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Cambridge University Press978-0-521-86794-8 - The Letters of Samuel Beckett: Volume II: 1941–1956Edited by George Craig, Martha Dow Fehsenfeld, Dan Gunn and Lois More OverbeckIndexMore information

I NDEX OF REC I P I ENT S

Albery, Donald, 482, 486

Arikha, Avigdor, 649, 652

Baeza, Ferdinand (enclosed in letter

to Lindon), 527

Barlog, Boleslaw, 402

Bataille, Georges, 257

Beauvoir, Simone de, 40, 260

Belmont (formerly Pelorson),

Georges, 263, 278, 299

Bisiaux, Marcel, 229

Bjurstrom, Carl Gustaf, 414, 429

Black, Kitty, 645, 679

Blanzat, Jean, 250

Blin, Roger, 208, 336, 349, 370, 453,

517, 556

Bordas, Pierre, 45, 227

Caetani, Marguerite, 259, 262

Caspari, Carl Heinz, 388

Castagne, Helmut, 634

Coester, Edouard, 474, 477

Colin, Rosica, 380, 639

Cunard, Nancy, 611, 625, 630,

660, 670

Cusack, Cyril, 553, 623

Devine, George, 682

Duthuit, Georges, 78, 82, 89,

94, 100, 111, 114, 116, 120,

126, 134, 151, 159, 164,

167, 171, 179, 185, 188,

192, 199, 203, 210, 215, 221,

222, 230, 266, 268, 273, 292,

309, 472

Ford, Boris (enclosed in letter to

Lindon), 546

Fouchet, Max-Pol, 249

Frank, Nino, 626

Franzen, Erich, 450, 455, 458

Gerstein, Sergio, 408

Girodias, Maurice, 612

Glenville, Peter, 490

Greenburg, Edith, 510, 665

Hall, Peter (enclosed in letter to

Schneider), 574

Hayman, David, 536

Higgins, Aidan, 318, 544, 632

Hunzinger, Stefani, 667

Hutchins (Greacen), Patricia,

436, 485

Hutchinson, Mary, 668

Ionesco, Eugene, 673

Irish Legation, 9

Jolas, Maria, 58

Joyce, James, xv

Joyce, Giorgio and Asta, 554

Lembke, Karl-Franz, 505

Leventhal, Abraham Jacob and

Ethna, 395, 416, 563, 571,

598, 661

Lieberson, Goddard, 651, 655, 673

Lindon, Jerome, 233, 252, 257, 261,

289, 322, 325, 327, 337, 339,

341, 347, 351, 354, 357, 359,

745

http://www.cambridge.org/9780521867948

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360, 362, 365, 367, 373,

379, 424, 445, 487, 491, 503,

511, 526, 542, 545, 550,

557, 671

Lottman, Herbert, 191

Lucas, Cyril, 573, 591

Ludvigsen, Christian, 616

MacGreevy (formerly McGreevy),

Thomas, 18, 65, 71, 74, 104,

144, 313, 407, 433, 470, 565,

623, 639, 663

McWhinnie, Donald, 677, 687

Mitchell, Pamela, 405, 412, 420, 443,

489, 492, 500, 521, 523, 530,

532, 539, 582, 606, 657

Monteith, Charles, 603

Montgomery, Niall, 209, 426, 560

Morris, John, 656, 675

Morteo, Gian Renzo, 467

Nadeau, Maurice, 238, 398, 508, 628

Naumann, Hans, 460

Neveux, Georges, 324

Niedermayer, Max, 637

O’Malley, Ernest, 57

O’Sullivan, Sean, 174

O’Sullivan, Seumas, 597

Peron, Maria (Mania), 240, 246, 276,

281, 283, 286, 296, 301, 326,

329, 330, 333, 372, 374, 393,

404, 558

Pinget, Robert, 428, 548, 579, 604,

652, 676

Polac, Michel, 314

Putman, Jacques, 469, 481

Ragg, T.M., 12, 14

Reavey, George, 15, 24, 29, 32, 35,

38, 48, 55, 59, 64, 80, 201, 206,

335, 376, 617

Reavey, Gwynedd, 10, 14

Reid, Alec, 596

Rosset, Barney, 384, 387, 397, 411,

431, 447, 456, 479, 486, 496,

501, 506, 512, 513, 519, 534,

553, 566, 568, 584, 592, 600,

602, 607, 613, 618, 620, 642,

645, 653, 680

Rosset, Charlotte, 419, 431

Roud, Richard, 677

Schneider, Alan, 574, 585, 591, 593,

627, 658

Seaver, Richard, 415

Simpson, Alan, 418, 478, 520, 569

Sinclair, Morris, 22, 352

Smith, Desmond, 609

Sorbets, Germaine, 265

Stroux, Karl Heinz, 400

Suhrkamp, Peter, 441, 449

Tophoven, Elmar, 369

Trocchi, Alexander, 356, 498

Ussher, Arland, 46

Van Velde, Abraham Gerardus

(Bram), 76, 113, 304, 317

Van Velde, Jacoba, 30, 34, 36, 43, 46,

61, 320, 342, 381, 403, 409, 494,

683, 689

Wahl, Jean, 251, 263, 353

Waldberg, Patrick, 535

White, H. O., 554, 629

Yeats, Jack B., 689

Deschevaux-Dumesnil, Suzanne to

Gervais, Andre-Charles, 175

Lambrichs, Georges, 205

Lindon, Jerome, 236, 242, 244,

253, 255

Index of recipients

746






SUMMARY L I S T ING OF SAMUE LBECKETT ’ S WORKS MENT IONED IN

VOLUME I I

Works are listed below by original title: individual poems or stories are

listed separately here, but are listed in the index by collection unless

published separately; translations are listed following the title of original

here, but in the index are listed by translated title.

Acte sans paroles [I]

All That Fall

“Ascension,” see “Poemes

38–39”

“bon bon il est un pays” (later

entitled “Accul,” see “Trois

poemes”)

“Le Calmant,” see Nouvelles; Nouvelles

et Textes pour rien

“The Capital of the Ruins”

“Cascando” (poem)

“Dante and the Lobster,” see More

Pricks Than Kicks

“Dante . . . Bruno . Vico . . Joyce”

“Denis Devlin”

“Dieppe,” see “Poemes 38–39”

Echo’s Bones and other Precipitates

(“Enueg I”; “Sanies 1”; “Serena 1”)

Eleutheria

En attendant Godot (see also

translations as: Ag fanacht le Godo;

Aspettando Godot; Czekajac na

Godota; Esperando a Godot; Godo wo

machinagara; Vi venter p� Godot;

Wachten op Godot;Waiting for Godot;

Warten auf Godot)

“Enueg I” (see Echo’s Bones and other

Precipitates)

“L’Expulse,” see Nouvelles; Nouvelles et

Textes pour rien, Quatre Nouvelles;

translated as “The Expelled” (see

Four Novellas)

Fin de partie (provisional title

Haam; see also translations as:

Endgame; Endspiel)

“From an Abandoned Work”

“The Gloaming” (revised as Rough for

Theatre I)

“Hommage a Jack B. Yeats”

L’Innommable (see also translations

as: Der Namenlose; The Unnamable)

“je suis ce cours de sable qui glisse,”

see “Trois poemes – Three Poems”

“je voudrais quemon amourmeure,”

see “Trois Poemes – Three Poems”

“Les joues rouges”

747






“MacGreevy on Yeats”

Malone meurt (see also translations

as: Malone Dies; Malone stirbt)

Mercier et Camier

Molloy (translations bear same title)

More Pricks Than Kicks (“Dante and the

Lobster”; “The Smeraldina’s Billet

Doux”; “Walking Out”; “Yellow”)

“Mort de A.D.,” see “Trois Poemes”

“La Mouche” see “Poemes 38–39”

Murphy (translation bear same title)

Nouvelles (see also Four Novellas;

Nouvelles et Textes pour rien; Quatre

Nouvelles): “Le Calmant”

(translated as “The Calmative”);

“L’Expulse” (translated as “The

Expelled”); “Premier amour”;

“Suite” (later entitled “La Fin,”

translated as “The End”)

Nouvelles et Textes pour rien (see also

Nouvelles; Textes pour rien)

“Ooftish”

“Peintres de l’empechement”

“La Peinture des Van Velde ou le

monde et le pantalon”

“Poemes 38–39” (“Ascension”;

“Dieppe”; “La Mouche”)

“Premier amour,” see Nouvelles; Four

Novellas; Quatre Nouvelles

Proust

“que ferais-je sans ce monde sans

visage sans questions,” see “Trois

poemes – Three Poems”

“Recent Irish Poetry” (pseud.

Andrew Belis)

“Saint-Lo”

“Sanies 1,” see Echo’s Bones and other

Precipitates

“Sedendo et Quiescendo”

“Serena 1,” see Echo’s Bones and other

Precipitates

“The Smeraldina’s Billet Doux,” see

More Pricks Than Kicks

“Suite” (later re-entitled “La Fin”

[translated as “The End”], see

Nouvelles; Four Novellas; Nouvelles

et Textes pour rien; Quatre

Nouvelles)

Textes pour rien (see also Nouvelles et

Textes pour rien)

“Three Dialogues” (also known as

“Three Dialogues with Georges

Duthuit”)

“Trois poemes” (“Accul”; “Mort de

A.D.”; “vive morte ma seule

saison”)

“Trois Poemes – Three Poems” (“je

suis ce cours de sable qui glisse”

[“my way is in the sand flowing”];

“que ferais-je sans ce monde sans

visages sans questions” [“what

would I do without this world

faceless incurious”]; “je voudrais

que mon amour meure” [“I would

like my love to die”]

“Walking Out,” see More Pricks Than

Kicks

Watt (translations bear same

title)

Whoroscope

“Yellow,” see More Pricks Than

Kicks

Summary listing

748






GENERA L INDEX

Names of persons and publications with Profiles in this volume are marked

with an asterisk; those with a Profile in the previous volume are marked

with an asterisk followed by the volume number (I). The titles of SB’s works

are given in the summary listing above; individual titles (including

translations) are indexed separately, as are poems and stories if they

appeared independently; poems or stories that appeared in a collection are

indexed by the title of that collection.

Aarhus (also ¯rhus), 617Aarhus Theatre, 616–617

Aaronson, Lazarus (Laz), 201–202

Abbey Theatre (Dublin), 534, 659

Abetz, Otto, 3–4

Abondant (Eure-et-Loir), 28, 43–44,

46, 48

L’Absent (initial title of Malone

meurt), 81

“Accul” (originally “bon bon il est

un pays,” see “Trois poemes”)

Achille-Delmas, Francois, 59,

72, 74

Ackerley, J. R., 188–190

Act Without Words, proposed

production at the Royal Court

Theatre, 674–675, 679;

publication by Grove Press,

680–681

Acte sans paroles [I] (provisional title,

Soif ), 516, 540, 542, 556–557,

562, 572, 589, 606–607, 619,

621–622, 630–632, 647–648,

659–661, 664, 669–670,

674–675, 678, 680, 682–683;

publication by Editions de

Minuit, 680

Acte sans paroles [II], 621–622, 640, 643,

647, 667–668, 679

Action: Hebdomadaire de l’Independance

FranÅaise, 49, 51The Actors’ Studio (New York), 513

Adamov, Arthur, 207–208, 253–255,

328–329, 342, 367, 417–418,

431, 468, 569–570; La grande et

petite manoeuvre, 207–208, 570;

L’Invasion, 570; La Parodie,

328–329, 570; Le Ping-Pong, 570;

Le Professeur Taranne, 570; Les

Retrouvailles, 570; Le Sens de la

marche, 570; Tous contre tous, 570

Adler, Jankel, 174–175, 203

Admussen, Richard, 602, 619, 663

AE, see Russell, George William

Ag fanacht le Godo, Gaelic translation

of En attendant Godot by Liam O

Brıain, 624–625

Aichelbaum, Leon, 81

Alberti, Rafael, 444–445; El adefesio,

445; Noche de guerra en el Museo

del Prado, 445

Albery, Donald*, 424–426, 433, 440,

478–484, 486–492, 497, 502,

507–508, 513–514, 516,

749






519–521, 524–525, 531,

533–535, 540–543, 553–554,

563–564, 567, 585, 592, 594,

599–602, 607, 609, 621, 663

Aldington, Richard* (I), 624–625; Life

for Life’s Sake, 624–625

Alembert, Jean le Rond d’, 148–150;

Encyclopedie Generale, 150

Alexander, Didier, 615

Alighieri, Dante, 72, 75–76, 90,

92–93, 111–112, 136, 140, 142,

154, 157, 159, 202, 458,

537–538, 611–612, 626;

Convivio, 154, 157, 159, 538; La

Divina Commedia: 537; Inferno,

93, 111–112, 136, 140, 142, 458,

626; Purgatorio, 90, 92–93,

611–612; Salani edition of La

Divina Commedia, 111–112;

Epistola, 538; La Vita Nuova,

537–538

Allard, Paule, 34, 44, 47

Allen, Steve, 524, 526

All That Fall, 589–590, 654, 656,

676–680, 684–685, 688–691,

698, 709–710, 712, 715;

publication by Grove Press, 680

Ancira, Carlos, 615

Anders, Gunther, 449–450; “Sein

ohne Zeit: Zu Becketts Stuck En

attendant Godot,” 449–450

Ando, Shinya, 614–615

“Anna Livia Plurabelle” (see also

James, Joyce, Finnegans

Wake),627; Joyce’s recording of,

647, 649

Anouilh, Jean, 371–372

Anthology of Mexican Poetry, 177, 181,

184, 192, 195, 197, 200–201,

439, 510, 530, 665–667

Antonello daMessina, 83, 86, 88; The

Martyrdom of Saint Sebastian, 83,

86, 88

Apollinaire, Guillaume, 108, 109,

121, 123, 146–147; Alcools, 109,

146–147

Aragon, Louis, 57–58, 61; Les

Voyageurs de l’imperiale

(Passengers of Destiny), 57–58

The Arena Stage (Washington, DC),

659–660

Arikha, Avigdor*, 589, 649–652

Arland, Marcel, 244

Arnaud, Georges (pseud. of Henri

Girard), 678–679; Les Aveux les

plus doux, 678–679

Arnaud, Marthe (nee Kuntz), xxvii,

25, 49, 52, 80, 113–114, 121,

123, 125, 180, 183, 185,

201–202, 269–270, 272,

304–305, 309, 311–312,

320–322, 684, 686–687

Arnaud, Odette, 206

Arnold-Bordas (imprint of Editions

Bordas), 50

Arp, Hans, 83, 86, 88, 100–104;

“Sophie,” 83, 86, 88

Art News, 268

Art of This Century Gallery (New

York), see Guggenheim, Peggy

Artaud, Antonin, 75–76, 147,

179–180, 184, 344

Arts-documents (Geneva), 516

Arts-Spectacles (also Arts), 345,

371–372, 396

Arts Theatre Club (London), 515,

533–535, 539, 544, 563–564,

570, 602, 628, 642, 687

“Ascension,” see “Poemes38–39”

Aspettando Godot, Italian translation

of En attendant Godot by Luciano

Mondolfo, 489, 503–505;

production, Teatro di Via

Vittoria, Rome (1954–1955, dir.,

Mondolfo), 505; Italian

translation of En attendant Godot

General index

750






by Carlo Fruttero, 608–609,

631–632; publication by

Einaudi, 608–609, 631–632

Asso, Pierre, 396, 406

Atkinson, Brooks, 614–615, 619

Aucassin et Nicolette (anonymous

romance), 342–344

Aude family, 5

L’Aurore, 347–349

Auschwitz Concentration Camp,

4, 20

Avicebron, see Gabirol, Solomon

ben Yehuda Ibn

Avignon Theatre Festival, 61

Bachelard, Gaston, 64, 341–342

Badel, Paul Annet (also Anet), 215,

218, 220

Badisches Staatstheater (Karlsruhe),

392–393

Baeza, Fernando, 527–530

Baeza, Ricardo, 184, 530, 665–666

Bair, Deirdre, 42

Balzac, Honore de, 247–248

Baquet, Luc, 269, 271–272

Barlog, Boleslaw, 401–403

Barlog, Herta (nee Schuster), 402–403

Barrault, Jean-Louis, 407–408,

455, 605

Barret, James, 100, 102, 104

Barry, Michael, 631–632

Bartok, Bela, 146–147, 309–312;

Concerto for Two Pianos, 309,

311–312;Music for Strings, Celesta

and Percussion, 310–312; Piano

Concerto no. 3 in E major,

146–147

Bartolo, Matteo di Giovanni di, 314

Bartolo, Taddeo di, 314

Bassani, Giorgio, 259

Bataille, Georges, 64, 81, 185–187,

213, 257–260, 341, 441–443; “Le

silence de Molloy,” 213,

441–443, 465; L’Anus solaire,

187

Bateson, Timothy, 553, 576

Baudelaire, Charles, 90–91, 93,

121, 123, 135, 331–332, 522,

603; Les Fleurs du Mal: “Une

Charogne,” 560; “Les Phares,”

121, 123, 125; “Reversibilite,”

90–91, 93; “Spleen,” 603; “Le

Vieux Saltimbanque,”

331–332;

Baudo, Serge, 372

Baur au Lac Hotel (Zurich), 555

Bauret, Jean, 127, 130, 132

Bauret, Jean-Francois, 132

Bayet, Albert, 180, 182, 185; Les

Morales de l’Evangile, 185

Beach, Sylvia* (I), 386–387

Beacon Press (Boston publisher),

643–644

Beauvoir, Simone de, 28, 40–44, 47,

57, 213, 235, 260–261; L’Invitee,

41–42

Beckett, Caroline, 614–615

Beckett and Medcalf, Quantity

Surveyors (Dublin), 435–436;

Beckett, Caroline, 614–615

Beckett, Edward, 99, 174, 187, 436,

640–641, 664

Beckett, Frank Edward* (I), xiv, xvi,

xix, xxvi, xxviii, 6, 9, 66–67,

75, 145, 204, 214, 295,

302–303, 345, 428, 471–472,

566; Beckett and Medcalf,

435–436; illness and death, 435,

439–440, 483, 486–487,

501–502; Shottery (Frank

Beckett’s home, Killiney, Co.

Dublin), 482; visits to France:

214, 295, 302–303, 345

Beckett, Gerald, 99, 105

Beckett, Jean Violet (nee

Wright), 214, 295, 303, 345,

General index

751






435, 565–566, 624–625,

640–641

Beckett, John Stewart*, 94, 97,

99, 105–106, 396, 516,

544–545, 561–562,

564–565, 572–573, 583, 623,

657, 662–663, 667–668,

675, 678

Beckett, Maria Jones Roe (May)* (I),

xxvi, 56–57, 66–67, 71–72, 74,

76, 80, 92, 105, 145, 170, 177,

196, 203–204, 207, 271–272,

376; illness and death of, 145,

170, 177, 207, 271–272, 376;

New Place (Foxrock), 80

Beckett, Samuel Barclay, Ecole

Normale Superieure: xvi, 21,

74, 226, 461, 463, 467–468,

596–597; French Resistance,

service with, xiv, xvi,

xxvi–xxvii, 4, 6, 108; honors:

Croix de Guerre, 6; Medaille de

la Reconnaissance Francaise, 6;

Irish Red Cross Hospital, Saint-

L�, 7–8, 15–16, 18, 20–21, 24,27, 73, 106, 276; Portora Royal

School, 617; psychotherapy

withW. R. Bion, 104; residences

of: Cooldrinagh (family home),

73, 634; 34 Gertrude Street,

London, 549; “Les Roches

Rouges,” Roussillon, xvii–xix,

xxv–xxvi, 5–6; 6 Rue des

Favorites, Paris, xix, 6, 8, 19–23,

185–186, 296, 374–375;

Ussy,109, 145–147, 149, 162,

171–173, 179, 181, 186–187,

197, 202, 224, 231, 273–275,

286, 307, 311, 345, 352–353,

377–378, 393–394, 408,

422–423, 434, 440, 443, 481,

518, 539–540, 614, 646, 650,

657, 661, 670–671;

self-translation: xiii, 357–358, 381,

420–421, 423, 448–449, 456–457;

Malone Dies: 345, 358, 440,

487–489, 495–496, 513–514, 516,

519–520, 531, 534–535, 540, 544,

547, 550, 552–553, 571, 583–584,

589, 590–592, 599, 602, 606,

608–609, 615, 621–622, 633, 672;

Unnamable: 386, 448, 547, 550,

552, 589, 592, 602–603, 606–609,

614, 640, 642, 658, 681–682, 684,

686;Waiting for Godot: 384–385,

395–397, 417–420, 440, 456, 573,

611

translation with, and review of

translations done by, others:

Dutch, of En attendant Godot as

Wachten op Godot (by Jacoba van

Velde): 381–383, 403–404,

409–411, 515; English, of “The

Calmative,” “The End,” and

“The Expelled” (by Richard

Seaver): 421, 423, 440, 494,

499–500; English, of Molloy (by

Patrick Bowles): 345–346,

356–358, 381, 385–388,

393–395, 397–398, 407–408,

413, 416, 419–421, 432–433,

439, 444–445, 448–449, 480,

487, 495–496, 502, 508,

512–515, 520, 591–592; French,

ofWatt (by Daniel Mauroc): 346,

413, 416, 419–421, 444–447,

508–509; German, of En

attendant Godot as Warten auf

Godot (by Elmar Tophoven): 345,

382–384, 393, 439, 443–444,

494–496; German, of Malone

meurt as Malone stirbt (by

Tophoven): 444–445, 448–449;

German, of Molloy (by Erich

Franzen): 407–408, 439,

441–445, 448–460, 465,

General index

752






480–481, 497–498; Italian, of En

attendant Godot as Aspettando

Godot (by Luciano Mondolfo):

489, 503–505; Italian, of En

attendant Godot as Aspettando

Godot (by Carlo Fruttero):

608–609, 631–632; Spanish, of

En attendant Godot as Esperando a

Godot (by Trino Martınez

Trives): 439, 444–445,

447–449, 456–457, 527–530,

535; Spanish, of En attendant

Godot as Esperando a Godot

(by Pablo Palant): 440,

493–494, 497–498, 529–530,

544

translator of: the first poem of

Apollinaire’s Alcools, “Zone,”

109, 146–147; Duthuit’s Les

Fauves (revision of Manheim

translation), 87–88, 157–159,

166, 177, 185–190; Duthuit’s

“The French Symbolists,” 190;

Duthuit’s “Vuillard and the

Poets of Decadence,” 266–268,

270–271; Paz’s edition,

Anthology of Mexican Poetry, 177,

181, 184, 192, 195, 197,

200–201, 439, 510, 530,

665–667; Rimbaud’s “Le Bateau

ivre” (“The Drunken Boat”),

119, 427–428; essays for

Selection, 109, 160–163; for

Transition (proposed, signed,

revised, unsigned): 53, 58–59,

66–67, 69, 79, 90–91, 101, 103,

109, 114–118, 120–126, 142,

146, 148–151, 159–163, 177,

202–203, 381, 385–388, 538;

UNESCO, World of Art, 223,

225–227; Wahl’s “L’ecriture est

gravure” (“The Word is

Graven”), 590

Trinity College Dublin: 396–397,

467–468; Foundation Scholar

(1926), Scholars’ Dinner,

561–562, 572, 659; Teaching at,

173–174, 467–468

individual poems or stories are

indexed by collection unless

published independently;

translations are indexed by

translated title. See Summary

Listing preceding General Index,

747–748

Beckett, William Frank* (I), xxvi, 84,

87, 89–90, 92, 174, 435

Beckett and Medcalf, Quantity

Surveyors (Dublin),

435–436

Beecham, Sir Thomas, 670–671

Beethoven, Ludwig van, 671; Piano

Sonata no. 14 in C# major, 671

Beguin, Albert, 197

Behan, Brendan, 521, 570; The Quare

Fellow, 521, 569–570

Belis, Andrew (pseud. of SB), see

“Recent Irish Poetry”

The Bell, 58

Belmont, Georges (ne Georges

Pelorson)* (I), 4, 263–265,

278–280, 299–301, 363–364,

661; Editor: Jours de France,Marie

Claire, Paris Match, Volontes, 301;

“Fin de l’elegie” (dedicated to

SB), 278–280; L’Offense (early

draft entitled Jean ou Les dieux du

sang), 278–280, 299–301;

“Mesure de Dieu,” 280;

“Pavana,” 280; “Plans,”

278–280; “Vanite de la Grace,”

278–280

Belmont, Josephine, see Caliot,

Josephine

Belmont, Sophie (m. Genovesi, m.

Dinkelspiler), 264–265, 279

General index

753






Benard, Pierre, 180, 182, 185;

Belmont, Sophie (m. Genovesi,

m. Dinkelspiler), (cont.)

Editor, Le Canard enchaıne, 185

Benno, Benjamin, 174–175

Benson, Leah, 57, 665

Bensoussan, Charles (stage name

Philippe Clair), 213,

243–244, 253–254, 276–278,

287–288

Bentin, Mlle, 368–369

Berg, Alban, 146–147

Berghof, Herbert, 589, 615

Bergner, Elisabeth, 516

Berliner Ensemble, 660

Berlioz, Hector, 200–201; Symphonie

fantastique, 200–201

Beugnot, Bernard, 124

The Bible, 91–92, 180, 182, 185, 522,

590, 678–679

Bibliotheque Nationale (Paris),

36, 324

Bion, W. R.* (I), 104

Bisiaux, Marcel, 206, 229–230, 301

Bjurstrom, Carl Gustaf*, 414–415,

429–430; “Samuel Beckett,”

429–430

Black, Dorothy Kitty*, see Curtis

Brown

Blackmore, Sir Richard, 73; Eliza, 73

Blake, William, 64, 94, 97, 99

Blanchot, Jean, 246

Blanchot, Maurice, 106–108,

210–211, 216–217, 219–221,

224–226, 231–233, 244, 253–254,

256, 341, 441–443, 465; Faux pas,

216–217, 219, 221; Lautreamont

et Sade, 210–211, 216, 219–220,

224–226; “Ou maintenant? Qui

maintenant?” 441–443, 465; “La

parole ‘sacree’ de Holderlin,”

231–233

Blane, Mary, 72–73

Blanzat, Jean, 213, 240–244, 246,

250–251, 254, 256, 341;

Literary Director, Editions

Grasset, 250; review of Molloy

by: 213, 240–244, 246,

250–251

Blin, Roger*, 223–225, 273–274,

293–294, 336–337, 339,

349–351, 368–369, 370–372,

379–380, 417, 453–455,

517–519, 556–557, 594,

642–643, 646

En attendant Godot, 253–255,

260–261, 299–300, 307,

322–326, 328–329, 333–334,

336–337, 339–341, 349–351,

555; early interest in, 179, 182,

184, 207–209, 215–216,

218–220, 511–512; seeks

subvention for, 233–235,

277–278, 281–282, 287–288,

322–324; RTF radio broadcast

of, 314–317, 320–321, Theatre

de Babylone premiere of, 335,

355, 370–372; Theatre de

Babylone reprise of, 395–396,

406–407; tour of Babylone

production of, 421, 423; other

productions directed by:

Wachten op Godot (Arnhem,

1955), 410–411, 515, 521–523,

526, 528, 687; Warten auf Godot

(Zurich, 1954), 388–393, 395,

439, 444, 453–455, 471;

Fin de Partie, 590, 654, 657, 659,

662, 672, 678–679, 683–686,

689–690

Bobino (Paris music hall), 313,

620, 622

Boccaccio, Giovanni, 72

Bodet, Jaime Torres, 184

Bolo, Jean, 643–644

Bomford, H. J. P., 98

General index

754






“bon bon il est un pays” (later

entitled “Accul”), see “Trois

poemes”

Bonnard, Pierre, 153, 156, 159

Bonnefoi, Genevieve, 272

Bonnefoy, Yves, 88

Bonniers Litterara Magasin, 430

The Bookhouse, 49, 51

Bordas, Pierre, 28, 45, 49–50, 69, 73,

75, 191, 227–229, 237–238,

252–256, 284–285, 290–291,

293, 295–296, 299–301,

303, 426

Bosquet, Alain, 589, 650

Boston Institute (Madrid), 530

Boston Symphony Orchestra,

200–201

Boswell, James, 280–283; Boswell’s

Life of Johnson, ed. George

Birkbeck Hill, 278–283; Boswell’s

London Journal, 1762–1763,

281–283

Botteghe Oscure, 258–260, 262, 313,

376–377

Bouillon, Didier, 643–644

Bourdon, Jean, 20

Bourin, Andre, 244–246

Bowen, Elizabeth, 36

Bowles, Patrick*, 346, 406, 419, 448,

480, 507, 567–569, 584–585;

English translator, with SB, of

Molloy, 356–358, 385–386, 388,

393–395, 397–398, 408, 412,

419, 421, 444–445, 448–449,

453, 480, 487–489, 496, 498,

502, 507, 512–515, 519–520,

544, 547, 557, 591

Brahms, Johannes, 200–201;

Symphony no. 4, 200–201

Brandel, Marc, 420, 423

Brando, Marlon, 524, 526, 541

Braque, Georges, 120, 122, 124, 151,

180, 183, 185, 194, 196, 198; Une

aventure methodique (with Pierre

Reverdy), 180, 183, 185

Brasserie Zeyer (Paris), 652

Brecht, Bertolt (see also Berliner

Ensemble), 512, 614–615, 660;

L’Exception et la regle, 512;

Threepenny Opera, 614–615

Brenan, Gerald, 666–667

Brenner, Jacques, 246

Breton, Andre, 64, 83, 86–87, 89,

91–92, 99, 160, 162–163, 194,

196, 198–199, 203–205;

“Ceinturer un monde forcene,”

194, 196, 198; “Des taches

solaires aux taches de soleil,”

194, 196, 198–199

Briscoe, Desmond, 689

British Broadcasting Corporation

(BBC), xxi, 57–58, 516, 551–553,

589–590, 631–632; SB’s radio

play (All That Fall) for: 589–590,

654, 656–657, 676–680,

684–685, 687–691; Sound

Archive, xxi; Third Programme,

516, 551–553, 590, 632, 656,

675, 688; Written Archives,

xxi, 553

Brod, Max, 179, 182, 184

Brophy, John, 36

Brouwer, Adriaen, 215, 217, 219

Browning, Robert, 95, 97, 99;

“Paracelsus,” 95, 97, 99

Bruno, Giordano, 537–538

Buchenwald Concentration Camp,

7, 21, 99

Bull, Peter, 586–587

Buonarroti, Michelangelo, 91, 93,

100, 103–104, 158

Burden, Hugh, 553, 587, 599–600

Burn, Michael, 520; The Night of the

Ball, 520

Buttner, Gottfried, xix, xxxviii

Byrne, Austin, 561–562

General index

755






Caetani, Princess Marguerite (nee

Chapin), 259–260, 262,

310–311, 313, 376–377

Cafe du Dome (Paris), 674

Cahiers d’Art, 24–25, 28, 48–49, 51,

87, 105–106, 147, 296, 434

Cahiers des Saisons, see 84: Nouvelle

Revue Litteraire

Caillois, Robert, 363–365

Calder, Bettina, see Jonic, Bettina

Calder, John, 353, 671–672

Calder, John, Ltd. (London

publisher), 590, 671–672;

Pamela Lyon, 672

Caliot, Josephine (m. Georges

Belmont), 264–265, 279

“Le Calmant,” see Nouvelles; Nouvelles

et Textes pour rien; Quatre

Nouvelles

“The Calmative,” see Four Novellas

Campbell, Roy, 36

Camus, Albert, 32–33, 49, 51, 197,

256, 493–494, 676; French

translator and adaptor of

Faulkner’s Requiem for a Nun,

676; L’Etranger, 32–33, 493–494

Canadian Broadcast Corporation

(CBC), 608–609, 682

Canisy, Chateau de Lassay, 19, 21

Capalbo, Carmen, 541, 594, 615

Cape, see Jonathan Cape

“The Capital of the Ruins,” 20

Cappella degli Scrovegni (also

Chapelle des Arenes, Arena

Chapel) (Padua), 185–187

Capri, Agnes, 60–61, 76

Le Capricorne (Paris theatre), 61

Capuano, J.-A., 36

Carlier, Robert, 206, 235, 341

Carlisle, Norman and Madelyn, 163;

“The Big Slot-Machine Swindle,”

160–163

Carpentier, Georges, 531–532

Carr, John Dickson, 526; The Seat of

the Scornful, 525–526

Carrefour, 213, 249

Carrickmines Golf Club (Co.

Dublin), 104

Carter, John Grant, 39

“Cascando” (poem), 638

Caspari, Carlheinz*, 391–393; “Zu

Samuel Becketts Theater,” 393

Castagne, Helmut, see Fischer

Verlag

Cauvet-Duhamel, Benjamin

Frederic, 144–147

Celine, Louis-Ferdinand, 493–494;

Voyage au bout de la nuit, 493–494

Censorship, xxi, 36, 357–369,

373–374; Esperando a Godot

(Trives translation, Madrid),

527–529, 534–535; Malone Dies,

615;Molloy, 589, 601;More Pricks

Than Kicks, 419;Wachten op Godot

(Arnhem), 521–524, 526;

Waiting for Godot (Lord

Chamberlain’s Office), xxi, 440,

480–481, 484, 602, 645, 663;

Watt, 419, 440

Cercle de la Librairie, 291

Cezanne, Paul, 128, 131, 133,

165–166

Chagall, Marc, 48, 50, 590;

“Illustrations for the Bible,” 590

Les Chaınes du destin (No Man of her

Own) (film), 273–275

Champi, see Vieville, Lucien

Chandler, Raymond, 60

Char, Marie-Claude, 313

Char, Rene, 64, 72, 74, 197, 220,

310–311, 313; L’Abominable

homme des neiges, 216, 218, 220;

Le Poeme pulverise (“The

Pulverized Poem”), 72, 74

Charensol, Georges, 425

Chase, Stanley, 541, 594

General index

756






Chatto and Windus (London

publisher), 27, 29–30, 427,

461–462, 464, 466–468,

550–551, 621–622, 677–678;

TheDolphin Books (series), 427,

462, 464, 466; More Pricks Than

Kicks, 30, 461, 464, 622; Murphy,

rejection of, 30; Proust, 30, 427,

461–462, 464, 466–468,

550–551; Watt, rejection of, 27

Chauvet, Paul, 558–560

Chazal, Malcolm de, 83, 86–87,

120, 122

Chekhov, Anton, 341; Uncle

Vanya, 341

Cherry Lane Theatre (New York), 498

Chevalier, Paul, 643–644

Chez Francoise (Paris restaurant),

501, 540–542

Chez Marius (Paris restaurant, also

Le Petit Marius), 572–573, 630,

662–663

Chisholm, Anne, 661; Nancy

Cunard, 661

Chochoy, Bernard, 631

Chopin, Frederic, 105–106, 415;

Piano sonata no. 3 in B minor,

105–106

Christie, Agatha, 525–526; La Maison

biscornue, 525–526

Cioran, E. M., 678–679; Precis de

decomposition, 678–679; La

Tentation d’exister, 678–679

Cirque Medrano (Paris), 439,

444–445

City of London College, 202

Clair, Rene, 202–203; La Beaute du

Diable, 202–203; “Sur le

probleme de Faust,” 202–203

Claudel, Paul, 468

Claval, Florence, 512

Clave, Antoni, 94, 96, 99; Girl with

Cockerel, 94, 96, 99

Clerx, Arnold (Bob), 31–32, 49, 52,

320–321, 684–685, 687

Clerx, Jacoba, see Van Velde, Jacoba

Cloez, Gustave, 23

Club d’Essai, 314–315, 317

Club Francais du Livre, 206

Cochon de Lait (Paris restaurant),

224–225, 227

Coconut Grove Playhouse (Miami),

589, 591, 593, 595, 599

Cocteau, Jean, 61; Le Bœuf sur le

toit, 61

Coester, Edouard (pseud. Edmond

Costere)*, xx–xxi, 474–478

Coffey, Brian* (I), 10, 12,

15–17, 24–25, 34; Third

Person, 34

Coffey, Bridget Rosalind (nee

Baynes), 12, 16

Coffey, Denis, death of, 10, 12,

15, 17

Coffey, John Martin Michael, 16

Colin, Rosica*, 380–381, 639

Collection Merlin (see also Olympia

Press), 346, 358, 376–377, 386,

397–398, 416, 448, 461, 464,

490, 498, 508, 512–513, 515,

546–547, 550–553, 557, 608,

612–613

College de France, 21

Colum, Padraig, 597

Combat, 194, 196, 198, 203–205, 213,

238–239, 255–256, 269,

271–272, 297–298, 309–310,

312, 342, 347–349, 355,

373–374, 531, 540, 542

Comedie-Francaise, 301

Comediens-Troubadours

(Toulouse), 511–512

Comedy Theatre (London), 662–663

Compagnie Renaud-Barrault, 662

Connemara (Co. Galway), 398, 534

Connolly, Cyril, 81

General index

757






Conway, Hugh (pseud. of Frederick

John Fargus), 289; Called Back

(adapted as “Du fond de la

nuit”), 287, 289

Coppee, Francois, 284–286; “Un duel

au sabre,” 284–286

Corbiere, Tristan, 317–318

Le Corbusier, 607, 621, 631; La Cite

Radieuse (Marseille), 607,

621, 631

Cordier, Stephane, 36

Corish, John, 600

Corneille, Pierre, 330, 331, 338; La

Galerie du palais, 330–331, 338

Cornford, Frances, 50

Costello, Nuala* (I), 565–566;

parents, Evelyn and Thomas

Costello, 565–566

La Coupole (cafe and restaurant,

Paris), 665

Cox, Wally, 524, 526

Craft, Robert, 651

Cremin, Cornelius Christopher,

xvii–xviii, xxvii, 5, 435–436

Cremin, Patricia Josephine,

435–436

Criterion Theatre (London), 516,

546–548, 551–553, 563–564,

568, 570, 579, 583, 596,

599–602, 607, 611, 614, 622, 645

Critique: revue generale des publications

francaises et etrangeres, 80–81,

213, 264–265, 272, 318, 345,

366–367

Crommelynck, Fernand, 678–680;

Chaud et froid, ou L’Idee de

Monsieur Dom, 678–680

Crowley, Mary, 8

Cunard, Lady (nee Maude Alice

Burke, known as Emerald), 670

Cunard, Nancy* (I), 49, 51, 611–612,

624–626, 630–632, 660–663,

669–671; Hours Press, 461, 464,

612, 660–661; Editor, Negro,

Anthology Made by Nancy Cunard,

1931–1933, 611–612; GM:

Memories of George Moore,

611–612, 660–663, 669–671;

Grand Man: Memories of Norman

Douglas, 611–612, 624–626,

670–671; The Ivory Road

(proposed), 611–612; “Manuel

Alvarez Sera Execute au

Garrot,” 49, 51; Parallax,

670–671

Curran, Constantine, 89,

561–562, 565

Curtis Brown (London literary

agency), 423, 478–479, 492,

546–548, 585, 592, 645, 680,

682; Kitty Black*, 423, 479, 492,

514, 520, 525, 541, 593, 600,

602, 607, 619, 645, 679, 682;

Spencer Curtis Brown,

546–548, 550–552,

584–585, 654; Lawrence

Hammond, 682

Cusack, Cyril, 479, 533–534, 589,

598–599, 623–625

Cusack, Ralph, 61, 624–626, 631–632,

660–661, 670–671; Cadenza: an

Excursion, 624–625

Czekajac na Godota, Polish translation

of En attendant Godot by Julian

Rogozinski, 686–687;

production of (dir. Jerzy

Kreczmar), 687; publication,

abridged, in Dialog, 687

Da Vinci, Leonardo, 125, 158

Daiken, Leslie (ne Yodaiken)*,

24–25, 27, 29–30, 35–36, 49, 51,

55–56; Editor: They Go, the Irish: a

Miscellany of War-Time Writing, 25

Dam, Rene, 76

Daneman, Paul, 553, 586–587

General index

758






“Dante and the Lobster,” see More

Pricks Than Kicks

“Dante . . . Bruno . Vico . . Joyce,”

538, 651

Dantes, Raul, 615

Darley, Arthur Warren, 20, 70,

105–106

Daudet, Alphonse, 286; Tartarin de

Tarascon, 284–286

Davis, Rhys, 36

De Gaulle, Charles, 3, 6, 8, 65

De Sanctis, Francesco, 677–678

De Valera, Eamon, 32–33

Deat, Marcel, 19, 21

Delavenay, Emile, 19, 21, 74, 184,

226–227; Ecole Normale

Superieure, 21, 74, 226;

UNESCO, Head of Documents

and Publications Service, 74,

226–227

Democritus, 597

“Denis Devlin” (review of

Intercessions), 159, 161, 163

Derain, Andre, 94, 96, 99; Portrait of a

Lady (1921–1923), 99; Still Life

(1921–1923), 99

Derny, Roger, 198

Derriere le Miroir, 35–36, 69, 146–147

Deschevaux-Dumesnil, Jeanne (nee

Fourniols), 292–295, 337–338,

405, 407

Deschevaux-Dumesnil, Suzanne

Georgette Anna (m. Beckett)* (I),

xiv, xvi–xvii, xix, xxi–xxii,

xxv–xxvi, xxix, 3, 5, 19, 21, 23,

28, 30–31, 37, 44, 47, 53, 61, 72,

83, 86–87, 96, 98, 101, 103, 105,

109, 113–115, 118, 121, 123,

145–147, 171–172, 175–178,

184, 192–193, 195–197,

205–206, 208, 215, 217,

223–224, 227–229, 231–238,

240, 242–246, 251, 253–254,

269–270, 273, 275–276, 278,

283, 285, 287, 289, 291–295,

300–301, 328–329, 337–338,

349–350, 354–355, 357–360,

366–367, 377, 405, 407–408,

435, 454, 466, 471, 487–488,

531, 555, 624, 640, 664,

684–685, 687; represents SB’s

work, xxi–xxii, 30–31, 175–178,

184, 193, 196–197, 205–206,

208, 227–229, 233–238,

242–246, 253–254, 269–270,

287, 289, 357–360; “L’Amarre,”

117–118

Desnos, Robert, 7, 19, 21; Corps et

biens, 19, 21

Deucalion, 213, 251–252, 263,

276–278, 307, 353–354

Les Deux Magots (Paris cafe),

684–685, 687

Devine, George*, 674–675,

678–679, 681–683

Devlin, Denis* (I), 11–12, 16–17,

24–25, 34–36, 55–56, 159, 161,

163, 684–686; diplomatic

career, 12, 15, 686; marriage to

Marie Caren Radon, 12, 17;

Intercessions, 159, 161, 163; Lough

Derg and Other Poems, 16–17

Dialog (Warsaw theatre journal),

684, 686–687

Diaz, Arturo, 615

Dickens, Charles, 64, 93;

The Pickwick Papers, 90, 92–93,

179, 181

“Dieppe,” see “Poemes 38–39”

Dior, Christian, 542

Diriks, Dyre, 599–600

Diriks, Karl-Edward, 599–600

Le Disque Vert, 346, 429–430

Documents: A European Review of

Politics, Literature and Art,

35–36

General index

759






The Dolphin (Dublin hotel,

restaurant), 659

Donnelly, Donal, 562, 570, 600

Dormandi, Ladislas, 256

Douglas, Norman, 612, 624–625

Il Dramma, 468

Drancy Internment Camp, 21, 252

Droog, Bernard, 411

The Druid’s Chair Pub (Co. Dublin),

633–634

Druten, John van, 520; I am a

Camera, 520

Du Bouchet, Andre, 120, 122,

124–125, 148–150; “Felix

Feneon or The Mute Critic,”

120, 122, 124–125; “Three

Exhibitions:Masson – Tal Coat –

Miro,” 148–150

Dublin Magazine* (I), 175, 418, 598–599

Dubramet, Jean, 311

Duby, Albert, 413

Ducaux, Annie, 81

Duchamp, Marcel, xiv, 3

Duckworth, Colin, 353

Duff, Charles, 625

Duhamel, Georges, 147

Dullin, Charles, 61, 147, 301

Duncan, Alan* (I), 33–34, 56–57

Duncan, Belinda* (I), 33–34, 56–57

Duncan, Betty, 34

Duncan, Ronald, 208

Dunne, Tommy, 20

Duprey, Jean-Pierre, 160, 162–163

Dupuy, Dominique and Francoise,

355; company: Ballets

Modernes de Paris, 355, 682

Duras, Marguerite, 468

Dusseldorfer Schauspielhaus,

432–433, 647–648

Duthuit, Claude, xx, 108, 170, 174,

215, 218

Duthuit, Georges*, xx, xxiii, 58–59,

69, 76–77, 79, 84–104, 106–108,

111–143,146–174, 177,

179–200, 202–204, 209–211,

215–227, 230–233, 264,

268–276, 292–296, 304–305,

309–314, 317, 381, 385, 434,

439, 469–470, 472–474, 669;

Editor, Transition, 58–59, 77,

84–87, 89–94, 97, 99, 101,

103–104, 108, 115–124, 139,

142, 146–147, 150, 153,

156–157, 159, 161, 163,

171–173, 192, 194, 197–199,

221–222, 381, 385, 702–703,

721; “Bram van Velde ou aux

colonnes d’Hercule,” 293,

295–296, 304–305; “Le Don

indien: sur la cote nord-ouest de

l’Amerique,” 112; Les Fauves (The

Fauvist Painters), 87–88,

157–159, 166, 177, 185–190;

“The French Symbolists,” 190;

“Maille a partir avec Bram van

Velde,” 293, 295–296; Le Musee

inimaginable, 669; “Nicolas de

Stael,” 195, 197; Nicolas de Stael,

195, 197; Representation et

Presence, 296; “Sartre’s Last

Class,” 83, 86–87, 199; (with SB)

“Three Dialogues,” 109,

146–147, 150, 167–170,

202–203; Une fete en Cimmerie,

112; “Vuillard and the Poets of

Decadence,” 266–268, 270–271

Duthuit-Matisse, Marguerite, 91–92,

94, 107–108, 119, 121, 123,

149–150, 167, 169, 172–173,

179, 181, 381

Duverger, Jean-Jacques, 396

Echo’s Bones and other Precipitates, 34,

71, 73, 159, 161, 163, 183, 208,

376–377, 427–428, 461, 464,

614–615, 617–618, 625–626,

General index

760






638, 646, 648, 670; poems in:

“Enueg I,” 646, 648; “Sanies 1,”

670–671; “Serena 1,” 179,

181, 183

Ecole Normale Superieure* (I), xvi,

21, 74, 226, 461, 463, 467–468,

596–597

Editions Bordas, 28, 45, 48, 50, 53,

55–56, 63, 65–66, 176, 179, 181,

184, 191–192, 197, 206–208,

227–229, 236–238, 252–257,

283–284, 287, 289–291, 297–298,

301, 303, 376, 424–425, 654

Editions Calmann-Levy, 30–32

Editions Gallimard, 39, 47, 49, 51,

87, 206, 222, 265, 301, 429, 431,

549–550, 605

Editions Grasset, 250

Editions Julliard, 264–266, 279–280

Editions de Minuit, xxi–xxii, xxv,

177–178, 206–208, 213, 225, 228,

230, 235–236, 243–246, 251–252,

258–262, 269, 271–272, 274–275,

289, 291, 298, 303, 311, 316–317,

335, 352, 367, 376, 382–384, 386,

390, 392, 412, 416, 431, 433, 439,

450, 465, 479–480, 489, 505,

515–516, 533, 547, 549–550, 563,

582, 604–605, 611, 615, 634, 636,

649–650, 654, 667–668, 671–672,

682

Editions Nouvelles Francaises

(imprint of Editions Bordas),

48, 50

Editions Pierre a Feu (imprint of the

Galerie Maeght; see alsoDerriere

le Miroir), 35, 62–64

Editions Plon, 416

Editions Robert Laffont, 264–265,

279–280, 429

Editorial Poseidon (Buenos Aires

publisher), 494, 528–529,

614–615

Egk, Werner, 474–475, 477

84: Nouvelle Revue Litteraire (later,

Cahiers des Saisons), 177, 178,

205–206, 229–230, 251–252,

299–301, 516

Einaudi (Turin publisher),

608–609, 631

Eisenstein, Sergei, 630

Eleutheria, 53, 55, 57, 60–61, 71, 73,

75–76, 80, 95, 97, 99, 109, 147,

172–173, 184, 213, 253–254,

276–278, 287–288, 616,

628–629

Eliot, T. S., 64, 612; The Waste Land,

611–612

Ellmann, Richard, 396; Yeats: The

Man and the Mask, 396

Eluard, Paul, 48, 50, 64, 114–116,

203–205; Le dur desir de durer, 48,

50; Poesie ininterrompue (“Le

travail du peintre – A Picasso”

[“The Work of the Painter – To

Picasso”]), 114–116

Empedocle, 193–194, 196–197

En attendant Godot, xiii, xxii, 70,

107–109, 117–118, 146–147,

171–173, 179, 182, 184,

199–201, 207–208, 210–211,

213, 215–216, 218, 220, 225,

233–235, 253–256, 260–261,

277–278, 299–300, 307,

314–317, 320–329, 331–334,

337, 341–343, 345–355,

357–360, 363–372, 375–376,

380–387, 389, 391, 395–396,

398, 404–409, 411–413,

419–420, 428, 432, 435,

443–445, 448, 454–457,

467–469, 475–477, 479–480,

488–489, 493–497, 504–507,

511–512, 522–523, 527, 529,

531, 543, 548, 555, 573–574,

589, 614–617, 621–622, 624,

General index

761






626–628, 639, 643–644,

647–648, 650–651, 657, 664,

684, 686–687; Entree des

Auteurs (RTF radio broadcast,

Paris, 1952), 307, 314–317,

320–321; Paris productions:

(1953), xxii, 345–349, 355,

370–372, 380, 386, 395–396,

405–409, 412–413, 417,

419–420, 432–433, 435, 445,

480, 548; (1956), 589, 621–622,

624, 626, 628, 639, 643–644,

647–648, 650, 657; publication

by Editions de Minuit, 325–326,

341, 346, 376, 479–480,

488–489; subvention for (l’aide

a la premiere piece), 233–235,

277–278, 281–282, 287–288,

307, 322–324, 341, 664

Endspiel, publication by Fischer

Verlag, 634–635, 681

English Stage Company, see Royal

Court Theatre

Enright, Rosemary, 607

Enters, Warren, 497–498

“Enueg 1,” see Echo’s Bones and other

Precipitates

Envoy, 109, 174–175, 177, 202, 319

Epstein, Alvin, 644, 646–648

Equity, 599–600

Ernst, Max, 61

L’Escargot (Paris restaurant), 406

Escola de Arte Dramatica de Sao

Paulo, 543

Esperando a Godot, Spanish

translations of En attendant

Godot: by Rafael Lasso de la

Vega, 530; by Salvado Novo,

614–615; by Pablo Palant, 440,

493–494, 497–498, 529–530,

544; by Trino Martısnez Trives,

439, 444–445, 447–449,

456–457, 527–530, 535;

productions: Boston Institute,

Madrid (1955, tr. Lasso de la

Vega), 530; Teatro La Capilla,

Mexico City (1955, tr., Novo,

dir., Novo), 614–615; University

of Madrid (1955, tr. Trives), 515,

530, 534–535

Estienne, Charles, 320–322; “Deux

peintres hollandais de Paris: Les

freres Van Velde,” 320–322

Ethel Barrymore Theatre (New

York), 687

Europa Press, Europa Poets series,

33–34, 163, 208, 377

European Literary Bureau, 17,

207–208

Evergreen Review, 681–682

Ewell, Tom, 584–587, 595, 601, 659

Exhibition of French pictures

(Dublin), 53, 56–57

Exhibition of Living Art (Dublin), 69,

96, 98–99

“L’Expulse,” see Nouvelles; Nouvelles et

Textes pour rien; Quatre Nouvelles

Faber and Faber, xxi, 639; Charles

Monteith*, Editor, 603; Waiting

for Godot (expurgated first Faber

and Faber edition), 353, 589,

602–603, 606, 645

Fabri, Albrecht, 637–638;

Variationen: Essays, 638

The Falstaff (Paris bar), 661–662

Farquhar, George, 555; The Beaux’

Stratagem, 555

Farrington Margaret (nee Phelan),

66–67, 73, 76, 105, 146, 407, 435

The Father Matthew Record, 74–76, 81,

105–106

Faulkner, William, 309–311, 676;

Mosquitoes, 309–311; Requiem

for a Nun (Requiem pour une

nonne), 676

General index

762






Feneon, Felix, 120, 122, 124, 135–136,

139, 142; “La Grande Jatte:

Extracts from the Collected

Works of Felix Feneon,” 124,

135–136, 139, 142

Le Figaro Litteraire, 213, 242–243,

250, 351–352, 393–394, 504

Fin de partie (provisional title Haam),

xiii, 589–590, 602, 619, 626,

643, 647–648, 650, 653–654,

657–658, 660–663, 669–670,

673, 675, 678–681, 684–686,

697; publication by Editions de

Minuit, 628, 680, 684, 686,

689–692

Fischer-Dieskau, Dietrich, 604–605,

640–641

Fischer Verlag, S., xxi, 367, 634–637,

643–644, 667–668, 681; Helmut

Castagne, 634–637, 668; Stefani

Hunzinger, 667–668

Fitzgerald, Nigel, 562, 569–570

Fitzmaurice, Seamus, 569–570

Flink, Richard, 411

Fontaine: Revue mensuelle de la poesie et

des lettres francaises, 28, 32, 48,

55, 57, 93, 191–192, 233, 415

Fontaine des Quatre Saisons (Paris

cabaret theatre), 540, 542

Fontane, Theodor, 342–344, 621; Effi

Briest, 342–344, 621

Foote, Horton, 628, 644; The Trip to

Bountiful, 628, 643–644, 659

Foppa, Vincenzo, 90–91, 93

Forces Francaises de l’Interieur, 6

Ford, Boris, 546–548

Foto Donitz, 432–433

Fouchet, Lucie, 249

Fouchet, Max-Pol, 30–31, 82, 84, 87,

175–176, 193, 196–197, 213,

249, 291, 341; review of Molloy,

213, 249

Fouquet’s (Paris restaurant), 670–671

Four Novellas, 51

Fowlie, Wallace, 385, 387

Fox, Johnnie Fox (Dublin pub), 84,

87, 89

Foxrock, 56, 60, 73, 80, 633–634

Francis, Sam, 470–471

Franck, Walter, 400–402

Francois, Samson, 23

Frank, Nino, 626–627; Italian

translator (with James Joyce) of

“Anna Livia Plurabelle,” 627

Franzen, Erich*, German translator

of Molloy, 407–408, 439,

441–443, 445, 449–453,

455–460, 481, 498; “Samuel

Beckett: Molloy,” 459–460

Fraser, G. S., 603; review of Waiting

for Godot, 603

Fraser, Gordon, 548

Frechtman, Bernard, 79

Frederique, Andre, 89, 91–92

Fredi, Bartolo di, 314

Freitag, Hans, 505, 637

French Legation (Dublin), 16, 146

French Resistance, Reseaux: Forces

Francaises de l’Interieur, 6;

Gloria SMH (British Special

OperationsExecutive), xvi, 4, 108

Fridberg, Maurice, 27, 35–36; Hour

Glass Library, 36

“From an Abandoned Work,”

621–622, 629–630, 642, 646,

648, 654, 680–681

Frost, Sydney William, 90, 92, 94

Fruttero, Carlo, 609, 631

Gabirol, Solomon ben Yehuda Ibn

(known as Avicebron),

117–119

Gaffney, James Cyril, 20

Gaiety Theatre (Dublin), 521, 623

Galerie Beaux-Arts (Paris), 439,

454–455, 470–471, 473

General index

763






Galerie Denise Rene (Paris), 94,

96–97, 99, 526

Galerie Folklore (Lyon), 25, 109

Galerie de France (Paris), 125

Galerie Maeght (Paris), 25, 27, 36,

62–64, 69, 78–79, 106, 121, 123,

146–147, 151, 154, 180, 183,

185, 207, 296, 304–305, 307,

320–322, 335–336, 342–344, 377

Galerie Mai (Paris), 25, 27, 120,

122, 125

Galerie Michel Warren (Paris), 536,

684, 686–687

Galerie Suillerot (Paris), 424, 572

Galilei, Galileo, 90–91, 93, 671

Galsworthy, John, 116–118; The

White Monkey, 116–118

Galvan, Manuel de Jesus, 510;

Enriquillo (The Cross and the

Sword), 510

Gate Theatre (Dublin), 75–76, 607,

614–615

Gazette des Beaux-Arts, 471

Gelb, Arthur, 579

Gelin, Daniel, 253–255

Genet, Jean, 89, 91–92, 95, 97, 99,

100, 102–104, 387; “Thief’s

Journal (Extracts),” 99–100

Gerstein, Sergio, 353, 408–409, 411

Gervais, Andre-Charles, 175–176,

197, 208, 290–291

Gessner, Niklaus, 647–649; Die

Unzulanglichkeit der Sprache: eine

Untersuchung uber Formzerfall und

Beziehungslosigkeit bei Samuel

Beckett, 647–649

Gestapo, xvi, xxvii, 5, 16–17

Geulincx, Arnold, 148, 150, 427,

458–459, 669; Ethics, 458–459

Gheerbrant, Alain, 80–81

Ghelderode, Michel de,

371–372; L’Ecole des Bouffons,

371–372

Giacometti, Alberto, 161, 163–164,

246, 292, 294; jacket design for

Molloy, 246

Gide, Andre, 36, 48, 50, 146–147; La

Symphonie pastorale, 48, 50

Gielgud, Val, 631–632

Gigoux, Jean-Francois, 247–248

Gilbert, Stuart, 72, 74, 485

Giorgione, 90–93

Giotto, 187

Giovaninetti, Silvio, 647–648;

L’abisso (Au dela du mur),

647–648, 654

Girodias,Maurice*, 377, 500, 512–514,

519–520, 608–609, 612–614

Gischia, Leon, 179, 181–182, 184; La

Sculpture en France, de la

prehistoire a la fin du Moyen Age

(with Bernard Champigneulle),

179, 181–182, 184; La Sculpture

en France depuis Rodin (with

Nicole Vedres), 184

Glaser, Georg, 269, 271–272;

Geheimnis und Gewalt: ein

Bericht, 272

Gleize, Albert, 208; L’Homme devenu

peintre, 208

Glenville, Peter*, 417, 420, 423–426,

432–433, 435, 440, 479, 481,

488–492, 497, 507–508,

513–514, 520–521, 524–525

“The Gloaming” (later revised as

Rough for Theatre I), 690–692

Godo wo machinagara, Japanese

translation of En attendant

Godot, 614–615

Goethe, Johann Wolfgang von, 80,

436; Die Wahlverwandtschaften,

78–80, 434, 436

Gordon Fraser Gallery (London

publisher), 546–548, 550, 552

Gorky, Maxim, 203, 605; Les

Bas-fonds, 604–605

General index

764






Gorostiza, Jose, 184

Gozzoli, Benozzo, 153, 156, 158

Gracq, Julien, 78–79, 194, 196–198;

“La litterature a

l’estomac” (“Literature Hits

Below the Belt”), 79, 194,

196–198

Greacen, Robert, 437

Green, Julien, 493–494; Leviathan,

493–494

The Green Pastures (Les Verts Paturages)

(film), 690–691

Greenburg, Edith (IndianaUniversity

Press), 510–511, 665–666

Greene, David Herbert, 191–192;

Editor (with Vivian Mercier),

1000 Years of Irish Prose, 192

Grefcoeur, Martine, 411

Grenier, Jean, 255–256

Grenier, Jean-Pierre, 61

Grenier, Roger, 269, 271–272; radio

program, La Vie des lettres, 269,

271–272

Grenier-Hussenot (Paris theatre

company), 53, 60–61

Grock (ne Charles Adrien Wettach),

577, 579

Groning, Karl, 402–403

Grove Press (New York publisher;

see also Rosset, Barney, and

individual titles), xxi, 40, 345,

358, 381, 386–387, 398, 404,

417, 419–420, 433, 439–440,

448, 498, 508, 513, 515,

520–521, 533, 540–542, 547,

551–552, 568, 585, 590–591,

593, 602, 608, 615, 618, 633,

648, 655, 677, 682; Evergreen

Review, 681–682

Grundgens, Gustav, 432–433,

647–648; Wirklichkeit des

Theaters, 433

Grunewald, Matthias, 408

Guevara, Miguel de, 439

Guggenheim, Marguerite (Peggy)*

(I), xxvi, 49, 51; Art of This

Century (New York gallery), 51;

purchase of Palazzo Venier dei

Leoni (Venice), 49, 51

Guinness, Alec, 480, 483, 486–492,

494–498, 519, 521, 525

Guthrie, Tyrone, 491

Guy, France, 307, 339, 341, 347–349

Haam (preliminary title, see Fin de

partie)

Haas, Monique, 624–625

Haik, Farjallah, 147; Abou

Nassif, 147

Hall, Peter, 515, 533, 546–548,

563–564, 567–568, 570,

574–579, 587, 594–595,

608–609, 611, 687

Hamilton, Jamie, 60

Hamish Hamilton (London

publisher), 53, 60, 62–64, 66,

615; The Novel Library

(imprint), 60

Hammond, Lawrence, see Curtis

Brown

Hanska, Eveline, 247–248

Harper Brothers (New York

publisher), 40

Hartkamp, Gerald, 411

Hautefeuille, Philippe, 303, 341

Hayden, Henri*, xxv, 6, 116–118,

127, 130, 292, 294, 421, 424

Hayden, Josette, xxv, 6

Hayes, Helen, 569

Hayman, David, 536–539; Joyce et

Mallarme, 536–539

Hayman, Loni (nee Goldschmidt),

538–539

Hayter, Helen (nee Phillips), 618;

Arbre de vie, 618; La Promenade,

618; Virgo, 618

General index

765






Hayter, Stanley William, 202–203,

524–526, 618; Femme accroupie,

618; introduction, Jankel Adler,

203; “The Language of

Kandinsky,” 202–203; NewWays

of Gravure, 203; La noyee, 618;

Orage, 618; “Techniques of

Gravure,” 203

Hebertot, Jacques (ne Andre Daviel),

647–648

Hegel, Friedrich, 252

Heidegger, Martin, 230–233;

“L’hymne ‘Tel qu’en un jour de

fete’ de Holderlin,” 230–233

Heine, Maurice, 210–211, 223–225;

“Avant-propos au Dialogue entre

un Pretre et un Moribond,”

210–211, 223–225

Heinemann (London publisher),

281–283

Hellens, Franz, 430

Helseth, Henry Edward, 221–222;

The Chair for Martin Rome (Un aller

simple), 221–222

Henle, Friedrich, 458–460

“HenriHayden, homme-peintre,” 516

Heraclitus, 157

Hermathena, 439

Herold, Jacques, 292, 294–295

Herrand, Marcel, 301

Hesse, Eva, 638

Hessling, Hans, 400–402

Hickey, Tim, 664–665

Hickey, Vincent, 665

Higgins, Aidan*, 319, 544–545,

633–634, 682

Higgins, Jill (nee Anders), 633–634

Hilling, Jacques, 317, 406, 421, 424

Hilt, Andre, 18, 20

Hirt, Eleonore, 512

Hitler, Adolf, 3, 4, 460; death of, 7

Hobson, Harold*, 541, 544, 553, 566,

570, 573, 593, 644; reviews of

Waiting for Godot, 541, 544,

553–554, 573–574, 593; review

of En attendant Godot (1956), 628

Hodge, Alan, 60

Hodges and Figgis (Dublin

bookstore), 502

Hoffmann, Michel, 244–246

Holder, Geoffrey, 686–687, 690–691

Holderlin, Friedrich, 231–233

Holmstrom, John, 553

Homer, 244, 437; The Iliad, 437; The

Odyssey, 244

“Hommage a Jack B. Yeats,” 439,

469–474, 482

Hone, David, 57

Hone, Joseph Maunsel* (I), 56–57

Hoog, Armand, 244

Hopkins, Gerard Manley, 64

Hotel Conde (Paris), 224–225, 227

Hotel Montalembert (Paris),

444–445, 534–535, 540

Horizon: A Review of Literature and Art,

35–36, 80–81

Hoult, Norah, 36

Hours Press, see Cunard, Nancy

Howe, Mary Manning (nee

Manning, later m. Adams)* (I),

508, 541

Hsia, Ay-whang, 471

Hugo, Victor, 297–299; Notre-Dame

de Paris, 297–299

Hunzinger, Stefani (nee Cremer)*,

667–668

Hussenot, Olivier, 61

Husserl, Edmund, 22–23

Hutchins Greacen, Patricia (m.

Greacen), xiv, xxvi, 437, 485;

James Joyce’s World, 485

Hutchinson, Mary (nee Barnes)*,

314, 317, 668–669; “Samuel

Beckett,” 669

Hutchinson, St John, 669

Hyman, Earl, 690–691

General index

766






“I would like my love to die,” see

“Trois poemes – Three Poems”

Icarus, 434, 436

Igo Inn (Co. Dublin), 633–634

Aux Iles Marquises (Paris

restaurant), 310–311, 313, 421,

444, 531–532, 555, 583–584,

621–622

Indiana University Press, 510, 667

Ingram, Rex, 690–691

L’Innommable, xiii, 109, 160,

162–163, 177–178, 207–208,

234–238, 240–241, 262–263,

290–291, 293, 295, 299–300,

319–321, 335–338, 342–346,

353–355, 357–358, 362,

372–373, 375–376, 386,

395–396, 399, 410–411, 425,

428, 434, 441–443, 448–449,

457, 460, 467, 497, 514, 532,

544, 547, 550, 552, 558, 568,

589, 592, 596, 599, 602–603,

606–609, 614, 616, 621, 640,

642, 646, 658, 664, 672,

681–682, 684, 686; NNRF’s

truncated publication of

“Mahood,” 343–345, 357–358,

360–364, 373–374

Institut de France, 21

Institute of Contemporary Arts

(London), 570

International Congress of Art Critics

(Paris), 81

Ionesco, Eugene, 342, 369, 387,

417–418, 444–445, 454–455,

468, 512, 535, 569–570,

604–605, 643, 673–675,

678–679, 683–684, 686; Amedee

ou Comment s’en debarrasser, 418,

445, 454–455; La Cantatrice

chauve, 417–418, 687; Les Chaises,

418, 569–570, 604–605, 678,

683–684, 686;

Les Grandes Chaleurs, 632;

L’Impromptu de l’Alma, ou Le

Cameleon du berger, 605; Jacques

ou la soumission, 417–418; La

jeune fille a marier, 632; La

Lecon, 417–418, 569–570,

684, 686–687; Le nouveau

locataire, 535, 684, 686–687;

Le Salon de l’automobile,

417–418; Victimes du devoir,

418, 512

Ionesco, Rodica (nee Burileanu),

673–675

Iris Oifigiuil, 601

Irish Academy of Letters (Dublin),

598; SB refuses nomination

for membership, 589,

597–598

Irish Exhibition of Living Art, 69, 96,

98–99

Irish Legation (Paris, Vichy),

xvi–xviii, xxvii, 4–5, 9–10, 21,

436, 563; facilitates

communication between

France and Ireland, xix, xxviii,

3, 5–6, 9

Irish Red Cross Hospital, Saint-Lo,

7–8, 15–16, 18, 20–21, 24, 27,

73, 106, 276

Irish Writing, 214, 267–268,

276–278, 284–285, 319, 589,

602, 608–609, 614–615,

621–622

Jacquemont, Maurice, 280

Jahnke, Hans E., xxvi, 555

James, Henry, 64, 264–265; The

Ambassadors, 265

A James Joyce Yearbook, 59

Jarry, Alfred, 114–116; Gestes et

opinions du Docteur Faustroll,

Pataphysicien (extract, “The

Painting Machine”), 116

General index

767






“je suis ce cours de sable qui glisse,”

see “Trois poemes – Three

Poems”

“je voudrais que mon amour

meure,” see “Trois poemes –

Three Poems”

Joblaud, Camille, 94

The Jockey Club (Paris cabaret), 194,

196, 199

John Golden Theatre (New York),

589, 611, 614–615

Johnson, Esther (Stella to Jonathan

Swift), 445

Johnson, Samuel, 71, 74, 283

Jokl, Anna Marie, 403–404

Jolas, Betsy, 336

Jolas, Eugene* (I), 58–59, 72, 74, 83,

86, 88, 264–265, 307, 335–336;

Editor: transition, 59; Transition

Workshop, 59

Jolas, Maria* (I), 53, 58–59, 66, 72,

78–79, 83, 86, 88–89, 106,

335–336, 485; Saint-Gerand-le-

Puy, 485; Transition (also

Transition Cahiers), 53, 58–59

Joly, Gustave, 349

Jonathan Cape (London publisher),

29–30; rejection of Murphy, 30

Jonic, Bettina (m. Calder), 353

Jordan’s (pub, Co. Dublin), 633–634

“Les joues rouges,” 50

Jouhandeau, Marcel, 210–211, 215,

218; M. Godeau intime, 210–211;

M. Godeau marie, 211

Jouve, Pierre-Jean, 324

Jouvet, Louis, 73–74

Joyce, Asta (nee Osterwalder, m.

Jahnke), 516, 554–556, 562

Joyce, Giorgio* (I), 4, 66–67, 72, 74,

89, 454–455, 471–472, 516,

554–556, 561

Joyce, James* (I), xiv, xvi, 3–4, 21,

29–30, 67, 83, 86, 89, 105–106,

209, 272, 396, 437, 461–466,

485, 516, 532, 537–539,

561–562, 566, 597, 627, 642,

649, 651, 660–661, 670–671;

death of, xvi, 4, 561; proposed

reinterment of, 83, 86, 89,

105–106; “Alone,” 561–562;

Pomes Penyeach, 562; A Portrait of

the Artist as a Young Man, 269,

271–272; Work in Progress

(Finnegans Wake), 461, 463, 537,

539, 561–562

Joyce, Lucia* (I), xxvi, 58–59, 66–67,

72, 75; Maison de Sante (Ivry),

59, 67, 72, 75

Joyce, Nora (nee Barnacle)* (I),

xiv,3–4, 66–67, 72, 74, 89, 106,

437, 485, 566

Joyce, Solange (nee Raytchine), 515,

532, 555

Joyce, Stephen, 4, 515, 532, 555; SB

witness at marriage to Solange

Raytchine, 515, 532, 555

K editeur (also Editions K), 80–81

Kafka, Franz, 22–23, 184, 462, 464,

466, 597; Das Schloss (The Castle),

22–23, 462, 464, 466; Der Prozess

(The Trial), 22–23

Kalandra, Zavis, 203–205

Kandinsky, Wassily, 202–203;

Concerning the Spiritual in Art,

202–203

Kanin, Garson, 345, 379–380,

562, 579

Kant, Immanuel, 199

Kazar, Kurt, 648

Keane, Damien, 649

Keaton, Buster, 439, 444–445, 524,

526, 541

Keaton, Eleanor (nee Norris), 445

Kelly, Dermot, 565, 570–572

Kemp, Robert, 74, 396, 408, 423

General index

768






Kenner, Hugh, 437

Kenwood House (London), 179,

181, 183

Keown, Eric, 662–663

Kergolary, Countess de, 20

Kerr, Walter, 660

Kerz, Leo, 524–525

Kew Gardens, 604–605

Kierkegaard, Søren, 22–23, 252

Killick, Michael Brendan, 20

Killiney Golf Club, 72

Kirchentage production of Warten

auf Godot, see Lembke, Karl-

Franz

Klee, Paul, 83, 86, 89

Klossowski, Pierre, 210–211, 223,

225; Sade mon prochain, 210–211,

223, 225

Knowlson, James, xxvi, 104, 184,

235, 329

Kober, Jacques, 36, 64, 312

Koestler, Arthur, 49, 51; Bar du soleil

(Twilight Bar), 51

Konitzky, Sally (Indiana University

Press), 510

Kootz Gallery (New York), 69

Kreczmar, Jerzy, 687

Krefeld, 432–433

Kuipers, Frederick Carel (Fritz), 684,

686–687, 690–692

La Fayette, Madame de, 342–344; La

Princesse de Cleves, 342–344

Labrusse, Remi, 87–88

Lafont, M., 20

Lahr, Bert, 584–585, 587, 595–596,

615, 642, 647–648

Lamb Doyles (Dublin pub), 84,

87, 89

Lambrichs, Georges*, 177, 205–206,

233–236, 269–271, 341, 364

Laperouse (Paris restaurant),

659–660

Larbaud, Valery, xiv, 3, 466

Laroche, Claude, 215, 218, 220

Lasso de la Vega, Rafael, 530

Latour, Genevieve, 512, 644

Latour, Pierre, 368–369, 413

Lattes, Mario, 468

Laurens, Henri, 151

Laval, Pierre, 19, 21

Lawrence, D. H., 64, 624–625

Lawrence, L. L., 420, 423

Le Gall, Yves, 171, 173;

“Introduction to Akara,” 173

Lecointe, Serge, 317

Lectures pour Tous, 284–287, 289

Lefevre, Yvonne, 67, 149, 169,

181, 200

Leibniz, Gottfried, 120, 122, 124

Leibowitz, Rene, 146–147

Leiris, Michel, 349

Lely, Gilbert, 211, 220–223, 225,

227; Editor: L’Aigle, Mademoiselle

. . . Lettres, 222, 295; Le Carillon de

Vincennes: Lettres inedites, 222;

Morceaux choisis de Donatien-

Alphonse-Francois de Sade, 222; Vie

du Marquis de Sade, 216,

219–222, 227

Lemarchand, Jacques, 341–342, 352

Lembke, Karl-Franz, 503–506,

634–638; production of Warten

auf Godot, Frankfurt

Kirchentage (1956), 634,

636–637, 643–644

Leon, Elisabeth Lucie (pen name

Lucie Noel), xvi, xxvi

Leon, Paul (1874–1962), 19, 21

Leon, Paul Leopoldovitch, xvi, 4,

19, 21

Leopardi, Giacomo, 509, 537–538,

646; “A se stesso,” 509,

537–538

Lettres Modernes (Paris publisher),

538

General index

769






Les Lettres Nouvelles (provisionally

entitled La Revue des Lettres

Francaises), 318, 345–349, 354,

373–374, 399, 430, 439, 455,

469–470, 472, 481–482, 509,

629, 676, 684–686

Leventhal, Abraham Jacob (A. J.;

Con)* (I), 23–25, 29, 33,

395–396, 416–418, 449,

546–548, 561–564, 569,

571–573, 598–600, 661–662;

“Dramatic Commentary,”

Dublin Magazine, 418, 546–548,

598–599; Editor: “Extracts from

the Unpublished Memoirs of

the Late T. B. Rudmose-Brown,”

598–599; marriage to Ethna

MacCarthy, 661–662; Trinity

College Dublin, Foundation

Scholar (1916), 561–562;

“Mr. Beckett’s En attendant

Godot,” 548, 564

Leymarie, Jean, 180, 183, 185

Leyris, Pierre, 61, 63–64

Lezine, Irene, 299

Lezine, Maria, see Peron,

Marie

Liberte (ship), 521, 523

La Licorne, 61, 63–64

Lieberson, Brigitta (nee Hartwig,

stage name Vera Zorina), 651,

655, 673

Lieberson, Goddard*, 590, 646–649,

651, 655, 658–659, 673, 682;

President, Columbia Records,

648, 658

Life Magazine, 77

Lima, Luiz de, 543

Limes Verlag, 465, 589, 637–638,

643–644; Gedichte (trilingual

edition of SB’s collected

poems), 589, 638, 643–644;

German translations from

French by Elmar Tophoven,

637–638

Lindon, Annette (nee Rosenfeld),

322–324, 365–366, 527–528,

544

Lindon, Jerome, xxii, 177, 208, 213,

229, 233–239, 242–246,

251–257, 261–262, 269–272,

289–291, 293, 295–296, 303,

316, 322–330, 334, 336–342,

347–349, 351–352, 354–369,

373–374, 379–381, 384, 388,

390, 392, 403–404, 406, 416,

420, 423–426, 429, 441–442,

445–449, 457, 487–492, 497,

500, 503–504, 511–512, 514,

520–521, 524–525, 528–533,

540–547, 550–552, 557–558,

582, 592–593, 604, 608–609,

611–614, 646, 648–650, 654,

664, 668, 671–672, 674–675,

680, 682, 684–685, 690–691;

letters by, for SB’s signature:

252–253, 257; “First Meeting

with Samuel Beckett,” 235–236

Lindon, Mathieu, 542–544

Lindsay, Jack (ne Robert Leeson

Lindsay), 49, 51; Editor, Anvil:

Life and the Arts: A Miscellany, 51

Lipnitzki, Boris, 617

Lippman, Elga, 202–203

Lipsi, Morice, 454–455

The Listener, 190

Lister, Laurier, 572

Logue, Christopher, 377

Longford, Christine, 58

Lord Chamberlain’s Office, xxi, 440,

480–481, 484, 602, 645, 663;

Gwatkin, Norman, 484; Heriot,

Charles D., 484

Lord’s Cricket Ground (London),

572, 604–605

Lottman, Herbert, 191

General index

770






Lougee, Alice Jane, 377

The Louvre, 7–8, 19, 22, 665

“Love and Lethe,” see More Pricks

Than Kicks

Lowenfels, Walter, 631–632

Lucas, Cyril, 570, 573, 591–592

Ludvigsen, Christian (Chr.)*, 616–617

Lunn, Brian, 33–34, 56–57

Luttringhausen, 346, 504–506,

562–564, 634, 636

Lycee Buffon (Paris), 282, 559

McAlmon, Robert, 199

McAlpine, Helen, 32–33, 81–82,

617–618

McAlpine, William, 32–33, 80–82,

617–618

MacCarthy, Ethna Mary* (I), 346,

396, 417–418, 434, 564,

572–573, 661–662; marriage to

A. J. Leventhal, 661–662

MacDonagh, Donagh (also

McDonagh), 36, 661–662; Editor

(with Lennox Robinson), The

Oxford Book of Irish Verse: XVIIth

Century – XXth Century, 662;

Happy as Larry, 662

McDonald, Denis R., 9–10, 19, 21

McDougall, William, 100, 102, 104

“MacGreevy on Yeats,” 7, 19, 21

MacGreevy, Thomas (changed in

1941 from McGreevy)* (I), xiv,

xxiii, xxvi, xlv, 7, 10–11, 15–22,

29, 32, 35, 65–67, 69, 71–76,

80–81, 88–89, 104–106, 112,

144–147, 149, 169, 183,

201–202, 204, 303, 313–314,

335, 341, 346, 397, 401, 405,

407–408, 418–419, 427–428,

433–436, 466, 470–472, 474,

541, 544, 548, 565–566, 609,

623–625, 630, 634, 639–641,

652, 663–665, 671; Art critic, 67,

81; The Capuchin Annual, 12,

16–17, 24–25, 32–33; Director,

National Gallery of Ireland, 202,

207, 314, 335, 376; Tarbert (Co.

Kerry), 314; named Chevalier de

l’Ordre de la Legion d’Honneur,

69, 146–147; “Art Criticism,

and a Visit to Paris,” 81, 106;

“Dante – and Modern Ireland,”

74, 76; Catalogue of Pictures of the

Italian Schools, 664–665; Dutch

Pictures: 17th Century, 655;

Pictures in the Irish National

Gallery, 33; Jack B. Yeats: An

Appreciation and an Interpretation,

7, 17, 19–21

McGuinness, Nora, 72, 74

McIntyre, Gilbert, 600

McKee, Dr. Frederick Frank, 20

McKinney, Col. Thomas J., 8, 20

McMaster, Chris, 600

Macmillan (London publisher),

608–609

McMillan, Dougald, 20

McMillan, Ian, 435–436

McWhinnie, Donald*, 656, 675, 677,

687–689

Maeght, Aime, 64, 77–78, 180, 183,

342–343, 376–377

Magny, Claude-Edmonde, 425

Malahide Castle, 281–283

Malebranche, Nicolas, 72, 74

Mallarme, Stephane, 120, 122, 125,

266–268, 270–271, 537–538;

“De Meme,” 120, 122, 125;

“Edouard Manet,” 120, 122,

125; “Variations sur un sujet,”

125

Malone Dies, English translation, 345,

358, 440, 487–489, 495–496,

513–514, 516, 519–520, 531,

534–535, 540, 544, 547, 550,

552–553, 571, 583–584, 589,

General index

771






590–592, 599, 602, 606,

608–609, 615, 621–622, 633,

672; publication by Grove Press,

345, 358, 513–514, 547, 571,

583, 590–591, 599, 606,

621–622, 633, 672; publication

by John Calder, Ltd., in Three

Novels, 590, 672

Malone meurt, xiii, 53, 69, 71, 73,

80–81, 105–106, 137, 141,

146–147, 177–178, 205–206,

208, 213–214, 235–238,

251–252, 258–262, 266,

287–288, 290–291, 293, 295,

297–301, 303, 314, 319–321,

336, 345, 358, 376, 381,

385–388, 399–400, 428, 440,

443–445, 448–449, 456–457,

460, 467, 487–489, 495–496,

513–514, 516, 519–520, 531,

534–535, 540, 544, 547, 550,

552–553, 568, 571, 583–584,

591–592, 599, 607, 616, 646,

672; initial title, L’Absent, 81;

Malone stirbt, publication by

Suhrkamp Verlag, 441–443

Malraux, Andre, 161, 163–164,

363–365, 493–494; La Condition

humaine, 493–494

Manet, Edouard, 94, 96, 99; Madame

Manet dans la Serre; Tama, the

Japanese Dog; Ile

de St. Ouen [attributed to

Manet], 99

Manheim, Ralph, 158, 190–191

Manker, Manfred, 503–504

Manning, Mary, see Howe, Mary

Manning

Manning, Susan, 207, 300,

303, 377, 379, 392, 471,

508, 609

Mano, Guy Levis, 184

Mantegna, Andrea, 83, 86

Marcel, Gabriel-Honore, 273–275,

277–278, 347–349

Marcenac, Jean, 203; La Beaute du

Diable, 203

March, Richard Reginald, 17

Marchat, Jean–Pierre, 299–301

Marcus, David, 268, 278; Editor, Irish

Writing, 268

Marechal, Sylvain, 223, 225–226;

Dictionnaire des athees, 226

Marie, Andre, 95, 97, 99

Marseille Festival de l’art

d’avant–garde, 589, 606–607,

619, 621, 623–624, 626,

630–636, 639, 647

Marshall, E. G., 615, 644, 648

Marston, John, 663–664; Antonio’s

Revenge, 663–664

Martin, Jean*, 351, 353, 413, 417,

421, 423, 439, 444–445,

454–455, 590, 642–644, 646,

654, 657, 659, 662–664, 672,

678–679, 683–686, 690–691

Martin, Mary, 569

Martin, Paul, 121, 123, 125

Marton, Georges, 383

Masaccio, 90–91, 94, 96, 99

Masson, Andre, 128, 131, 135,

142–143, 148–150, 161,

163–166, 183

Matisse, Amelie Noelie (nee

Parayre), 108, 172–174

Matisse, Henri, 84, 87, 89, 94, 96, 99,

108, 112, 157, 164–165, 167,

281–282; Still Life, 99

Matthews, Brendan, 600

Matthiesen Gallery (London), 650

Matthieu–Bouillon, Danielle, 644

Mauclair, Jacques, 603–605

Maulnier, Thierry, 277–278

Maurer, Friedrich, 400–402

Mauroc, Daniel, 346, 416; Editor,

Janus: cahiers de la jeune poesie

General index

772






francaise et americaine, 416;

translation of Watt, 346, 416,

419-421, 444-447, 508-509;

Contre-amour, 416

Mauthausen Concentration Camp,

6–7, 17

Mauthner, Fritz, 462, 465–466;

Beitrage zu einer Kritik der Sprache,

462, 465–466

Mayoux, Jean–Jacques, 74, 184

Medina, Albert, 336–337

Meister, Guido, 197

Melville, Herman, 64

Mendel, Deryk (mime character,

Frollo)*, 516, 540, 542, 551–552,

556–557, 562, 572, 680, 682,

690–691

Menton Biennale, 281–283,

335–336

Mercier, Vivian, 36, 192, 561, 563;

Editor (with David Herbert

Green), 1000 Years of Irish Prose,

192; review of Molloy, 553,

561, 563; “Godot, Molloy et

Cie,” 563

Mercier et Camier, 27–28, 39–40, 44,

48, 50, 53, 55–56, 66, 71, 73, 80,

147, 205–206, 229, 290–291,

439, 446, 457

Mercure de France, 318

Merkur, 459–460

Merlin, 307, 338–339, 346, 356–358,

385–387, 421, 423, 440,

493–494, 498–501, 507,

534–535

Merriman, Robert E., 497–498

Mesquita, Alfred, 542–544

Methuen (London publisher), 27, 33,

35–36

Micha, Rene, 322–324

Michaelis, Cecil, 128, 131, 133

Michaud, Marcel, 25, 120,

122, 125

Michaux, Henri, 95, 97, 99–104, 349;

“To right nor left,” 95, 97,

99–104

Michelangelo, see Buonarroti,

Michelangelo

Mihalovici, Marcel, 624–625; Phedre,

624–625

Miller, Arthur, 660; A View from the

Bridge, 660

Miller, Henry, 631–632

Milton, John, 64, 565–566; Paradise

Lost, 565–566

Mirbeau, Octave, 247–248, 283,

285–286; Balzac: sa vie

prodigieuse, son mariage, ses

derniers moments, 248; La 628–E8,

248, 284–286

Miro, Joan, 150

Mitchell, Joan, 515, 534–535, 540

Mitchell, Pamela Bunker Winslow,

523, 525, 530, 539, 583

Mitchell, Pamela Winslow*, 346,

405–406, 412–413, 416,

420–423, 439, 443–445, 483,

487, 489–490, 492–494,

500–501, 514–515, 518,

520–526, 530–533, 539–542,

582–584, 606–607, 657–658

Mock, Jean-Yves, 678

The Moira Hotel and Restaurant

(Dublin), 659

Moliere, 120, 122, 124, 468; Le

Misanthrope, 120, 122, 124

Molloy, xiii, 53, 55–56, 60, 64–66, 69,

71, 73, 80–81, 147, 177–178,

205–209, 213, 223–225,

235–238, 240–246, 248–251,

259–261, 271–272, 290–291,

301, 303, 314, 319, 322–326,

335–336, 345–346, 356–358,

376–377, 381, 385–388,

393–395, 399–400, 407–408,

412–413, 416, 419–421,

General index

773






423–424, 428, 439, 441–445,

447–460, 465, 467–468,

480–481, 495–497, 547, 552,

607, 646, 669, 671–672, 682;

banned in Ireland, 589, 601;

English translation, 345–346,

356–358, 381, 385–388,

393–395, 397–398, 407–408,

413, 416, 419–421, 432–433,

439, 444–445, 448–449, 480,

487, 495–496, 498, 502, 508,

512–515, 520, 525, 531–532,

540, 544–545, 547, 550–553,

557, 567–569, 583, 585,

591–592, 601–602, 608–609,

617; German translation,

407–408, 439, 441–445,

448–460, 465, 480–481,

497–498; publication by

Collection Merlin / Olympia

Press, 356, 385, 448, 498, 508,

513, 515, 540, 547, 550, 553,

557, 608–609; publication by

Grove Press, 345, 358, 386, 398,

498, 508, 512–515, 520, 525,

532, 540, 544, 547, 550, 552,

602; publication by John

Calder, Ltd., in Three Novels, 590,

672; publication by Suhrkamp

Verlag, 441–443, 449–450, 465,

497–498

Monde Nouveau/Paru, 81, 515

Mondolfo, Luciano, 489, 503–505

Monnier, Adrienne, 566; La Maison

des Amis des Livres, 566

Monteith, Charles*, 603

Montgomery, Niall*, 209, 377,

426–428, 436, 480–481,

560–566, 640, 664–665; “No

Symbols Where None

Intended,” 427–428, 480–481,

561–562

Montgomery, Roseanna, 427–428

Moore, George, 612, 621–622, 662,

669; The Lake, 622; The Untilled

Field, 622

More Pricks Than Kicks, 30, 174–175,

278, 319, 419, 427, 461, 464,

596, 614, 622, 646, 648, 682;

stories in: “Dante and the

Lobster,” 319, 427, 646, 648,

681–682; “The Smeraldina’s

Billet Doux,” 621–622;

“Walking Out,” 319; “Yellow,”

319, 427, 614, 621–622,

681–682

Moreau, Gustave, 268, 270–271

Moreland, Manton, 691

Morgenblatt fur Freunde der Literatur,

441–443, 447, 449–450

Morris, John*, 656, 675, 688

Morrow, Deirdre, see Sinclair,

Deirdre

Morrow, George, 23

“Mort de A.D.,” see “Trois poemes”

Morteo, Gian Renzo, 467–469;

introduction to “Il Teatro

‘nuovo’ francese,” 468–469; Il

teatro popolare in Francia, 468

Motherwell, Robert, 199

“La Mouche,” see “Poemes” 38–39

Munch, Charles, 200–201

Murphy, 14,16, 27–28, 30–32, 36, 49,

53, 55–56, 61, 70, 76, 80, 82, 84,

87, 148, 150, 192, 208, 228,

246–248, 301, 399–400, 427,

441–442, 548, 550–551, 607,

633, 642, 644, 646, 669;

publication by Editions Bordas,

28, 45, 48–50, 55–56, 63–66; 71,

73, 75–76, 191–192, 291, 376,

426; publication by Grove Press,

40, 633, 654, 669, 681–682;

publication by Routledge, 12,

14, 30, 461, 464; Routledge, out

of print, 27, 38–39, 51, 208, 546

General index

774






Murphy, Sean Anthony, Irish

Minister to France, xviii–xix,

xxvii, 19, 21

Murphy, Sheila, 561, 563, 565; Irish

Legation in Paris, 563

Murphy, T. E., 163; “Open Every

Door” (SB’s translation,

“Ouvrons toutes les

portes”), 163

Musee de Grenoble, 180, 183, 185

Musee de Menton, 281–283

Musee National d’Art Moderne

(Paris), 77, 470–471

Museum of Modern Art

(New York), 77

Music Box Theatre (New York), 596

Mussolini, Benito, 7

Mussorgsky, Modest Petrovich, 23;

“Tableaux d’une Exposition”

(“Pictures from an

Exhibition”), 23

“my way is in the sand flowing,” see

“Trois poemes – Three Poems”

Myerberg, Michael*, 554, 562–564,

567–571, 582, 584–587,

593–594, 596, 600–602, 607,

610, 615, 621, 628, 643,

647–648, 653, 658–660,

681–682, 687

Nadeau, Maurice*, xxiii, 213,

238–244, 246, 255–256,

269–272, 317, 341, 346–349,

354, 398–400, 425, 441–443,

462, 464–466, 508–509,

628–629, 676, 684–686;

Director, Combat, 240; Director,

Les Lettres Nouvelles

(provisionally entitled La Revue

des Lettres Francaises) 347–349,

629; “La ‘Derniere’ Tentative de

Samuel Beckett,” 341, 399–400,

466; Graces leur soient rendues,

239, 399, 509; “Samuel Beckett,

l’humour et le neant,” 441–443,

466; “Samuel Beckett ou le droit

au silence,” 466; “Samuel

Beckett, ou: En avant, vers nulle

part!” 213, 238–242, 441–443,

466 “‘Secret et Violence’ de

Georges Glaser,” 269–272

Der Namenlose, 460; publication by

Suhrkamp Verlag, 441–443

Nathan, Monique, 264–265

National College of Art (Dublin), 7,

10–11, 69, 98

National Gallery (London), 179,

181, 183

National Gallery of Ireland, 12, 33,

57, 67, 82, 85, 202, 207, 314,

335, 376, 665

National University Literary Society

(University College, Dublin),

33–34

Naumann, Hans, 460–466

Navarro, Oscar, 468

Neveux, Georges, 323–324, 341

New Directions (New York

publisher), 381

New Place, Foxrock (Co. Dublin; see

Beckett, Maria Jones Roe)

New Repertory Theatre (New York),

524–525

The New School for Social Research

(New York), 387

New Statesman and Nation, 539, 541

New Watergate Theatre (London),

662–663

New World Writing, 377, 421, 423,

426–428, 432–433, 436, 439,

480–481, 590, 622, 682

New York University Press, 643–644

Newman, W. Alec, 17

Newton, Eric, 435

Nicholson & Watson (London

publisher), 24–25, 30, 55–56

General index

775






Niedermayer, Max*, 465, 637–638

Nile, Jack T., 79

The Nineteenth Century and After, 47

Nixon, Mark, 526

Nizan, Paul, 61

North, Louise, 553

Nouvelle Equipe Francaise (Nef),

19, 21

Nouvelle Revue Francaise (NRF), 280;

from 1953–1959: Nouvelle

Nouvelle Revue Francaise (NNRF),

343–344, 357–364, 373–374,

441–443

Nouvelles (see also Nouvelles et Textes

pour rien; Four Novellas; Quatre

Nouvelles), 44, 51, 55, 57, 80;

stories in: “Le Calmant,” 28, 51,

57, 64, 71, 73, 196–197,

233–235, 281, 337–339, 717,

translation and publication as

“The Calmative,” 717;

“L’Expulse,” 55, 429,


“The Expelled,” 416, 717,

Swedish translation, 414–415,

429–430, 697–698; “Suite”

(later entitled “La Fin”), xxxvii,

27–28, 30–31, 33–34, 36–37,

39–42, 48, 51, 55, 57, 64, 192,

197, 233–235, 557–558,


“The End,” 416, 717; “Premier

amour” (included only in Quatre

Nouvelles), 17, 28, 51, 57, 64, 71,

73, 196–197, 698

Les Nouvelles Litteraires, 245–246,

347–349, 396, 425

Nouvelles et Textes pour rien, 44, 57,

197, 235, 415, 457, 515–516,

531–532, 542, 545, 556–561,

563, 566, 572, 583, 596, 599,

607, 609

Novo, Salvador, 614–615

O Brıain, Liam (also O’Brien),

624–625; Gaelic translation of

Waiting for Godot as Ag fanacht le

Godo, 624–625

O’Brady, Frederic (ne Frigyes Abel),

215, 218, 220

Obregon, Rodolfo, 615

O’Brien, Christine (nee Foster),

561–562

O’Brien, Conor Cruise, 561–562;

Counsellor, Irish Embassy in

Paris, 562

O’Byrne, P. J., 3

O’Casey, Sean, 521, 623; The Bishop’s

Bonfire, 521; Juno and the Paycock,

623

O’Connor, Frank, 36

O’Farrell, William, 267–268; Repeat

Performance (Les Carottes sont

cuites) 267–275

L’Officiel de la Mode, 540, 542

Oggi Illustrato, 540, 542

Ohana, Maurice, 455

O’Kelly, Count Gerald, Irish

Legation, xvi, xxvi, 4, 89

Old Bull and Bush (London pub),

179, 181, 183

Olson, Carl, 584

Olympia Press, 346, 377, 396, 398,

500, 515, 546–547, 608–609

O’Malley, Ernest, 57–58

O’Malley, Helen Hooker (nee

Reolofs), 57–58

O’Neill, Eugene, 421, 423; Desire

Under the Elms, 421, 423;

Mourning Becomes Electra, 423

“Ooftish,” 159, 161, 163

Oram, Harold L., 384, 386–388, 397,

406, 413, 420–421, 423, 432,

444–445, 523, 525, 658

Orea, Mario, 615

O’Sullivan, John Francis,

670–671

General index

776






O’Sullivan, Sean* (I), 174–175,

662–663

O’Sullivan, Seumas (ne James

Sullivan Starkey)* (I), 597–599;

Editor, Dublin Magazine, 598

Our Exagmination Round His

Factification for Incamination of

Work in Progress, see “Dante ...

Bruno . Vico .. Joyce”

Palais de Chaillot, 555–556

Palais du Trocadero, 556

Palant, Pablo, 440, 494; Spanish

translation of En attendant Godot

as Esperando a Godot, 440,

493–494, 497–498, 529–530,

544

Palmieri, Daniel, 17

Parain, Brice–Aristide, 462,

465–566; Recherches sur la nature

et les fonctions du langage, 466; L’

Embarras du choix, 466

The Paris Review, 439

Parker, Erwin, 444

Parsons, John Desmond, 545

Paru: l’actualite litteraire, intellectuelle

et artistique (later merged with

Cahiers du monde nouveau to

becomeMonde nouveau paru), 63,

70, 80–81

Pascal, Blaise, 269, 271–272

Passy, Antonio, 615

Patri, Aime, 87, 194, 196, 198; “Le

bois dont on fait les masses,”

194, 196, 198; “Discovery of

Malcolm de Chazal,” 87; “Le

grand serpent de mer,” 194,

196, 198

Patrick, John, 520

Paul, David, 570

Paulhan, Jean, 64, 223, 225, 227,

244, 343–344, 357–360,

362–369

Paz, Octavio, 177, 179, 181, 184,

530; Editor, Anthology of Mexican

Poetry, 177, 184

The Pearl (Dublin pub), 72, 74

Le Peintre, 470–472

“Peintres de l’empechement,” 69,

105–106, 146–147, 151,

154, 157

“La Peinture des Van Velde ou

le monde et le pantalon,” 6,

24–25, 28, 48–49, 51, 105–106,

132, 146–147, 151, 154,

157–158

Le Pelerin Passionne (pseud.), “Les

Metamorphoses de Jack B.

Yeats,” 470–472

Pelorson, Georges, see Belmont,

Georges

Pereira, Irene Rice, 203, 207, 336,

377, 379, 618, 624

Peret, Benjamin, 194, 196, 198;

“Martyrs prefabriques,” 194,

196, 198; “L’obstacle a la

revolution sociale,” 194, 196,

198; “On ne guerit pas la peste

en propageant le cholera,” 194,

196, 198; “La seule transition

concevable,” 194, 196, 198; “Les

trafiquants de la verite et les

faussaires de la paix,” 194,

196, 198

Perles, Alfred, 631–632; Mon Ami

Henry Miller: An Intimate

Biography, 631–632

Peron, Alexis, 247–248, 277,

284–286, 299, 302–303, 365,

375, 394

Peron, Alfred Remy* (I), xvi, xxvii,

5–7, 16–17, 18, 21, 241;

prisoner, Mauthausen

Concentration Camp, 6–7, 17

Peron, Marie (Mania, nee

Lezine–Spiridonof)*, xvi, 5,

General index

777






239–241, 246–248, 276–278,

281–289, 296–303, 326–327,

329–334, 363–365, 372–375,

377–378, 393–394, 404–405,

558–560; cottage in Erquy

(Brittany), 276–278, 281–283,

334; telegram alerting SB to

leave Paris, xvi, xxvii, 5

Peron, Michel, 247–248, 284–286,

365, 368–369, 375

Petain, Philippe, Chef de l’Etat

Francais, 3, 21

Peter sisters, Mattye, Anne, and

Virginia, 310–311, 313

Peterson, Louis, 406; Take a Giant

Step, 406, 421, 423

Phelan, Elizabeth, see Ryan,

Elizabeth

Phelan, Honora (nee McGreevy,

known as Nora), 66–67, 73, 76,

105, 146, 407, 435

Phelan, Margaret, see Farrington,

Margaret

Phelan, Patricia, 66–67, 73, 76, 105,

146, 407, 435

Philippe, Albert, 20

Photo Bernand, 351–352

Pia, Pascal, 349

Piaf, Edith, 408

Picabia, Francis, 108, 121, 123,

125–126

Picabia, Gabrielle (nee Buffet),

107–108, 121, 123, 126;

“Apollinaire,” 107–108, 121,

123, 126

Picabia, Jeannine (nee Gabrielle

Cecile Martinez Picabia),

7, 108

Picard, Max, 462, 465–466; Hitler en

nous, 466

Picasso, Pablo, 114–116, 175

Piccolo Teatro (Milan), 432–433,

435, 660

Pichette, Henri, 78–79, 94, 96, 100,

103–104; “APoeme” 4, 79; Les

Epiphanies, 104; “Letter –

Red,” 79

Pierre a Feu, 35, 62–63

Pieyre de Mandiargues, Andre, 256;

Soleil des loups, 256

Pignon, Edouard, 78

Pike Theatre Club (Dublin), xxi,

417–419, 483–484, 486,

488–489, 491, 516, 520–521,

533, 560, 562–565,

570–571, 592–593, 599–600,

602, 607, 614–615, 621

Pikelny, Robert, 434–435

Pilling, John, 208

Pinget, Robert*, 428–429,

548–550, 561, 563, 579–582,

604–605, 652–653, 676,

684–685; translator into

French of SB’s All That Fall, 676,

684–685; Graal flibuste (initially

entitled Foret

de Grance), 549–550, 582, 605;

Mahu ou le materiau,

428–429, 604–605; Le Renard et

la boussole, 428–429,

549, 605

Pitoeff, Sacha, 605

Plato, 93

Plaut, Fred, 648

Poe, Edgar Allan, 436, 644; “The

Fall of the House of

Usher,” 644

“Poemes 38–39,” 28, 44, 46, 48,

50–51, 191–192, 276;

“Ascension,” 46, 50; “Dieppe,”

7, 276; “La Mouche,” 50

Poetry Center, 92nd Street

YM–YWHA, 642–643, 646, 648,

654, 680–681

Poetry Ireland, 109

Poincare, Henri, 531

General index

778






Polac, Michel, 314–317, 371

Polak, Salomon (stage name, Harry

Polah), 31

Polieri, Jacques, 631–632

Ponge, Francis, 78–79, 120, 122,

124–125, 127, 130, 132, 194,

196, 198, 380–381; “Braque ou

l’art moderne comme

evenement et plaisir” (“Braque,

or Modern Art as Event and

Pleasure”), 79, 120, 122,

124–125, 127, 130, 132, 194,

196, 198; Le Parti pris des choses

(The Nature of Things), 125;

“Poems,” 124

Pope, Alexander, 71, 73; Epilogue to

the Satires, 73

Portora Royal School (Enniskillen),

(see also Beckett, Samuel),

617–618, 630

Pouillon, Fernand, 128, 131, 133

Pound, Ezra, 437, 612

Power, J., 396–397, 662–663

Power, Kay M., 601

“Premier amour,” see Nouvelles,

Quatre Nouvelles

Prentice, Charles* (I), 66–67, 109

Prevert, Jacques, 64, 114–116;

“Promenade de Picasso”

(“Picasso goes for a Walk”),

114–116

Prevost, Antoine Francois, 344;

Histoire du chevalier des Grieux et

de Manon Lescaut, 342–344

Prichard, Matthew Stewart, 158

Prix des Critiques, 213, 242,

244–246, 254–256

Prix Goncourt, 301

Prix Renaudot, 424–425

Prix Rivarol, 109, 146–147

Prokofiev, Sergei, 23; Piano

Concerto no. 3 in C, 23

Proscenium Productions, 497–498

Proust, 30, 385, 387, 427, 461–462,

464, 466–468, 538, 550–551,

596, 633, 640, 643–644, 646,

648, 677–678, 681–682;

publication by Grove Press, 633,

640, 643, 677–678, 682

Proust, Marcel, 188–189, 443,

619–620; A la recherche du temps

perdu, 188–189, 619–620

Punch, 541, 662–663

Putman, Jacques, 404, 439, 469–472,

481–482, 571, 684–685, 687,

690–692; “Hommage a Jack B.

Yeats,” 439, 469–472, 473–474,

482

Putnam, Samuel* (I), 223, 225–226,

631–632

Quatre Nouvelles, 51, 55, 57

“que ferais–je sans ce monde sans

visage sans questions,” see

“Trois poemes - Three Poems”

Queneau, Raymond, 64, 82, 84, 87,

120, 122, 125, 264–265, 269,

272, 299–301, 309–311, 549;

Editor, Volontes, 301; Petite

cosmogonie portative, 264–265

Questioni (founded as Galleria Arti e

Lettere), 467–468

Racine, Jean, 80–82, 407–408,

624–625; Andromaque, 80–82,

624–625; Berenice, 407–408

Radio Eireann, 20, 58

Radiophonic Workshop (BBC),

689

Ragg, T. M., 12–14, 16–17

Raimbourg, Lucien–Pierre, 317,

341, 347–348, 406–408,

454–455, 644

Rassemblement National Populaire

(RNP), 21

Rault, Michele, 74

General index

779






Read, Herbert Edward, 13–14, 190,

268, 434–435

Reader’s Digest, 109, 163

Reavey, Clodine Gwynedd (nee

Vernon–Jones, m. Cade)* (I),

10–12, 15–16, 24, 33, 36, 39, 50,

203, 208, 722; SB’s misspelling

of name, xli, 10–11

Reavey, George* (I), xix, xxviii, 3,

10, 11, 15–17, 24–25, 27,

29–30, 32–36, 38–40, 48–53,

55–57, 59–66, 71, 80–82, 150,

163, 183, 199–203, 206–208,

335–336, 376–379, 408, 434,

436, 565–566, 617–619,

722–723; Europa Press, 33–34,

163, 208, 377, 428; European

Literary Bureau (Bureau

Litteraire Europeen), 16–17,

207–208; literary agent of SB,

16, 39, 65–66, 71, 208; marriage

to Clodine Gwynedd Reavey,

11, 25, 33, 35–36, 39, 50, 203;

marriage to Irene Rice Pereira,

202–203, 336, 377–379, 618,

624; Colours of Memory, 566, 618;

“The House of Great Longings,”

377; “Inward,” 618; “Never,”

565–566; Quixotic Perquisitions,

34; Signes d’adieu (Frailty of Love),

34; Soviet Literature: An Anthology

(ed. and tr. with Marc Slonim),

33; Anthologie de la litterature

sovietique, 1918–1934, 49, 51;

Soviet Literature Today, 49, 51

“Recent Irish Poetry” (SBunder pseud.

Andrew Belis), 127, 131, 133

Red Cross, French, 18

Red Cross (International), 18

Reeves, Cecilia (nee Hunt,

m. Gillie), 632

Reid, Alec (pseud. Michael George),

596–597; All I Can Manage, More

Than I Could: An Approach to the

Plays of Samuel Beckett, 597;

“Samuel Beckett,” 596–597

Rembrandt van Rijn, 125

Remy, Albert, 413, 622, 644

Renard, Jules, 493–494;

Le Journal, 1887–1910,

493–494

Rene, Denise, 94, 96–97, 99

Renel Gallery (London), 435

Renoir, Auguste, 94, 96, 99; Cagnes,

Still Life with Melon and Peaches,

99; Printemps, 99; Girl in Blue, 99;

Girl in Red, 99

Renoir, Jean, 220; dir., La Vie est a

nous (film), 220

Renzio, Toni del, 570

Reverdy, Pierre, 117–119, 181, 183,

185; Une aventure methodique (with

Georges Braque), 181, 183, 185;

“Poemes – Poems,” 119;

“Where Poetry Comes into

Being,” 119

Revue de Paris, 347–349

Rexroth, Kenneth, 607, 609; “The

Point is Irrelevance,” 609

Reyes, Alfonso, 184

Reynolds, Mary, xiv, 3

Rhys, Keidrych, 32–33

Richardson, Sir Ralph, 440,

491–492, 494–497, 500–501,

507–508

Richmond, Francis Henry Arthur,

629–630

Richter, Walter, 444

Rideau de Paris (theatre

company), 301

Rilke, Rainer Maria, 233; “A

Holderlin,” 233

Rimbaud, Arthur, 83, 86–87,

117–119, 427–428, 558–560;

“Barbare,” 83, 86–87; “Le

Bateau ivre,” 119, 427–428;

General index

780






“Comedie en trois baisers,”

558–560; “La maline,” 560;

“Premiere soiree,” 560

Riopelle, Jean-Paul, 309, 311–312,

470–471

Rivarol, Antoine de, 147; Discours

sur l’universalite de la langue

francaise, 147

Rivoallan, Anatole, 455

Robbe–Grillet, Alain, 345, 366–367,

379–380, 428–429, 580–582;

review of SB’s writing, 345,

366–367; Les Gommes, 366–367,

379–380

Robinson, Lennox* (I), 662; Editor

(with Donagh MacDonagh),

The Oxford Book of Irish Verse:

XVIIth Century – XXth Century,

662

Robinson, Sugar Ray, 583–584

Rodrıguez–Gago, Antonio, 535

Rogozinski, Julian, 684, 686–687;

Polish translator of En attendant

Godot as Czekajac na Godota,

687; publication, abridged, in

Dialog, 687

Romains, Jules, 147

Roman de la Rose, 322–323

La Roquette (Paris prison), 326,

382–383

Rosa, Salvator, 546, 548

Rose, Paul, 390, 392–393

Rosenfeld, Pierre, 361–362,

373–374

Rosset, Barnet, 501–502

Rosset, Barney*, xxiii, 345, 358,

384–388, 397–398, 406,

411–412, 423, 431–433,

447–449, 456–457, 479–480,

484, 486–487, 496–498,

501–502, 506–508, 512–515,

519–521, 525–526, 530,

532–535, 540, 542, 553, 562,

566–570, 579, 583–585,

593–594, 600–602, 606–610,

613–615, 618–622, 633,

640–649, 653–654, 658–660,

680–682

Rosset, Loly (nee Charlotte Eckert),

406, 411–412, 419–420,

431–433, 448–449, 457, 480,

487, 502, 508, 513–514, 520,

534, 542, 553, 567, 601–602,

608, 614, 619, 621–622,

644, 681

Rosset, Peter Michael, 540, 542, 553,

567, 608, 614, 647, 649

Rostand, Jean, 264–265, 269,

271–272

Roud, Richard*, 677–678

Rouleau, Raymond, 109, 146–147

Roundtable on Modern Art (New

York, MOMA), 76–77

Roussillon, xvii–xix, xxv–xxvi, 5–6

Routledge (London publisher), 7, 10,

12–14, 16, 27, 29–30, 38–39,

50–51, 208, 461, 464, 546,

550–551, 654

Royal Court Theatre (London), 572,

674–675, 678, 681

Royal Hibernian Academy, 175

Royal Irish Academy (Dublin), 89

Rubens, Peter Paul, 82, 85, 87; Saint

Francis of Assisi, 82, 85, 87

Rudmose–Brown, Thomas Brown

(Ruddy)* (I), 598–599

Russell, GeorgeWilliam (pseud. AE),

562

Ryan, Desmond, 561–565, 625–626,

632, 670–671

Ryan, Elizabeth (nee Phelan),

66–67, 73, 76, 105, 146, 407,

435, 664

Ryan, John, 109, 174–175

Ryan, Nicholas, 664

Ryan, Robert, 664

General index

781






Ryan, Sebastian, 434, 436; Ryan,

Robert, (cont.)

“Samuel Beckett,” 434, 436

Sade, Marquis de, 210–211, 216,

219–227, 295, 312; Les 120

Journees de Sodome, 210–211,

223–225, 311–313; La Philosophie

dans le boudoir, 210–211,

221–222

Sadoff, Fred, 513

Saillet, Maurice (pseud. Justin Saget),

223, 225, 227, 347–349, 469–470,

474, 481–482; Editor, Les Lettres

Nouvelles (provisionally entitled

La Revue des Lettres Francaises),

347–349, 470, 481–482; Billets

doux de Justin Saget, 227; “Jean

Paulhan et son anthologie,”

223, 225, 227

St. Columba’s College (Dublin),

640–641

Saint-Lo (Capitale des ruines), 6–8,

15–21, 24, 27, 67, 73, 106

“Saint-Lo” (poem), 27

Salacrou, Armand, 371–372,

407–408; Les Invites du Bon Dieu,

407–408

Salinger, J. D., 419–421, 423; The

Catcher in the Rye, 419–421, 423

Salon de Mai (Paris), 617–618

Salzman, Andre, xvi, 28, 44

Salzman, Claude, xxvi, 44

Salzman, Ruth, xvi, 28, 44

Samuel French Inc. (London

publisher), 645

Sandberg, Willem, 322

“Sanies 1,” see Echo’s Bones and other

Precipitates

Saroyan, William, 569

Sarraute, Nathalie, 5, 297–299

Sartre, Jean-Paul, 22–23, 32, 47, 49,

51, 83, 86–87, 147, 161,

163–164, 220;Huis clos, 147, 220,

260–261, 493–494; La Nausee,

493–494

Saunders, Marion, 376–377, 398,

680, 682

Savonarola, Girolamo, 72

Schauspielhaus (Zurich), 433, 439,

444–445, 455, 472, 664

Schehade, Georges, 454–455, 468,

664; Histoire de Vasco, 664; La

Soiree des proverbes, 454–455

Schieske, Alfred, 400–402

Schillertheater (Berlin), 647–648

Schippel, Peter, 504–505

Schlossparktheater (Berlin), 346,

401, 403, 405, 648

Schlumberger, Jean, 363–365

Schneider, Alan*, xxiii, xxviii,

515–516, 568–571, 574, 579,

582–587, 589, 591–596,

600–602, 611, 627–628,

643–644, 658–660

Schneider, Jean (nee Eugenia

Muckle), 642, 659–660

Schneider, Pierre, 120, 122, 124,

317–318, 381, 439, 469–472,

482; “Hommage a Jack B.

Yeats,” 439, 469–472, 482;

“Preface pour Ponge,” 120, 122,

124; “Voix vive, lettre morte,”

317–318; Voix vive, lettre

morte: Tristan Corbiere,

317–318

Schoenberg, Arnold, 146–147;

“Pierrot Lunaire” (op. 21),

146–147; Quintet for Winds

(op. 26), 146–147

Schubert, Franz, 23, 604–605,

640–641; Symphony no. 8 in B

minor (“Unfinished”), 23; Die

Winterreise, (op. 89), 604–605,

640–641, 640–641, 644

Schubert Theatre (Boston), 687

General index

782






Schulmann, Claude, 503–505

Schultz, Heinz, 199

Schumann, Robert, 105–106,

640–641; Dichterliebe (op. 48),

640–641, 644; Etudes

symphoniques (op. 13), 105–106

Schwartz, Jake, (“the Great

Extractor”), 617–618, 626,

631–632, 670–671

Scott, Michael, 20

Searle, Ronald, 662–663

Seaver, Richard*, 338, 377, 415–416,

421, 423, 440, 494, 499–500;

translator, in collaboration

with SB: “The End,” 440, 494,

499–500; “The Expelled,” 421,

423; “Samuel Beckett: An

Introduction,” 338

Section Anglaise de la Radio (RTF),

314–317, 320–321

“Sedendo et Quiescendo,” 280

Seghers, Hercules, 179, 181, 183,

410–411; A Mountainous

Landscape, 179, 181, 183; River

Valley, 410–411

Le Select (Paris cafe), 684, 686–687

Selection du Reader’s Digest, 109, 160-

163; SB’s translations for, 109,

160-163

“Serena 1,” see Echo’s Bones and other

Precipitates

Serreau, Jean-Marie, 208, 332, 348,

380, 408, 413, 512, 643

Seyrig, Delphine, 372

Shakespeare, William, 64, 251–252;

Hamlet, 537, 539; Macbeth,

534–535; Sonnets, 251–252

Shaw, George Bernard, 589,

623; Androcles and the Lion, 644

Shelley, Percy Bysshe, 94, 97, 99

Shorr, Louise, 496

Silke, J. T. (Dublin Spirit Merchant),

84, 87, 89

Silver Tassie (pub, Co. Dublin),

633–634

Simonin, Anne, 235–236, 271

Simpson, Alan*, 417–418, 478–479,

483–484, 488–489, 520, 523,

535, 561, 563–564, 569–572, 593

Sinclair, Annabel Lilian (Nancy), 23,

61, 625

Sinclair, Anne, 147, 624–625

Sinclair, Deirdre (m. Morrow, m.

Hamilton), 23, 561–562

Sinclair, Frances (Cissie, nee

Beckett), 23

Sinclair, Frank, 624–625

Sinclair, Sinclair, Mimi (nee

Hermina de Zwart), 145, 147,

624–625

Sinclair, Morris (Sunny, Sonny,

Maurice)* (I), 22–23, 61, 145,

147, 352–353, 396, 624–625;

work with UNESCO, 396; work

with World Health

Organization (WHO), 396,

561–562, 624–625

Sinclair, Ruth Margaret (Peggy)* (I),

xxvi

Skira, Albert, 190; Editor and

publisher, History of Modern

Painting, 190

Slocombe, Vera (nee Nielsen, m.

John Beckett), 545, 564,

572–573

Slonim, Marc, Editor (with George

Reavey): Soviet Literature: An

Anthology, 33, 51; Anthologie de

la litterature sovietique,

1918–1934, 51

Sluizer, Karen-Else, 411

Small, Lothian, 119

“The Smeraldina’s Billet Doux,” see

More Pricks Than Kicks

Smith, Desmond, xx, 608–611,

614–615

General index

783






Smith, Hardy William, 525

Sneider, Vern, 520; Teahouse of the

August Moon (novel), 520

Snow, Peter, 548

Soby, James Thrall, 77

Soca, Susana, 64

Societe des Auteurs et Compositeurs

Dramatiques, 381, 383,

542–543, 615

Societe des Gens de Lettres, 291

Society of Authors, 39

Solier, Rene de, 309–310, 312, 430;

La Meffraie, 309–310, 312

Solito de Solis, Luchino, 648

Solomons, Estella (Stella), 598

Sophocles, 659–660; Oedipus the King

(adapted for television by

Walter Kerr), 659–660

Sorbets, Germaine, 264–266

Souzay, Gerard, 640

Spaniards Inn (London), 179,

181, 183

Spender, Stephen, 33, 50

Spinoza, Baruch, 275

Spiridonof, Elizabeth, 247–248, 286,

288–289, 331–332

Squire, William, 599–600

Staatsoper (Berlin), 477

Stael, Nicolas de, 193, 195, 197, 216,

218, 220

The Stage, 535

Stanwyck, Barbara, 273–275

Starkey, James, see O’Sullivan,

Seumas

Stedelijk Museum (Amsterdam),

320–322

Stein, Gertrude, 36

Stella, see Johnson, Esther

Stephens, James, 267–268, 562; “A

Rhinoceros, Some Ladies, and a

Horse,” 267–268

Stern, Paul, 44

Straram, Patrick, 424–426

Strasberg, Lee, 513

Stravinsky, Igor, 651, 655, 673

Strindberg, August, 180, 182, 184,

512; La Sonate des spectres (Ghost

Sonata), 180, 182, 184;

Mademoiselle Julie, 512

Stroux, Eva, 400–401

Stroux, Karl Heinz*, 395, 400–403,

647–648

Stuart, Francis* (I), xvi–xvii, xxvii, 5

Studio des Champs-Elysees (Paris

theatre), 280, 605, 661–662

Studio Fachetti, 312

Suhrkamp, Peter*, 433, 441–443,

446–447, 449–450, 465, 498;

“Mein Weg zu Proust”

441, 443

Suhrkamp Verlag, xxi, 441–443,

447, 449–450, 452–453, 455,

465, 498; Morgenblatt fur Freunde

der Literatur, 441–443, 447,

449–450

“Suite” (later entitled “La Fin,” see

Nouvelles, Nouvelles et Textes pour

rien, Four Novellas, Quatre

Nouvelles)

Summerford, Colin, 87

Sundstrom, Jacqueline, 497–498

Supervielle, Jules, 147

Swift, Carolyn*, 417, 483–484, 600

Swift, Jonathan, 10, 12, 445

Swink, Eleanor, 163

Sylvester, David, 570

Synge, John Millington, 342–344,

623; Deirdre of the Sorrows,

342–344; The Well of the Saints,

623

La Table Ronde, 269, 271–272

Tailleux, Francis, 78

Tal-Coat, Pierre, 78, 121, 123,

125, 128, 131, 133, 150,

164–167, 183

General index

784






Tanner, Fred, 444

Tardieu, Jean, 89, 91–92, 468, 632; Le

Guichet, 632; Monsieur Moi, 632;

“Poemes,” 92; Le Sacre de la nuit,

632; La Sonate et les Trois

Messieurs, 632

Tarn, Adam*, 686–687; Editor,

Dialog, 686–687

Tauber-Arp, Sophie, 83, 86, 88

Tcherniak, Ilya, 299

Teatr Wspołczesny (Warsaw), 687

Teatro di Via Vittoria (Rome), 505

Teatro La Capilla (Mexico City),

614–615

Les Temps Modernes, 27–28, 30–37, 39,

42, 44, 47–48, 50, 55, 57, 93,

157, 191–192, 213–214,

233–235, 260–261, 264–270,

272, 318, 466

Teniers, David, the Elder, 82, 85, 87

Teniers, David, the Younger, 87

Textes pour rien (see also Nouvelles et

Textes pour rien), 44, 57, 197,

235, 240, 242, 263, 276, 278,

281–289, 297–301, 337–339,

345, 353–354, 376–377,

429–430, 446, 457, 515–516,

531–532, 535–536, 541–542,

544–545, 555–561, 563,

565–566, 572, 583, 596, 599,

607, 609, 642, 646,

649–650

Theatre Arts, 590, 608–609

Theatre de Babylone, 307, 331–332,

334–336, 342–343, 345–346,

348–349, 352, 354–355, 395,

406, 408–409, 412, 420–421,

423, 432–433, 435, 479–480,

498, 511–512, 548, 626–627

Theatre La Bruyere, 379–380

Theatre de Chaillot, 555–556

Theatre des Champs-Elysees,

624–625

Theatre de la Gaıte-Montparnasse,

184, 329

Theatre Hebertot, 589, 621–622, 624,

626, 628, 639, 644, 647–648,

650, 657, 659, 661, 664

Theatre Lancry, 329, 643

Theatre de Lys (New York), 540–541,

594, 596, 600, 615

Theatre Marigny, 337, 662

Theatre des Mathurins, 301, 676

Theatre Monceau, 333–334

Theatre National Populaire (TNP),

61, 556

Theatre des Nations (Paris festival),

569

Theatre des Noctambules, 207–208

Theatre de l’Œuvre, 590, 605,

661–662, 664, 669–670, 673,

675, 678–680, 683, 685, 688

Theatre du Petit Marigny, 455, 605,

661–662, 664

Theatre de Poche, 307, 341,

347–349

Theatre Sarah Bernhardt, 515, 664

Theatre du Vieux-Colombier, 147,

215, 218, 220

Thiebaut, Marcel, 347–349

This Quarter, 319, 681–682

Thomas, Dylan, 33, 36, 434, 436

Thomas, Jean* (I), 74–76, 226–227,

309–312; Ecole Normale

Superieure, 74, 226; UNESCO:

Director of Cultural Activities,

74, 227; “Un poeme inedit de

Henri Thomas,” 309–312

Thompson, Alan H., 16, 18–21,

72–73, 471–472, 502, 624–625,

664–665

“Three Dialogues” (also known as

“Three Dialogues with Georges

Duthuit”), 109, 146–147, 150,

167–170, 202–203

Tikhonov, Nikolai, 33

General index

785






Times Literary Supplement (TLS), 47, 603

Titus, Edward* (I), 319, 681; Editor:

This Quarter, 319, 681

Toneelgroep Theatre (Arnhem), 411,

515, 687

Tophoven, Elmar*, 345, 367,

369–370, 386, 393, 395,

441–443, 445, 449, 454–457,

465, 494–496, 637–638, 648

Topolski, Feliks, 546–548; Editor,

Topolski’s Chronicle, 548

Tous ceux qui tombent, French

translation of All That Fall, 676,

684–685

Trakl, Georg, 264–265; Die

Dichtungen, 265

transition (1927–1938)* (I), 58, 159,

161, 280, 538

Transition (also Transition Cahiers,

1948–1950)*, 53, 58–59, 66–67,

69–70, 74, 77, 79–81, 87,

90–94, 99, 101, 103–104,

108–109, 116, 118–119,

124–126, 142, 146–147,

150–151, 153, 156–157, 159,

163, 171–173, 177, 187, 192,

194, 197–199, 202–203, 222,

280, 381, 385, 387–388, 538;

James Joyce Yearbook, 59;

Transition Word, 59; Transition

Workshop, 58–59; Verticalist

series, 59

Aux Trianons (Paris restaurant), 437

Trinity College Dublin (TCD),

173–174, 397, 434, 467–468, 554,

562, 572, 597, 621–622, 629–630,

642, 646, 659, 663; Modern

Languages Society, 629

Trinity News, 621–622, 629–630,

642, 646

Trives, Trino Martınez, 439,

444–445, 447, 449, 457,

527–530, 534–535; Spanish

translation, Esperando a Godot,

439, 444–445, 447, 449, 457,

527–530, 534–535

Trocchi, Alexander*, 338, 356–358,

376–377, 385–387, 398, 416,

498–500, 507–508, 613

Trois faibles femmes, 310–311, 313

“Trois poemes”: “Accul” (originally

“bon bon il est un pays”), 230,

516; “Mort de A.D.,” 70, 106,

230, 516; “vive morte ma seule

saison,” 230, 516

“Trois poemes – Three Poems”: “je

suis ce cours de sable qui glisse”

(“my way is in the sand

flowing”), 92; “que ferais-je sans

ce monde sans visages sans

questions” (“what would I do

without this world faceless

incurious”), 92–93, 230; “je

voudrais que mon amour

meure” (“I would like my love

to die”), 92–93

Trubin, Sybil, 497–498

Tsingos, Christine*, 327–329

Tsingos, Thanos, 329

Tual, Denise, 379–380

Turner, Howard, 447–448, 456–457,

532–533, 541–542

Twain, Mark, 592–593; Puddn’head

Wilson, 593

Tynan, Kenneth, 541, 584–585,

587, 642

Tzara, Tristan, 30–32, 342

UNESCO, 8, 28, 49, 52, 69, 72, 74-75,

81, 177, 179, 182, 184, 206,

223–227, 396, 434, 510–511, 530,

548, 665–666;World of Art, 223,

225–227

United National Relief and

Rehabilitation Administration

(UNRRA), 49, 52

General index

786






Universite de Paris, La Sorbonne,

185, 252, 461, 463, 538

University Colleges: Dublin (UCD),

10, 12, 34, 73; Galway, 625

The Unnamable, 386, 448, 547, 550,

552, 589, 592, 602–603,

606–609, 614, 640, 642, 658,

681–682, 684, 686; publication

by Grove Press, 386, 448, 547,

607, 609; publication by John

Calder, Ltd., in Three Novels, 590,

672

Ussher, Emily (neeWhitehead), 47–48

Ussher, Henrietta Owen (Hetty),

47–48

Ussher, Percival Arland (Percy,

Arland)* (I), 34, 46–48, 50, 56,

396, 544–545, 633; “The

Meaning of Collaboration,” 47;

Postscript on Existentialism, 48;

Three Great Irishmen: Shaw, Yeats,

Joyce, 396

Ussy-sur-Marne (see Beckett,

Samuel, residences)

Vagne, Jean, 197

Vaıs, Michel, 173

Valery, Paul, 64

Van Gogh, Vincent, 165–166,

527–528

Van Goyen, Jan, 128, 131, 134

Van Hulle, Dirk, 411

Van Velde, Abraham Geraldus

(Bram)*, 6, 10–11, 16, 20, 22,

24–25, 27–28, 31, 34, 48–49,

51–52, 69, 77–80, 105–106, 109,

113–117, 119–123, 125–132,

135–144, 146, 151–152,

154–155, 157–158, 167–169,

180, 183, 185, 193, 195, 197,

200–202, 207, 216, 218, 220,

266–268, 272–278, 281–286,

292, 294, 296, 304–305, 307,

309, 311–312, 317–318,

320–322, 331–332, 335–336,

342–344, 376–377, 403–404,

470–473, 494–496, 535–536,

571, 617–618, 684, 686–687,

690–692; Composition (1955),

617–618; Grande gouache brune,

132; Nature-Morte, 132; Peinture I

(c. 1937–1938), 132; Sans titre

(1937), 76–77; Sans titre

(1939–40), 76–77

Van Velde, Elizabeth (nee Jokl; Lisl),

24–25, 35–36, 39–40, 52, 283,

285–286, 295, 320–322, 335,

376, 403–404, 684, 686–687

Van Velde, Geraldus (Geer)*, 6,

10–11, 16, 20, 22, 24–25, 27–28,

31, 34–36, 38–40, 48–49, 51–53,

56–57, 69, 78–79, 105–106, 109,

151–152, 155, 157–158,

186–187, 201–202, 207,

281–286, 292, 294–295, 307,

320–322, 335–336, 342–344,

376–377, 404, 494–495, 571,

617–618, 684, 686–687,

690–692; Composition, 186–187;

Composition, 617–618;

Composition (1950), 202;

Composition (interieur

d’atelier), 281–283; L’Imprevu,

186–187

Van Velde, Hendrika Catharina

(nee Van de Vorst), 49, 52,

343–344

Van Velde, Jacoba (nee Catherina,

also Tonny, Tony; m. Polak, m.

Clerx)*, xxi, 27–28, 30–32, 34,

36–37, 40–41, 43–46, 49, 51–52,

56–57, 61–63, 69, 303, 320–322,

342–344, 381–384, 403–404,

409–411, 494–496, 517–519,

617–618, 658, 683–687,

689–692;De grote zaale (La grande

General index

787






salle), 382–384; “Impasse,” 684-

686

Vasarely, Victor, 99

Vauthier, Jean, 605; Le Personnage

combattant, 604–605

Verdier, Julien¸ 317, 341

Verne, Jules, 161, 163–164; Le Tour

du monde en quatre-vingts jours

(Around the World in 80 Days),

161, 163–164

Verve, 590

Vi venter pa Godot, Danish translation

of En attendant Godot, 616–617;

production, ¯rhus (1956),616–617

Viatte, Germain, 220

Vichy, xiv, 3, 461, 463, 485

Victor Waddington Gallery, 53,

56–57, 67, 494–496

Vieville, Lucien 194, 196, 199;

Histoires gauloises de Champi and

Nouvelles histoires gauloises de

Champi, 194, 196, 199

Vigny, Alfred-Victor, Comte de, 128,

131, 134; “La Flute,” 134

Vilar, Jean, 51, 53, 60–63, 71, 76,

555–556; founder of Avignon

Theatre Festival, 61; Head,

Theatre National Populaire

(TNP), 61, 556

Villa Irlanda (Menton-Garavan),

60–61

Villard, Leonie, 50; La Poesie

americaine: trois siecles de poesie

lyrique et de poemes narratifs, 50

Villaurrutia, Xavier, 184

Villiers, Francois, 220; dir. Hans le

marin (film), 220

Vitaly, Georges, 171–173

Vitrac, Roger, 120, 122, 124, 468

Vitullo, Sesostris, 342–344

“Vive morte ma seule saison,” see

“Trois poemes”

Vi venter p� Godot, Danish translation

of En attendant Godot, 616–617;

production, Aarhus (1956),

616–617

Volontes, 301

Vuillard, Jean-Edouard, 266–268,

270–271

Wachten op Godot, 383; Dutch

translation by Jacoba van Velde,

381–383, 403–404, 409–411,

515; production in Arnhem

(1955, dir. Blin), 411, 515,

517–518, 521–523, 531, 687

Waddington, Victor, 470–471 (see

also Victor Waddington

Gallery)

Wagner, Richard, 216, 218,

343–344; Tristan und Isolde,

343–344

Wahl, Jean*, 213, 251–252, 263,

276–277, 342, 353–354, 590

Wahl, Wolfgang, 444

Wainhouse, Austryn, 377,

500, 513

Waiting for Godot, xiii, xx–xxii, 345,

358, 380–381, 384–387,

397–398, 412–413, 417,

419–421, 423, 432–434,

439–440, 444, 446–448,

456–457, 468, 478–484,

486–491, 494–498, 500–502,

507, 513–516, 519–521,

523–525, 531–535, 539–548,

551–554, 560–570, 573–579,

582, 584–587, 589–596,

599–603, 606–611, 614–615,

619–622, 624–625, 628, 639,

643, 645–646, 648, 651,

653–655, 658–659, 673,

681–682, 690–691; broadcast by

CBC radio, 681-682; proposed

film of, 653; publication by

General index

788






Grove Press, 345, 358, 381,

384–387, 397, 412, 417–420,

432–433, 439–440, 448,

479–480, 502, 521, 567–568,

584–585, 592–593, 602, 606,

608–609; publication by Faber

and Faber (expurgated edition),

589, 602–603, 606, 645; Theatre

Arts publication of,

590, 608–609

options for London and Broadway

productions, xxi, 380–381, 384,

386–387, 397, 406, 412–413,

420–421, 423, 432–433, 435,

478–479, 497–498, 502,

513–514, 520, 523–525, 531,

533, 540–541, 553–554,

567–568, 574, 579, 584–585,

592–593, 608–611, 619–620

productions of: Dublin (1955),

xxi, 417, 478–479, 484, 486,

488–489, 516, 520–521,

533–534, 560–564, 569–570,

592, 596, 599–600, 602,

606–609, 614–615; reviews,

561–562, 599; 100th

performance, 602; London

(1955), xxi–xxii, 479–481, 484,

487–491, 494–497, 500–501,

515–516, 519–521, 524,

533–535, 539–548, 551–553,

563–566, 568–571, 573–579,

582–583, 586–587, 593–594,

596, 599–603, 606–611,

614–615, 621–622, 645;

discussion of, Institute of

Contemporary Arts, 570–571;

100th performance, 516, 583;

reviews of, 541–544, 553, 574,

584–585, 593, 599; SB attends

productions with Alan

Schneider, 516, 574–579,

582–583, 586, 611

Production plans in the United

States: 567–570, 574, 582,

584–586, 589, 594–596,

599–601, 606, 646–648,

653–654, 658; Miami premiere

(1956), xxi, 567, 582, 586–587,

589, 591–596, 599, 601, 643;

reviews, 591–596, 599; New

York (1956), xxi–xxii, 568–570,

574, 589, 594–596, 599–601,

606–611, 614–615, 619–620,

628, 643, 646, 648; Columbia

records recording of Berghof

production, 590, 646, 648, 651,

655, 658–659, 673, 681–682

reviews of Berghof production,

619–620; New York (1957),

653–654, 658–659, 681–682,

690–691

Waldberg, Patrick, 70, 76, 187,

535–536; “Bram van Velde,”

536; “Nicolas de Stael,” 187

Wales (literary journal),

32–33

Walhain, Johan, 411

“Walking Out,” see More Pricks Than

Kicks

Wallach, Eli, 519–520

Wanamaker, Sam, 521, 523

Warnock, William, xxvii

Warten auf Godot, xxii, 345, 393;

German translation of En

attendant Godot by Elmar

Tophoven: 345, 382–384, 393,

439, 443–444, 494–496;

productions of: Berlin (1953),

346, 394–395, 405, 647–648;

Karlsruhe (1953), 388–393;

Luttringhausen, German

translation by

Karl-Franz Lembke

(1953–1954), 503–506,

561–562; Zurich (1954),

General index

789






439, 443–444, 454–455,

471–472

Watson, Donald, 535, 678

Watt, xvii, xxvii, xxxviii, 4–7, 10,

12–16, 24–25, 27, 29–30, 33–36,

39, 48, 50, 53, 55–56, 60, 62–64,

66, 71, 80, 109, 174–175, 177,

191–192, 202–203, 214,

276–278, 284–285, 307, 319,

339, 346, 356, 376–377,

395–398, 419, 427–428, 440,

446–447, 461, 464, 500,

508–509, 546, 550–553, 590,

608–609, 612–614, 646; French

translation of, 346, 413, 416,

419–421, 444–447, 508–509;

publication by Collection

Merlin / Olympia Press, 346,

395–398, 416, 546, 550–553,

608–609, 612–614; reading

from, BBC, Third Programme,

516, 522, 551–553, 590

Watt, A. P., and Sons, 27, 29–30,

33–36, 39, 48, 50, 56

Watt, R. P., 30

Watts, Isaac, 81

Weaver, Harriet Shaw, 89

Webern, Anton von, 146–147

Weidle, Wladimir, 147; En marge de

l’Occident, 147

Weightman, J. G., 79

Weingarten, Romain, 173;

Akara, 173

“what would I do without this world

faceless incurious,” see “Trois

poemes – Three Poems”

Whelan, John (pseud. Sean

O’Faolain), 633–634

White, H. O.*, 554, 564, 572–573,

629–630, 663

White, Sean J., 268, 621–622; Editor,

Irish Writing, 268, 621–622

Whiting, John, 570

Whoroscope, 461, 464, 596, 611–612,

654, 660–661, 670

Wilbur, Richard, 124, 381

Wildenstein, Daniel, 471

Wildenstein, George, 471

Wildenstein Gallery (London),

470–471

Wilder, Thornton, 345, 380, 515,

569, 571, 574, 579, 583–584,

586–587, 595, 601, 659–660;

Skin of Our Teeth, 515, 569, 571,

579, 583–584

Williams, Tennessee, 519–520, 600;

The Rose Tattoo, 520

Winchell, Walter, 595; review of

Miami Waiting for Godot,

594–595

Wittenborn, George, 191, 194,

196, 199

Witz, Konrad, 83, 86, 89

Woods, Thomas (pseuds. Tom

Hogan and “Thersites”),

434, 436

Woodthorpe, Peter, 601

Woodward, Daphne, 185–187,

231–232

World Health Organization (WHO),

396, 418

World’s End (London pub), 179, 181,

183, 549

Worth, Katharine, 548

Wright, John (John Wright’s

Marionettes), 633

Wundt, Wilhelm Maximilian,

458–460

Yeats, Jack B., 7, 10–12, 14–17,

66–67, 73–75, 83, 86, 88,

105–106, 146, 207, 407, 434,

439, 454–455, 469–474,

481–482, 561, 563, 624–625,

640, 664–665, 689; Exhibition

(Paris), Peinture, 434, 436, 439,

General index

790






454–455, 469–473; Loan

Exhibition (Dublin), 7, 10–11,

16–17, 67; Above the Fair, 67;

Entertainment in a Marshy

Woodland (called Music in a

Marshy Place by SB), 470–471; A

Morning, 10, 12, 73–74; Regatta

Evening (called Night by SB), 7,

10–12, 73–74; novel: The

Amaranthers, 14

Yeats, Mary Cottenham (Cottie,

Cotty), 12, 14

Yeats, William Butler, 89, 105–106,

342–344, 396, 408, 466, 562,

623, 634, 683; death of, 106;

reinterment of, 89, 105–106;

Deirdre, 342–344; “Down by the

Salley Gardens,” 407–408; Four

Plays for Dancers, 683: Calvary,

683; The Dreaming of the Bones,

683; At the Hawk’s Well, 466, 623,

683; The Only Jealousy of Emer,

683; “Under Ben Bulben,”

633–634

“Yellow,” see More Pricks Than Kicks

Zero Anthology, 622

Zervos, Christian, 24–25, 146,

151, 154

Zingarelli, Nicola, 525–526; Editor,

Vocabolario della Lingua Italiana,

525–526

Zwinger Museum (Dresden), 83,

86, 88

General index

791


