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Horn Scales and Technique Exercises Selected from the Horn Methods of Gallay, Kling, and Meifred Edited by John Ericson Horn Notes Edition

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Page 1: Horn Scales and Technique Exercises - Arizona State Universityjqerics/Horn-Scales-Techniques-sample.pdf · Horn Scales and Technique Exercises – Gallay, Kling, and Meifred – Horn

Horn Scales andTechnique Exercises

Selected from the Horn Methods of

Gallay, Kling, and Meifred

Edited by

John EricsonHorn Notes Edition

Page 2: Horn Scales and Technique Exercises - Arizona State Universityjqerics/Horn-Scales-Techniques-sample.pdf · Horn Scales and Technique Exercises – Gallay, Kling, and Meifred – Horn

Horn Scales and Technique Exercises – Gallay, Kling, and Meifred – Horn Notes Edition – P. 2

Foreword

Great technique is a must. Toward the goal of building that technique, many scale and arpeg-gio exercises were included in the opening section of my 2011 publication Ultimate HornTechnique. These exercises had been carefully selected (“rescued”) from the Classic hornmethod books of Gallay, Kling, and especially Meifred.

Jacques-François Gallay (1795-1864) studied with Dauprat at the Paris Conservatory where hewas awarded the first prize for horn in 1821. Gallay also succeeded Dauprat at the Conservato-ry, serving on the faculty from 1842 until his death. In addition to the composition of a largenumber of solo works, ensemble works, and etudes, his Méthode pour le Cor was publishedca. 1845.

Henri Kling (1842-1918) was born in Paris but spent most of his career in Geneva, where hewas professor of horn and solfège at the Geneva Conservatory from 1865 until his death.Kling was a man of wide interests, which included composition and conducting. His HornSchule was, according to his obituary, first published in 1865, and went through at least threepublished editions in the nineteenth century.

Joseph Meifred (1791-1867) studied the natural horn with Dauprat at the Paris Conservatory,where he was awarded the first prize for horn in 1818. In 1833 the Conservatory instituted avalved horn class with Meifred as professor; he held this position until his retirement in 1864.Meifred’s Méthode pour le Cor Chromatique, ou à Pistons, published in 1840, was the firstmethod for the valved horn written by a major performer.

In the present publication, drawing from materials previously published in Ultimate HornTechnique, four to six exercises are found in every major or minor key, all on one page perkey. I enjoy going back to these to review technique and intonation (especially with the finalexercise on each page). Diligent practice of the studies such as these will help in forming andmaintaining your foundation of great technique.

John EricsonArizona State University

HNE 015 – E-Book © Copyright 2016, Horn Notes Edition, 674 East Maria Lane, Tempe, AZ85284. International Copyright Secured. This PDF E-book edition may not be shared electronicallyor included in any collection of teaching materials without express permission. Horn teachers outthere, it is up to each of us to set a good example for others in regard to copyright law.

Page 3: Horn Scales and Technique Exercises - Arizona State Universityjqerics/Horn-Scales-Techniques-sample.pdf · Horn Scales and Technique Exercises – Gallay, Kling, and Meifred – Horn

Horn Scales and Technique Exercises – Gallay, Kling, and Meifred – Horn Notes Edition – P. 3

Page 4: Horn Scales and Technique Exercises - Arizona State Universityjqerics/Horn-Scales-Techniques-sample.pdf · Horn Scales and Technique Exercises – Gallay, Kling, and Meifred – Horn

Horn Scales and Technique Exercises – Gallay, Kling, and Meifred – Horn Notes Edition – P. 4