listening in the light of writing

23
LISTENING...

Upload: gabyase23

Post on 10-Aug-2015

205 views

Category:

Education


0 download

TRANSCRIPT

Page 1: Listening in the Light of Writing

LISTENING...

gaby ase
Hola gente!! No se manejar bien esto de las presentaciones aún.Encontré unos mensajes dejados en contestadora, que según la bibliografía (Teaching use of the teephone- voice mail and answering machines) requieren que los L2 learners tomen nota. Dejo los links tanto del listening como de las activities. No pude encontrar los Scripts. Listening:http://www.bbc.co.uk/skillswise/game/en35spec-game-listening-to-voicemailWorksheets:http://downloads.bbc.co.uk/skillswise/english/en35spec/game/en35spec-game-listening-to-voicemail/game_questions.shtmlhttp://downloads.bbc.co.uk/skillswise/english/en35spec/game/en35spec-game-listening-to-voicemail/gapfill_questions.shtmlEspero sirvan a quien le toque esa parte.
Roxy Tiva
_Marked as resolved_
Roxy Tiva
_Re-opened_jajajajj no se poruqe me salio eso ajjaja
Yesica Areco
to me!! thanks, en un rato lo veo con los chicos!!! beso!
Page 2: Listening in the Light of Writing

WRITING

IN THE LIGHT OF...

Page 3: Listening in the Light of Writing

RECALLING PREVIOUS...

Page 4: Listening in the Light of Writing

ACTIVATION!!!!

Page 5: Listening in the Light of Writing

ANSWERS1- Listening is a productive skill. (FALSE) 2- There are three different listening types: informational, evaluative, and relational. (TRUE)3- The most basic skill in listening activities is paying attention. (TRUE)4- Listening is a receptive skill. (TRUE)5- Listening is a biological process.( FALSE)6-Listening is a neurological cognitive regarding the processing of auditory stimuli received by the auditory system. (TRUE)7- Listening is a passive process. (FALSE)8- One of the listening stages is hearing. (TRUE)

Page 6: Listening in the Light of Writing

RELATIONS BETWEEN THE SKILLS

WRITING

SPEAKING

LISTENINGREADING

Both deal with

written language,

one is productive

and the other is

receptive. Both are

productive.

Page 7: Listening in the Light of Writing

top down

discourse bottom up

activation of schematic knowledge

contextual knowledge metacognition

pragmatic knowledge

monitoring

regulating management

content schemata metacognitive planning

formal schemata

schematic knowledge prior knowledge

Roxy Tiva
si alguien sabe hacer lago mas lindo adelante!!jajajaja
rodrigo_443
chequea la slide 8, no se si era lo que queris hacer o le mande cualquiera
Roxy Tiva
dale!"El 19 de agosto de 2014, 16:30, rodrigo_443 (Documentos de Google)<
Roxy Tiva
genial¡¡¡¡¡¡ eso estaba en el power point de mi amigao me reolivede!!!!!!!!!!!2014-08-21 16:06 GMT-03:00 Roxy Tiva <[email protected]>:> dale!">>> El 19 de agosto de 2014, 16:30, rodrigo_443 (Documentos de Google)<
Page 8: Listening in the Light of Writing

One more round to go!!

TASK FLEXIBILITY COMMUNICATION STRATEGIESRECIPROCAL SITUATION-SPECIFIC COMPENSATORY STRATEGIES

NONRECIPROCAL

LISTENER-INTERNAL

Page 9: Listening in the Light of Writing

Teaching Listening from a Discourse Perspective

Listening (utterances) Written form

Clear co-text “Catch m´. ! dont let m´ escape!” Catch them!, Don’t let them escape

Stress “My brother is sixteen, not seventeen.” My brother is sixteen, not seventeeen.

Pauses “Are you ready to eat grandma?” Are you ready to eat, grandma?

Intonation “Jimmy is eating pizza” Jimmy is eating pizza?

Page 10: Listening in the Light of Writing

Top down strategies

Opening words

Professor:“Today you are going to listen to someone speaking about the causes, consequences and the global historical impact of the French Revolution”.

Students: French Revolution

Causes Consequences Global historical impact

Page 11: Listening in the Light of Writing

Get the GIST

Page 12: Listening in the Light of Writing

How effective are communications in the virtual era? While cell phones have allowed us to engage in different forms of contact quickly, some times, when we communicate with another person, it is difficult for us to write what we mean in the way we want to say it and that our listener understands exactly what we are expressing .

Page 13: Listening in the Light of Writing

Yo tb tq, o como el whatsapp arruina relaciones.

Page 14: Listening in the Light of Writing

Traditional characteristics of the 4 skills

Writing-reading -Time to think of what to say.-Draft and correction.-Unknown context of the receiver (feelings, situation)-Need to create context in the same limited ability of the words.-Delayed or impossible feedback.-Unilateral discourse.

Speaking-listening -Communication on the spot.-Immediate feedback.-Known receiverknown context.-Continuous change of roles.

Page 15: Listening in the Light of Writing

Modern ways of communication

Email In the beginning it demanded to be connected through a computer. Usually at job

Page 16: Listening in the Light of Writing

Text messages

Each message was paid, so it needed concision.

Page 17: Listening in the Light of Writing

Messenger-Whatsapp

● Communication on the spot, but time for correction.● Known receiver and context, but no so (feelings,

situation)● Immediate feedback, but not so.● Continuous change of roles, but not so.● Adaptation of spoken language to written form, in order

to convey meaning.● It created a new language, different from any other.

Page 18: Listening in the Light of Writing

En línea

A- Hola B- :)A- Todo bien? B- Yep. B- Toy llendo al cole.tudiaste escrita?A- SíA- Vos?

Page 19: Listening in the Light of Writing

B- seeeeeeee B- no sabes!!!!!!!! B- jajajajaA- Pero deberías estudiar. Así no te vas a recibir nunca. B- c v q ya ni m importa B- juazA- En lugar de salir tanto deberías dedicarte más

Page 20: Listening in the Light of Writing

B- Buuuuuuuuuu B- callaaaaaat B- jajakajaajak

Page 21: Listening in the Light of Writing

Radio ad Script

Mum: That’s a large bowl of Weetabix. Big day today?

Daughter: Yes, Mum. First, I’ll empty my wardrobe on the floor and dress from head to toe in pink. Pink socks, pink wig, pink shoes. Next, I’m going to make a tiara out of pasta and cookies… and I’ll crumble up the bits of cookies and stick them on, to make the diamonds for it. Then I’ll pick all the flowers in the garden and make some perfume. So, I’m going to make the perfume like this. First, I’m going to get a sieve, two bowls from the kitchen and then I’ll go and pick all the flowers and mash all the herbs and mints and stuff up, stir it round with my spoon and then that will be it.

Mum: Lovely.

Daughter: Next, I’ll make a tea party in the bottom of the garden… and I’ll invite my best friend, Savannah, and another friend, a lollipop.

VO: Packed with slow-release energy to keep you going. Weetabix. Fuel for big days.

Page 22: Listening in the Light of Writing

FVO1: I bump into my friend at the bus stop.

FVO2: You bump into your friend at the bus stop.

FVO1: I take off my pashmina and show her my new necklace.

FVO2: You take off your pashmina and show her £150.

FVO1: I play with the necklace as we talk.

FVO2: You play with the money as you talk.

FVO1: I say goodbye and walk home.

FVO2: You keep the money on show and walk home alone.

End VO: Thieves see your possessions differently, so take care where you take them out. Here for London.

The Metropolitan Police Service. For more information, visit met.police.uk.

Radio ad Script

Page 23: Listening in the Light of Writing

Works Cited

Celce-Murcia, M., & Olshtain, E. (n.d.). Listening, Writing. In Discourse And context in Language Teaching (pp. 102-117, 141-163).