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O/o Development Commissioner ( Handicrafts) Financial Support By Integrated Design & Technical Development Project in Jewelery& Accessories at Kolkata

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Page 1: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),

O/o Development Commissioner ( Handicrafts)

Financial Support By

Integrated Design & Technical Development

Project in Jewelery& Accessories at Kolkata

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�e successful completion of this product developmentprogramme would be incomplete without the mention

of the people who made it possible. Many individuals

exerted their direct and indirect in�uence upon thecompletion of the project.

With a deep sense of gratitude and indebtedness, I sincerely thanks

Development Commissioner (Handicra�s) for giving us this opportunity to work for

the � INTEGRATED DESIGN PROJECT AT KOLKATA . I sincerely thanks

Mr. Rakesh Sharma (E.D E.P.C.H)My mentor MS. Amla Shrivastava (HEAD. Designer)

Ms. Rita Rohila (Project Coordinator), without whom this project wouldn�t have gone as

possible.I would like to thank all the persons who

took participation in this project for their constant cooperation,understanding and also being so �exible.

Acknowledgment

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INTRODUCTION

Kolkata is the capital of West Bengal . kolkata the city of as it is called, is also commonly considered as the‘Paris of the east’ as there’s happy amalgamation of different cultures, style and moods. kolkata is famousfor its rich and diverse from of arts and crafts which evolved through ages. Kolkata has played asignificant role in preserving traditional Bangla artsand crafts. The jewellery craft in West Bengal is madefrom different type of metal, clay, jute or even a zink alloy. All type of jewellery are rich in variety and designs are extremely beautiful . The Tribal themselvesmake colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts), Ministry of Textiles, Govtof India, sanctioned Integrated design and technicaldevelopment project in jewellery and accessories craftat Kolkata . The project was organized by ExportPromotion Council for handicrafts, New Delhi.When I visited the cluster, I found some deficiencies intheir exsting products, which are monotonus and ofold motifs . This form and designs are very poor and not encouraging . Artisans, they were not able toproduce a new design, finishing is also not good toattract new buyers. Above all quality concept of theproducts is poor which fails to persuade customersto purchase and thereby fails to sustain the marketdemand for quick upgradation of Artisans, I started work on prototypes along with 40 artisans frombeginning period of project . It was established for thatreason, artisans could able to completed assignment and products done according to market demand. assuch jewellery craft on metal or also with other craft can be designed high quality products , which can beexport if commercially produce by the artisans .

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PREFACE

Handicrafts are a part of India’s rich culture heritage. These are mainly works of artand beauty , designed and shaped by hand with creative imagination of craft persons from time immemorial. our country is the best known for its handicrafts, whichflourished with royal patronage in ancient days. sweeping wave of industrializationand consequential flooding of market with machine- made goods. could not put thiscraft sector to oblivion. Immediately after independence the planners felt that coexistence of craft based industries with modern factories would go a long way inmitigating the problems of employment and poverty in a labor abundant and capitalscarce country like ours.

West bengal is endowed with varieties of crafts mainly linked to a number of festivities and rituals observed in our state. The superb art and skill displayed by ourartisans in different crafts. West bengal handcrafts, due to their unique, original creative characteristics and unsurpassed sense of colors are offered a pride of place in Indian handicrafts map.There are over a lakh of handicrafts artisans in the state practicing of various crafts.There are number of craft pockets dispersed throughout the state.Though every district of the state has the culture of practicing a number of handicraft activities but each districts has specials reputation for one or two crafts.Handicrafts in effect have no longer remained only showcase items involving onetime purchases. It has made forays into the categories of daily use lifestyle products replacing the synthetic substitutes. Thus the demand and diversity of handicraftproducts have gone up manifold. In oder to match this trend, it has been essential to develop matrix, which comprises various components such as technical process,design etc. To ensure optimum production and right time delivery catering to the taste and demand of the customer , be they individuals of institutions , or and both.The practice of traditional skill and techniques was an obstruction in the developmentof this craft. But as of the present day, the demand for various craft items made withtraditional process is picking up. The craftsmen are now expanding their range ofutilization.The office of the Development Commissioner (Handicrafts),ministry of textiles, Govt ofIndia has come up with appropriate intervention through design and technical development projects, so that not only the handicrafts artisans and the sector surviveas a full time pursuit of economic activity, replacing the age old label of part the activity, but also thrive as a meaningful and profitable venture with it’s emergence as an organized sector. This product catalogue, which showcases the entire range of crafts from the state of West bengal, has been sponsored by the Development Commissioner (Handicrafts), ministry of textiles, Govt of India. It strives to promotethe culture heritage of the state among connoisseurs as well as potential marketingagencies domestic and International buyers, exporters.

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AIM AND OBJECTIVE

The prepared of prototypes for Integrated Design & Technical development project is to sensitize the artisans in the new market friendly designs. The would lead to income generating source for the sustainable livelihood to the artisan’s family. The new designs which will impress the craft lovers and to new buyers. New concept to be applied to produce value added items. Introduction of new technique for updating the exciting skills. Targeted growth in domestic urban base up middle and upper-class and overseas market. This programed should be in order to harmonize the goethite and functional aspect with technical value.

A need for design interventions of the artisans stakeholders,designer, customers and the technical experts at regular intervals. This would help in providing an all development ofthe craftsmanship as they will be able to learn about newdesigns and technologies . To improve the earlier methodology as a whole. To improve new craftsmanship as well as technology practiced. To make contemporary design and value added products. To emphasize on all commercial intelligence from production to distribute in the market. Over all quality control and its scope of productivity. To ensure all round development of the artisans as well as their craft with these aim & objectives in view a Integrated Design & Technical project in jewellery and accessories craft was conducted at kolkata, West bengal with forty artisans under designer Piku Saha.

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The State of West Bengal has always taken pride in its culture which isevident through the cuisine , music and lifestyle of people living here.The artisans jewellery items also reflect the tradition of Bengal . Andgold is one of most prominent metals used for craving jewellery itemsof Bengal . Jewellery of West Bengal deals with traditional style andmaintains the culture ethnicity of India .There is a lot of similarity in the filigree work of the Maukhali area ofBengal with that of the type found in Orissa .Dokra craft is a from of tribal jewellery in the State of West bengal.It is symbol of craftsmanship . This form of metal casting is one of theoldest forms casting and is technically known as lost wax process .Textile is famous in West bengal handicraft along with solapith andDhokra art . Bengal crafts are beautiful and have created a niche forthemselves in the handicraft market of India .West bengal is a vast land of diverse landscape and people . The capitalKolkata is famous for its beautiful attractions, lively people and delicious delicacies . West bengal is also the state where beautiful hillstation Darjeeling is situated .The holy river Ganga flows through thisstate and the UNESCO world heritage site Sunderban , the mangroveforest is also located here .Different handicrafts of West bengal-Mask,Terracotta, Dhokra’ Rar dolls, Solapith, Cane & Bamboo, Woodcarving Textle

:

ABOUT KOLKATA , KOLKATA

lu

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DESIGN CONCEPT AND COMMENT

One Integrated Design & Technical development project completed at Kolkata, West bengal in jewellery and accessories craft. w.e.f.17/06/2016 to 16/11/2016. During theconcept development has been done through paper drawing. Forms and spaces of the products have been developed and explored by coming the forms with various design. Then finial concept has been developed with the detailing on the paper.Prototypes making is the ultimate stage of design development process. At this stage of the production method and detailing of the product, finial concept is determined and production planning, drawing is ascertained to such an extent that the artisans can understand and make easily. New concept to be applied to produce value added items. Introductions of new technique and develop new design processing for updating the exiting skill of the artisans. Targeted growth in domestic and overseas level to be boosted up. To be followed the market demand with the popularity of product strategy.Through this study of field implementation and gathering all information, product concept has been drawn for the development of this craft.During the project period I got good enough response from the participants. They were motivated to create new products and modify the existing items. Which will turn more benefitted and with their active co-operation, I developed 34 (Thirty four) nos of items. I am thankful to Export Promotion Council for handicrafts, for giving me an opportunity to utilize my service and experience with in the artisans.

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9tH InDIAn FAsHIon jEWEllErY & ACCEssorIEs sHoW (IFjAs) to BE HElD From 21-23 julY , 2016

InDIAn FAsHIon jEWEllErY & ACCEssorIEs sHoW Is onE oF Its kInD IntErnAtIonAlEXHIBItIons sHoW DEDICAtED EntIrElY to tHE jEWEllErY AnD ACCEssorIEs InDustrY FEAturInG A GrAnD DIsPlAY BY InDIA’s lEADInG EXPortErs oF FAsHIonjEWEllErY AnD ACCEssorIEs In EVEnt AnD WIll PrEsEnt on oPPortunItY toIntErnAtIonAl BuYErs to sourCE ProDuCts From All oVEr InDIA.

IFjAs WIll BE HElD In GrEAtEr noIDA For tHrEE DAYs .orGAnIZED - EXPort PromotIon CounCIl For HAnDICrAFts.

SHRI AjoY tAmtA, unIon mInIstEr oF stAtE For tEXtIlE , GoVt oF InDIA DEClArED

oPEn tHE 9tH EDItIon oF tHE InDIAn FAsHIon jEWEllErYAnD ACCEssorIEs.HonorABlE ,unIon mInIstEr VIsItED our DIsPlAY ArEA AnD HE APPrICEAtEDA lot AnD GIVEn us VAluABlE suGGEtIon.

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THE PRODUCTS DISPLAYGRO AT WEST BENGAL STATE HANDICRAT FAIR MILAN MELA COMPLEX IN KOLKATA.ON 20TH NOVEMBER 2016,

WEST BENGAL STATE HANDICRAFTS FAIR ORGINISED BY THE DEPARTMENT OF MICRO SMALL MEDIUM ENTERPRISES AND TEXTILE . MORE THAN 3500 HANDICRAFTS ARTISANS TO PART IN THE HANDICRAFTS FAIR.

DESIGNER , ARTISANS DISPLAYED THE PRODUCTS

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DEsIGnEr’s VIEW

The Integrated Design & Technical Development project on jewellery & accessories craft at Kolkata , West bengal.Implemented by Export Promotion Council for handicrafts,New Delhi . Sponsored by office of the Development Commissioner(Handicrafts),New Delhi .For a period of five months from 17th June to 16thNovember 2016 . I have been appointed as a Designer inthe project . All parson were related to the project fullycooperated with me through the project .The artisans were quite sincere and dedicated about theproject, for that reason the project could successfully done .I have gather good amount of experience through attended at Indian Fashion Jewellery and Accessories show (IJAS) 2016 . in New Delhi .Here I mentioned my observation and suggetion of products quality .Used raw materials that the appropriate properties andhigh quality , attractive and a necessity to ensured that the end product maintains high standard and suitable forits purpose .There have been some noticeable changes in designs concept almost every years. The artisans will be benefittedfollow and implement the new Design concept .More effective materials sourcing one of the mostimportant things for quality product.Use high quality & elegant, attractive, accessories on products , for make the products more attractive.More effective sourcing one of the most important thingsfor quality product. while there are many aspect involvedin marketing and giving customer loyalty one of the mostimportant is your pre sensation .Products that combine ethnic elements with contemporary designs.This trend suggest that there are numerous and expanding opportunities for artisans to create productsfor handicrafts because they like to culture in a globalmarket. Most important part that planning is most for anydevelopment that wants to approach the future with a plan of

action .

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PROTOTYPES DISPLAY AND INSPECTION

tHE FInIAl DIsPlAY Cum InsPECtIon WAs HElD on 7tH n0VEmBEr 2016. WItH mr o P PrAHlADkA,VICE - CHAIrmAn & ConVEnor (Er) ,

mr s.k . GuPtA ,AssIstAnt DIrECtor(Er), mInIstrY oF tEXtIlE. GoVt oF InDIA

mr o. P .PrAHlADkA, VICE CHAIrmAn,ConVEnor (Er)

InAuGurAtED tHE ProGrAm .

mr o .P PrAHlADkA ,VICE - CHAIrmAn , ConVEnor (Er)mr. s.k. GuPtA, AssIstAnt DIrECtor(Er)oFFICE oF tHE DC(H),mInIstrY oF tEXtIlE.GoVt oF InDIA. HAVE DIsCussED WItH ArtIsAns.

GrouP PHoto

mr. oP . PrAHlADkA ,VICE- CHAIrmAn,ConVEnor(Er)mr.s.k. GuPtA, AssIstAnt DIrECtor ,DC(H)

DEsIGnEr ms PIku sAHA AlonG WItH 40 ArtIsAns

LONG

mInIstrY oF tEXtIlE.GoVt oF InDIA

AssIstAnt DIrECtor.DC(H) tAlkED ABout tHE mArkEtInG ProsPErItY oF jEWEllErY &ACCEssorIEs CrAFt AnD AssurED tHE ArtIsAns oF HIs HElP In tHE tImE oF nEED. mr s.k.GuPtA sPokE on HArDsHIP tHAt tHEY ArE FACInG In EArnInG.

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Page 109: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 110: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 111: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 112: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 113: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 114: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 115: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 116: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 117: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 118: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 119: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 120: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 121: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 122: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 123: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 124: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 125: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 126: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 127: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 128: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 129: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 130: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 131: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 132: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 133: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 134: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 135: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 136: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 137: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 138: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 139: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 140: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 141: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 142: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 143: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 144: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),
Page 145: Integrated Design & Technical Development Project in ...make colourful necklace of glass beads. They use bamboo, wood,seeds as ornaments. The Development Commissioner (Handicrafts),

O/o Development Commissioner ( Handicrafts)

Financial Support By