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Key Scene Analysis Thursday 15 th January 2015 FM4: Varieties of Film Experience – Issues and Debates

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Key Scene Analysis

Thursday 15th January 2015

FM4: Varieties of Film Experience – Issues and Debates

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Why?

Aims & Objectives

• YOU WILL re-cap prior learning.

• YOU WILL improve your understanding of the text by analyzing 3 key scenes.

• YOU WILL also develop your knowledge & understanding of the meanings behind the text.

• Review the learning.

AO1

Demonstrate knowledge and understanding of film as an audio-visual form of creative expression together and

AO2 Apply knowledge and understanding, including some of the common critical approaches that characterise the subject, when exploring and analysing films.

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Starter – Re-cap Prior Learning

YOU MUST annotate the shots from the text and establish HOW:

• It ‘provokes an audience into taking a particular characters point of view’

• It meets OR challenges the spectators expectations of a Gangster film.

Extension – YOU COULD compare the shot to something you have seen that is similar from the other principle texts.

Toto – Actor name?

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FM4 – Exam Expectations

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• What impact does this have on the spectator? • Is this scene “flawed by sentimentality” (WJEC) towards the young adolescent male protagonist Toto?

Robert Bly (1986) argues that in Contemporary Western Society we do not have a “test for maturity” – however all young, adolescent males embark on a “rite of passage” to becoming a man

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Robert Bly (1986)• “...boys are initiated into the tribe of men to

take their rightful places as heads of families, patriarchal leaders”

Where is this ideology presented in Gomorrah?

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Similarities?

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Kenneth Turan Los Angeles Times –

“..a gangster film that departs from the glamorising norm…a vividly panoramic film about a pitiless world of criminality”

Film Quarterly – Summer 2009 – Michael Covino

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2. “..Gomorrah has been hailed as shattering any romantic myths we may yet harbour about Gangsters”

Summer 2009 – Michael Covino

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Do you agree?

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http://www.youtube.com/watch?v=MN7-tepnIfY

Style of filming that is characterized by stories set amongst the poor.

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Key Scene Analysis

YOU MUST – using the handout – answer the questions in relation to the key scenes we are going to be watching.

YOU SHOULD complete the Film Language boxes as well to help you gain a better understanding of HOW Gavin Hood uses Film Language to construct the representation of the characters and a “difficult urban environment”.

‘Gommorah’ (2008)Dir: Matteo GarroneStarring: Gianfelice Imparato, Simone Sacchettino, Salvatore Abruzzese and Maria NazionaleWritten by: Roberto Saviano (Book)

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Feedback

Key Scene Analysis

‘Gommorah’ (2008)Dir: Matteo GarroneStarring: Gianfelice Imparato, Simone Sacchettino, Salvatore Abruzzese and Maria NazionaleWritten by: Roberto Saviano (Book)

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Feedback

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• Go to the FM4 – Section A Page of the Blog.

• Scroll down to the Gomorrah section

• Watch the interview with the author Roberto Saviano and complete the tasks by EITHER printing out the document and answering the Questions by hand OR Type up your answers electronically.

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Feedback

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What have you learnt?

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PLENARY – 3 minutes

YOU MUST evaluate HOW the text represents a Difficult, Urban environment in no more than 30 words.

Extension – YOU COULD refer to specific examples from the text.

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Homework

Produce a “Comparison Alley” of the ‘Contextual Issues’ (Themes & Issues – Social, Political, Cultural) surrounding the 3 films we have studied so far – e.g.

and

Violence – Poverty – Children and Crime – Power – Prospects – Escapism – Director Opinions/Critical Opinions – e.g “..transport our audiences into a World of radical contrasts” (Gavin Hood) – “Decency”

Due: Next Lesson – Monday 19th January