Macramé Secrets

RevealedBy Emma Ripley

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Table of Contents

INTRODUCTION ............................................................................................................................ 5

THE HISTORY OF MACRAMÉ ................................................................................................... 7

THE BASICS OF MACRAME ..................................................................................................... 13

WHAT IS MACRAME? ..................................................................................................................... 13 CREATE A SAMPLE ......................................................................................................................... 15 CORDS ........................................................................................................................................... 16 ANCHORING ................................................................................................................................... 17 TIGHTENING ................................................................................................................................... 17 ADVANCED TIPS ............................................................................................................................ 18

MACRAMÉ EQUIPMENT AND TOOLS .................................................................................. 19

KNOTTING OR PROJECT BOARD: .................................................................................................... 20 A CROCHET HOOK: ........................................................................................................................ 21 EMBROIDERY NEEDLES: ................................................................................................................. 21 PINS: ............................................................................................................................................. 22 ADDITIONAL TOOLS: ...................................................................................................................... 22

MACRAMÉ MATERIALS ........................................................................................................... 24

TWINE: ......................................................................................................................................... 24 LEATHER: ..................................................................................................................................... 25 SILK: ............................................................................................................................................ 26 COTTON: ........................................................................................................................................ 26 JUTE: ............................................................................................................................................ 27 YARN: .......................................................................................................................................... 28 LINEN: .......................................................................................................................................... 28 HEMP: .......................................................................................................................................... 29

PREPARING THE YARN ............................................................................................................ 30

PREPARING THE YARN… ............................................................................................................... 31

BASIC KNOTS IN MACRAMÉ ................................................................................................... 34

THE OVERHAND KNOT .................................................................................................................... 34 THE LARK’S HEAD KNOT OR COW HITCH ........................................................................................ 34 THE SQUARE KNOT ........................................................................................................................ 35 THE HALF HITCH ........................................................................................................................... 36 THE FLAT KNOT ............................................................................................................................ 37 THE HALF KNOT ............................................................................................................................ 37 THE DOUBLE HALF HITCH ............................................................................................................. 38

ADVANCED KNOTS IN MACRAMÉ ........................................................................................ 40

ALTERNATING SQUARE KNOT ....................................................................................................... 42 THE ALTERNATING SQUARE KNOT ................................................................................................. 43 THE HALF KNOT ............................................................................................................................ 43 THE HALF HITCH KNOT ................................................................................................................. 44 DOUBLE HALF HITCH .................................................................................................................... 44 HORIZONTAL HALF HITCH KNOT ................................................................................................... 45

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VERTICAL HALF HITCH KNOT ........................................................................................................ 45 DIAGONAL HALF HITCH KNOT ....................................................................................................... 46 THE WRAP KNOT ........................................................................................................................... 47 THE JOSEPHINE KNOT .................................................................................................................... 48

CORDING VARIATIONS IN MACRAMÉ ................................................................................ 49

FINISHING A MACRAMÉ PIECE ............................................................................................. 52

COLOR AND DESIGN IN MACRAMÉ ..................................................................................... 57

POPULAR MACRAMÉ PROJECTS .......................................................................................... 61

MACRAMÉ PATTERNS .............................................................................................................. 64

PLEASE READ ................................................................................................................................. 64 ALICE BAND .................................................................................................................................. 64 MACRAME BELT ............................................................................................................................ 67 EVENING BAG ................................................................................................................................ 69

POPULARITY THROUGH THE TIMES ................................................................................... 73

MAKING BAGS WITH MACRAMÉ .......................................................................................... 78

MACRAMÉ LACE AND WORKING WITH FINE THREAD ................................................ 83

CAVANDOLI STITCH ................................................................................................................. 87

COMBINING MACRAMÉ WITH OTHER CRAFTS .............................................................. 94

TIPS FOR SELLING YOUR MACRAMÉ .................................................................................. 98

TIPS FOR MAKING MACRAMÉ A PROFITABLE BUSINESS .......................................... 101

MACRAMÉ RESOURCES ......................................................................................................... 103

MACRAMÉ AND MAGAZINES ........................................................................................................ 103 BOOKS: ...................................................................................................................................... 104 TUTORIALS .................................................................................................................................. 105 SUPPLIES ...................................................................................................................................... 106

HOW TO ADD THE BEADS AND OTHER ITEMS TO YOUR MACRAMÉ .................... 110

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Introduction

Anyone can do macramé. If you can tie a piece of string around a parcel,

you’re already half way there. In fact I would say, macramé is definitely

one of those crafts which looks a great deal harder than what it actually is.

Macramé can be practiced wherever you happen to be. All you need is a

small space in front of you.

Macrame has been defined as the inter-knotting of yarns. However, as you

will soon discover it is far more than that, as the satisfaction come from the

art of creating. Macrame is for everyone: the young, the old, male or

female, in fact anyone who is attracted by the beauty of the knots. It is

easy enough that anyone can learn, as you learn you can progress on to

the more advanced knots and techniques to make some incredible

projects.

A better description of macramé is a craft for creating useful items or

decorative designs by knotting together some kind of string or thread. This

maybe quite a heavy string or a thin rope. It could even be as fine as

crochet cotton.

Using your hands for tying knots is actually very good for you, and can

help those with arthritis or other disabilities. When you submerge yourself

in a macramé project, you switch off from the outside world, and enter a

soothing relaxing world.

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This book covers everything you need to know, and will guide you step by

step to making your first knots, and then on to the more advanced

techniques so you can create some stunning projects.

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The History of Macramé

As for the origin of the word Macramé, it is believed to be of Arabic origin,

and is said to mean a towel or napkin with a fringe, a veil of protection, or

more specifically, a striped towel, ornamental fringe, or embroidered veil.

The word macramé derives from the word “migramah” and its practice has

been documented as far back as the 13th century.

The Art of Macramé however, began for the purpose of

attaching things. Knots were tied to fasten clothing or wraps in the same

way we sew these pieces today. The natural progression was to use these

knot creations to help in the task of fishing and hunting, and later on, in

recording events or for counting purposes.

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The origins of macramé, or knot tying for a specific purpose or

art form, go back so far in history that no one is really sure how

it began. Some historians attribute it to the Chinese, but many

others are convinced it started somewhere in the Middle East

(near the Tigris and Euphrates). There is discussion that the

practice of “knot tying” may have started in Egypt, Arabia or

Peru, and one particular site states this art to be of Turkish

origin and approximately 100,000 years old. There is much

debate indeed, but regardless of origin, macramé has become a

worldly craft.

The use of knots and the skill of knot tying brought forth the beauty of such

intricate work, that as a result, it extended the use of macramé from a

strictly practical, to a decorative or ornamental endeavor.

Although macramé is widely used for different purposes, the most

widespread use of macramé throughout history has been in the nautical

field. Sailors passed the time on long journeys by making nets they used

for fishing, moving on to ladder making, and even belts.

As they sailed the ocean’s, they shared their skill with others and

transported their art to new lands. The migration of Macramé therefore, is

mainly due to the efforts (and lack of other things to do) of sailors on

journeys lasting months or even years at a time.

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In the 15th and 16th centuries, lace making and its associated craft of

macramé became very popular in many parts of Europe. The folk of this

period were keen to add it to their clothes and they liked to decorate their

houses with elaborate patterns.

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Today, in many parts of the world, macramé is still used by fishermen;

their very own creations and artful skill are what bring food to their tables

every day, and make them see it more as a tool, than as an art.

Wars and civilization have always encouraged and prompted cultural

exchanges. Macramé first came to Spain with the conquest of the Moors,

and was later introduced to England at the court of Queen Mary in the 17 th

century as it spread from Spain, to all of Europe.

It became a major source for trade among seamen as they introduced

original products like hammocks, bell fringes and belts to their limited

inventory of nets. The sailors learned how to make these novel products

and brought about demand for more, born of a desire for the new when

Europe had become the old world.

During Victorian times, where few homes went unadorned, Macramé

offered great appeal and a craft that was both respected and admired for

and by the ladies.

It was during these Victorian times, that “Sylvia’s Book of Macramé Lace”

became a popular source of information urging its readers to “use black

and color for trimmings, costumes, home décor and even underlinens”.

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Macrame was staging a revival. All young ladies were supposed to

possess it, and it actually fitted in well with the Victorian fondness for

heavy and ornate trimmings. It was used on mats which had to cover

every flat surface. Ever since its inception, Macramé has been present in

its many uses and styles, and has gained and lost popularity throughout

history only to return strong again at every turn.

Macramé became very popular in the 1960’s and 1970’s when belts,

purses, headbands, and other such items were the pinnacle of fashion.

Every home boasted a macramé basket hanger or owl.

The lure of macramé is now rekindling its appeal among crafters all

around the world while bringing forth another very important purpose, that

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of a therapeutic tool. In both art therapy and as a manipulative for

physical therapy, macramé is becoming much more than just a pretty face.

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The Basics of Macrame

What is Macrame?

In basic terms, Macrame refers to the art of making textiles with the use of

very base to highly intricate knots, and without the use of needles or

hooks. Macrame differs from most of what we see every day in clothing,

linens, etc. in that it is not a weave or a knit.

To the naked eye (no prior knowledge of stitchery), a weave, a knit or a

macrame may not seem all that different, but upon closer observation the

differences in method become clearer.

A bed sheet is made with a very tight industrial type weave; most of the

handknitted scarves or sweaters we wear, are either knitted or crocheted;

store bought scarves are mainly weaves cut out and finshed, and tee

shirts, as well as jeans, are weaves. Rugs are also mostly weaved

although some can be macramed.

Crochet Macrame

This piece was made with cotton This piece was also made with cotton

thread and a crochet needle. thread, but no needle.

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Weave Knit

This piece was made with a loom This piece was made with cotton

and cotton thread. thread and the use of two knitting

needles.

Macramé, or knot tying, is what is used to make fish nets or belts. Part of

the success of macramé is its versatility. No tools are really required, and

the materials used depend on the project being made, or what the person

may have on hand.

Some of the most common materials used are cotton twine, hemp, yarn,

or leather, however finer threads are also used for the more delicate of

projects.

If you are making jewelry, you may incorporate colorful beads to

accentuate the beauty of the knotted piece. And the types of knots you

use are entirely left to what you like best and the kind of project you are

trying to make.

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Macramé can be economical, versatile, portable, and even therapeutic.

Macramé is being used more and more for therapy, not only for its relaxing

qualities, but for manipulation as well. Physical therapists are now

recommending crafts such as macramé to help patients recovering from

arm, wrist, or hand injuries.

Portability is important if you’re the type of person who likes to bring a

project along to a friend’s house, a physician’s office, or on a bus. Unless

you are making a hammock, macramé affords you the opportunity to bring

a portable project with you wherever you go, and with current airline and

airport safety regulations what they are, knitting, crocheting, and

embroidering are no longer permitted; macramé doesn’t require needles or

hooks that could be deemed dangerous on an airplane, and carrying twine

in your carry on has not yet been banned.

Most patterns should stipulate how long each length of cord should be, but

it is good practice to be able to judge this yourself. The ends of the cording

should be about 3 to 4 times longer than the piece you plan to make, but

since they are doubled in half for knotting, they actually end up being 6 to

8 times longer. Make sure the ends are measured generously. It is better

to have too much rather than too little.

Create a sample

It’s a good idea to make samples of each knot, and in all its variations.

Believe me this will save you so much time and grief when you come to

tackle more complex projects. Once you’ve had some practice you’ll soon

be able to determine how a macramé piece was knotted simply by looking

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at it. If you are beginner, you’re better off making the samples in a single

color, as the knots will be easier to see. You may want to even try

repeating the same knot in a different material, to see the varying effects it

has.

Cords

Cords are often added to macramé pieces to highlight a certain section of

the pattern, by raising its profile, or adding color. Occasionally cords are

added if the ends of the existing cords are too short to add an extra knot in

them.

Basically the cord is there either for show, or to serve a purpose (such as

to finish a piece that’s too short to tie a knot in). If you want the cord to be

invisible, you’ll need to splice the cord. Unravel both ends of the cord, dip

them in fabric cement so that they remain pinched together. Twist the

ends together and then wait for the joint of the cording to dry properly

before continuing knotting.

Alternatively, if you have a short cord you can add a T-pin, by tying new

cord to the pin horizontally and then work it into the knotting. You’ll need to

weave or glue the ends later, if necessary.

If the cording is meant to be prominent in the final display, allow the added

loose ends to hang and then knot them where necessary.

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Anchoring

Due to nature of this type of craft, it is essential that you keep your work

firmly anchored to a macramé board using pins, whilst you are working.

Ensure that the cord ends are secured to an anchor enabling the cords to

remain tight and secure. This makes life a whole lot easier, and frees up

your hands. It also means that cords don’t get tangled up, and are easy to

deal with. Make sure that the ends of the cording are aligned.

A further benefit is the macramé results in being uniform in size and

tightness. You’re less likely to get confused, as to which step is next.

If you don’t want to use a macramé board, you can always improvise with

a clip board, or a split ring. After creating your first knot, slip the knot into

the slot of the split ring, before hooking the ring on to something secure

like a clothes hook or door knob. When you’re ready to tighten the knots

all you need to do is remove the project from the ring.

Tightening

In order to secure the ends of your macramé piece, simply tighten the start

and finish knots of the project. Pliers are useful for this job. Take each

strand of cording using the pliers and pull it away from the rest of the

strands in order to tighten it. This ensures the macramé piece remains

strong and secure.

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Advanced Tips

Once you’ve got a few projects under your belt, you’re probably looking for

ways you can improve the appearance of them. Each macramé project

has its own uniqueness, in terms of it never being completely uniform and

exactly the same as someone else’s work who may have followed the

same project. However, it looks far more professional when the line of

knots are straight both horizontally and vertically. The tension needs to be

kept even. Edges must be firm, and loops even.

How can you best do this? Start off as you mean to continue. By that I

mean use a macramé board from the off to anchor your work, and help

keep the size of the knots uniform. Discipline yourself to use it from the

start, and then you have a perfect baseline to base all the other knots on.

Simple? Yes. Effective? You bet.

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Macramé Equipment and Tools

Other than basket weaving with local fibers, leaves or vines, macramé is

still one of the most inexpensive crafts in the world.

Macramé can be as costly as the crafter wants to make it; as inexpensive

as buying a ball of twine at a dollar store is, or as cheap as gathering used

twine which is free, to buying fine silks or leather. If you’re on budget, don’t

let that stop you, go ahead and give it a go. If you fall in love with the craft

you can invest in silk or linen and throw in some beautiful beads.

The string itself can be cotton twine, jute, yarn, silk cording, linen, leather,

or hemp. The choice s yours and depends on the type of project you

intend to complete. In choosing your string, remember to consider

durability. Once you’ve completed a gorgeous work of art, you don’t it to

fray, dull, or clump. Make it to last.

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As far as actual tools go, you’ll need to have a pair of scissors, and

anything else is icing on the cake - but as we all know - icing makes it

better.

A little investment goes a long way…

Here are some items worth considering:

Knotting or Project Board:

A knotting board can be purchased at most craft stores or can be made at

home. Some seasoned crafters actually prefer knotting boards made out

of heavy cardboard (a box), where others prefer store bought or made of

polyfoam or cork.

The size of the board matters only in as much as some boards are too

bulky if you only plan to make book markers. However store bought or

homemade, you can always measure and mark the space you want to

use, and limit yourself to working that area alone, while keeping your

project’s growth symmetrical. See the list of suppliers at the end of this

book for where to purchase a board.

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A crochet hook:

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A crochet hook will help you complete more detailed work and

make the finished product look “cleaner” and tighter.

Embroidery needles:

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Embroidery needles, like crochet hooks, help tidy up the project as

well as make more intricate work a little easier.

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Pins:

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Pins, mainly T or U shaped pins, hold your macramé work in place

on the knotting board. T pins (or wig pins) can be found at sewing

stores. U pins are found at upholstery stores.

Additional tools:

Tassel making tools, a glue to stop string from fraying, patterns, and

embellishing items.

What are embellishing items? They are beads, stones, feathers, ribbons,

coins, seashells, or driftwood. Once again, these are items you can go out

and buy, or find in a drawer while doing some spring cleaning.

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If your project still doesn’t look right, imagine it in many different colors and

use a dye to make it come to life.

You’ll also find the following will come in useful:

Mounting cords

Rings to hold the mounting cords

Scissors

Tape measure

Make it fun and enjoy the process!

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Macramé Materials

… String

is one of the most important items to consider when planning for a project.

There are many options when selecting a string, and what you choose will

depend on the project, your budget, availability, and personal taste or

‘signature’.

The following is a list of materials commonly used for macramé, and their

qualities.

Twine:

Twine is probably the most commonly used cording material for macramé.

It is a strong string or cord made of two or more threads that are twisted

together, making it a strong and durable choice.

Contents:

Twine can be made from a variety of materials, cotton is widely

used because it is readily available, and economic, but it can also

be found in jute, sisal, and even plastics.

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Uses:

For binding parcels, making nets, binding bales, rope, and, of

course, macramé.

Interestingly…

The largest twine ball ever made by one person, was made from sisal, by

Francis Johnson. The ball was twelve feet in diameter and weighed

17,500 pounds. He started making it in 1950, and it took him four hours

each day, for 29 years to complete it.

Leather:

Leather is the dressed or tanned hide of an animal, usually with the hair

removed. Leather is used for furniture, garments, wallets and handbags,

shoes, and more.

For the eco – friendly:

Leather imitations go by the following names: faux leather, naugahyde,

artificial leather, or American leather cloth.

Interestingly…

On imitations… This leather-like surface can be created using different

materials or formulas. A common variety consists of calico, coated with

boiled linseed oil, dried and colored, and varnished, for a glossy look.

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Silk:

Silk is a fine lustrous fiber composed mainly of fibroin and produced by

certain insect larvae (most often the silkworm), to form cocoons. This

strong, elastic, and fibrous secretion is used to make thread and fabric.

Silk can also be made from a fiber secreted by spiders, and is a

remarkably strong material comparable to high grade steel.

In addition to the use of silk in delicate garments, silk is used for

parachutes, bicycle tires, comforter filling, non-absorbable sutures,

prosthetic arteries, and for artillery gunpowder.

For the eco – friendly:

Silk weaving has come under fire from animal rights activists who state

that the common practice of boiling silkworms alive in their cocoons is

cruel.

Artificial silk can be made from polymers to create “nylon”, “Kevlar”, or

other “poly’s”.

Interestingly…

Early bulletproof vests were also made from silk until roughly around WWI.

Cotton:

Cotton is a soft fiber that grows around the seeds of the Cotton plant. It is

a valuable crop, because only about 10% of the raw weight is lost in

processing.

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Cotton is used in textiles, fishnets, coffee filters, tents, and bookbinding.

The cottonseed which remains after the cotton is ginned produces

cottonseed oil, which can be consumed by humans in the form of

vegetable oil. Anything left from these processes is generally fed to

livestock.

Interestingly…

The US dollar bill and federal stationery are made of cotton.

Jute:

Jute comes from either of two Asian plants -Corchorus capsularis or C.

olitorius.

It is a long, soft, shiny plant fibre, but can be spun into coarse, strong

threads. It is one of the cheapest natural fibres, only second to cotton.

Jute is said to have more than 1000 uses. It is used to make cloth, sacks,

curtains, chair coverings, carpets, and is even used to make the backing

of linoleum for floors.

For the eco – friendly:

In many instances, jute has been replaced by synthetic materials, but is

still a fiber of choice due to its importance in biodegradation.

Interestingly…

Jute is mostly associated with the coarse sacks used for wrapping cotton

(among other things). This coarse material is made from the jute butts or

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ends, but jute also yields fine threads that can be made into an imitation

silk or paper.

Yarn:

Yarn is a continuous strand of twisted threads of natural or synthetic

material. Like “twine”, there is no one material that defines “yarn”. Yarn

can be natural (wool, cotton, alpaca, angora, silk, linen, bamboo, hemp,

soy, and even camel, yak, possum, cat, dog, wolf, rabbit, buffalo, and

turkey feathers! ), or it can be synthetic (nylon). In some cases, a

combination of both natural and artificial make for a strong, durable, and

beautiful yarn.

Linen:

Linen is a thread made from fibers of the flax plant, and generally used for

garments, bed sheets, tablecloths, canvases, sails, tents, and even

books . It is strong, durable, and resists rotting in damp climates. It is one

of the few textiles that has a greater breaking strength wet than dry.

Note: Keep in mind that when being washed for the first time, linen shrinks

significantly, it’s a good practice to wash or buy pre-washed linens to avoid

shrinkage and damaging your project.

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Hemp:

Hemp is the tough, coarse fiber of the cannabis plant, used to make

cordage.

Hemp is commonly used for the famous “friendship bracelets” much in

vogue for young girls today. Its usage however is quite extensive,

depending on how it is processed. Hemp can be used for food, housing,

nutrition, medicine, fuel, and fiber for cordage.

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Preparing the Yarn

Assuming you are not hand spinning your yarn, and your angora goat is

not out in the barn waiting to shed some mohair for you, preparing the

yarn will involve little more than setting it up to start working on your

macramé project as soon as possible.

If however, your goat or rabbit are actually waiting for you out back, there

is much literature in the art of hand spinning, washing, and dying your

yarns that merit reading.

If purchasing your material at a craft store, make sure to look at the label

and read all the contents. Check to see if it is a natural, synthetic, or

combination fiber to make sure it will perform as desired.

Always remember:

ξ

The material you choose must offer ease to work with, and

durability in upholding strength and beauty.

ξ

Consider shrinkage in your cottons and linens.

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ξ

If you see lanolin on a label, this will make your yarn smoother, and

somewhat water resistant.

By now, we’ll assume you’ve chosen a project and the materials to

complete it. So now you must prepare the yarn.

Preparing the yarn…

Your yarn should be firm and not stretchy for best results. A good test is to

make random knots and see how they hold. Depending on the pattern you

use, you’ll have to pre-cut strands for proper measurements. A general

rule is to cut the string to eight times the length of the finished product. In

other words, if you’re making an eight inch bracelet, then you will need

strips of about 64 inches of string. If you are knotting 3 strands, then you’ll

just need a ball of at least six yards.

Now it is time to find an anchor.

What is an anchor?

An anchor is basically something steady to hold your project in place and

give you even tension for a balanced look from start to finish. “Anchors”

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come in various styles, sizes and prices, but can be as simple as the back

of a chair or a door knob to a store bought item.

Here are a few possibilities when choosing an anchor or mount:

ξ

Door knob

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Chair

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Knotting Board – can be purchased or homemade with a foam or

cardboard surface that will hold T pins or U pins well for anchoring.

ξ

A Ring that mounts on a wall or chair

So far you’ve prepared your yarn, you’ve decided or found an anchor, now

you’re ready to make your first knot!

There are two knots generally used to begin/anchor your project:

ξ

The overhand knot

ξ

The lark’s head knot

Overhand Lark’s head or Cow Hitch

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In some cases you’ll need to start your project with multiple anchoring

knots:

Once you’ve anchored your project, it’s time to start your creation!

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Basic Knots in Macramé

There are some basic knots that will add ease to your project, especially if

you’re a beginner. The simplicity of these knots, and in some ways lesser

or less complicated amount of work in doing them, does not take away

from the beauty of the end product or its intricate appearance.

For mounting or anchoring, you will mostly use the lark’s head and

overhand.

The overhand knot

The overhand knot is one you may use for every day simple tying,

although you may not know it be name.

The lark’s head knot or Cow Hitch

The lark’s head is best explained in a picture. Below is a single lark’s head

knot.

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In some cases you will need to start (anchor) with multiple anchoring knots

that will come together throughout the project, as is shown in the picture:

The Anchoring knots mentioned are only two basic knots you will be using.

Other basic knots include:

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The square knot

ξ

The half hitch

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The flat knot

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The half knot

ξ

The double half hitch

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The diagonal double

The Square Knot

The square is the most common knot of macramé knots and is widely

used by fishermen in the high seas.

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The Square Knot

Multiple square knots, or a repetition of tying knots over and over, are

what is called a sennit of square knots.

The Half Hitch

The Half Hitch knot is used, among other things, for mountain or rock

climbing. It is also called “the Italian Hitch”, or “the Münter Hitch”.

Cavers and climbers use it as part of a belay system. It is also referred to

as the HMS, which is the abbreviation for the German term

Halbmastwurfsicherung, and means half hitch belay.

The name “Munter” hitch, is named after a Swiss mountain guide by the

name of Werner Munter, who holds claim to popularizing the use of this

belay knot used in mountaineering.

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The Half Hitch

The Flat Knot

The Flat knot is a square knot used in a reef line.

The Flat Knot

The Half Knot

The half knot is used for bracelets, chokers, and many other simple

projects, but can be used on more complex creations as well.

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Here is a “how to” guide to making a Half Knot:

Step 1 Step 2 Step 3 Step 4

The Double Half Hitch

The Double Half Hitch can be made vertically, horizontally, or even

curved, and can be anchored with a lark’s head or overhand.

Source: http://www.elainecraft.com by Elaine Lieberman

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What you see on the last two pictures is a Diagonal Double Hitch. This

Diagonal Double Hitch is set in a curved fashion, which adds to the

intrigue in knot tying.

The Half knot, Double Hitch, and Diagonal Hitch add a certain degree of

difficulty. Once you’ve mastered these basic (and not so basic knots),

you’re ready to move on to advanced knot tying.

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Advanced Knots in Macramé

Now that you’ve mastered the basic knots, it’s time to move on to some

more advanced knots. The great thing about Macramé is that even with

the basic knots you can complete a beautiful product, but if you choose to

move on to more challenging knot tying here is a list of some of the knots

you may want to try out.

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The half knot

ξ

The alternating square knot

ξ

The half hitch knot

ξ

The double half hitch

ξ

The horizontal half hitch knot

ξ

The vertical half hitch knot

ξ

The diagonal half hitch knot

ξ

The wrap knot

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The Josephine knot

Start out by anchoring your project with the overhand knot or the lark’s

head knot:

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Now it’s time to give advanced knot tying a go.

For most projects, you’ll need to begin by making multiple anchoring

knots:

Once you’ve done the necessary anchoring, it’s time to move on to some

advanced knots.

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Alternating Square Knot

Here is a square knot:

From this point you’ll move on to make an alternating square knot.

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The Alternating Square Knot

The Half Knot

The half knot can be made into a half knot sennit by repeating the pattern.

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The Half Hitch Knot

Double Half Hitch

A double half hitch looks like this:

By making a half hitch sennit, you can complete a horizontal half hitch

knot.

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Horizontal Half Hitch Knot

Vertical Half Hitch Knot

A vertical half hitch knot is, as the picture shows, similar to the horizontal,

but loops around the vertical strands in the sennit.

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Diagonal Half Hitch Knot

A diagonal half hitch knot is similar to the horizontal half hitch knot, but

slants downward to create a different pattern.

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The Wrap Knot

As the name describes, this knot is formed by wrapping the cord and

creates a very strong, secure end product. It can be wrapped around as

much as you’d like.

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The Josephine Knot

The Josephine knot is a beautiful knot used in many delicate macramé

pieces.

Now that you know how to make some more advanced knots (as well as

some basic knots), it’s time to look at the many projects that can be made

with the art of macramé.

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Cording Variations in Macramé

Other than the materials listed in Macramé Materials, there are other

cordings that are also worth mentioning and offer the necessary qualities

required for creating a strong and durable Macramé piece.

The types of cords listed below are generally used for jewelry making and

require the strength and flexibility that is also needed in Macramé.

Depending on the project, the presentation of the particular cording may

not work. Some of these products are sold in strands or strips, therefore

the length in which it is sold should be considered before buying.

ξ

Bunka yarn is a slinky, soft cord that graduation cap tassels are

made of. There are many gorgeous colors to choose from. Bunka is

also used to make "mop-type" doll hair.

ξ

Braided nylon

ξ

Elastic thread

ξ

Dyed leather cord

ξ

Plastic lacing

ξ

“Venetian blind" cording (a kind of braided nylon)

ξ

Braided rayon

ξ

Soutache (a narrow braid used as a decorative trimming)

ξ

Crinkled silk, which holds knots well and is colorfast

ξ

“Satin" cord (not true silk cord) and rattail are both woven from

manmade fibers offering a colorfast product.

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The sizing is rather strange, rattail is 2mm, mousetail is 1.5mm, &

bug's tail is 1mm.

ξ

Waxed cotton cord has the advantage of looking like leather, but is

stronger and doesn’t have a waxy feeling, but instead is fairly

smooth.

The tightly woven cotton cord takes and holds knots very well and

is also colorfast. The nice thing about this product, other than the

reasons mentioned before, is the coloring (earthy colors) and the

fact that it is very strong.

ξ

Waxed linen is fairly inexpensive, but kind of stiff. It is best to run it

through your hands a few times to make it more malleable, but may

still be a bit waxy in the end.

ξ

Hemp, which is not the same material as jute, but looks like it, is

stronger and less prone to breakage than jute. Hemp is also less

“itchy”, although any of these materials can have “itchiness”

minimized by applying beeswax to them.

ξ

Suede lace leather cord is made from genuine leather and

permanently dyed so it is colorfast.

ξ

Leather boot laces work very well also.

ξ

“Pleather” is imitation leather cord. You can buy it from Beadalon

(they make jewelry wires) and it comes with crimp ends.

ξ

Imitation sinew is spun from a continuous filament of polypropylene

fiber, it is waxed and easy to split.

ξ

Ribbon is another nice cord and can be made from a

grosgrain, a velvet or satin among other materials.

ξ

You can even make your own cording from polymer clay, which can

be purchased in the pottery or clay section at any craft store.

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If you’re following a pattern or instructions, try to use the material

recommended. It may save you a lot of anguish, as the publishers

probably went through the many hardships of picking the material or

cording that would work best for your particular project.

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Finishing a Macramé Piece

There are different ways to finish your macramé piece. It’s important to

remember that how you choose to finish, must be in keeping with what

you’ve done thus far. In other words, the project should be balanced and

flow to the very end.

Here are some of the ways to finish your project, the choice (of course) is

always yours:

ξ

Tie the ends:

This is probably the easiest way to finish your project. If you were

working on a braid, or just finished adding some beads, then tie all

dangling cords together, and you’re done. In some cases it may require

that you tie individual knots on each strand, and then proceed to tie

them all together.

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ξ

Slider knot:

In certain pieces, you’ll be able to complete the project with a slider

knot. This method however is limiting, because it is mainly used for

jewelry.

A slider knot is made by tying two knots over two strands and have

them slide over each other to shorten or lengthen a necklace or

bracelet.

ξ

Another way is to finish one side with a bead (or create another

type of finish that will still work, like a button or bulkier knot), and on the

other side you will make a loop. The bead or other item that you

attached on the one strand, will insert and pull through the loop on the

other strand to close.

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ξ

Metal Clasp:

In some cases you may choose to add a metal clasp at the end of your

strands to “finish” it. These are sold in craft stores and you can usually

find them with jewelry items and, more to the point, with hemp

supplies. You can also use a large crimp bead for the same effect

minus the rings at the end.

These are squeezed, and because they are made with very soft and

pliable metal, they can be squeezed tight with pliers to retain the strand

or strands inside.

ξ

Splicing:

Splicing is what is referred to when a thread or cord is “finished” with

fire, hot glue, craft or tacky glue, or some other method to keep it from

unraveling. If you apply fire to it, you melt the ends and with wet fingers

you roll it (between your fingers).

With a tacky or craft glue, you shouldn’t continue tying until you’re sure

that it’s completely dry. In the case of hot glue, it will dry quickly and

you can tie the ends if you wish immediately after gluing.

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ξ

Fringe or tassel:

At the end of a project, you may also choose to finish it with a Fringe or

a tassel. Either of these will require that you knot first, and then cut the

strands evenly after “combing” them out or pulling, to make sure they

are the same length.

A B C D

B. In this picture you can see a fringe of about 4 strands that has been

made into tassels after knotting the 4 strands.

C. This is a simple fringe.

D. Another simple fringe at the end of a belt.

E. Thos piece is finished with a knot, 3 braids, and beads at the end.

ξ

Sewing:

Another method is to sew the ends to the back of the project. This is

done in some projects that are usually made with a backing. The

shame of this is that macramé has open areas that add to the beauty

of the project, and it makes a difference to see the light go through. Of

course a backing in a contrasting color will offer the same results.

ξ

Measuring off:

This is where all your all hard work comes to fruition - make sure it

doesn’t all unravel, before you measure off! The pattern should give

you instructions, but in case it doesn’t you should first work out how

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long the ends should be. Wrap one of the existing cords around the

others. For a more advanced technique, add Overhand knots, with one

at the bottom, or alternatively add a row of beads in place with an

Overhand knot. Other techniques include an alternating Half Hitch

knot, or fringing and fraying the ends by unraveling their piles.

If you’re feeling adventurous you could braid three or more cords and

hold them in place with an Overhand knot. Firstly twist a group of cords

in a clockwise direction, and then twist the groups anti-clockwise. Tie

an Overhand knot to keep the groups (twists) together.

An another advanced method is to add a series of Monkey’s Fist knots.

Add a Clove Hitch over a horizontal bar, and bring the ends up to the

back of the work and weave them into knots. This gives a solid look

without any dangling cords. You’ll need to stitch or glue the ends so

they remain together.

Now that you’ve learned how to finish a project, your greatest concern at

this point should be what you’re going to make next!

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Color and Design in Macramé

If you are wanting to add an accent in your living room décor or you want

to match a belt to the color of your new shoes, or maybe you’d like to

make a scarf that brings out the color of your eyes, then by all means add

color to your macramé.

Color is a wonderful accent. In some cases, color alone is what makes a

project stand out. How many times have you looked at a painting and

found that once it was matted, it looked completely different, and actually,

much better? If the matting makes all the difference in a painting, then the

painting was not all that appealing to begin with. The same could be said

about macramé.

The beauty of macramé is in the choice of knots and the pattern in which

these knots are arranged, as can be observed in the pictures below.

The pictures above show products where the beauty is defined solely on

the pattern and knots; there is no color in these pieces.

The use of color in macramé should serve only to accentuate the beauty

of the knotting and not vice versa.

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If you do add color however, try to keep the construction of your knotting

simple; macramé is all about knotting, not color, but color may bring out

the beauty of the knot work and, in this case, is very much encouraged.

Because the beauty of this craft is in the knots, you don’t want to complete

a project and find that the detail of your design was lost under a bold color

gamut. It is always a good idea when choosing to add color, to get a good

picture of what your end product will look like by making a sampler.

Samplers take time, and sometimes in our enthusiasm to get started on a

new project, we bypass this crucial step. If you’ve wasted time and tired

your fingers and eyes on an intricate knot work that ends up fading in the

background, you may reconsider and make a sampler the next time

around. If you’re combining color with a pattern, make sure the

combination does not mask the beauty of your knot work.

Some color combinations or possibilities may include:

ξ

Single color with intricate pattern or same color embellishments: In

some instances, embellishing with the use of one single or same

color to match the cords is the perfect accent tone that doubles, in

also bringing out the intricate knotting of your macramé piece. An

ivory cord accented with same colored seashells will add, and not

take away from the beauty of the design.

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ξ

One color with contrasting beads, stones, coins, or ribbons: If the

pattern is intricate, your choice of embellishments will serve to unify

or bring together more dense areas, borders and outline the

beginning or end of the project, and so forth.

ξ

A strong color contrast: if your pattern “faces” in a certain direction,

color may be used to bring attention to this feature. This is

particularly noticeable in some south western designs, but can also

be used to accentuate a chain, flower, ‘XXX’ design, or other

pattern in your macramé piece.

ξ

Two cords of the same color, but slightly different in tone or value,

add depth and enhance your color design.

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Just as two tones or values of one same color can be used to add

depth, so can two different textures (yarn and jute, linen and silk, etc.)

Whether you are incorporating color embellishments or adding color to

your cords, make the combination harmonious. Think of a singer and

his band or orchestra: together they make beautiful music. The same

applies to macramé when a harmonious combination is pieced

together.

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Popular Macramé Projects

The popularity and times of macramé have determined what

we choose to make.

Macramé has been around for hundreds of years, and some of the items

have never completely lost popularity. Some pieces will never lose their

appeal, while other items will come and go like the tide, leaving us

samples to remember them by as something that simply was.

Today, the plant or basket hangers we saw in the 1960’s continue to

occupy an important corner hanging from the living room ceiling; a patio

looks empty without a Boston fern or creeping Charlie in a hanging basket;

and girls, boys, and many adults wear friendship bracelets, chokers and

anklets made in hemp or some other macramé type material, many of

them adorned with colors and beads, or even words.

Many of these jewelry items have become a message board, almost like a

subtle flashback from the 60’s where messages were sent out in the form

of picket signs. The number of variations for these jewelry message

boards is limitless. From posting a friend or lovers name, a company logo,

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a religious message, patriotic or political inclination, unity slogans, or

animal advocacy statement, these macramé pieces have a soft voice and

the world listens.

In fashion, macramé is not limited to jewelry alone, but is seen in apparel

and accessories as well. Swim suits, sarongs, headbands, belts, hair

bands, tops, bottoms, skirts, dresses, and handbags are some of the most

popular choices.

We can’t forget to mention key chains, pins, baskets, and flower pots as

they also count themselves among many of today’s most popular

macramé items.

The beads, color, and variation add to the appeal of something “re-lived”,

but new. Another variation worth mentioning is the combination of

macramé with fabric. Ribbons are added, just as beads, stones, sea

shells, and coins are.

The popularity of some of these items has carried through the times, and

simple variations add a touch of “now” to make it more contemporary.

Hammocks, we know were popular when sailors were trading them in

ports hundreds of years ago, but are sold at stores and on line in a variety

of colors and styles. You can have a single or a double, one you tie from a

tree, or one you can prop on a stand made just for hammocks.

At the beach, tourists are hounded by vendors selling their goods, carrying

hammocks over their shoulders, reminiscent of the days when sailors sold

their creations in the same way.

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Lawn chairs are macraméd and adorned with color and design, as well

proprietary messages like “Dad’s chair”, “Mom’s throne”, “Private

Property”, or just a name.

When we think of macramé in jewelry we mostly think of hemp and hippy

jewels. We now know better and realize that knotting is not limited to jute,

hemp, or even fine threads when it comes to jewelry. Some beautiful

pieces are being made with knotted silver wires making a stunning piece

that’s sure to receive many a compliment.

Another item that has survived many a century is lace macramé. Lace

curtains, pillows, runners, and even undergarments, will never lose their

appeal, as long as beauty is still appreciated.

Popularity is measured in numbers, and judging by the selection of

macramé books found in bookstores, the craft items sold at stores that are

exclusively associated with macramé, the specialty shops, and the

information now becoming more readily available, it is safe to say that

macramé continues to be popular or has had resurgence in popularity and

is here to stay.

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Macramé Patterns

Please read

There is a huge selection of Macramé Patterns available in the

separate document downloaded as a bonus of this ebook. These

patterns give a photo of the finished item, along with drawings and photos

of the steps you need to take to create the project. Each pattern details the

materials and tools required. The macrame patterns are probably the most

exciting area of macrame as you can be “wowed” by the beauty of the

finished masterpiece. What makes this area even more exciting is that the

patterns make the whole creation process transparent as each step is

outlined in detail. When you start following along the patterns and build up

your structure you can’t help but gain a warm feeling of satisfaction.

If you haven’t done so already take a look at the vast collection of patterns

included in this package. Everything from various belts, wall hangings,

plant holders, flags, bracelets, Christmas decorations and much more. A

taster what’s available is shown below. Once you’ve mastered the basic

knots, you’ll soon realize that the main part about creating your own

macrame patterns is to start grouping together basic knots to make a

larger structure.

Alice Band

The Alice band consists of a simple braid embellished with beads.

Elasticated, it can be adjusted to any size.

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This is an attractive little accessory which consists of a simple braid

embellished with beads. In the original these were about 7/16 inch long but two

or three round beads could be used instead. The braid is worked with Sylko

Perle Number 5 and you will need 16 strings each 96 inches long. Pin a short

piece of string to your pillow and knot the cords on to it.

Step 1 On eighth cord from right make a bar slanting to the right with the next

seven cords.

Step 2 On ninth cord from right make bar slanting to the left with the next

seven cords.

Step 3 Thread cords eight and nine through a bead.

Step 4 Using first cord on right make a bar slanting to the left with the next

seven cords.

Step 5 Make a double chain of four knots with the two pairs on the right.

Step 6 On ninth cord from left make a bar slanting to the right with the next 23

cords.

Step 7 On eighth cord from left make a bar slanting to the left with the next

seven cords.

Step 8 Thread eighth and ninth cord from the left through a bead.

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Step 9 On 16th cord from left make a bar slanting to the left with the next

seven cords.

Step 10 Thread 16th and 17th cord from the left through a bead.

Step 11 On ninth cord from right make a bar slanting to the left with the next

seven cords.

Step 12 Thread eighth and ninth cord from the right through a bead.

Step 13 On first cord on the right make a bar slanting to the left with the next

seven cords.

Step 14 Make a double chain of four knots with the first two pairs of cords on

the right.

Step 15 On first cord on the left make a bar slanting to the right with the next

31 cords.

Step 16 Make a double chain of four knots with the two pairs on the left.

Repeat Steps 7 to 16 18 times more, then work Steps 7 to 14. On the first

cord on the left make a bar slanting to the right with the next 23 cords. Work

Step 15. Work Steps 7, 8 and 9. On the first cord on the left make a bar

slanting to the right with the next seven cords. Turn the band to the wrong

side and pin a piece of tubular elastic across the cords level with the lower

edge of the points. Tie the cords over the elastic in pairs using a reef knot.

Trim off the ends and secure with a touch of glue. Remove cords from string

and thread elastic through loops. Adjust size and sew ends of elastic together.

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Macrame Belt

You will need a ball of Stalite in your chosen color, a small buckle with a

centre bar about 14 inches long and a crochet hook size 2 .5 / 12.

Start by making the crochet foundation as follows: make 13 chain., work 1

double crochet. into 3rd chain. from hook, 1 double crochet. into each chain.

to end, 2 chain. turn. Row 2 Miss 1st double crochet. 1 double crochet. into

each double crochet. to end. Repeat last row twice more, fasten off.

Cut 12 strings, each 8 yards long. Pin the piece of crochet to your pillow

and knot one pair of cords to each double crochet. of last row. Work the

macrame pattern as follows :

Step 1 Make a single chain of eight knots with first pair of cords on right

and a single chain of four knots with second pair from right. Repeat with

the two pairs of cords on the left.

Step 2 Make a flat knot using the four cords in the centre.

Step 3 Using the sixth cord from right as holding cord make a slanting bar

to the left using the next six cords. Using the fifth cord from the right make a

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slanting bar close to the previous one with the next seven cords. Repeat

Step 3 in reverse with cords on left, so that the four holding cords meet in

the centre. Make a flat knot with these cords.

Step 4 Using first cord from bar on right (nearest top) make a double half

hitch on it with each of the next four cords, thus making a bar slanting to the

right. Repeat this using each of the next three cords coming from the long

bar. You will now have four bars close together slanting to the right.

Step 5 Take the two remaining cords from the long bar and two from the

last bar worked and make a double chain of two knots.

Step 6 Take holding cord of last bar worked and on it work a double half

hitch with each of the next four cords on the left. Repeat with the third,

second and first holding cords. You now have four bars curving round the

double chain towards the centre. Repeat Steps 4, 5 and 6 in reverse on

the left.

Step 7 Make a single chain of 12 knots with first pair on right and a single

chain of six knots with second pair. Repeat in reverse on left.

Step 8 Using right hand cord of flat knot in centre make a bar slanting to

the right with the next six cords. Using next cord of centre knot make a bar

close to the previous one, consisting of seven double half hitches. Repeat

in reverse on the left.

Step 9 Make a flat knot with the two centre pairs. Make a flat knot using

right hand pair of previous knot and pair on right. Make a flat knot using left

hand pair of centre knot and pair on left. Make a flat knot with two centre

pairs. This completes one pattern. Repeat Steps 3 to 9 27 times more.

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Work pointed end as follows : repeat Steps 3, 4 and 5, omit Steps 6 and 7,

then work Steps 8 and 9. Using fourth cord from right make bar slanting to

left with next eight cords. Repeat with fourth cord from left making bar

slanting to right. Twist holding cords round each other once. Using third

from right make bar close to previous one with next nine cords. Repeat on

left, twist holding cords. Using second from right make bar with next 10

cords. Repeat on left, twist holding cords. Using first from right make bar

with next 11 cords. Repeat on left, twist holding cords. Turn all ends to

wrong side and sew down with matching Sylko, then trim ends neatly. As

an added precaution, face the end with a strip of bias binding. Sew crochet

foundation over bar of buckle.

Evening Bag

This was worked with a silky knitting thread about the same thickness as

Sylko Perle which could be used just as successfully. The pattern is quite a

simple one which could be easily adapted for other purposes. In addition to

the thread you will need a piece of buckram for stiffening, a piece of lining

and a zip fastener.

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Cut 60 cords each 84 inches long, two cords each 28 inches long and wind

about 6 yards on to each of two cards. Using thin string cut eight pieces 11

inches long and two pieces 24 inches long.

Step 1 Place 64 pins in a straight line across your pillow about 1/4 inch apart.

When the cords are fixed the pins can be adjusted if necessary. Loop one of

the long cords round the first pin on the left so that 14 inches hangs down on

the inner side. Make a single chain of two knots round the pin. The rest of the

cords are knotted on in the same way, using a short pair next to the first pair,

then the 60 cords 84 inches in length doubled so that the cords are equal,

then a second short pair and finally the second long pair knotted on so that the

shorter end is inside. Using one long string as a foundation cord make a

horizontal bar close to the knots, then turn the cord and make a second bar

close to the first.

Step 2 Using the long cord on the left as a knotting cord work three vertical

bars using the next three cords, turn and work back to the outside edge in the

same way. Using each group of four cords in turn make a row of double

chains of two knots each as far as last but one group. Using the long cord on

the right work three vertical bars with the three short cords, turn and work three

more. Using a short piece of string work a horizontal bar right across close to

double chains.

Step 3 Leave first 10 cords, (make a flat knot with the next eight, using two

cords on each side to make knot over centre four cords, miss 12 cords) five

times, make another flat knot, leave last 10 cords.

Step 4 * Using fifth cord from left as holding cord make a bar slanting to the

right with the next nine cords. Make three more bars below this using the first

cord on the left from the previous bar as the holding cord and using nine

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cords each time. Using 24th cord from the left make another diamond in

exactly the same way, this time slanting to the left so that the holding cords

meet in the centre. Repeat from * five times more.

Step 5 Make a double chain of two knots with four cords on left coming from

first diamond and with four cords on right coming from last diamond. Using

four cords nearest top of second and third diamonds make a flat knot as in

Step 2. Repeat right across. (There will be five flat knots in this row.)

Step 6 * Using holding bar of first diamond make a bar slanting to right with

next 10 cords. Make three more bars close to this. In the same way make

another diamond slanting to the left. Repeat from * five times more.

Step 7 As Step 3.

Step 8 Using first four cords on left work vertical bars backwards and

forwards until band is level with double chain, with knotting cord on inside.

With a crochet hook draw a loop of knotting cord through double chain, pass

cord through loop and tighten. Continue vertical bars as far as lower point of

nearest diamond. Work right hand side to match.

Step 9 Work a horizontal bar as before, a row of double chains and a second

bar. Repeat Steps 3 to 9 twice more.

Step 10 Work a row of double chains as before, then work two horizontal

bars close together using the second long piece of string. Turn the ends to

the wrong side and sew down by working a row of double running stitches

over the ends through the work between the last two bars. Make a second

piece in exactly the same way and slipstitch the two halves together through

the last bar on each side.

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Making up Measure the piece of macrame (after pressing) and cut a piece of

buckram inch smaller all round. Cut two pieces of lining ( inch larger all round

than buckram. Lay buckram on wrong side of one piece, turn over surplus and

tack. Turn in edges of second piece of lining to exactly the same size, tack

over buckram and machine stitch all round, being careful to see that stitches

go through buckram. Make two gussets from double material, each 2 inches

wide and 1 inch shorter than folded up side of bag. Slip-stitch a gusset to

each side of bag, insert zip and slipstitch macrame cover in place. Make a

"puller" for the zip either by knotting several strands of thread to form a tassel

or by threading on several matching beads.

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Popularity through the times

In discussing popular macramé projects, what is popular today, is not

necessarily what was popular years before.

Macramé has undergone changes through time just like any other

historical phenomenon. In the beginning Macramé served a purely

practical purpose, but very soon, the beauty of knotting brought forth a

new art form.

During Victorian times the popularity of Macramé as an art form was

limited to fine threads used in lacing, and products for ornamental use and

home decor.

Ladies would get together and work on their projects for entertainment,

enjoyment, social pleasure, and as a symbol of their status in society. If

the poor macraméd, their status was still beneath that of the Victorian

socialites. The poor craftsmen sold their goods, or limited their work to

projects for practical and not ornamental use.

Off and on, the popularity of macramé came and went as most fashion

trends do.

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Within the last century, macramé gained great popularity in the 1960’s.

The 1960’s were a time of turmoil where war and peace were used

regularly in the same breath; where freedom was not only expected, but

demanded; where the word peace was oh so popular, but the search for

freedom hankered all possibility of achieving peace.

The desire for freedom was not limited to politics, society, education, free

speech, free thought, but freedom in love, sex, and drugs as well.

It is not surprising, that this movement would bring about new fashion

trends that evoked the concept of freedom.

Flower loving hippies were inspired by rock and roll music that seemed to

go in through their ears and travel through the veins of this hippy

generation.

The 1960’s brought with it bell bottoms, mini skirts, bright loud print

designs, open knits, and brought back macramé.

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Headbands, belts, handbags. 2

piece swim suits, necklaces, bracelets,

tops, bottoms, skirts, and even fish net

stockings, the 60’s had it all and

macramé was one form in which the

open, free, I don’t care attitude was

reflected in apparel.

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If it wasn’t in the area of fashion, macramé was in the homes in the shape

of mail holders, hanging baskets, and decorative wall hangings. Owls

seemed to be very popular for home décor.

Today there is a return to nature, as there was in the 60’s, but there are

marked differences in the way the Baby Boomers approach the

environment and the love and protection of nature, and the way the 60’s

generation did. In the 60’s nature was defended, today, we try to protect.

Still, macramé is part of the growing trend of seeking out that which is

natural, handcrafted, healthy, safe, and clean and fun enjoyment.

There is also a desire to learn the art of getting back to basics and working

with ones hands. Macramé isn’t an art form limited to the wealthy or the

poor. Macrame is for all.

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You’ve come a long way, baby…

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Making Bags with Macramé

A very popular project to make is a Macramé bag. When referring to “bag”,

what we are talking about is a handbag, purse, or a clutch.

Macramé handbags come in all colors, shapes and sizes. They also come

in a variety of styles that are dressy, casual, fancy (evening style), and

tote.

If you’re designing your own handbag, consider all of the variations

mentioned above, and then decide on the size of the project you are going

to make. Below is just a guideline of purse sizes to help you begin your

design:

Evening bag – 4.5” X 7.5”

Handbag – 8” X 10”

Small Tote – 10” X 10” plus fringe

Large Tote – 14” X 14” plus fringe

Before you begin cutting the cords, it is best to make a paper pattern of

your project. In the case of a purse, you can create all the necessary folds

on paper to make sure it will be functional on ‘the real thing’ (it’s better to

make a mistake on paper than on your macramé piece).

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In the case of a large tote, if you’re just planning the folds and shape, you

can use a newspaper for measurement. When possible, try to use a paper

that is the same size as the project you are making, this will avoid extra

calculations, conversions, and why not?, a lot of guess work.

One of the simplest projects to start with will have a single color (unless a

color pattern helps you figure out where you are) and a single fold. A

square or rectangular shape is much easier if you are just a beginner;

trying to work a triangle or other odd shape into your design may prove

difficult for a novice.

Keep in mind that, as with most projects, the pattern you choose or create

can be altered to fit your particular needs. Let’s say you made some

placemats, and absolutely loved the pattern you worked with, that same

pattern could easily be adjusted for you macramé bag. Of course, your

“placemat” may need some minor adjustments (like handles) to become

your favorite new purse!

The drawing above shows what a paper pattern of your macramé bag may

look like. Your project will actually be one rectangle, that when folded

(folding line between A and B towards the X) will be the size of the bag

you are making. The seam to piece the purse together, will be on the “x”

line. If you decide to add a fringe, the fringe would be located in the

“bottom” area.

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A

Bottom

Bottom

B xBottom

You can make it flat, like an envelope purse or clutch, or with a more

ample body that has a bottom, sides, and a top, if desired.

The handle may also be prolonged and serve as sides and bottom of the

purse to simplify the piece and make for a sturdier construction.

Purse with ample body and handle-bottom-sides.

The box shape is the body of the purse, and a belt shape that wraps

around the ‘box’ serves as handle, sides, and bottom. The gray shaded

area in the drawing is made by the “belt” (one piece) that creates the

sides.

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If instead, you choose not to make one long handle that serves as sides

and bottom, or you choose to make a purse construction that is more

ample, your design will need to be adjusted.

In order to create the “ampleness” in the body of your bag, you will anchor

your cords around a “body” made of polyurethane or Styrofoam in a shape

similar to that of a brick.

To set up your “ample” handbag project, pin or anchor cords all the way

around the brick shaped mounting board. The cords hang down all sides

and can be gathered at the bottom, or a separate bottom can be made

and later attached; that comes much later. Your main concern at this point

is to begin knotting the cords dangling from the brick shaped mounting

board, and get started on your project.

In the same manner you anchored your cube shaped macramé design,

you may anchor your cylindrical or round shaped design on a circular or

oval shaped polyurethane mounting board.

When the project is completed, if you choose to have handles that are not

macraméd, there is a wide variety to choose from. You’ll find wood,

bamboo, plastic, chain, rattan, or beaded handles. Most craft stores will

carry them, and you can attach these handles as you purchased them or

‘improve’ on them with a coordinating fabric or embellishments.

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…………….

A snap, toggle, or other purse closure can be added to your purse. Craft

stores carry most of the items you may be wanting when designing a bag.

Other items you may find necessary or useful are frames, hinges, hooks,

feet, latch, magnetic snaps, magnetic purse closure, magnetic purse snap

fasteners, beads and more. Basically, if you’re willing to spend money,

there will always be something to buy.

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Macramé Lace and working with Fine Thread

Hopefully, before you take on creating macramé lace, you’ve mastered the

less detailed or fine intricate work found in basic macramé projects like

plant hangers, belts, and bracelets.

Macramé lace and fine threads require more focus and detail, not to

mention good eye sight!

The difference between lace making and other macramé designs is

obvious in the detail, which is absolutely incredible when you look at all

that went into making such an elaborate piece.

One of the first things we should ask ourselves is:

What is Lace?

A dictionary definition tells us that lace is a delicate fabric made of yarn or

thread worked in an open web-like pattern; hence the name lacework.

In the crafting world, Lace~making implies the production of ornament and

fabric concurrently. Without a pattern or design the fabric of lace cannot be

made.

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Lace is made of very fine threads. These threads can be made of flax,

cotton, silk, and even gold or silver. Occasionally lace is made of mohair

or aloe fiber, which has been looped, plaited, or twisted together by hand.

Within the cottons used in lace-making, are the brok Belgium cotton,

Egyptian cotton, gimp, cotton for tatting and crochet, and many other

names which can make your choice extremely confusing. There are also a

variety of linens, silk, and metallics. It is best to read labels when

purchasing a thread and to remember that a cotton or linen that is not

prewashed will shrink significantly. This is not something you want to

remember or find out after your lace curtains have had their first washing!

In macramé, in addition to the use of very fine threads which sets lace

making aside from most other macramé projects, the need for a needle or

bobbin, is another distinction. Macramé is defined as a form of weaving,

but with the use of knots, it varies from other weaves in that it does not

require a needle, a hook, or an implement or tool.

Although, even in lacework, macramé does not actually require the use of

a needle, because of the delicate pattern and very fine cords or threads,

the needle is used to assist in pushing threads into place and tightening

the pattern while knotting. It’s hard to imagine making lace and managing

to do it without the use of a needle.

Macrame lace dates back to Victorian times, but is still considered a

beautiful art form today. Macrame lace can be used to make

undergarments, pillows, and apparel, but is best known for its lovely

curtains and window dressings. Today, reproductions of beautiful

Victorian style curtains are still very much in demand, and German

household windows are often dressed in macramé lace curtains or

valances.

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Note: If purchasing a lace curtain, you will be asked if you want it with or

without rings. The “rings” they refer to are made on the upper portion of

the curtain as a part of the pattern, in other words, they are ready to hang

onto a curtain rod without the need of attaching hooks or ties to the lace.

Most lacing jobs are done with needle work, not just needle assistance,

but needle work. When discussing needle made laces, someone may be

referring to embroidery, needlepoint, knotted laces, or needle woven laces

among others. The knotted laces are the ones we concern ourselves with

when discussing macramé.

The knots for this type of work are Puncetto, Arab, Palestine, Armenian,

and Bebilla. Knotted lacing forms the smallest group among lacing

techniques. Within knotted lacing you will find Tatting, Filet, and Macramé.

Each technique is very different and is only connected to the other two by

the fact that it is based on knotting techniques.

Macramé is made from many threads that are suspended and connected

by a limited range of knots. The work is done with the use of fingers,

hands, and maybe bobbins used as thread holders to prevent tangling.

Filet is made with one single (very long) strand, in the same way as

Tatting.

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Macrame lace has survived several centuries; its beauty lives with us and

will prevail as an art form not meant to be lost.

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Cavandoli Stitch

Cavandoli stitch is the name given to a form of macramé which was

created by Mrs Valentina Cavandoli from Turin in Italy. Two colors are

worked in closely together in a fashion similar to cording. Horizontal

cordings are used for the background, and vertical cordings for the design.

You design a pattern on a grid similar to the circular pattern below. You

can obtain a circular pattern effect, but of course the curves are illusionary.

You can chart many other geometric shapes including flowers, trees and

figures or animals, and these can either be applied to wall hangings,

cushion covers, handbags, scarves or whatever your imagination can

dream up.

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Creating your Own Macramé Designs

Making a macramé project is a lot of fun, but requires a lot of thought as

well.

When making a macramé piece, you can follow a pattern, copy an item, or

create you very own design.

When it comes to designing, some people are more creative than others;

some will have an eye for design, while others need to follow written

instructions every step of the way. Either way, the finished project is your

doing and your creation entitles you to being the artist.

If you choose to follow a pre-made pattern, you’re in luck! There are many

sites online that offer patterns for projects, as well as many books that can

be purchased online, at a bookstore, or at a craft shop.

If you’re looking to find free patterns and instructions online, the following

list of sites will soon get you started:

http://www.kingskountry.com/free-macrame-patterns.htm

http://www.knotingwork.com/

http://www.adultramblings.therapids.net/

http://www.carolsrugs.com/free_macrame_cord_patterns.htm

http://www.terlyn-macrame.com/

http://macrame_1.tripod.com/

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For a comprehensive set of free macramé patterns, see the separate

bonus document: Free macramé patterns.

If all you’re looking for is a pattern, most sites that offer patterns will also

give you an idea of what you need to buy and what to do. They may not be

as detailed as other sites that offer step by step guidance, but you will

have the necessary direction to get you going and the pattern is easy to

download.

There are several macramé books available. One of the problems is that

some of these books are somewhat outdated. While a few may seem a

tad behind the times, they still offer valuable information and great designs

worth looking at.

The following books are currently available and include patterns and

instructions for a number of projects:

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Now, the less creative may be satisfied with the patterns and books

available to them, but there are independent minds out there that have the

need to make their own and very unique creation. Your reasons for

creating your very own project will vary, but if you choose to do so, a little

guidance may help your imagination soar.

Whether you created it, or you bought it, when you’re designing a

macramé piece it’s always a good idea to have a pattern.

A few creative minds may be offended by the concept of having to stick to

a pattern, and may actually be able to pull off completing a project and just

“seeing it through”, but even the more artistically inclined may want to jot

down at least some numbers.

What is a pattern?

ξ

A pattern is a model or original used as an archetype.

ξ

A pattern is a plan, diagram, or model to be followed in making

things: like a dress pattern.

When making a macramé project, the first thing we must do is to calculate

the number of cords needed to start the piece. Once we know this, we will

anchor it on a mounting board that is appropriate for this particular project.

If we are making a pattern, the best way to create a picture of what we will

be doing in steps is to divide the picture in a way that will show the cords

and where each knot will take place to create a particular pattern or

design.

The use of graph paper is ideal, as it is already lined and contains small

blocks that may be counted as individual interlocking points. You can use

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these small blocks to count out the number of cords and number of rows

between specific knots that will create your design.

A pattern may look something like this when you’re done:

The pattern you create will also indicate the location of color changes or added

embellishments like beads or ribbons.

The picture you design can be traced on the graph paper and then counted out to

indicate cords and rows, or it can be created more methodically by transferring

parts of the drawing or image you want to create and “fitting” it in an exact way to

the graph paper, that is in keeping with specific measurements.

A fun and somewhat easier way of “methodically” transferring the image, is by

creating a skill-o-gram.

If you’re not familiar with the term “skill-o-gram” (as it is probably called by

many different names), it is best explained as a picture equally divided in squares

and transferred square by square into larger or smaller squares.

Now, if this is still too confusing, as the saying goes… a picture tells a thousand

words.

Here is what a skill-o-gram looks like:

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In this case, the ‘skill-o-gram’ is created as a game or puzzle, where you’ll

discover what the picture is once you transfer each piece to its

corresponding block. The graph or grid is lined with numbers on the top,

and letters on the side. You’re supposed to copy the image inside block

“C7” onto the graph where the C and 7 meet up.

In the case of creating a pattern, you would copy or create a picture of

what you want on your macramé piece, and make equal size blocks over

the picture.

The design you created This grid is drawn over the design

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Piece by piece parts of the star (in

this case) will be transferred to the

graph where each block

determines a row, cord, knot or

other designation in the pattern you

have made.

Designing your own pattern is much more fun than methodical. If you

choose to make your own design, use your imagination and enjoy

creating!

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Combining Macramé with other Crafts

The choice is limitless when it comes to combining macramé with other

crafts. Macramé can become a part of jewelry, sewing, knitting, pottery, or

other project.

The combination of macramé with fabric holds great appeal. The results

can make a stunning difference. In swimsuits, a sarong is draped as part

of the ensemble, the bikini bottom has ties on either side that is

macraméd, a top or bottom is made in macramé, while the other piece

isn’t.

In all of these cases the end result was improved and made much more

appealing by the combination of the different materials.

A belt may be made of leather or fabric, attached to a macramé design

that will either finish or start the project.

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The use of macramé and beads is not limited to jewelry, nor is jewelry in

macramé limited to beads alone. In jewelry, as in other decorative items,

macramé mixes well with many other crafts or items. They can bring life to

your design and enrich them. Beads are available from all kinds of crafting

stores. Its best to go for unusual beads to make them stand out. No need

to stick to the same styles, sizes and shapes – go for something different

like flowers, symbols or charms. Just make sure the holes in the beads are

large enough for the cording to strand through. Simply slide them on to the

cording between the knots.

A good tip is to ensure the beads complement the macramé pattern you’re

working on. Think about the color and texture. A good rule of thumb is to

use small delicate beads with small patterns and larger beads for larger

patterns. It may seem obvious, but believe me it makes all the difference.

As I said before, make sure the cording will fit through the bead hole, and

possibly not just one strand, but many strands will need to fit through the

bead center. To secure the bead, tie a series of knots at one followed by a

series of knots at the other end.

If you want to be really creative, don’t go out and buy all of the things you

think you may use for your macramé project. First, instead, take a tour

around your home. Do you have any old coins? Any ribbons or nuts and

bolts? How about beans and dried flowers? Stones, and small pebbles, or

even sea glass look great and add a totally different look to a project.

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Here are a few ideas to get you started:

ξ

The pockets you’ve removed from a pair of jeans or an old shirt will

make you a great mail organizer!

ξ

A spoon or a fork that dangles just so make a great kitchen wall

ornament.

ξ

Sea shells and sea dollars, driftwood, and little knick knacks look

great when hanging from a plant basket, or in making a wind chime.

ξ

If you have a craft room, why don’t you make a macramé project

with some colorful spools of thread hanging about? Add a thimble

and some small scissors to add appeal to the end project.

ξ

If you’re an optometrist, hang a welcome sign made with macramé

and eye glasses in a variety of shapes and colors to make it fun.

ξ

A new baby calls for a pretty lace macramé adorned with a pacifier,

rattle, and diaper pins.

ξ

For a new puppy, put some clay dog bones around a macraméd

picture frame.

ξ

A teacher may receive from her students a belt with buttons in the

shape of a school house, a bus, a ruler, an apple, and some chalk

for the blackboard.

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Your choices are limited to your own imagination. Make a project that tells

a story, or limit yourself to the sole use of macramé. Either way there is

plenty of room for creativity. Enjoy!

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Tips for Selling your Macramé

Macramé can be addicting, and if your house isn’t big enough for the

many projects you’ve completed, and your friends are getting tired of

always getting the same gifts from you, maybe it’s time to consider selling

some of your creations.

If you’ve never sold anything before, you may not know where to start, but

if you’ve been making lots of macramé and have a flare for creating

original designs, you’ll find that selling comes easy.

The first thing that will happen to you is that that you’ll have someone visit

your home, or see the new pair of earrings you just made and are wearing,

and they’ll ask if you are selling these items. You may be asked if they

could order something from you, and of course they’ll offer to pay. They

may ask if you can teach a class, and they’d all pitch in to cover expenses

plus your time.

These special requests will get the wheels in your head turning, and you

won’t be able to sleep thinking of all the money you could make.

There are countless possibilities when it comes to going about selling your

craft. Consider the following:

ξ

It pays to advertise! In the beginning, the best advertisement is

showing or wearing the item you’ve made while keeping the costs

down.

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ξ

Make a few pieces and give them as gifts – your friends will do the

advertising for you.

ξ

Bring some pieces to the office, school, work place, or church to

show.

ξ

Visit privately owned stores – a plant shop, a book store, a beauty

salon, jewelry store, apparel, etc. Where ever your item could be

placed to sell, and ask if you can leave some pieces for them to

show or sell. Offer a percentage of the sale as a thank you, for

allowing you show your product while not paying for shop rent.

Leave your item on consignment and start keeping records.

ξ

Offer to host parties, for older children or adults, where you will

teach your craft and offer some of your items for sale.

ξ

Participate in craft fairs, swap meets, holiday sales, and

fundraisers.

ξ

Offer to make quantity of your particular “signature” piece for a

restaurant, hospital, office building, nursing home.

ξ

Attach your business card with contact information for future orders.

If you think you should open a shop instead, before you consider opening

up, think of the many options where you will make money and not have to

worry about the overhead.

If you are not a people person, or even if you are, you will want to try to

sell your craft online. Build your own website, or offer your product on e-

bay or other auction type sites. The process of placing an item is very

easy and is not costly at all.

Compare prices before you place an item for sale, and although you must

consider materials used and time invested when pricing, remember to stay

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competitive. Comparison shopping will keep you from having to dust the

pieces you don’t sell through time.

If you’re advertising online, or decide to make a product list or sales

catalog, be sure to take photos of what you’re selling, and make them

good. After all, as the saying goes, a picture tells a thousand words.

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Tips for Making Macramé a Profitable Business

So you’ve sold a few items to friends, and had an order for ten pair of

earrings and a choker for Christmas, but that didn’t pay the rent and you’re

having way too much fun to want to do anything else. Don’t quit your real

job just yet, but consider increasing your business by becoming a little

more aggressive in your approach.

One of the best ways to sell while still keeping your day job is on the

internet. Your day job takes half of your day away, and your craft takes the

other half – there’s something wrong with that picture.

If starting a business, first of all you’ll have to learn to manage your time,

and then you’ll have to find ways to have your items sell for themselves or

be sold by others for you. There comes the beauty of the internet.

If your skills do not encompass anything that plugs in to a socket (like a

computer) then small businesses will work better for you. Contacting small

businesses will dig into the little time you have, if you need to go door to

door promoting your project, so consider this when you evaluate time, time

you could use in making and replenishing your stock.

Special orders with a deposit up front are one way to guarantee covering

your expenses. An advertisement in the newspaper may help, but again,

don’t spend more money than you have to spend.

If you decide to open a store, make sure you have enough stock to keep

the business open. Add other items, preferably from other vendors on a

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consignment system to stock your store with plenty of inventory, without

having to actually purchase it in advance and have much output of money.

Reduce your risk!

If you begin to participate in fairs and swap meets, you’ll soon discover

that many of the vendors have been doing this for years. Visit their booths,

talk to them, learn, and be upfront about being new to the business, even

if you don’t tell them, they’ll know, and chances are they will be more than

willing to give you some valuable advice.

As for the internet, you’ve probably seen ads stating that millions can be

made on e-bay. There are “power sellers” who do make millions. Some

don’t even have inventory, but sell the product and have it drop shipped

directly to the buyer through a distributing or wholesale company. Your

items will sell well on line as long as you remain competitive and take

pictures that show the detail of your work.

If keeping inventory becomes a problem, recruit people like yourself and

offer to sell their products. You may hire them, but that would mean they

are salaried employees and you will be responsible for not only paying

them, but possibly having to take care of tax paperwork and benefits as

well.

Don’t leap into a business that will end up making you lose money and

interest in your craft. Start slowly, and if you are fortunate enough to have

your business take off, consider all possible options and have yourself

advised by business professionals.

Best of luck!

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Macramé Resources

You’re addicted! You’re stuck on macramé, and you can’t get enough of it.

Where do you go for more information? There are number of resources,

and information. Here’s where to look:

ξ

Macramé addicts just like you

ξ

Craft stores

ξ

Community colleges where classes may be taught

ξ

Craft magazines

ξ

The internet

ξ

Books

ξ

The library

Knitting, crochet, macramé and embroidery groups are coming together to

experience their craft in a social setting. Just like a reading or book club,

this is a great way of meeting people, exchanging ideas and patterns,

learning new methods, and maybe even finding other people to help you

start a “business” in selling your macramé projects.

Macramé and Magazines

Not all of the magazines mentioned are exclusive to macramé. Some of

these magazines focus on a variety of crafts, while others mention

macramé in an exclusive article to promote it as a trend, a business, a

therapeutic activity, etc.

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Some of the magazines worth considering are:

Sunset

Crochet Now

Bead and Button Magazine

Golden Hands

Yankee magazine

Crochet World

American Patchwork and Quilting

Also look for jewelry magazines dealing with hemp and other macramé

type projects.

There are so many books written on macramé. What follows is a very

partial listing of books that can be purchased online or at bookstores and

craft stores. Yard sales are also a good source, since many times a

magazine or book is purchased for a pattern or single project.

Books:

The Macramé Book by Helene Bress

Macramé: 20 Great Projects to Knot (Weekend Crafter Series) Jim Gentry

New Macramé: Contemporary Knotted Jewelry and Accessories Katie DuMont

Have A Seat

Seat Yourself

The Weekend Crafter

Macramé Trends

Macramé Innovations

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Porch Doilies

Macramé Guys N Gals No. 1

Macramé Guys N Gals No. 2

Macramé Tree-Time Favorites

Knots For Tots

Lawn Chairs

On the internet, there is information available for learning “how to’s”,

products for sale, books and magazines to purchase, etc.

Tutorials

For Tutorials, go to:

http://www.elainecraft.com/instructions/instructions.html

http://www.ehow.com/how_8925_begin-macram é.html

http://www.cvok.net/~janets2/macrame/macrame.html

http://macrame_1.tripod.com/

For Projects, most of the above mentioned sites will cover at the very

least, brief description of projects and how to’s.

http://jewelrymaking.about.com/library/blmac.htm

http://www.knotingwork.com/Pages/macrame'_sales.html

http://members.tripod.com/~macrameonline/

http://www.globalhempstore.com/hemp-jewelry/

http://www.globalhempstore.com/crafts/hemp-macrame-plant-hanger-kits/

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Supplies

For Supplies, some of the sites mentioned offer links on where to make

your purchases. Most of these online stores are a great source for tools,

books, patterns, cording and other materials. You can even find other

accessories such as frames for chairs, wire forms and wooden handles.

http://www.createforless.com/search/searchResults.asp?

SearchAction=Restart&ClstrVarID=2&ClstrID=25&pType=craft+supplies

Kings Kountry: http://www.kingskountry.com/

Macrame Superstore: http://www.macramesuperstore.com/

And also http://www.macramesuperstore.com/project_month.htm

Art Cove: http://www.artcove.com/Macrame/macrame.shtml

Knot Heads World Wide: http://www.khww.net

Blick Art Materials: http://www.dickblick.com/categories/macrame

Bead Gallery: http://www.beadgallery.com

Synthetic Textiles:

http://www.synthetictextilesinc.com/supportmacrame.html

North Breeze: http://www.northbreeze.com/Patterns/Macrame.htm

Grandma’s House: http://www.grandmashouse.ws/Books/Macrame.html

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Further macramé supplies:

http://www.knotzmade.com/

http://www.claytonsdm.com/macrame.htm

http://www.candjcraftsupply.com/macrame.htm

Macrame cord:

http://www.carolsrugs.com/macrame_cord.htm

Elegant designs:

http://septemberschild.com/index.html

http://www.elainecraft.com/index.html

http://www.friischr.netfirms.com/english.html

http://webpages.charter.net/kameo/macrame/macrame.html

http://www.angelfire.com/ca7/sierratses/page1.html

http://www.antiquealive.com/masters/m05/master05_view3.html

http://library.thinkquest.org/20443/macrame.html

The internet is as limitless as is your imagination.

If searching online, use some common search words or keywords like:

“how to” macramé, Macramé tutorials, Macramé projects, Macramé

patterns, Macramé history, Macramé trendy, Macramé fashion, Macramé

celebrities, Macramé “famous people”, Macramé “for sale”, etc.

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UK:

Arts and Crafts

10 Byram Street

Huddersfield

HD1 LDA

British Twines Limited

East Ardsley

Wakefield

Yorkshire

WF3 2BN

Leisurecraft Centre

Search Press Ltd

2-10 Jerdan Place

London

SW6 5PT

McCulloch and Wallis Limited

25-26 Dering Street

London

W1

The Needlework Shop

146-148 Regent Street

London

W1

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Other macramé web resources:

http://www.craftsitedirectory.com/macrame/index.html

http://www.macramesuperstore.com/

Yahoo groups:

http://groups.yahoo.com/group/MACRAME/

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How to Add the Beads and Other Items to your

Macramé

The kind of beads or other items you choose to add to your project are

many. If you’re adding beads, don’t limit yourself to one style or material.

Beads come in all shapes, colors, sizes, and materials. There are wooden,

glass, plastic, and metal beads. There are also precious and semi

precious stones, bone, coral, clay, ceramic, and other materials from

which beads are made.

If it’s not a bead, it could be a stone or other item that you can wrap and

make into a bead. Coins and shells are a possibility, and some hardware

materials work very nicely on a more rustic project.

Buttons work well, and beads shaped as an animal, a flower, a child, or

other add more personality to the project; charms are an easy addition too.

A jute, calls for shells or clay, a lace or fine thread calls for crystal. A small

pebble in the middle of a hanging basket will get lost, where instead, it will

look perfect on a book mark.

Size matters, as well as texture; coordinate your materials to make them

work better and to help emphasize the beauty of the project you are

making.

Okay, so you know the possibilities and your imagination is taking leaps

trying to decide how to limit the many options you have. It’s time to see

how these great little add-ons are actually applied, but before you get a

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glimpse of how to do this, you need to make sure your materials are all

there and ready to begin your project.

Preparing the materials:

If you are not working from a kit or following a very specific pattern, make

sure you count the strands you will be using for the macramé, and you

have enough beads and such, to balance the project. If you’re making

earrings, you’ll want the numbers to match, if you’re making a necklace,

you’ll want to center a bead and, once again, balance the work.

If it’s not beads you’re applying, you can wrap the stones, coins, or other

item with a wire or actually make a hole with a diamond bit drill.

If you are using a bead, check to make sure the hole is big enough for the

thread you are using.

How to apply your add-on:

Generally, you’ll begin your project, and where you want to insert the bead

or other item, you will do so after a “stop” or series of knots that will keep

the bead in place. After the bead is inserted, you’ll have to anchor it with a

knot or more, again, to keep it in place.

If what you’re doing is macraméing with wire (a 24 gauge wire may work

well), you can use crimping beads instead of a knot, to secure the bead in

place or close off the project.

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In some cases, you may want to add a jump ring (small 3-5 mm ring).

They come in silver or gold tone, and they will help make your added item

dangle a bit.

Observe how the items on the jewelry above have the quality of motion –

they dangle, because they are not attached directly to the piece, but to a

jump ring that extends the space between them.

So many options, so many projects, now if you could only macramé in fine

threads and attach a wedding band to it, think of what a wedding proposal

that would be!

For more information on adding beading to your macramé, see the bonus

product Beads, Beading and Jewelry.

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