Being so close to the orig-inal

45

6

10 11 12

16

17

18 19

Page 4: Hagia Sophia - Kept Light Photography · I had the extraordinary privilege to view the Great Church, Hagia Sophia, from the vantage point of its dome. Being so close to the orig-inal

Boston UniversityThe Howard Thurman Center5 Cummington StBoston, MA 02215-2406(P) (617) 353-4745

For more information:http://bit.ly/hsdome

I had the extraordinary privilege to view the Great Church, Hagia Sophia, from the vantage point of its dome. Being so close to the orig-inal work and inside the dome was truly thrilling. As I touched the center of the dome, its ceiling, and the gold mosaics in and around the dome windows, I felt a tremendous sense of oneness with the people who laid them over 1500 years ago. I want to share with you my heightened emotional state when I was up in the dome, the sense of awe I felt emanating from the structure, the space, and the art that covers its walls.

A. Cemal Ekin

ArtStor acquired 50 photographs from this series which will soon be available to scholars and re-searchers.

Descriptions(1) The high point of the main dome, main chandelier axis (2) The start of the calligraphy inside the dome (3) Looking at the narthex at the entrance (4) The main dome, dome ribs, windows (5) Windows on the dome base seen from inside with the walkway and guardrail (6) Entrance, looking toward narthex, exedra on both sides (7) Gold mosaics on the window buttresses (8) The high point of the main dome, main chandelier axis (9) Looking at the narthex at the entrance (10) Looking at the narthex at the entrance (11) Windows on the dome base seen from inside with the walkway and guardrail (12) The main dome, dome ribs, windows, and service walkway (13) Looking at the narthex at the entrance (14) Gold mosaic with a cross on the dome rib base (15) Looking towards the Marmara Sea from the roof (16) The Blue Mosque, Sultanahmet Park (17) Hagia Eirene Basilica and Topkapi Palace behind it (18) Crows around the minaret (19) The newly unveiled Seraphim Angel Mosaic, photograph by Erdinç Gökçe.