intellectual property issues for the music sector
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Music Roundtable: CARIFORUM-EU EPA Provisions & Market Expectations. By Marissa LongsworthTRANSCRIPT
Intellectual Property Issues for the Music Sector
Music Roundtable: CARIFORUM-EU EPA Provisions & Market Expectations
Presented by: Miss Marissa Longsworth Manager, Copyright & Related Rights Directorate/ Attorney-at-Law
3rd CARIFORUM-EU Business Forum April 16, 2015
Montego Bay, Jamaica
The Components of Intellectual
Property
INTELLECTUAL
PROPERTY
RIGHTS
INDUSTRIAL
PROPERTY
DESIGNS PATENTS TRADE
MARKS
GEOGRAPHICAL
INDICATIONS
COPYRIGHT
&
RELATED RIGHTS
TRADITIONAL
KNOWLEDGE
A Comparative Look at Contributions of
©-Based Industries
The Peculiarities Of Copyright
• Copyright protection is automatic (Berne Convention)
but
• Documentary assertion of ownership is important for legal disputes, showing proof to investors/publishers etc.
Copyright (and other IP rights) are private property rights. Therefore, rights owners SHOULD:
1. Document their ownership and any transfer of rights (locally and internationally)
2. Monitor for & act on infringements (civil+criminal)
3. Utilize collective management organizations for income generation
Lack of formal documents and agreements weakens a person’s claim to their copyright
- Lack of awareness of (1) Copyright and its privileges; and (2) Need to document ownership and any dealings with works.
- Most countries regionally do not have a
government-administered Copyright Registry (limited [weak] options)
- Copyright registration/ownership in a territory is
not a guarantee of international recognition of rights.
- Readiness of judiciary (regionally) to deal with complexities of infringements etc
Challenges in the Music Sector
•Registration
•Contractual Arrangements
•Legal Advice
•Secrecy
Protection
•Licensing/Assigning
•Collateralization/Monetisation
•Collective Management
Income Generation
•Civil Suits
•Deterrents in Legislation
•Criminal Sanctions
•Modernising Law
Enforcement
Necessary Factors for Successful
Copyright Management
Collective Management Organizations (CMOs) will collect and distribute royalties for use of copyright
works locally and overseas (different types of rights administered per CMO)
The Collective Management Systems
COTT
SASUR
JAMCOPY JACAP
JAMMS
TTRRO
BECLA
COSCAP BCOPY
ACCS
ECCO
ECCLA
REGIONAL
PPL
ALCS
Soundreef JASRAC
PRS
Cancopy
KOPIKEN
Kopinor
AISGE
CISAC BECS
KODA
GLOBAL
IFPI
BMI
Components of a Healthy Income-Generating Copyright Environment
Source: Dr. Supatchara Distabanjong http://www.slideshare.net/supatchara/protection-and-management-of-copyright-and-related-rights-15049165
Art 143.1 CARIFORUM EPA: requires that signatory countries comply with provisions under WIPO Copyright Treaty (WCT) and WIPO Phonograms & Performances Treaty (WPPT) [o/c “WIPO Internet Treaties”]
In essence, these agreements essentially
commit to regulation and protection of digital and internet content at the same level as that provided for in the US and EU.
Therefore, modernization of national laws a
necessity to incorporate changes and harmonise approach to copyright as a region.
EPA and Copyright & Related Rights
Basic Tips for Proper IP Management
When discussing with investors/partners>> NON-DISCLOSURE AGREEMENT
When authorising any form of limited use of your
IP by someone else>> LICENSING AGREEMENT When selling/giving your IP rights to someone else
completely>> ASSIGNMENT When IP commercially released, register with a
Collective Management Organization (locally or overseas)/Management firm to collect royalties for you
Thank You!
Jamaica Intellectual Property Office
18 Trafalgar Road
Ground Floor, JAMPRO building
Kingston 10
Telephone: 946-1300; 946-0789; 946-9216
www. jipo.gov.jm
www.facebook.com/JIPOOnline Copyright JIPO 2014