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Photographic Society of Madras
News Letter Vol - 1 July ~ Sep 2010
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Presidents Message
My dear friends,
I take this opportunity to welcome you all for
the launch of our news letterLens Light. It is
indeed a great moment for all of us as we know
that the newsletter is being re launched after aspell of over a decade. It is a dream come true.
This attempt has been made to bring us together
within us. This will serve as a window for PSM
to showcase our activities, share our thoughts
and visions along with the recent happenings in
the photographic industry. With photography
we can develop fellowship also.
At this juncture I would like to invite all our
PSM members to contribute whatever they can
for the forth coming issues of the newsletter and
make it another grand success.
It is our PSM.
Thank you
S. VIVEKANAND - PRESIDENT, PSM
The Press Photographer's Year
2010 : Winners
Photograph of The Year: David Bebber,
Sixteen prizes have been awarded, and there are
119 pictures in the final edit that the juryselected from the 7,717 submitted for The Press
Photographer's Year 2010. Our congratulations
go to all those photographers for their exemplary
work.
These photographs have been selected to
represent the extraordinary variety and standard
of the entries received, and will be showcased in
the exhibition at the National Theatre from
Saturday 10th July alongside the First Prize
winners in the Multimedia and Digital Filmcategories.
See the winners list and the photos
here:theppy.com
There was this photographer in one of the most
remote parts of the African continent on an
assignment. He came across a primitive village where
the residents were living in thatched huts and wearing
colorful primitive garments. He approached a man
who appeared to be the chief who was wearing a
large headdress made of woven hemp and colorful
feathers.
The photographer, not knowing how to speak to him,
pointed to his camera then to the chief. The chief
nodded. As the photographer was taking a meter
reading the chief said "today use f/16 at 1/125 for ISO
100 film".
http://www.theppy.com/content/results2010http://www.theppy.com/content/results2010http://www.theppy.com/content/results2010http://www.theppy.com/content/results2010 -
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CAMERA AND CULTURE
Nikon cameras originate from
Nikon culture
A college professor, who is a well-known
camera technology analyst, said, "This is truly a
product of Nikon culture" after he examined the
technologies blended in the Nikon F4.He pointed out that this product was only
possible from a synthesis of Nikon's philosophy,
culture, and technology.
Obviously there is a positive way to interpret
these words.
If taken negatively, it only means "there is no
other company crazy enough to make such a
product than Nikon". These words best describe
Nikon Corporation's stance.
This commitment to make the finest camera
possible at all costs is a Nikon tradition and
reflects the Nikon F-Series' underlying
development concept.
The Nikon F4 camera was made because Nikon
decided to.
However, it was once again criticized that it was
the result of a "technology-intensive project",
and this is true.
The idea of providing new technologies toenhance improvements of basic functions might
be old-fashioned.
There will be more flexible ideas adopted in new
Nikon products in the future. Yet there is also
room for a product that inherits Nikon's
traditional, "no-compromise" approach, and as
sales attest, there will always be users who will
choose such products.
The corporate philosophy of Canon is kyosei.
A concise definition of this word would be
"Living and working together for the common
good,"
but our definition is broader: "All people,
regardless of race, religion or culture,
harmoniously living and working together into
the future." Unfortunately, the presence of
imbalances in our world in such areas as trade,
income levels and the environment hinders the
achievement ofkyosei.
Addressing these imbalances is an ongoing
mission, and Canon is doing its part by activelypursuing kyosei.
Truly global companies must foster good
relations,not only with their customers and thecommunities in which they operate, but also
with nations and the environment.
They must also bear the responsibility for the
impact of their activities on society. For this
reason, Canon's goal is to contribute to global
prosperity and the well-being of mankind, which
will lead to continuing growth and bring the
world closer to achieving kyosei.
Sometimes I do get to places just when God's ready
to have somebody click the shutter. ~ Ansel Adams
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PSM MOVES TO NEW PREMISES
We have Great Pleasure in informing all our
members that we had moved to our New
Premises in the Heart of the City in AdyarKasturibai Nagar.
We are happy to present Presidents Welcome
speech and a Few Photographs of this
memorable occasion
Distinguished Chief Guest of the day Mr. Ravi K
Chandran and my dear friends,
I take this opportunity to welcome you all for theinauguration of the new premises of PSM. It is indeed a
great moment for all of us as we know that this will bea launch pad for our future endeavors. It is a dream
come true. The idea of having a place for PSM was
hovering in our mind for a long time as this will pave
way for the coming together within us. We can havemore frequent meetings, discussions workshops and
exhibitions at our new premises. With photography we
can develop fellowship also.
And today we have with us one such person who has
dedicated himself to photography. Mr. Ravi K Chandranwho needs no introduction. A great cinematographer of
our times. Some of his noted films are Black, My name isKhan, Kannathil muthamital, Yuva , Kandu kondan kandu
kondan, Boys to name a few. With many prestigious
Awards to his credit, he is known for his play with light
and shadow. When we had gone to his house yesterdayfor inviting him for the inauguration he demonstrated
to us how light can create a dramatic mood by
switching on the table lamp near him and switching off
all other lights in this house. An exhibition of his genius.
We are happy to have you with us this evening Sir. Weare really thankful to you for finding time toinaugurate this premises inspite of your tight schedule.
We also have with us Mr. Ramanidharan, Professor
representing Mr. Shri Abhaya Kumar Sri Srimal,
Secretary, SSS Jain College doing yeoman service in
the field of education. Such is his interest in us that he
had offered the auditorium of his esteemed institutionfor the monthly meetings of PSM for a number of times
free of cost. We are indeed grateful to you Sir for
helping PSM during its initial stages when we weretrying to stand on our own legs. Hence it is appropriate
to have you as a guest of Honour when we are moving to
our own premises.
To talk about PSM, we are a not for profit organization
and the largest community of serious minded photoenthusiasts in Chennai. The Photographic Society of
Madras was founded in 1857 by Dr. Alexander Hunter and
the Honorable Walter Elliot and has a great heritage. It isone of the earliest photographic societies in the world.
From the British it changed hands to the Indians after
their departure. Going through ups and downs PSMwhich was non functional over a decade was revived by a
group of photo enthusiasts about 3 years ago.
The Society from the day of revival has grown from
strength to strength and has reached greater
heights. We have reached to a point where PSMcommands very good reputation, recognition and
admiration from the photographic fraternity at large .
We have been receiving commendable applauses fromall over the Country for our conduct of the National
Salon and for its transparency. We have successfully
conducted two salons and the day is not far off whenwe will be conducting International Salons.
Sir we are a group of photo enthusiasts coming fromdifferent backgrounds but have come together due
pure passion for photography. We in PSM conduct
regular monthly meetings, outdoor trips, workshops,photowalks, and competitions.
Coinciding with the inauguration some of the membersof PSM have arranged for an exhibition titled
Ranthambore explored. It is really a feast for eyes to
see our members click such wonderful pictures. Theexhibition is open till 20th June from 10 am to 7 pm.
I take this opportunity in welcoming our friends from
the press who have come over to cover this function.
I have pleasure in welcoming all our senior memberswho have been supportive to the new team.
I welcome you one and all.
It is our PSM Thank you.
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"The new premises at 33/5, 2nd Main road,
2nd Floor, Kasturibai Nagar, Adyar, Chennai
of PSM was inaugurated on 17th June 2010,
by the Ace Cinematographer Mr. Ravi K.
Chandran."
Our Activities for July 20101) This month we have Mr. Andre Fanthome as
a guest lecturer in our monthly meeting on
17th July 2010.
Mr. Fanthome is a renowned professional in hisarea of expertise. He is an expert in
photographing buildings & architecture. The
guest speaker Mr. Andre Fanthome has
specialized in architecture and industrial work
and is "Youngest" national academy award
winning photographer.(http://www.andrefanthome.com)
2) A trip to Dakshinchitra alongwith the Guest
of our monthly meeting Mr. Fanthome on
18th July 2010 to have a live demonstration on
how to improve our skills on capturing
Buildings & Architecture.
3) Members' monthly competition theme :
ARCHITECTURE
These will be judged by Mr. Fanthome and
winners will be declared during our monthly
meeting on 17th July 2010.
4) A Photo walk on 25th July 2010.
RAYNOX Lenses for Macro workThe DCR-5320PRO High Definition Macro
Conversion lens is particularly designed to use with
the high-end digital, film and hi-vision cameras,
resulting in an amazing resolution power of
200L/mm at center (MTF 30%) with a low
dispersion. With the Macro lens attached on the
camera's lens, it makes possible to approach the
object very close for macro shooting. The model
consists of two independent lenses, one is with 2-
diopter magnification and the other with 3-diopter. It
also makes a 5-diopter lens by coupling the both
lenses together.(Taken with with Raynox DCR-5320PRO on 105 mm Kit lens)
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Macro Photography with Point and
Shoot Cameras
Courtesy Mr. Arunachalam of Trichy Camera
Used is Sony DSC W 70
Macro Photography Tips
Much has been written on the topic of Macro
photography for those photographers fortunate
enough to own a DSLR with macro lensesbut what
about if you own a compact point and shoot camera?
Can you get great macro shots too? While the results
achievable with a point and shoot camera in macro
mode probably wont compare with a DSLR with a
purpose built macro lens> But still you can do
wonders in Macro with your Point and shoot
Cameras.
Select Macro Mode this is a fairly obvious first
step. Macro mode is generally symbolized with a
little flower and when selected it will tell your
camera that you want to focus on a subject closer to
your lens than normal. Macro mode will also usually
tell your camera to choose a large aperture so that
your subject is in focus but the background is not.
Use a Tripodin macro photography a tripod can be
particularly useful, even if youre just shooting with a
compact camera. Keeping your camera still not only
improves your shots (getting rid of camera shake) but
it allows you to play around with different settings
without losing your composition.
Apertureonce in macro mode some cameras will
not allow you to make many other adjustments but if
you are able to play with your aperture settings it can
be well worthwhile to do so. Choose a small aperture
(big number) if you want a large depth of field with
everything in focus or a large aperture if you just
want your main subject in focus. In macro
photography youll probably want a shallow depth of
field so select the largest aperture available.
FocusingIn macro photography it is helpful to have
full control over focusingespecially when you have
shallow depth of fields where it is all the more
important to make sure the right part of your shot is
in focus. If your camera allows manual focusing
select this option and manually focus on the part ofour subject that is the main point of interest.
CompositionRemember some of the basic rules of
composition like the Rule of Thirds. Make sure your
image has a main point of interest and place that
focal point in a smart position in your image in order
to draw the eye of your viewer. Try to select a non
cluttered or simple background for your main subject
so as it doesnt compete with it visually.
Flash in many macro shots having some artificial
light is important. The challenge with compact
cameras is that most give you limited control of your
flash. As a result choosing a good time of day when
there is plenty of available light is probably your best
bet. Experiment with different methods of lighting
your subject.
Take Your Shot - once you have your shot lined up
and in focus take your shot. Make sure once youve
taken it to take a good look at it on your LCD,
zooming in to make sure that your focusing is sharp.
Try shooting at slightly different apertures, with
different compositions and focusing on different
points of your subject to see what works best.
Macro Lens Attachmentssome compact cameras
actually have accessories available to help with
macro/close up photography. These will enable you
to enlarge your subject and/or decrease your
minimum focal length. These might be worth
investing in if you intend on doing a lot of macro
work.
Technically macro photography is actually when
you produce an image where your subject is capturedon your image sensor at life size (or bigger) with a
1:1 ratio.
In the case of most (all?) compact cameras this is not
achieved and in fact close up photography would be
a better description. However as most manufacturers
call their close up mode macro mode So the term is
used for the purposes of this article.
Courtesy: Digital Photography school article by ByDarren Rowse
http://digital-photography-school.com/macro-photography-tips-for-compact-digital-camera-users#authorhttp://digital-photography-school.com/macro-photography-tips-for-compact-digital-camera-users#authorhttp://digital-photography-school.com/macro-photography-tips-for-compact-digital-camera-users#authorhttp://digital-photography-school.com/macro-photography-tips-for-compact-digital-camera-users#author -
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MACROS of Mr. Arunachalam with
a Point and shoot Digital Camera
Funny Quotes
If you saw a man drowning and you could either save
him or photograph the event...what kind of film
would you use? -Anonymous
A definition of a professional photographer:
A "pro"NEVER shows anybody the mistakes. -
Anonymous
Quarterly Contest Results
The list of the winners for the quarter ended
May 2010 is as follows:
SECTION TITLE NAME PRIZEREFLECTION 3 ELEMENTS BALASUBRAMANIAN G.V. 1st PRIZE
LANDSCAPE BRHAMMA KAMAL RAMAN J 2nd PRIZE
FACES INNOCENT SMILE SHUDHAKAR A.M. 3rd PRIZE
LANDSCAPE PARADE S. PRABHAKARAN
1st PRIZE
(Special Prize)
FACES SWEET SMILE VIJAYAKUMAR S
SPECIAL
MENTION
LANDSCAPE DELIGHTFUL DUSK ARVIND BALARAMAN
SPECIAL
MENTION
REFLECTION THE THIRD IMAGE BALASUBRAMANIAN G.V.
SPECIAL
MENTION
LANDSCAPE PARADISE VIVEKANAND SSPECIALMENTION
LANDSCAPE
LOST IN
PARADISE(MUNNAR) SUKUMAR SUBRAMANIAM
SPECIALMENTION
LANDSCAPE
MASACOMA LAKE,
USA MANI N
SPECIAL
MENTION
Dear Members who have the following Sigma
Lenses kindly go through the following Message
from SIGMA and Kindly see the web site
Go to the preview website below to read the service
notice. Read it.
It has referred to APO 50-500mm F4.5-6.3 DG OS
HSM:
Serial Numbers between 10633051 and 0972000
http://www.dpreview.com/news/1006/10061601
sigmatelephotonotice.asp
India SHETALA AGENCIES Pvt. Ltd.
Mount View Apartments
No.: 111, Mount Road, Guindy
Chennai-600 032, India.
Tel: 9144 - 42125148/58/68
Fax: 9144 - 22351485
To speak technically photography is the art of writing withlight. But if I want to think about it more philosophically, I
can say that photography is the art of writing with time.
When you capture an image you capture not only a piece of
space, you also capture a piece of time. So you have this
piece of specific time in your square or rectangle. In that
sense I find that photography has more to do with time than
with light. -Gerardo Suter- "Black & White Magazine for
Collector of Fine Photography", February 2001, page: 118
http://www.photoquotes.com/showquotes.aspx?id=77&name=Anonymoushttp://www.photoquotes.com/showquotes.aspx?id=77&name=Anonymoushttp://www.photoquotes.com/showquotes.aspx?id=77&name=Anonymoushttp://www.photoquotes.com/showquotes.aspx?id=77&name=Anonymoushttp://www.photoquotes.com/showquotes.aspx?id=77&name=Anonymoushttp://www.dpreview.com/news/1006/10061601%20sigmatelephotonotice.asphttp://www.dpreview.com/news/1006/10061601%20sigmatelephotonotice.asphttp://www.dpreview.com/news/1006/10061601%20sigmatelephotonotice.asphttp://www.photoquotes.com/showquotes.aspx?id=526&name=Suter,Gerardohttp://www.photoquotes.com/showquotes.aspx?id=526&name=Suter,Gerardohttp://www.photoquotes.com/showquotes.aspx?id=526&name=Suter,Gerardohttp://www.photoquotes.com/showquotes.aspx?id=526&name=Suter,Gerardohttp://www.dpreview.com/news/1006/10061601%20sigmatelephotonotice.asphttp://www.dpreview.com/news/1006/10061601%20sigmatelephotonotice.asphttp://www.photoquotes.com/showquotes.aspx?id=77&name=Anonymoushttp://www.photoquotes.com/showquotes.aspx?id=77&name=Anonymous -
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Nikon Photo Contest International
2010 - 2011
Nikon Corporation (Makoto Kimura, President)
is pleased to announce that entries for theprestigious 33rd Nikon Photo Contest
International 2010-2011 will be accepted
between September 1 and November 30, 2010.
The Categories:
Entries for the 2010-2011 contest will be
accepted for two categories; The first category is
a free subject category (A) and the second
entitled "Energy (B). Photos of any subject or
theme are invited for the free subject category.
Entries for the Energy category should bephotos that capture the energy of sights and
subjects that inspires, motivates or excites.
Entry Period:
Wednesday, September 1, 2010 through
Tuesday, November 30, 2010 Entry Method:
Fill out the application form on the Nikon Photo
Contest International 2010-2011 website
(http://www.nikon-ncpi.com/) and transmit
image data via the form.
Number of Entries:
Two photos for each category (total of four) may
be submitted.
Entry Format:
Image data captured with a digital still camera
(excluding that captured by medium-format and
larger digital cameras) and image data created
by scanning an image captured with a film
camera (35mm or APS) will be accepted.
Images that have been digitally enhanced or
edited with software will also be accepted.
File Size: 10 MB or less per file
Image Format: JPEG only
Dear Members thank you all for your encouragement
and we seek your support, cooperation and
Contribution to News Letter
PSM Editorial Committee
Ranthambore Explored
PSM organized a WILD LIFE TOUR to
RANTHAMBORE NATIONAL PARK,
Rajasthan f rom25th to 29th of April 2010. Seven
members of the Society Anand Mohan,
B.Ramana Kumar, Bhaskar Kundu, Ganesan
Pajanisamy, H.L.Ratan, Ravi Chandran,
Sukumar Subramaniam, participated for the tour .
Ranthambore, is known more particularly for the
majestic BENGAL TIGER. It is one among the
other tiger reserves of India, where a tiger
sighting is almost assured during summer.
Ranthambore also is the natural habitat of a
wide variety and species of Birds like the
Peacock, Indian Tree Pie, Oriental MagpieRobin, Indian rollers, Red headed King vulture
to name a few. The other wildlife includes
Sambar deer, Spotted Deer, Nilgai, Antelopes,
Leopard, wild boar, etc. The 400 Sqm forest
also boasts of a number of species of trees and
other flora and fauna.
An exhibition was held from 17th June to 20th
June at their new premises. Renowned
Cinematographer Sri Ravi K .Chandar
inaugurated the exhibition.
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Nikon vs Canon DSLR in a changingMarket.
(Dear Colleagues, though this article is
one year old it makes an interesting
reading. So please do enjoy this bit of
information from us.)Nikon is in a very competitive market, so that
has to do other producers a direct impact on the
direction of Nikon products. Twenty years ago,
followed, established in possession of the Nikon
professional 35mm photography, and then AF
came, thanks to digital. Canon has always been
the number 2 business. However, with
autofocus, Canon procedures performed, since
both companies updated their product lines with
new technologies. Then came digital
photography, Canon has taken the opportunity
and through innovation and Aggressive than
Nikon Marketing, took the number one. Canon
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became the camera of choice for most
professionals, the early 21st Century. Nikon
responds hard at the end of 2007 with the launch
of the D3 and D300which is precisely the
Olympic Games in Beijing, about half of the
witnesses have been shooting professional
Nikon, Canon and the rest. Four years ago in
Athens, Nikon were few and far between.
Now is the second half of 2008, and Canon is
shooting back in frame Nikon.
New Canon EOS 50D comes in a few hundred
dollars less than the Nikon D300 and D300, but
the beats in the megapixel race (15.1MP vs
12.3mp) and, therefore, called for a higher
maximum ISO (12,800 against 6,400). The
D300 on paper seems a better AF and fasterframe rates are, but someone new publications
on the market will be long and difficult the
cheaper, higher resolution, higher ISO Canon.
A few weeks later, another shot with the full-
frame Canon EOS 5D Mark II also has a price a
few hundred Dollars less than the Nikon, is
aimed atthe D700. Offers compared to 21.1
MP Nikon 12.1 MP, while the maximum
equivalent of 25,600. Once again, the D700 has
a faster pace, support, etc., but from a marketing
perspective, Canon has today a very strong
platform to go after the serious amateur
photographer / prosumer, especially if they are
not shooters.
However, it will be better. The end of August,
the Nikon D90the first announced DSLR
camera with video capture, a complete sports
720p. The ability to use SLR lenses for video
capture and a very shallow depth of field is
significantit is not a function for everyone, but
for some it is huge, and it could save tens ofthousands of dollars available for video devices.
Less than 3 weeks after the thunder from Nikon,
Canon, again with the Canon EOS 5D Mark II, a
sport full 1080p video capture mode in
a prosumer camera (compared to the more
basic model Nikon D90). Obviously Canon
Video also takes seriously, and seems to be
higher System.
Then there are the 24.6 megapixel Sony that
shipping will begin in a few weeks.
So far Nikon has once again push the megapixel
race, trying to sound, not to slow the flow of
work and a higher megapixel camera is not
necessary. Higher megapixels also show
problems with the lens to cause problems of
diffraction and the introduction of a new set of
problems. Very few people really need more
than 12 megapixels, but the average user or a
beginner does not know. They are listening to
the market, and make the comparison of bullet
points on the websites of the cameras for their
decisions. In terms of marketing, Canon now has
the upper hand in the semifinal of serious
amateur / pro-market. Nikon has to educaterespondwith a series of new products or
with an aggressive marketing campaign for
consumers, because megapixels play does not
matter. As has been demonstrated over and over
again by numerous companies from different
sectors to meet the introduction of new products
the focus should be on cheaper, and affordable
pricing and / or more profitable to try to re-
educate the consumer.
These are exciting times in the world digital
SLR, Canon has a year to respond to the Nikon
D300 and several months to respond to the
Nikon D700. A response from Nikon will,
maybe not this year, but as it should.MARCH 29, 2010 POSTED INDSLR CAMERA ARTICLES.
Nikon D3s vs. Canon 1D Mark IV ISO
http://www.dslrcamera.pannipa.com/category/dslr-camera-articles/http://www.dslrcamera.pannipa.com/category/dslr-camera-articles/http://www.dslrcamera.pannipa.com/category/dslr-camera-articles/http://www.dslrcamera.pannipa.com/category/dslr-camera-articles/http://www.dslrcamera.pannipa.com/category/dslr-camera-articles/ -
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Picture Taken with Canon 1D Mark IV ISO 12800
Picture Taken with Nikon D3s ISO 12800
For the sake of reference, a set of images are
included as a representation of the scene shot at ISO12800 from each camera in order to give you an idea
of what the entire image looks like in a small print
format. Both sets of images were shot at 24mm
(using theCanon EF 24-70mm f/2.8L USMand
theNikon AF-S 24-70mm f/2.8G ED) and used the
same aperture (at f/8) and shutter speed settings for
each ISO setting.
Final Thoughts
I think these results tell us that each
manufacturer delivers superior RAW conversion
over the in-camera processing andAdobe
Lightroom 2. I am partial using Lightroom 2 in
my everyday work flow and I hope that
Lightroom 3s promising noise reduction will
level the playing field somewhat.
Still yet, the files are quite acceptable across the
board up to ISO 6400 and maybe even to ISO
12800 for some applications. Lightroom 2
seems to fall apart after that point though, whileNikons ViewNX hangs in there quite well even
up to the end of the world at ISO 102400
(relatively speaking, of course).
Ill have at least one more round of commentary
on the noise handling of these two cameras in a
later update on print quality. We can peep at the
pixels all day long, but what really matters to me
is whether the files produce solid prints at thesehigher ISO settings. Given the 100%
magnification that were looking at here, I think
well find that the prints hold up nicely even at
the higher ISO settings. I should have those
prints in hand soon and will share my thoughts
relatively soon thereafter.
Written byEric Reaganon February 10th, 2010
http://www.photographybay.com/
8 Tips for Wide angle Photography
1. GO VERTICAL
2. GO HORIZONTAL
3. EMPHASIZE THE FOREGROUND
4. SHOOT FOR THE SKY
5. PLAY WITH GEOMETRY
6. TAKE A PORTRAIT
7. TRY A DIFFERENT ANGLE
8. WATCH THAT DISTORTIONFor More detai ls Please see the s i te
http://blog.epicedits.com/2009/05/09/8-tips-for-
shooting-extremely-wide-angles/
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