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HVA Style 1 Hardin Valley Academy Style Manual A Guide to Writing and Using Resource Materials Created by the English Department of Hardin Valley Academy Knox County Schools, TN 2010-2011

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Page 1: Hardin Valley Academy Style Manual

HVA Style 1

Hardin Valley Academy

Style Manual

A Guide to Writing and Using Resource Materials

Created by the English Department of

Hardin Valley AcademyKnox County Schools, TN

2010-2011

Page 2: Hardin Valley Academy Style Manual

HVA Style 2

Hardin Valley AcademySTYLE MANUAL

~ Table of Contents ~

Hardin Valley Academy Plagiarism Policy................................................................4-5Guide for Formal Writing Assignments ..........................................................................6Types of Essays ................................................................................................................7The Writing Process .........................................................................................................8Thesis Statements........................................................................................................9-10Source Documentation ..........................................................................................11-13

HOW TO WRITEAn Annotated Bibliography ........................................................................................14A Works Cited Page......................................................................................................14Internal Citations............................................................................................................15Internal Citations and Quoting Worksheet.............................................................16-17Works Cited Entries....................................................................................................18-19Sample MLA Paper.........................................................................................................20Sample Works Cited Page.............................................................................................21

APPENDIX

Proofreading Checklist.............................................................................................23Terminology...............................................................................................................24HVA Media Center Resources ................................................................................256 plus 1 Rubric.............................................................................................................26Expository Writing Rubric ..........................................................................................27Persuasive Writing Rubric..........................................................................................28Literary Analysis Rubric..............................................................................................29Speech Rubric............................................,...............................................................30Biology Lab Report Format.......................................................................................31Chemistry Lab Report Format..................................................................................32AP Chemistry Lab Report Format............................................................................33Physics Lab Report Format.......................................................................................34

Page 3: Hardin Valley Academy Style Manual

HVA Style 3

To the Hardin Valley Academy Learning Community:

Communicating properly takes time and hard work. It is a direct reflection of higher-order thinking skills. More and more professional positions require sharp communication skills along with technical or subject-area knowledge. The purpose of the Hardin Valley Style Guide is to provide guidelines for proper format for assignments in classes at HVA. Use this booklet as a guide for all standard assignments, but be sure consult your teacher for any variation from this style manual.

One important component of this manual is the Hardin Valley Academy Plagiarism Policy. Plagiarism is a very serious offense and will be dealt with by teachers and administrators as such. Remember, it is your responsibility to write correctly and accurately and to complete your own work to the best of your ability, honestly and to give proper documentation where it is due.

This style guide will not only be helpful for writing in English classes, but in other fields such as social studies, science, technology and business. At HVA, we believe that interdisciplinary instruction is the best practice to ensure student learning. As a result, Hardin Valley Academy is dedicated to communicating across the curriculum; that is making sure that reading, writing and speaking are utilized effectively in all subject areas, not just in English classes.

The shared vision of HVA is that Hardin Valley Academy strives to prepare students to compete in a global economy through challenging curriculum and real world application provided through small learning communities. Having good communication skills is vital to being able to compete in your chosen field of study. It is our intention that this style guide will become a stepping stone to realizing that vision.

--The Hardin Valley Academy English Department

Types of Writing Addressed in the Hardin Valley Academy Style Manual

Writing in the field of Science—Part of this style guide is intended to provide a guide for the writing of a formal laboratory report in many of the science classes that are offered in Hardin Valley Academy. You are being trained in science and part of this training involves written communication of ideas and results. The professional appearance of the report, the proper punctuation, grammar and writing style are just as important as the units and calculations. Keep in mind that there is no standard way of writing these reports and the reports presented here are examples of particular teachers. Refer to your own teacher’s rules for writing lab reports in their classes.

Writing in the field of Social Studies—Much of the writing done in the field of social sciences centers around informing the reader. Informative writing may take any of the following forms: Social scientists may describe the process by which something occurs; they may compare and contrast two theories; they may classify or define something.After researching and reporting their findings, social scientists establish arguments by making claims and supporting those claims with evidence. Research papers are very common to social studies courses.

Writing in the field of Business— Many students do not realize the sheer number of specialized business careers available. Most management and executive level positions in the business world require excellent communications and writing skills to succeed. In addition to the occasional resumes and cover letters, many professionals write memos, letters, emails and other correspondences every day. As a result, students not only need to master the business tools presented to them in class, but also the aspects of effective business communication.

Writing in the field of Technology—Two essential components of many technology-based jobs are oral and written communications between people in these fields. Technical writers create instruction manuals, user’s guides and document the work of scientists, doctors, engineers, computer programmers and other technical professionals Students planning to enter these fields must be prepared to effectively convey technical material both verbally and in writing. In order for students to communicate effectively in the field of technology, it will become increasingly important for them to write effectively and accurately.

Keep in mind that the fields of Mathematics and the visual and performing Arts also have many opportunities to communicate effectively, be it in written form or orally. Use the components of this style manual and the directions of your teachers to strive to be a more effective communicator.

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HVA Style 4

The community of Hardin Valley Academy expects you to behave with academic integrity and to exhibit responsibility. This means you should complete original work and perform to the best of your ability. Plagiarism and cheating clearly violate this expectation.

Definition of Plagiarism

Plagiarism is the unauthorized use of someone else’s work. This includes claiming work from friends, parents, and tutors as your own. Improperly documented information from websites, books, or other resources is also plagiarized. Cheating includes copying another’s work or allowing your work to be copied.

Examples of Plagiarism The following are examples of plagiarism:

Copying another student’s paper from a school computer or from a printed copy•Using online translators in a World Language course•Copying programming code •Copying the analysis portion of a lab report in science class•Taking key words or phrases or facts from an electronic source without properly citing the source•Using key words or phrases from a source without placing those words in quotation marks and •without placing an in-text citation in the paper at the end of each sentence containing such quotesPlacing a citation at the end of a passage in your paper without making clear which of the preceding •sentences contain(s) the information taken from the sourceDocumenting only quoted material, but not documenting paraphrased or summarized material•Turning in a paper without proper in-text citations or without a Works Cited page•Failing to cite a fact that is not common knowledge (if you are in doubt about whether or not an •item is common knowledge, ask your instructor. If your instructor is unavailable, cite the item.)Downloading a paper from the Internet •

I have read the Hardin Valley Academy Plagiarism Policy and will abide by it. I understand that should I commit any possible violations, I will be subject to the consequences listed on the back of this form.

____________________________________________________________________________________

Student Signature Date

____________________________________________________________________________________

Parent/Guardian Signature Date

Hardin Valley Academy Plagiarism Policy For Use in All Subject Areas

2010-2011

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HVA Style 5

Things you should know

Plagiarism is easy to expose. The resource that most students use to plagiarize, the internet, makes detection very easy. If you copy even one phrase from an internet source, it is likely that you will be caught plagiarizing. Do not let this happen!

All parties involved are equally guilty of plagiarism. The student who makes his or her work available to be plagiarized is equally as guilty as the student who plagiarizes.

Ignorance of the rules is no excuse. Follow your teacher’s directions for documenting sources carefully to avoid plagiarism.

Being caught plagiarizing may affect a student’s status in leadership positions in school organizations. Plagiarism offenses may also affect college admissions.

Consequences for plagiarizingAs a result, when, not if, involved parties are caught, the following consequences will be adhered to:

Under-documentation/unintentional plagiarism:

Parent phone call and redo assignment for reduced credit at teacher’s discretion.

Intentional copying of another student’s, a parent’s or a tutor’s work; copying from a textbook or internet resource:

1st Offense: Cheating documented and administrative conference;

1. Teacher will call the parent and write the student up for cheating,

2. Student will receive zero credit on assignment. Zero credit cannot be made up, but student must complete an alternate assignment to be graded and averaged in with zero for plagiarized work for a maximum of 50% of the total points attainable on the assignment.

2nd Offense and beyond:

1. Steps one and two above will be followed.

2. Administrative conference

3. Loss of early release and mandatory intervention until the assignment is completed or six sessions

4. Disciplinary hearing.

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HVA Style 6

Guide for Formatting Formal Writing Assignments in Modern Language Association (MLA) Format

Basic Guidelines for Handwritten Papers:• Useafullsheetof8½”x11”paper.• Thepapershouldhavenospiralnotebookedges.• Useonlyblueorblackink.• Writeononlyonesideofthepaper.• Doublespaceyourpaperbyskippinglines.

Word-Processed Papers (in Microsoft Word):• FontStyle:12pointTimesNewRoman• Fullsheetof8½”x11”paper• Doublespaced• Indent/Tabforanewparagraph• UseStandard/DefaultMarginssetbycomputer(1”margins)

Formatting the First Page of Your Paper:• Intheupper-lefthandcornerofthepage,listthefollowinginformation:• Yourname• Yourinstructor’sname• CourseName(Example:EnglishICP)• DateinMLAFormat(Example:12June2009)• Doublespaceagainandcenterthetitleofyourpaper.• Doublespacebetweenthetitleandthefirstlineofthetext.• Donotuseacoversheetunlessitisrequiredbyyourteacher.

Formatting the 2nd and Subsequent Pages of Your Paper:

Student’slastnameandthenthepagenumberintheupper-righthandcorner.(ex:Smith2)

Sample Pages MLA Format

Smith 2 Page two of your paper should have the

proper header with your last name and the page number of your paper in the top right

hand corner.

Jane Smith Smith 1

Mr. John Doe

English I, CP

12 June 2010

Creative,Original, Engaging Title

Begin writing your first paragraph here.

Remember, you should use 12 point font,

Times New Roman. Do not forget to double

space and use 1” margins.

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HVA Style 7

Types of EssaysThewriterAldousHuxleyoncesaidthatanessayis“aliterarydeviceforsayingalmosteverythingaboutalmostanything.”Anessayisashortpieceofwritingthatdiscusses,describesoranalyzesonetopic.Itcandiscussasubjectdirectlyorindirectly,seriouslyorhumorously.Anessaycanbewrittenfromanyperspective,butessaysaremostcommonlywritteninthethirdperson.

Descriptive Essay:

Descriptiveessaysprovidedetailsabouthowsomethinglooks,feels,tastes,smells,makesonefeel,orsounds.Thisessayseekstoappealtothereader’ssenses.Itcanalsodescribewhatsomethingis,orhowsomethinghappened.Mostoften,thepurposeofthisessayistoinformortoexplain.

Comparison/Contrast Essay:

Thecompare/contrastessaydiscussesthesimilaritiesanddifferencesbetweentwothings,people,concepts,places,oranyidea.Moststudentsbeginpre-writingforcomparisonandcontrastessayswithaVenndiagram.Thepurposeofthisessaycanbetoinformortopersuade.

Cause/Effect Essay:

Cause/effectessaysexplainwhyorhowsomeeventhappenedandwhatresultedfromtheevent.Thisessayisastudyoftherelationshipbetweentwoormoreeventsorexperiences.Puposesofthisessay include to inform, expliain or at times, persuade.

Narrative Essay:

Thenarrativeessaytellsastory.Itcouldbecalleda“shortstory.”Generallythenarrativeessayisconversationalinstyleandtellsofapersonalexperience.Itisoftenwritteninthefirstperson.Thisessay could tell of a single, life-shaping event or simply an ordinary experience. The purpose of this type of essay is to inform or entertain.

Expository Essay:

Expositoryessaysaresimplyessaysthatexplainsomethingwithfacts,asopposedtoopinion.Itcandescribehowtodosomething,describeaprocess,explainordescribeanhistoricaleventandanalyzeevents,ideas,objects,orwrittenworks.

Argumentative/Persuasive Essay:

Anargumentativeorpersuasiveessayisonethatattemptstopersuadethereadertothewriter’spointofview.Thewritercaneitherbeseriousorfunnybutalwaystriestoconvincethereaderofthevalidity of his or her opinion. The essay may argue openly, or it may attempt to subtly persuade the reader by using irony or sarcasm.

Critical Analysis Essay:

Acriticalessayanalyzesthestrengths,weaknessesandmethodsofsomeoneelse’swork.Itshouldthendiscusshowwelltheauthoraccomplisheshis/hergoalsandmakeshisorherpoints.Acriticalessaycanbewrittenaboutanotheressay,story,book,poem,movie,orworkofart.

Literary Analysis Essay:

Literary analysis involves examining all the parts of a novel, play, short story, or poem using elements suchascharacter,setting,tone,andimagery,andthinkingabouthowtheauthorusesthoseelementstocreatecertaineffects.Ahighschool-orcollege-levelliteraryessayasks,“Howdoesthispieceofliteratureactuallywork?”“Howdoesitdowhatitdoes?”and,“Whymighttheauthorhavemadethechoicesheorshedid?”

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HVA Style 8

The Writing ProcessPrewriting

Chooseatopic.Ifitistoobroadatopic,narrowitdownsoyoucandevelopittothespecifiedlength.•

Identifyyouraudienceandpurpose(inform,persuade,entertain,explain,etc.)forwriting.•

Organizetheinformation;outliningisthemostcommonmethodoforganization.•

Choose a thesis statement.•

Drafting (Writing)

Keepingyourpurposeinmind,begintowrite.•

Followyourorganizationalplanthatyoudevelopedintheprewritingstage.•

Write an introduction.•

Write the body paragraphs.•

Write a conclusion.•

Revising

Yourfirstdraftisnotyourfinaldraft!•

Afterfinishingyourfirstdraft,itisnowtimetoreviseyourpaper.Readthepaperaloudtomakesure•youhaveactuallycommunicatedwhatyouintendedtowrite.Youmaywanttohavesomeoneelsereadyourpapertohelpyouknowwhatyouneedtorevise.Youmayneedtoreviseyourpaperseveraltimes before submitting it.

Readyourpaperwiththefollowingquestionsinmind:•

Haveyouwrittenincompletesentences?o

Doesyourpapermakesense?o

Doyouproveyourthesis?o

Isitorganized?Doyouhaveanintroduction,body,andconclusion?o

Doyouhavetoomuchortoolittledetail?o

Doyoustayontopicthroughoutthepaper?Doallofyourparagraphsrelatetothethesis?o

Doyouhavetransitions?o

Areyourepetitive?o

Editing

Afteryouaresatisfiedwiththecontentandstructureofthepaper,youwillmakethefinalchanges•before submitting it to your teacher.

Lookforanymechanicalerrors,likepunctuation,spelling,capitalization,agreement,propercitation,•clearwordchoice,andconsistentverbtense.

Publishing

Itisnowtimetoshareyourworkwithothers.•

Publishinggoesbeyondgettingapieceinamagazineornewspaper.Publishingmeansgettingapiece•into the hands of any reader. Getting a friend or teacher or parent to read a piece is publishing. By knowingthatotherswillreadapieceawriterwillworkhardertomakecertainthepiecereachesitshighest possible potential.

Information adapted from Park High School, Cottage Grove, MN.

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HVA Style 9

Writing a Thesis StatementAthesisstatementisasentence(orsentences)thatexpressesthemainidea(s)ofyourpaperandanswersthequestionorquestionsposedbyyourpaper.Itoffersyourreadersaquickandaneasy-to-followsummaryofwhatthepaperwillbediscussingandwhatyouasawriteraresettingouttotellthem.Thetypeofthesisthatyourpaperwillhavewilldependonthepurposeofyourwriting.Belowareexamplesofdifferenttypesofthesisstatementstohelpinthewritingprocess.

General Thesis Statement Tips

Athesisstatementgenerallyconsistsoftwoparts:yourtopicandthentheanalysis,explanation,•oropinionyouaremakingaboutthetopic.Researchpaperswillrequireyoutowriteanessentialquestionthatwillbecomeyourthesisstatementandwillbeansweredinyourpaper.

Athesisstatementisaveryspecificstatement—itshouldcoveronlywhatyouwanttodiscussin•yourpaper,andbesupportedwithspecificevidence.

Generally,athesisstatementappearsinthefirstparagraphofanessaysothatreaderswillhave•aclearideaofwhattoexpectastheyread.

Itmightbehelpfultouseagraphicorganizer,suchasachartorpicture,tohelpyouconnect•yourthesisstatementwithotherideas.

Asyouwriteandreviseyourpaper,itisokaytochangeyourthesisstatement--sometimesyou•donotdiscoverwhatyoureallywanttosayaboutatopicuntilyouhavestarted(orfinished)writing.Justmakesurethatyourfinalthesisstatementaccuratelyshowswhatwillhappeninyourpaper.

Analytical Thesis StatementsInananalyticalpaper,youarebreakingdownanissueoranideaintoitscomponentparts,evaluatingtheissueoridea,andpresentingthisbreakdownandevaluationtoyouraudience.Ananalyticalthesisstatementwillexplain:

whatyouareanalyzing•

the parts of your analysis •

theorderinwhichyouwillbepresentingyouranalysis•

Example: An analysis of the college admission process reveals one challenge facing counselors: accepting students with high test scores or students with strong extracurricular backgrounds.

Thepaperthatfollowsshould:

explain the analysis of the college admission process •

explain the challenge facing admissions counselors•

Questionstoaskyourselfwhenwritingananalyticalthesisstatement:

WhatdidIanalyze?•

WhatdidIdiscoverinmyanalysis?•

HowcanIcategorizemydiscoveries?•

InwhatordershouldIpresentmydiscoveries?•

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HVA Style 10

Argumentative (Persuasive) Thesis Statements

In an argumentative or persuasive paper, you are making a claim about a topic and justifying this claimwithreasonsandevidence.Thisclaimcouldbeanopinion,apolicyproposal,anevaluation,acause-and-effectstatement,oraninterpretation.However,thisclaimmustbeastatementthatpeoplecouldpossiblydisagreewithbecausethegoalofyourpaperistopersuadeyouraudiencethat your claim is true based on your presentation of your reasons and evidence. An argumentative thesisstatementwilltellyouraudience:

your claim or assertion •

thereasons/evidencethatsupportthisclaim•

theorderinwhichyouwillbepresentingyourreasonsandevidence•

Example: High school graduates should be required to take a year off to pursue community service projects before entering college in order to increase their maturity and global awareness.

Thepaperthatfollowsshould:

present an argument and give evidence to support the claim that students should pursue •community projects before entering college

Questionstoaskyourselfwhenwritinganargumentativethesisstatement:Whatismyclaimorassertion?•

WhatarethereasonsIhavetosupportmyclaimorassertion?•

InwhatordershouldIpresentmyreasons•

Expository (Explanatory) Thesis StatementsIn an expository paper, you are explaining something to your audience. An expository thesis statementwilltellyouraudience:

whatyouaregoingtoexplaintothem•

thecategoriesyouareusingtoorganizeyourexplanation•

theorderinwhichyouwillbepresentingyourcategories•

Example:The life of the typical college student is characterized by time spent studying, attending class, and socializing with peers.

Thepaperthatfollowsshould:

explainhowstudentsspendtheirtimestudying,attendingclass,andsocializingwithpeers•

Questionstoaskyourselfwhenwritinganexpositorythesisstatement:WhatamItryingtoexplain?•

HowcanIcategorizemyexplanationintodifferentparts?•

InwhatordershouldIpresentthedifferentpartsofmyexplanation?•

Adapted from Polar Style Manual and The OWL at Purdue

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HVA Style 11

Source Documentation Carefulreadingofyourresearchandtakinggoodnotesisimportantinwritingagoodpaper.Tobegin,youmust evaluate your source and then begin your note taking.

Website validity: Therearemanyguidelinestouseinordertodeterminewhatisalegitimatewebsiteandwhatwebsitesyouneedtostayawayfrom;hereareafew:

Check the domain. If the site is supposed to be a site about education, does the domain address end in 1. .edu?

Readthe“AboutUs.”Istherecontactinformation,aswellasacleardetailingofwhoisresponsiblefor2. creatingandupdatingthesite?

Checkthelastupdate.Ifthesitehasn’tbeenupdatedrecently,itisn’tasitefromwhereyouwanttoget3. information. The date for the most recent update usually appears at the beginning or at the end of the site’shomepage.

Compare similar sites. Check other sites that are supposed to have the same kind of information as the 4. site you are visiting.

Use common sense. If the site is supposed to contain education information, for example, but it talks 5. about unrelated things, it makes sense that the site is not valid.

Source Cards Nowthatyouhavefoundvalidwebsites,youneedtodocumentthesourcebycreatingaSourceCard.ThissourcecardwillcontaintheinformationyouwilluseforyourWorksCitedList.SeetheappendixforwhatasampleSourceCardshouldlooklike.

Refertothefollowingwebsite(PurdueOWL)forexamplesonhowtodocumentparticularsources- http://owl.english.purdue.edu/owl/search.php. Click on Research and Citation, 2009 MLA Guide.

Note Cards WhenyouhavefoundavalidsourceandcreatedaSourceCard,youarenowreadytotakenotesbyusing index cards to create Note Cards.

Note takingTherearethreenote-takingmethods:summary,paraphrase,anddirectquotation.

Summary:1. used to record the general idea of large amounts of information

Itisusedtorecordonlythegeneralideaoflongpassages(uptotwopages)inyourown•words.

The summary must be cited.•

Paraphrase:2. usedtotransfertheexactideaoftheoriginalpassagetoanotecard,usingyourownwords.Youareparaphrasingimproperlyifyou:

Retainthesentencepatternoftheoriginalandsimplychangethewordorder.•

Usemorethanthreewordsinsuccessionfromtheoriginalsource.•

Distort the meaning of the original passage.•

Donotrestatewordforword:ratherrestateideabyidea•

Yourparaphrasemustbecited.•

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HVA Style 12

3. Direct Quotation:AccordingtotheMLAHandbookforWritersofResearchPapers:“Quoteonlywords,phrases,lines,andpassagesthatareparticularlyinteresting,vivid,unusual,orapt,andkeepallquotationsasbriefaspossible”(56).

Encloseallquotationsinquotationmarks•

Alwayscopythequotationexactlyasitappearsintheoriginalsource.Copyspelling,internal•punctuation,andcapitalization,eveniftheoriginalcontainserrors.

Allquotationsmustbeintegrated.Neverdropaquotationintoasentenceorparagraphwith-•out a proper lead-in.

Forexample,donotwritethefollowing:

There has been a de-emphasis in the importance of grammar instruction in the modern classroom. “Many teachers seem to believe rules stifle spontaneity” (D’Angelo 54).

Writethefollowinginstead:

Because “many teachers seem to believe rules stifle spontaneity, “ there has been a de-emphasis in the importance of grammar instruction in the modern classroom (D’Angelo 54).

How to integrate quotes:

The“somebodysaid”lead-inisverycommon.Forexample:JaneM.Ageecomments,1. “Manystudentswhowouldnothaveattemptedcollegesevenyearsagoarenowcomingintostateuniversitythroughjuniorcolleges…”(10).

The“blended”lead-inprovidesmoreflexibility.Inthiskindoflead–in,someofthequoted2. materialisleftoutandwhatisretainedblendsrightinwiththesentence. Forexample:

Because“Manyteachersseemtobelieverulesstiflespontaneity,“therehasbeenade-emphasisintheimportanceofgrammarinstructioninthemodernclassroom(D’Angelo54).

The“sentencefollowedbyacolon”lead-inisanothereffectivetechnique.3.

Forexample: AgeeinsiststhatEnglishinstructiononthecollegelevelwillnotbeimproveduntileducatorsexaminerealisticallythesituation:“Publicschoolteachers,professorsofEnglishandEnglishEducation,students,andstateleadersneedtositdowntogetherandevaluatethecurrentrealitiesbeforeanyrealprogresscanbemade”(10).

Ifthequotationendswithaquestionmarkoranexclamationpoint,however,theoriginal4. punctuationisretained,andnocommaisrequired.

Forexample:

“Whatawonderfullittlealmanacyouare,Celia!”DorotheaBrookerespondstohersister(7).

Ifaquotationendswithbothsingleanddoublequotationmarks,thecommaorperiod5. precedes both. Forexample:

“’ThepoemalludestoStevens’s‘SundayMorning,’”notesMiller.

Examplesofwhatshouldbeincludedonanotecardisintheappendix.

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HVA Style 13

Sample Source Cards and Note Cards

Source Cards: Note Cards:

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HVA Style 14

How to Write:An Annotated Bibliography

An annotated bibliography includes some brief statement as to the value of the source for thepurposesofyourpaper.Theannotationneednotbeinsentenceform;however,itmustbeginwithacapitalletterandendwithaperiod.Notethespacingandindentationsintheannotationsbelow:

Annotated Bibliography

“History of Space Flight.” Collier’s Encyclopedia. 1995 ed. Excellent source as an overview of the topic; detailed but not technical.

Sullivan, Walter. America’s Race for the Moon: New York Times Story of Project Apollo. New York: Random House, 1982. Carefully researched chapters by several science authors; recaptures excitement of early space flights; good background.

A Works Cited Page

WhencreatingyourWorksCitedPage,rememberto: BegintheWorksCitedonanewpage,butnumberconsecutively(i.e.,ifthelast•pageofyouressayispage3,theWorksCitedispage4)

Alphabetizeeachentrybyfirstletter•

Underlinealltitlesofbooks,magazines,films,etc.•

Putquotationmarksaroundthetitlesofpoems,shortstories,andarticles•

Indentthe2ndline,the3rdline,andallsubsequentlinesofeachcitation•

Double-space all entries.•

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HVA Style 15

In-Text Citations

(Also Known As Internal Citations or Parenthetical Citations)Whenever material from a reference source is used—either quoted verbatim, discussed,or paraphrased—within the context of a paper, it must be referenced in order to avoidplagiarism.

Internal Citations

Youmustacknowledgeall informationgained fromoutside sourceswhenwritingapaper.Generallythreetypesofinformationmustbeacknowledgedtoavoidplagiarism:

1. direct quotation

2. paraphrase or summary

3. ideas of the source’s author

Thepurposeofinternalcitationsistodirectthereadertotheappropriateworkscitedentrywhichgivescompletecredittotheoriginalauthor.

Theworkscitedentryalsoprovidespublishinginformationsothereadercanfindtheoriginalsourceforfurtherexplorationasneeded.InModernLanguageAssociation(MLA)style,thefollowingguidelinesapply:

Usually,theinternalcitationconsistsoftheauthor’slastnamefollowedbyonespaceand•the page number of the material being referenced. For example, if the research paper is discussing material from page 117 of the book Global Warming: Myth or Reality?: The Erring Ways of ClimatologybyMarcelLeroux,,theinternalcitationwouldbe(LeRoux117)andwouldbeplacedbeforetheendingpunctuationofthesentence.

Ifthenameoftheauthororeditorisunknown,theinternalcitationshouldincludethefirst•uniqueworkinthetitleofthebookorarticle.Forexample,ifthereportisdiscussingmate-rialfromthearticle”AvoidingSelf-organizedExtinction:TowardaCo-evolutinaryEconom-icsofSustainability”thatcomesfrompage19,theinternalcitationwouldbe(“Avoiding”19).

If the source does not contain page numbers, the internal citation would consist of•onlytheauthor’slastnameorfirstuniquewordinthetitle,asinthefollowingexamples:(Leroux)or(“Avoiding”).

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HVA Style 16

Internal Citations and Quoting Worksheet

I. Internal Citations

a. Use to give _______________ to author or source you took information from

b. Avoiding ____________________

c. Must include for all researched information

II. Including Internal Citations

a. Author known

i. When you have an author and _________ _________, this will serve as your internal citation.

1. Human beings have been described as “symbol-using animals” (Burke 3).

2. In order to become a teacher, one must first receive a bachelor’s degree in his or her chosen major or subject area (Smith 7).

b. More than one work by the same author

i. If you cite more than one work by a particular author, include a ______________ title for the particular work.

ii. If the author’s name is not mentioned in the sentence, you would format your citation with the author’s ____________ name followed by a _________ comma, followed by a shortened ___________ of the work, followed, when appropriate, by page numbers

(Smith, Dentistry 37)

c. The period

i. The period for your sentences always goes _____________ the internal citation

d. No author known

i. When a ____________ has no known author, use a shortened title of the work instead of an author name. Place the title in ____________ _________ if it’s a short work, or italicize or underline it if it’s a longer work.

1. Citation: “Becoming a Teacher.” Teachersite.org. 2 Apr 2008. The Center For Teaching. Web. 18 Feb. 2009

2. Internal citation: (“Becoming”)

e. More than one source with the same title

i. Use additional __________________________ from title in citation

ii. Use _________________________ organization

iii. _________________________ just use “The” or “A”

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HVA Style 17

f. More than one source in a citation

i. To cite multiple sources in the same _________________ reference, separate the citations by a ___________________:

…as has been discussed elsewhere (Burke 3; Dewey 21).

III. Giving Credit

a. ______________________ ways

i. Wordsworth stated that Romantic poetry was marked by a “spontaneous overflow of powerful feelings” (263).

ii. Romantic poetry is characterized by the “spontaneous overflow of powerful feelings” (Wordsworth 263).

iii. Wordsworth extensively explored the role of emotion in the creative process (263).

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HVA Style 18

Works Cited Sample Entries

In the Spring of 2009, the MLA released its MLA Handbook for Writers of Research Papers (7th edition),whichupdatedthewaysourcesaredocumentedinEnglishpapers.Changesincludenolongerincludingtheurlforwebsourcesandincludingthemediumofpublicationwithincitations.Refertothefollowingforcorrectcitationformats.

Print SourcesBookLastname, Firstname. Title of Book(italicized).PlaceofPublication:Publisher,

YearofPublication.Mediumofpublication(Print).

Carré, John le. The Tailor of Panama. New York: Alfred A. Knopf, 1996. Print.

Book with more than one authorLastname,Firstname(firstauthor),Firstname,Lastnameofsecondandsubsequentauthors.

Title of Book(italicized).PlaceofPublication:Publisher,YearofPublication.Mediumofpublication(Print).

Gillespie, Paula, and Neal Lerner. The Allyn and Bacon Guide to Peer Tutoring. Boston: Allyn, 2000. Print.

Book with no authorTitle of Book(italicized).PlaceofPublication:Publisher,YearofPublication.Mediumofpublication(Print).

Encyclopedia of Indiana. New York: Somerset, 1993. Print.

Anthology or ColllectionLastname,Firstname(1steditor),Firstname,Lastnameifsecondandsubsequentauthors.

Title of Book(italicized).PlaceofPublication:Publisher,YearofPublication.Mediumofpublication(Print).

Hill, Charles A. and Marguerite Helmers, eds. Defining Visual Rhetorics. Mahwah, NJ: Lawrence Erlbaum Associates, 2004. Print.

A Work in an Anthology, Reference or CollectionBookpartsincludeanessayinaneditedcollectionoranthology,orachapterofabook.Thebasicformis:

Lastname,Firstname.“TitleofEssay.”Title of Collection (italicized).Ed.Editor’sName(s).PlaceofPublication:

Publisher,Year.Pages.Mediumofpublication(Print).

Harris, Muriel. “Talk to Me: Engaging Reluctant Writers.” A Tutor’s Guide: Helping Writers One to One. Ed. Ben Rafoth. Portsmouth, NH: Heinemann, 2000. 24-34. Print.

Article in a MagazineAuthor(s).“TitleofArticle.”Title of Periodical(italicized)DayMonthYear:pages.Mediumofpublication(Print).

Poniewozik, James. “TV Makes a Too-Close Call.” Time 20 Nov. 2000: 70-71. Print.

Scholarly Publication (Journal)Author(s).“TitleofArticle.”TitleofJournal(Italicized)Volume.Issue(Year):pages.Mediumofpublication(Print).

Aldrich, Frederick A. and Margueritte L. Marks. “Wyman Reed Green, American Biologist.” Bios 23.1 (1952): 26-35. Print.

Page 19: Hardin Valley Academy Style Manual

HVA Style 19

Electronic SourcesEntire WebsiteIfthewebsitedoesnotprovidepagination,usetheabbreviationn.pagfornopagination.

Name of Site(italicized).DateofPosting/Revision.Nameofinstitution/organizationaffiliatedwiththesite(some timesfoundincopyrightstatements)..MediumofPublication(Web).Dateyouaccessed

the site.

The Purdue OWL Family of Sites. 20 May 2009. The Writing Lab and OWL at Purdue and Purdue University. Web. 30 June 2009.

An Individual Page on a Web Site

Author(s)orAlias(ifknown).“TitleofArticle.”Name of Site(italicized).DateofPosting/Revision.Nameof

institution/organizationaffiliatedwiththesite.MediumofPublication(Web).Dateyouaccessedthesite.

Stolley, Karl. “MLA Formatting and Style Guide.” The OWL at Purdue. 10 May 2006. Purdue University

Writing Lab. Web. 12 May 2006.

Online Periodical

Author(s).“TitleofArticle.”Name of Site (Italicized).WebsitePublisher.MediumofPublication(Web).Dateyou accessed the site.

If no publisher is listed, use N.p. to denote no publisher name given.

Cohen, Elizabeth. “Five Ways to Avoid Germs While Traveling.” CNN.com. CNN, 27 Nov. 2008. Web. 28 Nov. 2008.

Online Database Scholarly Journal Article

Author(s).“TitleofArticle.”Database Name(Italicized)Volume.Issue(Year):pages.Mediumofpublication

(Web).Dateyouaccessedthesite.

Berger, James D. and Helmut J. Schmidt. “Regulation of Macronuclear DNA Content in Paramecium Tetraurelia.”

The Journal of Cell Biology 76.1 (1978): 116-126. JSTOR. Web. 20 Nov. 2008.

Online Database or Collection to which the HVA Media Center Subrscribes.

Author.“ArticleTitle.”Periodicaltitle(Italicized)Volume(Date):Pagenumbers.Nameofthedatabaseor

subscriptioncollection.Nameofthelibrarythroughwhichyouaccessedthecontent,TheLibrary’sity

andstate.Dateofaccess.MediumofPublication(Web).

Grabe, Mark. “Voluntary Use of Online Lecture Notes: Correlates of Note Use and Note Use as an Alternative to Class Attendance.”

Computers and Education 44 (2005): 409-21. ScienceDirect.HVA Media Center, Knoxville, TN. 28 May 2006. Web.

EntriesadaptedfromtheOwlatPurdueWebsite.http://owl.english.purdue.edu/owl/resource/557/15/.Forfurtherexamples,refertoyourEnglishTeacher’sinstructions

Page 20: Hardin Valley Academy Style Manual

HVA Style 20

Getnay 1

Ima Getnay

Mr. Hawk Ighes

English I, CP

5 October 2010

Harper Lee: The Mockingbird Flies On

Few authors have changed the landscape of American literature as dramatically and

boldly as Harper Lee did when she wrote To Kill a Mockingbird, a novel that continues to be read

and analyzed by high school and college students across the nation and beyond. Many American

adults remember the story of Scout and Boo Radley fondly and enjoy sharing the experience of

this book with their own children. Perhaps families enjoy the novel so much because family

is such an important theme in the novel. Lee’s personal background of growing up in the

American south is reflected in the setting, conflict, and symbolism in To Kill a Mockingbird.

Harper Lee was born in Monroeville, Alabama, on April 28, 1926, and, like the protagonist

Scout in To Kill a Mockingbird, Lee was the daughter of a lawyer (“Lee”). Lee’s background

in the American south gave her a sense of people, expressed by Scout, who said, “I think there’s

just one kind of folks. Folks” (Lee 67). Lee expressed this best when….

In addition to elements of setting and conflict, To Kill a Mockingbird contains many

examples of symbolism. For example, when Jem and Scout build a snowman out of dirt and

then cover it with snow, their actions symbolize that Jem is trying to show that people are, for

the most part, all the same (Smykowski).

Sample MLA Paper

Page 21: Hardin Valley Academy Style Manual

HVA Style 21

Getnay 7

Works Cited

Holman, Clarence, and William Harmon. A Handbook to Literature. Sixth Ed. New York:

Macmillan General Reference, 1992. Print.

“Lee, Harper.” Encyclopædia Britannica. Encyclopædia Britannica Online School Edition.

Encyclopædia Britannica, 2010. Web. 25 May 2010.

Lee, Harper. To Kill a Mockingbird. New York: Warner Books, 1982. Print.

Smykowski, Adam. “Symbolism and Racism in To Kill a Mockingbird.” Readings on “To Kill

a Mockingbird”. Ed. Terry O’Neill. San Diego, Calif.: Greenhaven Press, 2000. 52-56.

Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 194. Detroit: Gale,

2005. Literature Resource Center. Web. 25 May 2010.

Sample Works Cited Page

Page 22: Hardin Valley Academy Style Manual

HVA Style 22

Appendix

Page 23: Hardin Valley Academy Style Manual

HVA Style 23

Proofreading Checklist

Grammar and Usage•Arethereanysentencefragmentsorrun-ons?•Haveyouusedthecorrectformofeachpronoun?•Haveyouusedverbtensescorrectly?•Doallverbsagreewiththeirsubjects?•Arecompoundandcomplexsentenceswrittenandpunctuatedcorrectly?

Capitalization•Didyoucapitalizefirstwordsandallpropernounsandadjectives?•Aretitlescapitalizedcorrectly?

Punctuation•Doeseachsentencehavetheproperendmark?•Areendmarks,suchascolons,semicolons,apostrophes,hyphensandquotationmarksusedcorrectly?

Spelling•Didyoucheckallunfamiliarwordsinthedictionary?•Arepluralsandpossessiveformsspelledcorrectly?•Didyouuseaspell-checkprogram,ifavailable?

Form•Werecorrectionsmadeneatly?•Inyourfinalcopy,isthewritinglegible?•Haveyouusedtheproperheadingandmargins?•Didyoufollowallpointsofgoodmanuscriptform?(lightingstyle)

Proofreading Symbols

Page 24: Hardin Valley Academy Style Manual

HVA Style 24

Terminology

Thefollowingterminologywillhelpyouunderstandthedifferentaspectsofcitationwithintheresearchpaperandhowtoavoidplagiarism.

• Annotated Bibliography:Anannotatedbibliographyincludesasummaryand/orevaluationof each of the listed sources. Depending on the project or assignment, the annotations may dooneormoreofthefollowing:summarizethesource’sinformation,assesstheusefulnessorreliabilityoftheinformation,orreflectontheinformation’susewithintheessay.

• Bibliography:Abibliographyisalistofsources(books,journals,websites,periodicals,etc.)one has used for researching a topic.

• Citation: Whencitingasource,abriefnoteisincludedwithinthepaperindicatingthattheinformationcomes fromanoutside source. Directquotationsaswellasparaphrasesmustbecited.Theword“cite”(toquotesomethingasanexamplewithappropriateattributionorcreditgiven)isnottobeconfusedwith“site”(thepositionorlocationofsomething–i.e.buildingsiteorwebsite).

• Direct quote:Adirectquoteistakinginformationfromasourceandinsertingitintoanessayword-for-word.Putquotationmarksatthebeginningandendofthequote.

• Internal citation: An in-text citation provides information about the source in the text of the paper. In-textcitationsdirect your reader to theworkscitedorbibliographypage ifmoreinformation is needed. These citations contain a parenthetical reference at the end of the sentence.Usuallythesecitationsusetheauthor’slastnameandapagenumber.

• Paraphrase:Paraphrasingistakinginformationfromasourceandrewordingitintoyourownlanguage.Changingacoupleofwordsisnotthesameasparaphrasing.Paraphrasesrequirean in-text citation.

• Parenthetical reference: The parenthetical reference is part of the in-text citation. At the endof the sourcematerial,whether it is aparaphraseoradirectquote, there shouldbeparentheseswiththepagenumberofthesourcematerial.Often,thelastnameoftheauthorof the source is included in the parentheses.

• Plagiarism:Plagiarismistheuseofsomeoneelse’sworkwithoutgivingthatpersonthepropercredit or giving them no credit at all.

• Source:Asourceisthetextbeingutilizedforresearch;thiscouldbeabook,referencebook,magazine,newspaper,journal,website,onlinejournalarticle,etc.

• Works cited page:Theworkscitedpageshouldbethelastpageofthepaper,anditlistsidentifying information, such as the publication date and location, for each of the sources citedinthepaper.Thesourcesarelistedinalphabeticalorderbytheauthor’slastname.

Page 25: Hardin Valley Academy Style Manual

HVA Style 25

Hardin Valley Academy Library Media CenterOnline Resources and Databases

SeelibrariansMrs.AngelaRobertsandMrs.SuzanneShermanforpasswordstoaccess any of these resources from home.

Discovering CollectionUse this high-school level database to research many topics.

Gale E-Book CollectionUsethesearchboxtofindinformationonatopic,orchooseapublicationtobrowse.Whenbrowsingapublication,click"eTableofContents"toviewthebook's text.

Heritage Quest OnlineResourcesforgenealogy(tracingyourfamily'sheritage).

Learning Express LibraryClick here to access practice tests for the ACT, SAT, skills improvement, civil servicetests,vocationaltests,andmore.Youwillneedtocreateausernameandpasswordtousethisservice.

Newsbank Newspapers Online

Points of View Reference CenterReadopposingviewpointsonmanycurrentissues.

Tennessee Electronic Library (TEL)

HVA Library Media Center Staff

Mary Hampton, Administrative AssistantAngela Roberts, Library Media Specialist

Suzanne Sherman, Library Media Specialist

Page 26: Hardin Valley Academy Style Manual

HVA Style 26

©Northwest Regional Educational Laboratory 1

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Page 27: Hardin Valley Academy Style Manual

HVA Style 27

2/3/

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se

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ce fr

agm

ents

an

d ru

n-on

s tha

t si

gnifi

cant

ly h

inde

r co

mpr

ehen

sion

Con

vent

ions

: th

e ex

tent

to w

hich

the

writ

ing

exhi

bits

co

nven

tiona

lsp

ellin

g, p

unct

uatio

n,

para

grap

hing

, ca

pita

lizat

ion,

and

gr

amm

ar

de

mon

stra

te c

ontro

l of t

he

conv

entio

ns w

ith e

ssen

tially

no

err

ors,

even

with

so

phis

ticat

ed la

ngua

ge

de

mon

stra

te c

ontro

l of t

he

conv

entio

ns, e

xhib

iting

oc

casi

onal

err

ors o

nly

whe

n us

ing

soph

istic

ated

la

ngua

ge (e

.g.,

punc

tuat

ion

of c

ompl

ex se

nten

ces)

de

mon

stra

te p

artia

l co

ntro

l, ex

hibi

ting

occa

sion

al e

rror

s tha

t do

not h

inde

r com

preh

ensi

on

(e.g

., in

corr

ect u

se o

f ho

mon

yms)

de

mon

stra

te e

mer

ging

co

ntro

l, ex

hibi

ting

freq

uent

er

rors

that

som

ewha

t hin

der

com

preh

ensi

on (e

.g.,

agre

emen

t of p

rono

uns a

nd

ante

cede

nts;

spel

ling

of

basi

c w

ords

)

de

mon

stra

te la

ck o

f co

ntro

l, ex

hibi

ting

freq

uent

err

ors t

hat m

ake

com

preh

ensi

on d

iffic

ult

(e.g

., su

bjec

t ver

b ag

reem

ent;

use

of sl

ang)

ill

egib

le o

r un

reco

gniz

able

as

liter

ate

Engl

ish

EN

GL

ISH

LA

NG

UA

GE

AR

TS

EX

POSI

TO

RY

WR

ITIN

G R

UB

RIC

Page 28: Hardin Valley Academy Style Manual

HVA Style 28

2/3/

03

SKIL

L

AR

EA

6

Res

pons

es a

t thi

s le

vel:

5R

espo

nses

at t

his

leve

l: 4

Res

pons

es a

t thi

s le

vel:

3R

espo

nses

at t

his

leve

l: 2

Res

pons

es a

t thi

s le

vel:

1R

espo

nses

at t

his

leve

l: M

eani

ng: t

he e

xten

t to

whi

ch th

e w

ritin

g ex

hibi

ts s

ound

un

ders

tand

ing,

an

alys

is, a

nd

expl

anat

ion,

of t

he

writ

ing

task

and

te

xt(s

)

� co

nvey

an

accu

rate

and

in-

dept

h un

ders

tand

ing

of th

e to

pic,

aud

ienc

e, a

nd p

urpo

se

for t

he w

ritin

g ta

sk

� of

fer i

nsig

htfu

l and

thor

ough

an

alys

is a

nd e

xpla

natio

n in

su

ppor

t of t

he a

rgum

ent o

r po

sitio

n

� co

nvey

an

accu

rate

and

co

mpl

ete

unde

rsta

ndin

g of

th

e to

pic,

aud

ienc

e, a

nd

purp

ose

for t

he w

ritin

g ta

sk

� of

fer c

lear

and

exp

licit

anal

ysis

and

exp

lana

tion

in

supp

ort o

f the

arg

umen

t or

posi

tion

� co

nvey

an

accu

rate

al

thou

gh s

omew

hat b

asic

un

ders

tand

ing

of th

e to

pic,

au

dien

ce, a

nd p

urpo

se fo

r th

e w

ritin

g ta

sk

� of

fer p

artia

l ana

lysi

s an

d ex

plan

atio

n in

sup

port

of

the

argu

men

t or p

ositi

on

� co

nvey

a p

artly

acc

urat

e un

ders

tand

ing

of th

e to

pic,

au

dien

ce, a

nd p

urpo

se o

f th

e w

ritin

g ta

sk

� of

fer l

imite

d an

alys

is o

r su

perf

icia

l exp

lana

tion

that

on

ly p

artia

lly s

uppo

rt th

e ar

gum

ent o

r pos

ition

� co

nvey

a c

onfu

sed

or

larg

ely

inac

cura

te

unde

rsta

ndin

g of

the

topi

c,

audi

ence

, and

pur

pose

for

the

writ

ing

task

offe

r unc

lear

ana

lysi

s or

un

war

rant

ed e

xpla

natio

ns

that

fail

to s

uppo

rt th

e ar

gum

ent o

r pos

ition

� pr

ovid

e no

evi

denc

e of

und

erst

andi

ng th

e w

ritin

g ta

sk o

r top

ic

� m

ake

inco

here

nt

expl

anat

ions

that

do

not s

uppo

rt th

e ar

gum

ent o

r pos

ition

Dev

elop

men

t:th

e ex

tent

to w

hich

idea

s ar

e el

abor

ated

usi

ng

spec

ific

and

rele

vant

de

tails

and

/or

evid

ence

to s

uppo

rt th

e th

esis

� su

ppor

t the

pos

ition

cle

arly

an

d fu

lly w

ith a

rgum

ents

that

ef

fect

ivel

y in

tegr

ate

and

elab

orat

e on

spe

cific

idea

s an

d te

xtua

l evi

denc

e fr

om a

va

riety

of s

ourc

es

� ef

fect

ivel

y an

ticip

ate

and

conv

inci

ngly

refu

te o

ppos

ing

view

poi

nts

� su

ppor

t the

pos

ition

cl

early

and

con

sist

ently

w

ith a

rgum

ents

that

in

corp

orat

e an

d ex

plai

n id

eas

and

spec

ific

text

ual

evid

ence

from

a v

arie

ty o

f so

urce

s�

antic

ipat

e an

d so

mew

hat

conv

inci

ngly

refu

te

oppo

sing

vie

wpo

ints

� su

ppor

t the

pos

ition

with

ar

gum

ents

that

use

idea

s an

d re

leva

nt te

xtua

l ev

iden

ce fr

om a

var

iety

of

sour

ces

� an

ticip

ate

and

atte

mpt

to

refu

te o

ppos

ing

view

poin

ts a

t a b

asic

leve

l

� su

ppor

t the

pos

ition

pa

rtial

ly, u

sing

som

e id

eas

and

text

ual e

vide

nce

but

with

out m

uch

elab

orat

ion

or fr

om li

mite

d so

urce

s

� pa

rtial

ly a

ntic

ipat

e an

d w

ith a

lim

ited

or c

onfu

sed

atte

mpt

to re

fute

opp

osin

g vi

ewpo

ints

but

� at

tem

pt to

sup

port

the

posi

tion,

but

text

ual i

deas

an

d ev

iden

ce is

vag

ue,

repe

titiv

e, o

r unj

ustif

ied

allu

de to

opp

osin

g vi

ewpo

ints

but

mak

e no

at

tem

pt to

refu

te th

em

� co

mpl

etel

y la

ck

deve

lopm

ent a

nd d

o no

t inc

lude

text

ual

evid

ence

mak

e no

atte

mpt

to

antic

ipat

e or

refu

te

oppo

sing

vie

wpo

ints

Org

aniz

atio

n: th

e ex

tent

to w

hich

the

writ

ing

esta

blis

hes

a cl

ear t

hesi

s an

d m

aint

ains

dire

ctio

n,

focu

s, a

nd c

oher

ence

� sk

illfu

lly e

stab

lish

and

mai

ntai

n co

nsis

tent

focu

s on

a

clea

r and

com

pelli

ng th

esis

exhi

bit l

ogic

al a

nd c

oher

ent

stru

ctur

e w

ith c

laim

s,

evid

ence

and

inte

rpre

tatio

ns

that

con

vinc

ingl

y su

ppor

t the

th

esis

� m

ake

skill

ful u

se o

f tra

nsiti

on w

ords

and

phr

ases

� ef

fect

ivel

y es

tabl

ish

and

mai

ntai

n co

nsis

tent

focu

s on

a c

lear

thes

is

� ex

hibi

t a lo

gica

l seq

uenc

e of

cla

ims,

evi

denc

e, a

nd

inte

rpre

tatio

ns to

sup

port

the

thes

is

� m

ake

effe

ctiv

e us

e of

tra

nsiti

on w

ords

and

ph

rase

s

� es

tabl

ish

and

mai

ntai

n fo

cus

on a

cle

ar th

esis

exhi

bit a

logi

cal

sequ

ence

of c

laim

s,

evid

ence

, and

in

terp

reta

tions

but

idea

s w

ithin

par

agra

phs

may

be

inco

nsis

tent

ly o

rgan

ized

mak

e so

me

atte

mpt

to

use

basi

c tra

nsiti

on w

ords

an

d ph

rase

s

� es

tabl

ish

but f

ail t

o co

nsis

tent

ly m

aint

ain

focu

s on

a b

asic

thes

is

� ex

hibi

t a b

asic

stru

ctur

e bu

t lac

k th

e co

here

nce

of

cons

iste

nt c

laim

s, e

vide

nce,

an

d in

terp

reta

tions

mak

e an

inco

nsis

tent

at

tem

pt to

use

som

e ba

sic

trans

ition

wor

ds o

r phr

ases

� es

tabl

ish

a co

nfus

ed o

r irr

elev

ant t

hesi

s an

d fa

il to

m

aint

ain

focu

s �

exhi

bit a

n at

tem

pt to

or

gani

ze id

eas

into

a

begi

nnin

g, m

iddl

e, a

nd

end,

but

lack

coh

eren

ce

� m

ake

little

atte

mpt

to

use

trans

ition

wor

ds a

nd

phra

ses

� fa

il to

incl

ude

a th

esis

or m

aint

ain

focu

s�

com

plet

e la

ck o

f or

gani

zatio

n an

d co

here

nce

� m

ake

no a

ttem

pt to

us

e tra

nsiti

on w

ords

or

phra

ses

Lan

guag

e: t

he

exte

nt to

whi

ch th

e w

ritin

g re

veal

s an

aw

aren

ess

of

audi

ence

and

pur

pose

th

roug

h w

ord

choi

ce

and

sent

ence

var

iety

� ar

e st

ylis

tical

ly

soph

istic

ated

, usi

ng la

ngua

ge

that

is p

reci

se a

nd e

ngag

ing,

w

ith a

not

able

sen

se o

f voi

ce

and

awar

enes

s of

aud

ienc

e an

d pu

rpos

e �

effe

ctiv

ely

inco

rpor

ate

a ra

nge

of v

arie

d se

nten

ce

patte

rns

to re

veal

syn

tact

ic

fluen

cy

� us

e la

ngua

ge th

at is

flue

nt

and

orig

inal

, with

evi

dent

aw

aren

ess

of a

udie

nce

and

purp

ose

� in

corp

orat

e va

ried

sent

ence

pat

tern

s th

at re

veal

an

aw

aren

ess

of d

iffer

ent

synt

actic

stru

ctur

es

� us

e ap

prop

riate

la

ngua

ge, w

ith s

ome

awar

enes

s of

aud

ienc

e an

d pu

rpos

e�

mak

e so

me

atte

mpt

to

incl

ude

diff

eren

t sen

tenc

e pa

ttern

s bu

t with

aw

kwar

d or

une

ven

succ

ess

� re

ly o

n ba

sic

voca

bula

ry,

with

littl

e aw

aren

ess

of

audi

ence

or p

urpo

se

� re

veal

a li

mite

d aw

aren

ess

of h

ow to

var

y se

nten

ce

patte

rns

and

rely

on

a lim

ited

rang

e sy

ntac

tic

stru

ctur

es

� us

e la

ngua

ge th

at is

im

prec

ise

or u

nsui

tabl

e fo

r th

e au

dien

ce o

r pur

pose

reve

al a

con

fuse

d un

ders

tand

ing

of h

ow to

w

rite

in c

ompl

ete

sent

ence

s an

d lit

tle o

r no

abili

ty to

var

y se

nten

ce

patte

rns

� us

e la

ngua

ge th

at is

in

cohe

rent

or

inap

prop

riate

� in

clud

e a

prep

onde

ranc

e of

se

nten

ce fr

agm

ents

an

d ru

n-on

s th

at

sign

ifica

ntly

hin

der

com

preh

ensi

on

Con

vent

ions

: th

e ex

tent

to w

hich

the

writ

ing

exhi

bits

co

nven

tiona

lsp

ellin

g, p

unct

uatio

n,

para

grap

hing

, ca

pita

lizat

ion,

and

gr

amm

ar

� de

mon

stra

te c

ontro

l of t

he

conv

entio

ns w

ith e

ssen

tially

no

err

ors,

eve

n w

ith

soph

istic

ated

lang

uage

� de

mon

stra

te c

ontro

l of t

he

conv

entio

ns, e

xhib

iting

oc

casi

onal

err

ors

only

whe

n us

ing

soph

istic

ated

la

ngua

ge (e

.g.,

punc

tuat

ion

of c

ompl

ex s

ente

nces

)

� de

mon

stra

te p

artia

l co

ntro

l, ex

hibi

ting

occa

sion

al e

rror

s th

at d

o no

t hin

der c

ompr

ehen

sion

(e

.g.,

inco

rrec

t use

of

hom

onym

s)

� de

mon

stra

te e

mer

ging

co

ntro

l, ex

hibi

ting

freq

uent

er

rors

that

som

ewha

t hin

der

com

preh

ensi

on (e

.g.,

agre

emen

t of p

rono

uns

and

ante

cede

nts;

spe

lling

of

basi

c w

ords

)

� de

mon

stra

te la

ck o

f co

ntro

l, ex

hibi

ting

freq

uent

err

ors

that

mak

e co

mpr

ehen

sion

diff

icul

t (e

.g.,

subj

ect v

erb

agre

emen

t; us

e of

sla

ng)

� ill

egib

le o

r un

reco

gniz

able

as

liter

ate

Engl

ish

EN

GL

ISH

LA

NG

UA

GE

AR

TS

PER

SUA

SIV

E W

RIT

ING

RU

BR

IC

Page 29: Hardin Valley Academy Style Manual

HVA Style 29

2/3/

03

SKIL

L

AR

EA

6

Res

pons

es a

t thi

s lev

el:

5R

espo

nses

at t

his l

evel

: 4

Res

pons

es a

t thi

s lev

el:

3R

espo

nses

at t

his l

evel

: 2

Res

pons

es a

t thi

s lev

el:

1R

espo

nses

at t

his l

evel

: M

eani

ng: t

he e

xten

t to

whi

ch th

e w

ritin

g ex

hibi

ts so

und

unde

rsta

ndin

g,

inte

rpre

tatio

n, a

nd/o

r an

alys

is o

f the

writ

ing

task

and

text

(s)

co

nvey

an

accu

rate

and

in-

dept

h un

ders

tand

ing

of th

e to

pic,

aud

ienc

e, a

nd p

urpo

se

for t

he w

ritin

g ta

sk

of

fer i

nsig

htfu

l in

terp

reta

tions

of t

he te

xt(s

) w

ith a

naly

sis t

hat g

oes w

ell

beyo

nd a

lite

ral l

evel

co

nvey

an

accu

rate

and

co

mpl

ete

unde

rsta

ndin

g of

th

e to

pic,

aud

ienc

e, a

nd

purp

ose

for t

he w

ritin

g ta

sk

of

fer c

lear

and

exp

licit

inte

rpre

tatio

ns o

f the

text

(s)

with

ana

lysi

s tha

t goe

s be

yond

a li

tera

l lev

el

co

nvey

an

accu

rate

al

thou

gh so

mew

hat b

asic

un

ders

tand

ing

of th

e to

pic,

au

dien

ce, a

nd p

urpo

se fo

r th

e w

ritin

g ta

sk

of

fer p

artia

lly e

xpla

ined

an

d/or

som

ewha

t lite

ral

inte

rpre

tatio

ns o

f the

te

xt(s

) with

som

e an

alys

is

co

nvey

a p

artly

acc

urat

e un

ders

tand

ing

of th

e to

pic,

au

dien

ce, a

nd p

urpo

se o

f th

e w

ritin

g ta

sk

of

fer f

ew o

r sup

erfic

ial

inte

rpre

tatio

ns o

f the

text

(s)

with

a te

nden

cy to

rete

ll in

stea

d of

ana

lyze

co

nvey

a c

onfu

sed

or

larg

ely

inac

cura

te

unde

rsta

ndin

g of

the

topi

c, a

udie

nce,

and

pu

rpos

e fo

r the

writ

ing

task

offe

r unc

lear

in

terp

reta

tions

of t

he

text

(s) a

nd n

o at

tem

pt to

an

alyz

e

pr

ovid

e no

ev

iden

ce o

f un

ders

tand

ing

the

writ

ing

task

or t

opic

mak

e no

in

terp

reta

tions

of t

he

text

(s)

Dev

elop

men

t:th

e ex

tent

to w

hich

idea

s ar

e el

abor

ated

usi

ng

spec

ific

and

rele

vant

de

tails

and

/or e

vide

nce

to su

ppor

t the

thes

is

de

velo

p id

eas c

lear

ly a

nd

fully

, eff

ectiv

ely

inte

grat

ing

and

elab

orat

ing

on sp

ecifi

c te

xtua

l evi

denc

e

re

veal

a th

orou

gh a

nd

insi

ghtfu

l und

erst

andi

ng o

f th

e au

thor

’s u

se o

f lite

rary

el

emen

ts a

nd te

chni

ques

de

velo

p id

eas c

lear

ly a

nd

cons

iste

ntly

, inc

orpo

ratin

g an

d ex

plai

ning

spec

ific

text

ual e

vide

nce

re

veal

an

unde

rsta

ndin

g

of th

e au

thor

’s u

se o

f lit

erar

y el

emen

ts a

nd

tech

niqu

es

de

velo

p so

me

idea

s m

ore

fully

than

oth

ers,

usin

g re

leva

nt te

xtua

l ev

iden

ce

re

veal

an

impl

icit

unde

rsta

ndin

g of

the

auth

or’s

use

of l

itera

ry

elem

ents

and

tech

niqu

es

de

velo

p id

eas b

riefly

or

parti

ally

, usi

ng so

me

text

ual e

vide

nce

but

with

out m

uch

elab

orat

ion

re

veal

a v

ague

or l

imite

d un

ders

tand

ing

of th

e au

thor

’s u

se o

f lite

rary

el

emen

ts a

nd te

chni

ques

at

tem

pt to

off

er so

me

deve

lopm

ent o

f ide

as,

but t

extu

al e

vide

nce

is

vagu

e, ir

rele

vant

, re

petit

ive,

or u

njus

tifie

d

reve

al a

con

fuse

d

unde

rsta

ndin

g of

the

auth

or’s

use

of l

itera

ry

elem

ents

and

tech

niqu

es

co

mpl

etel

y la

ck

deve

lopm

ent a

nd d

o no

t inc

lude

text

ual

evid

ence

reve

al n

o aw

aren

ess

or u

nder

stan

ding

of

the

auth

or’s

use

of

liter

ary

elem

ents

and

te

chni

ques

O

rgan

izat

ion:

the

exte

nt to

whi

ch th

e w

ritin

g es

tabl

ishe

s a

clea

r the

sis a

nd

mai

ntai

ns d

irect

ion,

fo

cus,

and

cohe

renc

e

sk

illfu

lly e

stab

lish

and

mai

ntai

n co

nsis

tent

focu

s on

a cl

ear a

nd c

ompe

lling

thes

is

ex

hibi

t log

ical

and

co

here

nt st

ruct

ure

with

cl

aim

s, ev

iden

ce a

nd

inte

rpre

tatio

ns th

at

conv

inci

ngly

supp

ort t

he

thes

is

mak

e sk

illfu

l use

of

trans

ition

wor

ds a

nd p

hras

es

ef

fect

ivel

y es

tabl

ish

and

mai

ntai

n co

nsis

tent

focu

s on

a c

lear

thes

is

ex

hibi

t a lo

gica

l seq

uenc

e of

cla

ims,

evid

ence

, and

in

terp

reta

tions

to su

ppor

t th

e th

esis

and

eff

ectiv

ely

used

tran

sitio

ns

m

ake

effe

ctiv

e us

e of

tra

nsiti

on w

ords

and

ph

rase

s

es

tabl

ish

and

mai

ntai

n fo

cus o

n a

clea

r the

sis

ex

hibi

t a lo

gica

l se

quen

ce o

f cla

ims,

evid

ence

, and

in

terp

reta

tions

but

idea

s w

ithin

par

agra

phs m

ay b

e in

cons

iste

ntly

org

aniz

ed

m

ake

som

e at

tem

pt to

us

e ba

sic

trans

ition

wor

ds

and

phra

ses

es

tabl

ish

but f

ail t

o co

nsis

tent

ly m

aint

ain

focu

s on

a b

asic

thes

is

ex

hibi

t a b

asic

stru

ctur

e bu

t lac

k th

e co

here

nce

of

cons

iste

nt c

laim

s, ev

iden

ce,

and

inte

rpre

tatio

ns

m

ake

an in

cons

iste

nt

atte

mpt

to u

se so

me

basi

c tra

nsiti

on w

ords

or p

hras

es

es

tabl

ish

a co

nfus

ed o

r irr

elev

ant t

hesi

s and

fail

to m

aint

ain

focu

s

exhi

bit a

n at

tem

pt to

or

gani

ze id

eas i

nto

a be

ginn

ing,

mid

dle,

and

en

d, b

ut la

ck c

oher

ence

mak

e lit

tle a

ttem

pt to

us

e tra

nsiti

on w

ords

and

ph

rase

s

fa

il to

incl

ude

a th

esis

or m

aint

ain

focu

s

com

plet

e la

ck o

f or

gani

zatio

n an

d co

here

nce

m

ake

no a

ttem

pt to

us

e tra

nsiti

on w

ords

or

phr

ases

Lan

guag

e: t

he e

xten

t to

whi

ch th

e w

ritin

g re

veal

s an

awar

enes

s of

aud

ienc

e an

d pu

rpos

e th

roug

h w

ord

choi

ce a

nd se

nten

ce

varie

ty

ar

e st

ylis

tical

ly

soph

istic

ated

, usi

ng la

ngua

ge

that

is p

reci

se a

nd e

ngag

ing,

w

ith n

otab

le se

nse

of v

oice

an

d aw

aren

ess o

f aud

ienc

e an

d pu

rpos

e

effe

ctiv

ely

inco

rpor

ate

a ra

nge

of v

arie

d se

nten

ce

patte

rns t

o re

veal

synt

actic

flu

ency

us

e la

ngua

ge th

at is

flue

nt

and

orig

inal

, with

evi

dent

aw

aren

ess o

f aud

ienc

e an

d pu

rpos

e

inco

rpor

ate

varie

d se

nten

ce p

atte

rns t

hat r

evea

l an

aw

aren

ess o

f diff

eren

t sy

ntac

tic st

ruct

ures

us

e ap

prop

riate

la

ngua

ge, w

ith so

me

awar

enes

s of a

udie

nce

and

purp

ose

m

ake

som

e at

tem

pt to

in

clud

e di

ffer

ent s

ente

nce

patte

rns b

ut w

ith a

wkw

ard

or u

neve

n su

cces

s

re

ly o

n ba

sic

voca

bula

ry,

with

littl

e aw

aren

ess o

f au

dien

ce o

r pur

pose

reve

al a

lim

ited

awar

enes

s of

how

to v

ary

sent

ence

pa

ttern

s and

rely

on

a lim

ited

rang

e sy

ntac

tic

stru

ctur

es

us

e la

ngua

ge th

at is

im

prec

ise

or u

nsui

tabl

e fo

r the

aud

ienc

e or

pu

rpos

e

reve

al a

con

fuse

d un

ders

tand

ing

of h

ow to

w

rite

in c

ompl

ete

sent

ence

s and

littl

e or

no

abili

ty to

var

y se

nten

ce

patte

rns

us

e la

ngua

ge th

at is

in

cohe

rent

or

inap

prop

riate

in

clud

e a

prep

onde

ranc

e of

se

nten

ce fr

agm

ents

an

d ru

n-on

s tha

t si

gnifi

cant

ly h

inde

r co

mpr

ehen

sion

Con

vent

ions

: th

e ex

tent

to w

hich

the

writ

ing

exhi

bits

co

nven

tiona

l spe

lling

, pu

nctu

atio

n,pa

ragr

aphi

ng,

capi

taliz

atio

n, a

nd

gram

mar

de

mon

stra

te c

ontro

l of t

he

conv

entio

ns w

ith e

ssen

tially

no

err

ors,

even

with

so

phis

ticat

ed la

ngua

ge

de

mon

stra

te c

ontro

l of t

he

conv

entio

ns, e

xhib

iting

oc

casi

onal

err

ors o

nly

whe

n us

ing

soph

istic

ated

la

ngua

ge (e

.g.,

punc

tuat

ion

of c

ompl

ex se

nten

ces)

de

mon

stra

te p

artia

l co

ntro

l, ex

hibi

ting

occa

sion

al e

rror

s tha

t do

not h

inde

r com

preh

ensi

on

(e.g

., in

corr

ect u

se o

f ho

mon

yms)

de

mon

stra

te e

mer

ging

co

ntro

l, ex

hibi

ting

freq

uent

er

rors

that

som

ewha

t hin

der

com

preh

ensi

on (e

.g.,

agre

emen

t of p

rono

uns a

nd

ante

cede

nts;

spel

ling

of

basi

c w

ords

)

de

mon

stra

te la

ck o

f co

ntro

l, ex

hibi

ting

freq

uent

err

ors t

hat m

ake

com

preh

ensi

on d

iffic

ult

(e.g

., su

bjec

t ver

b ag

reem

ent;

use

of sl

ang)

ill

egib

le o

r un

reco

gniz

able

as

liter

ate

Engl

ish

EN

GL

ISH

LA

NG

UA

GE

AR

TS

LIT

ER

AR

Y A

NA

LY

SIS

WR

ITIN

G R

UB

RIC

Page 30: Hardin Valley Academy Style Manual

HVA Style 30

SPE

EC

H R

UB

RIC

SKIL

LS

LE

VE

L 4

L

EV

EL

3

LE

VE

L 2

L

EV

EL

1

Topi

c

App

ropr

iate

ly fo

cuse

d to

pic

with

a

clea

rly c

omm

unic

ated

un

ders

tand

ing

of th

e pu

rpos

e fo

r th

e sp

eech

Focu

sed

topi

c w

ith p

artia

lly

dem

onst

rate

d un

ders

tand

ing

of

the

purp

ose

for t

he sp

eech

Som

ewha

t foc

used

topi

c or

a

vagu

e se

nse

of th

e pu

rpos

e fo

r th

e sp

eech

, whi

ch re

quire

the

audi

ence

to m

ake

assu

mpt

ions

A la

ck o

f foc

us o

r con

fuse

d pu

rpos

e, w

hich

resu

lt in

co

nfus

ion

on th

e pa

rt of

the

audi

ence

Rese

arch

Anal

ysis

Cle

ar a

nd c

onvi

ncin

g co

mm

and

of fa

cts a

nd in

form

atio

n w

ith

insi

ghtfu

l exp

lana

tions

that

hel

p to

illu

stra

te th

e sp

eake

r’s i

deas

an

d ar

gum

ents

Cle

ar u

se o

f fac

ts a

nd in

form

atio

n w

ith p

artia

lly d

evel

oped

ex

plan

atio

ns in

supp

ort o

f the

sp

eake

r’s i

deas

or a

rgum

ents

Parti

ally

cle

ar u

se o

f fac

ts a

nd

info

rmat

ion

with

lim

ited

or

inco

mpl

ete

expl

anat

ions

to

supp

ort t

he sp

eake

r’s i

deas

or

argu

men

ts

Con

fusi

ng o

r inc

ompl

ete

fact

s w

ith li

ttle

and/

or c

onfu

sing

ex

plan

atio

ns a

s to

how

the

fact

s su

ppor

t the

spea

kers

idea

s or

argu

men

ts

Org

aniz

atio

n

Cle

arly

and

logi

cally

org

aniz

ed

spee

ch w

ith a

n en

gagi

ng

intro

duct

ion,

a lo

gica

lly

sequ

ence

d bo

dy w

ith a

ppro

pria

te

trans

ition

s, an

d a

clea

r and

co

nvin

cing

con

clus

ion

Cle

ar a

ttem

pt a

t org

aniz

atio

n w

ith a

beg

inni

ng, m

iddl

e, a

nd e

nd

and

an a

ttem

pt to

use

tran

sitio

ns

Som

e in

cons

iste

ncie

s in

orga

niza

tion

and/

or a

lack

of

sust

aine

d fo

cus t

hrou

ghou

t the

sp

eech

with

inco

nsis

tent

ly u

se

trans

ition

s

A la

ck o

f org

aniz

atio

n m

akes

it

diff

icul

t to

follo

w th

e sp

eake

r’s

idea

s; sp

eech

may

be

too

conv

ersa

tiona

l and

may

ram

ble

with

out a

cle

ar b

egin

ning

, m

iddl

e, o

r end

Lang

uage

Use

s sop

hist

icat

ed a

nd v

arie

d la

ngua

ge th

at is

suite

d to

the

topi

c an

d au

dien

ce; w

ord

choi

ce

is c

onci

se, o

rigin

al, a

nd

effe

ctiv

ely

conv

eys t

he

appr

opria

te to

ne g

iven

the

purp

ose

of th

e sp

eech

Use

s app

ropr

iate

lang

uage

and

w

ord

choi

ce, b

ut w

ith le

ss

soph

istic

atio

n, e

xpre

ssiv

enes

s an

d/or

orig

inal

ity

Use

wor

ds th

at m

ay b

e un

suite

d to

the

topi

c, a

udie

nce

or p

urpo

se

of th

e sp

eech

; wor

d ch

oice

lack

s or

igin

ality

and

fails

to c

onve

y an

ap

prop

riate

tone

for t

he sp

eech

Inap

prop

riate

use

of l

angu

age

dist

ract

s the

aud

ienc

e be

caus

e it

is to

o in

form

al o

r too

impr

ecis

e gi

ven

the

topi

c an

d pu

rpos

e of

the

spee

ch

Styl

istic

Dev

ices

Skill

ful u

se o

f var

ious

styl

istic

de

vice

s (e.

g., r

epet

ition

, pa

ralle

lism

, ane

cdot

es, a

nalo

gies

, fig

urat

ive

lang

uage

, diff

eren

t ty

pes o

f app

eals

) gre

atly

enh

ance

th

e ef

fect

iven

ess o

f the

spee

ch

Effe

ctiv

e us

e of

at l

east

one

st

ylis

tic d

evic

e (e

.g.,

repe

titio

n,

para

llelis

m, a

necd

otes

, ana

logi

es,

figur

ativ

e la

ngua

ge, d

iffer

ent

type

s of a

ppea

ls) e

nhan

ces t

he

effe

ctiv

enes

s of t

he sp

eech

An

atte

mpt

to u

se a

t lea

st o

ne

styl

istic

dev

ice

(e.g

., re

petit

ion,

pa

ralle

lism

, ane

cdot

es, a

nalo

gies

, fig

urat

ive

lang

uage

, diff

eren

t ty

pes o

f app

eals

) but

it d

oes n

ot

enha

nce

the

effe

ctiv

enes

s of t

he

spee

ch

No

atte

mpt

to u

se st

ylis

tic

devi

ces t

o en

hanc

e th

e m

eani

ng

of th

e sp

eech

Del

iver

y

A c

ombi

natio

n of

app

ropr

iate

and

ef

fect

ive

eye

cont

act,

clar

ity a

nd

proj

ectio

n of

voi

ce, t

one

and

pace

, and

ges

ture

s sig

nific

antly

en

hanc

e th

e sp

eake

r’s w

ords

A c

ombi

natio

n of

app

ropr

iate

eye

co

ntac

t, cl

arity

and

pro

ject

ion

of

voic

e, to

ne a

nd p

ace,

and

ges

ture

s ar

e us

ed b

ut w

ithou

t the

sm

ooth

ness

of l

evel

four

Inco

nsis

tent

use

of e

ye c

onta

ct,

clar

ity a

nd p

roje

ctio

n of

voi

ce,

tone

and

pac

e, a

nd/o

r ges

ture

s in

terr

upt t

he fl

ow o

f the

spee

ch

Lack

of e

ye c

onta

ct, c

larit

y an

d pr

ojec

tion

of v

oice

, ton

e an

d pa

ce, a

nd/o

r app

ropr

iate

ges

ture

s m

ake

the

spee

ch d

iffic

ult t

o fo

llow

Ove

rall

Effe

ctiv

enes

s

Spea

ker r

emai

ns e

nthu

sias

tic,

audi

ence

atte

ntio

n is

mai

ntai

ned,

an

d th

e pu

rpos

e of

the

spee

ch is

ac

hiev

ed

Spea

ker s

how

s som

e en

thus

iasm

, th

e au

dien

ce re

mai

ns m

ostly

in

tere

sted

, and

the

purp

ose

of th

e sp

eech

is a

chie

ved

Spea

ker s

how

s lim

ited

enth

usia

sm, a

udie

nce

inte

rest

is

not s

usta

ined

, and

the

purp

ose

of

the

spee

ch is

onl

y pa

rtial

ly

achi

eved

Spea

ker l

acks

ent

husi

asm

, the

au

dien

ce sh

ows a

lack

of i

nter

est,

and

the

purp

ose

of th

e sp

eech

is

not a

chie

ved

Page 31: Hardin Valley Academy Style Manual

HVA Style 31

* Format by Mrs. Sarah Price. See your Biology teacher for more details and further directions.

BIOLOGY LABORATORY REPORTS

In college, lab report requirements vary greatly. Some are quite rigorous and require that a review of the pertinent scientific literature be included in the introduction. Since we are greatly limited by time in this course, our write-ups will be brief and somewhat less rigorous than ones that you may do in college. Lab reports should be written in ink in your lab notebook.

Please use the following format and numbering sequence when writing up your lab:

I. TITLE: This should indicate what the lab was all about. Be brief, but indicate the nature of the investigation. What was the question being investigated?

II. PURPOSE AND HYPOTHESIS (if suitable)

In this section, you will discuss what is known about the topic and what you might expect to learn. For instance, for a lab on diffusion, you would discuss the principles of diffusion. State your hypothesis in an “If…then” format if one is appropriate for the lab investigation.

III. MATERIALS & METHODS: What materials and equipment were used? How were they used?

IV. PROCEDURE: Describe how the procedure will allow you to confirm or reject the hypothesis. What procedures were followed? This is not expected to be an account including minute details, but should be a general overview of what was done. For “experimental” labs, be sure to describe how the experiment was controlled. It is a good idea to include a diagram displaying how equipment was used. This section should be written impersonally in the past tense-not, “We made a cross section of the plant, and ...”, but rather, “A cross section of the plant was made, and ...”. Please leave out the personal pronouns.

IV. RESULTS/DATA/OBSERVATIONS: This part of the report will display in tabular form the data that you collected. It should be neatly and clearly presented. If the lab is “observational” in nature, you would include diagrams and/or descriptions of structures, chemical reactions, behaviors, etc. Put only the data that you, or your lab group, or the class collected, not what you think that you should have seen. Use graph paper to graphically display your data wherever appropriate. You should present both your lab group’s data and the class data. This is the only part of your lab write-up that will be shared with your partner(s).

V. ANALYSIS/DISCUSSION: Present a summary of the data generated by the lab. Put into your own words what the numbers or observations tell you. How do you interpret the data or observations in light of your hypothesis or your own expectations? Do not make the mistake of looking for the “right answer”, and please do not ask, “what was supposed to happen?”. In this section you must discuss YOUR results. If you come up with results that do not make sense, examine your methods and materials for sources of experimental error, and describe them in this section. Your discussion should include your personal reactions to what you have just done and learned. Also discuss how this applies to what we are learning in class. What are the real life applications? Also, reflect on what you would do differently if performing the experiment again.

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Writing the Chemistry Lab Report Labs are the basis for our understanding of the key concepts in chemistry. What follows are the guidelines for success in writing a quality lab report. 1. You should keep all data collected during the lab in the lab notebook. 2. All laboratory reports are to be written in pen or word-processed. You should write on one side only.3. Your name, the name(s) of all members of your laboratory team and the date the investigation was

performed is to be written in the upper right hand corner of the first page of each report.4. An appropriate title for the report should be placed in the center of the first page of the report. 5. Each of the following sections of the laboratory report should be prefaced with the section names.

Purpose Title This is a statement of the problem to be investigated. It provides the overall direction for laboratory investigation and must be addressed in the conclusion.

Equipment All laboratory apparatus used in the investigation, along with a detailed diagram to illustrate the configuration of the apparatus, should be included in this section. See example below. The variables to be measured should be clearly pictured.

Procedure This section should identify and name all experimental variables and briefly describe how the independent variables are controlled. Someone who was not present during the lab should be able to understand how the experiment was performed by reading your procedure. Include any measurements that you took (not the numerical values, rather temperature of water, etc.)

Data Data consists only of those values measured directly from the experimental apparatus. No values obtained by way of mathematical manipulations or interpretations of any kind may be included in this section of the report. Data should be in a table and consist of as many trials as judgement would indicate necessary. The units for physical measurements (kg, m, s, etc.) in a data table should be specified in column heading only.

Analysis This section should include all graphs, analysis of graphs, and post laboratory calculations. State each formula, and if necessary, identify the symbols used in the formula. If repetitive calculations are to be performed, substitute only one set of datainto each formula and then construct a table of values for all additional calculated values. Be certain that your final calculated values are expressed to the correct number of significant figures. Do not show your arithmetic calculations.

Conclusion In the conclusion you must do the following: a) State the relationship between the variables identified in the purpose in a clear,

concise English sentence. b) When a mathematical expression can be derived from graphical analysis, write it,

making sure to include the appropriate units. State the meaning of the slope and discuss the significance of the y-intercept (when appropriate).

c) Describe any new terms that arise as a result of your evaluation of data. d) When your results differ from what is expected, provide a plausible explanation.

Posterboard

*Format by Mr. Rudy Furman. See your Chemistry teacher for further instruction.

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AP Chemistry Lab Report Format

At the top of the page:1.

Title of Experiment• – This should be descriptive. Lab Report or Experiment 42 is not a title. Most of the time you can simply use the title I’ve used on the lab.

Date • – Include the date (or dates) on which you performed the lab.

The remainder of the report should be prepared as follows: 2. Label each section heading using letters in alphabetical order AND the name of the lab report section. •(For example, “A. Purpose, B. Procedure”, etc.) This makes it clear to the reader what is being discussed and also allows for easier transitions between sections.

Use complete sentences on all parts except data and calculations. Please DO NOT begin sentences •with “because.”

Write so I can read it! If I can’t read your writing, you lose points.•

Get help if you need it. Labs are hard, so if you’re struggling, ask for help from your lab partners or •teacher. Remember that copying something from your partner is cheating, not help! Help should be in the form of hints. If I see two (or more) IDENTICAL lab reports, the total points earned will be shared between those students with matching reports.

Specific directions for each section:3.

Purpose –A. Give a brief statement of what you are attempting to do in the lab.

Pre-lab questions – B. Number and answer the pre-lab questions if given.

Procedure C.

Provide a VERY BRIEF description of the method to be used.•

Include a brief list of measurements to be taken. of titrant, etc.) •

Materials –D. Briefly list vertically. Columns are acceptable.

Data E. -Record all data DIRECTLY in your notebook.

Calculations/ResultsF.

Error Analysis –G. This is where you explain the meaning of your results. It is really a discussion section. If you need to explain why something happened, the discussion belongs here. If you are in doubt about whether or not to include something, include it!

QuestionsH.

Number the questions and answer each question completely.•

* Adapted from Mrs. Debbie Sayers’ “The Ultimate AP LAB NOTEBOOK Guide.” See your Chemistry teachers for more details and further directions.

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©Modeling Workshop Project 2006 1 lab score sheet v3.0

Writing the Physics Lab Report Labs are the basis for our understanding of the key concepts in physics. What follows are the guidelines for success in writing a quality lab report. 1. You should keep all data collected during the lab in the lab notebook. 2. All laboratory reports are to be written in pen or word-processed. You should write on one side only.3. Your name, the name(s) of all members of your laboratory team and the date the investigation was performed is to

be written in the upper right hand corner of the first page of each report. 4. An appropriate title for the report should be placed in the center of the first page of the report. 5. Each of the following sections of the laboratory report should be prefaced with the section names.

Purpose Title This is a statement of the problem to be investigated. It provides the overall direction for laboratory investigation and must be addressed in the conclusion.

Equipment All laboratory apparatus used in the investigation, along with a detailed diagram to illustrate the configuration of the apparatus, should be included in this section. See example at right. The variables to be measured should be clearly pictured.

Procedure This section should identify and name all experimental variables and briefly describe how the independent variables are controlled. Someone who was not present during the lab should be able to understand how the experiment was performed by reading your procedure.

Data Data consists only of those values measured directly from the experimental apparatus. No values obtained by way of mathematical manipulations or interpretations of any kind may be included in this section of the report. Data should consist of as many trials as judgement would indicate necessary. The units for physical measurements (kg, m, s, etc.) in a data table should be specified in column heading only.

Analysis This section should include all graphs, analysis of graphs, and post laboratory calculations. State each formula, and if necessary, identify the symbols used in the formula. If repetitive calculations are to be performed, substitute only one set of datainto each formula and then construct a table of values for all additional calculated values. Be certain that your final calculated values are expressed to the correct number of significant figures. Do not show your arithmetic calculations.

Conclusion In the conclusion you must do the following: a) State the relationship between the variables identified in the purpose in a clear,

concise English sentence. b) When a mathematical expression can be derived from graphical analysis, write it,

making sure to include the appropriate units. State the meaning of the slope and discuss the significance of the y-intercept (when appropriate).

c) Describe any new terms that arise as a result of your evaluation of data. d) When your results differ from what is expected, provide a plausible explanation.

*Please see your Physics teacher for further details and instruction.

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Hardin Valley Academy English Department

Meshon Crateau

Stephanie Crichton

Jenny Driskill

Landon Harless

Carleen Hodak

Desiree Jones

Lora Langlois

Beth Love

Valarie Mills

Jennifer Pace

John Sides

Lauren Spradling

Staci Sweeney

Amanda Wash

Amy Welch

Allison Walker

Michelle Weller