Madison GoldsteinVisual Arts Portfolio

“Self-Portrait with Bahamian Mask”, 16” X 20”, oil pastel on Bristol board

“Toomtam”, 9” X 12”, oil pastel on Bristol board done for http://www.thememoryproject.org

This is a program that provides original portraits for orphans in Third World nations.

Toomtam is from the southeast Asian nation of Thailand.

“Jeng”, 9” X 12”, oil pastel on Bristol board done for http://www.thememoryproject.org

This is a program that provides original portraits for orphans in Third World nations.

Jeng is from the southeast Asian nation of Thailand.

“Pak-Gard”, 9” X 12”, oil pastel on Bristol board done for http://www.thememoryproject.org

This is a program that provides original portraits for orphans in Third World nations.

Pak- Gard is from the southeast Asian nation of Thailand.

“Pak-Gard”, 9” X 12”, oil pastel on Bristol board done for http://www.thememoryproject.org

This is a program that provides original portraits for orphans in Third World nations.

Pak- Gard is from the southeast Asian nation of Thailand.

The following pieces (slides 5-16) were created in response to a year-

long narrative theme, “Past, Present, and Future”. The goal was to

create a series of visual stories to illustrate connections between the

past, present, and future in a variety of media.

“Past, Present, and Future”

“Past, Present, Future”, 16” X 20”, graphite on drawing paper from observation

“Grandma Jerry”,

9”x12”, graphite on drawing paper

“The Afterlife”, 11” X 17”, digitally manipulated collage printed on Epson matte paper.

“The Afterlife”

8” X 10” each, a series of unique drypoint engravings on Rives BFK paper

“Grandma and Me”

9” X 12” X 1”, two-way screen, graphite on drawing paper mounted on folded Bristol board. The

mission was to create an animated image that moved from my grandmother to me in a similar pose.

“Grandma and Me”—the “Me” Side

9” X 12”, graphite on drawing paper

“Grandma and Me”—the “Grandma” Side

9” X 12”, graphite on drawing paper

“Past, Present and Future of the Keeping of Time”

Top: a series of monotypes printed on Rives BFK paper

Below: 6” X 24” accordion-fold book created in Adobe InDesign and

incorporating these three original monotypes

“Freshmen Year: Art Studio I”The following pieces (slides 13-16) were created over the course of freshmen year

Art Studio I. The goal was to explore many different mediums and experiment with

different themes and subject matter.

“The Hunger Games”

6”x6” (each), a series of unique linocut prints on Canson paper

”Walton Ford”—Replication and InDesign Poster

Above: 16” X 20” acrylic on canvas;

Left: InDesign Poster on Ford’s life and work

“Form and Function”

The following pieces (slides 18-26) were created in response to a year-long

conceptual theme, “Form and Function”. The goal was to create a series of pieces of

art work in a variety of media that explored the connection and relationship between

the past, present, and future.

“Abstract Plane Sculpture”

14”x8”x5”, low-fire white clay with clear transparent glaze

“Abstract Plane Drawing”

14” X 17”, graphite on drawing paper

“Pointe Slipper”

14” X 17”, graphite on drawing paper

“2 H2 + O22 H2O”

6” X 9”(each)

A series of unique collograph prints

on Rives BFK paper

“The Form and Function of Children’s Toys—Color Study”

12” X 12”, tempera on watercolor paper—exploring true color; monochromatic;

analogous; and split-complementary color schemes

“Form and Function of the Bow of a Boat”

11” X 14”, oil pastel on Bristol board

“Form and Function in Architecture”

11”x14”, mixed media—watercolor, India ink, oil pastel on Bristol board

“The Web”

11”x14”, Conte crayon and soft pastel on drawing paper

“The Form and Function of a Watering Can”

14”x14”, ink on Bristol board