melissa pachon interior design portfolio

Melissa PachonINTERIOR DESIGN

RESIDENTIAL DESIGN MELISSA PACHON

MMy interest in art and design began at a very early age. Since my childhood I have been surrounded by art and its many expressions. Whether it was when I was around my uncles whom are architects, musicians and graphic designers or in our family trips where I got to experience other cultures. While, my exposure through these art and design became of great interest to me.

My family always insisted on doing a career that I will always love, even thirty years from now. I have been lucky enough to have endless support and motivation from both family and friends. Since I was a kid, they always allowed me to help them on their projects, whether it was the architect that would ask me to help him by handing him pieces of his actual models in till they were done, the graphic designer that would download and teach me how to use some of the designing programs or the musician that allow me to create my own beets.

As a child, my family traveled frequently. I grew up in Colombia, bur my mother moved to New York so I decided to move here. I l ived in Colombia in till the age of 18. I finished high school when I was 15, so before coming here I did a year of graphic design and a year of

IRUHQVLF�VFLHQFH��ZKLFK�PDGH�PH�UHDOL]H�,�GHÀ��:DQG�design. My experience living in different coun-tries has helped define me as a person as well as a designer.

I have had the privi lege of travel ing to different places in the world. On these trips I would often go to museums, monuments and any other sights of interest. I was always inspired by architecture and art. I would always wonder they way people live and how they were define by their culture. Even now in the present when I travel, I could spend several minutes just observing the smallest details, taking photos and admiring what make spaces and moments so beautiful. Traveling to me is almost the same as designing. It is always a new learning experience, the interactions with others are mostly different, you gain personal enrichment, and they both help you define yourself and you style.

My desire to become an Interior Designer, and be able to create spaces that would make other people happy keeps me motivated. I look forward to learn a lot more of the industry in a more real life scenario; while continuing my education and earning a bachelor’s degree in Interior Design.


Enchanted ForestRococo DiffaKit of PartsSpatial Studies

Pearl Bath House

Tribeca HotelNew York City spa

Burst Bee ShowcaseSpace Planning

Fonseca’s ResidenceSmith’s ResidenceLynchy’s Residence

SPATIALSTUDIES

HOSPITALITY DESIGN

TECHNICAL DRAWINGS

COMMERCIAL DESIGN

RESIDENTIAL DESIGN 1

57

91

115

131

TABLE OF CONTENT MELISSA PACHON


RESIDENTIAL DESIGN SMITH’S RESIDENCE

LYNCHY’S RESIDENCE

FONSECA’S RESIDENCE

1

c.

CONCEPT STATEMENT:

Harmonious, balanced, exotic and mysterious, value beauty of the natural world, the design concept will highly value the beauty of nature would best describe the overall mood of the space.

CLIENT PROFILE:

Nicko Fonseca is a music and light engineer, and just recently became a gastronomist, since his passion is to cook. He works independently, so he spends a lot time at home. For his apart-ment he would like to have an open space, where the kitchen plays an important role in the space. He prefers a minimalist style, simple architecture, moveable, a fusion of traditional Japanese and contemporary elements. The program is as follows; entry w/ a closet, powder room, kitchen, dining for 6, living area w/ a TV and seating for 6, separate bedroom and unsuited. A tea room and Zen garden is the feature space of the apartment highlighting the tranquility of the Japanese culture.

LOCATION: New York City SQ FOOTAGE: 1,800 sqft TYPE: Residence


c.



3



TEA ROOM

LIGHTINGSPACIAL

MATERIALSFURNITURE

S.PLANNING

DIFFUSED

SPARING/ SPARCE

PAPER LANTERNS

FRAMED VIEWS

USE OF FLIP WD

TRANSITIONAL SP

INTERSTITIAL

SP. VERSATILITY

ENGAWA

PRIVATE

PUBLIC

ROUND CUSHIONS

FUTON

TOKONOMA

TABLE W CHAIRS

RUSTIC MT

WOOD

BAMBOO

CEDAR

RICE PAPER

SHIBUI

CERAMIC

ORGANIC/NAT

FLOWERS ARRAGINDIGENOUS

AXIAL

GRID

COLUMNS

FUNTION

MIZUYA

TOKONOMA

TATAMI

SHOJI

FUSUMA

ZABUTON

WATER/BASIN

POETRY

EATING

SOCIAlIZED

DATING

ENJOYING TEA

CALLIGRAPHY

APPRECIATION OF ART

INSPIRATIONS

PROCESS

5



a.

b.

LEGENDa. RENDER FLOOR PLANb. B & W FLOOR PLANc. SECTIONS

c.

7


a. c.

b.

LEGENDa. INSPIRATIONSb. MATERIALSc. PERSPECTIVE VIEW

c.

FONSECA’S LIVING ROOM

9 RESIDENTIAL DESIGN MELISSA PACHON

a.


c. a.

b.

FONSECA’S TEA ROOM


c.

11


c. a.

b.

FONSECA’S KITCHEN & DINNIG


c.

13


c. a.

b.

FONSECA’S MASTER BEDROOM


c.

15


c.

FONSECA’S MASTER ISOMETRIC

c. c.

17

c.

LOCATION: New York City SQ FOOTAGE: 1,800 sqft TYPE: Residence c.

SMITH’S RESIDENCE

CONCEPT STATEMENT:

Touch enhances the experience.

CLIENT PROFILE:

The design intent was to create unique and custom environment for the client. This will be accomplished by developing an interactive living and working space, and establish a healthy living environment. I will fulfill my client’s needs not only by creating a space that meets their requirements, but also by utilizing the entire space provided and customizing it to the client.

The client is a 38-year-old male named Joe. Joe is 5’10” tall and weighs 175 lbs. He is legally blind and uses the aid of a Seeing Eye dog. Joe works as a songwriter for commercials on TV and needs a space at home to work.


LOCATION: New York City SQ FOOTAGE: 700 sqft TYPE: Residence

19

ISO

RESIDENTIAL DESIGN MELISSA PACHONINSPIRATIONS

SMITH’S RESIDENCE

21


SMITH’S RESIDENCE

LEGENDa. B & W FLOOR PLANb. RENDER FLOOR PLANc. SECTIONS

a.

b.

c.

23

c. c.

SMITH’S KITCHEN

a.

b.


LEGENDa. RENDERSb. MATERIALSc. PERSPECTIVE VIEW

25

c. c.

SMITH’S WORK AREA

a.

b.



27

c. c.

SMITH’S BATHROOM

a.

b.



29

c. c.

SMITH’S BEDROOM

a.

b.



31

c.


MELISSA PACHONRESIDENTIAL DESIGN

c.


CONCEPT STATEMENT:

An open floor plan will be used to incorporate light, form, detail of materials, space and nature.

CLIENT PROFILE:

Liam and Kristine Lynch are a young married couple who live and work in New York City. Kristine is an actress on both TV & Broadway. She specializes in dance and also teaches her own dance class. Liam is an entrepreneur. He was the Chief of Finance of Broad- way Across America and still main- taints many business and personal relationships with people from Broad- way.

The space will consist of 11 rooms/areas; entry, powder room, kitchen, dining room, living room, a dance studio for Kristine, an office for Liam, small bar, patio, guest room, master bedroom, master bathroom, and lastly the utility and laun-dry room.


33

v

RESIDENTIAL DESIGN MELISSA PACHONINSPIRATIONS


PROCESS

LEISURE SPACE

MATERIALS ZONES

LIGHT

FUNCTION

USERS

REHERSAL

DIMMERS

PARENTS

OTHER DANCER PERFORMERS

FRIENDS

LIAN’S PRODUCER FRIENDS

PUPPY

LIAN

KRISTINE

READING

GAMESCONVERSATION

YOGA

TV

DANCE

ENTERTAINING

PRACTIVE VOICE

PILLATES

PRACTIVE VOICEPRACTIVE VOICE

OFFICE

LOUNGING

EATING BAR/STORAGE

TALK ON THE PHONE

STORAGE FILES

OFFICEOFFICE

EATINGEATING

PRIVATE

GAMES

ENTERTAINING

EATING

BAR TV

PUBLIC

READINGREADING

OFFICE

REHERSAL

PILATES

PUBLIC

YOGA

HIGHLIGHT TEXTURES

BROADWAYPOSTERS

COLORS WOOD

LEATHER

ORGANICMATERIALS

MARBLE

TEXTURE

GREEN WALL

WOOD BROADWAYPOSTERS

HIGHLIGHT HIGHLIGHT HIGHLIGHT TEXTURES

PEARLS

HIGHLIGHT POSTERS

NATURALLIGHT

HIGHLIGHT HIGHLIGHT HIGHLIGHT POSTERS

SPATIAL QUALITIES

DEFINED SPACES

CLOSED STORAGE

OPEN CONCEPT

DEFINED SPACES

RELATIONSBET KIT/LEISURE VISUAL

ACCESSBET KIT/LEISURE BET KIT/LEISURE BET KIT/LEISURE BET KIT/LEISURE

35

v



b. c.

37

a.

LEGENDa. B & W FLOOR PLANb. RENDER FLOOR PLANc. SECTIONS

c. c.

LYNCHY’S ENTRY AREA

a.

b.


LEGENDa. INSPIRATIONSb. MATERIALSc. RENDER

39

c. c.

LYNCHY’S LIVING ROOM

a.

b.


LEGENDa. FURNITUREb. INSPIRITATIONSc. MATERIALSc. PERSPECTIVE VIEW

a.

41

c. c.

LYNCHY’S LIVING ROOM

a.


LEGENDa. FURNITUREb. MATERIALSc. PERSPECTIVE VIEW

43

b.

c. c.

LYNCHY’S KITCHEN

b.



a.

45

c. c.

LYNCHY’S MASTER BATHROOM



a.

b.

47

c. c.

LYNCHY’S MASTER BEDROOM



a.

b.

49

c. c.

LYNCHY’S PATIO



a.

b.

51

c. c.

LYNCHY’S DANCE ROOM



a.

b.

53

c. c.

LYNCHY’S


ccc. . .

55

COMMERCIAL DESIGN

COMMERCIAL DESIGN MELISSA PACHON

BURT’S BEE SHOWROOM

SPACE PLANNING57

c.


MELISSA PACHONCOMMERCIAL DESIGN

c.


CLIENT PROFILE:

Burst’s Bees project is a pop up showroom showcasing the company. Burst’s Bees is a personal care product company, Their philosophy is base on the use of all natural products and the impact they have on the environment.

Burt’s Bees operates under a business model referred to as “The Greater Good,” which outlines that all company practices must be socially responsible. Burst bees engage in environmentally friendly business practices, and extends its humanitarian efforts to the community at large. Upon entering the store the customers will feel as if they are entering a life size beehive experience. They will follow a sequence from space to space while enjoying the details in the interior.

LOCATION: New York City SQ FOOTAGE: 2,500 sqft TYPE: COMMERCIAL

59

COMMERCIAL DESIGN MELISSA PACHONINSPIRATIONS


61

v

ISOMETRIC

v


a.

LEGENDa. FLOOR PLANb. SECTIONS

63 COMMERCIAL DESIGN MELISSA PACHON

b.

c. c. a.

b.

BURT’S BEE ENTRY AREA



65

c. c. a.

b.

BURT’S BEE HISTORY AREA



67

c. c. a.

b.

BURT’S BEE MAKE-UP AREA



69

c. c. a.

b.

BURT’S BEE BATHROOM



71

c.



c.

SPACE PLANNING

73

v


MARKETINGFACILITY

COMMERCIAL DESIGNNEW YORK

A successful publishing firm wishes to create it’s own small meeting and marketing facility. The new facility is expected to serve a variety of functions, from in house training sessions to sales and marketing presentations to po-tential buyers. While maintaining a strongly professional image, this facility is expected to reflect the firm’s success and impress visitors through its design quality.

From a functional viewpoint, the most impor-tant planning and design issue is the creation of optimal presentation, classroom, and con-ference spaces. Special attention should be given to corridor and aisle spaces, since rela-tively large numbers of people will be enter-ing or leaving a space at one time.

75

LEGENDa. BUBBLES DIAGRAMb. RELATIONSHIP DIAGRAM

a.

b.

v


MARKETINGFACILITY

77

LEGENDa. FURNITUREb. INSPIRITATIONSc. FLOOR PLANS

b.

a.

c.

v


COMMUNITYCOUNSELINGCONSORTIUM

COMMERCIAL DESIGNNEW YORK

The community-counseling consortium (CCC) has found a new space in which to house its offices and meeting facilities. The space must accommodate the administrative and coun-seling offices for CCC, a community seminar and conference room, and a Hot Line Center (HLC). CCC is a nonprofit, community- funded organization that counsels both families and individuals in crisis. CCC offers some health care courses, hospice programs, and group interaction seminars. CCC maintains a check-out library, books, CDs, and DVDs available for all individuals. It further offers a reasonably sized seminar room.

79

LEGENDa. BUBBLE DIAGRAMSb. ZONING DIAGRAMS

a.

b.

v


COMMUNITYCOUNSELINGCONSORTIUM

81


b.

a.

c.

v


COSMOPOLITANCLUB

RESTAURANTNEW YORK

The club’s purposes are to provide a meet-ing place for members, a place to entertain nonmember friends and business associates, and a dining place of predictable fare and atmosphere where one is known.The design program was established after lengthy consultations with the managers of others dining clubs. The overall ambience should be friendly, businesslike, and more formal than informal. Lunch is the major meal of the day. The bar and lounge activity is expected to be limited; again, previous ex-perience indicates that members expect the lunch hour to be limited, without the luxury of an extended midday break. Because the membership is fairly diverse in nature, a strong theme in cuisine or décor is not desired.

83

LEGENDa. BUBBLE DIAGRAMSb. ZONING DIAGRAMS

a.

b.

v


COSMOPOLITANCLUB

85


b.

a.

c.

v


PEDIATRICANNEW YORK

A partnership of two pediatricians requires a new office facility. Their practice is neigh-borhood-oriented, dealing with a complete range of pediatric care. Although the atmosphere should be professional and businesslike, the primary concern in terms of ambience is to create a relaxed atmosphere throughout to minimize the typical anxiety that most people, parents and children, feel when entering a doctor’s office. The practice employs a receptionist/secretary, a medical technician, and a part-time bookkeeper for billing and other business functions. A medical equipment manufacturer has been selected; its repre-sentative has prescribed the size and shape of the typical exam room and the nurse’s station.

PEDIATRICANOFFICE

87

LEGENDa. SPACE PLANNINGb. PROCESS

a.

b.

v


PEDIATRICANOFFICE

89

b.

a.

c.


TECHNICAL DRAWINGS

TECHNICAL DRAWINGS MELISSA PACHON91

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2

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101Treatment Room

102Treatment Room

103

Treatment Room

104

Treatment Room

105

Pantry

106Women's Lounge

107

Men's Lounge

108

Women's Lockers

109Men's Lockers

110

Men's Toilet

111

Men's Shower

112Women's Shower

113

Women's ADA

Toilet

114

Women's Toilet

115

Employee Lounge

116

Employee ADA

Toilet

117

Service Vestibule

118 Treatment Corridor

119

Lounge Corridor

120

Nail Area

121

Nail Lounge

122

Retail Area

123POS Area

124

Closet

125

Nail Prep

126

Retail Store

127

Office

128

34' - 5 15/16" 0' - 2 7/16"

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----

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ID 200 Advanced CAD

Spa Interior

06/04/2013Melissa Pachon

A001Floor Plan

1/4" = 1'-0"1 Sections


FLOOR PLAN

107

1

2

3

456

EQ EQ EQ EQ

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ID 200 Advanced CAD

Spa Interior


A001Reflective Ceiling Plan

1/4" = 1'-0"1 Copy of Level 1 Floor Plan

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18' -

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28' - 0" 28' - 0"

1

2

3

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12 x 24ceramic

PROVIDE STEELBLOCKING IN WALLTO SUPPORTSHELVING UNITS

TRACK FORGLASS TO BEREGESSED INFLOOR

TRACK FORGLASS TO BERECESSED INFLOOR

SEE EQUIPMENTPLAN ANDFURNITUREPLAN FORTREATMENTROOM LAYOUTS

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----

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ID 200 Advanced CAD

Spa Interior


A001Furniture Plan

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REFLECTING CEILING PLANFURNITURE PLAN

109

Level 1 Floor Plan0' - 0"

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Spa Interior


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1/2" = 1'-0"1 retail interior east

1/2" = 1'-0"3 retail interior south

1/2" = 1'-0"4 retail interior west

1

2

3

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2

4

3

1A301

Department Legend

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Ceramic 12 x 12

vct

Ceramic 12 x 24

white

3A301

----

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ID 200 Advanced CAD

Spa Interior


A001Floor Covering Plan

1/4" = 1'-0"1 Spa Floor Plan

1

2

3

456

----

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2

4

3

1A301

Department Legend

4" Blue

Ceramic 12 x 12

vct

Ceramic 12 x 24

white

3A301

----

2A301

ID 200 Advanced CAD

Spa Interior


A001Floor Covering Plan

1/4" = 1'-0"1 Spa Floor Plan


RETAIL ELEVATIONSFLOOR COVERING

111

ID 200 Advanced CAD

Spa Interior


A001Rendering

12" = 1'-0"1 3D View Retail

12" = 1'-0"2 Isometric 12" = 1'-0"3 Room Rendering 1


Level 210' - 0"

456

----

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Level 210' - 0"

23

----

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1A301

1A301

ID 200 Advanced CAD

Spa Interior


A001Sections

1/4" = 1'-0"1 Split Section

1/4" = 1'-0"3 Retail Section 1/4" = 1'-0"2 Nail Area Section


RENDERINGSSECTIONS

113

HOSPITALITY DESIGN

HOSPITALITY DESIGN MELISSA PACHON115

c.



c.

CONCEPT STATEMENT:

Space within a space

CLIENT PROFILE:

The process of bathing is not purely physical. At the end of the day the desire to release out stress and emotional loads to feel and be renewed becomes a need; the same way a clam creates a pearl after being harmed by a sand grains. Letting the door open to exploration through passageways and different shapes is easier to find a place to center and relief. With open areas but at the same time containing numerous spaces within, privacy becomes a principal element in the overall design. The layout is a linear design meaning the user has to go through all of the rooms and the star point becomes the end line. The program requirements are as follows; entry and waiting area, locker room (male/female), plunge pool, warm pool, hot pool, sun- room.

LOCATION: TORONTO, CANADA SQ FOOTAGE: 15,000 sqft TYPE: HOSPITALITY DESIGN

PEARLBATH HOUSE

117

PEARLBATH HOUSE

HOSPITALITY DESIGN MELISSA PACHON

CLAM

IS OF AIS A

TRANSFORMCREATES

IS FROM

HAS A

FUNCTION

SIZE

RANGING FROM

2” 47”

MOLLUKS

CLEAN SAND

OCEANWATERS

WATERFALLS

PEARLS

MEDICINE

KITNESS

STOMASH

LUNGS

PEARLSOURCE FOOD

ALIMENTACION

CRATS

LAMPS

JEWELERY

DECORATION

SHAPE

FANSHAPE

VARIESIN

OVAWSHAPES

ELONGATED

TEXTURE

INSIDE

SLOFTSTICKY

OUTSIDE

GENTUE

SMOTH

CORRUGATED

COLOR

OUTSIDENEUTRAL

INSIDE

YELLOWBLUE

WHITE

GREY

STRUCTURE SHELL

STRONG HARD

RIGID

ORGANIC

SYTHETRICALSMELL

ALIVEDEAD

NONE SMELLFISHY SMELL

PROCESS

ISO

119


FLOOR PLANS & SECTIONS

PEARLBATH HOUSE

121


PEARLENTRY AREA

a.


LEGENDa. MATERIALSb. PERSPECTIVE VIEWS

a.

123

b.

PEARLHOT POOL

a.


a.

125

b.


PEARLPLUDGE POOL

a.


a.

127

b.


PEARLWARM POOL & SUN ROOM

a.


a.

129

b.


DESIGN STUDIES

DESIGN STUDIES MELISSA PACHON131

ENCHANTED FOREST

CONCEPT STATEMENT:

The mysterious and magical en-chanted forest.

PROGRAM:

Design a 10’x10’x10’ dining area that seats ten people. The theme of the design is the enchanted forest. The goal was to create a mysterious and mystical atmosphere that is both beautiful and eerie.

LEGENDa. INSPIRATIONSb. FLOOR PLANc. ELEVATIONd. SKETCH

a.

DESIGN STUDIES MELISSA PACHON133d.

c. b.

ENCHANTED FOREST

LEGENDa. FURNITUREb. MODELSc. PERSPECTIVE VIEW

b.

a.

DESIGN STUDIES MELISSA PACHON135c.

ENCHANTED FOREST

LEGENDa. FURNITUREb. MATERIALSc. PERSPECTIVE VIEW

b.

a.


MARIE ANTOINETTE

CONCEPT STATEMENT:

DIFFA Roccoco style.

PROGRAM:

DIFFA: Design Industries Foundation Fighting AIDS is one of the country’s largest supporters of direct care for people living with HIV/AIDS and preventive education for those at risk. Merging care and commerce, supporters of DIFFA come from all fields of fine design and visual arts, including: architecture, fashion design, interior design, photography and consumer product design.

LEGENDa. INSPIRATIONSb. FLOOR PLAN

a.

DESIGN STUDIES MELISSA PACHON139b.

MARIE ANTOINETTE

LEGENDa. FURNITUREb. MODELSc. PERSPECTIVE VIEW

b.

a.


MARIE ANTOINETTE

LEGENDa. FURNITUREb. MODELS c. PERSPECTIVE VIEW

b.

a.


KIT OF PARTS

CONCEPT STATEMENT:

The interactions and relationships between geometric.

PROGRAM:

Using 1 platform, 5 walls, 2 reflection pools, 1 monolith, 8 columns, 5 stairs and 1 roof, the goal i s to des ign a pavi l ion made for m e d i t a tion and relaxation. The layout promotes “the journey”, split into 3 stages. The first stage, the stairs intersect the pool as if emerg- ing from the water. After the stairs is the long corridor, which creates a curiosity about what is to come. The final stage, the ar r ival, represents the resolution and the culmination of the journey.

LEGENDa. INSPIRATIONSb. ISOc. FLOOR PLAN

a.


b.

c.

KIT OF PARTS

LEGENDa. SECTIONSb. PERSPECTIVE VIEWS a.


b.

SPATIALSTUDIES

CONCEPT STATEMENT:

Cut & fold to create negative and positve space.

PROGRAM:

Using the method of cutting and folding create a space consisting of negative and positive space. Utilize fenestration to strengthen the connection between the built environment and the exterior environment. Create seamless joinery in order to enhance finishes.

LEGENDa. INSPIRATIONSb. FLOOR PLANSc. ISOMETRIC

a.


c.

b.

b.

SPATIALSTUDIES

LEGENDa. EVELATIONSb. SECTIONS

a.


b.

SPATIALSTUDIES

DESIGN STUDIES MELISSA PACHON

LEGENDa. RENDERSb. MODEL

a.

153

b.

THANK YOU

melissa pachon interior design portfolio

Documents

design concept

year of graphic design

family trips

interior designer

different places

graphic designers

value beauty

different coun