- for sinfonietta of 15 players -

Lauri Supponen

M e m e

ii

iii

me�•me : (orig. greek: mimeme = imitation) a unit of cultural transmission with attributes similar to those of genes (term coined by Richard Dawkins in his book The Selfish Gene). In social media: a form of circulating text/media depicting common/uncommon archetypes.

Contents:

NOTA p. v - vi

Meme p. 1 - 40

1. Segnalando p. 12. Immobile p. 303. Scorrevole p. 354. Segnalando p. 39

written for the Nouvel Ensemble Moderne, Montréal, CA

M e m e- for sinfonietta of 15 players -

Lauri Supponen

iv

v

damp strings, and bounce the bow col legno onthe middle string(s) while moving it accoringto the indication from the end of the fingerboardto the bridge (pitch gets higher towards the bridge)

molto sul pont., very close to the bridge

carckling sound produces when the bowis moved in circular motion with the pointat which the hairs are touching the strings stayingfixed. Vary crackling frequency (=speed of turning)as indicated.

estremamente sul pont., as close to the bridge as possible

molto sul tasto, 1/3 into the fingerboard

sul tasto, on the fingerboard

sul pont., [near] the bridge

estremamente sul tasto, halfway on the fingerboard

repeat the given figure continuously until the end of the black line

STRINGS

s.p.

s.t.

m.s.p.

e.s.t.

e.s.p.

m.s.t.

Smaller microtones are ordered as follows :(note that arrows are applicable in both directions, and on all accidentals)

GENERAL

All notes from the first until the second signare multiphonics

tongue as fast as possible (non fluttertongue!)

play as fast as possible on the beat.

gradual transition from one technique another.

The 4 movements are played quasi attacca: the gaps in between shouldn't be longer than a breath mark (,),

that is 3 seconds at the most.

PERFORMANCE NOTES

WINDS

The following 1/4-tone notation is used :

NOTA

vi

Score in C

Xylophone, Celesta and Piccolo sound one octave higher, Crotales two octaves higher.Contrabass sounds one octave lower, and Bass Clarinet a major second lower.

Trumpet and trombone equipped with straight metal, harmon and plunger mutes

The piano and celesta should be placed at a straight (or steeper) angle from each other, with the celesta on the right hand side, enabling the pianist to play both instruments simultaneously.

Although a piece of railway track is preferred, if one cannot be found, a large metal object such as a break drumor large coil can be used instead. A low pitch is called for.

] 1 player

Instrumentation:

Flute (d. Piccolo)Oboe

2 Clarinets in Bb (1. d. Piccolo Cl. in Eb, 2. d. Bass Cl. in Bb)

Bassoon

Horn in FTrumpet in C

Trombone

Percussion (1 player) : Xylophone

Grande Cassa Crotales

Piece of railway track (low pitch) Tenor drum

Medium-sized cardboard coffee cup Lion's roar

2 Tuned cowbells (in C and E )

CelestaPiano

2 ViolinsViolaCello

Contrabass

Dur. c. 12:30

Written for the FORUM 2012 (Montréal, CA November 2012) of the Nouvel Ensemble Modern (cond. Lorraine Vaillancourt)

Segnalando q = 126 - 132

Segnalando q = 126 - 132

- for sinfonietta of 15 players -

Important notice: the unauthorised reproduction of the whole or any part of this publication is unfair

Lauri Supponen (2012)

Lauri Supponen © Helsinki 2012All rights reserved

M e m ewritten for the Nouvel Ensemble Moderne

1.Flauta

(anche Piccolo)

Oboe

Clarinetto (anche Clarinetto piccolo in Mib)

Clarinetto basso (anche Clarinetto in Sib)

Fagotto

Corno

Tromba

Trombone

Percussione (1 player)Xylophone, G.C., Crotales,

Piece of railway track, Tenor drum,Medium coffee cup, Lion's roar,

2 tuned cowbells

Celesta

Pianoforte

Violino 1

Violino 2

Alto

Violoncello

Contrabasso

M

c

f deciso

legato cf sempre sim.

cresc.

5

5

5

5

5

5

5

5

5

5

5

5

5

5

1 player

pp

gliss.

ffmp p cresc.

p

gliss.

ffmp p cresc.

pp

gliss.

ffmp

p cresc.

p cresc.

8

1

1

Fl.

Ob.

Cl.

B.Cl.

Fg.

Cr.

Tr.

Trb.

Perc.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

f ff pp dolce sub dim.5 3 5

3

ff f deciso, come prima

flegato5

5

5

5

f ffp dolce sub dim.

3 3

f ff p dolce sub dim.3 5

f ff 3 6

c. sord.

pp dim.c. sord.(straight metal)

pp dim.

Xylophone

poco f cresc.ff

martell.secco

f

ff sfz

pizz.

sfz sfz

sim.

ff

pizz.

sfz sfz sfz

sim.

ff sfz

pizz.

sfz sfz

sim.

ff sfz

pizz.

sfz sfz

ff sfz

pizz.

sfz sfz

2

12Fl.

Ob.

Cl.

B.Cl.

Fg.

Cr.

Tr.

Trb.

Perc.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

poco ppp3

sempre sim.5

5

5

5

5

5

5

5

5

5

5

5

ppp

ppp

pppp poco cresc.

5

ppp5

pizz.

f ff

arco

pp

3

3

18Fl.

Ob.

Cl.

B.Cl.

Fg.

Cr.

Tr.

Trb.

Perc.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

3ff

3 3 3

più f

non mph.

ff

5

5

fff

3

5 5 3 3

f f

solo

ff

3

3 3 3

f f3

mf

poco f mp dolce

3

c. sordmetal

p inciso

Grande Cassa

p

G.C. mallet

pochis. cresc. al mp

5

poco marcato

p cresc. mp poco f

5

fmp ffpp ff

arco

p fmp ff

pp

arco

fmpff pp ff

arco

p fmpff

pp cresc.

arco

ff

4

21

2

2

Fl.

Ob.

Cl.

B.Cl.

Fg.

Cr.

Tr.

Trb.

Perc.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

p dolce 3

p dolce3

pp echo 3 3

pp echo 3 3

s. sord.

p dolce

G.C.

p echo

finger tap on skin

3 3

dim.

dim.p

poco dim. pp sub

gett.

p dolce

3

poco dim. pp sub

gett.

poco dim. pp sub

gett.

pp

gett.

f pp sub

5

25Fl.

Ob.

Cl.

B.Cl.

Fg.

Cr.

Tr.

Trb.

Perc.

Cel.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

p dolce

3

ten.

M

c

p dolce

Crotales

p dolce

3

tune to Oboe

ppp p

p f p

3

f ppp

ppp ppp

ppp ppp

sempre pp, non dim.

6

29

3

3

Fl.

Ob.

Cl.

B.Cl.

Fg.

Cr.

Tr.

Trb.

Perc.

Cel.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

p fff

muta in Piccolo

5 3 3

c

f

c

p

3sim.

3

3

p dolce f

3

f

f

p

s. sord.

fcon sord.harmon

p fcon sord.harmon

f

3

dampXylophone

f

martell.rapido

ff 7

ppp ff f3

p dolce3

f3 3

pizz.

fff f mf p

arco

f

3

f

f

f dim.

7

33

q. = q = 84 - 88

q. = q = 84 - 88

Ob.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

3

p

pizz.

p pp dolce

arco

3 3

pizz.

p pp dolce

arco

3 3

pizz.

p pp dolce

arco3

3

pizz.

p pp dolce

arco3

3

pizz. sim.

pp

3 3 3 3

38 G.P.

G.P.

4

4

Picc.

Ob.

Cl.picc.

B.Cl.

Fg.

Cr.

Tr.

Trb.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

Piccolo

p 3 3 3

p cresc.Clarinetto piccolo

p5

c. sord.harmon, stem removed

p

solo

f3 7

martell.secco

p mf

p fpoco marcato sim.

p f

3 3 3 3 3

3 5

3sempre pizz. (pizz.)

3 3

8

43

q = q. (q = 126 - 132)

q = q. (q = 126 - 132)

Picc.

Ob.

Cl.picc.

B.Cl.

Fg.

Cr.

Tr.

Trb.

Perc.

Cel.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

poco f ff

3

ff3

3 3

poco f ff

f ff p ff

f ff p3

ff

3

(s. sord.)

p

3

poco f p f

s. sord.

p f

s. sord.

p poco f p f

Crotales

f

33 3

r.h. f

repeat the boxed notes varying the order and the rhythm flexibly following the given notation

f

repeat the boxed notes varying the orderand the rhythm flexibly following the given notation

l.h.

pp poco f mp ff5

pp poco f mp ff5

pp poco f mp ff5

pizz.

sfz mp

arco

ff

pizz.

sfz

arco

mp

3

ff

9

5

5

49Picc.

Ob.

Cl.picc.

B.Cl.

Fg.

Cr.

Tr.

Trb.

Perc.

Cel.

Vl.1

Vl.2

Alt.

Vc.

Cb.

p

pppoco f p cresc. 3

3

p

p

poco fp echo

c. sord.plunger

f

dét.

p5 5

Piece of railtrack

f

hammer

poco f5 5

s. vib.

p ombra

vib. poco a poco

f p p cresc.5 6

s. vib.

p ombra

vib. poco a poco

fp p cresc.5

s. vib.

p ombra

vib. poco a poco

f p ff pp3 3

s. vib.

p ombra

vib. poco a poco

f p ff pp3

3 3

3 5

s. vib.

p ombra

vib. poco a poco

f sub p ff pp

3 3

5

10

54Picc.

Ob.

Cl.picc.

B.Cl.

Fg.

Cr.

Tr.

Trb.

Perc.

Cel.

Vl.1

Vl.2

Alt.

Vc.

Cb.

f ff mf p poss.

5 5 5 5

pp 5

fs. sord.harmon, stem out

p f

3

f

Crotales

ppp

very soft mallet

3 3 3

5 5

ff dim.

pizz.3

3 3 3

3 3

pizz.

ff dim.3 3

pp p pp ff dim.

pesante 1/4-steps down

mp

5 3 3

pp cresc. p ff dim.

pesante 1/4-steps up

mp

33 3 3

pesante

ff dim. mp

11

6

6

59Picc.

Ob.

Cl.picc.

B.Cl.

Fg.

Cr.

Tr.

Trb.

Perc.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

3 sfz

ppoco f dim.

dolce

p espress.

solo

sfz

sfz

sfz

s. sord.

sfz

p mp sfz

Xylophone very soft mallets

pp p

sfz

poco f

(sempre pizz.)

sfz

sfz

(sempre pizz.)

poco f

slow down3

sfz

sfz

sfz

12

65

7

7

Picc.

Ob.

Cl.picc.

B.Cl.

Fg.

Cr.

Tr.

Trb.

Perc.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

ff

p

legg.

f dim.

f dim.

legg.

p f

Xylophone

p f

Piece of railtrack

f

hammer

martell.

f ff

f

pp delicato

e.s.p., punta d'arcoarco

ff

c. legno batt. e.s.p., punta d'arcoarco

pp delicato

arco

ff

II I II I etc.

sfz

(ossia +)

13

70Picc.

Ob.

Cl.picc.

B.Cl.

Fg.

Cr.

Tr.

Trb.

Perc.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

pp dolce

solo

p espress.

pp 3

pp

p fmp

ppp pp dolce

nat.

mf

ppp

14

74Picc.

Ob.

Cl.picc.

B.Cl.

Fg.

Cr.

Tr.

Trb.

Perc.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

f f

muta in Flauta

3

poco fp

5 5 5 5

f 5 5

f

f

s. sord.

mp

s. sord.

mp

Xylophone

f

f

s.t.arco

mp dolce

nat.solo

3

3 7 5 5

arcoe.s.p.

3

p pp ff

pp

nat.

ff

pizz. sonoro

f

15

79

8

8

Picc.

Ob.

Cl.picc.

B.Cl.

Fg.

Cr.

Tr.

Trb.

Perc.

Cel.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

f ff

non mph.

ff p dolce

solo, espress.

ff

muta in Clarinetto

ff

ff

poco f f

f

Railway track

Tenor drumsoft mallet

hammer

f mp p3

fff

fff

ff mp dolce

solo

p dolce

35

ff

nat.

ff

ff

fff

pizz. sonoro

16

85 9

9

Picc.

Ob.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

3

3 3 3

secco

poco f

ff p

pp

m.s.t.

mp p

3

pp

m.s.t. nat.

p espress.

3

mp p

m.s.t.3 3

pp

e.s.p.

mp p

3

arco

poco f

stacc.4:3

92Fl.

Ob.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

Flauta

p dolce 33

dim.pp

33

3

p

p

33

p

cresc. f

cortisaltandonat.

p

s.p.

p

3

3

3

cresc.

corti

f p

saltandonat.

cresc. f f

nat.

p p

3

cresc.3 f p

5

17

10

10

98Fl.

Ob.

Cl.1

B.Cl.

Fg.

Cr.

Tr.

Trb.

Perc.

Cel.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

p

p mp

Clarinet in Bb

p 3

mp p5

p

s. sord.

pc. sord.harmon, stem outsolo

mp mp

5

c. sord.harmon, stem out

mp p

Xylophone

f

f3

III

vib.

poco f

poco martell.

ppoco f

sim.vib. vib.

55 5 5

pizz.

f

nat.

ff f mf

pizz.

f mf

18

103

11

11

Fl.

Ob.

Cl.1

B.Cl.

Fg.

Cr.

Tr.

Trb.

Perc.

Cel.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

cresc. f

mp cresc. f

f

muta in Cl.

mp cresc. f

f

cresc. f5

mp f

depresssilently

secco

sim.

sost.

ff

vib.5

mp cresc.

arco

f ff

3 3

dim.

(pizz.)

ff

pizz.

f ff

pizz.

pizz.

f

19

107

12 Meno mossoq = 108

Vl.1

Vl.2

Alt.

Vc.

Cb.

vib. m.s.t.

ppp cresc. poco a poco

solo35 5 3

poco salt.

mp dim. pp

3 3

f mp

arco

f

pizz.

f mf p (p) 3

f mp

arco

p f p

pizz.

sfp

arco al punta d'arco

pp sfp

sim.

pp3 3

114Fl.

Ob.

Cl.1

Cl.2

Fg.

Vl.1

Vl.2

Alt.

Vc.

Cb.

s. vib.

pp

increasingvib.

f p cresc.

3

3

p

pmp poco fz

3

fz

sim.

fz

3

fz

3 3

Clarinet in Bb

poco fz

3

fz fzp ff

3 3

increasing vib.

III poco f

pizz.

p

arco

mp cresc.fp3

5

5

3 33

3 3 3

pp mp

20

13

13

119Fl.

Ob.

Cl.1

Cl.2

Fg.

Cr.

Tr.

Trb.

Cel.

Vl.1

Vl.2

Alt.

Vc.

Cb.

f pp f ff

f pp pp ff pp ff5

poco f pp p ff p ff

poco f pp p ff p ff

poco f ff p

p ff p ff

5

poco f

s. sord.

p f

f ma dolce

fff poco f

3 3 35

6

ppp echo

e.s.p.

arcoe.s.p.

ppp echo

p

arco vib.

f ppp echo

e.s.p.

f

pizz.

pp

arco

ff pp ff

21

124Fl.

Ob.

Cl.1

Cl.2

Fg.

Cr.

Tr.

Trb.

Perc.

Cel.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

p echo p

p dolce 3f f3

p dolce 33

Xylophone

p

3

f 3

p

3 p3

3

salt.

pochiss.f

nat.pizz.

p p

arco5 3 3

salt.

pochiss.p

pizz.nat.

f5

salt.

pochiss.

nat.pizz. sonoro

mp5

mf

22

129 14

14

G.P.

G.P.

Fl.

Ob.

Cl.1

Cl.2

Fg.

Cr.

Tr.

Trb.

Perc.

Cel.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

p

p

p

p

p

(in p) 35 3

p

s. sord.

p 3

ff

3

pizz.

ff

3 6 6

3

sempre pizz.

ff

sempre pizz.

ff

23

15

15

Ancora meno mossoTempo II q = 84 - 86

Ancora meno mossoTempo II q = 84 - 86

135Fl.

Cl.1

Fg.

Vl.1

Vl.2

Alt.

Vc.

Cb.

p

arco

coquette

mp

poco salt.

poco f3

7 5

7

5

pp

arco

mp

3

mp

(pizz.)

(pizz.)

mp

arco

139Fl.

Cl.1

Fg.

Vl.1

Vl.2

Alt.

Vc.

Cb.

poco f p3 3

p f p

3

36

33

6

5 6

p cresc. poco f3 3

3

5

3

3

fast bow on short note - slow bow on long

ppp

arcoe.s.p.

3 3 3f

3 3ppp3

fast bow on short note - slow bow on long

ppp

e.s.p.

f ppp

24

143

16

16

accelerando molto al

accelerando molto al

Fl.

Ob.

Cl.1

Cl.2

Fg.

Cr.

Tr.

Trb.

Perc.

Cel.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

pp cresc.

pp cresc,

3

pp cresc.

pp cresc.

p cresc.

p

solo

pp

pp

cresc. poco a poco

5

cresc. poco a poco

5

33

3

6

3 5

poco f cresc. poco a poco

nat.

3 3

p cresc.

nat.

f

pizz.

25

148Fl.

Ob.

Cl.1

Cl.2

Fg.

Cr.

Tr.

Trb.

Perc.

Cel.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

f pp cresc. ff

f pp cresc.5 5 3

f pp cresc. f

6 6 6 6 6 6

f pp cresc.

sim.3 3

fmp

f

solo

f sonoro

f pp cresc.ff

f pp cresc.ff

Crotales

pp cresc.

r.h. p cresc.

repeat the boxed notes varying the order and the rhythm flexibly following the given notation

p cresc.

repeat the boxed notes varying the orderand the rhythm flexibly following the given notation

l.h.

fmeno f cresc.5

fmeno f cresc.3

53

fmeno f cresc.

3

3

f meno f cresc.

26

17

17

Tempo I (q = 126 - 132)

Tempo I (q = 126 - 132)

152Fl.

Ob.

Cl.1

Cl.2

Fg.

Cr.

Tr.

Trb.

Perc.

Cel.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

cortiss.

mp

dolce cant.seccoleggiero

ff

cortiss.

mp sub

poco f echo

ff

cortiss.

mp sub

f

p mp dolce cant.

leggierosecco

p

pp

very soft beater

dim.

ff

ff

ff

tenuto

pp sub

ff

tenuto

pp sub

ff

tenuto

pp sub

ff

pizz.

mp sub poco f poco f

ff poco f

pizz.

27

156

18

18

Fl.

Ob.

Cl.1

Cl.2

Fg.

Cr.

Tr.

Trb.

Perc.

Cel.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

(mp)

solo

mp

sim.

solo

mp

psim.

mp

p

fpsim.

m.s.t.

ppp5 5 5 5

pizz.

fff

pizz.

f ff

leggieroarco

mp

sim.

leggieroarco

mp

sim.

28

161

19

19

Fl.

Ob.

Cl.1

Cl.2

Fg.

Cr.

Tr.

Trb.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

3 f ff

fff pp

ff

3 fff

pp

mpf

mp f

ff

pp

arco

pp

arco

166

Dur. c. 6:00

Cl.1

Fg.

Vl.2

Alt.

tenuto

pp

sim.

3 3 3

pp

tenuto sim.

3 5

fp comodo

sim.

p

fp comodo

sim.

p

29

Immobile q = 60

Immobile q = 60

2.

Oboe

Violino 1

Violino 2

Alto

Violoncello

Contrabasso

M

ppp

closed (clean note)

open a bitclose

open a bit sim.

mp

*

mp poco f

3

p

*

p

p

*

poco f poco f dim.

* Place bow on strings, and turn it like the hands of a clock whilst exerting some pressure, creating a crackling sound. Vary the frequency of the cracks by varying the speed of the turning (almost immobile to a fast turn).

tune C down to a Bb

20

20

180Ob.

Cr.

Tr.

Perc.

Vl.1

Vl.2

Alt.

Vc.

Cb.

open a bit open even more stable noteclose again open a bit open even more

f dim. mp

mf

tongue as fast as possible

Medium Coffee cup

poco f dim.

hit bottom against table,open and close with hand

poco f dim.

3

poco f

3

f

let nut of bowfall on the instrument,lightly bouncing

ff

3 3

poco f

f end of fingerboard

bridge

poco f

c. legno batt.sulle cordi (damped)

ff4 4

end of fingerboard

bridge

poco f

c. legno batt.sulle cordi (damped)

poco f

sim.

5 5 5 9

30

187 21

21

Ob.

Cr.

Perc.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

stable note close again open a bitsim.colla parte del pianof.

sempre sim.

p pp3

3

sratch strings gentlywith nail/plectrum/credit card/coin

pp

bridge

end of fingerboardpoco f

c. legno batt.sulle cordi (damped)

6 6

bridge

poco f

c. legno batt.sulle cordi (damped)

7 7

let nut of bowfall on the instrument,lightly bouncing

pp

3 3

end of fingerboard

pp

let nut of bowfall on the instrument,lightly bouncing

3

poco f

sim.6

poco f

5 59

19222

22

Ob.

Perc.

Pf.

Vl.1

Vl.2

Alt.

Cb.

Lion's roar

p cresc. poco f

3 3

mp3

tune to Oboe

ppp cresc.

arco

hold end of bow screw perpendicularily againstthe A-string (e.g. resting the frog on te E-string), with some pression against the A-string,moving it up and down the string as indicated

2/3 down the fingerboard

at the bridgeleft handpizz.

pp cresc. poco a poco mp

3

31

199 23

23

Fl.

Ob.

Cl.1

Cl.2

Fg.

Cr.

Tr.

Trb.

Perc.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

ff

open open even more

(same fingering, open so much as to catch the high harmonic)

p dolce

ff pp

ff pp

ff pp

ff

c. sord.plunger

f pp

ff

m.s.t.arco

3

f dim.

e.s.p.

p dolce

arcomolto vib.

f dim.

e.s.p.

p dolce

f dim.

e.s.p.

p dolce

arcoe.s.p.

f dim. p dolce

e.s.p.

sfffz f dim.

arco

p dolce

32

204 24

24

Fl.

Ob.

Cl.1

Cl.2

Fg.

Cr.

Tr.

Trb.

Perc.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

f

non cresc.

non mph.

f 5

p fp f3 3 3 3

p fp f

p fp f3 3

p fp f

5

p fp f5

p

s. sord.

fp poco f p cresc. poco a poco5 4 4

Lion's roar

p ff

nat. e.s.p.

fp

nat.

nat. e.s.p.

fp

nat.

nat. e.s.p.

fp

nat.

nat. e.s.p.

fp

nat.

p fp f

3

33

209

Dur. c. 3:00

Fl.

Ob.

Cl.1

Cl.2

Fg.

Cr.

Tr.

Trb.

Perc.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

ff

36 3 6

36

3 3

ff

3

sub meno f

ff3

sub meno f

ff3

sub meno f

ff3

sub meno f

ff

3

sub meno f ff

3

ff3

ff p sub

ff p sub

ff p sub

ffp sub

sub meno f

ff3

34

Scorrevole q. = 168

3.

Clarinetto 1

Clarinetto 2

ppp

imperceptible changes

ppp

imperceptible changes

225 25Cl.1

Cl.2

237 26Cl.1

Cl.2

27

27

249Fl.

Ob.

Cl.1

Cl.2

Fg.

Tr.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

pp

airy4 4

pp

4 4 4 4 4 4 4

ossia c. sord.

ppp poss.

sim.

sim.

pp 4 4

c. sord.harmon, stem removed

ppp

metallic

pp ppp pp

4 4

p

spoons on strings

ppp

c. sord.m.s.t.

pp

airy4

pp

4 4 4 4 4 4 4 4 4 4 4 4

pp dim.

c. sord.m.s.t.

2 2

ppp echo

2 2

c. sord.e.s.p.

ppp

metallic

pp2 ppp echo2

35

259 28

28

Fl.

Ob.

Cl.1

Cl.2

Fg.

Cr.

Tr.

Trb.

Perc.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

poco f

4 4 4 4 4 4

pp poco f

4

poco f dim.

pp

4

pp poco f dim. pp

4 4 4

poco f dim. pp

pp poco f

2

poco f dim. pp

2

2 2 2 2

ppp

c. sord.

f

2

ppp f

2

c. sord.harmon, stem removed

ppp f

2

poco f

Tuned Cowbells

dim. pp

ff

gliss. fingeracross strings

depress silently

poco f

4 4 4 4 4 4

36

269 29

29

Fl.

Cl.1

Cl.2

Fg.

Cr.

Tr.

Trb.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

ppp echo

pp

whining, teeth on reed

p

mp ppp

solo

p

mp

legg.s. sord.

pps. sord.

mps. sord.

mp dim. ppp

poco f

spoons on strings

ppp

p

nat.4

44 4

nat.

p

p

nat.

2 2 2 2

f

(senza sord.)

p

(senza sord.)

f p

281Cl.2

Vl.1

Vl.2

Alt.

mp

ppp

ppp

m.s.t.

ppp

e.s.p.

293 30Vl.1

Vl.2

Alt.

ppp f ppp

4

ppp f

4

nat.

f

e.s.p.

4

37

30531

31

Cl.1

Cl.2

Vl.1

Vl.2

Alt.

Vc.

Cb.

f ppp

4 4 4

f ppp

4 4 4

p ff

4

ppp

nat.

f ff4

31332

32

Dur. c. 1:30

Fl.

Ob.

Cr.

Tr.

Trb.

Vl.1

Vl.2

Alt.

Vc.

Cb.

muta in Piccolo

4

p f

4

4

fp ff

fp fp ff4

fp ff

ff dim.

soloscorrevole, furioso

ppp4 4 4

4

4 4

poco f

nat. e.s.p.

pp

e.s.p.

4

p

III

ppp

38

4.Segnalando q = 65

Segnalando q = 65

33

33

Piccolo

Oboe

Clarinetto 1

Clarinetto 2

Fagotto

Corno

Tromba

Trombone

Pianoforte

Violino 1

Violino 2

Alto

Violoncello

Contrabasso

Piccolo

f ma dolce dim. p f

f ma dolce dim. p f

f ma dolce dim. p f

f

f ma dolce dim. p

pp mf mfc. sord.straight metal

mp poco f

mp p

pp mf

sing top note

mf

pluckstrings

ff

s. sord.vib.

f

ff

nat.s. sord.

f f f

ff

nat.s. sord.

39

328 34

34

Dur. tot. c. 12:00Dur. c. 0:40

Picc.

Ob.

Cl.1

Cl.2

Fg.

Cr.

Tr.

Trb.

Pf.

Vl.1

Vl.2

Alt.

Vc.

Cb.

p ppp

3 pp

3 pp

3

3

pp f p

pp f p

press CD-case against strings,and move/turn it slowly creatinghigh pitched sounds

ff

sim.

ff

f

3pizz.

ff dim.

tap end of bow screwon E-string take time

ff

run the wood of the bowacross the hairs, againstthe back of the instrument

3

ff dim.

tap end of bow screwon E-string take time

ff

run the wood of the bowacross the hairs, againstthe back of the instrument3

3

tap end of bow screwon A-string

f dim. ff

run the wood of the bowacross the hairs, againstthe back of the instrument

senza vib.

p ff

p ff

40