kit hire - kennington film studios · § angineux optimo 24-290mm t2.8 prices start from £450/day...

For lenses see p8-13 For other kit see p14

KIT HIRE


ABOUT OUR KIT

Spectrecom Studios is a three stage studio facility based in South London, we offer a variety of services, including kit hire, lighting hire, studio sound stages, and live streaming broadcast. Our premium kit hire solutions include industry-leading cameras & lenses and a portfolio of equipment including tripods, matte boxes, focus systems and grip.We also have an extensive selection of high-end studio & location lighting and insurance is available on request.Please find a selection of available kit in this catalogue, and call on 0203 405 2282 or email us [email protected] for a full list of packages and items available.

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CONTENTS

11Angenieux Zooms

12Kowa Anamorphic Set

13Zeiss CP.2 Prime Set

2About Our Kit

4Alexa XT Plus Camera

5RED Weapon Camera

6RED Dragon Camera

7Sony FS7 Camera

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8Cooke S4/i Lens Kit

9Zeiss Ultra Prime Lens Kit

10Zeiss Super Speed Lens Kit

14Specialist Kit


ALEXA XT PLUSThe ALEXA XT Plus (XT = Xtended Technology) is the most versatile and flexible of the ALEXA XT camera range, and thus a true allrounder. With an integrated wireless receiver for camera and lens remote control, built-in tilt and roll sensors, a DNxHD license and additional connectors for camera and lens control, signal output and accessory power supply, the ALEXA XT Plus offers the best value for anyone who can live without an optical viewfinder.Like all ALEXA XT cameras it has a Super 35 sensor with Open Gate and 4:3 sensor modes, in-camera ARRIRAW up to 120 fps, ProRes 4444 XQ, ProRes 3.2K, internal ND filter, Lens Data System, integrated CDL capture, ARRIRAW checksum, included anamorphic de-squeeze and high speed licenses, new viewfinder mounting bracket as well as a new, super silent fan.

§ Open Gate Super 35 sensor § Film-like, organic look § High Dynamic Range § Sharp, natural images for HD, 2K, 4K UHD or

4K Cine deliverables § High sensitivity § ARRI color science § Multiple in-camera recording options § Two independent HD-SDI outputs § High quality electronic viewfinder § High quality internal full-spectrum ND filters § Flexibility of recording media

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Package prices start from £650 per day.For more information call 0203 405 2282 or email [email protected]


RED WEAPONCapture motion and stills in 6K 2.4:1 at up to 100 frames per second (fps), or 6K Full Format at 75 fps, with the cutting-edge RED DRAGON® sensor—optimized for WEAPON®. Manufactured with ultra-lightweight carbon fiber—the WEAPON Woven CF delivers a new level of intuitive control and ergonomic design. Our engineers packed the best aspects from RED EPIC® and SCARLET®—along with numerous performance enhancements such as on-board Apple ProRes and Avid DNxHR/HD recording, as well as limited 3D LUTsupport—into a smaller BRAIN®, completely redesigned for modular performance.Just one of the major improvements with WEAPON is the integration of the new DSMC2® intelligent OLPFsystem, making it easier than ever to optimize your footage for your shooting environment—by quickly swapping out your optical low pass filter. Choose from our growing line of DSMC2 OLPFs including the DSMC2 Standard OLPF, DSMC2 Low Light Optimized OLPF, DSMC2 Skin Tone-Highlight OLPF, or all three with the 3-Pack.

§ RED DRAGON 19.4 megapixel CMOS sensor § Higher dynamic range: 16.5+ stops § Aluminum alloy construction § The OLPF offers the perfect balance of light

gathering and protective qualities for most shooting environments.

§ The OLPF captures and preserves color quality in highlights, bright colors, and well-lit environments. It is the ideal OLPF for skin tones and best with lower ISO values.

§ The OLPF provides excellent color and tonal reproduction in dim to dark environments. Use this OLPF to capture and preserve color quality in mid-tones, darks, and shadows.

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RED DRAGON (X2)With the 5K RED DRAGON® sensor, you can capture over 9x more pixels than HD. Unrivaled detail and impressive native exposure eclipse 35mm film in both latitude and image density. Industry leading specs distinguish the EPIC DRAGON as a model for image innovation, helming the evolution of digital cinema technology.Resolution is more than just attention to detail. From large objects to granule textures, 5K images cultivate the nuance of every image, leaving nothing behind. Improvements to micro-contrast and MTF produce a cleaner image, drastically reducing moiré and aliasing artifacts. When outputting 5K files to 4K or HD, your image will appear more refined and detailed compared to those captured at lower resolutions. The choice is simple; Bigger is better.

§ RED DRAGON 19.4 megapixel CMOS sensor § Higher dynamic range: 16.5+ stops § Aluminum alloy construction § New colour science § Clocks up to 100 fps at full 5K resolution § 6K resolution translates to over 19 MP,

packing the same detail you expect from your DSLR into a cinema camera. When you can capture motion and stills in 5K 2.4:1 at up to 100 frames per second (fps), or 5K Full Format at 75 fps, you get up to 100 chances per second to capture the perfect picture

§ Compact form factor, 5K resolution, and wide dynamic range makes the EPIC DRAGON a perfect solution for 3D capture. Ample resolution provides VFX artists with a more malleable image that is easier to manipulate and compose for 3D work.

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SONY FS7Sony engineers were on a mission. To provide a sculpted, handheld design that remains comfortable even over the course of long shoots. To support hour after hour of recording—without changing memory cards. To provide the latest in resolution, exposure latitude, and colour reproduction. And to deliver it all in one affordable, practical package. With the PXW-FS7, that mission is a success.When it comes to image sensors, size definitely matters. Sony’s Super 35 sensor delivers “bokeh,” the defocused backgrounds made possible by shallow depth of field. A common technique for directing audience attention within the frame, shallow depth of field is far easier to achieve with a large sensor. Other things being equal, a bigger sensor also equates to better low-light sensitivity and lower image noise. And with bigger sensors, the field of view is wider for any given focal length lens.

§ Shoulder mount comfort § without rigs § 180 fps high frame rates § 4K Super 35 Exmor® sensor § Built-in ND Filters § Next-generation memory § Luxurious colour at money-saving bitrates § Support for 4-channel Audio Input and

Recording § Flexibility of recording media

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COOKE S4/i LENS KITAward winning Cooke S4 Prime Lenses were designed and developed in close technical collaboration with industry professionals. They are colour-matched and compatible with Cooke’s, 18-100mm T3.0 and 25-250mm T3.7, 15-40mm, T2.0 CXX zoom lenses and the SK4 16mm lenses.Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.

§ The optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberration.

§ Academy Award® winning cam-style focus movement coupled with the added benefit of a large lens barrel diameter, has allowed for an increased number of focus markings, particularly at close focus. Spherical aberration has been controlled throughout the range of focal lengths to eliminate compensation of changes in back focus with aperture. A four-point contact bearing provides a smooth positive backlash-free movement.

§ Focal lengths: 12mm, 16mm, 24mm, 32mm, 50mm, 75mm, 100mm

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ZEISS ULTRA PRIME LENS KIT

Ultra Prime Lenses have the widest focal range of any prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want.Ultra Prime Lenses retain their excellent image quality even at close focus across the whole Super 35 frame. The Ultra Prime Lenses are lightweight standard speed lenses that are a perfect optical match to the high speed Master Prime Lenses.

§ 12 modern high performance prime lenses (T.1.9)

§ Ultra Prime 180 the best cinema telephoto prime

§ Superior close focus ability § Focal lengths: 10mm, 14mm, 16mm, 20mm,

24mm, 32mm, 40mm, 50mm, 65mm, 85mm, 100mm, 135mm, 180mm

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ZEISS SUPER SPEED MKIII LENS KIT

Zeiss Super Speeds are high-quality, fast PL-mounted lenses perfect for all 35mm film and digital cinematography cameras. Featuring a very compact mechanical and optical design, they are also well suited for handheld & gimbal filming.These are the MKIII variant of Super Speed lenses and date from the 1980s era. A popular choice for DoPs looking to shoot in low light conditions without ramping the camera ISO setting.

§ Zeiss Super Speeds are high-quality, fast PL-mounted lenses perfect for all 35mm film and digital cinematography cameras

§ TL 1.3 maximum aperture § Full focus rotation § Focal Length: 18mm, 25mm, 35mm, 50mm,

65mm, 80mm § Minimum Object Distance: 2’ (.6m) § Set also includes a 65mm

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ANGENIEUX ZOOMS

Angenieux provides a unique range of zoom lenses perfectly suited for productions ranging from top quality to mid-range. Purposely built for cinematic production, Angineux lenses achieve excellence in design, mechanical and optical perfection.The pristine optical performance and seamless blend between contrast and resolution create a distinct cinematic look unique to Angenieux lenses.

§ Angineux 50-500mm Anamorphic T5Prices start from £500/day § Angineux Optimo 24-290mm T2.8

Prices start from £450/day § Angineux Optimo 15-40mm T2.6

Prices start from £320/day

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KOWA / MIRRORSCOPE 2X ANAMORPHIC PRIME SETThese rare and popular lenses have a compact form factor, making them ideal for handheld, steadicam or drone use. Low in contrast with a warm hue, they can be made to flare easily for a vintage look but the new mechanics make them feel like modern lenses.The vintage look created by the unique front anamorphic lens system offer cinematographers great creative scope.The set includes a 40mm, 50mm (T2.3), 75mm T2.8 and the 100mm T3.4. Also in the set is the much loved Mirrorscope 30mm adapter.

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ZEISS CP2 PRIME LENS KIT

One of the most important aspects of a successful production is the competence and diversity of your team. Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime lenses offer you the performance you need to get the scene right. With a wide range of focal lengths, full-frame coverage, fantastic image quality, great flare suppression and precise focusing through the large rotation angle, Compact Prime lenses give you a flexible set of tools to make your film shine. With its long history in both photo and cine lenses, ZEISS is dedicated to supporting filmmakers and allowing you to benefit from the highest possible image quality in any situation.

§ Interchangeable Mount § Full frame coverage § Robust cine style housing with the ability to

utilize follow-focus § Standard focus and iris gear positions § Consistent front diameter § Longer focus rotation and a manual focus and

iris § Calibrated focus scales § Focal lengths - 18mm, 25mm, 35mm, 50mm,

85mm

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SPECIALIST KIT

ARRI WCU-4 The Wireless Compact Unit WCU-4 combines three axes of lens control with a lens data display in a compact and ergonomic housing. It works with ALEXA Plus and Studio cameras and UMC-4, SMC-1 and EMC-1 motor controllers. Set includes hand unit, hand strap, lanyard and one plain focus ring.

SKYPANELSkyPanel is a compact, ultra-bright and high-quality LED soft light that sets a new standard for the industry. With a design focused on form, color, beam field and output, SkyPanel represents the culmination of more than a decade of research and development of LED technology at ARRI.We also provide many other lighting solutions for all location and studio needs.

EASY RIGThe Easyrig gives you the speed and mobility of a handheld camera, while still achieving steady shots from the shoulder, the hip or even at knee level. The Easyrig is ideal for news broadcasts, sport events, documentaries, commercials or many other handheld situations where stability is crucial and where the freedom to move is essential.

MATADOR DOLLYThe Matador Dolly is a lightweight dolly on which a seat swivel support or JanJib can be mounted. A non-slip carpet layer is fixed to the platform. The Matador Dolly can be widened with sideboards which are supplied standard with the Matador Dolly. Its extendable back-axles will guarantee a very high degree of stability. This dolly is steerable from either end. The Matador Dolly accepts trackwheels, pneumatic wheels and hard rubber wheels.

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Get in touch for prices.For more information call 0203 405 2282 or email [email protected]


brave films, crafted with care

kit hire - kennington film studios · § angineux optimo 24-290mm t2.8 prices start from £450/day...

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